eprints.soton.ac.uk20for%20joni... · 2018. 12. 13. · this work was developed for the bbc...
TRANSCRIPT
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Full Score
Lullaby for Joni for orchestra
Benjamin Oliver 2012-2013
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This work was developed for the BBC Symphony Orchestra/Sound and Music Embedded project during the 2012/13 season. The first performance was given at Maida Vale Studios
on 14th November 2013 by the BBC Symphony Orchestra, conducted by Garry Walker. Instrumentation (Score in C): Piccolo 2 Flutes 2 Oboes Cor Anglais Clarinet in Bb Clarinet in Eb Bass Clarinet in Bb 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bb 2 Trombones Bass Trombone Tuba Timpani Percussion (x3) Player 1: 2 Woodblocks, Bass Drum and Tam-tam Player 2: Claves and 2 Bongos Player 3: Marimba and drum setup of 2 Tom-toms, snare drum and suspended cymbal
Harp Strings (14.12.10.8.6) Duration: 11 minutes
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Notation Explanations: ‘White noise’ sounds (indicated by cross note-heads)
Cross note-heads are to be performed tonelessly, that is to create a sort of white noise sonority. The mode of production is dependent on the instrument(s): Flutes and piccolo Blow directly into the tube with a narrow mouth opening. The pitches notated will not necessarily be audible. I am interested in colourations and variation in pitch rather than the actual pitches notated. A loud air noise should be produced. You might try blowing a distance of a few centimetres between the mouth and the lip-plate to generate more sound if required. Oboe and Cor Anglais Remove the reed and blow across the opening of a tube, a little like a flute. The pitch colourations will not be identical with the notated pitches but the chosen pitches will create a change in the brilliance of the white noise sound. Clarinets Remove mouthpiece (and possibly socket) and blow directly into the tube. It would also be good to try blowing slightly away from the opening of the tube if you require more sound. The pitch colourations will not be identical with the notated pitches but hopefully the pitches chosen will create a change in the brilliance of the white noise sound. It might be a good idea to have a spare instrument to play the ‘toneless’ passages. Horns Reverse the mouthpiece and blow directly into the instrument. Trumpets Blow into the instrument without direct lip contact with the instrument, you may want to try this with the mouthpiece reversed. The pitches chosen and corresponding number of depressed valves will create a change in the brilliance of the white noise sound. The pitch colourations will not be identical with the notated pitches. Trombones Blow into the instrument without direct lip contact with the instrument. The pitches chosen and corresponding slide positions will create a change in the brilliance of the white noise sound. Strings Cross note-heads for the strings also indicate a ‘toneless’ white noise sonority.
Mute/Dampen Symbol. Gently lay the left hand on all four strings so that they are prevented from vibrating.
The pitch indicates which string to play. I have indicated a range of different ways of articulating with the strings dampened.
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Other notations: Wind and brass
Tremolo in wind parts indicates flutter tongue; flz. is indicated the first time this occurs in each of the parts but flutter tonguing is assumed thereafter.
Trombones
Diamond note heads in the trombone 1 and trombone 2 parts denote a very short clipped sound. The sound produced should be extremely short and not with a full tone; it might sound a little like a stutter.
For all instruments
Dynamic indications in quotation marks (during the white noise passages) indicate the intensity of the performance manner and not the resulting absolute volume of the action!
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q = 72
q = 72
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Oboe 1/2
Cor Anglais
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Clarinet in Eb
Bass Clarinetin Bb
Bassoon 1/2
Contrabassoon
Horns 1/2 in F
Horns 3/4 in F
Trumpets 1/2 in Bb
Trumpet 3 in Bb
Trombones 1/2
Bass Trombone
Tuba
Timpani
Percussion 1Woodblocks/Bass Drum/
Tam-tam
Percussion 2Claves/Bongos
Percussion 3Marimba/
Tom-toms/Snare/
Suspended Cymbal
Harp
Violin I
Violin II
Viola
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Double bass
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22
""
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#$
#$
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Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1Wd.Bks
Perc. 2Claves/Bongos
Perc. 3Mar.
Vln. I
Vln. II
Vla.
Vc.
Db.
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D
25
#$
#$
%"
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Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1Wd.Bks
Perc. 2Claves/Bongos
Perc. 3Mar.
Vln. I
Vln. II
Vla.
Vc.
Db.
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28
""
""
#$
#$
!"
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Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1Wd.Bks
Perc. 2Claves/Bongos
Perc. 3Mar.
Vln. I
Vln. II
Vla.
Vc.
Db.
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31
#$
#$
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Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Mar.
Vln. I
Vln. II
Vla.
Vc.
Db.
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10
-
34
""
""
#$
#$
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Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Mar.
Vln. I
Vln. II
Vla.
Vc.
Db.
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11
-
!"
!"
F
37
#$
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Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Mar.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
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"!
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, +, * * / +,-. +, * * /
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12
-
40
""
""
#$
#$
!"
!"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
&air sound, blow directly into tube with narrow mouth opening
)"mf"
-
!"
!"
G
43
#$
#$
%"
%"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"
!"
!
"
!
"
& /"f"
-
46
""
""
#$
#$
!"
!"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
& )"mf"
-
!"
!"
H
49
#$
#$
%"
%"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
& /"f"
-
52
""
""
#$
#$
!"
!"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
& )"mf"
-
!"
!"
I
55
#$
#$
%"
%"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"!"
!
"
!
"
& 7$ ) * /"mf"
-
58
""
""
#$
#$
!"
!"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"!"
!
"
!
"
& ' ' /"fp"
-
!"
!"
J
61
#$
#$
%"
%"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"!"
!
"
!
"
& '''< '''< $
-
64
""
""
#$
#$
!"
!"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"
!"
!
"
!
"
& )"mf"
-
!"
!"
K
67
#$
#$
%"
%"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"!"
!
"
!
"
& '''< '''< $
-
70
""
""
#$
#$
!"
!"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
& )"mf"
-
!"
!"
L
73
#$
#$
%"
%"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
& 7$ ) * /"mp"
-
76
""
""
#$
#$
!"
!"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
& )"mp"
-
!"
!"
M
79
#$
#$
%"
%"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
& 7$ ) * /"mp"
-
82
""
""
#$
#$
""
""
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"
!"
!
"
!
"
#
&"mp"
<
-
""
""
N
Slower q = 6085
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"!"
!
"
!
"
#
&"f"
,8
>,0 )
mp
>,0 >,
>,8 >,3
3 ) . >,8>,0 * * .>
,->,-
3
3
>,8>,0 * * >, $ >,->
, $ >,- * * .. .>,0>,8 >,8>,0 * ) >,8>
,0 * 7 >,8>,0 * * .>
,->,-
3
3
3
3
3
3 3
33
3
( ' ' ' ' '
( ' ' ' ' '
(p+3 +.
0 + +3 +0 + +3 +.
0 + +3 +0 + +3 +.
0 + +3 +0 + ' 7
ppp
++3 ++3$$ ++ ++3 ++3 3 3 3 3 3
5 5
1mp
++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++3 3 3 3 3 3 3 3 3 3
1 +0 * )change to bongos with wire brushes7 ' ' ' '
1 +-0 * ) 7 ' ' ' '
(mf +++++++
+3. ++++
++++0 ++++++++ ++++++++3 ++++++++0 ++++++++ ++++++++3. ++++
++++0 ++++++++ ++++++++3 ++++++++0 ++++++++ ++++++++3. ++++
++++0 ++++++++ ++++++++3 ++++++++0 ++++++++ ++++++++3. ++++
++++0 ++++++++ ++++++++3 ++++++++0 ++++++++ ++++++++3. ++++
++++0 ++++++++ ++++++++3 ++++++++0 ++++++++
3 3 3 3 3 3 3 3 3 3
&( )
&=
col legno battuto
/
sempre "f"
-
90
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"
!"
!
"
!
"
#
&
-
93
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"#
& *"mf"
-
O95
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"
!"
!
"
!
"
#
&"ff"
'''
-
97
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
& /"ff"
'''
-
P100
%"
%"
""
""
%"
%"
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"!"
!
"
!
"
#
&"p"
,
>,8 >,3
3
>,8>,0 * * * .. .>
,0>,8 >,8>,0 * * * . >,8
>,0 ) >,0 >
,>,8 >,
3
3 /
"f"
(air) (clipped)
p
,>,8 >,
3
3
>,8>,0 * * * .. .>
,0>,8 >,8>,0 * * * . >,8
>,0 ) ) >,0 >
,>,8 >,
3
3
>,8>,0 * * * .. .>
,0>,8 >,8>,0 *
3
3
3
3 5
3
3
3
3
3
3
( ' ' ' ' '
( ' ' ' ' '
( ' ' ' ' '
1p
++3
++0++ ++
3++0++ ++
3++0++ ++
3++0++ ++
3++0++ ++
3++0++ ++
3++0++ ++
3++0
++ ++3
++0++ ++
3++0
3 3 3 3 3 3 3 3 3 3
1subito pp
+ +0 ) * + + + * * +0 ) ) /mp pp
+- + + + ++ +0 ) * + + + ' + +0 ) * + + +
3 3
3
5
3 3 3 3
1subito p
+ + + *mp
+ + + + + +,-*
p
+ +mf
+ '''+ + +3 /pp
+0 + +,-*
5
+ + + * /mp p
+ + + + + + *mp
+ + + + + +,-*
p
+ +mf
+ '''+ + +3 /pp
+0 ) )subito p
+ + + *mp
+ + + + + +,-
*p
+ +mf
+ '''+35
3 3 3 35
35
3 3 3 35
3
& ' ' ' ' '
& /
-
%"
%"
105
""
""
@"
@"
""
""
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
& '
-
""
""
108
%"
%"
""
""
Picc.
Fl. 1
Fl. 2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
&
-
""
""
Q
113
Picc.
Fl. 1
Fl. 2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
&solo normal tone, minimal vib.
pp dolce
+. + +. + + + $ + + +. + + +8 *+ + +. + +. + +.
& A 5 +0 * ) '
& 7 ) /"f"
-
116
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"!"
!
"
!
"
#
&+8 * ) /
+-8
+8
+ + +8 *
+38
5 $ 5 $ +8 *
3
3
& 7à 2
/"mf"
'''
-
119
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"
!"
!
"
!
"
#
& )"mf"
air
-
R122
@"
@"
%"
%"
""
""
Picc.
Fl. 1
Fl. 2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
&"f"
'''
-
126
@"
@"
Picc.
Fl. 1
Fl. 2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"
!"
!
"
!
"
#
&"mp"
-
@"
@"
128
""
""
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"#
& ' ' )"mp"
-
""
""
S
131
@"
@"
""
""
@"
@"
""
""
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1/2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"
!
"!"
!
"
!
"
#
& ,8 >,3
3
>,8>,0 * * * .. .>
,0>,8 >,8>,0 * * * . >,8
>,0 ) >,0 >
,>,8 >,
3
3 ) 7 * * . >,8>,0 )
3
3
3
3
3
3
( ' ' ' '
( ' ' ' '
(pp
++3 ++3$$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++
mp
++32 ++2 ++
5
++3 ++3$$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++ ++32 ++2 ++
55 5 5 5 5 5 5 5 5 5
1 ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++ ++3
++0
++3 3 3 3 3 3
1p
+ +0 ) * * +0 + ) /mp p
+ + + + ++ +0 ) * + + + '
3 3
5
3 3
1with drum sticks
p
+ + + *mp
+ + + + + +,-
*p
+ +mp
+ '''+ * * +0 /mp p
+ + + + +-
+ + + *mp
+ + + + + +,-
) *mf
'''+0 * *mp
+0 + +,-
*5
35
3 3
5
35
3
& ' ' ' '
( ' ' ' '
& ' ' ' '
& ' ' ' '
:mp
++3. ++3. $$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++. ++32 ++2 ++5
++3. ++3. $$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++. ++32 ++2 ++55 5
5 5 5 5 5 5 5 5
(mp
++3. ++3.. $$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++.. ++36 ++6 ++5
++3. ++3.. $$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++.. ++36 ++6 ++55 5 5
5 5 5 5 55 5
(+++3 +++...
0 +++ +++3 +++0 +++ +++3 +++...
0 +++ +++3 +++...0 +++ +++3 +++
0 +++ +++3 +++...0 +++
3 3 3 3 3 3
42
-
""
""
T
135
@"
@"
""
""
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2/3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
& ,8 >,3
3
>,8>,0 * * * .. .>
,0>,8 >,8>,0 * * * . >,8
>,0 ) 7 ' ' ) * .>
,->,-
3
3
>,8>,0 * * >, $ >,->, $ >,-3
3
3
3 3
3
( ' ' ' ' 7f
+,- +,-. +,- +,. +, +, +,-+,9 +,. +,-
3 6
( ' ' ' ' 7f
+,-. +,- +,-4 +,+,. +,. +,-9
+, +, +,-.3
6
( ++3 ++3$$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++ ++32 ++2++
5
++3 ++3$$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++ ++32 ++2++
5
++3 ++3$$ ++ ++3 ++ ++ ++3 ++ ++ $$ ++3 ++
mf
++32 ++2 ++
55 5 5 5 55
5
5 5 55
5
5 5 5
1 ++3
++0++ ++
3++0
++p
++3
++0
++ ++3
++0++ ++
3++0
++ ++3
++0
++ ++3
++0++ ++
3++0
++ ++3
++0
++3 3 3 3 3 3 3 3 3
1 + +0 ) * + + + ' ' ) /mf
'+ + + + +3 3
5
1p
+ + + *mp
+ + + + + +,-
*p
+ +mf
+ '''+ * *mp
+,0 + +,
-*
5
7 ) /mf
+ + + + +,-7 ) /
mp
+ + + + +-
+ < <0 +0 +
-3 ''''+mf
+ + +,-
*5
35
3 35
5 3
& ' ' 5-95- ' )
mp
5-9+-
( 'mf
5-.5- 7 ) +-. +
+- + ) 7
& 'p
A A 5 A
& 'pA. A 5 A
: ++3. ++3. $$ ++++3 ++ ++ ++3 ++mp
++ $$ ++3 ++. ++32 ++2++5
++3 ++3. $$ ++++3 ++ ++ ++3. ++ ++ $$ ++3 ++ ++32 ++2++5
++3. ++3. $$ ++++3 ++ ++ ++3. ++ ++ $$ ++3 ++mf
++32 ++2 ++
55 55 5 5 5 5 5 5 5 5 5 5 5 5
( ++3. ++3.. $$ ++ ++3 ++ ++ ++3 ++mp
++ $$ ++3 ++.. ++36 ++6 ++5
++3 ++3. $$ ++ ++3 ++ ++ ++3. ++. ++ $$ ++3 ++ ++36 ++6 ++5
++3. ++3.. $$ ++ ++3 ++ ++ ++3. ++. ++ $$ ++3 ++mf
++36 ++6 ++55 5 5
5 5 5 5 55 5 5 5 5
5 5
(+++3 +++...
0 +++ +++3 +++0 +++
mp
+++3 +++...0 +++ +++3 +++
0 +++ +++3 +++...0 +++ +++3 +++
0 +++ +++3 +++...0 +++ +++3 +++...
0 +++ +++3 +++0 +++
3 3 3 3 3 3 3 3 3
43
-
140
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
!
"
!
"
#
&+. + + +8 *
mp
+ + +. + +. + +. +8 * ) /
+-8
+8
+ + +8 *
+38
3
3
& '+. + + +0 * mp
+'
+ +. + +. + +. +0* ')
/+-0 +0 + + +0
*+30
33
& 'bell-like
mf
++3
+8 +.+0 +.3
3
++ +8 ++30 + +8 5
+0 5 ) +3+33
3
3
3
& 'bell-like
mf
+3. +0 +93
+ +3. 0 + +.0 5 ) +3
3 3
&+-. +,
+. +. +,-/
+3 + + + +,-9 +, +, +, +,- + ++. + +,-
0 * +-. +. +. +. +. +. +9 ++. +,-
*5+- +,9
+ +. +,-/
+3 + + + +,-9 +, +, +, +,-. + ++. + +,-
0 * 75 5 5 5 5 5
& 'bell-like
mf
+3. +0 +;3
+ +3.0 + +0 5 ) +
333
(+- +, +. +. +,-
/ +3 + + +. +,-9 +, +, +,4+,-. +9 + + +. +,-9
0 * +-. ++. +9 +. + + +. +. +,-.
*5+- +,9 +. +. +,-
/ +3 + +9 +. +,-9 +, +, +,4+,-. +9 + + +. +,-9
0 * 755 5 5
5 5
(+-. +,
+. +. +,-/ +3 + + +. +,-9 +, +, +,
+,-. +9 + + + +,-90 * +-. +.
+. +9 +. + + + +9 +,-.*5 +- +,9
+. +. +,-/ +3 + +9 +. +,-9 +, +, +,
+,-. +9 + + +. +,-90 * 75
5 55
5 5
( ) * +,- +, +,. +, +3/ +, +, +, +, $ +, +, +,. +,. +, +,-.
) ) *ff
+,-.3 +,- +,-. +,- +,. +, +, +,-
+,9 +,. +,-* + +. +,- * +,- +, +,
3 3 3 33 3 6 3 3
( ) * +,- +,. +, +,. +3. / +
,. +, +,9 +,. $ +, +,. +, +, +,. +,- ) ) *ff +,-.
3 +,-. +,- +,-4 +,
+,. +,. +,-9 +, +, +,-. * + + +,
-. * +,-9 +,. +,
3
3 3
3 3
3
6
3
3
&*+. $
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1mp
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-
143
accel.
accel.
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
!
"!
"!"
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45
-
146
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
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3
3 3
46
-
149
q = circa 72
q = circa 72
Picc.
Fl. 1/2
Ob. 1/2
C. A.
Cl. 1
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1/2
Hn. 3/4
Tpt. 1/2
Tpt. 3
Tbn. 1/2
B. Tbn.
Tba.
Timp.
Perc. 1B.D.
/Tam
Perc. 2Claves/Bongos
Perc. 3Tom-toms/
Snare/Cymbal
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
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