11 when one style doesn’t fit all - scout · 2017. 6. 22. · the harem pants and power jackets....

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NATAGE G011 11 January 31, 2010 feature When one style doesn’t fit all Looking for something to wear other than gladiator sandals or skinny jeans this summer? Your chances of finding it are slimmer than ever, writes Rachel Wells. It’s unlikely we’re going to reach a certain age and suddenly stop caring about fashion. H ave you tried buying a jacket lately that doesn’t have shoulders wider than the wingspan of an Airbus A380? What about jeans you don’t have to paint on? Or trousers without a crotch that hangs around your knee caps? If you have, you will know it’s almost impossible because right now, power shoulders, jeggings and harem pants are among the season’s hottest looks. They are the items that have been singled out by trend forecasters as the garments that will sell faster than any other. Not surprisingly then, shops are cluttered with these must-have items, leaving little room for anything else. But for consumers who prefer to wear their jeans straight rather than skinny, and their shoulders narrow enough to fit through doorways, searching for alternatives can prove frustrating and, more often than not, fruitless. But it hasn’t always been this way. In the past five years or so, Australia’s clothing retailers have become more slavish to the whims of fashion than ever. The fashion industry has always been fashionable, of course. But in the early noughties, the fashion retail landscape changed dramatically. Courtesy of the internet, consumers now had access to catwalk and celebrity images within hours of them being taken. If Kate Moss was spotted wearing denim hotpants on Sunday then they wanted to have them by Friday. The chain stores — led by Sweden’s H&M and Topshop in London — responded. They sped up production cycles, found cheap labour, mostly in China, and rushed copies of clothes spied on the catwalks and celebrities into stores within weeks, and for a fraction of the price. Fast fashion was born. And it quickly became a global phenomenon. Here in Australia, retailers who had made their bread and butter — some for decades — selling timeless classics and wardrobe staples wanted a piece of the booming fast- fashion market. Country Road, Portmans, Sussan and Cue were among the local labels that ditched their pant-suits and polo tops for the kind of gear Victoria Beckham and Sienna Miller might wear. Meanwhile, Target — the budget basics specialists — enlisted some of the world’s hottest designers, including Stella McCartney and Zac Posen, to give it a Trinny and Susannah-style makeover. But in the process, Australia was left with a scarcity of retailers selling meat- and-two-veg-style wardrobe staples. “It’s definitely a lot harder to find non-trend-driven garments in Australia these days because there really has been a big shift towards this very trend-driven fast-fashion environment,” says Tony Bannister, director of fashion forecasting company Scout. Karen Brickell, from fast-fashion chain Forever New, which launched in Australia in 2006, says the shift has been driven by an increasingly fashion-savvy consumer. “Retailers like ourselves are simply responding to what the consumer wants,” says the buying and design manager, for woven and apparel. “Our customer is so fashion savvy nowadays, they have so much information at their fingertips, that they’re demanding the latest look … And it’s competitive. If she’s out there looking for a great leather biker jacket and we don’t have one, she’ll go somewhere else for it.” Brickell adds that older consumers are also more trend-conscious these days. As a result, labels aimed at mature customers are also becoming increasingly voguish. “It might have been that once upon a time you got to a certain age and retailers assumed you didn’t care about fashion any more and so that segment of the market was predominantly your classics and core basics. But that’s not the case now … We are very fashion aware now, so it’s unlikely that we’re going to reach a certain age and suddenly stop caring about fashion.” While Brickell maintains they still do a small run of core items each season, like most chainstores, there is no question they are becoming much harder to find among the harem pants and power jackets. Not surprisingly, the handful of designers still offering wardrobe staples are reaping the profits. Teresa Liano, from T.L. Wood has been making classic knits and wearable separates for more than a decade. She says her business is in demand from women who want a more timeless alternative to the mass-produced high street looks. “I keep an eye on catwalk trends and celebrities but I’m not obsessed with them because if a celebrity is wearing something, then it means Target is going to do it, Sportsgirl is going to do it. Everyone’s going to do it. I’d rather do something that’s a bit different and a bit more timeless,” she says. “Not everyone wants to wear the latest trends. And that’s why I think op shopping has become so popular. People want something that’s different or classic. And you often can’t find that in the shops.” Penelope Cohen, from Skin and Threads, says it was the glaring gap in the market for good quality basics that inspired her and co-founder Emma Gathercole to launch their label, which specialises in staples including organic cotton T-shirts, Merino wool cardigans and leggings, back in 2003. “We found it really hard to find those basic garments that you could wear season in and season out. So we’re about providing something that is stylish and still fashionable but a little bit more wearable and comfortable and timeless than say a padded shoulder jacket or a slouch front pant.” Bannister says there is “plenty of room” in the local market for more labels like Skin and Threads. She lists H&M’s sister chain, COS (Collection of Style) as a prime example of a back-to-basics label that is booming. When it launched in London in 2007 it was pitched specifically at “people who want to look stylish without being slaves to fashion”. Other examples include Swedish label Acne, which specialises in stylish, no-fuss basics, and Jil Sander’s collaboration with Uniqlo, +J — think cashmere crewnecks and cotton sweaters for men, and cardigans, trench coats and blazers for women. This new back-to-basics trend is one trend many consumers — who don’t care for jeggings and jumpsuits — will undoubtedly hope will catch on here too. M WHERE TO FIND STYLISH STAPLES Skin and Threads 9576 1000 T.L. Wood 9671 4792 Metalicus 8415 9888 Body by dainy sawatzky 9510 6150 Feathers 9519 6777 Mesop 9419 2299 ILLLUSTRATION: ANDREW JOYNER

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Page 1: 11 When one style doesn’t fit all - Scout · 2017. 6. 22. · the harem pants and power jackets. Not surprisingly, the handful of designers still offering wardrobe staples are reaping

NATAGE G011

11January 31, 2010

feature

When one styledoesn’tfit all

Looking for something to wear otherthan gladiator sandals or skinny

jeans this summer? Your chancesof fi nding it are slimmer than ever,

writes Rachel Wells.

It’s unlikely we’re going to reach acertain age and suddenly stop caring about fashion.

Have you tried buying a jacket latelythat doesn’t have shoulders widerthan the wingspan of an AirbusA380? What about jeans you don’t

have to paint on? Or trousers without acrotch that hangs around your knee caps? If you have, you will know it’s almostimpossible because right now, power shoulders, jeggings and harem pants areamong the season’s hottest looks. They are the items that have been singled out by trend forecasters as the garments that willsell faster than any other.

Not surprisingly then, shops are cluttered with these must-have items,leaving little room for anything else. But for consumers who prefer to weartheir jeans straight rather than skinny, and their shoulders narrow enough to fi t through doorways, searching foralternatives can prove frustrating and, more often than not, fruitless.

But it hasn’t always been this way. In the past fi ve years or so, Australia’sclothing retailers have become moreslavish to the whims of fashion than ever.The fashion industry has always been fashionable, of course. But in the early noughties, the fashion retail landscapechanged dramatically.

Courtesy of the internet, consumersnow had access to catwalk and celebrityimages within hours of them being taken. If Kate Moss was spotted wearing denimhotpants on Sunday then they wanted tohave them by Friday. The chain stores— led by Sweden’s H&M and Topshopin London — responded. They sped upproduction cycles, found cheap labour, mostly in China, and rushed copiesof clothes spied on the catwalks andcelebrities into stores within weeks, andfor a fraction of the price.

Fast fashion was born. And it quicklybecame a global phenomenon. Here inAustralia, retailers who had made theirbread and butter — some for decades

— selling timelessclassics and wardrobe stapleswanted a piece of the booming fast-fashion market.

Country Road,Portmans, Sussan and Cue were among the locallabels that ditched their pant-suits andpolo tops for the kind of gear VictoriaBeckham and Sienna Miller might wear.

Meanwhile, Target — the budgetbasics specialists — enlisted some of theworld’s hottest designers, including StellaMcCartney and Zac Posen, to give it aTrinny and Susannah-style makeover.

But in the process, Australia was leftwith a scarcity of retailers selling meat-and-two-veg-style wardrobe staples.

“It’s defi nitely a lot harder to fi nd non-trend-driven garments in Australiathese days because there really has beena big shift towards this very trend-drivenfast-fashion environment,” says Tony Bannister, director of fashion forecasting company Scout.

Karen Brickell, from fast-fashion chainForever New, which launched in Australiain 2006, says the shift has been driven by an increasingly fashion-savvy consumer.

“Retailers like ourselves are simply responding to what the consumer wants,”says the buying and design manager, forwoven and apparel. “Our customer is sofashion savvy nowadays, they have so much information at their fi ngertips, thatthey’re demanding the latest look … Andit’s competitive. If she’s out there lookingfor a great leather biker jacket and we don’t have one, she’ll go somewhere elsefor it.”

Brickell adds that older consumers arealso more trend-conscious these days. As a result, labels aimed at mature customersare also becoming increasingly voguish.

“It might have been that once upon

a time you got to acertain age and retailers assumed you didn’t careabout fashion any more

and so that segment of themarket was predominantly

your classics and core basics. But that’s not the case now …

We are very fashion aware now, so it’s unlikely that we’re going to reacha certain age and suddenly stop caring about fashion.”

While Brickell maintains they still do a small run of core items each season, like most chainstores, there is no question theyare becoming much harder to fi nd among the harem pants and power jackets.

Not surprisingly, the handful ofdesigners still offering wardrobe staples are reaping the profi ts.

Teresa Liano, from T.L. Wood hasbeen making classic knits and wearable separates for more than a decade. She says her business is in demand from women who want a more timelessalternative to the mass-produced highstreet looks.

“I keep an eye on catwalk trends andcelebrities but I’m not obsessed with them because if a celebrity is wearing

something, then it means Target is going to do it, Sportsgirl is going to do it. Everyone’s going to do it. I’d rather dosomething that’s a bit different and a bitmore timeless,” she says.

“Not everyone wants to wear the latesttrends. And that’s why I think op shopping has become so popular. People wantsomething that’s different or classic. Andyou often can’t fi nd that in the shops.”

Penelope Cohen, from Skin andThreads, says it was the glaring gap in the market for good quality basicsthat inspired her and co-founder Emma Gathercole to launch their label, whichspecialises in staples including organiccotton T-shirts, Merino wool cardigans andleggings, back in 2003.

“We found it really hard to fi ndthose basic garments that you couldwear season in and season out. So we’re about providing something that is stylishand still fashionable but a little bit more wearable and comfortable and timelessthan say a padded shoulder jacket or aslouch front pant.”

Bannister says there is “plenty of room” in the local market for more labels like Skin and Threads.

She lists H&M’s sister chain, COS(Collection of Style) as a prime example of a back-to-basics label that is booming. When it launched in London in 2007 it was pitched specifi cally at “people whowant to look stylish without being slavesto fashion”.

Other examples include Swedish labelAcne, which specialises in stylish, no-fussbasics, and Jil Sander’s collaboration with Uniqlo, +J — think cashmere crewnecks and cotton sweaters for men, and cardigans,trench coats and blazers for women.

This new back-to-basics trend is onetrend many consumers — who don’tcare for jeggings and jumpsuits — willundoubtedly hope will catch on here too.

M

WHERE TO FINDSTYLISH STAPLES

Skin and Threads 9576 1000

T.L. Wood 9671 4792Metalicus 8415 9888

Body by dainy sawatzky 9510 6150

Feathers 9519 6777Mesop 9419 2299

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UST

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