82988249 the colette sewing handbook inspired style and classic techniques for the new seamstress

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  • 7/29/2019 82988249 the Colette Sewing Handbook Inspired Style and Classic Techniques for the New Seamstress

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    inspired styles andclassic techniques

    for thenew seamstress

    Sri Mitnick

    sewing handbooksewing handbook

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    Table of Contents

    the new seamstress6

    the sewing experience8

    the five fundamentals9

    Chapter 1: Getting Started -page10-Tools and Supplies12 | More Tools and Supplies14

    Basic Stitches15 | Sewing Lessons18

    Chapter 2: a thoughtful plan -page 28-

    Inspiration30 | Editing for Your Style32Strategy36 | A Personalized Croquis37

    Chapter 3: a precise pattern -page 38-Pattern Language40 | Prepare Your Fabric42

    Lay Out Your Pattern44 | Transfer the Markings48Cut Your Fabric50

    project: meringue skirt52

    Chapter 4: a fantastic fit -page 60 -What is a Good Fit?62 | Ease64 | Darts and Fullness65

    How to Fit68 | Step 1: Measure70 | Step 2: Trace72Step 3: Make a Muslin73 | Step 4: Adjust the Muslin74

    Step 5: Alter the Pattern77 | Types of Alterations78project: pastille dress90

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    Chapter 5: a beautiful fabric -page 102-Choosing Fabric104 | Fabric Basics108

    Warp, Weft and Grain110 | Common Fabrics112 | Interfacing115Tread 116 | Needles117

    Prints and Pattern118 | ricky Fabrics120project: truffle dress122

    Chapter 6: a fine finish -page 134-Seam Finishes136 | Lining143

    project: taffy blouse146

    Chapter 7: Keep Learning -page 154-Recommended Reading156project: licorice dress158

    glossary170

    index172

    size chart173

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    Classic, simple, understatedSparkling, glamorous, feminine

    Bright, bold, graphicOrganic, natural, earthy

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    2.Draw a match line on the first piece.

    Leave the frst piece in place along the old. Using

    a rotary ruler and marker, trace rom the match point alo

    the line in the abric to the bottom o the pattern piece.

    Here, Im tracing along the black line.

    3.Repeat for the second piece.Draw a straight line rom the match point to the

    bottom o the second pattern piece. The line should be

    parallel to the grainline marked on the pattern piece. For

    vertical seam (like a side seam), the line would be 90 to t

    grainline.

    You can see here that i the second pattern piece were cu

    on the old, the plaid pattern would not match.

    4.Re-position the second pattern piece.

    Leaving the frst pattern piece on the old,

    reposition the second piece so that its match line alls

    along a matching stripe.

    At this point, you would cut out the frst piece. You would

    then reold the abric so that your second pattern pieceis positioned on the old, with the match line on your

    selected stripe, and cut.

    Because the pattern is even, it will match at both shoulde

    seams when the pieces are unolded and sewn together.

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    meringue skirtmeringue skirteringue skirtmeringue skirteringue skirtmeringue skirtProjec

    Even with its pretty scalloped hem, this skirt has a simple and straightforward construction,

    making it a great choice for practicing working with a pattern. It has a simple darted fit

    and sits just slightly below the natural waist. You can use it to experiment with new markingtechniques you may not have tried before, such as tailors tacks, or try out the freezer paper tip

    for cutting your pattern pieces. Practice taking your time and cutting carefully around the curves.

    Well also create a small paper template to help you mark the scalloped stitching line at the hem.

    Once youve finished that lovely hem, youll most certainly see how careful and accurate marking

    can make sewing less frustrating.

    Well also cover my preferred technique for attaching a facing to a zipper. For this skirt, well

    be using an invisible zipper, which is perhaps the easiest zipper to install. For help with putting

    the zipper in, review the page 23.

    Start by using the steps we covered in this chapter to cut out your pattern and transfer themarkings, then move into the instructions to put your skirt together.

    (Te blouse in this photo is the Sencha pattern, published by Colette Patterns.)

    Tools

    sewing shears (or rotary utter and mat)

    pattern weights

    pins

    hand sewing needle

    marking pen or halkFrenh urve ruler

    paper (for template)

    paper sissors (for template)

    invisible zipper presser foot

    bamboo point turner/presser (optional)

    pinking shears (optional)

    Supplies

    fabri (see Fabri uggestions andFabri Required table)

    lightweight fusible interfaing (seeFabri Required table)

    thread

    9" (22.9m) invisible zipper

    one small hook and eye losure

    piee of paper for making a template

    skills Checklist

    * Preparing your fabri (pp. -)

    * Laying out your pattern (pp. -)

    * Transferring the markings (pp. -)

    * Cutting out your pattern (pp. -)

    * Sewing darts (pp. -)* Pressing a seam (p. )

    * Sewing an invisible zipper (p)

    * Attahing a faing to a zipper (p. )

    * Sewing a athstith by hand (p. )

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    60

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    Trace Onto Sturdier Paper

    Make your own personal pattern by tracing the pieces onto

    sturdier paper. Label the pieces with the pattern name,

    pattern piece indicator (such as letter) and size. Dating the

    pieces can be helpful, too.

    Step 2: Trace

    Most sewing patterns come printed on very thin tissue

    paper, which does not always hold up well over time.

    Because you are planning to make changes to the pattern

    in order to fit it to your body, you risk damaging thepattern even more as you cut and tape pieces together.

    I recommend tracing your pattern pieces onto heavier

    paper, both to preserve the pattern and to make changes

    much easier as you go through your fitting. You can even

    make your own notes on the pattern for future sewing.

    You can buy rolls of bond paper to keep on hand, which

    are available at many art supply or drafting supply stores.

    Or you can look for inexpensive rolls of wrapping paper,

    which are wide enough to handle the great majorityof sewing patterns. Freezer paper is a great choice as well.

    As mentioned in chapter three, it has a light coating

    on one side that causes it to adhere to fabric when

    ironed, making accurate cutting very easy later on.

    Cut out your tissue paper pattern pieces, and make sure

    they are wrinkle-free. If they seem a bit crumpled, give

    them a light press with a dry iron. Lay the pieces on your

    sturdier paper, and trace around all of the cutting lines.

    Transfer all of the markings for your chosen size onto

    your new pattern.

    72

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    90

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    102

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    Texture

    Texture on fabric can be bold

    or subtle, from a crinkle to a thick

    nubby weave to a subtle brushed

    softness. Smooth, less textured

    fabrics are easy to incorporate

    in your sewing, putting the focus

    more on the color or print.

    Textured:

    Crinkled Silk Chifon

    Smooth:

    Silk Crepe de Chine

    Stretch

    Stretch can come from knit fabrics,

    or fabrics that incorporate elastic.

    Knits require special techniques for

    sewing. Nonstretch fabrics are the

    most common and are suitable for

    the majority of projects.

    Nonstretchy:

    Light Rayon Twill

    Stretchy:

    Silk Jersey

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    Rayon

    Rayon is produced rom cellulose,

    and while it is neither entirely natur

    nor entirely synthetic, it does behav

    very much like a natural fber. It ote

    appears as a lustrous abric similar

    to silk. It is wonderul or keeping co

    in hot weather.

    Cotton

    Cotton is a versatile fber made rom

    the cotton plant, and has become t

    dominant fber used in clothing todCotton abrics are comortable and

    sot, and come in a variety o qualiti

    and prices.

    Linen

    Linen fbers come rom the ax plan

    and are extremely strong, durable a

    sot. Lining is cool and breathable, b

    linen abrics do tend to wrinkle easi

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    Flannel

    A brushed abric with a sot texture.

    Cotton fannel is used in lighter

    garments like shirts, and wool fannelin heavier garments like suits and

    jackets, though wool fannel can also

    be used or heavy shirts.

    Fibers used: cotton or wool.

    Gabardine

    A wonderul abric, usually wool, with

    a tight twill weave. Wool gabardine

    is a great choice or tailored garments,as its quite resistant to wrinkling.

    Fibers used: wool, silk, rayon.

    Tweed

    A sturdy wool abric, with a great deal

    o texture and multiple colors woven

    through or a fecked or mottledappearance.

    Fibers used: wool.

    Dupioni

    Dupioni is a sti abric woven rom

    irregular threads, creating slubs in the

    abric. It is crisp and luminous, but

    rays easily.

    Fibers used: silk.

    Tafeta

    A very crisp abric, most oten seen

    in party or wedding dresses.

    Fibers used: silk, rayon, polyester or

    nylon.

    Worsted Wool

    A sturdy wool suiting abric, which also

    makes great skirts.

    Fibers used: wool.

    114

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    Geometric Paisley

    Abstract Novelty print/Conversation print

    Animal print Toile

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    about the author

    Sarai Mitnick is the founder and designer behind

    Colette Patterns, a line of classic sewing patterns

    known for sweet details and excellent instruction.

    With a background in User Experience, Sarai

    wanted to create patterns that were a joy to use

    and learn from. Along with a small team of tal-ented stitchers and bloggers, she now runs Colette

    Patterns from a lovely sunlit studio in Portland,

    Oregon. When shes not sewing (or writing about

    sewing), Sarai enjoys petting her cats (Basil and

    Colette), growing vegetables, drinking cocktails,

    traveling, knitting, making good food, reading

    and exploring the beautiful city she calls home.

    Visit her at www.colettepatterns.com, or at her

    personal blog, www.sweetsassafras.org.

    Te Colette Sewing HandbookCopyright 2011

    by Sarai Mitnick. Manufactured in China. Allrights reserved. Te patterns and drawings in thisbook are for the personal use of the reader. Bypermission of the author and publisher, they maybe either hand-traced or photocopied to make

    single copies, but under no circumstances may theybe resold or republished. No part of this book may

    be reproduced in any form or by any electronicor mechanical means including information storageand retrieval systems without permission in writing

    from the publisher, except by a reviewer who mayquote brief passages in a review. Published byKrause Publications, a division of F+W Media, Inc.,4700 East Galbraith Road, Cincinnati, Ohio, 45236.(800) 289-0963. First Edition.

    www.fwmedia.com

    15 14 13 12 11 5 4 3 2 1

    DISRIBUED IN CANADA BY FRASERDIREC100 Armstrong AvenueGeorgetown, ON, Canada L7G 5S4

    el: (905) 877-4411

    DISRIBUED IN HE U.K. AND EUROPEBY F&W MEDIA INERNAIONALBrunel House, Newton Abbot, Devon, Q12 4PU,

    Englandel: (+44) 1626 323200, Fax: (+44) 1626 323319Email: [email protected]

    DISRIBUED IN AUSRALIA BY

    CAPRICORN LINKP.O. Box 704, S. Windsor NSW, 2756 Australia

    el: (02) 4577-3555

    SRN: Y1290

    ISBN-13: 978-1-4402-1545-2

    Edited by Vanessa Lyman

    Designed by Michelle Tompson

    of Fold & Gather Design

    Production coordinated by Greg Nock

    Photography by Lisa Warninger

    Photostyling by Chelsea Fuss

    Step-by-step photography by Christine Polomsky

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    Thoughtful Plan

    gure out what youike and how youl wear it the mostessential steps

    sewing a garmentyou will love.

    A Precise Pattern

    Learn to masterthe language of

    patterns to help youtell your own story.

    A Fantastic Fit

    A custom fit is withinyour reach as youlearn how to alterpatterns to flatter

    your body.

    A Beautiful Fabric

    Learn how todetermine which

    fabrics work best, andhow to work with

    those fabrics.

    A Fin

    Learn all techniqu

    for that p

    about the authorSarai Mitnick is the talented seam-stress behind the successful ColettePatterns. Visit ColettePatterns.comfor sewing tips, a fun blog, vintagecouture inspiration and a fantasticforum, as well as news about the

    latest sewing patterns available fromColette Patterns!

    The Five Fundamentalsfor a Great Sewing Experi

    Renowned for her easy-to-use and classic-looking patterns, Sarai Mitnick of Colette Patterns provides y

    five gorgeous patterns, and all the sewing knowledge you need to become a modern seamstress.

    T he enclosed garment patternsall graded in sizes0 through 18bring the five fundamentals intoplay. You can truly master the art of pairing fabrics with

    design by sewing the Truffl e Dress, or you can delight in the

    effect of a fine finish with the Taffy Blouse. Choose from

    any or all of the five projectsthree dresses, one skirt and

    one blousein order to develop your skills, sew a lovely

    wardrobe, and enjoy the results!

    Includes five complete sewing patterns from Colette Patternsa $90 value!

    Learn to sew beautifully by practicing the Five Fundamentals:

    ng

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    02SW9sYSBkaXZpc2lvbikPR3JlZ29yeSBL

    03cnVlZ2VyAE3DxskCMTMDMTAwATEFVVBD

    04LUEMMDc0OTYyMDEzMDE59A==

    74962 013010 9UPC E

    AN

    Y1290

    52999

    ISBN-10: 1-4402-1545-6

    ISBN-13: 978-1-4402-1545-2

    US $29.99(CAN $31.50)