1985 soft & hard

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    SOFT & HARD

    In 1985 on late night television, C4 broadcast Soft & Hard collaborative videotape

    by Anne Marie Mieville and Jean Luc Godard. The two appear in their Paris Flatconversing. Voice-overs and musical scores vie for ascendancy.

    TALK BETWEEN

    TWO FRIENDS

    Slowly image, action, source sound and overdubs merge in their simultaneity.

    This is a small multiverse of many strands caught in a domestic interior withtelevision

    SOFT TALK

    HARD SUBJECT

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    Anne Marie arranges flowers in a vase.

    Jean Luc talks over a deal on the phone.Anne Marie loops a film into a Steenbeck

    Jean Luc disinterestedly watches television

    Anne Marie does the ironingJean Luc practices squash in the hallway.

    His voice over says: So Im making pictures instead of children.Does this stop me being a human being?

    HARD DREAM

    The sea. The sky. The clouds.

    HARD STREAM

    Pitiless Art! What an undertaking! Merciless art, lacking all pity

    for human pain which is nothing to it

    A SOFT CONVERSATION

    ON HARD SUBJECTS

    BETWEEN TWO FRIENDS

    They continue a discourse on the image and television.

    J-L: You could say I like T.V. because it doesnt show things.

    So you probably dislike it for the same reason.

    A-M: Thats not it. Television never shows things, yet it makes you think

    that it never stops showing them and this is what showing things is

    and theres no other way to show them!

    J-L: So they shouldnt be shown?

    A-M: Yes but T.V. is profoundly dishonest. It justifies its own smugness by itspretence, convincing itself that it does show things.

    J-L:I think that it knows that.

    A-M:Do you really?

    (They both laugh)

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    To watch this video essay questioning images and the rule of television via the very

    medium it was critiquing was an epiphany! Unaccustomed to the rigours of art school

    or self criticism I marvelled at two artists expressing doubts about their own work andreservations on where to go next. The atmosphere of gently probing a subject through

    tentative discussion and real uncertainty was wholly unfamiliar to me yet came as a great

    thrill. I felt as though my own misgivings about the consensual reality around me were notmere figments.