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  • 8/19/2019 2 - worksheets.pdf

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    BEE'S KNEES ENGLISH - - - - - - - - AM LIA & JOHN  - - - - - - - WORKSHEETS

    WORKSHEETS Here is a collection of worksheets. Some are hand-outs or print-outs for

    students to work on in class, others are supposed to provide a leg-up to the

    teacher. Hope you nd the useful.

      EADING SHEET

    • large-font version to keep in front of you while telling the story 

    • bol parts ini!ate "a#or storyline points an evelop"ent

    TEA$HE %S SHEET

    • the te&t to highlight an write notes into ' vo!abulary to note e(nition ieas in

    •gra""ar to list points to e&pan on

    • best !onversation set-ups an topi!s ' opening line an in)uiry *re!all options

    ST+DENTS E,AI

    • the version to e"ail stuents at so"e point

    • narrow  !olu"n provies spa!e for notes

    ./ENING INES

    • interesting ways to get the story starte

    • various perspe!tives0 various ti"e !onte&ts

    IN1+I 2* E$A

    • fun ways to in)uire about the story 

    • various starting points  within the story 

    $.N3E SATI.N

    • ieas for !onversation between stuents 4stuents usually work in pairs 5

    • so"eti"es both stuents speak for the sa"e !hara!ter0 so"eti"es they !o"ple"ent ea!h other

    fro" two i6erent perspe!tives 4the latter is way "ore fun5

    • so"e !onversations follow the storyline0 others are totally i"provi7e

    8E29. DS

    • keywors guie stuents through the te&t without giving the" "u!h in the way of gra""ar hints

    4 vo!ab is provie for !o"fort5,+ST-+SE

    • phrases*gra""ar the stuents absolutely positively have to use while telling the story 

    • bol bits "ust be use0 non-bol bits are !onte&tual hints

    • three ways to go through the story0 !ut up into stripes0 then sele!t one or o all three

    /.INT-.+T

    • the "ost i"portant phrases*gra""ar  for the stuents to learn

    • sele!t those that apply to your !lass level0 translate the" into your native language

    • use as a translation sheet for "onths afterwars to keep the infor"ation fresh

    :I-IN

    • two alternating versions a*b 0 one gap  e)uals one wor

    • option a5 han out a'b for pair work 4stuents take turns guessing their "ystery wors5

    • option b5 e"ail one version as ho"ework sheet

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    BEE'S KNEES ENGLISH - - - - - - - - AM LIA & JOHN  - - - - - - - WORKSHEETS

    THE READING SHEET

    ;ohn an I "et at a party si&ty years ago< He= ha a lot torink when I was introu!e to hi" by a "utual frien< In

    fa!t0 he ha #ust poure a glass of beer straight own his

    throat right in front of "e as if to say0 Sweetheart0 this is

    how real "en rink< I sai I was worrie about hi"0 but

    he insiste he was (ne<

    :or a s"all guy he sure knew how to hol his li)uor< Itthen turne out that it was a party tri!k of so"e sort that

    he was fa"ous for< He espe!ially en#oye oing it in front

    of people who ha never seen hi" o it< It !ertainly "ae

    an i"pression on "e< Still0 I kept an eye on hi" for the

    rest of the night0 #ust in !ase<

     9hen we bu"pe into ea!h other a little later0 he !alle

    "e >funny fa!e

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    BEE'S KNEES ENGLISH - - - - - - - - AM LIA & JOHN  - - - - - - - WORKSHEETS

    POINT-OUT

    ????????????????????????????????????  on!e you get to know hi"0 you%ll like hi"????????????????????????????????????  by the ti"e we get there0 it%ll be over

    ????????????????????????????????????  strangely enough0 we ene up falling  in love

    ????????????????????????????????????  i you have a goo ti"e  at  the party@

    ????????????????????????????????????  thanks for staying late0 I appre!iate it

    ????????????????????????????????????  I o know all those people

    ????????????????????????????????????  he%s a #erk0 you got that right

    ????????????????????????????????????  I in%t "in but everyone else i

    ????????????????????????????????????  all things !onsiere0 we !oul have one worse

    ????????????????????????????????????  she%ll !o"e up with a better na"e than we i

    ????????????????????????????????????  that%s not true0 you "ae that up

    ????????????????????????????????????  why on%t I leave it with you0 #ust in !ase

    ????????????????????????????????????  still0 you shoul have "entione it to us

    ????????????????????????????????????  it "ae no i"pression on her at all????????????????????????????????????  woul you "in keeping an eye on "y beer@

    ????????????????????????????????????  i you see anyone eat any of these@

    ????????????????????????????????????  there "ust be so"ething that he%s fa"ous for

    ????????????????????????????????????  for su!h a tall guy 0 he%s not !lu"sy at all

    ????????????????????????????????????  they laughe at "y inability to hol "y li)uor

    ????????????????????????????????????  what if it turns out  that he lie the whole ti"e@

    ????????????????????????????????????  oh !o"e on0 that%s not how you rink wine

    ????????????????????????????????????  weren%t you worrie about your !hilren@

    ????????????????????????????????????  let "e warn you0 ;i" has ha )uite a lot to rink

    ????????????????????????????????????  a "utual frien  is going to introu!e us

    ????????????????????????????????????  "y wife an I  have been "arrie for years

    ????????????????????????????????????  I on%t rink ru"0 in fa!t I on%t rink at all

    ????????????????????????????????????  we ha a har ti"e agreeing on who to invite????????????????????????????????????  not only oes it "atter 0 it%s the best part

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    BEE'S KNEES ENGLISH - - - - - - - - AM LIA & JOHN  - - - - - - - WORKSHEETS

    KEYWORDS

    PA R T Y J O H N - - - I N T R O D U C E

    D R I N K ! B E E R - - - R E A L M E N

    S M A L L : D R I N K ! - - - P A RT Y T R I C K

    I M P R E S S ? W O R R Y ! - - - K E E P E Y E" F U N N Y FA C E " - - - S I N C E !

    M I N D ? - - - W O R S E + FA C E : R I G H T

    G O O D T I M E L AT E - - - B U S WA L K

    H O M E : G E T K N O W E T C

    m u t u a l f r i e n d

    h a v e a l t t d r i n !

    " u r

    i n # i # t

    h l d n e $ # l i % u r

    t u r n u t

    m a ! e a n i m " r e # # i n

    ! e e " a n e & e n # '

     ( u # t i n ) a # e

    ' u m " i n t # '

    m a ! e # t u "

    n t h e # " t

    ) m e t t h i n ! f i t

    a # f a r a # * * * + n i ) ! n a m e

    h n e & m n

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    ,I-IN .A/ ,I-IN .0/

    J#$ %$& I () *** % %,) ./0) (%,. %1 H(2& #%& % 3) *** &,/$4 5#($

    I 5%. /$),&67(& )"  #/ *** % *** 8,/($& I$ 8%7) #( #%  96.) *** % 13%..

    8 ((, .),%/1#) *** #/. )#,%) ,/1#) /$ 8,"$)  8 ( *** /8 ) .%

    S5(()#(%,) )#/. /. *** ,(%3 ($ &,/$4 I .%/& I 5%.  5,,/(& *** #/ 6)

    #( /$./.)( #( 5%. ;$(

     *** % .%33 16-  #( .6,( *** #5 ) #"3 #/. *** I) )#($ )6,$(  *** )#%)

    /) 5%. % %,) ),/74 8 .( .",) )#%) #( 5%. 8%6. *** H( (.(7/%33

    ($9(& "/$1 /) /$ 8,$) 8 (3( 5# * ** $(6", I) )#($ *** "6)  )#%)

    /) 5%. % %,) ),/74 8 .( .",) )#%) *** 5%. 8%6. 8", H( (.(7/%33

    ($9(& *** /) /$ 8,$) 8 (3( 5# #%  $(

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    TEA1HER$S SHEET

    J#$ %$ I () %) % %,) ./0) (%,. %1 H(2 #% % 3") )" ,/$4 5#($ I 5%.

    /$),&67(& ) #/ % 6 )6 %3 8,/($ I$ 8%7) #( #%& 96.) +"6 ,( % 13%.. 8 ((,

    .),%/1#) "5$ #/. )#,%) ,/1#) /$ 8,$) 8 ( %. /8 )" .%- S5(()#(%,) )#/. /. #"5 ,(%3

    ($ &,/$4 I .%/& I 5%. 5",,/( %:"6 ) #/ 6) #( /$./.)( #( 5%. ;$(

    @ F", % . %33 16 - #( .6 ,( 4$(5 #"5 )" #"3 #/. 3/>6 ", I) )#($ )6 ,$( "6 ) )#%) /)

    5%. % %,) ),/74 8 .( .,) )#%) #( 5%. 8% "6 . 8", H( (.(7/%33 ($9"-( "/$1 /)

    /$ 8,$) 8 (3( 5# #%& $(

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    2UST-USE .A/ 2UST-USE .0/ 2UST-USE .1/

    an I C ;ohn "eet party 

    be introu!e to sb  C "utual frien

    ha one C when "eetB rink "u!h

    as if to say  C beer real "en

    be worrie about  C say 

    know how to C hol li)uor

    be fa"ous for st  C party tri!k

    "ake an i"pression on sb  C !ertainly 

    #ust in !ase  C insist (ne0 keep eye on

    "ake st up  C funny fa!e

    !o"e up with C a"it forgetB "ust

    "in C not 4ni!kna"e5

    o have C funny fa!e right

    have a goo ti"e  C enB party 

    not only C get to know ' honey"oon

    agree on C na"e kis

    at a party C (rst "eet

    "utual frien C introu!e

    straight own C beer throatB i"press

    this is how C sayB real "en

    insist  C worry0 (ne

    hol one%s li)uor  C ;ohn

    en#oy -ing C tri!k in front of 

    still0

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    BEE'S KNEES ENGLISH - - - - - - - - AM LIA & JOHN  - - - - - - - WORKSHEETS

    Amelia3 4hn3 4hn3 Amelia 

     John and I met at  a party sixty years ago. He’d had a lot to

    drink when I was introduced to him by a mutual friend. In

    fact, he had just poured a glass of beer straight down his

    throat right in front of me as if to say , Sweetheart, this is

    how  real men drink. I said I was worried about him, but he

    insisted he was ne.

    For a small guy  he sure knew how to hold his liquor. It

    then turned out that it was a party trick of some sort that 

    he was famous for. He especially enjoyed doing  it in front

    of people who had neer seen him do it. It certainly made

    an impression on me. Still, I kept an eye on him for the

    rest of the night,  just in case .

     !hen we bumped into each other a little later, he called

    me "funny face.# He just made that up on the spot. He later

    admitted that he forgot my name so he had to come up

    with something. He#s called me "funny face# ever since,

    come to think of it . I didn$t mind then and I don't now.  s

    far as nicknames go , you could do a lot worse . %nd I do  

    hae a funny face, so he$s got that right.

     nyway , we both ended up having a really good time  at

    the party and we stayed so late that we missed the last bus

    and had to walk e miles in the rain. !ot only did we get

    to know each other on the way home, by the time we got

    there we had planned our honeymoon and agreed on what 

    we were going to name our three kids.