2008 camera support reporter lighting fifty years

2008Camera SupportReporter Lighting

InnovatIon

2008

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Fifty years of ideas in motion

Munich phone + 49 89 321 58 200 [email protected] Beijing phone + 86 10 8528 8748 [email protected] Bury phone +44 1284 752121 [email protected] East phone + 965 96 32 008 [email protected] Moscow phone + 7 495 744 1513 [email protected] New York phone + 1 845 268 0100 [email protected] Paris phone + 33 1 4132 3041 [email protected] Singapore phone + 65 6297 5776 [email protected] Tokyo phone + 81 3 5457 1381 [email protected]

www.sachtler.com

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“Smooth, Inspiring & Secure. Sachtler.”

Photography by Fran Collin

ImprintPublisherCamera Dynamics GmbH

Erfurter Straße 16

85386 Eching / Germany

Phone: +49 89 321 58 200

www.sachtler.com

Editors in chargeAnita Mayer, Darina Enz

This issue’s authors (Magazine) Leo Borchard, Sergio Brighel,

Kane Christopher, Stefan Gieren,

Sebastian Hirsch, Stefan Kluge,

Richard Kruger, Elli Kuhn, Carsten Möller,

Curt O. Schaller, Christine Sommer,

Lisa Stocker, Steffi Weiß, Najib Yousofy

Conception, Editorial Work and RealisationSoKo

Philippine-Welser-Straße 21

86150 Augsburg / Germany

Phone: +49 821 21 93 99 18

[email protected]

www.sommer-kommunikation.de

graphics and layoutFrank Übler AGD (Art Director),

Susanne Keuschnig, Franziska Becker

PrepressThiemo Wenkemann DTP

PrintingDruckerei und Verlag

Karl Ziegler GmbH

86381 Krumbach / Germany

Photos / graphics Graphic material products:

BildManufaktur, Kay Kramme,

Andreas Pohmer, Roll Call Productions,

Sachtler, Kim Sachtler´s private photo

archive, Curt O. Schaller

Graphic material magazine: see picture

credits on the respective pages

We shall not be liable for accuracy of the

sent in articles and pictures. All rights

reserved. Any reproduction and / or use of

the data requires prior written approval

of the author.

Please NoteThe accessories displayed with the

products described in this catalogue

may be optional. Delivery is possible only

after written confirmation of order is

received. The availability of the products

may vary according to sales region.

Specifications are subject to change

without notice.

David Lynch

Spigot 28/16 a1628 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Spreader Cine 7023 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Spreader SP 100 7002 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Spreader SP 100/150 7003 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Spreader SP 150 EX 7013 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Spreader SP 75 7001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Stand L1 a1003 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L1C a1004 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L2 a1006 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L3 a1008 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L4 a1010 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L5 a1012 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L6 a1014 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Studio Dolly B-5275-400 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Studio set-up Video 75 Plus 7550 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Studio set-up Video 60 Plus 6050 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89System 12 SB 1260 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 12 SB ENG 2 CF 1262 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 12 SB ENG 2 MCF 1263 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 12 SB SL MCF 1265 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 15 SB C III 1570 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 15 SB ENG 2 CF 1562 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 15 SB ENG 2 D 1561 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 15 SB ENG 2 MCF 1563 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 15 SB SL MCF 1565 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 18 SB ENG 2 D 1861 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 18 SB SL CF 1864 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 18 SB SL MCF 1865 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB ENG 2 CF 2062 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB HD CF 2072 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB HD MCF 2073 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB SL HD CF 2074 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB SL HD MCF 2075 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 25 C III 2574 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 25 Combi 1-40 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 25 EFP 2 CF 2512 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 25 Studio 2594 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 30 EFP 2 MCF 3012 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 60 EFP 2 CF 6012 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 60 OB 2000 6095 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 60 Studio 6094 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 System 6 SB 0640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 6 SB / 2 D 0641 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 6 SB / 2 MD 0643 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 6 SB MD 0642 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 6 SB SL MCF 0650 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

System 75 Plus EFP 7512 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 75 Plus OB 2000 7595 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 75 Plus Studio 7594 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 8/100 SB 0860 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8/100 SB ENG 2 CF 0862 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 8 SB 0840 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8 SB / 2 D 0841 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8 SB / 2 MD 0843 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8 SB MD 0842 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8 SB SL MCF 0850 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 90 OB 8095 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 90 Studio 8094 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System Cine 30 3025 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System Cine 75 7525 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System FSB 2 0270 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 PowerSet 0270B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 / 2 D 0271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 / 2 D PowerSet 0271B . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 2 / 2 MD 0273 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 / 2 MD PowerSet 0273B . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 2 MD 0272 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 MD PowerSet 0272B . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 2 SL MCF 0275 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 SL MCF PowerSet 0275B . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 0470 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 PowerSet 0470B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 / 2 D 0471 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 / 2 D PowerSet 0471B . . . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 / 2 MD 0473 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 / 2 MD PowerSet 0473B . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 MD 0472 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 MD PowerSet 0472B . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 SL MCF 0475 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 SL MCF PowerSet 0475B . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 T 0440 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 6 T / 2 D 0441 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 6 T / 2 MD 0443 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 6 T MD 0442 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 6 T SL MCF 0450 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System SOOM FSB 2 0280 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System SOOM FSB 6 0480 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Topas 220 t223t, -tL, -tm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129Topas 330 t333t, -tL, -tm . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Topas 440 t443t, -tL, -tm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129Topas 660 t663t, -tL, -tm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129Touch & Go® adapter plate 3061 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Touch & Go® plate 16 1064 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Touch & Go® plate 35 3051 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Touch & Go® plate DV 0264 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Touch & Go® plate DV 8 1464 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Touch & Go® plate S – . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Tripod CF 100 HD 5380 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 85Tripod CF 100 L 5382 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 85Tripod CF 100 M 5351 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 85Tripod CF 150 L 6392 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70, 82Tripod CF 150 ML 6381 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70, 83Tripod Cine 150 long 6290 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 83Tripod Cine 150 medium 6250 . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 83Tripod Cine 2000 K 6232 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 83Tripod Cine 2000 short 6232 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 83Tripod Cine Mitchell long 6295 . . . . . . . . . . . . . . . . . . . . . . . . . . 69, 83Tripod Cine Mitchell medium 6255 . . . . . . . . . . . . . . . . . . . . . . . 69, 83Tripod DA 100 HD 5480 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 84Tripod DA 100 K 5122 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 84Tripod DA 100 L 5182 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 84Tripod DA 100 M 5151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 84Tripod DA 150 K 6132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 83Tripod DA 150 L 6192 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 83Tripod DA 150 M 6157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 83Tripod DA 150 ML 6181 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 83Tripod DA 75 L 4183 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81, 85Tripod EFP 2 CF 6386 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70, 82Tripod EFP 2 D 6186 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 82Tripod ENG 2 CF 5386 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 84Tripod ENG 2 CF HD 5390 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 84Tripod ENG 2 D 5186 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74, 84Tripod ENG 2 D HD 5490 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74, 84Tripod ENG 75 / 2 D 4188 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81, 85Tripod Hot Pod® CF 10 5385/10 . . . . . . . . . . . . . . . . . . . . . . . . . . 76, 84Tripod Hot Pod® CF 14 5385/14 . . . . . . . . . . . . . . . . . . . . . . . . . . 76, 84Tripod OB 2000 6481 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67, 82Tripod SOOM TriPod S2003-003 . . . . . . . . . . . . . . . . . . . . . . . . . 78, 85Tripod SOOM TriSpread S2004-0001 . . . . . . . . . . . . . . . . . . . . . 79, 85Tripod Speed Lock® 75 CF 4588 . . . . . . . . . . . . . . . . . . . . . . . . . . 72, 85Tripod Speed Lock® CF 5586 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72, 84Tripod Speed Lock® CF HD 5590 . . . . . . . . . . . . . . . . . . . . . . . . . . 72, 84

Umbrella a2001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Umbrella mount a1019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Vario clamp a1017 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123V-plate 3080 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

3

editorial

For half a century cameramen from all over the world have been on the move, using Sachtler equipment. In the 1950’s Wendelin Sachtler started his workshop in Schwabing, Germany. He was a creative all-round man—cameraman, actor, equipment hire operator and developer— and didn’t count on his own knowledge alone, but on an exchange of thoughts with other cameramen as well.

The company remained true to its founder’s principles. Sachtler customers all over the world now rely on the technical know-how, innovative technologies and the business-oriented solutions he instilled in his company.

Read more about “The American Dream in Schwabing” and the company’s 50th anniver-sary on page 26.

The phrase “As I intend to live in the future I’m more inter-ested in it than in the past”, coined by Albert Einstein (1879 – 1955) was the leitmotif for all those who contributed to the magazine part of this catalogue.

As Wendelin Sachtler was driven by promising visions of the future, this seemed an appropriate topic to choose for our anniversery year.

Therefore, in this issue you will not only find details about the Sachtler product range, but essays, features, interviews and photos from ten film-makers and industry experts, who present their personal views on the future.

Embark on a promising jour-ney around the globe with the magazine section (pages 6 to 25). We are exception-ally pleased that Wendelin Sachtler’s son, Kim Sachtler, has supported our project. pageS 6 and 7.

the Future Has Begun:

While experts are still discussing the advantages, propagation and feasibility of Mobile TV, IPTV and Web

“As I Intend to Live in the Future I’m More Interested in It Than in the Past”

TV stations etc—film-makers, professionals, semi-profes-sionals and amateurs alike—are already experimenting successfully with this new genre.

These new ways of film-mak-ing and the democratisation of the circulation of filmed material are a challenge for both film-makers and producers of equipment. The key words are flexibility, low weight and easy handling. By developing SOOM we brought a multi-purpose tool onto the HDV market which is sometimes referred to as the“Swiss Army Knife” of camera support. During the early phases of development we have received enthusiastic feedback from cameramen who have tested the SOOM for us. Read more on page 77.

We would like to thank all partners who have contrib-uted to this catalogue and hope you will enjoy reading our catalogue’s anniversary issue.

Please visit www.SaChtLer.Com for further articles and more information on 50 years of Sachtler.

Roger Wilson,Managing Director,Camera Dynamics

Jürgen Sommer,Director of Brand Management

4

“Every Tripod Is an Ambassador” Kim Sachtler, son of the company’s founder Wendelin Sachtler06

08

10

11

14

16

18

20

22

24

26

28

Rowdy Village Boys and Football DreamsStefan Gieren supports the construction of a broadcasting station for educational television in Afghanistan

“I Want To Be a Pioneer and a Veteran!” Kane Christopher, Australia, 20 years young and already an award-winning film-maker

Germany Here and Now A project on Medienwerkstatt Leipzig looking at German youth culture

The Democratisation of the Film Industry Stefan Kluge, Switzerland, operates the first Open Source film portal on the Internet

A Fighting Chance Cameraman Richard Kruger, South Africa, shooting at the Olympia Boxing Academy

“Everyone Merely Serves the Idea” For Heide Fliegner, Germany, film-making is a way of life

A 2nd Century? Film-maker Carsten Möller opts for technical minimalism for a film project in Cuba

“The Camera Should Not Be in the Forefront” Cameraman Curt O. Schaller, Germany, about magic moments and technical perfection

Evolution as a Key to the Future Sergio Brighel, Italy, sees himself as a forecaster of trends in the broadcasting market

The American Dream in Schwabing In the 1950’s Wendelin Sachtler revolutionised the film industry

“Wendelin Sachtler Lived for His Ideas Only” Leonhard Jaumann on his time with Wendelin Sachtler

The Wendelin Sachtler Academy—A Platform for the Industry The Wendelin Sachtler Academy from the viewpoint of lecturer Leo Borchard31

5

Tungsten

LED

Daylight

FILM/HD EFP/OB ENG DV

150 mm

Flat Base

100 mm

75 mm

ESSaYS, FEaTuRES aND iNTERviEWS

Fifty Years of Ideas in Motion—in the Past As Well As Today . . . 6–31

CaMERa SuPPoRTConfiguration Guide . . . . . . . . . . 32–33

FluiD hEaDS

Video 90 FB . . . . . . . . . . . . . . . . . . . . . 41Video 75 Plus Studio . . . . . . . . . . . . 42Video 60 Plus Studio . . . . . . . . . . . . 44Video 25 Plus FB . . . . . . . . . . . . . . . . 46

Cine 75 HD . . . . . . . . . . . . . . . . . . . . . . 38Dutch Head 35 . . . . . . . . . . . . . . . . . . 38Studio 9+9 . . . . . . . . . . . . . . . . . . . . . . 39Cine 30 HD . . . . . . . . . . . . . . . . . . . . . . 40Video 75 Plus EFP . . . . . . . . . . . . . . . 43Video 60 Plus EFP . . . . . . . . . . . . . . . 45Video 25 Plus . . . . . . . . . . . . . . . . . . . . 47

Video 20 SB . . . . . . . . . . . . . . . . . . . . . 48Video 18 Dutch . . . . . . . . . . . . . . . . . 48Video 18 SB . . . . . . . . . . . . . . . . . . . . . 49Video 15 SB . . . . . . . . . . . . . . . . . . . . . 50DV 12 SB . . . . . . . . . . . . . . . . . . . . . . . . 51DV 8/100 SB . . . . . . . . . . . . . . . . . . . . . 52

DV 8 SB . . . . . . . . . . . . . . . . . . . . . . . . . 52DV 6 SB . . . . . . . . . . . . . . . . . . . . . . . . . 53FSB 6 / 6 T . . . . . . . . . . . . . . . . . . . . . . . 54FSB 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55FSB CELL . . . . . . . . . . . . . . . . . . . . . . . . 56FSB CELL Charger . . . . . . . . . . . . . . . 57

Specifications Fluid Heads . . . . . . . . . . . . . . 58–61 75 mm

100 mm

Flat Base, Mitchell, 150 mm

Contents

Flui

d h

eads

pede

stal

s tr

ipod

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cces

sori

esSy

stem

sCa

mer

a St

abili

zing

Sys

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sre

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ight

ing

Fluo

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ent L

ight

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new!

new!

new!

new!

new!

new!

new!PEDESTalSSTuDio EFP/oB

Studio Ped 2-75 . . . . . . . . . . . . . . . . . 64Vario Ped 2-75 . . . . . . . . . . . . . . . . . . 64Combi Ped 1-40 . . . . . . . . . . . . . . . . . 65C III Pedestal . . . . . . . . . . . . . . . . . . . . 66C I Pedestal . . . . . . . . . . . . . . . . . . . . . 66

TRiPoDS

OB 2000 . . . . . . . . . . . . . . . . . . . . . . . . 67Hand Crank Column

for OB 2000 . . . . . . . . . . . . . . . . . . 67Cine 150 long,

Cine 150 medium . . . . . . . . . . . . . 68Cine 2000 short . . . . . . . . . . . . . . . . . 68Cine Mitchell long,

Cine Mitchell medium . . . . . . . . 69EFP 2 CF . . . . . . . . . . . . . . . . . . . . . . . . 70CF 150 long, CF 150 medium . . . . 70EFP 2 D . . . . . . . . . . . . . . . . . . . . . . . . . 71DA 150 . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Speed Lock® CF HD, Speed Lock® CF . . . . . . . . . . . . . . 72

ENG 2 CF HD, ENG 2 CF . . . . . . . . . . 73ENG 2 D HD, ENG 2 D . . . . . . . . . . . . 74CF 100 . . . . . . . . . . . . . . . . . . . . . . . . . . 75DA 100 . . . . . . . . . . . . . . . . . . . . . . . . . 75Hot Pod® CF 14/10 . . . . . . . . . . . . . . 76Monopod 2 CF . . . . . . . . . . . . . . . . . . 76

SOOM . . . . . . . . . . . . . . . . . . . . . . . 77–79Speed Lock® 75 CF . . . . . . . . . . . . . . 80ENG 75/2 D . . . . . . . . . . . . . . . . . . . . . 81DA 75 L . . . . . . . . . . . . . . . . . . . . . . . . . 81

Specifications Pedestals/Tripods . . . . . . . . . .82–85

Accessories Fluid Heads and Pedestals/Tripods . . . . . . . . 86–93

System Packages . . . . . . . . . . . . .94–99

CaMERa STaBiliZiNg SYSTEMS

artemis Cine/HD . . . . . . . . . . . . . . . 102artemis EFP/EFP Pro . . . . . . . . . . . . 102artemis DV Pro . . . . . . . . . . . . . . . . . 103artemis ACT 2 . . . . . . . . . . . . . . . . . . 103

REPoRTER lighTiNg

Reporter 8LED . . . . . . . . . . . . 106–107

Configuration Guide . . . . . . . . . . . 108Reporter 21D . . . . . . . . . . . . . . . . . . 109Reporter 200DI . . . . . . . . . . . . . . . . 110Reporter 270DI . . . . . . . . . . . . . . . . 110Reporter 400D . . . . . . . . . . . . . . . . . 111

Configuration Guide . . . . . . . . . . . 112Reporter 75H . . . . . . . . . . . . . . . . . . 113Reporter 100H . . . . . . . . . . . . . . . . . 114Reporter 250H . . . . . . . . . . . . . . . . . 114Reporter 300H/HSM . . . . . . . . . . . 115Reporter 650HS . . . . . . . . . . . . . . . . 116Reporter 1000H . . . . . . . . . . . . . . . . 117

Specifications Reporter Lighting . . . . . . 118–119

Accessories Reporter Lighting . . . . . . 120–123

Lighting Sets . . . . . . . . . . . . . . 124–127

FluoRESCENT lighTiNgTopas . . . . . . . . . . . . . . . . . . . . . 128–129

iNFoRMaTioNPerfect Heads for Every

Camera . . . . . . . . . . . . . . . . . . . 35–37Stable in Every Position . . . . . . . . . 63The Wendelin Sachtler Academy—

A Platform for the Industry . . . . 31What is Camera Stabilizing? . . . . . 101Lighting for Mobile

Operation . . . . . . . . . . . . . . . . . . . 105Index . . . . . . . . . . . . . . . . . . . . . . 131–132Imprint . . . . . . . . . . . . . . . . . . . . . . . . . 132

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The feature film Nicht versöhnt oder Es hilft nur Gewalt, wo Gewalt herrscht (“Not Reconciled or Force Only Helps, Where Force Prevails”). On this film his father worked as a camera-man and also appeared in front of the camera in some of the scenes together with his then five-year-old son. Attending the film preview at the Munich film museum it is easy to look back, parallels to today become visible and also future desires are revealed.

the Past as an Impetus

The director Jean-Marie Straub is inseparably connected with the young German film. The critical debate about historical topics was the centre of his work. Wendelin Sachtler, who worked as a cameraman on the set of the screen adaptation of Heinrich Böll’s novel Bil-lard um halbzehn (Billiards at Half-Past Nine), did not simply discard the time before 1945. “After the war he wanted to show the world with the use of his products that Germany could do more than just blow up bridges. It was meant to be a small contribution to improve Germany’s worldwide image”, says his son Kim Sachtler. “Therefore exporting was also always very important to him. Every tripod, which is exported, is an ambassador.”

From art Student to developer

Born in 1923, Wendelin Sachtler grew up in Dessau, Germany. He became a soldier at a very young age and was sent to Russia. After the war, he began studying art, quoted as saying “I am going to East Berlin, the communists are interested in art.” His disillusionment and move to West Germany followed half a year later. He first worked as a photographer in the country, were he photographed ministers in front of their churches. Later he became a cameraman for moving pictures and his fee from the camera

“Every Tripod Is an Ambassador”to remember, it often helps to look through the family album and Kim Sachtler—son of Wendelin Sachtler—can draw on a very special piece of family memorabilia.

story by Elli Kuhn, Kim Sachtler’s private photo archive.

work was invested in development work and later into the development of his cam-era equipment hire business. During the mid-1960’s he left filming to the younger generation and worked, from then until his death in 1979, on the development and sell-ing of new camera equipment.

Father and Son

After the separation of his parents, Kim Sachtler grew up with his father. The daily joys and concerns of his father were not hidden from him: “Often he came home and told me about his ideas. Detailed solutions also filled him with enthusiasm, for example the introduction of plastic injection moulded parts, which made the equipment lighter and production more flexible.”

The difficult separation from his co-partner of many years, Heinrich Wolf, is remem-bered by Kim Sachtler very well. “At that time my father often came home tense. He always wanted to re-invest the profits and go to trade fairs—his partner wanted to play it safe.” Even when on holiday, his dynamic father never sought peace and quiet but would rather sail a dinghy along the Danube up to the Black Sea. “My father called this relaxation,” said Kim Sachtler, smiling.

the Birth of 24-Hour-Service

German film production boomed in the mid sixties. One feature film followed the next. Through the camera equipment hire busi-ness, Wendelin Sachtler came into contact with people who worked in the industry every day. He received immediate feedback about which developments worked well and which didn’t. At the same time,

Kim Sachtler talks about his father Wendelin Sachtler.

7

the camera men knew that they could call my father at 03:00 am and he would provide a replacement, as soon as possible,” remembers Kim Sachtler.

Loyalty despite generation Changes Kim Sachtler was 20 years old when his father died of stomach cancer in 1979. Kim became the main shareholder of a company, which, due to clever products like the Panorama head—the grand father of the Sachtler heads—had an immense lead over its’ competitors. Even today he still stresses that he was very glad and relieved that after the death of the company’s founder, employees remained so committed to the company and “kept it rolling”. Particularly the two appointed managing directors, Fiete Deckmann and Joachim Gehrt, who continued with much enthusiasm to promote and build the company.

Into the Future with Courage and Confidence

Kim Sachtler sold his shares in 1988. Since then he has observed from a distance what is happening with the brand and recognises parallels with the past.

Today, as then, the brand creates positive emotions throughout the world and camera-men know that they can always rely on Sachtler equipment. So, the answer to the question, what would his father have wished for the future, is easy for Kim Sachtler. Developers should never tire of orientating themselves towards the needs of the customers and should never forget to listen to the industry. Enjoyment at work is as important as looking forward with courage and confidence.

Wendelin Sachtler was a multi-faceted personality—this became apparent in his sending postcards to his employees and his commitment when working with the Berliner Filmarbeits-gruppe (Berlin filming crew).

8

Football dreams: after having been in Germany for two years, the trainer of the province’s team can only lead them to victory.

Someone with plans for the future: this young Afghan boy wants to play in the team next year.

They laugh when asked what the future means to them. It’s clear for the Afghan children: the future is what makes tomorrow different from today.

A little happiness in the present: the little girl is happy about the rose’s rare splendour.

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Quarabagh in north-western Afghanistan. Fifty kilometres away from the nearest paved road. The burden of the present weighs so heav-ily on people’s shoulders here that the future barely seems to extend into the next day. We have come to this no man’s land with four young local reporters. They want me to show them how television shows are made. Today’s schedule: sport reporting and football.

First they have to move the cows from the penalty line, and then the men of the village come running onto the football field in faded Manchester Utd, Bayern Munich and Barcelona shirts. While my TV-trainees avidly follow the game from the sidelines, I sit down next to a group of teenage boys. They all giggle and only one of them dares to talk to me: “What’s your name?” He wears a worn-out European suit and looks at me, his eyes filled with curiosity. He looks like someone who has big plans, and I ask him what he wants to do later in life. He nods towards the football field. He wants to be a part of the team. Next year they will most likely be provincial champions, because of the new trainer, he says, nodding meaningfully, was in Germany for two years.

Little girl and rose blooms

A few days later in the district hospital in Gulran, the reporters are making progress. They have formed an ENG crew: cameraman, interpreter and someone who hooks up the in-terviewees to the ten-metre-long microphone cable. The doctors in the district hospital are supposed to inform the out-patients or villagers about vaccinations, contraception and hygiene. Meanwhile I go outside and look for suitable locations to shoot. Over night, roses have opened along the walls of Gulran’s houses bringing unexpected colour to this

grey desert region. A girl has picked up a rose and is smelling it raptly. I try to ask her whether she wants to be a doctor, too, but her father gives the answer: she is going to get married, the sooner the better, and then she will wear a burka, and she will have a lot of children with her husband. I look at him distrustfully, but he seems like a good father, one who wants noth-ing but good things for his children.

Perhaps the future in Afghanistan is defined not by possibilities but rather by probabilities. This country does not have much to offer its children. What can it offer them, if there are no really big role models for them to follow their really big dreams?

education for a better future

A school opening is supposed to be an “acid test” for our junior editors, but they are keep-ing a low profile. The governor is there and he has brought his bodyguards along. Tough guys with assault rifles and sunglasses. They don’t look as if they want to be filmed. I mingle with the kids and they ask me what I am doing here. “Television, I think that with a better educa-tion you can have a better future. And I am trying to help with television.” They look at me sceptically and I shrug my shoulders apolo-getically saying: “That’s all I’m really good at.” That makes sense to everyone there, so I pluck up my courage and ask them what the future actually means to them. The teenage boys laugh out loud. They explain to me patiently, “The future is what makes tomorrow different from today. With God’s help it will get a little bit better every day”.

Rowdy Village Boys and Football Dreams

Stefan gieren is a project co-ordinator, he is helping to establish the first television station to promote the education of children in afghanistan. We asked the young media engineer, who also works for Studio-Hamburg (germany), to research “the future” in afghanistan.

story and photography by Stefan Gieren.

nameStefan Gieren

occupation Media Engineer

year of birth 1979

residential and business locationsHamburg, Germany

who or what influences your work? The will to get things going.

what are the main priorities of your work? Good stories and a working team.

quote / sloganThe future is the dreamers’ and fighters’ reward. (Afghan saying)

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For the past 11 years he has undertaken film projects, video clips, documentaries, television contributions etc. — and with great success. For his work he has received several awards.

In 2006 Kane Christopher, aged just 18, was also awarded youngest Steadicam operator in the world by the University of Melbourne, and received an honour in 2007 from the Australian Film Institute for his impressive services as director, producer and actor. At the New Yorker International Film Festival his short film “Useless” won the “Best Comedy” award and at the Australian Cinema-tographers Society one of his video clips won third place. Australian Kane Christopher has already re-written history—he is the youngest in the indus-try and celebrates with great

ph0tography by Kane Christopher.

nameKane Christopher

occupation Director / Producer

year of birth 1987

residential and business locationsSydney, Australia

who or what influences your work? Tough question.

what are the main priorities of your work? Keeping positive and open minded when everything seems like it’s going wrong. Creating a comfortable set for my cast and crew to work on is a huge priority to me, making sure everyone feels important and genuinely appreciated is crucial.

quote / sloganLive your future for an audience of one, God.

See and hear more in the interview with Kane Christopher go to: www.SaChtLer.Com

“I Want To Be a Pioneer and Veteran!”

success his roles as a director, producer and cameraman.

Has he reached his goals or has he higher expectations for the future? Kane Christopher regards his past successes very modestly. His desire for the future. “I want to be a pioneer and veteran in the motion picture industry, someone who represents the true meaning of film …”

Young, purposeful and successful—at 20 years of age the australian producer and cameraman Kane Christopher has already achieved a great deal.

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We have made it our job, to provide children and young people with the media competence, so that they can recognise and process the effects of the daily media. We are a workshop, in which multi-media ideas are carried out and looked at. On a weekly basis in our rooms e. g. the Filmclub, we offer various photographic groups graphic and computer animation courses as well as media active offers. We also offer different workshops for beginners and for those more advanced.

Germany Here and Now —and What Happens Tomorrow?

the media workshop, Leipzig, germany located in the socio-cultural centre Die Villa is a recognised arm of the juvenile welfare service.

story and video stills by Filmclub at the media workshop Leipzig.

the Filmclub for future film producers

At the Filmclub young people and young adults interested in film have been meeting since early 2005. The present group has operated together for over a year. The participants of the Filmclub are involved with filming aspects from A to Z; A, as in admission, to Z, as in zoom, both theoretically and practically—with the goal of producing their own films. All work procedures, from the ideas about the development of a film script up to planning and the realisation of the film, are accomplished together.

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the film and the question about the future

Our film is called “Germany Here and Now”. It revolves around a young adult, Paul. He is confronted with the full harshness of life. First Paul loses his job in a hardware store, then at home, finds his girlfriend has left him. Finally, it becomes clear, how super-ficial the friendship is with his only friend. At a party it all becomes too much. He would like to run away. Parallel to this action strand we have our protagonist Paul telling a second story—however from another pers pective. This

Paul has an alter ego and feels apparently better. He and his girlfriend live in an up market apartment, both are happy at work, purchase whatever they want and enjoy the nightlife. However life is only “beautiful at first view”. Under the surface Paul’s true self shows.

Two strands are interwoven with one another and should confuse the spectator, with its’ dramatic form. We move through both stories and thereby let the cinematic areas around the characters become

ever smaller, until the two leading actors Paul and Paul finally meet.

With our short story we show just two of the many possible focuses for today’s youth culture. Questions arise about the future and fears of what will happen in the future. A safe job, security, family, friends— finally the question, “and what happens tomorrow?”

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“Germany Here and Now”: the team of Medienwerkstatt Leipzig’s film club

produced byMedienwerkstatt Leipzig

directed by Rozbeh Asmani

production management Dima Tchoujii

assistant directorChristian Wunderlich

2nd assistant directorMatthias Hänsel

camera operatorSebastian Hirsch

assistant cameraNico Leonhardt

lightingDorian Nothaaß

makeup / costumes byJuliane Buchwald

castChristian Feist – Paul Sarah Schenke – Lara Danilo Riedl – Ronny Birgit Schünemann – Boss Judith Strodtkötter – Debby Johanna Splinter – Old Lady Eckart Herr Buchwald – Bouncer Fritz, Ralph and Max – Blutsportdisko

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Historical: the fear of the video recorder

In the 1940’s the television was the avowed enemy of the film studios, due to feared losses of cinema takings. When the television was introduced into living rooms, the audience could determine the place, the frequency of use and the programme they wished to watch, for the first time. Studios profited from the possibility of a second-ary utilisation of their films on television and at the same time, a market for television productions developed.

In the 70’s, film studios tried to prevent Sony, in vain, from selling the first video recorders. The devices were

described as “a billion-dollar industry, based on stealing private property” and four of the nine judges of the US Supreme Court found them illegal.

With the increase in sales of video recorders over time, the consumer had the possibility of recording what they wanted, when they wanted to. The sales of video cassettes and DVDs soon became more lucrative for studios than the cinema business. Explicitly for the video market, it became possible to produce niche and low budget films.

The developers were worried about their, up to then, successful business model, profit only occurred for those that gave the customer what they wanted: the ability to decide for themselves.

The Democratisation of the Film Industry

as a computer scientist and film producer Stefan Kluges’ priorities lie with two topics: Internet and films. as one of the pioneers of open Source film making, he carries us forward on a short journey through the development of the film industry and ventures a view into its future—that lies within the Internet.

story by Stefan Kluge, photography by Martin Gebhardt und Gerald Menzel.

departure mood: the digital age begins

Today the technology is practically at the disposal of each Internet user, allowing the user to manipulate and decide the content for themselves. For many years cutting, re-mixing or splicing has taken place, for example on You Tube, the popular “Internet television station” which was sold in 2006 for $1.65 billion dollars—and the first film producers seized the chance that this medium offered them.

As Thomas Bechholds and I went to publish our first film production in 2004, we had two options: licensing to a television station or an indepen-dent publication on the Internet. Production took place completely digitally, partly on consumer equipment—we had little financial pressure and therefore freedom of choice.

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occupation Computer Scientist & Film producer

year of birth 1977

residential and business locationsZurich, Swizerland

nameStefan Kluge

who or what influences your work? Films, music and texts, that are freely available on the Internet, as well as hard and software tools, which I use for productions.

In order not to see our docu-mentary film disappearing into television archives, we finally published it on the net, under a license, which permits downloading, copying, view-ing and altering the film for non-commercial purposes. As my creative roots lay in the digital culture, it made sense to me, that my work was freely accessible on the Internet. The Open Source software industry demonstrated that it is possible, to build flourish-ing businesses, based on free available digital content.

Chances of the present: first open Source film netlabel

Within a few weeks universities began to work with our raw material, musicians re-mixed the soundtrack, 600,000 DVDs were printed by various magazines and we counted over a million downloads. Route 66 was as the first Open Source film from Germany gratefully accepted by the public and the press. Orders followed for DVDs and soundtracks, dona-tions, sponsors, contracts and an unbelievable press review for a low budget film production. We therefore decided to create the first Open Source film Netlabel: VEB Film Leipzig.

Since 2005 up to 30 people have worked on the new film project on our label, the first free HD feature of the world Die letzte Droge (“The Last Drug”) which we will be published this year under license, which permits commer-cial use and change of film—likewise a new breakthrough for a feature. It will be possible for professionals to develop our products, and in the long run create an increase in values within our existing community.

Ways into the future: new film market on the Internet

Parallel to the existing film markets, in the coming years, a market will develop on the Internet for film producers. The distribution would be however, for the first time, completely digital and decentralised there-fore changing the fundamental economic conditions, making of copies is practically free and distribution of the products cannot be controlled.

Entrepreneurs will make use of these char-acteristics, for example by developing their business, not in the sales of licenses, but in offering their services or in merchandis-ing. Due to falling costs for distribution and production, more niche products will be possible. Successful Internet films will give consideration to the viewing habits of their audiences and will increasingly use elements from computer games or present stars, which are already involved in this medium. Film producers will learn to release control of their works by permitting it to be distributed, shown and altered. This will finally mobilise the innovation potential and the self-dynam-ics, which are on the Internet.

what are the main priorities of your work? Movie and do-cu men tary film productions for primary evaluation on the Internet and the pioneer work emerging in the world of Open Source film making.

quote / sloganIt is good to know that on the Internet everyone, for which your film is really important, will discover it sooner or later.

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A Fighting ChanceFuture—a word that Cape town based cameraman and producer Richard Kruger automatically associates with his current film project—the olympia Boxing academy.

edited from Craig Whitty’s, article Caught in the Crossfire, photography by Richard Kruger.

A boxing school in the centre of the poor South African district of Fracreton, where children and young people practise and, in addition to boxing, get to know a life far away from crime and drugs. By doing so Richard Kruger accompanies a project that is not only made up of media-effective coverage but proves to be a completely fascinating and a forward-looking topic—a report about a look into the future in South Africa.

Ordinary heroes fighting for a better future: From the impoverished community of Fracreton on the Cape Flats come some of the best ama-teur boxers in South Africa. Out of a very real concern for their youth the community approaches one man, Inspec-tor Paul Manuel, who with his passion and dedication to the sport of boxing starts the Olympia Boxing Academy.

Strengths for the future: self-awareness and self-esteem

For the youths that join the academy a window of oppor-tunity is opened. An alterna-tive view to drugs, gangs and violence is replaced with a landscape full of self-discovery and self-worth. As in the sport of boxing there is only one loser and one winner, and it is the winner in each of these disorderly children that Manuel installs a winner. After being approached by the community of Fracreton on the Cape Flats, Manuel decided to start the boxing academy as a facility for the youngsters to keep busy and to provide an alternative to gang induction and crime.

A powerful duo, Desmond Samuels, called “Dumpie”, (left), champion of the “under 19" category and Ruwan Eddison.

Memorabilia: pictures of for-mer and future champions.

Fracreton, where 87–90 % of the population are unemployed and crime is on every day’s agenda.

17

edited from Craig Whitty’s, article Caught in the Crossfire, photography by Richard Kruger.

nameRichard Kruger

occupation Director and Lighting Camera Operator

year of birth 1968

residential and business locationsCape Town, South Africa

Quite a number of champions on the squad

During South Africa’s 2004 Olympic games bid the name for the academy stuck, the site on which the academy stands was one of the sites proposed for development. As Manuel say’s “The club was only intend-ed to last until the bid was over, but it became such a success that it continued to run.” Now with about 30 members the club is going strong, two of the members are national under-19 champions and 14 of them are provincial champs and one Desmond Samuels, “Dumpie”, fought in the Junior Common-wealth Games in Australia.

violence and drugs on a daily basis

However these boys’ back-grounds have a shared common story of violence and poverty. Samuels doesn’t know his father and his mother was killed violently in 1996. The rest of the family have been killed or are serving time for drug-related and violent crimes. He shares a two-bedroom council house with 10 others on the Fracreton’s notorious Gilda Crescent, across which two gangs shoot it out while chil-dren in the playground run for cover. “His front door looks like Swiss cheese from the bullets,” says Manuel.

Financial support put on the back-burner

Although over the years there has been some amount of sponsorship in the form of private funding, which allowed the boys to box in a tourna-ment on the Isle of Man hosted by the Repton Boys Boxing Club, an amazing experience for the boys who had never travelled outside the country. Manuel supports the Academy mainly out of his own pocket. Government grants are slim. “Each province gets a sum of about R 32,000 (approx. € 3,200) per year,” says Bernard, head of South African Amateur Boxing Association. “Seeing as a pair of gloves costs around R 400, that’s not a lot of gloves.”

no little angels —but strong personalities

“A lot of the kids come in shy and withdrawn,” says Manuel. “But before you blink they’ve built their own character and sense of belonging that they don’t usually get; at school they are shunned because they are from the wrong side of the tracks. Just getting to practice is 80 % of the game already won; sometimes they literally have to dodge bullets to get to the pick-up points where I collect them. Sometimes they have to dodge bullets on their way home,” says Manuel. “One boy was shot down on his way to practice, caught in the cross-fire between two rival gangs. They are real characters,” he says of the boys. ”Sometimes they’re not angels—and I don’t think they should be.”

who or what influences your work? People are the driving force of my work. It is the force which blossoms in some people to make them stand out amongst others, but humble enough to share, this interests me and influences my work.

what are the main priorities of your work? Honesty and compassion, without these ele-ments there is no way that you can tackle the subjects that occupy my world.

quote / sloganThe past makes us who we are but it is the future that can heal us, guide us and free us.

Left behind: after his parents’ violent deaths the only family members left are his grandmother and his niece.

Richard Kruger, better known as RichRed, has been sourcing extraordinary stories and pictures in South Africa for over ten years.

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At present she’s working on a feature film with the working title “Kick”, which will be released in English and German at the end of 2008. In the interview Heide Fliegner tells, what moves her today and what continues to drive her on into the future.

Your work is varied, but always centering on the subject of film. Where does your fascination for this medium come from?

Light and music. Light determines the photo-graphy and can turn any unspectacular location into an interesting one and then add the correct sound. If you already have these two during the filming, you can form exciting synergies.

One of your current films “Kick” is in post production. Viewing the raw cut, visually strong work appears. How did you create this from behind the camera?

Good preparation is key, in order to bring cre-ativity and flexibility to work on the set. It was important to be present at the rehearsals, in order to able to see their faces and their emo-tions and allow suitable pictures to develop. It was important to me, not only to find the correct camera point, but also to develop a visual language for the internal worlds of the protagonists. Nearly all the leading actors were layman actors, cast from the street. That was important for authenticity. Head lighting technician Michael Roosen could clarify the

“Everyone Merely Serves the Idea”interview by Lisa Stocker, film stills and photography by Roll Call Productions.

Heide Fliegner successfully produces adverts, documentaries and feature films—regularly working on the set as a camerawoman. In addition, she directs and writes her own film scripts.

narrative style in all its abstract logic by apply-ing light design free from the restrictions of natural light.

Nevertheless you worked on an entire storyboard for this film for three months with your production design team, Dennis Rohmer and Paul Hintermeier.

Storyboards are homework! They are important, in order to be able to react on set spontane-ously—but not lose the overall picture. You therefore feel freer.

Beside your work as camerawoman and director you also work as a producer. What attracts you to this work?

It’s all about visions. When producing, you can also run other projects in parallel. As director and camerawoman you must, in each case, dedicate yourself to one project completely. I love to support and accompany other creative people in the creation of their visions.

As a young, active film-maker the future is open to you: Where do you see the future of the film medium?

The original idea of moving pictures will not change and all styles, which we use, have already been used, nevertheless new ones are constantly created: films must grab the atten-tion of an audience. I think that consideration of new technical possibilities, such as digital

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who or what influences your work? Humans, places, emotions, atmo-spheres, visions, intuitions—in the moment one experiences past, present and future. Films must be created in the deepest origin of the moment. Thereby new moments are created.

nameHeide Fliegner

occupation Producer

residential and business locationsMunich, Germany

technology will need to be used more within the cinema.There are interesting new styles, to create pictures, faster scene operational se-quences, which allow a more flexible work flow on the set. In principle though nothing will change. What we have learned to film on celluloid, applies even more to the digital world—good light-ing, exciting scenery, well designed screen layout and dramatics. Also if everyone even with simple means can make a film, there will be more variety—I think that’s great—but to make a good, exciting film, to tell a story with full artistic licence, will not be any easier.

what are the main priorities of your work? Camera work, lighting, writing, directing

quote / sloganTo shape and experience the moment con-sciously, honestly and meaningfully, in order to be able to pass on and leave behind new moments and worlds—that is the future.

What drives you personally to remain with film?

To take part in the future of German and international film-making is so exciting, because film art is holistic, it requires using all your senses and it demands a basic honesty from you—towards your ideas, the possibilities of realisation and your team. Ev-eryone must serve the vision and everyone merely serves the idea. Films can open new horizons, build intercultural bridges, serve the truth, gen-erate emotions and entice. This is not an occupation, film making is a way of life. A life long task.

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Every single shot is a claim of responsibility: we record images and project mental pictures at the same time. We cast glances. The things we perceive we fill with curiosity, questions and meanings. This reciprocity is magical. Ideas and reality merge inside a picture. Is it a privilege to produce films? It was, until a few years ago. But things have changed. A fundamental transition is taking place in production and distribution of film. Now it is possible to shoot a movie with a small, handy camera. “At Second Glance— Social Club Buena Vista“ is one of those films that could not have been produced a few years ago. 180 hours of footage. Edited on a notebook. This was due to the low budget, however, using a small camera was the only possible way to shoot the film: most of the shooting was done without the Cuban authorities’ know ledge. But the main thing was that, by using this minimum technical equipment, we worked together closely with

the protagonists, enabling us to establish a dialogue with them and a reality which had seemed quite unapproachable to us.

In-between two oppositional perspectives

Those of us who work in the low-budget league benefit from the technical develop-ment. It has made the democratisation of the media irreversible. It is not a question of whether the film will change in its nature and perception in the future, but rather how this change will come about. The German film critic Michael Althen is one of those voicing their expectations; “Compared to other arts, cinema is about level with cave painting” (2007). And then there are polemic voices like that of Chris Marker: “No, film will

A 2nd Century?story and film stills by Carsten Möller.

A dialogue with Cubans as well as among Cubans— producing films means to glance curiously at other people’s lives. Owing to the new ways of distribution, even low-budget productions will attract the audience’s attention in the future.

Film is appropriation—it is the skill of stealing views. We cinematographers steal without taking things away. and we leave traces behind at the scene.

The website to the film “At Second Glance” : www.SoCiaLCLuBBuenaviSta.net

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nameCarsten Möller

occupation Film-Maker

year of birth 1970

residential and business locationsLeipzig, Germany

who or what influences your work? Too many to give names.

what are the main priorities of your work? Documentaries and cinematic training.

quote / sloganTomorrow is yet another day.

Shooting without a lot of technical equipment enabled us to be unusually close to the Cuban people.

not have a second century. That’s all there is to it, you can write it that way” (1991). Is there a more thrilling prospect? Between these perspectives something is developing, how-ever, today we cannot tell how this is going to feel. This turns the system upside down.

attendance will only be one decisive factor among many

In 2007, 480 films were released in German cinema alone. In the last ten years, this number has doubled. More and more films are watched by fewer and fewer people. Is this a dilemma? One can worry about this development—just like the music industry did in the 1990’s, when the structural change was eyed anxiously and precious time was lost. Another way would be to open up to new

ideas and to explore different ways of production and distribution. One thing is for sure, the number of visitors will not be the only way of how to judge a film’s success and significance in the future.

Change as a chance

The change offers us the chance to sharpen our demands. What do films mean to us? What kind of stories do we have to tell? And how do we want to tell them? In the last few years, a new generation of film-makers has formed in Germany. There are affinities and differences. Common ground: our pictures reflect reality, and onto this reality we project questions and meanings. Films create awareness or they are insubstantial. The future? Tomorrow’s cinema is going to be dialogues.

In 1970, Carsten Möller was born in Leipzig. From 1995 to 2002 he studied media arts at the Academy of Visual Arts Leipzig (HGB). In 1994, he was represented at the International Leipzig Festival for Documentaries and Animated Film for the first time with “Nabelwelt” (film essay / Hi8 / 13 min). In 1999, he founded the media forum “Fernsehen macht schoen” (“Television makes beautiful”) with monthly film events and local media initiatives in Leipzig.

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When operating the camera, a magic moment occurs again and again—the moment, when the camera is running. This moment, which one probably calls presence, is something which otherwise is only really noticed for about three seconds but becomes detectable and by working with the camera in a special way, so more intensive.

Much of what we film and for which we have usually over a long time prepared, researched, rehearsed and developed technical solutions too, is decided, in that one instant. With an attempt to capture the unique-ness of the moment, which will never come again.

Technically the camera and its surrounding areas are designed for endless reproduc-tions. Everything that it shows, has only taken place once, in such a way. It makes possible, the mechanical repetition of something, whose existence will occur never more.

Perfect technology for three seconds

In my career as a cameraman there were moments, again and again, in which owing to technical solutions, I had

learned to be more confident in the handling of these magic three seconds. A head should be reliable and have good repeatability. Its movements and characteristics neet to be understated, without beeing in the forefront. Thus it makes it possible for the cameraman to pan through time and space freely according to his desires.

the calculable pan

I still remember the day when cork and leather heads were replaced with fluid heads by Sachtler. The entire work style and the possibilities themselves had fundamentally changed because of that. From an unpredictable camera movement often also surprising to the cameraman, suddenly occurred a smooth, well timed and a more defined pan. A pan, which subjects itself to the moment of the event, a portrayal invisible and accompanying. I think the camera should not be in the forefront by any shortcomings of itself. Reli-ability and confidence in the technology are necessary, to be one with the camera,

“The Camera ShouldNot Bein the Forefront”story by Curt O. Schaller, photography by A. P., D. H..

about magic moments and technical perfection.

nameCurt O. Schaller

occupation Cameraman / Steadicam Operator / Photographer /Developer

year of birth 1964

residential and business locationsMunich, Germany

who or what influences your work? Good ideas, good directors, good teams.

what are the main priorities of your work? Camera work, lighting, writing, directing.

quote / slogan“You can’t depend on your eyes when your imagination is out of focus.”(Mark Twain)

to capture the one moment, which perhaps will never occur again.

Future is vision

At Sachtler, the heads and tripods, developed as a vision of the future by an individual cameraman, have become a reality for millions of cameramen. This equipment gives them the confidence of recording moments in a style that gives a special finish to their work and film. Good training and good material lets one grow and develop further. Thus developing a future for those, who love to work with the camera. Apart from the present, the future for me is above all, vision. An idea, which takes so much form and shape, until it becomes a realisation, here and now.

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We have tried to face this challenge by forcing ourselves to evolve every day. We have stepped away from the goal of being a mere seller of products, and now embrace the aim of supplying complete solutions. Evolution is the only word you can apply to this process. Evolu-tion contains all of our past, our present, and tells us how our future might be. In case of our team at Trans Audio Video, this could only be accomplished through wide-ranging and close cooperation with our technical partners.

trusting one’s own strengths

Sachtler is one of the most sig-nificant and beautiful examples of this approach. During the first ten years of our partnership we gradually grew together, capitalising on what we learned day by day from our partners at Sachtler—some of the brightest professionals we have ever met. Of course, this co-operation eventually changed through an impressive series of success stories, raising our relationship to the point where we began to discuss concepts and ideas for new products and common strategies. And we really loved to do this because it proved the correctness of our vision. It made us different and proactive towards our end clients. It made our knowledge and perspective

Evolution as a Key to the Future

story by Sergio Brighel, photography by Curt O. Schaller.

one of the responsibilities in my role as technical director at trans audio video is to foresee the future of our company as a player in the video broadcast production industry. It’s a tough task, as this is one of the most unpredictable and fast-changing realities of our society.

nameSergio Brighel

occupation Technical Director at Trans Audio Video s. r. l. Italy

year of birth 1964

residential and business locationsMilan and Caserta, Italy

who or what influences your work? My work has mainly been influenced by all the excellent people I met over the first 20 years of my career. During that period I always tried to learn from anyone who knew more than I did—wherever I was. However, now I can see that my

entire life has been governed by the goal of bringing the highest levels of scientific and technological knowledge and know-how into each of my fields of interest. These include learning the most advanced techniques and solutions, using them beyond even their limits before bring-ing them onto the market, understanding design criteria and suggesting the best possible modifications. This has led to the wonderful feeling of being part of a team of

almost unique in our country in this industry. At the beginning we only had confidence in our methods but we bet on the future. And we have long since won the bet, our efforts have been highly recognised with several awards and sales records. And on top of all that, today we feel ourselves a part of Sachtler and The Vitec Group.

With vision, passion and confidence

The future, though, is always slipping away from us with every second, leaving us wonder-ing about her surprises. On the one hand we continuously live bits of future in the present. Vision, passion and confidence are the keystones for predicting how it can be shaped. On the other hand, when listening to the news these days, it’s difficult not to have serious doubts on how complex and out of our reach the “future” could be.

the future holds all the answers

All things considered I remain optimistic, mankind has always found new avenues and unexpected resources to counteract its own mistakes. Over exploiting the planet’s resources, and paying minimal attention to the use and abuse of social tensions are among the most serious issues that demand careful consid-eration, even in the day-to-day life of each individual. However, the spark of intelligence that defines human nature is so strong that it is somehow beyond any current imagination. I’m sure we will find all the answers … they’re already there, in the future!

excellence.what are the main priorities of your work? To maintain my intellectual honesty, unaffected by anything. Being fully convinced of each thought before expressing it in voice. Trying to observe things from different perspectives before possibly criticising them and, most of all, respecting other people’s efforts and ideas.

quote / sloganThe future holds all the answers if we ask all the questions today.

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Wendelin Sachtler— inventive mind and entrepreneur—started his career as a cameraman. In 1958 he started to develop his own tripod heads.

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Sachtler’s brainchild

Today, one cannot know if Wendelin Sachtler was aware of the fact that he had laid the foundation for an in ter-nationally successful enterprise with his innovations. However, the fact is that he believed in his products’ success and, together with a growing number of engineers, he went about developing more products in his Schwabing workshop (see also interview with Leonhard Jaumann) with enthusiasm, remarkable persistence and plenty of ambition. Feedback for his first invention was very positive: everybody wanted to have the new head, Sachtler took up mass production.

an outgoing person

What was the key to his success? Right from the start Wendelin Sachtler wanted the distinctive “S” to be a trademark, not just another logo,

recognised for innovation and quality. But Wendelin Sachtler was also a step ahead of the rest, in addition to taking into account what a cameraman expected from his equipment every day—robustness, reliability and perfection—he was guided by his own experience as a cameraman and the comments he received from those who used his products. He maintained contacts all over the world.

an inventive mind

To this day Wendelin Sachtler’s inventive mind is the foundation on which the philosophy of the company is based—a company that now belongs to a group which consolidates products, services and solutions for the broadcast, entertainment and media industry. The ability to look ahead and make real use of feedback from professionals working in the field is now inherent at Sachtler.

even though he didn’t develop a camera he contributed much to the process of pictures becoming “movies”. In 1958, Wendelin Sachtler, cameraman, actor and inventor, developed his own tripod head, a turning point for the film industry. His so-called gyro head could not only be panned and tilted but was also dampened by a gyro-system—so now film-makers were finally able to execute pans without having to fight against their equipment gaining momentum.

The American Dream in Schwabing

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“Wendelin Sachtler Lived for His Ideas Only”

interview by Elli Kuhn.

Leonhard Jaumann, born in 1949, is a connecting link between past and present, back in the 1970’s he worked as a student trainee next to Wendelin Sachtler in the Schwabing workshop. In the following interview he talks about his views on the past, present and future.

Wendelin Sachtler’s work be-gan in the 1950’s, where from an office and a basement work-shop in Schwabing, Munich, equipment could be hired for use. To see into the future you need to know the past.

Can you tell us more about the beginnings and development of Sachtler?

Wendelin Sachtler started with a camera equipment hire business on Herzogstraße in Schwabing, where he worked until the 1970’s while he was developing camera support. Together with his associate partner at that time Heinrich Wolf, an engineer from Mannheim, he produced tripods, gyro- and fluid heads. In Munich they produced gel frames, gel punches, pedestals and zoom drives. The camera equipment hire business was operated on a European scale. If there was a request for a device he couldn’t find any-where or it wasn’t fit for hire, he just developed something on his own. Two examples are a tripod system made from titanium pipes and a small swivel head for 16 mm cameras that didn’t then exist.

That sounds ambitious and innovative. What was Wendelin Sachtler like?

He lived for his ideas and he was a very generous person who enjoyed his freedom—there were no such thing as a pre-arranged meeting or long-term plans. For us, a team of six to ten employees, life wasn’t always that easy then. If he didn’t like a solution or product idea, he would just upset a whole week’s plan completely. However, if something came up to his expectation he would show his appreciation.

In 1958 the special interest magazine Der deutsche Kameramann (“The German cameraman”) reported on the development of two completely novel gyro heads, the beginning of a story of success.

In 1967 the first fluid heads with lubrication grease damping are delivered.

As a result of extensive tests and tricky trials in 1977 the legendary permanent-sealed Sachtler-damping system is patented. This damping is reached by using hermetically sealed modules and is therefore resistant to external influence.

In 1978 Sachtler stirs up the market once again, he introduces extremely light tripods made from carbon fibre. In the 1980’s the company makes the largest turnover of the video industry—more and more camera teams use electronic cameras.

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Can you tell us how the process of finding ideas and developing new products came about in the early years?

Wendelin Sachtler knew a lot about the users’ needs, by lis-tening to his customers at the hire shop. Quite often camera-men would come by and new product ideas were discussed while they were having a cup of coffee together. We used to work a lot from hand-made drawings at the Schwabing workshop—some of the parts are still used today and are available as spare parts.

At the drawing-board with Wendelin Sachtler—which ideas from that time have you put into practice?

There have been quite a lot, for instance, we were the first to produce floor spreaders made from rubber. Before this they were only available in metal or wood. Wendelin Sachtler also didn’t give up when it came to improving tripods and making them lighter. As titanium became too expensive, he started sourcing alternative materials and was the first to use carbon fibre, which was then only used in aviation or for producing pro-fessional ski poles. He visited countless fairs to find adequate suppliers. The next successful product was a head for 16 mm cameras with a multi-stage damping. We sold up to 300 units a year, which was an enor-mous number.

To get innovations like these to market is as hard today as it was then. Today Sachtler sell their products all over the world. What was the distribution structure like then?

Wendelin Sachtler simply expected his products to be so good that everybody in the industry wanted to have them. Nevertheless, they had to be introduced to the public, so he put a lot of effort into sales. He went to fairs with a van and set up the booths himself. At the same time he personally visited important clients all over Europe.

A breakthrough product from 1978: the Pano-rama head 7 + 7 with seven-stage damping and counterbalance.

In 1985 Sachtler constructs the first portable lightweight pedestal in the world. This brings mobility, even with heavy cameras.

1988, world premiere, the first and smallest daylight luminaire with 125 W. It proved to be a mobile source of light which didn’t flicker. As soon as 1991 the company presents a complete product range of daylight and tungsten luminaires.

1995 Sachtler is taken over by The Vitec Group, an internationally acting group of companies offering products, services and solutions for the broadcast, entertainment and media industry.

In 2001 Sachtler presents the first of a series of completely novel camera stabilizing systems. The artemis line has been refined constantly since then.

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Did Wendelin Sachtler also maintain a dialogue with the developers and engineers?

Of course he did! For instance, at the international fairs he met Bill Vinten. Their exchange of ideas went as far as both of them wanting to develop a European standard for camera plates at the end of the 1970’s.

Everything used to be better in the past—just a saying or a grain of truth?

I don’t have time to think about it that often during the working day, I don’t think everything was better in the past either. For instance, today we have a much larger budget, available for research, which helps the engineers too.

Sachtler once again proves to be a pioneer when it comes to artemis, the starter system artemis DV Pro FX, the completely novel ACT 2 vest and the extremely innovative spring arm ACT 2 (available in aluminium or as carbon upgrade) make 2007 headlines in special interest magazines.

2007—the year of innovation at Sachtler: the company surprises the market by launching SOOM, the multi-functional camera support tool, as a worldwide novelty. The “Works with SOOM” line offers the corresponding compatible products: the FSB heads, the battery concept FSB CELL and the Reporter 8LED.

Does Sachtler’s spirit still live on today?

I think it does, yes. We are still testing innovative materials and trying to find something new that will boost the industry. Recently we developed an upgrade for the artemis springarm made from carbon fibre—that’s something completely new on the market and will doubtless spur this sector on. The multifunctional SOOM set new standards when it came to camera support. Of course it’s harder today to predict a product’s success. This used to be easier in the past and we knew almost for sure that we were going to be market leader if we brought a new product onto the market.

In 2005 the Wendelin Sachtler Academy, Eching moves into their studio and becomes a discussion platform for the industry.

In 2005 the Speedbalance technology—enabling a swifter counterbalancing of fluid heads—is intro duced. Currently, the Video 18 SB is the top- selling Sachtler head. In 2006 the company launches the fluid head Cine 30 HD with sideload technology.

Leonhard Jaumann, Development Engineer

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The Wendelin Sachtler Academy —A Platform for the Industry

The Wendelin Sachtler Academy from the viewpoint of the lecturer, Leo Borchard

a Place of Learning and exchange of experiences

As a cinematographer, I have been teaching lighting in film schools in Germany and abroad for a long time. Since 2006, also at the Wendelin Sachtler Academy in the “Professional Lighting” workshops. Other than at the film schools or in the further education programs in companies, I don’t meet established groups here with similar previous knowledge. Nevertheless, in a short time, a study and work-group— a team is created with the specific

purpose in mind of successfully completing the practical basic exer-cises, becoming skilled in pictorial styles, lighting complex sets and filming both documentary and scenic, in the studio and on loca-tion. Short theoretical blocks give the participants competence in the foundations of lighting design, the employment of luminants and the measurement of light and colour.

an Investment in the Future

Automatically exchanges of experi-ences soon take place among the

participants and often pleasant and practical contacts are established beyond regional borders. At the end of the workshops, when the time comes for parting and the team dissolves again into individuals with important travel and flight appoint-ments, I sometimes feel a trace of regret in the participants that it can’t continue, the research and learning, the lighting and designing But naturally one consoles one-self at the end with the academy certificate and the practical Sachtler souvenirs. And, no doubt, also with the feeling that time and money have been well invested in the professional future.

www.SaChtLer-aCademy.Com

It has been a tradition at Sachtler to present the latest about new products and to pass on the related know-how during training courses and workshops. This commitment led to the formation of the Sachtler Academy and the idea continued to develop—all over the world an ever-expanding programme of workshops with different partners was offered. Today international lecturers from various backgrounds

meet with newcomers to the busi-ness, professionals and ambitious amateurs at the Eching studio of the Sachtler Academy, which was opened in 2005, not only to teach and learn. Every workshop centres upon discussing products and tech-niques as well as an exchange of experience—some of these notions even have found their way into product development at Sachtler. On the occasion of the company’s

50th anniversary the Sachtler Acad-emy will be re-named Wendelin Sachtler Academy. Thus Wendelin Sachtler’s work and ideas will be the inspiration for this platform of the industry. A concept which would positively meet the approval of the innovative founder of the company, who always put great emphasis on the dialouge with colleagues.

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MiniDV, (H)DV, ENG EFP / OB, Film

FSB 66 kg / 13 .2 lb

FSB 6 T 6 kg / 13 .2 lb

FSB 2 2 kg / 4 .4 lb

75 mm

Monopod15 kg / 33 .1 lb

Set mid-level spreader 75

Spreader 75

Adapter75/100

Adapter100/150

Mini spreader

Hot Pod dollySOOM Tube9 kg / 19 .8 lb

SOOM TriSpread Mid-level spreader

or baby tripod (9 kg / 19 .8 lb)

+ rubber feet 100 / 150

SOOM TriPod20 kg / 44 .1 lb

Spreader 10050 kg / 110 .2 lb

Spreader 100 / 15095 kg / 209 .4 lb

Mid-level spreader 100 / 150+ rubber feet 100 / 150

DV 8 SB12 kg / 26 .5 lb

DV 6 SB9 kg / 19 .8 lb

ENG 75 / 2 D20 kg / 44 .1 lb

DA 75 L15 kg / 33 .1 lb

Speed Lock® 75 CF20 kg / 44 .1 lb

Speed Lock® CF HD95 kg / 209 .4 lb

CF 100 L45 kg / 99 .2 lb

CF 100 M45 kg / 99 .2 lb

DA 100 M35 kg / 77 .2 lb

DA 100 K40 kg / 88 .2 lb

CF 150 ML95 kg / 209 .4 lb

DA 100 L25 kg / 55 .1 lb

CF 100 HD90 kg / 198 .4 lb

DA 100 HD80 kg / 176 .4 lb

CF 150 L95 kg / 209 .4 lb

Hot Pod CF20 kg / 44 .1 lb

Speed Lock® CF40 kg / 88 .2 lb

ENG 2 CF40 kg / 88 .2 lb

ENG 2 D35 kg / 77 .2 lb

ENG 2 CF HD95 kg / 209 .4 lb

ENG 2 D HD90 kg / 198 .4 lb

EFP 2 CF95 kg / 209 .4 lb

DV 8/100 SB12 kg / 26 .5 lb

DV 12 SB14 kg / 30 .9 lb

Video 15 SB 16 kg / 35 .3 lb

Video 18 SB18 kg / 39 .7 lb


Video 25 Plus35 kg / 77 .2 lb

Cine 30 HD35 kg / 77 .2 lb

Fluid Heads Pedestals / Tripods

75 mm 100 mm 150 mm

Configuration guide

Dolly DV 75 Dolly DV 10060 kg / 132 .3 lb

Dolly S95 kg / 209 .4 lb

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Studio

AdapterPed C I/DV

Adapter Ped C I/Plus

FB Converter

Mini spreader EX

Dolly XL Mid-level spreader Cine+ rubber feet EX

(for long versions only)

Spreader Cine Dolly Cinekg / lb = payload

Mini spreader 150 Spreader 150 EX

Multi Disc

Cine 2000 K50 kg / 110 .2 lb

Cine 150 medium140 kg / 309 lb

OB 2000140 kg / 309 lb

Cine Mitchell medium140 kg / 309 lb

Cine Mitchell long140 kg / 309 lb

Pedestal C I20 kg / 44 .1 lb

Pedestal C III55 kg / 121 .3 lb

Combi Ped 1-4040 kg / 88 .2 lb

Vario Ped 2-75Studio Ped 2-7575 kg / 165 .3 lb

Cine 150 long140 kg / 309 lb

Mitchell

DV 8 SB12 kg / 26 .5 lb

DV 6 SB9 kg / 19 .8 lb

Video 25 Plus FB35 kg / 77 .2 lb

Video 60 Plus Studio65 kg / 143 .3 lb

DV 12 SB14 kg / 30 .9 lb


Video 25 Plus FB35 kg / 77 .2 lb

Video 90 FB115 kg / 253 .5 lb


DV 8/100 SB12 kg / 26 .5 lb





Video 90 FB115 kg / 253 .5 lb

FSB 66 kg / 13 .2 lb

FSB 2 2 kg / 4 .4 lb

FSB 6 T 6 kg / 13 .2 lb

DA 150 M50 kg / 110 .2 lb

DA 150 ML90 kg / 198 .4 lb

DA 150 L95 kg / 209 .4 lb

EFP 2 D90 kg / 198 .4 lb

Studio 9+955 kg / 121 .3 lb

Cine 75 HD75 kg / 165 .3 lb

Video 60 Plus EFP65 kg / 143 .3 lb

Video 75 Plus EFP85 kg / 187 .4 lb

DA 150 K40 kg / 88 .2 lb

Flat Base

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Perfect Headsfor every Camera

FuNCTioNal aND EaSY To oPERaTESachtler’s fluid heads offer 100 percent reliability. The patented damping system excels even when you and your equipment are chal-lenged by the most adverse shooting conditions imagin-able. Extreme temperatures have absolutely no effect on our fluid heads. They provide frictionless operation, are free of hydraulic oil, and are enclosed in their own capsule against any external influence. A special feature of the heads is their ease of operation. Instead of time-consuming adjustment and re-adjustment in search of the balance, our fluid heads offer finely-tuned counterbal-ance for optimized settings.

STaBiliTYA key reason why Sachtler flu-id heads function so reliably is their stability. All components cooperate in a friction-free environment, a key consid-eration for users who want equipment that functions tirelessly for years to come. In addition, the modern, lightweight materials we use help you limit the stress that unnecessary weight can have on your equipment, especially during long shoots.

ThE SECRET BEhiND ThE PaYloaDThe center of gravity height (C.O.G.) of the camera mount-ed on a fluid head is decisive in determining the head’s payload. The C.O.G. describes

the distance between the camera or camcorder’s center of gravity and the top edge of the fluid head being used (see illustration page 36). The shorter the distance, the greater the maximum camera weight. The C.O.G. tables on the following product pages show how the payload of a head changes according to the camera’s center of gravity height.

SuCCESS PRiNCiPlE STEP SWiTChiNgThe time you take to optimally balance your camera on the tripod depends on the coun-terbalance. At Sachtler, the secret of success is called step switching. It allows camera operators to optimally align

the fluid head in no time at all. While continuously adjustable systems often require time-wasting trial-and-error adjust-ment, with step switching the counterbalance is perfectly aligned—first go!

WoRkMaNShiPThe meticulous quality that is a feature of our products is due in part to our close working relationship with film and television professionals. The regular feedback sent in from the field provides our engineers with the constant incentive to redesign even our most proven products. The result is solid, innovative and extremely reliable products with a longer than usual life span.

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36

RoBuSTSachtler tripods help you hit your target, even when things get a bit rough. At the top, German cameraman Andreas Kieling on the ‘hunt’ for bears in Alaska using the Speed Lock® CF.

FRoM FEaThERWEighT To hEavYWEighTSachtler offers the ideal tripod for every camera and camcord-er. Whether your equipment weighs just a few hundred grams, like the digital MiniDV and (H)DV camcorder commonly used in day-to-day news gathering, or over 50 kg / 110 lb, like many film and studio cameras loaded with multiple accessories and high-perfor-mance optical systems, we have the right tripod for you.

SYSTEMS DESigNED To MEET YouR NEEDSA fluid head can only be fully effective with the right pedestal or tripod (see pages 64 to 81). Sachtler offers a wide

range of camera support system packages (see pages 94 to 99) that are designed to meet your demands. The systems let opera-tors choose between differently configured tripods with e. g. spreaders or mid-level spread-ers (see pages 32 to 33). In most cases, a padded bag or cover is included in the package. Users can also customize and extend their own systems with optional accessories, such as additional pan bars or adapters.

ThE FilM MakERS’ PaRTNERSachtler is a sustaining member of many different organizations and institutions that represent and unite camera operators, film makers and manufacturers of film and broadcast technol-ogy. Membership in the German Society of Cinematographers (bvk), has put us into direct con-tact with all well-known camera operators in the German speak-ing world. And our international service and dealer network puts us into direct contact with camera operators worldwide. We also exchange experience with many of the other manufactur-ers of broadcast equipment in the International Association of Broadcast Manufacturers (IABM),where questions concerning standardization, current techni-cal trends and developments are discussed.

RECoMMENDED FoR high DEFiNiTioN (hD)All Sachtler fluid heads are ideal for use with HD cameras. Some

CENTER oF gRaviTY FoR PaYloaDSCenter of Gravity Height (A): The distance from the camera’s center of gravity to the top of the fluid head has a decisive effect on the head’s payload. The shorter the distance, the higher the payload.

The Camera’s Center of Gravity (B): To optimally balance a camera, its center of gravity length must be situated directly above the fluid head’s center of motion.

Sachtler camera tripods have proven themselves for almost 50 years. Whether in temperatures of -40 °C / -40 °F or in the desert’s scorching heat — you can always rely on our camera support systems.

Clear diagrams: Each fluid head product page in this catalogue includes two easy-to-read diagrams showing the change in counter-balance and the amount of drag.

300

250

200

150

100

50

00 4 18 12 16 20 24 28 32

Step 1 Step 18

Cent

er o

f gra

vity

hei

ght

(mm

)

Total load (kg)

36

payLoad diagram damping

0 1 2 3 4 5 6 7

10

8

6

4

2

0Dam

ping

Settings

a

B

37

heads, such as the Cine 75 HD or Cine 30 HD, are particularly user friendly for classical film camera operators, who find all the operating controls in their usual place. Of course, those who shoot with digital High Definition camcorders also want to take advantage of features such as a viewfinder extension or front box. Excellent solutions for users of small and light-weight HDV camcorders, such as the new FSB head or the SpeedBalance head DV 6 SB are also available. A useful over-view of all our camera support systems can be found on pages 94 to 99.

SERviCEThanks to the worldwide distribution of Sachtler prod-ucts, we also offer a widespread service net. Every authorized dealer is able to carry out competent repairs or exchange parts. And in acute situations, Sachtler even provides replace-ment tripods or heads. In addi-tion, you can download from www.sachtler.com, cost-free user’s manuals for almost all of the products described in this catalogue. They provide highly detailed technical information, lists of parts and explosion drawings.

WaRRaNTYEvery Sachtler product comes with a comprehensive warranty.

Thorough quality testing during and after production ensure problem-free, reliable operation over a long life span.

QualiTY lEaDS To SuCCESS: all SaChTlER PRoDuCTS aRE uNivERSallY iSo 9001 CERTiFiEDSachtler has been producing fluid heads since 1958. All components are manufactured using highly precise machines, resulting in outstanding reliability and an extremely long life span. Every torsion spring (picture at the bottom) is intensively tested in regard to quality by stretching it much further than its technically specified limits—thus far beyond its intended daily use.

Every fluid head is a result of extensive handwork. The head’s key feature—Sachtler damping—is riveted and permanently sealed for a long life span.

The American Academy of Motion Pictures, Arts and Sciences has awarded Sachtler a Technical Oscar for its achievements in the area of fluid head and camera tripod development.

Flui

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38

Cine 75 HdThe powerful fluid head for film and high definition

Code

7502

SyStemS

Pages 94–99Cine 75

150 mm Film / HD

aCCeSSorieS

Pages 86–93

Technical data see page 58

300

250

200

150

100

50

00 10 20 30 40 50 60 70 80

min. max.

Cent

er o

f gra

vity

hei

ght

(mm

)

Total load (kg)

90 100

payLoad diagram

Dam

ping

Settings

damping

meaSurementS in mmPayload range: 4 to 75 kg /9 to 165 lb (adjustable to payload range of 12 to 85 kg / 25 to 190 lb)

Counterbalance: 24 steps plus Boost Button

9 horizontal and 9 vertical grades of drag, +0

payLoad taBLe

C. O. G. * min. kg/lb max. kg/lb

125/5 5.4/11.8 83.1/183.3

150/6 4.8/10.6 74.5/164.2

175/7 4.4/9.6 67.5/148.7

200/8 4.0/8.8 61.6/135.9

250/10 3.4/7.5 52.6/115.9

* Center of gravity height (mm/in)

Cine 75 HDwith front pan barand front box

Boost Button for payload range shift

Tilt range: +90° to -60°

For tripods with 150 mm bowls, integrated flat base fitting,Mitchell with adapter

Interfaces for front pan bar, viewfinder extension and front box

0 1 2 3 4 5 6 7 8 9

2824201612840

Case V/C 759517

Fron pan bar3172 Mitchell adapter3902 Mitchell adapter

with locking knob6053

Adapter FB/1503908

Cable clamp V/C 756055 Adapter

1/4 ‘‘. 3/8 ’’, M83985 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986

ø 150half ball with screw (integrated flat base)

250

90

3004

Dutch Head 35

dutch Head 35

39

half ball with screw (integrated flat base)

Studio 9+9The working horse for 35 mm

Code

6002

150 mm Film / HD

300

250

200

150

100

50

0

min. max.

Total load (kg)

payLoad diagrampayLoad taBLe

C.O.G.* min. kg/lb max. kg/lb

125/5 11.3/24.8 59.1/130.3

150/6 10.0/22.1 52.6/116.4

175/7 9.0/19.9 47.5/104.7

200/8 8.2/18.2 43.2/95.4

250/10 7.0/15.4 36.7/80.9


Payload range: 8 to 55 kg / 18 to 121 lb (adjustable to payload range of 16 to 65 kg / 35 to 143 lb)

Counterbalance: 18 steps



For tripods with 150 mm bowls, integrated flat base fitting,Mitchell with adapter

Interfaces for viewfinder extension and front box

Cent

er o

f gra

vity

hei

ght

(mm

)

damping

meaSurementS in mm

ø 150

224200

80

0 1 2 3 4 5 6 7 8 9

2824201612840D

ampi

ng

Settings

0 10 20 30 40 50 60 70

Case 9+99511

Mitchell adapter3902 Mitchell adapter


Adapter FB/1503908

Adapter 1/4 ‘‘. 3/8 ’’, M839

85

Cable clamp V 606054

Front box adapter3920 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986

aCCeSSorieS

Pages 86–93

Bracket for view-finder extension

3004

Dutch Head 35

Flui

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eads

40

Cine 30 HdThe compact and flexible solution for today´s Film / HD applications

Code

3006

SyStemS

Pages 94–9930 EFP 2 MCF

Cine 30

150 mm Film / HD

300

250

200

150

100

50

00 4 18 12 16 20 24 28 32

Step 1 Step 18

Cent

er o

f gra

vity

hei

ght

(mm

)

Total load (kg)

36


meaSurementS in mm

ø 150

214

91

Payload range: 3 to 35 kg / 7 to 77 lb




payLoad taBLe


100/4 3.5/7.7 41.0/90.4

125/5 3.1/6.8 35.7/78.7

150/6 2.7/6.0 31.7/69.9

175/7 2.5/5.5 28.5/62.8

200/8 2.2/4.9 25.9/57.1


For tripods with 150 mm bowls, integrated flat base fitting, Mitchell with adapter

Interfaces for front pan bar, viewfinder extension and front box

Boost Button for payload range shift

0 1 2 3 4 5 6 7

10

8

6

4

2

0Dam

ping

Settings

Snap & Go mechanism

Case 309503

Mitchell adapter3902 Mitchell adapter


Adapter FB/1503908


Front box adapter3920

Pan bar HD left3371

Front pan bar HD3372 Touch & Go®

adapter plate3061Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986Adapter

1/4 ‘‘. 3/8 ’’, M83985

aCCeSSorieS

Pages 86–93


41

video 90 FBThe professional for every TV studio

Code

8092

SyStemS

Pages 94–9990 Studio

90 OB

Flat Base Studio EFP / OB





Flat base fitting for pedestals and OB tripods

payLoad taBLe


125/5 0 123.7/272.7

150/6 0 111.1/245.0

175/7 0 100.9/222.5

200/8 0 92.4/203.7

250/10 0 79.0/174.3


Interface for Teleprompter mounting

Interface for viewfinder extension

In combination with the ENG adapter plate, this forms the ideal head for the narrow ENG cameras.

270

246

96.5

damping

0 1 2 3 4 5 6 7

2824201612840D

ampi

ng

Settings

Cent

er o

f gra

vity

hei

ght

(mm

)

Total load (kg)

payLoad diagram

300

250

200

150

100

50

00 10 20 30 40 50 60 70 80 90 100

Case 909512 Pan bar

back sections (R/L)B-30

74-1

00 (L

)B-

3073

-100

(R)

Spacer for pan barsko1

8b04

39

ENG adapter plate3083


aCCeSSorieS

Pages 86–93

VIDEO 90

ø 150

meaSurementS in mm

flat base

Flui

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42

video 75 Plus StudioThe multi-talent for studio operation

Code

7501

SyStemS

Pages 94–9975 Plus Studio

75 Plus OB 2000

Flat Base Studio OB

300

250

200

150

100

50

0

min. max.

Total load (kg)


meaSurementS in mm

ø 150flat base (half ball with adapter)

258

98

payLoad taBLe


125/5 15.5/34.2 90.5/199.6

150/6 14.0/30.8 81.4/179.4

175/7 12.7/27.9 73.9/163.0

200/8 11.6/25.6 67.7/149.3

250/10 9.9/21.9 58.0/127.9






For tripods with flat base fittings or pedestals with Multi Discs

Easy to convert to Video 75 Plus EFP


Interface for Telepromter mounting

Cent

er o

f gra

vity

hei

ght

(mm

)

0 1 2 3 4 5 6 7 8 9

2824201612840D

ampi

ng

Settings

0 10 20 30 40 50 60 70 80 90 100

Case V/C 759517

ENG adapter plate3083

Multi Disc3914

Quickfix3910

EFP set-up V75 Plus7551 Ball adapter

with screw6052

Pan bar back sections (R/L)B-

3074

-100

(L)

B-30

73-1

00 (R

)

Cable clamp V/C 756055 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986Adapter

1/4 ‘‘. 3/8 ’’, M83985

aCCeSSorieS

Pages 86–93

Counterbalance knob

Studio Set-up Video 75 Plus

43

Code

7500

SyStemS

Pages 94–9975 Plus EFP

300

250

200

150

100

50

0

min. max.

Total load (kg)

payLoad diagram

video 75 Plus eFPThe powerful fluid head for field and OB production

150 mm EFP / OB

Cent

er o

f gra

vity

hei

ght

(mm

)





For tripods with 150 mm bowls, integrated flat base fitting

payLoad taBLe


125/5 16.1/35.5 93.9/207.0

150/6 14.4/31.8 84.1/185.4

175/7 13.1/28.8 76.2/167.9

200/8 11.9/26.3 69.6/153.5

250/10 10.2/22.4 59.4/130.9


Easy to convert to Video 75 Plus Studio


0 10 20 30 40 50 60 70 80 90 100

damping

meaSurementS in mm

ø 150

250

90

0 1 2 3 4 5 6 7 8 9

2824201612840D

ampi

ng

Settings

Case V/C 759517

Front pan bar3172 Cable clamp V/C 756055 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986Adapter

1/4 ‘‘. 3/8 ’’, M83985 Studio set-up

V75 Plus7550 Adapter FB/1503908

aCCeSSorieS

Pages 86–93

Half step counterbalance adjustment lever

EFP Set-up Video 75 Plus


Flui

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eads

44

video 60 Plus StudioThe versatile studio head with V-plate

Code

6001

SyStemS


60 OB 2000

Flat Base Studio OB

meaSurementS in mm

ø 150

ø 124

91

payLoad taBLe


125/5 21.4/47.1 66.7/147.2

150/6 19.1/42.2 59.8/131.9

175/7 17.3/38.2 54.2/119.5

200/8 15.9/35.0 49.5/109.2

250/10 13.5/29.8 42.3/93.2






For tripods with flat base fittings or pedes-tals with Multi Discs

Easy to convert to Video 60 Plus EFP


Interface for Telepromter mounting

Studio Set-up Video 60 Plus

300

250

200

150

100

50

0

min. max.

Total load (kg)

payLoad diagram

Cent

er o

f gra

vity

hei

ght

(mm

)

0 10 20 30 40 50 60 70

damping

0 1 2 3 4 5 6 7 8 9

20

16

12

8

4

0Dam

ping

Settings

Case 60 FB9513Pan bar

back sections (R/L)B-30

74-1

00 (L

)B-

3073

-100

(R)


Multi Disc3914

Quickfix3910 Ball adapter

with screw6052 EFP set-up Video

60 Plus6051

ENG adapter plate3083 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986Adapter

1/4 ‘‘. 3/8 ’’, M83985

aCCeSSorieS

Pages 86–93

• • • • ••• • • • • • • • • •

235

flat base (half ball with adapter)

45

video 60 Plus eFPThe EFP allround talent with Touch & Go® Plate 35

Code

6000

SyStemS

Pages 94–9960 EFP 2 CF

150 mm EFP / OB

aCCeSSorieS

Pages 86–93

meaSurementS in mm

ø 150

224200

80

payLoad taBLe


125/5 22.5/49.6 70.3/155.1

150/6 20.1/44.2 62.7/138.2

175/7 18.1/39.9 56.5/124.7

200/8 16.5/36.3 51.5/113.5

250/10 14.0/30.8 43.7/96.3


300

250

200

150

100

50

0

min. max.

Total load (kg)

payLoad diagram

Cent

er o

f gra

vity

hei

ght

(mm

)

0 10 20 30 40 50 60 70

damping

0 1 2 3 4 5 6 7 8 9

20

16

12

8

4

0Dam

ping

Settings

EFP Set-up Video 60 Plus

Case 9+99511


Adapter FB/1503908 Studio set-up Video

60 Plus6050 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986Adapter

1/4 ‘‘. 3/8 ’’, M83985



Flui

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Easy to convert to Video 60 Plus Studio







46

video 25 Plus FBThe compact lightweight studio / OB solution

Code

2501P

SyStemS


25 Combi 1-40

25 C III

Flat Base Studio OB

meaSurementS in mm

ø 150

194154

71

payLoad taBLe


100/4 10.6/23.4 41.0/90.3

125/5 9.3/20.4 35.7/78.8

150/6 8.2/18.1 31.7/69.9

175/7 7.4/16.3 28.5/62.8

200/8 6.7/14.8 25.9/57.0






For tripods with flat base fittings or pedestals with Multi Discs(Combi 1–40 direct)

300

250

200

150

100

50

0

min. max.

Total load (kg)

payLoad diagram

Cent

er o

f gra

vity

hei

ght

(mm

)

0 4 8 12 16 20 24 28 32 360

damping

0 1 2 3 4 5 6 7

10

8

6

4

2

0Dam

ping

Settings

Cable clamp V/C 756054 Ball adapter

with screw6052 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986Adapter

1/4 ‘‘. 3/8 ’’, M83985Multi Disc3914

aCCeSSorieS

Pages 86–93

Counterbalance adjustment

flat base (half ball with adapter)

47

The lightweight but powerful solution for EFP / OB

Code

2500P

SyStemS

Pages 94–9925 EFP 2 CF

150 mm EFP / ENG

meaSurementS in mm

ø 150

194154

71

video 25 PlusPayload range: 8 to 35 kg / 18 to 77 lb





payLoad taBLe


100/4 10.6/23.4 41.0/90.3

125/5 9.3/20.4 35.7/78.8

150/6 8.2/18.1 31.7/69.9

175/7 7.4/16.3 28.5/62.8

200/8 6.7/14.8 25.9/57.0



300

250

200

150

100

50

0

min. max.

Total load (kg)

Cent

er o

f gra

vity

hei

ght

(mm

)

0 4 8 12 16 20 24 28 32 360


0 1 2 3 4 5 6 7

10

8

6

4

2

0Dam

ping

Settings

C.O.G. plate1063 Cable clamp V 606054

Adapter FB/1503908 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986Adapter

1/4 ‘‘. 3/8 ’’, M83985


aCCeSSorieS

Pages 86–93

• • • • ••• • • • • • •

••••••••••• •• •

• • •• • • •

Bracket for view-finder extension


Flui

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48

video 20 SBMaximum power for EFP / ENG on 100 mm tripods

Code

2005video dutch 18:

1804

SyStemS

Pages 94–9920 SB SL HD MCF

20 SB SL HD CF

20 SB HD MCF

20 SB HD CF

20 SB ENG 2 CF

100 mm EFP / ENG

payLoad taBLe


100/4 8.9/19.6 28.3/62.4

125/5 7.7/17.0 24.7/54.5

150/6 6.8/15.0 21.9/48.3

175/7 6.2/13.7 19.7/43.4

200/8 5.6/12.3 17.9/39.5





Tilt range: ±90°

For tripods with 100 mm bowls

Tap holes for viewfinder extension adapter

300

250

200

150

100

50

0

Step 1

Total load (kg)

payLoad diagram

Cent

er o

f gra

vity

hei

ght

(mm

)

0 42 86 1210 14 16 18 20 22 24 26 28 30

Step 12

meaSurementS in mm

ø 100half ball with screw (flat base with FB Converter)

173201

71

damping

0 1 2 3 4 5 6 7

14121086420D

ampi

ng

Settings

1804 Video 18 Dutch C.O.G. plate1063 Adapter FB/1003903

FB Converter3913

Adapter 100/1503901 Adapter viewfinder

extension 18/203981 Adapter with clam-

ping 1/4 ‘‘. 3/8 ’’, M83986Adapter

1/4 ‘‘. 3/8 ’’, M83985

aCCeSSorieS

Pages 86–93

video 18 dutch

Technical data see page 60

49

1804 Video 18 Dutch

video 18 SBThe ENG standard–worldwide

Code

1805

SyStemS

Pages 94–9918 SB SL MCF

18 SB SL CF

18 SB ENG 2 MCF

18 SB ENG 2 CF

18 SB ENG 2 D

100 mm ENG

aCCeSSorieS

Pages 86–93

meaSurementS in mm




Tilt range: ±90°

For tripods with 100 mm bowls

payLoad taBLe


100/4 1.8/4.0 17.7/39.0

125/5 1.5/3.3 15.4/34.1

150/6 1.4/3.1 13.7/30.2

175/7 1.2/2.6 12.3/27.1

200/8 1.1/2.4 11.2/24.6



Long sliding range of balance plate

Dust protected and water resistant housing

300

250

200

150

100

50

0

Step 1 Step 10

Total load (kg)

Cent

er o

f gra

vity

hei

ght

(mm

)

0 2 4 6 8 10 12 14 16 18 20 22 240


0 1 2 3 4 5 6 7

14121086420D

ampi

ng

Settings

C.O.G. plate1063 Adapter FB/1003903

FB Converter3913

Adapter 100/1503901

Adapter viewfinder extension 18/2039

81 Adapter with clam-ping 1/4 ‘‘. 3/8 ’’, M839

86Adapter 1/4 ‘‘. 3/8 ’’, M839

85

Adapter Ped C I / Plus3941

ø 100half ball with screw (flat base with FB Converter)

173201

71

Flui

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50

video 15 SB

Code

1505

SyStemS

Pages 94–9915 SB C III

15 SB SL MCF

15 SB ENG 2 MCF

15 SB ENG 2 CF

15 SB ENG 2 D

100 mm ENG

aCCeSSorieS

Pages 86–93

meaSurementS in mm

ø 100

177

65





For tripods with 100 mm bowls,integrated flat base fitting

payLoad taBLe


75/3 1.7/3.7 20.4/45.0

100/4 1.4/3.2 17.3/38.1

125/5 1.3/2.8 15.0/33.1

150/6 1.1/2.4 13.3/29.3



300

250

200

150

100

50

0Cent

er o

f gra

vity

hei

ght

(mm

)

0


0 1 2 3 4 5 6 7

14121086420D

ampi

ng

SettingsTotal load (kg)

2 4 6 8 10 12 14 16 18 200

C.O.G. plate1063 Adapter FB/1003903

Adapter 100/1503901

Adapter with clam-ping 1/4 ‘‘. 3/8 ’’, M839

86Adapter 1/4 ‘‘. 3/8 ’’, M839

85


Multi Disc3914

Pan bar DV left3471


80

The lightweight solution for ENG

Counterbalance knob


51

dv 12 SBThe solution for small ENG cameras

Code

1205

SyStemS


12 SB ENG 2 MCF

12 SB ENG 2 CF

12 SB

100 mm ENG

aCCeSSorieS

Pages 86–93

meaSurementS in mm

ø 100

177

65

payLoad taBLe


75/3 1.7/3.7 17.6/38.8

100/4 1.4/3.2 14.9/32.9

125/5 1.3/2.8 13.0/28.6

150/6 1.1/2.4 11.5/25.3








300

250

200

150

100

50

0

payLoad diagram

Cent

er o

f gra

vity

hei

ght

(mm

)

damping

0 1 2 3 4 5

14121086420D

ampi

ng


2 4 6 8 10 12 14 16 18 200

C.O.G. plate1063 Adapter 100/1503901

Adapter FB/1003903


Multi Disc3914

Pan bar DV left3471


80 Adapter with clam-ping 1/4 ‘‘. 3/8 ’’, M839

86Adapter 1/4 ‘‘. 3/8 ’’, M839

85 Pan bar DV right(telescopic)34

70


Flui

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52

75 mm

damping

0 1 2 3 4 5

14121086420D

ampi

ng

Settings

dv 8/100 SBSachtler´s smallest 100 mm solution

Code

dv 8/100 SB:

0806dv 8 SB:

0805

SyStemS

Pages 94–99dv 8/100 SB:

8/100 SB ENG 2 CF

8/100 SB

dv 8 SB:

8 SB SL MCF

8 SB / 2 MD

8 SB / 2 D

8 SB MD

8 SB

100 mm ENG / (H)DV

aCCeSSorieS

Pages 86–93






payLoad taBLe


75/3 1.7/3.7 15.8/34.7

100/4 1.4/3.2 13.4/29.5

125/5 1.3/2.8 11.6/25.6

150/6 1.1/2.4 10.3/22.6


Self-illuminating Touch Bubble

300

250

200

150

100

50

0Cent

er o

f gra

vity

hei

ght

(mm

)

0

payLoad diagram

Total load (kg)

2 4 6 8 10 12 14 16 18 200

Adapter FB/1003903

Adapter 100/1503901


Multi Disc3914

meaSurementS in mm

177

65

ø 100

dv 8 SBOptimal in combination with Speed Lock® 75 CF

meaSurementS in mm

177

65

ø 75

C.O.G. plate DV1465

C.O.G. plate DV1465Pan bar DV left

(telescopic)3471

Pan bar DV left(telescopic)34

71

Pan bar DV right(telescopic)34

70

Pan bar DV right(telescopic)34

70

Adapter 75/1003906



53

dv 6 SBThe (H)DV standard for professionals

Code

0605

SyStemS


6 SB / 2 MD

6 SB / 2 D

6 SB MD

6 SB

75 mm (H)DV

aCCeSSorieS

Pages 86–93

meaSurementS in mm

ø 75

177

65






payLoad taBLe


75/3 1.2/2.7 12.2/27.2

100/4 1.0/2.3 10.5/23.1

125/5 0.9/2.0 9.1/20.1

150/6 0.8/1.8 8.0/17.7



300

250

200

150

100

50

0

Total load (kg)

Cent

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f gra

vity

hei

ght

(mm

)

0 2 4 6 8 10 12 14 16 18 200


0 1 2 3 4 5

14121086420D

ampi

ng

Settings

C.O.G. plate DV1465 Adapter 75/1003906

Pan bar DV right3470

Pan bar DV left3471



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54

FSB 6 / 6 t

Code

FSB 6:

0407FSB 6 t:

0405

SyStemS

Pages 94–99FSB 6:

FSB 6 / 2 D

FSB 6 MD

FSB 6 / 2 MD

FSB 6 SL MCF

SOOM FSB 6

FSB 6 t:

FSB 6 T

FSB 6 T / 2 D

FSB 6 T MD

FSB 6 T / 2 MD

FSB 6 T SL MCF

Pages 94–99FSB 6 :

FSB 6 PowerSet

FSB 6 / 2 D PowerSet

FSB 6 MD PowerSet

FSB 6 / 2 MD PowerSet

FSB 6 SL MCF Power Set

Battery SyStemS

See also pages 56–57

75 mm (H)DV

aCCeSSorieS

Pages 86–93

meaSurementS in mm (FSB 6 t)meaSurementS in mm (FSB 6)

ø 75ø 75

175172

6562

166163

Payload range: 1 – 6 kg / 2 – 13 lb


3+0 horizontal and 3+0 vertical grades of drag, +0




payLoad taBLe


50/2 1.6/3.5 8.5/18.7

75/3 1.3/2.9 6.9/15.3

100/4 1.1/2.4 5.9/13.0

125/5 1.0/2.1 5.1/11.2


150

125

100

75

50

25

0Cent

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vity

hei

ght

(mm

)

0


0 1 2 3

6

5

4

3

2

1

0Dam

ping


1 2 3 4 5 6 7 8 9


71Pan bar DV right(telescopic)34

70

Adapter 75/1003906

Adapter block FSB 63982

FSB CELLCharger0782

FSB CELL0781

Adapter with clam-ping 1/4". 3/8", M839

86Adapter 1/4". 3/8", M839

85

C.O.G. plate DV1465

FSB 6 only FSB 6 only FSB 6 T only

The multi-functional award-winning fluid head

new!half ball with screw (integrated flat base)

FSB 6 TFSB 6

55

FSB 2

Code

0207

SyStemS

Pages 94–99FSB 2

FSB 2 / 2 D

FSB 2 MD

FSB 2 / 2 MD

FSB 2 SL MCF

SOOM FSB 2

Pages 70–73FSB 2 PowerSet

FSB 2 / 2D PowerSet

FSB 2 MD PowerSet



Battery SyStemS

See also pages 56–57

75 mm (H)DV

aCCeSSorieS

Pages 86–93

meaSurementS in mm

ø 75

172163

62

payLoad taBLe


50/2 0/0 1.6/3.5

75/3 0/0 1.3/2.9

100/4 0/0 1.1/2.4

125/5 0/0 1.0/2.1


150

125

100

75

50

25

0

Total load (kg)

Cent

er o

f gra

vity

hei

ght

(mm

)

0,5 1 1,5 2 2,5 3 3,5 4 4,50


0 1 2 3

6

5

4

3

2

1

0Dam

ping

Settings

Payload range: 0–2 kg





Long sliding range of camera plate

Robust, metal housing

Damping components featured in the range of larger fluid heads


71Pan bar DV right(telescopic)34

70

Adapter 75/1003906

Proven Sachtler technology for small (H)DV cameras

new!

FSB CELLCharger0782

FSB CELL0781


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56

FSB CeLLRevolutionary concept in rechargeable batteries for MiniDV and (H)DV cameras

Code

0781

SyStemS*


FSB 6 PowerSet


FSB 6 MD PowerSet



FSB 2 :

FSB 2 PowerSet


FSB 2 MD PowerSet

FSB 2 /2 MD PowerSet


FSB Series

Recommended for fluid heads FSB 2, FSB 6

Weight 0.7 kg / 1.5 lb

Capacity: 10.5 Ah

Voltage 7.2 V

Low discharge voltage: 5.4 V

Operating temperature: 10° to 40° C / 50° to 104° F

Revolutionary concept in rechargeable

batteries for MiniDV and (H)DV cameras:

Power meets professional camera support.

The ultra-high performance FSB CELL is a

7.2 volt lithium-ion battery for MiniDV and

(H)DV cameras that loads directly under

the camera. Shaped like a camera plate,

Operating discharge temperature: -20° to +60°C / -4° to 140° F

Dimensions (L x W x H): 18 x 9.5 x 4.3 cm / 7.1 x 3.7 x 1.7"

Cable adapter: Sony I, Sony II, Canon, Panasonic

– high capacity

– attaches directly under the camera on the fluid head

– the underside of the battery is shaped like a camera plate

– extension of the sliding range to 225 mm / 8.9"

– totally compatible with the newly developed Sachtler fluid heads FSB 2 and

FSB 6, the new generation for minidv and (h)dv cameras

the battery’s underside fastens perfectly onto

the fluid head, ensuring secure locking. The

battery’s weight (0.65 kg / 1.4 lb) is positioned

directly over the fluid head. This optimizes

camera control, by acting neutrally when

balancing the camera. The result is added stabi-

lity and uniform, smooth camera pans.

* please specify

type of cable

adapter!

new!

57

Sets

Cable Adapter Code Recommended for Cameras Weight Cable length

Sony I 0785 PD 100 / PD 150 / PD 170 / DCR-VX2000 / DCR-VX2100 / HDR-FX7

40 g1.4 oz

16 cm / 6.3"


Sony II 0786 HVR-Z1U/E, HVR-V1U/E, HDR-FX1 80 g2.8 oz

21 cm / 8.3"


Canon 0787 XH-A1 / XH-G1 / XL-H1 / XL 1 / XL 2 / XM 2 40 g1.4 oz

25 cm / 9.8"


Panasonic 0788 AG-HVX200 / AJ-DVX100 / AJ-DVX100A / AJ-DVX100B / DVC 80 / DVC 30

40 g1.4 oz

20 cm / 7.9"

FSB CeLLChargerRecommended for FSB CELL

Code

0782

SyStemS*


FSB 6 PowerSet


FSB 6 MD PowerSet



FSB 2 :

FSB 2 PowerSet


FSB 2 MD PowerSet



FSB Series

Weight: 0.4 kg / 0.8 lb

Input voltage: 90–250 VAC

Input frequency: 50–60 Hz

Operating temperature: 10° to +40° C / 50° to +104° F

Dimensions (L x W x H): 14 x 8 x 5.5 cm / 5.5 x 3.1 x 2.2"

Cable adapters

new!

* please specify

type of cable

adapter!

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Cine 75 HDFilm / HD

Studio 9+9Film / HD

Cine 30 HDFilm / HD

Dutch Head 35Film / HD

Video 90 FBStudio EFP / OB

Code 7502 6002 3006 3004 8092

Weight 11.9 kg / 26.2 lb 8.4 kg / 18.5 lb 5.6 kg / 12.3 lb 6.0 kg / 13.2 lb 14.2 kg / 31.3 lb

Payload 4–75 kg / 9–165 lb 8–55 kg / 18–121 lb 3–35 kg / 7–77 lb 0–50 kg / 0–110 lb 0–115 kg / 0–254 lb

Balance plate / Sliding range

120 mm / 4.7" 115 mm / 4.5" 150 mm / 5.9" 60 mm / 2.4" 180 mm / 7.1"

Counterbalance steps 24 + Boost Button 18 18 + Boost Button 7 24

grades of drag

horizontal steps 9 + 0 9 + 0 7 + 0 7 + 0

vertical steps 9 + 0 9 + 0 7 + 0 7 + 0 (diagonal) 7 + 0

Tilt range +90/-60° +90/-60° +90/-75° ±60° +60/-45°

Temperature range -40/+60 °C-40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60-40/+140 °F

-40/+60 °C -40/+140 °F

Camera fitting

Touch & Go® plate 35 35 — 35 —

Sideload plate — — 30 HD — —

V-plate — — — —

Tripod/Pedestal fitting

Bowl 150 mm 150 mm 150 mm For fluid heads with Touch & Go® plate 35

—

Mitchell (with adapter) —

Flat Base Integrated Integrated Integrated

Pan bar(s)

Type Movie Movie HD Plus Pan bar front sections

Number 1 1 1 1 2

telescopic —

Attachment (front/rear/handle)

Ø 20/25/32 mm Ø 0.8/1/1.3"

Ø 20/25/32 mmØ 0.8/1/1.3"

Ø 18/22/36 mmØ 0.7/0.9/1.4"

Ø 18/22/32 mmØ 0.7/0.9/1.3"

Ø 28.5/–/– mm Ø 1.1"/–/–

Length 430–600 mm 16.9–23.6"

430–600 mm16.9–23.6"

350–520 mm13.8–20.5"

350–520 mm13.8–20.5"

400 mm 15.7"

level


—

Batteries 3 x 625 U or LR9 —

Systems Cine 75 30 EFP 2 MCF

Cine 30

90 Studio

90 OB

Fluid Heads

Specifications

59

Video 75 Plus StudioStudio OB

Video 75 Plus EFPEFP / OB

Video 60 Plus StudioStudio OB

Video 60 Plus EFPEFP / OB

Video 25 Plus FBStudio OB

Video 25 PlusEFP / OB

7501 7500 6001 6000 2501P 2500P

12.9 kg / 28.4 lb 11.9 kg / 26.2 lb 9.4 kg / 20.7 lb 8.4 kg / 18.5 lb 4.5 kg / 9.9 lb 4.5 kg / 9.9 lb

12–85 kg / 26–187 lb 12–85 kg / 26–187 lb 16–65 kg / 35–143 lb 16–65 kg / 35–143 lb 8–35 kg / 18–77 lb 8–35 kg / 18–77 lb

145 mm / 5.7" 120 mm / 4.7" 120 mm / 4.7" 115 mm / 4.5" 100 mm / 3.9" 110 mm / 4.3"

24 + Boost Button 24 + Boost Button 18 18 18 18

9 + 0 9 + 0 9 + 0 9 + 0 7 + 0 7 + 0

9 + 0 9 + 0 9 + 0 9 + 0 7 + 0 7 + 0

+80/-60° +90/-60° +90/-60° +90/-60° +90/-75° +90/-75°

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

— 35 — 35 35 16

— — — — — —

— — — —

150 mm * 150 mm 150 mm * 150 mm 150 mm * 150 mm

— — — — —

Integrated Integrated Integrated

Pan bar front sections Pan bar front/rear sections

Pan bar front sections Plus Plus Plus

2 2 + 2 2 2 2 2

— —

Ø 28.5/–/– mm Ø 1.1"/–/–

Ø 28.5/35/40 mm Ø 1.1/1.4/1.6"

Ø 28.5/–/– mm Ø 1.1"/–/–

18/22/32 mm Ø 0.7/0.9/1.3"

18/22/32 mm Ø 0.7/0.9/1.3"

18/22/32 mm Ø 0.7/0.9/1.3"

400 mm 15.7"

540–720 mm21.3–28.3"

400 mm 15.7"

350–520 mm 13.8–20.5"

350–520 mm 13.8–20.5"

350–520 mm 13.8–20.5"

75 Plus Studio

75 Plus OB 2000

75 Plus EFP 60 Studio

60 OB 2000

60 EFP 2 CF 25 Studio

25 Combi 1-40

25 C III

25 EFP 2 CF

* requires ball adapter with screw

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Video 20 SBEFP / ENG


Video 15 SBENG

DV 12 SBENG

Video 18 DutchEFP / ENG

Code 2005 1805 1505 1205 1804


Payload 7–25 kg / 15-55 lb 2–18 kg / 4-40 lb 1–16 kg / 2–35 lb 1–14 kg / 2–30 lb 0–18 kg / 0–40 lb


120 mm / 4.7" 120 mm / 4.7" 70 mm / 2.8" 70 mm / 2.8" 60 mm / 2.4"

Counterbalance steps 12 10 12 12 5

grades of drag


vertical steps 7 + 0 7 + 0 7 + 0 5 + 0 7 + 0 (diagonal)

Tilt range ±90° ±90° +90/-75° +90/-75° ±80°

Temperature range -40/+60 °C -40/+140 °F

-40/+60 °C-40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C-40/+140 °F

-40/+60 °C-40/+140 °F

Camera fitting

Touch & Go® plate 16 16 16 16 16

Sideload plate S — — — — —


Bowl 100 mm 100 mm 100 mm 100 mm For fluid heads with Touch & Go® plate 16

Flat Base — — Integrated Integrated

Pan bar(s)

Type Plus Plus DV right DV 100 Plus

Number 2 2 1 1 1

telescopic —


Ø 18/22/32 mm Ø 0.7/0.9/1.3"

Ø 18/22/32 mmØ 0.7/0.9/1.3"

Ø 18/22/32 mm Ø 0.7/0.9/1.3"

Ø 18/32 mm Ø 0.7/1.3"

Ø 18/22/32 mm Ø 0.7/0.9/1.3"

Length 350–520 mm 13.8–20.5"

350–520 mm 13.8–20.5"

350–520 mm 13.8–20.5"

450 mm 17.7"

350–520 mm 13.8–20.5"

level


Batteries 3 x 625 U or LR9

Battery 1 x CR 2032 — — — —

Systems 20 SB SL HD MCF

20 SB SL HD CF

20 SB HD MCF

20 SB ENG 2 HD CF

20 SB ENG 2 CF

18 SB SL MCF

18 SB SL CF

18 SB ENG 2 MCF

18 SB ENG 2 CF

18 SB ENG 2 D

15 SB C III

15 SB SL MCF

15 SB ENG 2 MCF

15 SB ENG 2 CF

15 SB ENG 2 D

12 SB SL MCF

12 SB ENG 2 MCF

12 SB ENG 2 CF

12 SB

Fluid Heads

Specifications

61



Video 15 SBENG

DV 12 SBENG

Video 18 DutchEFP / ENG

Code 2005 1805 1505 1205 1804


Payload 7–25 kg / 15-55 lb 2–18 kg / 4-40 lb 1–16 kg / 2–35 lb 1–14 kg / 2–30 lb 0–18 kg / 0–40 lb


120 mm / 4.7" 120 mm / 4.7" 70 mm / 2.8" 70 mm / 2.8" 60 mm / 2.4"

Counterbalance steps 12 10 12 12 5

grades of drag


vertical steps 7 + 0 7 + 0 7 + 0 5 + 0 7 + 0 (diagonal)

Tilt range ±90° ±90° +90/-75° +90/-75° ±80°

Temperature range -40/+60 °C -40/+140 °F

-40/+60 °C-40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C-40/+140 °F

-40/+60 °C-40/+140 °F

Camera fitting

Touch & Go® plate 16 16 16 16 16

Sideload plate S — — — — —


Bowl 100 mm 100 mm 100 mm 100 mm For fluid heads with Touch & Go® plate 16

Flat Base — — Integrated Integrated

Pan bar(s)

Type Plus Plus DV right DV 100 Plus

Number 2 2 1 1 1

telescopic —


Ø 18/22/32 mm Ø 0.7/0.9/1.3"

Ø 18/22/32 mmØ 0.7/0.9/1.3"

Ø 18/22/32 mm Ø 0.7/0.9/1.3"

Ø 18/32 mm Ø 0.7/1.3"

Ø 18/22/32 mm Ø 0.7/0.9/1.3"

Length 350–520 mm 13.8–20.5"

350–520 mm 13.8–20.5"

350–520 mm 13.8–20.5"

450 mm 17.7"

350–520 mm 13.8–20.5"

level


Batteries 3 x 625 U or LR9

Battery 1 x CR 2032 — — — —

Systems 20 SB SL HD MCF

20 SB SL HD CF

20 SB HD MCF

20 SB ENG 2 HD CF

20 SB ENG 2 CF

18 SB SL MCF

18 SB SL CF

18 SB ENG 2 MCF

18 SB ENG 2 CF

18 SB ENG 2 D

15 SB C III

15 SB SL MCF

15 SB ENG 2 MCF

15 SB ENG 2 CF

15 SB ENG 2 D

12 SB SL MCF

12 SB ENG 2 MCF

12 SB ENG 2 CF

12 SB

DV 8/100 SBENG

DV 8 SBENG / (H)DV

DV 6 SB(H)DV

FSB 6(H)DV

FSB 6 T(H)DV

FSB 2(H)DV

0806 0805 0605 0407 0405 0207

2.6 kg / 5.7 lb 2.5 kg / 5.5 lb 2.4 kg / 5.3 lb 2 kg / 4.4 lb 2.15 kg / 4.7 lb 1.85 kg / 4.1 lb

1–12 kg / 2–26 lb 1–12 kg / 2–26 lb 1–9 kg / 2–20 lb 1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lb 0–2 kg / 0–4.4 lb

60 mm / 2.4" 60 mm / 2.4" 60 mm / 2.4" 120 mm / 4.7" 60 mm / 2.4" 120 mm / 4.7"

12 12 10 10 10 2

5 + 0 5 + 0 5 + 0 3 + 0 3 + 0 3 + 0

5 + 0 5 + 0 5 + 0 3 + 0 3 + 0 3 + 0

+90/-75° +90/-75° +90/-75° +90/-75° +90/-70° +90/-75°

-40/+60 °C-40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

-40/+60 °C -40/+140 °F

DV 8 DV 8 DV — —

— — — —

100 mm 75 mm 75 mm 75 mm 75 mm 75 mm

Integrated Integrated Integrated Integrated Integrated Integrated

DV 75 DV 75 DV 75 DV 75 DV 75 DV 75

1 1 1 1 1 1

— — — — — —

Ø 16/– mm Ø 0.6"/–

Ø 16/– mm Ø 0.6"/–

Ø 16/– mm Ø 0.6"/–

Ø 16/– mm Ø 0.6"/–

Ø 16/– mm Ø 0.6"/–

Ø 16/– mm Ø 0.6"/–

430 mm 16.9"

430 mm 16.9"

430 mm 16.9"

430 mm 16.9"

430 mm 16.9"

430 mm 16.9"

—

— — — — — —

—

8/100 SB ENG 2 CF

8/100 SB

8 SB SL MCF

8 SB / 2 MD

8 SB MD

8 SB / 2D

8 SB

6 SB SL MCF

6 SB / 2 MD

6 SB MD

6 SB / 2D

6 SB

FSB 6

FSB 6 / 2 D

FSB 6 MD

FSB 6 / 2 MD

FSB 6 SL MCF

FSB 6 PowerSet


FSB 6 MD PowerSet


FSB 6 SL MCF PowerSet

SOOM FSB 6

FSB 6 T

FSB 6 T / 2 D

FSB 6 T MD

FSB 6 T / 2 MD

FSB 6 T SL MCF

FSB 2

FSB 2 / 2 D

FSB 2 MD

FSB 2 / 2 MD

FSB 2 SL MCF

FSB 2 PowerSet


FSB 2 MD PowerSet



SOOM FSB 2

new! new! new!

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Stable in every Position

RoBuST aND PRovENSachtler camera tripods have proven themselves for almost 50 years. Whether in temperatures of -40 °C / -40 °F or in the desert’s scorching heat – you can always rely on our camera support systems.

MaTERialSSachtler chooses aluminium and carbon fiber for its tripods. This is because both materials stand out for their extraordinary resilience and extremely highsafety against rupture. And because carbon fiber (CF) is exceptionally lightweight, it is the choice of camera operators who often need to travel. Carbon fiber has an additional advantage – it is more pleasant to hold at extremely low temperatures.

FaSTENERSSingle extension tripods usually feature a rotary clamping system that secures each tripod leg in the required extension position within seconds. Double extension tripods lock into place in a flash with Sachtler fast-action clamps, with the help of a lever specially designed for this purpose. The Speed Lock®tripod also features an easy-to-use, patented clamping system. A single release lever operates the two fasteners on each leg of this double extension tripod.

FiTTiNgS FoR EvERY hEaDDepending on payload, Sachtler tripods use different connections to fit their fluid heads. 75 mm bowls are usually used with tripods that carry lightweight digital camcorders. 100 mm fittings are widely used with tripods in ENG operation. Heavy film and television cameras mount stably on tripods with 150 mm, Mitchell or flat base fittings that are easy to convert for different applications using adapters. Studio pedestals and OB tripods have flat base connections for use with studio heads. The Cine Mitchell is usedwith fluid heads that have Mitchell base connections.

EaSY-To-oPERaTE PEDESTalSSachtler studio and OB pedestals make life easy for users. Camera operators can easily keep the wheel positions in view at all times and reach all three wheel brakes from any position. The crab & steer function enables simple maneuvering with defined rolling turns. Cable guards protect the cables from damage. Rubber-coated surfaces ensure that you don’t slip when pushing the pedestal with your feet, while the trim weights for the column are covered in plastic to prevent skin contact with the lead. The Quickfix fitting enables fast and easy setups. And the highly-flexible C I and C III models are ideal for small studios and outside shoots.

Speed lock® clamping system

Fast-action clamp

Rotary clamp

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s tr

ipod

sa

cces

sori

esSy

stem

sCa

mer

a St

abili

zing

Sys

tem

sre

port

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ight

ing

Fluo

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ent L

ight

ing

64

vario Ped 2-75Studio Ped 2-75Safe, flexible and incredibly easy to use

Code

Vario Ped 2-75:

5201 Studio Ped 2-75:

5275

SyStemS

Pages 94–99Vario Ped 2-75:

75 Plus Studio

60 Studio

25 Studio

Studio Ped 2-75:

90 Studio

Flat Base Studio OB

Payload: up to 75 kg / 165 lb

On-shot stroke: 77 cm / 30.3"

Height: 66 to 143 cm / 26" to 56.3"

Clearance: 69 to 92 cm / 27.2" to 36.2" (Vario Ped 2-75)(enables narrow track settings) 88.8 cm / 35" (Studio Ped 2-75)

Weight: 55kg/121 lb only (Vario Ped 2-75)82 kg / 181 lb (Studio Ped 2-75)

Safe air charging with pump or compressor

Pressure relief valve prevents damage to the column

Low operating costs due to air charging

Crab & steer function for easy maneuver-ability and defined cornering ability

Studio wheels5210

5208

OB wheels 200OB wheels 200CG52

09CG

Air wheels5205

Compressor5207

Small Steering wheel5206

OB wheels 200 Retrofit kit studio dollyB-

5275

-450

aCCeSSorieS

Pages 86–93

only for Vario Ped 2-75

Top-class pedestals for studio and OB operation

Optional retrofit kit for conversion from Studio Ped to Vario Ped and vice versa

Quickfix enables fast camera change-over from pedestal to tripod

Column, handwheel and dolly dismount-able for easy transport (Vario Ped 2-75)

Including trim weights

The Vario Ped 2-75 with fluid head Video 90 and V-plate.

Vario Ped 2-75 Studio Ped 2-75

65

Combi Ped 1-40Leightweight and stable—perfect on the road

SyStemS

Pages 94–9925 Combi 1-40

Flat Base EFP / OB

Payload: up to 40 kg / 88.2 lb


Height: 79 to 133 cm / 31.1" to 52.4"

Clearance: 70 cm / 27.5"

Air charging with pump

Smooth and precise height adjustment

Column brake for locking at any height

Crab function for easy maneuverability

Column, handwheel and dolly dis-mountable for easy transport

Fast, tool-free set-up

Pressure gauge for air pressure control in column

Cover

aCCeSSorieS

Pages 86–93

Quickfix3910

FB Converter3913

new!

pede

stal

s

Compact and easy to transport: the dolly, pneumatic column and steering wheel

66

C I Pedestal C III PedestalFlexibility for small studios and outside broadcasting

Code

C i pedestal:

4191C iii pedestal:

5195

SyStemS

Pages 94–9915 SB C III

25 C III

Flat Base EFP / OB

The pressure gauge, which controls the air pressure in the C III Pedestal.

Payload: 55 kg / 121 lb (C III Pedestal)

20 kg / 44 lb (C I Pedestal)

On-shot stroke: 42 cm / 16.5" (C III)

39 cm / 15.4" (C I)

Height: 71.5 to 157 cm / 28.1" to 61.8" (C III)

68 to 157 cm / 26.8" to 61.8" (C I)

Weight: 16.5 kg / 36.4 lb (C III)

9.2 kg / 20.3 lb (C I)

Safe air charging with pump or compressor

Clearance: 99 cm / 39.0" (C III)

93 cm / 36.6" (C I)

Large height range and silent dolly movement

Smooth-running lifting column for vibration-free “on the air” movement

Column can be locked in place by brake at any height

Optimally adjustable air pressure to balan-ce any camera configuration

Fast, tool-free set-up

Incl. pressure gauge (C III)

Convenient eccentric clamp (C III)

FB Converter3913

(C II

I)

Multi Disc3914

(C II

I)


(C I)

Adapter Ped C I / DV1030

(C I)

aCCeSSorieS

Pages 86–93

C I Pedestal

C III Pedestal

CoverC I

67

Aluminium

oB 2000For heavy loads

Flat Base EFP / OB


Single extension with rotary clamp

Height: 66 to 124 cm / 26" to 48.8"

Transport length: 84 cm / 33.1"


Level for easy balancing

Leg scales for easy reproduction of settings

Mid-level spreader and rotatablerubber feet are standard features

Cover Spreader SP 150 EX7013

Dolly XL7080

aCCeSSorieS

Pages 86–93

Hand Crank ColumnLifting heavy loads higher

Payload: 130 kg / 287 lb


Maximum height with the OB 2000: up to 172 cm / 67.7"


Weight: 6 kg / 13.2 lb

Quickfix3910

Code

6481Hand Crank Column:

6205

SyStemS

Pages 94–9990 OB

75 Plus OB 2000

60 OB 2000

pede

stal

s tr

ipod

s

68

Aluminium

Cine 150 long Cine 150 medium Cine 2000 shortExtremely robust and stable for loads up to 140 kg / 309 lb

Code

Cine 150 long:

6290 Cine 150 medium:

6250 Cine 2000 short:

6232

SyStemS

Pages 94–99Cine 75

Cine 30

150 mm Film / HD

aCCeSSorieS

Pages 86–93

Payloads: up to 140 kg / 309 lb (Cine 150 long, medium)

50 kg / 110 lb (Cine 2000 short)

Single extension

Height range: 85 to 176 cm / 33.5 to 69.3" (Cine 150 long) 20 to 88 cm / 7.9 to 34.6" (Cine 150 medium)

17–43 cm / 6.7–16.9" (Cine 2000 short)

Transport length: 103 cm / 40.6" (Cine 150 long)

60 cm / 23.6" (Cine 150 medium)

37.5 cm / 14.8" (Cine 2000 short)

Weight: 10.7 kg / 23.6 lb (Cine 150 long)

8.4 kg / 18.5 lb (Cine 150 medium)

5.9 kg / 13 lb (Cine 2000 short)

Large-sized spikes for firm standing

Large height adjustment clamps

Incl. transport locks

Cover Dolly Cine7085

(Cin

e L /

M)

Spreader Cine7023

(Cin

e L /

M)

Mid-level spreader Cine70

27 (C

ine

L)

Rubber feet EX7014

(Cin

e L)

Cine Mitchell Top6056

(Cin

e L/

M)

Mini spreader EX7013

K (C

ine

K)

Cine 150 long

Cine 150 medium

Cine 2000 short

Spreader with tap holdes that enable the tripod to be fixed to the ground.

69

Aluminium

Cine Mitchell long Cine Mitchell mediumHeavy duty Cine tripods

Code

Cine mitchell long:

6295 Cine mitchell medium:

6255

Mitchell Film / HD


Single extension

Height range: 85 to 176 cm / 33.5 to 69.3" (Cine Mitchell long)

20 to 88 cm / 7.9 to 34.6"(Cine Mitchell medium)

Transport length: 103 cm / 40.6" (Cine Mitchell long)

60 cm / 23.6" (Cine Mitchell medium)

Weight: 10.7 kg / 23.6 lb (Cine Mitchell long)

8.4 kg / 18.5 lb (Cine Mitchell medium)

For fluid heads with Mitchell or flat base fittings as well as gear heads

Level for easy balancing

Tool-free tripod leg adjustment

aCCeSSorieS

Pages 86–93

CoverDolly Cine7085

Spreader Cine7023

Rubber feet EX7014

(Cin

e L)

Mid-level spreader Cine70

27 (C

ine

L)

Cine 150 mm Top 6057

Cine Mitchell long

Cine Mitchell medium

trip

ods

Tripod leg adjustment the tool-free Sachtler way: open the clamp—set the leg—close the clamp!

70

Carbon Fiber 150 mm

Sachtler’s fast-action clamp locks in the tripod leg with exceptional speed.


Double extension with fast-action clamp

Height: 58 to 161 cm / 22.8" to 63.4"


Weight: 4.1 kg / 9 lb

Lightweight, robust construction using carbon fiber

CF 150 L CF 150 ML150 mm tripods with the choice of two lengths

Code

CF 150 L:

6392CF 150 mL:

6381eFp 2 CF:

6386

SyStemS

Pages 94–99eFp 2 CF:

75 EFP 2 CF

60 EFP 2 CF

25 EFP 2 CF

30 EFP 2 MCF

150 mm

eFP 2 CF150 mm carbon fiber tripod



Height: 79 to 166 cm / 31.1" to 65.4" (CF 150 L)

67 to 138 cm / 26.4" to 54.3" (CF 150 ML)

Transport length: 92 cm / 36.2" (CF 150 L)

83 cm / 32.7" (CF 150 ML)

Weight: 4.2 kg / 9.3 lb (CF 150 L)

4.0 kg / 8.8 lb (CF 150 ML)

Rotary clampingsystem for 1-stage tripods.

aCCeSSorieS

Pages 86–93

CoverMid-level spreader 100/15070

07

Rubber feet 100/1507004

Spreader SP 100/1507003

Dolly S7065

Padded bag Carrying strapENG 286

90

CF 150 L CF 150 ML

EFP 2 CF

71

Aluminium

eFP 2 d150 mm aluminium tripods

Code

eFp 2 d:

6186da 150 L:

6192da 150 m:

6157da 150 mL:

6181da 150 K:

6132

150 mm

aCCeSSorieS

Pages 86–99

Cover



Height: 58 to 161 cm / 22.8" to 63.4"


Weight: 5 kg / 11 lb

High stability due to double-extension tubes

Mid-level spreader 100/15070

07



Dolly S7065

Padded bag

Carrying strapENG 286

90

da 150150 mm aluminium tripods

150 mm

Mini spreader 150 for DA 150K70

03K

for DA 150 only

EFP 2 D

DA 150 MDA 150 K

Practical fast-action release clamps on all double extension dural aluminium tripods in the 150 mm series.

DA 150 ML

Practical rotary clamp on all single extension dural aluminium tripods in the 150 mm series.

Payload: 90 kg / 198 lb (DA 150 L/ML)

50 kg / 110 lb (DA 150 M)

40 kg / 88 lb (DA 150 K)


Height ranges ideally complement each other (see p. 83)

Transport length: 92 cm / 36.2" (DA 150 L)

83 cm / 32.7" (DA 150 ML)

57 cm / 22.4" (DA 150 M)

32 cm / 12.6" (DA 150 K)

Weight: 5.0 kg / 11 lb (DA 150 L)

4.7 kg / 10.4 lb (DA 150 ML)

3.9 kg / 8.6 lb (DA 150 M)

3.1 kg / 6.8 lb (DA 150 K)

Extremely low shooting position: 15 cm / 5.9" (DA 150 K)

DA 150 L

trip

ods

72

Carbon Fiber

Speed Lock® CF Hd Speed Lock® CFThe fastest double extension tripod – ready to shoot with 3 turns of the hand

Code

Speed Lock® CF hd:

5590 Speed Lock® CF:

5586

SyStemS

Pages 94–9920 SB SL HD MCF

18 SB SL MCF

18 SB SL CF

15 SB SL MCF

12 SB SL MCF

100 mm

Payload: up to 95 kg / 209 lb (Speed Lock® CF HD)

40 kg / 88 lb (Speed Lock® CF)

Double extension with quick release clamp

Height range: 55 to 161 cm / 21.7" to 63.4" (Speed Lock® CF HD)

46 to 155 cm / 18.1" to 61" (Speed Lock® CF)

Transport length: 75 cm / 29.5" (Speed Lock® CF HD)

70 cm / 27.6" (Speed Lock® CF)

Weight: 4.5 kg / 9.9 lb (Speed Lock® CF HD)

3 kg / 6.6 lb (Speed Lock® CF)

Extremely low tripod weight and high torsional resistance

The perfect tripod for ENG applications

The Speed Lock® CF’spatented clamping systemlocks the six fasteners withjust three clamp levers.

aCCeSSorieS

Pages 86–93

Cover


07



Dolly S7065

Padded bag


90

Spreader SP 1007002

Speed Lock® CF HD

Speed Lock® CF

73

Carbon Fiber

eng 2 CF Hd eng 2 CF100 mm double extension carbon fiber tripods

100 mm

aCCeSSorieS

Pages 86–93

Payload: 95 kg / 209 lb (ENG 2 CF HD)

40 kg / 88 lb (ENG 2 CF)


Height range: 55 to 161 cm / 21.7" to 63.4" (ENG 2 CF HD)

46 to 155 cm / 18.1" to 61" (ENG 2 CF)

Transport length: 75 cm / 29.5" (ENG 2 CF HD)

70 cm / 27.6" (ENG 2 CF)

Weight: 4 kg / 8.8 lb (ENG 2 CF HD)

2.6 kg / 5.7 lb (ENG 2 CF)Code

eng 2 CF hd:

5390 eng 2 CF:

5386

SyStemS

Pages 94–99eng 2 CF hd:

20 SB HD MCF

20 SB ENG 2 HD CF

eng 2 CF:

20 SB ENG 2 CF

18 SB ENG 2 MCF

18 SB ENG 2 CF

15 SB ENG 2 MCF

15 SB ENG 2 CF

12 SB ENG 2 MCF

12 SB ENG 2 CF

8/100 SB ENG 2 CF

The tripod leg is locked-in using the Sachtler fast action clamp.

Cover


07



Dolly S7065

Padded bag


90

Spreader SP 1007002

Dolly DV 1007067

ENG 2 CF HD

ENG 2 CF tr

ipod

s

74

Aluminium

eng 2 d Hd eng 2 d 100 mm aluminium tripods

Code

eng 2 d hd:

5490eng 2 d:

5186

SyStemS

Pages 94–9918 SB ENG 2 D

15 SB ENG 2 D

100 mm

Payload: 90 kg / 198 lb (ENG 2 D HD)

35 kg / 77 lb (ENG 2 D)


Height range:55 to 161 cm / 21.7" to 63.4" (ENG 2 D HD)

46 to 155 cm / 18.1" to 61" (ENG 2 D)

Transport length: 75 cm / 29.5" (ENG 2 D HD)

70 cm / 27.6" (ENG 2 D)

Weight: 5.0 kg / 11 lb (ENG 2 D HD)

3.1 kg / 6.8 lb (ENG 2 D)

Foldout carrying handle (only ENG 2 D HD)

aCCeSSorieS

Pages 86–93

Cover


07



Dolly S7065

Padded bag


90

Spreader SP 1007002

Dolly DV 1007067

ENG 2 D HDENG 2 D

The tripod leg is easyto lock into place using thefast-action clamp.

75

Carbon Fiber Aluminium

CF 100 da 100Proven 100 mm tripods – in both carbon fiber and aluminium

100 mm

aCCeSSorieS

Pages 86–93

Payload: 90 kg / 198 lb (CF 100 HD)

45 kg / 99 lb (CF 100 L, M)


Height ranges optimally complement each other (see p. 61)

Transport length:82 cm / 32.3" (CF 100 HD, L)

51 cm / 20.1" (CF 100 M)

Weight: 3.7 kg / 8.2 lb (CF 100 HD)

2.4 kg / 5.3 lb (CF 100 L)

1.9 kg / 4.2 lb (CF 100 M)

Heavy Duty design with 22 mm tube diameter

Code

CF 100 hd:

5380CF 100 L:

5382CF 100 m:

5351da 100 hd:

5480da 100 L:

5182da 100 m:

5151da 100 K:

5122

SyStemS

Pages 94–9912 SB

8/100 SB

Cover


07



Dolly S7065

Padded bag


90

Spreader SP 1007002

Dolly DV 1007067

Payload: 80 kg / 176 lb (DA 100 HD)

35 kg / 77 lb (DA 100 L, M)

40 kg / 88 lb (DA 100 K)


Height ranges optimally complement each other (see p. 60)

Transport length:82 cm / 32.3" (DA 100 HD, L)

51 cm / 20.1" (DA 100 M)

22 cm / 8.7" (DA 100 K)

Weight: 4.4 kg / 9.7 lb (DA 100 HD)

2.9 kg / 6.4 lb (DA 100 L)

2.2 kg / 4.9 lb (DA 100 M)

1.5 kg / 3.3 lb (DA 100 K)

CF 100 da 100

CF 100 HD CF 100 L CF 100 M

DA 100 HD

DA 100 L

DA 100 MDA 100 K

except DA 100 short except DA 100 short except DA 100 short

trip

ods

76

Carbon Fiber

Hot Pod® CF Monopod 2 CFFor shooting positions of more than 2 m / 6' 6" high

Also a favorite with photographers

aCCeSSorieS

Pages 86–93

Cover

Payload: up to 25 kg / 55 lb (Hot Pod® CF 14)

up to 15 kg 33 lb (Hot Pod® CF 10)

Single extension

Height: 79 to 174 cm / 31.1" to 68.5"



Pneumatic lifting column for lens heights of more than 2 m / 6' 6"

Extremely fast set-up due to centrallocking of all legs

Center locking system for height adjustment

Tool-free head changeover

Padded bagHot Pod Dolly7066 Monopod Betacam

quick release systems1096 Sandwich Touch & Go®

(Monopod)1091

Code

Hot Pod® CF 14:

5385/14 Hot Pod® CF 10:

5385/10Monopod:

5395(Sandwich Touch & Go®)

5396 (Betacam connection)

hot pod® monopod

100 mm

Payload: 15 kg / 33 lb (Monopod 2 CF)

Double extension

Max. height: 166 cm / 65.4"



Available with Betacam or Touch & Go® systems

Monopod 2 CFHot Pod® CF

(available as CF 14 and CF 10)

77

Award-winning multi-functional tool

… infinite possibilities.

4 in 1

pho

to: B

iLd

ma

nu

FaK

tur

trip

ods

The perfect setting for the fashion video from Hugo Boss: Cameraman Sebastian Georgi panning the SOOM HiPod System in picturesque landscape on the Spanish Island Majorca.

78

Aluminium

SooM triPodA tool with exceptional possibilities:Lightweight, modular, flexible and multifunctional

75 mm


Single extension

Height: 68.5 to 141 cm / 27 to 55.5" (no accessories fitted)

82.5 cm / 32.5" (no accessories fitted)


Code

S2003-0003

SyStemS

Pages 94–99SOOM Tripod

SOOM HiPod

SOOM FSB 2

SOOM FSB 6


SOOM TriSpreadS200

4-00

01

Padded bagSOOM TubeS200

5-00

01

Dolly DV 1007067SOOM clamping

bowlS200

3-10

06

Dolly S7065

aCCeSSorieS

Pages 86–93

the Soom basic system consists of the Soom tripod

with a 75 mm head fixture and the Soom triSpread

(mid-level spreader). Featuring a height range of 70.5 to

142.5 cm / 28 to 56" (incl. rubber feet), the Soom tripod

is based on the proven Sachtler 100 mm eng single

extension tripod. the Soom triSpread ensures firm

footing and is transformed into the perfect baby tripod

with just a few simple moves. the baby tripod also has

a 75 mm head fixture and height range from 21.5 to

49 cm / 8.5 to 19.3".

the Soom triSpread and the Soom tripod combine

to fix the Soom tube, the first in a series of auxiliary

modules. the Soom hipod system is the combination

of these three modules. it is telescopable to a maximum

of 250 cm / 98.4" (lens height), giving you a perfect view

for optimal shots at e. g. sports events, concerts or wed-

dings. the Soom tube also stands alone as a monopod

with a height range of 87 to 157 cm / 34.3 to 61.8". in this

function the Soom tube is the ideal tool to stabilize

cameras in difficult shooting conditions like cramped

places, or for quick position changes. the Soom tripod,

triSpread and tube are designed to carry 75 mm heads.

new!

79

Aluminium

SooM triSpreadSooM tube

75 mm

The TriSpread can be used as mid-level spreader or as baby tripod

The Tube can be used as part of a HiPod System or stand-alone monopod

Payload: 9 kg / 20 lb (incl. fluid head)

Height: 21.5 to 49 cm / 8.5 to 19.3"



Adjustment: 35° and 55° leg angles adjustable by cam on top casting

Code

Soom triSpread:

S2004-0001 Soom tube:

S2005-0001

SyStemS

Pages 94–99SOOM TriPod

SOOM HiPod

SOOM FSB 2

SOOM FSB 6

Payload: 9 kg / 20 lb (incl. fluid head)

Single extension

Height: 87 to 157 cm / 34.3 to 61.8" (88 to 225 cm / 34.6 to 88.6" SOOM HiPod System leads to approx. lens height of max. 250 cm / 98.4")

Transport length: 87 cm / 34.3" (Tube)


Soom triSpread Soom tube

Special Features SooM Systems– modular system, in which components can

be used separately, in various combinations and as complete sets

– “works with Soom” line: fluid heads FSB 2 and FSB 6, battery FSB CeLL, reporter 8Led

– Flexible operation, ideal for the constantly-changing conditions on many sets

– robust equipment which withstands all requirements at the outdoor shoot

– easy to transport and to set up

SOOM TriSpread (mid-level

spreader / baby tripod)

SOOM Tube

(HiPod / monopod)

SOOM HiPod System leads to approx. lens height of max. 250 cm / 98.4".

new!

trip

ods

80

Carbon

Speed Lock® 75 CFNo tripod is more compact – the fast, lightweight solution for ENG, (H)DV and MiniDV

Code

Speed Lock 75®CF

4588Set mid-level

spreader 75:

7011

SyStemS


6 SB SL MCF

FSB 6T SL MCF PowerSet



FSB 6T SL MCF

FSB 6 SL MCF

FSB 2 SL MCF

75 mm


Double extension with quick release clamp

Height: 34 to 147 cm / 13.4 to 57.9"



Eye for mounting carrying strap featuring shoulder pads

The professional tripod for 75 mm

Just three clamps areused to lock the sixclamping connections.

aCCeSSorieS

Pages 86–93

Cover Padded bagSet mid-level spreader 7570

11

Spreader SP 757001

Carrying strap DV8675

Dolly DV 757063

Set mid-level spreader 75Ideal for 75 mm tripods

Complete: mid-level spreader and rubber feet in one set

Tripod and mid-level spreader can be folded with one hand

Rubber feet self-align

Recommended for tripods:– Speed Lock® 75 CF– ENG 75/2 D– DA 75 L

81

Aluminium

eng 75/2 d da 75 LReady for (H)DV

75 mm

aCCeSSorieS

Pages 86–93

Payload: 20 kg / 44 lb (ENG 75/2 D)

15 kg / 33 lb (DA 75 L)

Double extension with rotary clamp (ENG 75/2 D)

Single extension with rotary clamp (DA 75 L)

Height: 34 to 147 cm / 13.4 to 57.9" (ENG 75/2 D)

61 to 141 cm / 24 to 55.5" (DA 75 L)

Transport length: 65 cm / 25.6" (ENG 75/2D)

82 cm / 32.3" (DA 75 L)

Weight: 2.2 kg / 4.9 lb (ENG 75 2/D)

1.9 kg / 4.2 lb (DA 75 L)Code

da 75 L:

4183eng 75/2 d:

4188

SyStemS

Pages 70–73da 75 L:

8 SB MD

8 SB

6 SB MD

6 SB

FSB 6

FSB 6 PowerSet

FSB 6 MD

FSB 6 MD PowerSet

FSB 6 T

FSB 6 T MD

FSB 2

FSB 2 PowerSet

FSB 2 MD

FSB 2 MD PowerSet

Pages 94–99eng 75/2 d:

8 SB / 2 MD

8 SB / 2 D

6 SB / 2 MD

6 SB / 2 D

FSB 6 / 2 MD


FSB 6 / 2 D


FSB 6 T / 2 MD

FSB 6 T / 2 D

FSB 2 / 2 MD


FSB 2 / 2 D


Cover Padded bagSet mid-level spreader 7570

11

Spreader SP 757001

Dolly DV 757063

DA 75 L ENG 75/2 D

trip

ods

82

Studio Ped 2-75Studio OB

Vario Ped 2-75Studio OB

Combi Ped 1-40EFP / OB

Pedestal C IIIEFP / OB

Pedestal C IEFP / OB

Code 5275 5201 5195 4191

including 6 trim weights, pump 6 trim weights, pump 4 trim weights, pump Dolly XL, pump Dolly DV 75, pumpWeight 82 kg / 181 lb 55 kg / 121 lb 24.6 kg / 54 lb 16.5 kg / 36.4 lb 9.2 kg / 20.3 lb

Payload 75 kg / 165 lb 75 kg / 165 lb 40 kg / 88.2 lb 55 kg / 121 lb 20 kg / 44.1 lbheight 66–143 cm / 26–56.3" 66–143 cm / 26–56.3" 79–133 cm / 31.1–52.4" 71.5–157 cm / 28.1–61.8" 68–157 cm / 26.8–61.8"

with Spreader — — — — —with Mid-level spreader

— — — — —

on-shot stroke 77 cm / 30.3" 77 cm / 30.3" 54 cm / 21.2" 42 cm / 16.5" 39 cm / 15.4"

Clearance 88.8 cm / 35" 69–92 cm / 27.2"–36.2" 70 cm / 27.6" 99 cm / 39" 93 cm / 36.6"

head fitting Flat base, Quickfix Flat base, Quickfix Flat base, Quickfix Flat base Flat base

Transport length — — — — —

Extension — — — — —

Combinable with

Mid-level spreader — — — — —Spreader — — — — —Dolly — — — — —Wheels — — —Rubber feet — — — — —Cover — — —Padded bag — — — — —Systems 90 Studio 75 Plus Studio

60 Studio25 Studio

25 Combi 1-40 25 C III15 SB C III

OB 2000EFP/OB

Hand crank columnEFP/OB

EFP 2 CF EFP 2 D CF 150 L

Code 6481 6205 6386 6186 6392

including Mid-level spreader and rubber feet

— — — —

Weight 9.6 kg / 21.2 lb 6 kg / 13.2 lb 4.1 kg / 9 lb 5 kg / 11 lb 4.2 kg / 9.3 lb

Payload 140 kg / 309 lb 130 kg / 287 lb 95 kg / 209 lb 90 kg / 198 lb 95 kg / 209 lbheight with

Spreader — — 58–161 cm / 22.8–63.4" 58–161 cm / 22.8–63.4" 79–166 cm / 31.1–65.4"Mid-level spreader 66–124 cm / 26–48.8" — 58–154 cm / 22.8–60.6" 58–154 cm / 22.8–60.6" 82–156 cm / 32.3–61.4"

on-shot stroke – 36 cm / 14.2" — — —

Camera fitting Flat base, Mitchell Flat base, Quickfix 150 mm 150 mm 150 mm

Transport length 84 cm / 33.1" 53 cm / 20.9" 76 cm / 29.9" 76 cm / 29.9" 92 cm / 36.2"

Extension 1x Hand crank 2x 2x 1x

Combinable with

Mid-level spreader integrated — 100/150 100/150 100/150Spreader SP 150 EX — SP 100/150 SP 100/150 SP 100/150Dolly Dolly XL — Dolly S Dolly S Dolly SRubber feet integrated —Cover —Padded bag — —Systems 90 OB

75 Plus OB 200060 OB 2000

75 Plus EFP 2 CF60 EFP 2 CF30 EFP 2 MCF25 EFP 2 CF

Specificationsnew!

Tripods / Pedestals

83

CF 150 ML DA 150 L DA 150 ML DA 150 M DA 150 K

6381 6192 6181 6157 6132

— — — — —

4 kg / 8.8 lb 5 kg / 11 lb 4.7 kg / 10.4 lb 3.9 kg / 8.6 lb 3.1 kg / 6.8 lb

95 kg / 209 lb 90 kg / 198 lb 90 kg / 198 lb 50 kg / 110 lb 40 kg / 88 lb

67–138 cm / 26.4–54.3" 79–166 cm / 31.1–65.4" 67–138 cm / 26.4–54.3" 21–85 cm / 8.3–33.5" 15–39 cm / 5.9–15.4"70–138 cm / 27.6–54.3" 82–156 cm / 32.3–61.4" 70–138 cm / 27.6–54.3" 28–80 cm / 11–31.5" —

— — — — —

150 mm 150 mm 150 mm 150 mm 150 mm

83 cm / 32.7" 92 cm / 36.2" 83 cm / 32.7" 57 cm / 22.4" 32 cm / 12.6"

1x 1x 1x 1x 1x

100/150 100/150 100/150 100/150 —SP 100/150 SP 100/150 SP 100/150 SP 100/150 Mini spreader 150Dolly S Dolly S Dolly S Dolly S —

— ——— —

Cine 150 longFilm / HD

Cine 150 mediumFilm / HD

Cine 2000 shortFilm / HD

Cine Mitchell longFilm / HD

Cine Mitchell mediumFilm / HD

6290 6250 6232 6295 6255

— — — — —10.7 kg / 23.6 lb 8.4 kg / 18.5 lb 5.9 kg / 13 lb 10.7 kg / 23.6 lb 8.4 kg / 18.5 lb

140 kg / 309 lb 140 kg / 309 lb 50 kg / 110 lb 140 kg / 309 lb 140 kg / 309 lb

85–176 cm / 33.5–69.3" 20–88 cm / 7.9–34.6" 17–43 cm / 6.7–16.9" 85–176 cm / 33.5–69.3" 20–88 cm / 7.9–34.6"93–176 cm / 36.6–69.3" — — 93–176 cm / 36.6–69.3" —

— — — — —

— — — —

150 mm 150 mm 150 mm Mitchell, Flat base Mitchell, Flat base

103 cm / 40.5" 60 cm / 23.6" 37.5 cm / 14.8" 103 cm / 40.5" 60 cm / 23.6"

1x 1x 1x 1x 1x

Cine — – Cine —Cine Cine Mini spreader EX Cine CineCine Cine — Cine Cine— — — — —

— — —

— — — — —Cine 75Cine 30

• = available as accessory

trip

ods

pede

stal

s

84

Speed Lock® CF HD ENG 2 CF HD ENG 2 D HD Speed Lock® CF ENG 2 CF ENG 2 D

Code 5590 5390 5490 5586 5386 5186

Weight 4.5 kg / 9.9 lb 4 kg / 8.8 lb 5 kg / 11 lb 3 kg / 6.6 lb 2.6 kg / 5.7 lb 3.1 kg / 6.8 lb

Payload 95 kg / 209 lb 95 kg / 209 lb 90 kg / 198 lb 40 kg / 88 lb 40 kg / 88 lb 35 kg / 77 lbheight with

Spreader 55–161 cm 21.7–63.4"

55–161 cm 21.7–63.4"

55–161 cm 21.7–63.4"

46–155 cm 18.1–61"

46–155 cm 18.1–61"

46–155 cm18.1–61"

Mid-level spreader

56–157 cm22–61.8"

56–157 cm 22–61.8"

56–157 cm 22–61.8"

50–151 cm 19.7–59.4"

50–151 cm 19.7–59.5"

50–151 cm19.7–59.5"

head fitting 100 mm 100 mm 100 mm 100 mm 100 mm 100 mm

Transport length 75 cm / 29.5" 75 cm / 29.5" 75 cm / 29.5" 70 cm / 27.6" 70 cm / 27.6" 70 cm / 27.6"

Extension 2x 2x 2x 2x 2x 2x

Combinable with

Mid-level spreader

100/150 100/150 100/150 100/150 100/150 100/150

Spreader SP 100/150 (SP 100) SP 100/150 (SP 100) SP 100/150 (SP 100) SP 100 (SP 100/150) SP 100 (SP 100/150) SP 100 (SP 100/150)Dolly Dolly S Dolly S Dolly S Dolly S Dolly S, DV 100 Dolly S, DV 100Rubber feetCoverPadded bagSystems 20 SB SL HD MCF

20 SB SL HD CF20 SB HD MCF20 SB HD CF

18 SB SL MCF18 SB SL CF15 SB SL MCF12 SB SL MCF

20 SB ENG 2 CF18 SB ENG 2 MCF18 SB ENG 2 CF15 SB ENG 2 MCF15 SB ENG 2 CF12 SB ENG 2 MCF12 SB ENG 2 CF8/100 SB ENG 2 CF

18 SB ENG 2D15 SB ENG 2D

DA 100 HD DA 100 L DA 100 M DA 100 K Hot Pod® CF 14 Hot Pod® CF 10

Code 5480 5182 5151 5122 5385/14 5385/10

for Video 15, Video 18 for DV 8/100, DV 12Weight 4.4 kg / 9.7 lb 2.9 kg / 6.4 lb 2.2 kg / 4.9 lb 1.5 kg / 3.3 lb 5.8 kg / 12.8 lb 5.8 kg / 12.8 lb

Payload 80 kg / 176 lb 35 kg / 77 lb 35 kg / 77 lb 40 kg / 88 lb 25 kg / 55 lb 15 kg / 33 lbheight with

Spreader 65–142 cm 25.6–55.9"

65–142 cm 25.6–55.9"

14–77 cm 5.5–30.3"

13–27 cm 5.1–10.6"

— —

Mid-level spreader

68–136 cm 26.8–53.5"

70–142 cm 27.6–55.9"

17–71 cm 6.7–28"

— 79–174 cm31.1–68.5"

79–174 cm / 31.1–68.5"

head fitting 100 mm 100 mm 100 mm 100 mm 100 mm 100 mm

Transport length 82 cm / 32.3" 82 cm / 32.3" 51 cm / 20.1" 22 cm / 8.7" 85 cm / 33.5" 85 cm / 33.5"

Extension 1x 1x 1x 1x 1x 1x

Combinable with

Mid-level spreader 100/150 100/150 100/150 — integrated integratedSpreader SP 100/150 (SP 100) SP 100 (SP 100/150) SP 100 (SP 100/150) Mini spreader — —Dolly Dolly S Dolly S, DV 100 Dolly S, DV 100 — Hot Pod Dolly Hot Pod DollyRubber feet — integrated integratedCoverPadded bagSystems 12 SB

8/100 SB

Specifications Tripods / Pedestals

85

CF 100 HD CF 100 L CF 100 M

5380 5382 5351

3.7 kg / 8.2 lb 2.4 kg / 5.3 lb 1.9 kg / 4.2 lb

90 kg / 198 lb 45 kg / 99 lb 45 kg / 99 lb

65–142 cm 25.6–55.9"

65–142 cm25.6–55.9"

14–77 cm5.5–30.3"

68–136 cm 6.8–53.5"

70–142 cm27.6–55.9"

17–71 cm6.7–28"

100 mm 100 mm 100 mm

82 cm / 32.3" 82 cm / 32.3" 51 cm / 20.1"

1x 1x 1x

100/150 100/150 100/150

SP 100/150 (SP 100) SP 100 (SP 100/150) SP 100 (SP 100/150)Dolly S Dolly S, DV 100 Dolly S, DV 100

SOOM TriPod SOOM TriSpread SOOM Tube

S2003-0003 S2004-0001 S2005-0001

3.0 kg / 6.6 lb 1.2 kg / 2.6 lb 1.0 kg / 2.2 lb

20 kg / 44 lb 9 kg / 20 lb 9 kg / 20 lb

— 21.5–49 cm 8.5–19.3"

87 to 157 cm 34.3 to 61.8"

68.5–141 cm27–55.5"

— —

75 mm 75 mm 75 mm

82.5 cm / 32.5" 36 cm / 14.2" 87 cm / 34.3"

1x 1x 1x

SOOM TriSpread — —SP 100 (SP 100/150) — —Dolly S, DV 100 — —detachable integrated soft spikes —— — —

SOOM TriPodSOOM HiPodSOOM FSB 2SOOM FSB 6

SOOM TriPodSOOM HiPodSOOM FSB 2SOOM FSB 6

SOOM HiPodSOOM FSB 2SOOM FSB 6

= available as accessory

Speed Lock® 75 CF ENG 75/2 D DA 75 L

4588 4188 4183

2 kg / 4.4 lb 2.2 kg / 4.9 lb 1.9 kg / 4.2 lb

20 kg / 44 lb 20 kg / 44 lb 15 kg / 33 lb

34–147 cm 3.4–57.9"

34–147 cm13.4–57.9"

61–141 cm 24–55.5"

60–144 cm23.6–56.7"

60–144 cm23.6–56.7"

78–142 cm30.7–55.9"

75 mm 75 mm 75 mm

65 cm / 25.6" 65 cm / 25.6" 82 cm / 32.3"

2x 2x 1x

Set mid-level spreader 75 Set mid-level spreader 75 Set mid-level spreader 75SP 75 SP 75 SP 75Dolly DV 75 Dolly DV 75 Dolly DV 75

8 SB SL MCF6 SB SL MCFFSB 6 T SL MCFFSB 6 SL MCFFSB 2 SL MCF

8 SB / 2 D8 SB / 2 MD6 SB / 2 D6 SB / 2 MDFSB 6 T / 2 MDFSB 6 / 2 MDFSB 2 / 2 MD

8 SB8 SB MD6 SB6 SB MDFSB 6 TFSB 6FSB 2

Monopod 2 CF Monopod 2 CF

5396 5395

Betacam quick release Sandwich Touch & Go®1 kg / 2.2 lb 1 kg / 2.2 lb

15 kg / 33 lb 15 kg / 33 lb

max. 166 cm 65.4"

max. 166 cm 65.4"

— —

— —

65 cm / 25.6" 65 cm / 25.6"

2x 2x

— —

— —

— —— —— —— —— —

new! new! new!

trip

ods

86

1.2 kg 9 kg 2.6 lb 19.8 lb

0.3 kg 15–25 cm 0.7 lb 5.9–9.8"

0.6 kg 40 kg 33–58 cm 1.3 lb 88 lb 13–22.8"

Weight Payload Height Built-up radius

Spreaders Accessories

7002

K70

13

7023

7027

70

14

7013

K70

07

7003

7002

7011

7011

7001

7003

K

7004

Spreader SP 75 for tripods Speed Lock® 75 CF, ENG 75/2 D and DA 75 L

SooM TriSpread for SOOM TriPod

Spreader SP 100 lightweight spreader for all tripods with 100 mm bowl (except DA 100 K short)

Spreader Cine heavy duty metal spreader with eccentric lockingfor tripods Cine long and Cine medium

Mid-level spreader Cine for tripods Cine long

Rubber feet EX set of 3 with eccentric locking for tripods Cine long

Rubber feet 100/150 set of 3, rubber locking, for tripods withmid-level spreader 100/150 and SOOM TriPod

Mid-level spreader 100/150 for all tripods with 100 and 150 mm bowls(except DA 100 K short, DA 150 K short and Cine)

Mini spreader EX for tripod Cine 2000 short

Mini spreader for tripod DA 100 K short

Spreader SB 100/150heavy duty rubber spreader, for all tripods 100 and 150 mm bowl (except DA 100 K short and DA 150 K short)

Mini spreader 150 for tripod DA 150 K short

Spreader SP 150 EX rubber spreader with eccentric locking, for tripod OB 2000

Set mid-level spreader 75 set with mid-level spreader and 3 rubber feet for tripods Speed Lock® 75 CF, ENG 75/2 D and DA 75 L

Weight Payload Height Built-up radius

0.8 kg 50 kg 40 mm 33–58 cm 1.8 lb 110 lb 1.6" 13–22.8"

1.4 kg 140 kg 45 mm 41–68 cm 3.1 lb 309 lb 1.8" 16.1–26.8"

1.4 kg 28–46 cm 3.1 lb 11.0–18.1"

0.5 kg 95 kg 40 mm 7.2 cm 1.1 lb 209 lb 1.6" 2.83"

0.58 kg 95 kg 40 mm 7.2 cm 1.3 lb 209 lb 1.6" 2.83"

0.75 kg 28–46 cm 1.7 lb 11–18.1"

1.4 kg 50 kg 45 mm 22.5–33.5 cm 3.1 lb 110 lb 1.8" 8.9–13.2"

0.55 kg 40 kg 40 mm 15.5–23 cm 1.2 lb 88 lb 1.6" 6.1–9.1"

1.64 kg 95 kg 45 mm 35–58 cm 3.6 lb 209 lb 1.8" 13.8–22.8"

1.3 kg 40 kg 45 mm 22.5–33.5 cm 2.9 lb 88 lb 1.8" 8.9–13.2"

1.75 kg 140 kg 45 mm 35–58 cm 3.9 lb 309 lb 1.8" 13.8–22.8"

S200

4-00

01

new!

87

Accessories Accessories

dollies adapters

Dolly Xl with 125 mm/5" wheel diameter and excenter locking, for tripod OB 2000, incl. cable guards and multi-position track lock

Dolly Cine for tripods Cine long and Cine medium

hot Pod Dolly for tripods Hot Pod®

Dolly S with 100 mm/4" wheel diameter, for SOOM TriPod and all tripods with 100 and 150 mm bowls ecept tripods DA 100 K and DA 150 K), incl. cable guards and multi-position track lock

Dolly Dv 100 for systems DV 8/100, DV 12, Video 15 and SOOM TriPod

Dolly Dv 75 for tripods Speed Lock® 75 CF, ENG 75/2 D and DA 75 L

FB Converter flat base converter for Video 18/20 SB and Pluson pedestals and OB tripods (except Pedestal C I)

Multi Disc flat base for DV 8/100, DV 12, Video 15–20 III FB and Euroadapter on Quickfix (e. g. on Vario Ped), and Video 25 Plus FB, Cine 30 HD, Video 60 Plus Studio, Video 75 Plus Studio and flat base heads of other manufactures on Vario/Studio Ped and C III

adapter block FSB 6 for fluid heads FSB 6 and FSB 6 T

adapter viewfinder extension 12/15 for fluid heads DV 12 SB and Video 15 SB

adapter viewfinder extension 18/20 for fluid heads Video 18/20 SB, Video 18 Plus models starting from 05/2005, and Video 20 Plus models starting from 2002

adapter 1/4", 3/8", M8 adapter with 1/4", M8 and 3/8" tap holes for additi-onal accessories, for mounting on fluid heads with adapter viewfinder extension

adapter with clamping 1/4", 3/8", M8 adapter with 1/4", M8 and 3/8" tap holes for additional accessories and/or adapter viewfinder extension, for fluid heads with adapter viewfinder extension

adapter Ped C i / Dv for fluid heads DV 8/100, DV 12 and Video 15on Pedestal C I

adapter Ped C i / Plus for fluid heads Video 18/20 SB and Plus on Pedestal C I

Weight Payload Height Built-up radius Weight Dimensions

400 g 133 mm 0.9 lb 5.2"

430 g 133 mm 0.95 lb 5.2"

40 g 36 x 21 x 20 mm 0.08 lb 1.4 x 0.8 x 0.8"

40 g 36 x 25 x 20 mm 1.40 lb 3.6 x 2.5 x 2"

40 g 36 x 21 x 20 mm 0.08 lb 1.4 x 0.8 x 0.8"

100 g 40 x 40 x 25 mm 0.2 lb 1.6 x 1.6 x 1"

130 g 60 x 40 x 25 mm 0.3 lb 2.4 x 1.6 x 1"

120 g 89 mm 0.26 lb 3.5"

75 g 75 mm 0.17 lb 3"

6.8 kg 140 kg 190 mm 49 cm 15 lb 309 lb 7.5" 19.3"

7 kg 140 kg 190 mm 49 cm 15.4 lb 309 lb 7.6" 19.3"

4.12 kg 30 kg 160 mm 35 cm 9.1 lb 66 lb 6.3" 13.8"

4.45 kg 95 kg 160 mm 49 cm 9.8 lb 209 lb 6.3" 19.3"

5.15 kg 60 kg 155 mm 49 cm11.4 lb 132 lb 6.1" 19.3"

4.4 kg 40 kg 155 mm 49 cm 9.7 lb 88 lb 6.1" 19.3"

7080

7085

7065

7066

7067

7063

3914

3982

3913

3980

3981

3986

3985

1030

39

41

acc

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88

adapters Accessories

adapter 75/100 for fluid heads with 75 mm balls on tripods with 100 mm bowls

Cable clamp v 60 for fluid heads Video 25 Plus, Cine 30 HD, Video 60 Plus and Video 90

adapter 100/150 for fluid heads with 100 mm balls on tripods with 150 mm bowls

Quickfix fast-on connector for fluid heads Video 25 Plus FB to Video 90 on OB 2000 and pedestals may require Multi Disc

adapter FB/150 for fluid heads with 150 mm balls on flat base tripods and pedestals

adapter FB/100 for fluid heads with 100 mm balls on flat base tripods and pedestals (Multi Disc is required for Pedestals C III and Combi)

Mitchell adapter for fluid heads Cine 30 HD, Studio 9+9 and Cine 75 HD on Mitchell tripods

Mitchell adapter with locking knob for fluid heads Cine 30 HD, Studio 9+9 and Cine 75 HD on Mitchell tripods

Front box adapter for fluid heads Video Plus 25, Cine 30 HD, Studio 9+9 and Video 60 Plus

Cine Mitchell Top conversion set from 150 mm bowl to Mitchell for tripods Cine long and Cine medium

Cine 150 mm Top Cine conversion set from Mitchell to 150 mm bowl for tripods Cine long and Cine medium

Ball adapter with screw for conversion of fluid heads Video 25 Plus FB, Video 60 Plus Studio and Video 75 Plus Studio to bowl

Weight Dimensions Weight Dimensions

80 g 100 mm 0.18 lb 3.9"

266 g 150 mm 0.59 lb 5.9"

1.24 kg internal Ø 133 mm 2.7 lb internal Ø 5.2"

1.020 g Ø 150 x 155 mm 2.25 lb Ø 6.1 x 9.5"

420 g Ø 115 x 130 mm 0.9 lb Ø 4.5 x 5.1"

580 g 170 mm 1.28 lb 6.7"

800 g 170 mm 1.8 lb 6.7"

120 g 35 x 95 x 28 mm 0.26 lb 1.4 x 3.7 x 1.1"

1,030 g 2.27 lb

830 g 1.83 lb

3906

3901

3908

3902

6053

3920

6056

6057

6052

6055

6054

3910

3903

Cable clamp v/C 75 for fluid heads Video 75 Plus and Cine 75 HD

106 g 0.23 lb S2

003-

1006

kit clamping screw 75 for fluid heads with 75 mm balls, manufactured until 04/2005

SooM clamping bowlfor SOOM TriPod, SOOM TriSpread and SOOM Tube

3905

new!

89

Accessories

Camera plates

Sideload plate S with pin and 1/4" screw for fluid head DV 1, FSB 2 and FSB 6

v-plate for fluid heads Video 60 Plus Studio, Video 75 Plus Studio and Video 90

ENg adapter plate for ENG cameras on fluid heads Video 60 Plus Studio, Video 75 Plus Studio and Video 90

Studio set-up video 60 Plus for fluid head Video 60 Plus EFP for conversion to Video 60 Plus Studio

EFP set-up video 60 Plus for fluid head Video 60 Plus Studio for conversion to Video 60 Plus EFP

Studio set-up v75 Plus for fluid head Video 75 Plus EFP for conversion to Video 75 Plus Studio

EFP set-up v75 Plus for fluid head Video 75 Plus Studio for conversion to Video 75 Plus EFP

Sandwich Touch & go® (Monopod) retrofits other tripods and for Monopod, includes Touch & Go® plate 16

Monopod Betacam quick release systems Betacam quick release system for Monopod

Touch & go® plate Dv with pin and 1/4" screw for fluid heads DV 2, DV 4 and DV 6

C.o.g. plate Dv for fluid heads DV 2, DV 4, DV 6 and DV 8 if came-ra is front- or back-heavy

Touch & go® plate Dv 8 with 1/4" and 3/8" screws for fluid heads DV 8 and DV 8/100

Touch & go® plate 16 for fluid heads, DV 12, Video 15 to 25 and Video 18 Dutch

C.o.g. plate for fluid heads DV 12 and Video 15 to 25 if camera is front- or back-heavy or with teleprompter

Pan/tilt plate for CamCrane EFP, mounts on the camera console and all fluid heads with Touch & Go® plate 16

Touch & go® plate 35 for fluid heads Video 25 Plus FB, Video 60 Plus EFP, Studio 9+9, Video 75 Plus EFP, Cine 75 HD and Dutch Head 35

Sideload plate 30 hD for Cine 30 HD

Touch & go® adapter plate for fluid head Cine 30 HD with Touch & Go® plate 35

Touch & go® plate S for fluid heads DV 2 – DV 8/100 and FSB 6 T with pin, 1/4" and 3/8" screws

Weight Dimensions Weight Dimensions

120 g 140 x 50 mm 0.26 lb 5.5 x 2"

860 g 66/156 x 256 mm 1.9 lb 2.6/6.1 x 10.1"

690 g 155 x 200 mm 1.5 lb 6.1 x 7.9"

4.8 kg (incl. V-plate) 10.6 lb (incl. V-plate)

2.6 kg (incl. camera plate) 5.3 lb (incl. camera plate)

2.7 kg (incl. camera plate) 5.9 lb (incl. camera plate)

45 g 62 x 45 mm 0.1 lb 2.4 x 1.8"

107 g 120 x 52 mm 0.23 lb 4.7 x 2"

47 g 62 x 45 mm 0.1 lb 2.4 x 1.8"

80 g 79 x 65 mm 0.18 lb 3.1 x 2.6"

345 g 150 x 75 mm 0.76 lb 5.9 x 3"

1.2 kg 2.65 lb

190 g 120 x 80 mm 0.42 lb 4.7 x 3.1"

500 g 305 x 96 x 9 mm 1.1 lb 12 x 3.8 x 0.35"

880 g 300 x 96 x 18 mm 1.94 lb 11.8 x 3.8 x 0.71"01

6402

6403

6414

6514

6410

6410

6357

2730

5130

60

3061

3080

3083

6050

6051

7550

7551

1091

1096

46 g 62 x 45 mm 0.1 lb 2.4 x 1.8"

new!

acc

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90

3471

Pan bars Accessories

Dimensions (front / back / handle) Dimensions (front / back / handle)

Pan bar Dv 75 l for fluid head DV 1

Pan bar Dv 75 for fluid heads FSB 2, DV 2, DV 4, FSB 6, FSB 6T, DV 6, DV 8 and DV 8/100

Pan bar Dv 100 for fluid head DV 12

Pan bar Dv right (telescopic) for fluid heads FSB, DV and Video 15

Pan bar Dv left (telescopic) for fluid heads FSB, DV and Video 15

Pan bar Plus left (telescopic) for fluid heads Video 18 to 25, Video 60 Plus EFP and Dutch Heads

Pan bar Plus right (telescopic) for fluid heads Video 18 to 25, Video 60 Plus EFP and Dutch Heads

Pan bar hD right (telescopic) for fluid head Cine 30 HD

Pan bar hD left (telescopic) for fluid head Cine 30 HD

Pan bar Movie right (telescopic) for fluid heads Studio 9+9 and Cine 75 HD

Pan bar front section rightfor fluid heads Video 60 Plus Studio, Video 75 Plus EFP, Video 75 Plus Studio and Video 90

Pan bar front section left for fluid heads Video 60 Plus Studio, Video 75 Plus EFP, Video 75 Plus Studio and Video 90

Pan bar back section right for fluid heads Video 60 Plus Studio, Video 75 Plus EFP, Video 75 Plus Studio and Video 90

Pan bar back section leftfor fluid heads Video 60 Plus Studio, Video 75 Plus EFP, Video 75 Plus Studio and Video 90

Front pan bar hD for fluid head Cine 30 HD

Front pan bar for fluid heads Cine 75 HD and Video 75 Plus EFP

Spacer v 90 for fluid head Video 90

Ø – / 16 / 28 mm Ø –/ 0.63 / 1.1"

Ø – / 16 / 28 mm Ø –/ 0.63 / 1.1"

Ø – / 18 / 32 mm Ø –/ 0.71 / 1.26"

Ø 18 / 22 / 32 mm Ø 0.71 / 0.87 / 1.26"

Ø 18 / 22 / 32 mm Ø 0.71 / 0.87 / 1.26"

Ø 18 / 22 / 32 mm Ø 0.7 / 0.9 / 1.2"

Ø 18 / 22 / 32 mm Ø 0.7 / 0.9 / 1.2"

Ø 18 / 22 / 36 mm Ø 0.7 / 0.9 / 1.4"

Ø 18 / 22 / 36 mm Ø 0.7 / 0.9 / 1.4"

Ø 20 / 25 / 32 mm Ø 0.79 / 0.98 / 1.26"

Ø 28.5 / – / – mm Ø 1.12" / – / –

Ø 28.5 / – / – mm Ø 1.12" / – / –

Ø – / 35 / 40 mm Ø – / 1.38 / 1.57"

Ø – / 35 / 40 mm Ø – / 1.38 / 1.57"

0993

0992

1075

3470

3270

3271

3370

3371

3170

B-30

73-0

20B-

3074

-020

B-30

73-1

00B-

3074

-100

3372

3172

sko1

8b04

39

91

Accessories

Covers

Cover 75 for fluid heads DV 1 to DV 8 and FSB on tripod DA 75 L

Cover EFP 2 for fluid heads Video 18/20 on tripod Speed Lock® CF HD with spreader; Video 25 Plus on tripods EFP 2; tripod OB 2000 with spreader (without fluid head)

Cover Dv 2 for fluid heads DV 1 to DV 8 and FSB on tripodsSpeed Lock® 75 CF and ENG 75/2 D

Cover 150 SE for Dolly DV 100 and Dolly S;tripods EFP 2 with spreader (without fluid head)

Cover 100 ii for fluid heads DV 8/100, DV 12, Video 15/18/20 on tripods 100 L/100 HD tripods with spreader and on Hot Pod®

Cover 150 M for tripod DA 150 medium with spreader(without fluid head)

Cover ENg 2 for fluid heads DV 8/100, DV 12 and Video 15/18/20 on tripods Speed Lock® CF and ENG 2; for DV 6, DV 8, DV 12 and Video 15/18 on Pedestal C I

Cover 150 k for tripod DA 150 K with spreader (without fluid head)

Cover 150 l for fluid heads Video 18/20 on tripods Speed Lock® CF HD and ENG 2 HD (without spreader);for tripod 150 L with spreader (without fluid head)

Cover Cine l for tripods Cine long with spreader (without fluid head)

Cover 100 M for tripods 100 mm medium with spreader(without fluid head)

Cover Cine M for tripod Cine medium with spreader(without fluid head)

Cover 100 k for tripod DA 100 K with spreader (without fluid head)

Cover 25 for tripod Cine 2000 K with spreader(without fluid head)

Cover 150 ii for fluid heads Video 25 Plus on medium long tripods with spreader; Video 60 Plus EFP (without pan bar) on tripod EFP 2 or Video 25 Plus FB on tripod OB 2000; for DV 8/100, DV 12, Video 15 to Video 60 Plus (except Cine 30 HD) on Combi Pedestal

Weight Length Diameter Weight Length Diameter

3.1 kg 104–113 cm 20 cm 6.8 lb 40.9–44.5" 7.9" 5.0 kg 94–103 cm 28 cm

11.0 lb 37.0–40.5" 11"

2.8 kg 90–99 cm 20 cm 6.2 lb 35.4–39" 7.9" 3.3 kg 74–83 cm 25 cm

7.3 lb 29.1–32.7" 9.8"

4.2 kg 104–113 cm 25 cm 9.3 lb 40.9–44.5" 9.8" 2.8 kg 60–69 cm 25 cm

6.2 lb 23.6–27.2" 9.8"

3.8 kg 90–99 cm Ø25 cm 8.4 lb 5.4–39" Ø 9.8" 2 kg 39 cm 25 cm

4.4 lb 15.4" 9.8"

4.0 kg 94–103 cm 25 cm 8.8 lb 37–40.6" 9.8" 5.4 kg 112–117 cm 28 cm

11.9 lb 44.1 x 46.1" 11"

2.0 kg 54–63 cm 20 cm 4.4 lb 21.3–24.8" 7.9" 4 kg 66–75 cm 28 cm

8.8 lb 26–29.5" 11"

1.3 kg 29 cm 20 cm 2.9 lb 11.4" 7.9" 2.1 kg 40 cm 28 cm

4.6 lb 15.7" 11"

5.3 kg 104–113 cm 28 cm 11.7 lb 40.9–44.5" 11"

9212

9213

9309

9311

9312

9214

9201

9310

9315

9316

9308

9301

9320

9317

9504

acc

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92

Padded bag 75for fluid heads DV 1 to DV 8 and FSB on tripod DA 75 L

Padded bag Dv 75 lfor fluid heads DV 1 to DV 8 and FSB on tripod DA 75 L and SOOM TriPod system

Padded bag Dv 75 Sfor fluid heads DV 1 to DV 8 and FSBon tripods Speed Lock® 75 CF and ENG 75/2 D

Carrying strap Dvfor tripod Speed Lock® 75 CF and padded bags of DV 1 systems

Carrying strap ENg 2for tripods Speed Lock® CF, EFP 2, CF 150, DA 150 (except DA 150), DA 100 HD and ENG 2

Padded bag ENg/EFPfor fluid heads DV 8/100, DV 12 and Video 15/18/20 on tripods 100 HD/L, Hot Pod®, Speed Lock® CF HD and ENG 2 HD; Video 25 on tripods EFP 2

Padded bag ENg 2for fluid heads DV 1 to DV 8 and FSB on tripods Speed Lock® 75 CF and ENG 75/2 D; DV 8/100, DV 12, Video 15/18/20 on tripods Speed Lock® CF and ENG 2

Padded bags Cases Accessories Accessories

Weight Dimensions (l / w / h) Weight Dimensions (l / w / h)

Case 30for fluid head Cine 30 HD

Case 9+9for fluid heads Studio 9+9 and Video 60 Plus EFP

Case 60 FBfor fluid head Video 60 Plus Studio

Case v/C 75for fluid heads Cine 75 HD, Video 75 Plus Studioand Video 75 Plus EFP

Case 90for fluid head Video 90

1.4 kg 102 x 20 x 20 cm 3.1 lb 40.2 x 7.9 x 7.9"

1.15 kg 102 x 21 x 18 cm 2.5 lb 40.2 x 8.3 x 7.1"

1 kg 92 x 21 x 18 cm 2.2 lb 36.2 x 8.3 x 7.1"

0.15 kg 80–135 cm 0.33 lb 31.5–53.1"

0.08 kg 80–135 cm 0.18 lb 31.5–53.1"

2.4 kg 96 x 23.5 x 20 cm 5.3 lb 37.8 x 9.3 x 7.9"

2 kg 90 x 21.5 x 20 cm 4.4 lb 35.4 x 8.5 x 7.9"

7 kg 32 x 30 x 42 cm 15.4 lb 12.6 x 11.8 x 16.5"

5.25 kg 29 x 29 x 41 cm 11.6 lb 11.4 x 11.4 x 16.1"

6 kg 34 x 30 x 42 cm 13.2 lb 13.4 x 11.8 x 16.5"

7.5 kg 41 x 32 x 42 cm 16.5 lb 16.1 x 12.6 x 16.5"

7 kg 38 x 32 x 42 cm 15.4 lb 15 x 12.6 x 16.5"

9100

9104

9106

8690

8675

9108

9109

9503

9511

9513

9517

9512

93

Accessories

accessories for Pedestals

Set of studio wheelsfor Studio and Vario Pedestalswith adjustable cable guard

Set of oB wheels 200for Studio and Vario Pedestals

Set of oB wheels 200Cgfor Studio and Vario Pedestals with adjustable cable guard

Set of air wheelsfor Studio and Vario Pedestals

Small steering wheelfor Studio and Vario Pedestals with teleprompter

Retrofit kit Studio Dollyfor converting a Vario Dolly to a Studio Dolly

Studio Dollyfor Vario Ped column 2-75

Compressor (220 v)for Vario and Studio Peds as well asPedestal C III and Combi Ped 1-40

Diameter

125 mm 4.9"

200 mm 7.9"

200 mm 7.9"

185 mm 7.3"

450 mm 17.7"

5210

5208

5209

CG52

0552

06B-

5275

-450

B-52

75-4

0052

07

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Systems

SystemCode

90 Studio8094

75 Plus Studio7594

60 Studio6094

25 Studio2594

25 Combi 1-402580

25 C III2570

Fluid headCine 75 HD 7502Cine 30 HD 3006Video 90 FB 8092Video 75 Plus Studio 7501Video 75 Plus EFP 7500Video 60 Plus Studio 6001Video 60 Plus EFP 6000Video 25 Plus FB 2501PVideo 25 Plus 2500PTripod/PedestalStudio Ped 2-75 5275Vario Ped 2-75 5201Pedestal Combi 1-40Pedestal C III 5195OB 2000 6481Cine 150 L 6290EFP 2 CF 6386SpreaderSpreader Cine 7023SP 100/150 7003Mid-level spreader 100/150 7007Rubber feet 100/150 7004Dolly Xl 7080Cover 7004150 II 9310EFP 2 9315Multi Disc 3914Payload 60 kg / 132 lb 60 kg / 132 lb 60 kg / 132 lb 35 kg / 77 lb 35 kg / 77 lb 35 kg / 77 lbWeight * 98 kg / 216 lb 70 kg / 154 lb 67 kg / 148 lb 61 kg / 134 lb 27 kg / 59.5 lb 22.6 kg / 49.8 lbheight min./max. 90–167 cm

35.4–65.7"92–169 cm36.2–66.5"

90–167 cm35.4–65.7"

86–163 cm33.8–64.2"

98–152 cm38.6–59.8"

91–176 cm35.8–69.3"

Transport length

SystemCode

20 SB SL HD MCF2075

20 SB HD MCF2073

20 SB SL HD CF2074

20 SB HD CF2072

20 SB ENG 2 CF2062

18 SB SL MCF1865

Fluid headVideo 20 SB 2005Video 18 SB 1805Video 15 SB 1505Tripod/PedestalPedestal C III 5195Speed Lock® CF HD 5590ENG 2 CF HD 5390ENG 2 CF 5386Speed Lock® CF 5586ENG 2 D 5186SpreaderSP 100/150 7003SP 100 7002Mid-level spreader 100/150 7007Rubber feet 100/150 7004CoverENG 2 9311Padded bagENG/EFP 9106ENG 2 9104Payload 25 kg / 55 lb 25 kg / 55 lb 25 kg / 55 lb 25 kg / 55.1 lb 25 kg / 55.1 lb 18 kg / 39.7 lbWeight * 10.3 kg / 22.7 lb 9.9 kg / 21.8 lb 10.8 kg / 23.8 lb 10.4 kg / 22.9 lb 8.2 kg / 17.6 lb 8.8 kg / 19.4 lbheight min./max. 73–174 cm

28.7–68.5"73–174 cm28.7–68.5"

73–178 cm28.7–70.1"

72–178 cm28.3–70.1"

63–172 cm24.8–67.7"

67–168 cm26.4–66.1"

Transport length 94 cm / 37" 94 cm / 37" 94 cm / 37" 94 cm / 37" 89 cm / 35" 89 cm /35"

new!

95

90 OB8095

75 Plus OB 2000 7595

60 OB 20006095

75 Plus EFP7512

60 EFP 2 CF6012

30 EFP 2 MCF 3012

25 EFP 2 CF2512

Cine 757525

Cine 30**3025

115 kg / 253.5 lb 85 kg / 187 lb 65 kg / 143 lb 81 kg / 179 lb 65 kg / 143 lb 35 kg / 77 lb 35 kg / 77 lb 75 kg / 165 lb 35 kg / 77 lb32 kg / 70.5 lb 31 kg / 68 lb 27 kg / 59.5 lb 20 kg / 44.1 lb 16 kg / 35.3 lb 12.2 kg / 26.9 lb 11.6 kg / 25.6 lb 25.7 kg / 56.7 lb 20 kg / 44.1 lb116–177 cm45.7–69.7"

117–178 cm46.1–70.1"

115–176 cm45.3–69.3"

80–183 cm31.5–72"

77–181 cm30.3–71.3"

77–173 cm30.3–68.1"

75–178 cm29.5–70.1"

108–199 cm42.5–78.3"

105–195 cm41.3–76.8"

100 cm / 39.4" 97 cm / 38.2" 95 cm / 37.4" 95 cm / 37.4" 127 cm / 50" 123 cm / 48.4"

18 SB ENG 2 MCF 1863

18 SB SL CF1864

ENG 2 CF1862

18 SB ENG 2D 1861

15 SB C III1570

15 SB SL MCF1565

15 SB ENG 2 MCF 1563

15 SB ENG 2 CF 1562

15 SB ENG 2 D 1561

18 kg / 39.7 lb 18 kg / 39.7 lb 18 kg / 39.7 lb 18 kg / 39.7 lb 16 kg / 35.3 lb 16 kg / 35.3 lb 16 kg / 35.3 lb 16 kg / 35.3 lb 16 kg / 35.3 lb8.4 kg / 18.5 lb 8.3 kg / 18.3 lb 7.9 kg / 17.4 lb 8.5 kg / 18.7 lb 18.3 kg / 40.3 lb 7.5 kg / 16.5 lb 7.1 kg / 15.7 lb 6.6 kg / 14.6 lb 7.2 kg / 15.9 lb67–168 cm26.4–66.1"

63–172 cm24.8–67.7"

63–172 cm24.8–67.7"

63–172 cm24.8–67.7"

86–170 cm33.9–66.9"

67–168 cm26.4–66.1"

67–168 cm26.4–66.1"

63–172 cm24.8–67.7"

63–172 cm24.8–67.7"

89 cm / 35" 89 cm / 35" 89 cm / 35" 89 cm / 35" 91–177 cm35.8–69.7"

89 cm / 35" 89 cm / 35" 89 cm / 35" 89 cm / 35"

** incl. front pan bar* without cover / padded bag

Syst

ems

96

Systems

SystemCode

12 SB SL MCF1265

12 SB ENG 2 MCF1263

12 SB ENG 2 CF1262

12 SB1260

8/100 SB ENG 2 CF0862

Fluid headDV 12 SB 1205DV 8/100 SB 0806DV 8 SB 0805TripodSpeed Lock® CF 5586ENG 2 CF 5386DA 100 L 5182Speed Lock® 75 CF 4588ENG 75/2 D 4188DA 75 L 4183SpreaderSP 100 7002SP 75 7001Mid-level spreader 100/150 7007Rubber feet 100/150 7004Set mid-level spreader 75 7011CoverENG 2 9311100 II 9309Padded bagENG 2 9104DV 75 S 9108DV 75 L 9109Payload 14 kg / 30.9 lb 14 kg / 30.9 lb 14 kg / 30.9 lb 14 kg / 30.9 lb 12 kg / 26.5 lbWeight * 7.5 kg / 16.5 lb 7.1 kg / 15.7 lb 6.6 kg / 14.55 lb 6.9 kg / 15.2 lb 6.4 kg / 14.1 lbheight min./max. 67–168 cm

26.4–66.1"67–168 cm26.4–66.1"

63–172 cm24.8–67.7"

82–159 cm32.3–62.6"

63–172 cm24.8–67.7"

Transport length 89 cm / 35" 89 cm / 35" 89 cm / 35" 101 cm / 39.8" 89 cm / 35"

Adapter cable FSB CELL Code For camerasSony i 0785 PD100/150/170, DCRVX2000/2100, HDR-FX7Sony ii 0786 HVR-Z1U/E, HVR-V1U/E, HDR-FX1Canon 0787 XH-A1/G1, XM2 , XLH1, XL1/2Panasonic 0788 AG-HVX200, AJ-DVX100/100A/100B, DVC80/30

SystemCode

6 SB SL MCF0650

6 SB/2 MD0643

6 SB MD0642

6 SB/2D0641

6 SB0640

Fluid headDV 6 SB 0605TripodSpeed Lock® 75 CF 4588ENG 75/2 D 4188DA 75 L 4183SpreaderSP 75 7001Set mid-level spreader 75 7011CoverDV 75 S 9108DV 75 L 9109Payload 9 kg / 19.8 lb 9 kg / 19.8 lb 9 kg / 19.8 lb 9 kg / 19.8 lb 9 kg / 19.8 lbWeight * 5.4 kg / 11.9 lb 5.5 kg / 12.1 lb 5.3 kg / 11.7 lb 5.6 kg / 12.3 lb 5.4 kg / 11.9 lbheight min./max. 77–160 cm

30.3–63"77–160 cm30.3–63"

95–158 cm37.4–62.2"

51–164 cm20.1–64.6"

78–158 cm30.7–62.2"

Transport length 84 cm / 33.1" 84 cm / 33.1" 101 cm / 39.8" 84 cm / 33.1" 101 cm / 39.8"

** plus adapter cable

Please specify type of cable adapter:

* without cover / padded bag

97

SystemCode

FSB 6 SL MCF0475B

FSB 6 / 2 MD0473B

FSB 6 MD0472B

FSB 6 / 2 D0471B

FSB 6 0470B

Fluid headFSB 6 0407FSB 6 T 0405FSB 2 0207TripodSpeed Lock® 75 CF 4588ENG 75/2 D 4188DA 75 L 4183SOOM TriPod + TubeSpreaderSet mid-level spreader 75 7011SP 75 7001SOOM TriSpreadPadded bagDV 75 S 9108DV 75 L 9109FSB Power and accessoriesFSB CELL** 0781FSB CELLCharger 0782Payload 1–5.5 kg / 2.2–12.1 lb 1–5.5 kg / 2.2–12.1 lb 1–5.5 kg / 2.2–12.1 lb 1–5.5 kg / 2.2–12.1 lb 1–5.5 kg / 2.2–12.1 lbWeight * 5.8 kg / 12.6 lb 5.9 kg / 12.8 lb 5.7 kg / 12.3 lb 6 kg / 13.2 lb 5.8 kg / 12.8 lbheight min./max. 82–165 cm

32.3–65"82–165 cm32.3–65"

100–163 cm39.4–64.2"

56–169 cm22–66.5"

83–163 cm32.7–64.2"

Transport length(without battery)

84 cm / 33.1" 84 cm / 33.1" 101 cm / 39.8" 84 cm / 33.1" 101 cm / 39.8"

8/100 SB0860

8 SB SL MCF0850

8 SB/2 MD0843

8 SB MD0842

8 SB/2D0841

8 SB0840

12 kg / 26.5 lb 12 kg / 26.5 lb 12 kg / 26.5 lb 12 kg / 26.5 lb 12 kg / 26.5 lb 12 kg / 26.5 lb6.7 kg / 14.8 lb 5.4 kg / 11.9 lb 5.5 kg / 12.1 lb 5.3 kg / 11.7 lb 5.6 kg / 12.3 lb 5.4 kg / 11.9 lb82–159 cm32.3–62.6"

77–160 cm30.3–63"

77–160 cm30.3–63"

95–158 cm37.4–62.2"

51–164 cm20.1–64.6"

78–158 cm30.7–62.2"

101 cm / 39.8" 84 cm / 33.1" 84 cm / 33.1" 101 cm / 39.8" 84 cm / 33.1" 101 cm / 39.8"

PowerSet PowerSet PowerSetPowerSet PowerSet

new! new!new! new! new!

Syst

ems

98

Systems

SystemCode

FSB 6 SL MCF0475

FSB 6 / 2 MD0473

FSB 6 MD0472

FSB 6 / 2 D0471

FSB 60470

Fluid headFSB 6 0407FSB 6 T 0405TripodSpeed Lock® 75 CF 4588ENG 75/2 D 4188DA 75 L 4183SOOM TriPod + TubeSpreaderSet mid-level spreader 75 7011SP 75 7001SOOM TriSpreadPadded bagDV 75 S 9108DV 75 L 9109SOOM BagFSB Power and accessoriesFSB CELL 0781FSB CELLCharger 0782Payload 1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lbWeight * 5.1 kg / 11.2 lb 5.2 kg / 11.5 lb 5 kg / 11 lb 5.3 kg / 11.7 lb 5.1 kg / 11.2 lbheight min./max. 77–160 cm

30.3–63"77–160 cm30,3–63"

95–158 cm37.4–6.2"

51–164 cm20.1–64.6"

78–158 cm30.7–62.2"


84 cm / 33.1" 84 cm / 33.1" 101 cm / 39.8" 84 cm / 33.1" 101 cm / 39.8"

SystemCode

FSB 2 SL MCF0275B

FSB 2 / 2 MD 0273B

FSB 2 MD0272B

FSB 2 / 2 D 0271B

FSB 20270B

Fluid head FSB 2 0207TripodSpeed Lock® 75 CF 4588ENG 75/2 D 4188DA 75 L 4183SOOM TriPod + TubeSpreaderSet mid-level spreader 75 7011SP 75 7001SOOM TriSpreadPadded bagDV 75 S 9108DV 75 L 9109SOOM bagFSB Power and accessoriesFSB CELL 0781FSB CELLCharger 0782Payload 0–1.5 kg / 0–3.3 lb 0–1.5 kg / 0–3.3 lb 0–1.5 kg / 0–3.3 lb 0–1.5 kg / 0–3.3 lb 0–1.5 kg / 0–3.3 lbWeight * 5.6 kg / 12.1 lb 5.7 kg / 11.5 lb 5.5 kg / 11.9 lb 5.8 kg / 12.8 lb 5.6 kg / 12.3 lbheight min./max. 82–165 cm

32.3–65"82–165 cm32.3–65"

100–163 cm39.4–64.2"

56–169 cm22–66.5"

83–163 cm32.7–64.2"


84 cm / 33.1" 84 cm / 33.1" 101 cm / 39.8" 84 cm / 33.1" 101 cm / 39.8"

PowerSet PowerSet PowerSet PowerSet PowerSet

new!

new!

new!

new!

new!

new!

new!

new!

new!

new!

99

FSB 6 T SL MCF0450

FSB 6 T / 2 MD0443

FSB 6 T MD0442

FSB 6 T / 2 D0441

FSB 6 T0440

SOOM FSB 60480

1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lb 1–6 kg / 2.2–13.2 lb 1–6 kg5.2 kg / 11.5 lb 5.3 kg / 11.7 lb 5.1 kg / 37.4 lb 5.4 kg / 11.9 lb 5.2 kg / 11.8 lb 8.3 kg / 18.4 lb77–160 cm30.3–63"

77–160 cm30.3–63"

95–158 cm37.4–62.2"

51–164 cm20.1–64.6"

78–158 cm30.7–62.2"

37–241 cm14.9–95"

84 cm / 33.1" 84 cm / 33.1" 101 cm / 39.8" 84 cm / 33.1" 101 cm / 39.8" 113 cm / 44.5"

FSB 2 SL MCF0275

FSB 2 / 2 MD0273

FSB 2 MD0272

FSB 2 / 2 D0271

FSB 20270

SOOM FSB 20280

0–2 kg / 0–4.4 lb 0–2 kg / 0–4.4 lb 0–2 kg / 0–4.4 lb 0–2 kg / 0–4.4 lb 0–2 kg / 0–4.4 lb 0–2 kg / 0–4.4 lb4.9 kg / 10.8 lb 5 kg / 11 lb 4.8 kg / 10.6 lb 5.1 kg / 11.2 lb 4.9 kg / 10.8 lb 8.1 kg / 17.9 lb77–160 cm30.3–63"

77–160 cm30.3–63"

95–158 cm37.4–62.2"

51–164 cm20.1–64.6"

78–158 cm30.7–62.2"

37–241 cm14.5–9.5"

84 cm / 33.1" 84 cm / 33.1" 101 cm / 39.8" 84 cm / 33.1" 101 cm / 39.8" 113 cm / 44.5"

new!

new!

new!

new!

new!

new!

new!

new!

new!

new!

new!

new!

Syst

ems

Adapter cable FSB CELL Code For camerasSony i 0785 PD100/150/170, DCRVX2000/2100Sony ii 0786 HVR-Z1U/E, HVR-V1U/E, HDR-FX1Canon 0787 XH-A1/G1, XM2Panasonic 0788 AJ-DVX100/100A/100B, DVC80/30

** plus adapter cable

Please specify type of cable adapter:

* without cover / padded bag

101

What is Camera Stabilizing?

Since the 1970’s cameramen and designers have worked to technical perfect the operation and application of the “loose” camera. Camera stabilizing means to transfer the well-known possibilities of the hand-held camera into steady, dolly-like movements. In order to be able to be steadily moved, the picture seen in the camera, must be separated from the eye and body of the cameraman. Therefore, a holding and stabilizing system is worn on the body, portable film and television cameras to be used in this way.

In order to let pictures glide, the crucial components are: shifting the centre of gravity, mass inertia, decoupling and perfection.

ShiFTiNg ThE CENTRE oF gRaviTY The gimbal is a cardanic joint, which works with three axles.

The actual system, which is also called the rig, hangs on it. It is a vertical standing pipe—with the camera is placed at its upper end and at the lower end, as a counterweight, are the monitor and the batteries. When balancing the center of gravity, the camera and the counterweight are shifted to the gimbal where they become a combined pivot and balance point. The counterweight is co-ordinated in such a way that, when balancing the camera, the system places itself in an upright position (static balance) and also remains vertical and doesn’t start to spin when accelerated (dynamic balance).

STaBiliTY BY MaSS iNERTia Through the length and the total weight of the camera, system and counterweight, the second component now comes into play: mass inertia. This ensures that all move-

ments are slowed down and that jerky movements and vibrations change into soft, smooth movements.

ThE DECouPliNg oF ThE CaMERaMaN The most important compo-nent for steady pictures is decoupling the movement of the cameraman from the camera. That is done partially via the Gimbal, but mostly with the spring arm. The spring arm consists of two independent mobile parallelograms and takes over two major tasks: carrying and decoupling. The arm is equipped with a spring system that is strong enough to carry the entire system. This makes it possible for the cameraman to move heavy cameras with a mini-mum of effort, which greatly contributes to the decoupling. The arm is connected on one side with the actual system at the Gimbal and on the

opposite side the arm and the system are carried with the help of a vest worn by the cameraman.

The actual decoupling of the cameraman’s movements is also based on mass inertia: When moving, the hip moves upward with each step simultaneously, on the other side, the arm of the system, that is the camera, moves downward. This moves the two arm ends in opposite directions, which are mutually neutralised by the indepen-dently moving parallelograms.

PERFECTioN In order to let pictures really flow, the perfect solution—that is a system, which can be adapted perfectly to the camera as well as the task—has to be combined with perfect body control and fun. Then camera move-ments will surprise.

aRT CoMES FRoM aRTiSTRYIn order to learn how to handle the camera stabilizing systems or to further one’s knowledge about it, the Wendelin Sachtler Academy offers workshops worldwide. Apart from all technical and physical aspects emphasis is put on the new possibilities of picture design. More information about the workshops under www.SaChtLer-aCademy.Com

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Camera Stabilizing

artemis

Today’s artemis Cine HD-, Cine-, EFP Pro and EFP-family was developed from the de-sire to enrich the European and worldwide market with high-quality products—a completely new, user-friendly type of camera stabilizing system. In order to achieve this goal, Sachtler together with the developer, camera-

artemis Cine and artemis Cine HD are the top-level products of the artemis family. The Cine HD is the ideal system for the film

industry, along with HD and professional SD video applications: all possible features are supplied for the operator in order to use it for film and video cameras and their accessories. The Cine HD version offers a patented HD video signal process. This allows HD video cameras (RGB HD) to be used without a down converter. The Cine version is the ideal machine for clas-

sical applications, for example film and SD video, offers SD video signals with all the functions of the Cine HD.

The move into the professional arena is also catered for as apart from the three large systems, Cine HD, Cine, EFP Pro HD SDI, Sachtler has developed the EFP. This system is fully compatible with the large system, however, in the basic configuration it is equipped only with the func-tions the operator needs for daily broadcasts. Piece for piece, the EFP can be updated, by ex-change of modules, to the tech-nical level of a Cine HD. There is nothing even preventing a change to film.

In 2003 the artemis EFP Pro, the world’s first, fully HD-capable camera stabilizing system, resulted from close co-operation with the television station NHK in Tokyo. The Japanese television company was already producing HDTV and they had clear ideas about how an HD camera stabilizing system must be set-up in order to perform as required. Beside the HD RGB signal processing, special attention was also given during the development to ensure that the HD SDI signal was brought with maximum quality from the camera to the monitor. The EFP Pro HD SDI could be regarded as the “cross over” system, since it can process all kinds of

video signals (SD, SD SDI, HD RGB, HD SDI). Also by upgrading to 24v, all movie cameras can be

used without compromise.

man and operator Curt O. Schaller brought together a competent team of technical designers, who developed innovative designs to satisfy these industry needs.

In 2001 the artemis Cine HD had its premiere with an inter-national public audience at the NAB show in Las Vegas.

artemis was the first-ever HD-capable camera stabilizing system and immediately set itself apart from existing systems. The Cine HD became the product vision of the future and confirmed that HD would come. During the development of the artemis product family, Sachtler has registered five patents on these new core technologies.

artemis Cine and Cine HdCamera independent

artemis eFPModular

artemis eFP ProMultiple formats

Camera Stabilizing System

103

Modularity and a component building method was already an important basic module in the design and philosophy of the first generation of the artemis family. Through already exisiting modules and interchangeable components, systems can become state of the art upgrades. The service is simple, fast and economical. The ACT 2 represents the next generation of the artemis product family. Priority is given to maximum flexibility and practical utilisation as well as to modern materials and solutions. So, Sachtler, Camera Dynamics presents the first carbon upgrade for artemis spring arm ACT 2, as well as its new artemis ACT 2 vest.

The product design of the artemis DV Pro MD and the new artemis DV

Pro FX system follows the consistent philosophy, functionality and quality of the professional artemis Cine HD model

line. They were specially developed for the new generation of profes-sional mini DV and (H)DV cameras. Nevertheless the rigs have all the

functions a professional operator is used to, from the larger systems. As the industry is expecting precision, speed and picture diversity on a daily basis also

from lower-priced equipment the DV Pro system offers the optimal features.

artemis dv Pro system

aCt 2 artemis component technology

New formats—new ways

Future assured

www.artemiS-hd.Com

www.SaChtLer-aCademy.Com

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105

Spot peak 9,255 lux, Half value 4,612 lux @ 12.3°

10

8

6

4

2

0-50 -40 -30 -20 -10 0 10 20 30 40 50

PAN (degrees) Distance to sensor: 5 m

x 1,

000

lux

Flood peak 1,173 luxHalf value 586 lux @ 44.5°

Lighting for Mobileoperation

lighTiNg FoR MoBilE oPERaTioNAlthough today’s electronic cameras feature greatly increased sensitivity, no ENG team can do without additional lighting. Fill-in lights are often required to help guests look their best, particularly for inter-views. Sachtler offers an ideally graduated program of Reporter luminaires, with a choice between daylight or tungsten lighting and mains orbattery operation. In 2007 Sachtler entered new lighting field and launched the Reporter 8LED, the new on-camera light, that deploys all advantages of the LED lighting technology.

ThE RighT lighTiNg FoR EvERY EvENTAll Sachtler luminaires stand out for their ease of opera-tion. They are robust, silent, and extremely reliable—even under extreme conditions. Mains powered tungsten lu-minaires such as the Reporter 1000H, 650HS and 300H and daylight luminaires such as the Reporter 400D, 270DI and 200DI are primarily designed for use with lighting stands. Highly-efficient luminaires such as the Reporter 250H and 100H can be handle-operated or mounted on cameras. The Reporter 75H, Reporter 8LED and Reporter 21D MicroSun were designed for on-board camera use.

lighTiNg SETSLighting sets are available for each Reporter model. They include up to three fixtures, bulbs, stands, filters and additional accessories, all conveniently stored in a compact aluminium case.

The lighting characteristics of each luminaire are measured exactly and displayed in clear graphics.

All Reporter fixtures are also available in practical sets that include a host of accessories (pages 124–127).

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LED

Code

s2401-0001

Reporter 8Led

Standard Peak: 310 luxoptic Half value: 155 lux @ 37,5°

reporter 8Led

6oo

500

400

300

200

100

0-25-30-35-40-45 -20 -15 -10 -5 0 5 10 15 20 25 30 35 40 45

PAN

LUX

With medium Peak: 530 luxoptic Half value: 265 lux @ 26,5°

80 57

meaSurementS in mm

57

96

On-camera LED light—battery or mains operated

Power: 8 W

Input voltage: 6 to 24 V DC

Light output: 250 lm

Degree of protection: IP 44

Storage temperature: - 40° C to + 60° C / - 40 ° F to + 120° F

Operating temperature: - 25 ° C to + 40 ° C / - 13° F to + 104° F

Invert polarity protection and over/low voltage indication

Robust, unbreakable, splash-proof, compact, small and light-weight

Aluminium housing allows for fast heat dissipation

Usage of one LED module (no multiple shadows)

Detachable 4-leaf barndoor

Quick release mechanism

45° rotatable 4-leaf barndoor

Different positions of double joined bracket

new!

107

Led Power Connector Set, S2403-0010

Location Set, S2403-0030

R8Led optic Set, S2403-0020

Extension cable A/B Power Tab

Adapter cable A/B Power Tab–XLR,

4-pin

Car adapter A/B Power Tab

Adapter cable A/B Power Tab–

PowerPlug Connector

Optic lens medium LED module tungsten

Socket 16 mm Extension arm Mounting base Mini croco clampMains power adapter with

EU / UK / US adapter

2 x Gel frame

R8Led Complete Set, S2403-0040

Reporter 8LED on the mini croco clamp

Reporter 8LED as on-camera light

Reporter 8LED on the mounting base

new!

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+ Set Led Power Connector Set

+ Set R8Led optic Set

+ Set Location Set

+ BagDiffusor

108

Charger 12 II

Speedcharger

Belt Pack®

12 V / 4,5 Ah

Belt Pack®

12 V / 7 Ah

Belt Pack®

30 V / 4,5 Ah

Belt Pack®

30 V / 7 Ah

Power Pack 30

Batronic 3

Silent 200

Silent 400

4-leaf barndoor RD21

Front adapter

Reporter 21D

Reporter 200DI

Reporter 270DI

Reporter 400D

Socket 16/1

Stand L2

Spigot 16 / 2

Handle 2

Stand L1

Low profile mountBetacam low profile mount

Gel frame 21 Filter 6/3200 K

Diffusor 202

Filter 202/3200 K

Filter 2 / 3200 K

Diffusor 170

Filter 170 / 3200 K

Diffusor 2

5600 K

Daylight

Configuration guide

109

Reporter 21d MicroSunMore light for less current

Code

R21D

SetS

Pages 124–127S21D MicroSun

S21DX MicroSun

aCCeSSorieS

Pages 120–123

meaSurementS (in mm)

71116

99

Power: 21 W (corresponds to 50 W halogen)

Battery-operated daylight luminaire for 12 V to 30 V operation

Available connections: PowerTap plug or XLR 4-pin

The R21D MicroSuncan be mounted on allwell-known cameras

Variable positioning due to double-hinged yoke

Synthetic housing with low heat conductivity

Exceptionally well-protected from moisture (IP33)

Stands Sky hookA102

0

Double-ended spigot 16/1A1

016

Socket 16/1A101

5

Vario clampA101

8

UmbrellaA20

01

x 10

0 lu

x

Spot peak 530 lux, Half value 265 lux @ 19°

reporter 21d miCroSun

10

8

6

4

2

0-50 -40 -30 -20 -10 0 10 20 30 40 50


Flood peak 90 luxHalf value 45 lux @ 65.5°

140 87

Daylight

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Reporter 200dI Reporter 270dIMobile daylight luminaires with battery or mains operated

Code

R200D R270DI

SetS

Pages 124–127S270DB battery operation

S200DN mains operation

S200DNSM mains operation

S200DB battery operation

aCCeSSorieS

Pages 120–123

Power: 270 W (R270DI), 200 W (R200DI)

Battery-operated daylight luminaires (30 V) (optional upgrading to mains operation)

Patented no-noise ignition

Handle with integrated camera shoe (R200DI)

reporter 270di

Sky hookA102

0


016

Vario clampA101

8

Short handleA100

5

Handle 2A20

00

R270DI R200DI

Spot peak 9,255 luxHalf value 4,612 lux @ 12.3°

reporter 270di

10

8

6

4

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0-50 -40 -30 -20 -10 0 10 20 30 40 50


x 1,

000

lux


50


reporter 200di

5

4

3

2

1

0-50 -40 -30 -20 -10 0 10 20 30 40

PAN (degrees) Distance to sensor: 5 mx

1,00

0 lu

x


112

252218

143124

223 124

reporter 200di

229 180

Stands UmbrellaA20

01

Daylight

111

Daylight

Reporter 400dDaylight for every shoot

Code

R400D

SetS

Pages 124–127S400DS

S400DVS

aCCeSSorieS

Pages 120–123


Power: 400 W

Mains connection using electronic

ballast unit (110 V/230 V)

Silent operation

Dimmable via ballast Silent 400

Alternatively with Schaltbau or VEAM connectors

Fast clamp mechanism

Outstanding for outside use (IP33)

Rain proof

Compact synthetic housing in stable, lightweight design

Rotatable, removable 4-leaf barndoor

Protection class II

Sky hookA102

0


016

Vario clampA101

8

Spot 7,350 luxHalf value 3,675 lux @ 13°

reporter 400d

10

8

6

4

2

0-50 -40 -30 -20 -10 0 10 20 30 40 50


x 1,

000

lux

Flood peak 820 luxHalf value 410 lux @ 85°

160

206

272

200

Stands

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112

Configuration guide

Charger 12 II

Speedcharger

Belt Pack®

12 V / 4,5 Ah

Belt Pack®

12 V / 7 Ah

Belt Pack®

30 V / 4,5 Ah

Belt Pack®

30 V / 7 Ah

110 V/230 V (according to

bulb used)

Filter 7/5600

Diffusor

Front adapter

Protective glass RG75

4-leaf barndoor RD75

4-leaf barndoor 35

Dimmer PowerBase

Reporter 75H

Reporter 100H

Reporter 250H

Reporter 300H

Reporter 300HSM

Reporter 650HS

Reporter 1000H

Diffusor 1

Filter 1/5600 K

Spigot 16/2

Socket 16/1

Stand L2

Stand L2/L3

Spigot 16/2

Handle 2

Stand L1

Stand L1

Filter 2/5600K

Diffusor 2

Diffusor 3

Filter 35/5600K

Low profile mountBetacam low profile mount

PowerPack 30

3200 K

Tungsten

113

Reporter 75HSmall and strong – available in four versions

Code

R75H R75HAB R75HD R75HABD

SetS

Pages 124–127S75H PowerBase XLR

S75HAB PowerBase Anton/Bauer

S75HD Dimmer PowerBase

S75HABD Dimmer PowerBase Anton/Bauer

aCCeSSorieS

Pages 120–123

Max. 75 W power (bulbs of 20 W or higher can be used)

Battery-operated tungsten luminaires (halogen 12 V)

Silent operation

Integrated dimmer in luminaire base (Versions R75HD and R75HABD)

Luminaire can be detached from base

Double-hinged with central locking screw for individual alignment

Rotatable and removable 4-leaf barndoor (optional)

Sky hookA102

0

Vario clampA101

8

A dimmer is located in the luminaire base.

The bulb sits in the conve-nient focus knob at the rear of the luminaire.

Socket 16/1A101

5

Spot 75 W longlife 1 mPeak 2,196 luxHalf value 1,098 lux @ 26°

reporter 75h

2,5

2,0

1,5

1,0

0,5

0-50 -40 -30 -20 -10 0 10 20 30 40


x 10

0 lu

x

Flood 75W longlife 1mPeak 594 luxHalf value 297lux @ 73.3°


Stands UmbrellaA20

01

Tungsten

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72

119

124

56

114

Code

R100H R250H

SetS

Pages 124–127S100H4

S100H7S

S250H4

S250H7

aCCeSSorieS

Pages 120–123

Sky hookA102

0

Vario clampA101

8

Reporter 100HReporter 250HBattery-operated tungsten luminaires with incomparable lighting performance

Power: 100 W (R100H), 250 W (R250H)

Battery-operated tungsten luminaires (halogen)

Reporter 100H (12 V), Reporter 250H (30 V)

Silent operation

Rotatable and removable 4-leaf barndoor

Handle with integrated camera shoe andcompartment for replacement lamp

reporter 100h + reporter 250h

Socket 16/1A101

5

Short handleA100

5 Low profile mount /Betacam low profile

mount

A100

2 +

A100

2B

Spot Peak 562 luxHalf value 281 lux @ 17.8°

reporter 100h

10

8

6

4

2

0-50 -40 -30 -20 -10 0 10 20 30 40 50


x 10

0 lu

x


Spot Peak 1,500 luxHalf value 750 lux @ 16.0°

reporter 250h

20

16

12

8

4

0-50 -40 -30 -20 -10 0 10 20 30 40 50


x 10

0 lu

x


151

189

100

Stands

125

UmbrellaA20

01

Tungsten

115

Reporter 300HReporter 300HSMCompact mains luminaire

Code

R311H R311HSM R322H R322HSM R324H R324HSM

SetS

Pages 124–127S311H – 110 V/230 V

S322H – 230 V

S324H – 240 V

S311HSM – 110 V/230 V

S322HSM – 230 V

S324HSM – 240 V

CompaCt SetS

SC 311HSM – 110 V/230 V

SC 322HSM – 230 V

SC 324HSM – 240 V

aCCeSSorieS

Pages 120–123

Power: 300 W (also ideal for 150 W and 200 W operation)

Mains operated tungsten luminaires (halogen) for 230 V or 110 V operation

Silent operation


R300H: Hand-held luminaire with handle

R300HSM: Luminaire for use on stands with 16 mm spigot

Protection class II

Sky hookA102

0

Vario clampA101

8

Socket 16/1A101

5


016

Short handleA100

5

Spot peak 750 luxHalf value 375 lux @ 27.5°

reporter 300h/hSm

10

8

6

4

2

0-50 -40 -30 -20 -10 0 10 20 30 40 50


x 10

0 lu

x


reporter 300hSm

125125ø 100ø 100

reporter 300h

163163

Stands

201

Reporter 300H Reporter 300HSM

UmbrellaA20

01

Tungsten

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Code

R651HS R652HS R654HS

SetS

Pages 124–127S651HS – 110 V/120 V

S652HS – 230 V

S654HS – 240 V

aCCeSSorieS

Pages 120–123

Sky hookA102

0

Vario clampA101

8

Reporter 650HSFor wide-angle illumination

Power: 650 W

Mains operated tungsten luminaires (halogen) for 230 V or 110 V operation

Silent operation

Optional handle for use as hand-held luminaire

Protection class II (R652HS), protection class I (R651HS, R654HS)


Handle 2A20

00


016


reporter 650hS

25

20

15

10

5

0-50 -40 -30 -20 -10 0 10 20 30 40 50


x 10

0 lu

x


252

143

229 180

reporter 650hS

112

Stands

Tungsten

117

Code

R1001H R1003H

SetS

Pages 124–127SR 1001H – 110 V

SR 1003H – 230 V/240 V

aCCeSSorieS

Pages 120–123

Sky hookA102

0

Vario clampA101

8

Reporter 1000H1.000 W Open Face Reporter Light

Power: 1,000 W

Mains-operated tungsten luminaires (halogen) for 230 V or 110 V operation

Silent operation

Optional handle for use as hand-held luminaire

Protection class II

Rotatable and removable 4-leaf barndoor (optional)

Handle 2A20

00


016

Spot peak 2,950 luxHalf value 14.75 lux @ 24.3°

reporter 1000h

5

4

3

2

1

0-50 -40 -30 -20 -10 0 10 20 30 40 50


x 1,

000

lux


282

178

180 222

reporter 1000h

Stands

Tungsten

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LED Daylight

Reporter 400Dwith Schaltbau connector

Reporter 400DVwith VEAM connector

Reporter 270DIwith Amphenol connector

Reporter 200DISMwith stand mount

Code R400D R400DV R270DI R200DSM

Without ballast unit — — — —

Ballast unit (battery) — — Batronic 3 Batronic 3

Ballast unit (mains) Silent 400 Silent 400SNV Silent 200

Power 400 W 400 W 270 W 200 W

Focusing ratio 1:7 1:7 1:8.7 1:4.5

Bulb socket GZZ 9.5 GZZ 9.5 FaX 1.5 – 3x1 GZY 9.5

Bulb type Philips MSR 400HR Philips MSR 400HR Osram HMI 270 W / SE Philips MSR 200HR / Osram HMI 200SE

Dimensions * (l x W x h)

206 x 199.5 x 253 mm8.1 x 7.9 x 10"

206 x 199.5 x 253 mm8.1 x 7.9 x 10"

229 x 180 x 252 mm9 x 7.1 x 9.9"

223 x 124 x 218 mm8.8 x 4.9 x 8.6"

Weight

Luminaire 2 kg / 4.4 lb 2 kg / 4.4 lb 1.5 kg / 3.3 lb 1.3 kg / 2.9 lb

4-leaf barndoor 0.7 kg / 1.5 lb 0.7 kg / 1.5 lb 0.29 kg / 0.6 lb 0.3 kg / 0.7 lb

Mount type Socket 16/1 Socket 16/1 Socket 16/1 Socket 16/1

Cable length 5 m / 16' 5" 5 m / 16' 5" 3.8 m / 12' 6" 3.8 m / 12' 6"

Reporter 1000Hwith stand mount

Reporter 650HSwith stand mount

Reporter 300HSMwith stand mount

Reporter 300Hwith handle

Code

12 V = — — — —

30 V = — — — —

110 V ~ R1001H (110-120 V) R651HS R311HSM R311H

230 V ~ R1003H (230-240 V) R652HS R322HSM R322H

240 V ~ — R654HS R324HSM R324H

Power 1,000 W 650 W 300 W 300 W

Focusing ratio 1:5.5 1:4.4 1:3.5 1:3.5

Bulb socket R7s, 93 mm GY 9.5; 46.5 mm GX 6.35; 30 mm GX 6.35; 30 mm

Bulb type ANSI code: DXWLIF code: P2/35

ANSI codes: FRK, FRLLIF code: CP89

Philips VL 300, VL 150 Osram 64514 (110 V)64516 (230 V)

Philips VL 300, VL 150Osram 64514 (110 V)64516 (230 V)


180 x 222 x 282 mm7.1 x 8.7 x 11.1"

229 x 180 x 252 mm9 x 8.7 x 9.9"

163 x 100 x 125 mm 6.4 x 3.9 x 4.9"

201 x 100 x 125 mm7.9 x 3.9 x 4.9"

Weight

Luminaire 1.85 kg / 4.1 lb 1.3 kg / 2.9 lb 0.65 kg / 1.4 lb 0.65 kg / 1.4 lb

4-leaf barndoor 0.55 kg / 1.2 lb 0.26 kg / 0.6 lb 0.15 kg / 0.3 lb 0.15 kg / 0.3 lb

Mount type Socket 16/1 Socket 16/1 Socket 16/1 1/4" threaded screw incl. shoe for camera mount

Cable length 3 m / 9' 10" 3.8 m / 12' 6" 4 m / 13' 1" 4 m / 13' 1"

Specifications

Daylight

Tungsten

* See the product pages for dimensioned drawings.

Tungsten

119

Reporter 250Hwith handle (battery-operated)

Reporter 100Hwith handle (battery-operated)

Reporter 75HPowerBase XLR

Reporter 75HABPowerBase Anton/Bauer

Reporter 75HDDimmer PowerBase XLR

Reporter 75HABDDimmer PowerBase Anton/Bauer

— R100H R75H R75HAB R75HD R75HABD

R250H — — — — —

— — — — — —

— — — — — —

— — — — — —

250 W 100 W 20–75 W 20–75 W 20–75 W 20–75 W

1:3 1:3 1:3.7 1:3.7 1:3.7 1:3.7

GX 6.35; 22 mm GX 6.35; 30 mm G 6.35; 30 mm G 6.35; 30 mm G 6.35; 30 mm G 6.35; 30 mm

e. g. Sylvania 61455ANSI code: EPL

e. g. Osram HLX 64625ANSI code: FCRLIF code: A1/215

204 x 100 x 125 mm 8 x 3.9 x 4.9"

204 x 100 x 125 mm8 x 3.9 x 4.9"

124 x 72 x 119 mm4.9 x 2.8 x 4.7"

124 x 72 x 119 mm4.9 x 2.8 x 4.7"

124 x 72 x 119 mm 4.9 x 2.8 x 4.7"

124 x 72 x 119 mm4.9 x 2.8 x 4.7"

0.55 kg / 1.2 lb 0.55 kg / 1.2 lb 0.45 kg / 1 lb 0.4 kg / 0.9 lb 0.5 kg / 1.1 lb 0.45 kg / 1 lb

0.15 kg / 0.3 lb 0.15 kg / 0.3 lb 0.12 kg / 0.3 lb 0.12 kg / 0.3 lb 0.12 kg / 0.3 lb 0.12 kg / 0.3 lb

1/4" threaded screw incl. shoe for camera mount






2 m / 6' 7" 2 m / 6' 7" 1.5 m / 59" (XLR 4-pin) 0.75 m / 29.5" (Power Tap 2-pin)

1.5 m / 59"(XLR 4-pin)

0.75 m / 29.5"(Power Tap 2-pin)

Reporter 200DIwith handle

Reporter 21D MicroSunwith Anton/Bauer Power Tap connector

Reporter 21DX MicroSunwith XLR connector

Reporter 8LED

R200D R21D R21DX Code S2401-0001

— 9–36 V 9–36 V Without ballast unit 6 - 24 V

Batronic 3 — — Ballast unit (battery) —

Silent 200 — — Ballast unit (mains) —

200 W 21 W 21 W Power 8 W

1:4.5 1:5.9 1:5.9 Focusing ratio Change of optic (standard / medium)

GZY 9.5 Special Special

Philips MSR 200HROsram HMI 200SE

lED module Daylight module (optionally tungsten)

223 x 124 x 218 mm8.8 x 4.9 x 8.6"

140 x 87 x 116 mm5.5 x 3.4 x 4.6"

140 x 87 x 116 mm5.5 x 3.4 x 4.6"


80 mm x 52 mm x 52 mm 3.1" x 2.05" x 2.05"

Weight

1.3 kg / 2.9 lb 0.5 kg / 1.1 lb 0.5 kg / 1.1 lb Luminaire 400 g / 0.9 lb (complete)

0.3 kg / 0.7 lb 0.1 kg / 0.2 lb 0.1 kg / 0.2 lb 4-leaf barndoor included




Mount type 1/4" threaded screw incl. shoe for camera mount

3.8 m / 12' 6" 0.7 m / 27.6" (Power Tap 2-pin)

1.5 m / 59" (XLR 4-pin) Cable length 0,85 m / 33,5" (Power Tap 2-pin)

LED

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Batteries / Chargers Accessories

Rechargeable Batteries

Chargers

For optimal power wherever the shoot

Reliable batteries without memory effect

long life span

Constant output even at low temperatures

Ergonomically shaped batteries for high carrying comfort

Broad carrying strap with adjustable shoulder padding

*for Sachtler Reporter luminaires with 12 V Belt-Packs® and 30 V Belt-Packs®

operating times * Belt-Pack® 12/4.5 Belt-Pack® 12/7

R21D (21 Watt) 2 h 05 min 3 h 30 min

R75h (75 Watt) 0 h 45 min 1 h 15 min

R100h (100 Watt) 0 h 30 min 0 h 50 min

operating times * Belt-Pack® 30/4.5 Belt-Pack® 30/7

R21D 5 h 00 min 7 h 45 min

R250h 0 h 30 min 0 h 45 min

R200D 0 h 30 min 0 h 45 min

R270Di 0 h 25 min 0 h 35 min

Type Code voltage Capacity Weight Dimensions l x W x h

Belt-Pack® 12/4.5 B1245 13.2 V 4.5 Ah 2.2 kg / 4.9 lb 23 x 10 x 5 cm / 9.1 x 3.9 x 2"

Belt-Pack® 12/7 B1270 13.2 V 7.0 Ah 3.3 kg / 7.3 lb 23 x 19 x 5 cm / 9.1 x 7.5 x 2"

Belt-Pack® 30/4.5 B3045 30 V 4.5 Ah 4.5 kg / 9.9 lb 25 x 10 x 8 cm / 9.8 x 3.9 x 3.1"

Belt-Pack® 30/7 B3070 30 V 7.0 Ah 6.9 kg / 15.2 lb 25 x 19 x 8 cm / 9.8 x 7.5 x 3.1"

Type Code voltage Charging time * Weight Dimensions l x W x h

Charger 12 ii C1203 85–264 Vwide-range input

7 h 30 min (B1245)13 h 30 min (B1270)

0.5 kg 1.1 lb 14 x 6 x 7 cm5.5 x 2.4 x 2.8"

Speedcharger C1232 110/230 Vwith automaticvoltage selector

1 h 09 min (B1245)1 h 47 min (B1270)2 h 09 min (B3045)3 h 20 min (B3070)

1 kg / 2.2 lb 23 x 7 x 8 cm9.1 x 2.8 x 3.1"

* at 25 °C / 77 °F

121

Accessories

Ballast units / Power SupplyCables

Battery-operated electronic ballasts

Power supply

Mains-operated ballasts

extension cables for fixtures

Type Code voltage Power For luminaries Weight Dimensions l x W x h

Batronic 3 E327B 25–36 V 330 VA Reporter 200DI/DISMReporter 270DI

1.2 kg2.6 lb

25 x 8 x 8 cm9.8 x 3.1 x 3.1"

Type Code voltage Power For luminaries Weight Dimensions l x W x h

PowerPack 30 S2402-0001 85–264 V max. 360 W

Reporter 250HReporter 21D MicroSun with plug XLR-4pin with Batronic: Reporter 200DI and Reporter 270DI

2.5 kg5.5 lb

30 x 14 x 12.3 cm11.8 x 5.5 x 4.8"

Type Code Mains voltage

Max. input power

Protectiveclass

Weight Fixture connection

Dimensions l x W x h

For fixtures

Silent 200 E200SN 90–125 V190–245 V

400 W II/IP21 2.5 kg5.5 lb

Amphenol 10 x 23 x 24.53.9 x 9.1 x 9.6"

Reporter 200DI/DISM

Silent 400SN(SNv)

E400SN(SNV)

90–125 V190–245 V

460 W I/IP23 4.9 kg10.8 lb

SchaltbauM1, A-coded(VEAM 14SA-7S)

18.5 x 15 x 267.3 x 5.9 x 10.2"

Reporter 400D(DV)

Type Code length Connector type For fixtures

Cable 270/5 A2750 5 m / 16' 4" Amphenol C16-1 Reporter 200DI, 270DI

Cable 270/10 A2700 10 m / 32' 8" Amphenol C16-1 Reporter 200DI, 270DI

Cable 1205S A1205S 5 m / 16' 4" Schaltbau M1, A-coded Reporter 400D

Cable 1210S A1210S 10 m / 32' 8" Schaltbau M1, A-coded Reporter 400D

Cable 1205 A1205 5 m / 16' 4" VEAM 16S-1SW Reporter 400 DV

Cable 1210 A1210 10 m / 32' 8" VEAM 16S-1SW Reporter 400 DV

All ballast units feature automatic input-voltage-switching, are fully power-factored, cos phi ≈ 1, and come without a fan

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Stands

umbrella

Spigots

diffusors

Stands / umbrellaSpigots / diffusors

Accessories

Accessories for every assignment

L1C, L1, L2 and L3 stands all feature 16 mm / 0.63" spigots, while L3 also has a socket. All Reporter models with handles require Socket 16/1 (A1015). The SM models in the Reporter line fit directly, with no need for an adapter.

Note: The hot filament of tungsten bulbs is highly susceptible to shock when switched on. For this reason, always use the utmost care in moving lighting stands with tungsten lights that are switched on. HMI/MSR bulbs are far less susceptible to shock.

Type Code Transport length Max. load Weight Max. length

Stand l1C A1004 49 cm / 19.3" 2 kg / 4.4 lb 0.96 kg / 2.1 lb 1.90 m / 6' 3"

Stand l1 A1003 67 cm / 26.4" 2 kg / 4.4 lb 0.96 kg / 2.1 lb 2.46 m / 8' 1"

Stand l2 A1006 69 cm / 27.2" 2 kg / 4.4 lb 1.25 kg / 2.8 lb 2.85 m / 9' 4"

Stand l3 A1008 1.04 m / 40.9" 10 kg / 22 lb 2.12 kg / 4.7 lb 2.84 m / 9' 4"

Stand l4 A1010 1.22 m / 48.0" 12 kg / 26 lb 3 kg / 6.6 lb 3.3 m / 10' 8"



Type Code Description

umbrella A2001 White translucent reflective & diffusing umbrella (75% reflection and 25% transmission)

umbrella mount A1019 Simultaneously mounts umbrella and luminaire on a lighting stand with spigot 16/1


Double-ended spigot 16/1 A1016 Mounts fixtures with 16 mm / 0.63" sockets to stands with 16 mm / 0.63" sockets

Spigot 28 A1028 28 mm / 1.1" spigot, replaces 16 mm / 0.63" socket on R270DI, R400D, R650HS and R1000H

Spigot 16/2 A2016 16 mm / 0.63" spigot with mounting material, replaces 16 mm / 0.63" socket onR270DI, R400D, R650HS and R1000H

Spigot 28/16 A1628 Extends 16 mm / 0.63" spigot to 28 mm / 1.1"; only suitable for operation on lighting stands


Diffusor 1 D1000 Diffusor made of mineral glass for R100H, R250H and R300H

Diffusor 2 D2000 Diffusor made of mineral glass for R650HS and R270DI

Diffusor 35 D3500 Diffusor made of mineral glass for R1000H

Diffusor 170 D170 Diffusor for R400D

Diffusor 202 D1200 Diffusor made of mineral glass for R200DI

Diffusion filter 1/5600 k FD1056 Matt-finished dichroic daylight filter made of mineral glass for R100H, R250H, R300H

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Clamps

adapters / Poles

Filters

Stands / umbrellaSpigots / diffusors

Accessories

Filters / Clamps / adapters


Sky hook A1020 Clamps 1 or 2 luminaires to tubes ø 20 to 75 mm / 0.79 to 3"; with 16 mm / 0.63" spigot, 16 mm / 0.63" socket and 16 mm / 0.63" double-ended spigot

vario clamp A1018 Universal clamp to attach accessories to tubes etc. up to ø 51 mm / 2", with 16 mm / 0.63" socket and 1/4" threaded hole; also available with double-ended spigot 16 mm / 0.63"

handle 2 A2000 Handle for luminaires with 16 mm / 0.63" sockets (R300HSM, R650HS, R1000H, R200DI and 270DI)

Socket 16/1 A1015 Mounts luminaires with 1/4" screws on lighting stands with 16 mm / 0.63" spigots; not required for SM versions with integrated 16 mm / 0.63" socket

C-clamp A2028 Clamps for tubes from ø 28–78 mm; with 16 mm socket and spigot and 28 mm socket rotatable

C-clamp M-C100 Clamp made of die-cast aluminium for tubes from ø 20–55 mm; with 28 mm socket


Forward adapter A1000SL Adapter used to move the luminaire-holder forward on the camera; mounts R75H oncameras with standard accessory shoe with 1/4" threaded hole

Mounting shoe R100H-26 Hot shoe mounting plate (included in delivery of R100H, R250H, R300H and R200DI) with 1/4" threaded hole that attaches luminaires to the camera accessory shoe

Betacam adapter/Mounting shoe

A1000 Mounts R100H, R250H, R300H and R200DI on cameras with Betacam accessory receptacles; replaces standard hot shoe mounting plate on luminaire handles

Betacam lowprofile mount

A1002B Enables direct, low-profile mounting of R100H, R250H, R300H and 200DI on cameras with Betacam accessory receptacles (not for SM fixtures with built-in 16 mm / 0.63" sockets)

low profile mount A1002 Enables low-profile mounting of R100H, R250H, R300H and 200DI on camera shoe (not for SM fixtures with integrated 16 mm / 0.63" sockets)

Telescopic pole 4.0 ST1945 3-step extendable, 1.4–4.0 m

Telescopic pole 6.5 ST2045 4-step extendable, 2.0–6.5 m


Filter 1/5600 k F1056 Dichroic daylight filter for R100H, R250H and R300H

Filter 2/3200 k F2032 Dichroic tungsten light filter for R270DI

Filter 2/5600 k F2056 Dichroic daylight filter for R650HS

Filter 35/5600 k F3556 Dichroic daylight filter for R1000H

Filter 170/3200 k F2032 Dichroic tungsten light filter for R400D

Filter 202/3200 k F1232 Dichroic tungsten light filter for R200DI

With these accessories, nothing is left to chance

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Sets 300–1,000 W

Lighting Sets Tungsten

Completely equipped and ready to shoot

Set 300H Code Contents Weight Dimensions

110 V230 V240 V

S311HS322HS324H

3 x Reporter 300H complete with bulb, rotatable 4-leaf barndoor, 3 x Diffusor 1, 3 x Daylight filter 1/5600K, 2 x Socket 16/1, 2 x Stand L1, 1 x Umbrella, 1 x Umbrella with mount, Case 300

11 kg24.3 lb

82 x 33 x 14.5 cm32.3 x 13 x 5.7"

– Luminaire cases for mains operation

– robust and reliable lighting technology

– all sets combine top rate equipment with a host of accessories

– Long life lamp bulbs

– equipment clearly arranged in cases

Set 1000H Code Contents Weight Dimensions

110 V230 V/240 V

SR1001HSR1003H

3 x Reporter 1000H complete with bulb, 3 x rotatable3 x 4-leaf barndoor and 3 x Stand L2, Case 1000H

21 kg46.3 lb

92 x 39 x 26.5 cm36.2 x 15.4 x 10.4"

Set 650 HS Code Contents Weight Dimensions

110 V230 V240 V

S651HSS652HSS654HS

3 x Reporter 650HS complete with bulb, (S651HS without bulb), rotatable 4-leaf barndoor, 3 x Diffusor 2, 3 x Daylight Filter 2/5600K, 3 x Stand L2, Case 650

20 kg44.1 lb

88 x 38 x 23 cm34.6 x 15 x 9.1"

Compact Set300HSM

Code Contents Weight Dimensions

110 V230 V240 V

SC311HSMSC322HSMSC324HSM

3 x Reporter 300HSM complete with bulb, rotatable 4-leaf barndoor and 3 x Stand L1C, Case 303C

10 kg22 lb

42 x 52.5 x 14 cm16.5 x 20.7 x 5.5"

Set 300HSM Code Contents Weight Dimensions

110 V230 V240 V

S311HSMS322HSMS324HSM

3 x Reporter 300HSM (same as Set 300H but with lamp head with stand mount), 3 x Diffusor 1, 3 x Daylight filter 1/5600K, 3 x Stand L1, 1 x Umbrella, 1 x Umbrella mount, Case 300

11 kg24.3 lb

82 x 33 x 14.5 cm32.3 x 13 x 5.7"

Sets for mains operation

125

Sets 75–250 WSet 75H Code Contents Weight Dimensions

PowerBase XLRPowerBase Anton/BauerDimmer PowerBase XLRDimmer PowerBaseAnton/Bauer

S75HS75HABS75HDS75HABD

Set 75, alternatively with R75H, R75HAB, R75HDor R75HABD, equipped with: rotatable 4-leaf barndoor, Daylight filter 7/5600K, Belt Pack® battery 12 V/4.5 Ah, Charger 12 II, Case 75

5.3 kg11.7 lb

34.5 x 30 x 12 cm13.6 x 11.8 x 4.7"

Set 100H4 Code Contents Weight Dimensions

Set 100H4 S100H4 Combination as in Set 100H7S, but with Belt Pack® 12 V/4.5 Ah and Battery Charger 12 II

7.3 kg16.1 lb

42 x 35 x 13.5 cm16.5 x 13.8 x 5.3"

Set 100H7S Code Contents Weight Dimensions

Set 100H7S S100H7S Reporter 100H complete with 2 bulbs, rotat-able 4-leaf barndoor, Diffusor 1, Daylight Filter 1/5600K, Belt Pack® 12 V/7 Ah, Speedcharger, Case 100

9 kg19.8 lb

42 x 35 x 13.5 cm16.5 x 13.8 x 5.3"


Set 250H4 S250H4 Combination as in Set 250H7, but with Belt Pack® 30 V/4.5 Ah

10 kg22 lb

45 x 35 x 15.5 cm17.7 x 13.8 x 6.1"


Set 250H7 S250H7 Reporter 250H with 2 bulbs, rotatable 4-leaf barndoor, Diffusor 1, Daylight filter 1/5600K, Belt Pack® 30 V/7 Ah, Speedcharger, Case 250

12 kg26.5 lb

45 x 35 x 15.5 cm17.7 x 13.8 x 6.1"

For independent operation

– ergonomic battery shape for added carrying comfort

– high-performance batteries for long illumination times

– Luminaires suitable for on-board operation

– Completely equipped with barndoor and daylight filter

– r100h and r250h with replacement lamp in handle

Lighting Sets Tungsten

Sets for battery operation

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Sets 200–400 W

With accessories that guarantee success

Set 200DN Code Contents Weight Dimensions

Set 200DN S202DN Reporter 200DI with bulb, Socket 16/1, Silent 200, ro-tatable 4-leaf barndoor, Diffusor 202, Filter 202/3200K, Case 202N

8.5 kg18.7 lb

46 x 28 x 15 cm18.1 x 11 x 5.9"

– high light efficiency

– minimal heat accumulation

– Flicker-free electronic ballast units

– Silent operation

– protected against moisture

– Complete sets with up-to-date accessories

Set 200DNSM Code Contents Weight Dimensions

Set 200DNSM S202DNSM Reporter 200DISM with bulb, Silent 200, rotatable 4-leaf barndoor, Diffusor 202, Filter 202/3200K, Case 202N

8.5 kg18.7 lb

46 x 28 x 15 cm18.1 x 11 x 5.9"

Set 400DS Code Contents Weight Dimensions

Set 400DS S400DS Reporter 400DV with bulb, Silent 400 SN, rotatable 4-leaf barndoor, Filter 170/3200, Diffusor 170, Case 400S

12.9 kg28.4 lb

46 x 37.5 x 22 cm18.1 x 14.8 x 8.7"

Set 400DVS Code Contents Weight Dimensions

Set 400DVS S400DVS Reporter 400DV with bulb, Silent 400 SNV, rotatable 4-leaf barndoor, Filter 170/3200, Diffusor 170, Case 400S

12.9 kg28.4 lb

46 x 37.5 x 22 cm18.1 x 14.8 x 8.7"

Lighting Sets Daylight

Sets for mains operation

127

Sets 21–270 WSet 21DMicroSun


Set 21DMicroSun

S21D Reporter 21D MicroSun with bulb, Charger 12 II, BeltPack® 12 V/4.5 Ah, rotatable 4-leaf barndoor RD21, Cable XLR-AB, Filter 6/3200, Gel frame 21, Case 21; Anton/Bauer version

6.9 kg15.2 lb

40.5 x 30 x 14.5 cm15.9 x 11.8 x 5.7"

Set 21DX MicroSun


Set 21DX MicroSun

S21DX Reporter 21DX MicroSun with bulb, Charger 12 II, Belt Pack® 12 V/4.5 Ah, rotatable 4-leaf barndoor RD21, Filter 6/3200, Gel frame 21, Case 21; XLR version

6.9 kg15.2 lb

40.5 x 30 x 14.5 cm15.9 x 11.8 x 5.7"

Set 200DB Code Contents Weight Dimensions

Set 200DB S204DB Reporter 200DI with bulb, Batronic 3, Belt Pack® 30 V/4.5 Ah, Speedcharger, rotatable 4-leaf barndoor, Diffusor 202, Filter 202/3200K, Case 202 (also suitable for Belt Pack® 30V/7 Ah)

13.9 kg30.6 lb

54 x 30 x 21 cm21.3 x 11.8 x 8.3"

Set 270DB Code Contents Weight Dimensions

Set 270DB S270DBI Reporter 270DI with bulb, Belt Pack® 30 V/7 Ah, Speedcharger, Batronic 3, rotatable 4-leaf barndoor, Diffusor 2, Filter 2/3200 K, Handle 2, Case 270B

17.4 kg38.4 lb

45 x 35 x 21 cm17.7 x 13.8 x 8.3"

For independent operation

– Camera mounting for r21d and r200di possible

– high lighting efficiency compared to halogen

– 6,000 lux light power at a distance of 5 m / 16' 5" (r270di)

Lighting Sets Daylight

Mobile lighting sets

repo

rter

Lig

htin

g

128

Daylight Tungsten

topasFluorescent lights

– topaS lighting is ideal for all television and video studios,

especially for small and news Studios.

– topas stand out due to their extremely consistent light

distribution and large beam-reflection-angle.

– the newly designed tube arrangement means faster tube

cooling, ensuring even better color reproduction.

– a huge range of accessories ensures easy and flexible

integration into any studio.

– topas luminaires can be categorized as cold lights

because they generate very little heat. they require less

energy and stand out for their long working life.

– these large-surfaced lights are also referred to as

softlights because of their extremely soft light.

– the newly developed electronics allow for a flicker-free

operation with a linear dimming range of 10 to 100 %.

the dimming can be controlled manually via a local

dimmer or each dmX-capable control panel.

– topas offers various mounting possibilities (ball head,

manual yoke, pole operated yoke) which can be easily

exchanged.

Manual (Standard)

Pole operated (Studio version)

Topas operating elements

with display and possibility to

daisy chain DMX signals

129

Telescopic poleC-clamp C-clampA20

28

M-C

100

Specification / accessories

Egg crate220, 330, 440, 660

Gel frame220, 330, 440, 660

4-leaf barndoor (reflective)220, 330, 440, 660

Pole operated yoke 220, 330, 440, 660

Manual operated yoke 220, 330, 440, 660

4-leaf barndoor (black) 220, 330, 440, 660 Local dimmerT-

DIM

2

Ball head

Topas 220 Topas 330 Topas 440 Topas 660

order code

Standard (manual yoke) T223T* T333T* T443T* T663T*

Studio (pole operated yoke) T223TM* T333TM* T443TM* T663TM*

Number of tubes (55 W) 4 6 8 12

Socket 4 x 2 G 11 6 x 2 G 11 8 x 2 G 11 12 x 2 G 11

Power supply

230 V/50/60 Hz

operating temperature 0 to +40 °C 0 to +40 °C 0 to +40 °C 0 to +40 °C

air humidity 20–80 % 20–80 % 20–80 % 20–80 %

Control DMX512/0...10 V DMX512/0...10 V DMX512/0...10 V DMX512/0...10 V

Weight

manual yoke 6,1 kg / 13.4 lb 7.7 kg / 17 lb 9.2 kg / 20.3 lb 12.2 kg / 26.9 lb

pole operated yoke 7.5 kg / 16.5 lb 10.5 kg / 19.4 lb 10.5 kg / 23.2 lb 13.3 kg / 29.3 lb

Mount Spigot 28 mm Spigot 28 mm Spigot 28 mm Spigot 28 mm

Dimming range 10–100 % 10–100 % 10–100 % 10–100 %

Photometric data (lux)

Distance in m Standard Reflective Standard Reflective Standard Reflective Standard Reflective

1 3,300 4,370 6,012 7,816 1,640 2,210 2,580 3,480

2 905 1,220 1,275 1,715 940 1,270 1,315 1,770

3 465 620 675 885 540 730 795 1,070

4 280 375 410 538 370 500 545 730

5 195 256

Dimensions (mm)

A 615 615 615 615

B 217 292 372 527

C 133 133 133 133

D 692 692 748 748

Stands

*Scope of Supply: incl. manual or pole operated yoke, 2 m mains cable with Schuko plug and tubes (tungsten).

Tube (tungsten)L553

2C

Tube (daylight)L555

6C

B

A CD

Fluo

resc

ent L

ight

ing

130

Accessory 4-leaf barndoor 35 B-r1000h-200 . . . . . . . . . . . . . 122Accessory 4-leaf barndoor rd400 . . . . . . . . . . . . . . . . . . . . . 122

Accessory adapter 3985 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Accessory adapter with clamping 3986 . . . . . . . . . . . . . . . . . . . . . . 87Accessory Batronic 3 e327B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Accessory Betacam adapter / Mounting shoe a1000 . . . . . . . . . . 123Accessory Betacam low profile mount a1002B . . . . . . . . . . . . . . . . 123Accessory Cine 150 mm Top 6056 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Accessory Cine Mitchell Top 6056 . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Accessory Double-ended spigot 16/1 a1016 . . . . . . . . . . . . . . . . . . . 122Accessory Sky hook a1020 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Accessory Quickfix 3910 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Adapter 100/150 3901 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Adapter 75/100 3906 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Adapter block FSB 6 3982 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Adapter FB/100 3903 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Adapter FB/150 3908 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Adapter Ped C I/DV 1030 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Adapter Ped C I/Plus 3941 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Adapter viewfinder extension 12/15 3980 . . . . . . . . . . . . . . . . . . . . 87Adapter viewfinder extension 18/20 3981 . . . . . . . . . . . . . . . . . . . . 87artemis ACT 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103artemis Cine/HD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102artemis DV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103artemis DV Pro MD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103artemis DV Pro FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103artemis EFP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102artemis EFP Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102

Ball adapter with screw 6052 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Battery FSB CELL 0781 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Belt Pack® 12/4 .5 B1245 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120Belt Pack® 12/7 B1270 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120Belt Pack® 30/4 .5 B3045 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120Belt Pack® 30/7 B3070 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

C .O .G . plate 1063 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89C .O .G . plate DV 1465 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Cable adapter FSB CELL Sony I 0785 . . . . . . . . . . . . . . . . . . . . . . . . . . 57Cable adapter FSB CELL Sony II 0786 . . . . . . . . . . . . . . . . . . . . . . . . . 57Cable adapter FSB CELL Canon 0787 . . . . . . . . . . . . . . . . . . . . . . . . . . 57Cable adapter FSB CELL Panasonic 0788 . . . . . . . . . . . . . . . . . . . . . . 57Cable 1205 a1205 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Cable 1205S a1205S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Cable 1210 a1210 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Cable 1210S a1210S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Cable 270/5 a2750 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Cable 270/10 a2700 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Cable clamp V 60 6054 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Cable clamp V/C 75 6055 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Carrying strap DV 8675 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Carrying strap ENG 2 8690 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Case 30 9503 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Case 60 FB 9513 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Case 90 9512 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Case 9+9 9511 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Case for column 9507 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Case for dolly 9510 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Case V/C 75 9517 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Charger 12 II C1203 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120Combi Pedestal 5198 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82Compact Set 300 HSM – . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .124Compressor 5207 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Cover 100 ll 9309 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 100 K 9201 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 100 M 9214 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 150 II 9310 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 150 K 9301 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 150 L 9312 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 150 M 9308 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 150 SE 9316 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 2000 M 9317 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 25 9504 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover 75 9212 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover Cine L 9320 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover Cine M 9317 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover DV 2 9213 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover EFP 2 9315 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Cover ENG 2 9311 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Diffusion filter 1/5600 K Fd1056 . . . . . . . . . . . . . . . . . . . . . . . . . 122Diffusor 1 d1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Diffusor 170 d170 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Diffusor 2 d2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Diffusor 202 d1200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Diffusor 35 d3500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Dolly Cine 7085 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Dolly DV 100 7067 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Dolly DV 75 7063 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Dolly S 7065 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Dolly XL 7080 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

EFP set-up Video 60 Plus 6051 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89EFP set-up Video 75 Plus 7551 . . . . . . . . . . . . . . . . . . . . . . . . . . 89

ENG adapter plate 3083 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89FB Converter 3913 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Filter 1/5600 K F1056 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Filter 170/3200 K F2032 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Filter 2/3200 K F2032 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Filter 2/5600 K F2056 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Filter 202/3200 K F1232 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Filter 35/5600 K F3556 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Fluid head Cine 30 HD 3006 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40, 58Fluid head Cine 75 HD 7502 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38, 58Fluid head Dutch Head 35 3004 . . . . . . . . . . . . . . . . . . . . . . . . . . 30, 58Fluid head DV 12 SB 1205 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Fluid head DV 6 SB 0605 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53, 61Fluid head DV 8 SB 0805 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52, 61Fluid head DV 8/100 SB 0806 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52, 61Fluid head FSB 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55, 61Fluid head FSB 6 0407 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54, 61Fluid head FSB 6T 0405 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54, 61Fluid head Studio 9+9 6002 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39, 58Fluid head Video 12 SB 1205 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51, 60Fluid head Video 15 SB 1505 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50, 60Fluid head Video 18 Dutch 1804 . . . . . . . . . . . . . . . . . . . . . . . . . 49, 60Fluid head Video 18 SB 1805 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49, 60Fluid head Video 20 SB 2005 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48, 60Fluid head Video 25 Plus 2500p . . . . . . . . . . . . . . . . . . . . . . . . . . 47, 59Fluid head Video 25 Plus FB 2501p . . . . . . . . . . . . . . . . . . . . . . . 46, 59Fluid head Video 60 Plus EFP 6000 . . . . . . . . . . . . . . . . . . . . . . . 45, 59Fluid head Video 60 Plus Studio 6001 . . . . . . . . . . . . . . . . . . . . 44, 59Fluid head Video 75 Plus EFP 7500 . . . . . . . . . . . . . . . . . . . . . . . 43, 59Fluid head Video 75 Plus Studio 7501 . . . . . . . . . . . . . . . . . . . . . 42, 59Fluid head Video 90 FB 8092 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41, 58Forward adapter a1000SL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Front box adapter 3920 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Front pan bar 3172 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Front pan bar HD 3372 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90FSB CELL Charger 0782 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57FSB PowerSet 0780 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Hand Crank Column for OB 2000 6205 . . . . . . . . . . . . . . . . 67, 82Handle 2 a2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Hot Pod® Dolly 7066 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Kit clamping screw 75 3905 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

LED Power Connector Set S2403-0010 . . . . . . . . . . . . . . . . . . . .107Location Set S2403-0030 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107

Low profile mount a1002 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Mid-level spreader 100/150 7007 . . . . . . . . . . . . . . . . . . . . . . . . 86Mid-level spreader Cine 7027 . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Mini spreader 7002K . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Mini spreader 150 7003K . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Mini spreader EX 7013K . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Mitchell adapter 3902 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Mitchell adapter with locking knob 6053 . . . . . . . . . . . . . . . . . . . . . 88Monopod 2 CF (Betacam) 5396 . . . . . . . . . . . . . . . . . . . . . . . . . . 76, 85Monopod 2 CF (Touch & Go®) 5395 . . . . . . . . . . . . . . . . . . . . . . . 76, 85Monopod Betacam 1096 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Monopod SOOM Tube S2005-0001 . . . . . . . . . . . . . . . . . . . . . . . . . . . 85Mounting shoe r100h-26 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Multi Disc 3914 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Padded bag 9107 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Padded bag 75 9100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Padded bag DV 75 L 9109 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Padded bag DV 75 S 9108 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Padded bag ENG 2 9104 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Padded bag ENG/EFP 9106 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Padded bag for steering wheel 9107 . . . . . . . . . . . . . . . . . . . . . . . . . 93Pan bar back section left B-3074-100 . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar back section right B-3073-100 . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar DV 100 1075 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar DV 75 0992 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar DV 75 L 0993 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar DV left (telescopic) 3471 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar DV right (telescopic) 3470 . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar front section left B-3074-020 . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar front section right B-3073-020 . . . . . . . . . . . . . . . . . . . . . . . 90

Pan bar HD left (telescopic) 3371 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar HD right (telescopic) 3370 . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar Movie right (telescopic) 3170 . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar Plus left (telescopic) 3271 . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan bar Plus right (telescopic) 3270 . . . . . . . . . . . . . . . . . . . . . . . . . . 90Pan/tilt plate 5727 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Pedestal C I 4194 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66, 82Pedestal C III 5195 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66, 82Pedestal Combi Ped 1-40 – . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Pedestal Studio Ped 2-75 5275 . . . . . . . . . . . . . . . . . . . . . . . . . . 64, 82Pedestal Vario Ped 2-75 5201 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64, 82Power Pack 30 S2402-0001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

R8LED Complete Set S2403-0040 . . . . . . . . . . . . . . . . . . . . . . .107R8LED Optic Set S2403-0020 . . . . . . . . . . . . . . . . . . . . . . . . .107

Reporter 1000H-110 V/120 V r1001h . . . . . . . . . . . . . . . . . . .117, 118Reporter 1000H-230 V/240 V r1003h . . . . . . . . . . . . . . . . . .117, 118Reporter 100H r100h . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114, 119Reporter 200DI r200d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110, 119Reporter 200DISM r200dSm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118Reporter 21D MicroSun r21d . . . . . . . . . . . . . . . . . . . . . . . . . 109, 119Reporter 21DX MicroSun r21dX . . . . . . . . . . . . . . . . . . . . . . 109, 119Reporter 250H r250h . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114, 119Reporter 270DI r270di . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110, 118Reporter 300H-110 V/120 V r311h . . . . . . . . . . . . . . . . . . . . .115, 118Reporter 300H-230 V r322h . . . . . . . . . . . . . . . . . . . . . . . . . .115, 118Reporter 300H-240 V r324h . . . . . . . . . . . . . . . . . . . . . . . . . .115, 118Reporter 300HSM-110 V/120 V r311hSm . . . . . . . . . . . . . . .115, 118Reporter 300HSM-230 V r322hSm . . . . . . . . . . . . . . . . . . . . .115, 118Reporter 300HSM-240 V r324hSm . . . . . . . . . . . . . . . . . . . . .115, 118Reporter 400D r400d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111, 118Reporter 400DV r400dv . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111, 118Reporter 650HS-110 V/120 V r651hS . . . . . . . . . . . . . . . . . . 116, 118Reporter 650HS-230 V r652hS . . . . . . . . . . . . . . . . . . . . . . . 116, 118Reporter 650HS-240 V r654hS . . . . . . . . . . . . . . . . . . . . . . . 116, 118Reporter 75H r75h . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113, 119Reporter 75HAB r75haB . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113, 119Reporter 75HABD r75haBd . . . . . . . . . . . . . . . . . . . . . . . . . . .113, 119Reporter 75HD r75hd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113, 119Reporter 8LED S2401-0001 . . . . . . . . . . . . . . . . . . . . . . . . . . 106, 119Retrofit Kit Studio Dolly B-5275-450 . . . . . . . . . . . . . . . . . . . . . . . . . 93Rubber feet 100/150 7004 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Rubber feet EX 7014 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Sandwich Touch & Go® 1091 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Set 1000H . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .124

Set 100H4 S100h4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Set 100H7S S100h7S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Set 200DB S204dB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126Set 200DN S202dn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127Set 200DNSM S202dnSm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127Set 21D MicroSun S21d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126Set 21DX MicroSun S21dX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126Set 250H4 S250h4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Set 250H7 S250h7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Set 270DB S270dBi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126Set 300H . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .124Set 300HSM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .124Set 400DS S400dS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126Set 400DVS S400dvS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126Set 650HS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .124Set 75H . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Set mid-level spreader 75 7011 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Set of air wheels 5205 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Set of OB wheels 200 5208 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Set of OB wheels 200CG 5209Cg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Set of studio wheels 5210 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Short handle tripod mount a1005 . . . . . . . . . . . . . . . . . . . . . . . . . . 123Sideload plate 30 HD 3060 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Sideload plate S 164 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Silent 200 e200Sn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Silent 400SN e400Sn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Silent 400SNV e400Snv . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Small steering wheel 5206 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93Socket 16/1 a1015 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123SOOM clamping bowl S2003-1006 . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 SOOM TriPod S2003-003 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78, 85SOOM TriSpread S2004-0001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79, 85SOOM Tube S2005-0001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79, 85SOOM HiPod System 4161 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Spacer V 90 SKo18B0439 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Speedcharger C1232 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120Spigot 16/2 a2016 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Spigot 28 a1028 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Index

130

“Smooth, Inspiring & Secure. Sachtler.”

Photography by Fran Collin

ImprintPublisherCamera Dynamics GmbH

Erfurter Straße 16

85386 Eching / Germany

Phone: +49 89 321 58 200

www.sachtler.com

Editors in chargeAnita Mayer, Darina Enz

This issue’s authors (Magazine) Leo Borchard, Sergio Brighel,

Kane Christopher, Stefan Gieren,

Sebastian Hirsch, Stefan Kluge,

Richard Kruger, Elli Kuhn, Carsten Möller,

Curt O. Schaller, Christine Sommer,

Lisa Stocker, Steffi Weiß, Najib Yousofy

Conception, Editorial Work and RealisationSoKo

Philippine-Welser-Straße 21

86150 Augsburg / Germany

Phone: +49 821 21 93 99 18

[email protected]

www.sommer-kommunikation.de

graphics and layoutFrank Übler AGD (Art Director),

Susanne Keuschnig, Franziska Becker

PrepressThiemo Wenkemann DTP

PrintingDruckerei und Verlag

Karl Ziegler GmbH

86381 Krumbach / Germany

Photos / graphics Graphic material products:

BildManufaktur, Kay Kramme,

Andreas Pohmer, Roll Call Productions,

Sachtler, Kim Sachtler´s private photo

archive, Curt O. Schaller

Graphic material magazine: see picture

credits on the respective pages

We shall not be liable for accuracy of the

sent in articles and pictures. All rights

reserved. Any reproduction and / or use of

the data requires prior written approval

of the author.

Please NoteThe accessories displayed with the

products described in this catalogue

may be optional. Delivery is possible only

after written confirmation of order is

received. The availability of the products

may vary according to sales region.

Specifications are subject to change

without notice.

David Lynch

Spigot 28/16 a1628 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Spreader Cine 7023 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Spreader SP 100 7002 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Spreader SP 100/150 7003 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Spreader SP 150 EX 7013 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Spreader SP 75 7001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Stand L1 a1003 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L1C a1004 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L2 a1006 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L3 a1008 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L4 a1010 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L5 a1012 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Stand L6 a1014 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Studio Dolly B-5275-400 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Studio set-up Video 75 Plus 7550 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Studio set-up Video 60 Plus 6050 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89System 12 SB 1260 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 12 SB ENG 2 CF 1262 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 12 SB ENG 2 MCF 1263 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 12 SB SL MCF 1265 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 15 SB C III 1570 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 15 SB ENG 2 CF 1562 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 15 SB ENG 2 D 1561 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 15 SB ENG 2 MCF 1563 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 15 SB SL MCF 1565 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 18 SB ENG 2 D 1861 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 18 SB SL CF 1864 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 18 SB SL MCF 1865 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB ENG 2 CF 2062 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB HD CF 2072 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB HD MCF 2073 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB SL HD CF 2074 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 20 SB SL HD MCF 2075 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 25 C III 2574 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 25 Combi 1-40 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 25 EFP 2 CF 2512 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 25 Studio 2594 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 30 EFP 2 MCF 3012 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 60 EFP 2 CF 6012 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 60 OB 2000 6095 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 60 Studio 6094 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 System 6 SB 0640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 6 SB / 2 D 0641 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 6 SB / 2 MD 0643 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 6 SB MD 0642 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 6 SB SL MCF 0650 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

System 75 Plus EFP 7512 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 75 Plus OB 2000 7595 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 75 Plus Studio 7594 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System 8/100 SB 0860 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8/100 SB ENG 2 CF 0862 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96System 8 SB 0840 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8 SB / 2 D 0841 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8 SB / 2 MD 0843 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8 SB MD 0842 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 8 SB SL MCF 0850 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System 90 OB 8095 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System 90 Studio 8094 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94System Cine 30 3025 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System Cine 75 7525 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95System FSB 2 0270 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 PowerSet 0270B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 / 2 D 0271 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 / 2 D PowerSet 0271B . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 2 / 2 MD 0273 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 / 2 MD PowerSet 0273B . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 2 MD 0272 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 MD PowerSet 0272B . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 2 SL MCF 0275 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 2 SL MCF PowerSet 0275B . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 0470 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 PowerSet 0470B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 / 2 D 0471 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 / 2 D PowerSet 0471B . . . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 / 2 MD 0473 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 / 2 MD PowerSet 0473B . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 MD 0472 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 MD PowerSet 0472B . . . . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 SL MCF 0475 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98System FSB 6 SL MCF PowerSet 0475B . . . . . . . . . . . . . . . . . . . . . . . . 97System FSB 6 T 0440 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 6 T / 2 D 0441 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 6 T / 2 MD 0443 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 6 T MD 0442 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System FSB 6 T SL MCF 0450 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System SOOM FSB 2 0280 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99System SOOM FSB 6 0480 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Topas 220 t223t, -tL, -tm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129Topas 330 t333t, -tL, -tm . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Topas 440 t443t, -tL, -tm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129Topas 660 t663t, -tL, -tm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129Touch & Go® adapter plate 3061 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Touch & Go® plate 16 1064 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Touch & Go® plate 35 3051 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Touch & Go® plate DV 0264 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Touch & Go® plate DV 8 1464 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Touch & Go® plate S – . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Tripod CF 100 HD 5380 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 85Tripod CF 100 L 5382 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 85Tripod CF 100 M 5351 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 85Tripod CF 150 L 6392 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70, 82Tripod CF 150 ML 6381 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70, 83Tripod Cine 150 long 6290 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 83Tripod Cine 150 medium 6250 . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 83Tripod Cine 2000 K 6232 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 83Tripod Cine 2000 short 6232 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 83Tripod Cine Mitchell long 6295 . . . . . . . . . . . . . . . . . . . . . . . . . . 69, 83Tripod Cine Mitchell medium 6255 . . . . . . . . . . . . . . . . . . . . . . . 69, 83Tripod DA 100 HD 5480 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 84Tripod DA 100 K 5122 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 84Tripod DA 100 L 5182 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 84Tripod DA 100 M 5151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75, 84Tripod DA 150 K 6132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 83Tripod DA 150 L 6192 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 83Tripod DA 150 M 6157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 83Tripod DA 150 ML 6181 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 83Tripod DA 75 L 4183 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81, 85Tripod EFP 2 CF 6386 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70, 82Tripod EFP 2 D 6186 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 82Tripod ENG 2 CF 5386 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 84Tripod ENG 2 CF HD 5390 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 84Tripod ENG 2 D 5186 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74, 84Tripod ENG 2 D HD 5490 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74, 84Tripod ENG 75 / 2 D 4188 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81, 85Tripod Hot Pod® CF 10 5385/10 . . . . . . . . . . . . . . . . . . . . . . . . . . 76, 84Tripod Hot Pod® CF 14 5385/14 . . . . . . . . . . . . . . . . . . . . . . . . . . 76, 84Tripod OB 2000 6481 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67, 82Tripod SOOM TriPod S2003-003 . . . . . . . . . . . . . . . . . . . . . . . . . 78, 85Tripod SOOM TriSpread S2004-0001 . . . . . . . . . . . . . . . . . . . . . 79, 85Tripod Speed Lock® 75 CF 4588 . . . . . . . . . . . . . . . . . . . . . . . . . . 72, 85Tripod Speed Lock® CF 5586 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72, 84Tripod Speed Lock® CF HD 5590 . . . . . . . . . . . . . . . . . . . . . . . . . . 72, 84

Umbrella a2001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Umbrella mount a1019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Vario clamp a1017 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123V-plate 3080 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

2008Camera SupportReporter Lighting

InnovatIon

2008

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Fifty years of ideas in motion

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2008 camera support reporter lighting fifty years

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