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TRANSCRIPT
>' -k^ l^
VTith Accompaniments for
PIANO onHARP.
GAELIC AND ENGUSH WORDS.
oo^^^ >^po o
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MILLS MUSIC, INC.1619 BROADWAY, NEW YORK 19, N. Y.
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'b
I .J.i
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Digitized by the Internet Archive
in 2011 with funding from
Brigham Young University
http://www.archive.org/details/gemsofmelodycoll03hard
/ dedicate this book to the memory of my wife n-ho was a Noble helpmate and Inspiration to me "^
in all my work and especially in my Gaelic work.
The Irish language has come to stay; prejudice and narrow-mindedness may hinder, but can no long-er
stem the tide of its advancement. As the language advances, so will also the demand for the music born af
that language.
In order that this music be understood, I once more reiterate its underlying.principles which are as fol -
lows. Though our modern major scale is sometimes met with, (which is really mode thirteen of the Gregorian
modes) the modern minor scale, melodic or harmonic form, has no place whatever in this music, the airs being
entirely modal, the ecclesiastical modes being the basis of their <?oii9truction; to. each air notes have been ap-
pended explaining its mode. Though micro tones are quite audible in the singing of the traditional singers,we
know that these existed among the plain chant singers before the advent of. the organ. We also know that, in
spite of- the key board temperament, the finer the ear of the professional singer, the more likely he is to make
slight deviations from the key board temperament as do also good Violinists. I have found by listening to
traditional singers, that the modal basis is the only one which can give us a sure guiding principle. Though
the Ulan pipe (the only genuine Irish instrument left to us) is a free temperament instrument, no doubt, the
ancient Irish harp, was a fixed temperament instrument and the harpers played in the modes, first, because
they had no pedals and secondly to avoid the necessity of retuning, their instruments forbade any other con-
dition of things.
It must be clearly understood, that the accentuation of Irish poetry is the true guide to the rhythm of the
music which must be in all cases subservient to the rhythm of the poetry which is assonantal and totally dif-
ferent in construction to English verse; let our teachers of singing once try to realise this fact and they will
endeavour to master a rhythm and phrasing which at first sight seems peculiar and arbitrary, but which, in
reality, is based on sound principles. If our non-Irish speaking teachers of singing would take the trouble
to sing for themselves the English version given with each song, they would get as good an idea of the or-
iginal accentuation as could be gained by a non-Irish speaker. I have made the English version myself so as
to tally as far as possible syllable for syllable with the Gaelic, to show the non-Gaelic speaker what the real
Irish accentuation is and I have spared no pains to make the English version a reflex of the original.
As in part two of this work, so here, I have endeavoured to follow the principles advocated and exempli-
fied by the best exponents of traditional singing. I am particularly indebted to Mai^jieat) tu 2lnna54m for all
the explanation and illustrations she has given me and for many songs which I have taken down from her.
Though I am heartil5'^ in sympathy witii those who would wish to see a school of Original Irish Music, I
think it is necessary before the advent of such a school of composition that musicians clearly understand the
proper method of syllabling Irish poetry as known to the traditional singers; when this has been mastered,
then, and not till then, shall we have true original Irish composition. Anglo-Irish poetry and music is but a
poor makeshift for the real thing -— No National language, no National art.
I have to thank Cai^l baoi^ill who has transcribed the Sol-fa notation so carefully over the staff
notes under my direction; this has been done to bring the melodies within reach of all. I have to thank Liam
"O0CJI1CJ15 who also assisted xxy transcribing and correcting the words. I have to thank those from whom1 collected the airs and those who transcribed for me the wprds from the singers. I thank 21oiT)niiii Mac 5jiea-
5oi|ifor ""OotimaU a-jur Ko'tia5"and other Rathlin Island songs which will be printed in due course. We owe a
debt of gratitude to '^o\t)\\\\x\ Hac Sitea^oiit who has done real earnest work for the restoring and collecting of
Rathlin Island stories and songs.
I dedicate this book to the memory of my wife who was a Noble helpmate and Inspiration to me in ail
my work and especially in my Gaelic work.
Carl G. Hardebeck.
C.G.H.5
4
QAtnonn ah Cnutc.
(NED OF THE HTLLS.)
^ English translation
by
Huijie b6an b^jfoebec.
9J
Ada:gio.(J = 92)
1:
Arrangedby
CARL G. HARDEBECK.
D is Doh.
^^
fe1
vif
^=^r1S^9^
r sr
#—
*
:#i"srv
Cl4
Who
:ft
{Id :1. .,t, Id :d .,r U ,d' .- :d ll
^ I jfr r
:1 I
IJ ^.. i s ^ ?=
at myknocks
i«
I'm 4
there so late cot - - tags gate, When
\ ^ 3
s ~s: i^ 9-r* ^
^:r :r .m I
f
.r ,d ll. :m .m
^ ^ ^ing-?
}i4ob - ax)
moonwoand
nofi
stars are
Dun.
sleep
*
nil - re
Poor
mi r^^ ^f5>-
^PJ ^EE^^ ii^ Sf^ r
This air is from Father Walsh's little book. (It is in thp Lah mode.)C.G.H.5
HA>^LD B. LEE LIBRARY •*
BRIGHAM YOUNG UNr^/ERSJ'nf
PROVO, UTAH
smiM
i•A, .,t, Id :d .,r Im ,d' .- :t ll :1 fs :m
SJ-i
illj 4jlJg
5
:r (
"^
i^^^^^64 - tnonn 4' Cmiic ara" biro-ce.
Ned of -the Hill who is wea-ry.
»
and ill, No
r^ f 3
^
i
friend _ hath
Z2r
lS^- m 3:3:
f
^lid :r .m Ir :d .r Id
^iu mossoll:s :d' :m :s .s
i ^fc ^^ ?^—cr
heC4.
ing.
ce If
for the seek
21
The wild wind with
*: i i i
CUIT)
sigh— and a
^^^J—
^
Js 5^ J /^' i ^i fe:
f- r ^
*F111 ,t .- :- :1
poco a poco tneno mosso;s .s Is rm :r Id
^^:r .PI :m ^r ^d I
p r r r *=*"~^?
—
bemntale
Dean-pamn - ye
low wail - ing
ouir TTluna
cry Tells
^CUlft - piHU OJ1C
his sad
•oetn 5"to the emb
m j^-'j J g
.?
f ^^ ^zzr«:
S J n r^tShr-
5hr f
~7
A 111.
4r^:m .m Id :1, vt, Id :d .jc Im ,d' .-
-/^
a te'nipo
:t .1 }^ W^ m_r E^^
*i
na 'S50 b]iuil pu
ers For the poor
^^
rap - paree
T)'!.
to the east must
^f^ f^^^m
3g I ^
A^
C^C.G.H.5
6
i:m :r Id
r?7.
:r .m Ir :d .r Id
t
mbei
cause
.
Smi]*
hath
jtaon.
no demucfend
*
—c—
ers.
i
fe^m m ^^r 9
m ^ r
^ fSr
S«:m Id ,d :1, .,t, Id :d .,r \^ i^iU ^. i
pa -"04 wi]'' a - mui^ paoi
o - pen my door thoughI'll
feE^ S 33r
mr- pp
-G2±:^
m ,d ,. ^^. :t :1 h rm :r Id .T .m If :ni tF td
=F?^^ ra-«
j*ne4C-ca
my lot ^ be poor, And•nan
shel
acr
ter
a
give
^atn
theeat»_till_
.y
aon ^=-
morn -
ft ^C 7 ^ J!^^f
:«
^ jn7 V jt ^
glE^
I*
111, :m Id :li .,ti Id :- :d .,r Im ^' .-P^ :I I
I ^^ ?^^^neac,
ing,
TTlo f-eif - iieac 'jan fjunWith ging - am - gown
tno t3ftati-a|i
and plaid _
^an cuji 'Sjanof brown Yo'.ir
"m ^ Cj g w ^ ts^ ^
g^ -^L -^ ^ *y
C.G.H.5
i:m Id :r .m Ir :d .r Id
p7i/ mosso:s I] , :f :d' {
^^—a—
form
acop,
in?,
Mt>.
man ly aaon -
dorn - At
cap - AWdawn of
*FA^^ ^
4
the
^ ^^: ?TT~r —s^
^yi|i ^ V ^ ^
^
^d ^ ^
^ ^E^:«S
ll ,t :1 Upoco a poco meno fnosso
:s Is :m :r :r .m
I ^ 2Z ^
*F
- janv If •oam-iT)
day you must flee far
—
42.*
liotn r«iii)
a - way,•DO ^l^c pail twe moc
From coun - try and love
^^ f^^^for-
f:
^^ :2^
fei25:
iiif :m ^r ^d lli :m Id ,d :1, .,ti Id :d ^ In ,d .-
J i j);,j ;,^^j=4^j^ i j) r r r£ S
ac,
ver
3oeane
S50Those
^caic.
sol
|:iT) me Tiul,
diers bold
cap paipp 1 - 56
with hearts so
* 14=i
i S g^ ^^^T^^ r r r r
* i i ±r=f fr r
i111.
a tempo:t .1 Is :r .m ir .•d .r Id
i §roip,
cold,
'b
Brave
ami
Ned of
puil
the
—c?
—
ceanu
Hills
-&
-1^
T>etn
will
^aol
find ne
*^^ i
1;
it i
i
fi
^i
eraib.
ver.
n\
i
i
^
C.G.H.5
8
English Wordsby
CARL G. HARDEBECK.
(EIRE.)Old Irish Air.
Arranged by
CARL G. HARDEBECK.
Largo e molto e sosteiiuto. (J:6o) t^iTDoii.II : I : I : I : .,.d I d .t, :d
cresc.Im ,m .1
TTTl^ 1 r\^
w\^ i> I il^
:- .,1 I
t<^
21 - jie|i If tne ^o Uu-ai^-neac im'
On yes - ter night all lone - ly I
Pi A ^^#.P^
I^ 3= i ^^4 I _^
^ i
sempre p una corda
w s ^is.li :U v^i ti Id
te^^^.t,
;> j^ J''
i
lay'd me.wo leab - 'aiT)
up - on myfniain •ooiH 'Stne a-j ftnaompil - low— sad ly think
^eattt aji naing on the
± i-s
^
tS)-
^s> >:i
i>,
<^ ' %It
I'm ,r»i .f .m •,-r Ir ,rdim.
.,d Id^ wW) j) Jy. jl I j^ ii
^?^,1 t. !
^^ ^ 3=»). m
cfiu-4i"6 - Beajt
cru - el heart
•caiB
ed
(pe) cu4i|i -imty - rants
br
hit
im
ter
com4i|i— Tlnaip a
thrall When a
This air I took from Mrs. Clandillon (TTlai-^iieup TIT 21nnaT;a'm) Clonakilty, Co. Cork. It is, I consider, one of thefiiipst examples, in its riiythm of the nttentioit and care the Gaelic speakers bestow on their poetry and syll-
abic accent as being the essential puit of the music.The melodic and harmonic minor scales are modern innovations, and this air is in neither, but in a scale withthe flat sixth and seventh ascending as well as, descending. (Lah mode.") The accbmpnniment has been writtenin the spirit of this scale, and with the closest nttention to the details of the rhjihm of the words. c c H.o
lid ,d •t, :d U ,1
crcsc..,1 1 Is
dim
.
<)
.r I
n ^ jv j) ;M h I J) g- J^' j^ i)^^tain- 15 _vis - ion
an fti - bean
of rar - est
ua - i*al.
beau-ty _
1)- letn' caoib
to iny side came softr'
- ly
^^^f
^^ I# t
^ ^^i i i-« *3
Ji
}U :1. .,ti ti Idcresc.
- .t, .r im
jr-^^N^^.R I
^g± i Ji JU Si
steal
fe
liom.
ing.If 5"t<
Her sadbmvoice
ne
wasliom a
sweet - er
•ouan - ca na
mus - ic far
i
ap
than
^^^ * *?IZ 5^
s ^^^ -==^ai: ± ± t
llr,r .r
g^ :d .,d I- :- .,m
cresc.1 ,s .- :^^ .,1 t }
S ^ ^^^d) d) Ml d W^a|i - 15 - ea|-
birds me
It
piatii "oe ceol.
lo - dious call. Howcoi]*- in_
grace -ful
.
\ /^•"'-J"
T)ea|* I
and how
ifciz
^ canfando>r~j
i a ^ /^" y^3 35: *^c:
Plid' .t '1 ,sw .,1 t I 1 /^ :- .t 1 s Im .,m^^^
mtnbjioij 1,
no - ble
^^^ ^ScoJtn- in_
queen - ly,
.
wpure and
COI|t
hoeac
ly
^m ^^
^sC3a
Of
If-€
a^
77
S ?dz
'VV
^^^^=^ ^z:27-
C.G.H
10
111 :1 ,1 .t Id' ,d' .- :t ,s s It ,t .- .,t 1
^^r p M MF r r pj \i r r ^p-^^
pfb If •51 - le If
form of rad- i - ant
•00- 1^
beau
^
liom
ty
n4 - an
that by na - tions.
aft Imn
mig'ht be a
E it^tn^f^
^3 icit!t> 17 4-
i^EE^ ^^/
l:^fs^
i111
^^^•''i
^
.s :1 .t Id' .t - -,1
^ r- rT~^ I P ? r5IT=#1 ?intam.
- dor'd.
br a
And in tones
com binn le
most sweet andj^tnoil rn,_
ten - der. of
*}ls ,f .-
dim.:m ,m Ir :1.
^J Jv Ji
.,t, Id ^1 .- :d ,r .-
S ^I ? ^i= -4
leac - amsor - rows.
tnaft
sore
na
af flic
ai
tion
'Sa cuil - in
In quiv-'ring.
^^^
cpeac-ac
ac- cents
fW * ^^-^:
« ^^i ^^
^lU ,f .-
mTTn
r ,r .- ,,d Id
^^_JLJi i 1—o
—
fail,
pour'd.
3s:
om - ftac
sigh - ing_
k
±±r
a
she
/CN
^^^r\
iEEEEfe
tuic - itn
plaint to.
:^
let
me3°out
f
C.G.H.5
II
±i: sjp_•ti :d .r lin^ .1 .1 h
dim..f :r .,r I
;, Ji i)|J'pr' ?^^ :^%
\
D'fsioi'-fiuije^l'lJetn Tie'n |ii - bean
Say, thou queenly mai-df^ti
'ne'n z\\^ :i6 cfteib jft
I pray thee tell rue
^iMz:
I iij
9^
7/" 7V2 Corda. r
=1;a ^ jbzbl^ ^^ ^^i:
m :1 :- .,t Id^ .- :d :- .r Im^ .- :- :- .,m I r ,r .- :- Id :- .,d Id :- I- :- .,-d
w^m
$ir
•pfob f '-pen bail-e coin- nume mbrof) j*i
.
tru - I3' who art thou from whencecome'st thou
no'n be^n i.
^^^^ h yl ^
cuir 1 mb|i6ii._ 'Sup
I fain would know of thee Whyw^± w I ^ 1^^
^di^
m ^ ^^ ± ?f^^"^^^?^±±: t^
lid .ti :d .r !m ,1 .- :-
J) J' U' ?
.,1 Is^ .- :-
S ^.,r Im^i .- :- :- .ti }
^5 ^SEEJ £ ^^^^ s
i
r4}i - Id fi 'nap "ocim-cioU-
roam - est thou in dark-ness.
com T)ea«-4C I'uii 'i^^tt oiri-ce Sana - lone with none to g'uardthee— Thy
Sf±.
W^^ m ^ £}rrjLii^ ^
it
!ld .t, :d :- .r \m J .- :-
JW> J- ^^'T"^
:- .,in
s^-
:- .,r Id :-.,d Id :- I- :-
m M 3=^ ^S
ein- ne beo "o'd coiiin-leacc
name,thy cause of sor-row—
i^''i--; y ^ ^
m ¥^ ^
4CC 1 dji f1011
I charg-e thee tell
f\\eAT> •oeo|t.
to me._
2ln ciT
Art thou
J> 7 it ^ 3:
^^^
i ffi
ff
C.G.H.5
1,;
I'n poco piii niosso/J- 8o;
}il ,s .- :- :1 ,1 :t 4 1 ,1 .- :- ,s .1 ,t
-
^.^^' = t=f=r-rr-p-r-^ w ^^^£Pal- las
-
Pal -las.
HO an cii
art thou
be - nu)-.
Ve - nus
.
13
1
who woo'd _
Ii^ A
56 bul-c4n,
the dark-hair'd
3t ^te?
:s.SEE^^^ :^
fe^ g>
yr
—
^e^ 2F
:- .,m
accel.
1 :- .s :1 .t Id' ,s s It
£ 3= ^ :1^ Sdy 10 an -oeij-bean
- dy most stain-less
i
Perf»o an CD an
chance thou art that
W Ar^^ 4-H
3= f ^"r
Lala
-J ^^ee£
and
E
'm :^g=^ i
III :_ I- :_. m m 1 .s :1 .t Id' .t
Meno mosso..1 Is ,f .- :- :r .,r }
fen f ff-;i;ip>i ? rr p MM ^:^
S ^^^:?
ceo
pure.
21 n cu
ArtfhouJu - no.
Ju - no.
no fair
or fair
He - len
He - len
CU5 Paift- ij*. -geal 6'n
'^1 4 gi4
who stole from. Greece bright
w n-j r\ ^ i *4 ?J =
^ t:^
i
=Tr
^ ^^ r Lr ^3 i *Ht^ 35:
. o tempoId ,d .ti ,ti :d U ,f :-.,d Id
^i ijiiijijij- ji
I
^-^g ^Mit^'j.. iu
mnSpei^ leac
Pa - ris
c'ainnv - j*e a-noij- mj!^ ^^w\^\ leac, no
La- dy dear I fain would know now thy
cabptiil no ^noT.
will with me.^ y^T^r^^3 ±i: i^ ^ ^=¥^
r.G.H.T)
I.'{
d ,d .t, ,t :d .r \m ,1 ,1 }
0> J) j)jiJ)^)-li-'?T f?!
h=^i•-' #-P ?^
Sad am I indeed and lone-ly my
33: W±± =§:
kJfTri Corda
una Corda
i ^ Huna floret a /vj
iEiitt
(Is ,f .- :- :m ,,r Im :1, :- .,ti Id .t ,t :d .r Im ,f .- :- :- .m
S ^ S^
i.. ii I J J^ }\ il i' ^^ fe^ ^) *^ *
mybean za \ b]?4T) i
child - ren lie in
•Dcean-'sam
name in
clif - -pe 'Bao\ - uinn.
truth is Eir - e
»- ybpeiii mebond-age
i
in
^^^^iSm «P^il^ f E^^^^^ ^ i S^^^fct
illr :- Id :- .,d Id I- :- .1, ,t, .t, :d Im ,1 .- :-
^m J) i j]1"^ J- ,^ J) «^' I ^' [Js i=^
emSlav
V.
ceA|tc na
'ry's dire
COl|l,_
thrall.
I)' 50 b|:uil ttio dljnn Ti'a ^ceaf-aT* 'je
Ov- er sea from me they're fly - ing By
^ w±±z fi-^
^ i s fe ^§5^ 22PI? 4-
i ^ yi
lis .,f :m :- .,r L ,1 .- :- :- Id
¥^^ I
.t| :d :- •,! If" jf •- •-
Jl i I ^' -J^ ^S .m
=S
cl4«tt na Hc)aU pe f>aoji ]-macc
them I am des - ert - edCoif - cT C}1U4f)4 Pit nT)aO}l-4T).
Here grief- strick - en wretch-ed
.
^ ^§ ^m p-=4=^ ^^^f
i
;4ti
^^^^^
CG.H.B
14
;d .,d I d :- I- :- -i^ ,f^'
AUf'^To inaest(>s(i (*)= loo)
1 :- .s :I .t Id' :t :-.,t I 1 ,s.- :- I- ;-.l ,t 1
BF :S
iSi^ =^40ti eoc - 4i|t leo. 2lccbeiti
mourn for thp.m all. But the day of re-trib - u - tion Shall come to.
'C4 oa'
ev- il -
i sI a i?% i^^
3 ij^ Trt Corda.
t w m w i£ S-^*=^ fi:
f^'-
t111 ,t .1 ^s Im . :-.,!n ;- .s :1 .t Id' :t- .,s t .t II
rrfff^^tt-rt ^ ^ ^l^"
j '^ ^ ^^7~^±±bplea)'
do
5-if) a' cu|i na bf-'eap le ceil - e y^^
ers The ty - rant^spower be bro - ken His
^tiH-nai Teay- i
host flee in dis
m tzi^ii ^ E
or; ir;
^^=^ H^^ S^ ff
Il :- I- ;-.n I 1 :- .s :1 .1 Id' :t :- .,1 s :~ .f Im :- .r im .1, :- I- :- .ti
g- i i iHr PF M i p pp
i''' p' ^'^^ ^i i
^i..jji^121
jcoip beiT) I'la'n f luro cojt - ca cpaoc-ca ^aii bfifg hJ' luc na n^ea^ aib Su]*
may Our drurQS shall sound for bat -tie Our host shallstand u - nit-ed Our
# wm ^ Wi iit K H
^ stacc. SL
#—
»
s fe 5=s25 S^ fet
iMono mosso.
{Id ,d .- :- .t, :d .r
^im ,1 .- .'- :- .m
con forzar :r_ I-
^yv„^wv^^:pp_ J- ^.,d Id :- I- :-
P^"in
an -peUl T'a nnaop-aT), 'fn'jr leip
shall be vie - to - rious_ That glo
-^boTi-ai^.
armscup. pe'n b-pon
.
rious day.
^ ^ i^^^^^3: :S:
^^ £r^ 3:3irS
^ ^^tzsS:3x:-^&-
C.G.H.5 %
(DONALL AND MORAG.)
15
Allegro vivo .( A 104).,1 I r' .r'. ,r' :1 }
i r i^l ^—p^^
Verse I. ba mop - mi ve luce
^=f
m ^
^f=£^^^
fW r'.r' :1 .,d' I r' .,d' :r' ' .,m' I
f-
ffe m^ES,
i
i
r' t' .,1 .,r
S
' :™' .,r' I d' .,t ;d' ,,1 I
P^XJLI^^-^^^it—^•^=i^^^ ^ 1» #:^
uaij'le .uin Ip z\^^z - an - ai5 na h-2Ilb - an ba Cap - cam m - bip - I2.aoft - a aim 'San
w t^k ^^
^ i ^ fe t E *irj
.,r I m jPi jtn :m .,d }
p^. '^1
11Chorus.
s jS jPi :f jf ,s I 1 A :d II.,pi | pi :m .,d'^
z—^v k.—
I
F—I—^^Vr . :r
\J)-Juja^^lJ^ J^ J'I ,^^^,^r^l^4,j-^>_^ :V=£=5=S* *5^
fc^^—
#
^par - af) a pi5 - tit? a ihapb - a"6 '5e "Doiii - iial '|-^' T)(iiii - tial \\' TTloii - a^ a pi^n'- an
?:^ 21
5^ i i S ^i»*^; ^.,d If
^~i?S
r • .:r ., r i m . :i'i s :1 .,t I d .,1 :s, m
S5 ^
r :r
P S 5T-^V^ ^
bam - pj' 'Se "Ooiii - nal
=5^5^=^
THor
i2.
a?; a n'5"
^- ^n bam-pn*
~* 9am - meal.
E§
^ i^ it :s i *:r E ;e::^f
t^'-:?: t? =P^
I got this air from M?' Weir, Pathlin Island C.G.H.5 This accompani'iient will do flir all othrr verses rxrept versrO
16
*.,1 I^^ -5^
:1 }
'-^EElT ^Verse K ba cpi - ujt -oe luce
-^ ^^ • ^3 ?
£^ E£ i K)
:1 .,d' I r' .,d' :r' ., m' r' :r'
M ^" M" ^
I d' .t :d' .,1 }
^# ^I i^^^
}:if)il Jim Co'h ''luu pj rem cum ce^fi - tiijitui TTlai^ - fci|i y*coi - le ip iiiiii - ij'-cifi "Suf
<-)•f \f ^ ^% t
^^^ i ^ i^P« rj
5 .m :f .,s 1 1 .,t iid^ Chorus.., PI j m '• :m .,d r :r ., r I m jm jm :m .,d
5ttiAic. Se "Doiii - u.U "I'l^ T^oiii - luU ij" TTloft - a^ 4 j^ijn' - mi•olij - a - "Poiti Tn.;c Cop
iS-
S t©-
^ ii: i:s*3§; ;?^
ir :r ., r m :rn ., d I f ^ . :1 .,t Id .,1 £S ,m
b-
te^ '^
:r
P 5E^S ^t; * 9b.iiii - pip
g
#- #'Se "Ooiii - lul i(* THoii
-t-
i^ 4 t"5" " ''^ bain -pip 4111
—»
—
meal.
^ —
f
it3^
i i s iE
C.G.H..5
«
IJ53t ^
f=^ m ^E
: .,1 I r' ..r' :1 .,d'
VfiTse VI. 5a pTobaifie a^ an
^^r
a i ^ ^ 1f^^-
{I r' .r' :1 .,d' I v\ y ,r' :r' .,m' ,r' :r' .,1 I d' ;r ; :m' .,r' I d' .t : :d' .,1 }
M^=A-|-.4:My=f^Hf?jg1^^^^_p [?p- n M f
g^beaii-aifi - i"n ba ^^al - a - ^aiiii a^ n.\ fea]i - Bati-raiui ba F^-M' '' ^^f^^ T bean ai^ - e ']****"
s^i
^^^^^^^-i ^ ^ y=^
'r—rfi ?
-^-f^-|> T f r=f ^^s .m :f .,s I 1 .t ::d'
^^^ifiChorus..,m j in III .,d I r rr .,r I m iPi ^11 :m .,d (
Iss j^J_^. >l-^:ia' J'- i
s--
« #feati-peafi a^ mo f-eaii - rn/\c-ai|i . '5e "Ooiiv - nal '|-i
-» m"Odiii - iia I 1 f TlToii-a^ a 111511'- an
IA A ^
^
W^^ iE * iE i;e;
i?5P^:
W r :r .,r m :m .,d I f ^ :1 .,t 1 d' .,1 :s ,pi
^^ ^ ^^ P^^S
^
r :r
^=V
^bain - i^ip Se "Vom - iial i|' THof a5 a P'5"' - •*" baiii-};ip am - meal.
m -^ -s>-
^ i =^^=^^:
feEEa. ^ ^3-=
C.G.H.5
18
.,1 Ir' :1 ,d' I
i II.
^Verse VII. ba o\ 4nn \^a
i=^EpP iI i
^S £EE ^^f
;1 .,d' Ir' .d' :r] ^' Ir' .,r' :r' .,1 Id' ,d' .r' :ii' .,r' Id' .t :d' .,1
sM' ^'
IH n" PIM r ^'^ceol ann I)* cui - le f-eoftc -oeo - ine ann ba bftoi^eann ann |ti roU-ann atm 2liiti
t): p tip ll
P ¥ ?
i i ^ i^*&< t3^
P(Is .,n :f .,s IL
V ^ j^ ^
:d'
Chorus.Il.,n Im III .,d Ir :r .,r In jn in :m .,d I^ f^ I J j^r^j. J. i> J). J,I
•oeiT)
s4ti -oann fa ba
IT-
ann. 'Se Dom - nal 'f^ Dom - nal ii* TTloji-as a jii^n' - an
* t
^ t S * i^m i?5lt#i:
#.,r in :m .,d II :1 .,t Id' .,1 :s' ,n .-
r^l;r--^Nv^
•.r^ g #bain
Spif 'Se "Do tit - nal \\- TTloji ^'5 ^ t"3" " ^" bain-pi|' am
42.
~"*
—
meal.
^^ * fe;^^^^ t it
T »^ It^Sr +
Verse II.
ba mole a b'^ea^i]^ i*a cttuaic ann
"Oa ^tofax) leif an ^ealban
If Cailleac 'glaf nan cubajian ann
If r aj ^iuaijie an c-eanbftuic.
ba cea|ic Ann if ba ^eaf) ann
If f^oiit If ouiftn fgajtb ann
If fa meat) Tie eanlaicib a ba ann
If r cea|ic nan ean a b'}:ea|i|t a
ba ann.C.G.H.5
Verse IV.
ba mo|ian "oe luf -gaiifaroe ann
%n Co|i|ia meille if an cajibaro
ba poiceacatt a^uf an |tucafcajt
If an eof na pa na col^ann.
^YOUNG CHARLES.)
19
Soh. modeDoh is C
.
Maestoso iimrziale.('J=72) '-'^
' ^'~
''^ '^'-—-
-'
i" 7- JM ^^s :f Is :r
* S
21 Seafi - laif 615 a mic liioj Seamuij*
i ^ ^ =g ^« s^
fp^ :2i 3;
II f :- .,f if :s f :d Id : :r .m ,f I s ^rs .,1 Is :f ^ f
h J J'- J^' # ^^ s g^"Se no tjiofi - cpe.vc "oo cpiJiU ap 6i|i - mu San. aon jtiiain - tie bpo^ o^c.
i m ^ =©^2
^-&
II I. ,1. - :f If. ,f. .- :1 .,1 I d' :- .1 Is .1 ,s :f .1 Is:- Is
^ i JLJa-z^-Ji^ 5 m'
fEOC T ai no Vein - e^^b Hecc a5 cof 5^'t'^ leip. na p|iatiu cai^.
fe^ =g3
2:
«^R=#i2121
i2:
I took this air down from Ann Tracey, Greencastle,C9 Tyrone.
C.G.H.5
20
Chums.!l s :- Is :f .,s 1. ,U.-:-.,s 'f ,r,
fr^mf^^^^f :— If :s .,s f. , f .-:- .,d id, ,r .-:— .m ,f |
^^^i^tjvp# • «
f<o 'j-e -DO be.ic-.i. "tij bjil-e R6 fio 'f^ "^0. be4C-4 114 bail-e
#ffi; S«
S^S
j2.-S»-
iIs :f .,s 1 ,1 .-:-., f If ,1, .-:_., 1 I d' :-.,! Is .1 ,s :f .1 Is :- Is :
jsz:^ Jl j\ }\= Jl j\ ^
I
p^ 5 i
R6 fto 'fe TO be4C-4 'ti.\ Ball- e non* 45 ce4c; 4 '-f4tn - P41T).
M # ffl M3 :2:
J2.
P -15
ts :-.,] Is :f .,1
^ ^s . :f !s ,r .— :— .,r t
g-'—
*
S ^^I
^ ^oe mo cpaT 5e4|i m "Oiu U4C bpeic - im
Mmuff
"^
g^^ :z: is: I
{| f :- .,i'i If :- .,S
SId. ,r
g ^mg 5^^ £
tnbeuui beo 11-4 ni4if) siz i'e4cc - tH4m.
s;^ is: Mzzn.
Se4ji - l4r 05 7;"r
S_z: i -&-
-ZH
C.G.H.f.
m1 :f :1 .,1 I d' :- .1 Is .1 ,s . :f .1
itii le S-^T - 5i'i^-e'»c H-^ coy^ - 5-*ip^ ^eip tia Vp-^'"'" - «^'^i5
J-^-^ =&
21
i
13IS
3 SChorus. .
\\ s :- Is :f .,s I L ,1
1 K hi yyyui.,s If , r .-": - If :— If :s .,s I f , f .-:-., d id. ,r -.~-.m ,f
^^^^mUU^^ :^^^£
^Ro |io '}"^ '"'^ be.tf-a
^'uj b.ul - e Ro |to 'i*e Tio beuc - a lui b.\il - e
# ^ fi^53
^ :2zJ2.-5h-
^S-
213;:
s :— Is .-f .,s :-.,f If.. ,1 .-:-.,! I d':-.,I Is .1 ,s :f .1 1 s
^ J J xi^_f^i^i^^^r^i^ ^¥r^^^^^^ itiS *
126 |t6 '}*e -po bear - 4 ti4 b.til J - noif* 45 cej.cz
=fi ^ ffl i
a c-pm - jiaiTi.
* 1^
-_,^
:2:
C.G.H.o
I^l.l.tft.t.i.i^'|-ii^|!;'.
22
il f :- .,tri If :- f :d Id :r .m ,f Is :- .,1 Is^ d .,s^^ ^^^ 5^ 5 ^
^- *
bem
ifeaii cup 54fro
TT *
belt) I'lan leip j^ejin
M M3
iSj2.
:2is>-
II t ,1.-:- .,f If :1 .,1
[|-i^ Jj Jl Jl^Jl-±I^=f^d. ,d. .— :— .,1 Is .1 ,s » :f .1 Is
h n ]) J^ -^
t^fiann-cjii-5 Lf Spaitm - i'^ Ip bjin - pi-o fiax) }tiniic'_ ^y Qi\i - CI
i# =S
SJf=Ǥ 32:
Chorus.I
S :— Is :f .,s I 1 ,1
a J J jl j^I
J^^ J^^^^.,s If. ,r .-:- I f :— If :s .,s I f ,f .-:- .,d Id ,r .—:-.m ,f
J^'-JMii JU^E ^^E5'
tij bail - eIZo fi6 'fe T!o beac - d
.
Ro fio Y^ ''^o beac - a 'na bail- e
^ * ^1 ^^ 33 -\r~^
^{! s :- Is :f .,s I 1. ,1 .-:-., f If. ,1.-:-.,! ' d' :- .,1 Is .1 ,s nf .1 I s :- Is :
h JM ^ J\Jl h -irdV^vi^l f ^ rr^ h i^ HT2o po '|-e T>o beac - 4 'na bail - e 4 - tioif* 45 ceacc. d' c-j*aiit - fiaiT).
m M
m
3; 2:
-s-
zs:
« s^
C.G.H.5
Ofiuunm Donn Dilif:23
English translation
by
CARL G. HARDEBECK.
(DRUIMIN DON DEELISH.) Music arranged
by
CARL G. HARDEBECK.
Largo e molto e sostenuto. (J= 72) Doh is C. I:m .,f
^ i ^^
1 m -^ i ^ iS^A
^^»ijO^ f- mf\
j:=^^^^j^
Is ,d' .- :- :d; ^ I d' ,r :r A. I d' :- .t :s .,1 I :s .1 i
^^I ^ f"DfiUltn-f lOMH.
druim-in
"Donn
donn
Dll - If _dee - lish thou_
flOT)
pride
4
of
M4 wbo,
my soul, Where
ie-5- -s-
¥:
g 3 «— 2:
«-*- «»-^
!!t .1 :- .1 It ,d' .-
* ^ *,t I d' .t :s .f :m
S £ ^ S:d' .,t I
art - . thou
oiT) - ce
now roam-ing'.
aWhere
tnbi-onn cu
is now_ thy.
"s?
—
lo?
g-oal?
br - onn
I'm
S ^^iN^^•=it 4. i
^£^^ s £1. J J
f^
^
Tlis ,1 .- :-
^ t_L^
^S :r .,t, Id ,r .- :- :- .,pi I f •s :1 :d' .r
m S ^Jl JiI J J^Tr'"i—arr^
—
a}! iia coiU-cib 'Smo bu<ic - aiU jm'
through the for -est, o'er hill and o'er
mi)* - e
roam-ing
.
com^im,
dale.
215 ur
For a
^^ s ^r^T^
r^Lj*^ r rm ^^r
The Clandillons in their book make the first two verses of this air close on D. I have not found any other version of it given the
same. way, but I have adopted theirs, considering it the most beautiful. C.G.H.5
24r" .d itV J-' 41 A :s .f :rn J" I r ,d .- :- .,d I r
^^JQU.^^^-las!
re.bit
f lUTI.
ter_in If -
woes on.a5_the. land of _
iia tineoft.
the Gael.
5 i^ n a3i
m t jn n ^n p'j^-^3
i:
^ p una corda VP
^? 2::
:ri J- I
-^,d' .- :- ^ :d^ ^ d!
,r" .- ^ I d' :- .t :s J. I
i^^ n P!^r
^Till
The__peaji - Attn,
tyr - ant
rs •
de stroy - er tore.F> -
me
?i
from my
.
^ 5i^f W^
I
cantando
g ^EEE^ is:s ^1 I t X :s :- .1 It ,d' :r: ^ .t :s .f :pt d \
^ P^ i,j *^_*' j_^ceol
home.TIUOp
fl^it: - lb
press - ion,
iitn cbim- neAC,.
in - just - ice
ttil xso\ - ie nil
have _ caus'd me to
.
2:^-^ ^,i) . ^
fm
T ^=& ^=^•^—*
t^
^P- 711
:d' .,t Is ,1 .- :- :r .J,, Id ,r .- :- .,n If :- .s "
:1 :d' r' iS -^g
^m ES P^—27
roam.
1-1^ l»lV>-_ -T-j
and
;£
uir--5e7r:^.
wear- 3'
-ST
16,
lone,Full heart -sore.^o turn - ic yjk
I wand - er a2t5 - ur
While mine
J*iiS
I i= J:
i i i
;s ^ ^P f i3
Im' rrj ^' :tV j*' d! it :s .f :m .f
C.G.H.;')
*:m .,f I s ,d .—
25:d^ ^ d' r'.-: .V_^t d' :- .t :s .,1 s : — • -
te ^==^^-L^ l-Mzs:^ ^
Oa bpai5mn-]*e
Yet, hope on!. de
Jiri - nit
spair not
tio_
the
}tan-aitic ^p an jcoifoirt,
fo(,''s (lav is o'er.
I ^
iS-^
r-S-^rMolto mosso furioso / J = 9g)
hS*-*-
I11 J :s :- .1 It ,d' .-
^:r.'........,.t I d' .t : d' .,t j
leifib - piiui
.
just - ice _
E5P^^t
Wrong and in
map T>o leifib - pitin_ i^ean-a
shall tri - umph no
~ zy—
~
bpo^.
more
;
Cfii .
For
i ?t PP mr^f^
t^
^ 5 ¥^^^' &rF ^^'
^s ^1 ,~~ • ~"~ • 1 •1 I
td ,r .— : rm f :- .s :1 I
5^^r=^ ^^ ti' * ^i*%_ ..^:l.
CHOC - aib
proud - l}"- _
r ^P'
re
diU - lb, 'r^tii
turn - ing , oer 'hill
raib -oub'
and o'er
ceoij,
dale
,
2I7; - tir
Shall a^ ^mrr
'S i if=^ 1^^f r^:T-T
,, a tempo maestosoil n' :f' .m' :r' A.
'bF-^= :E^C.G.H.5
26
Poetry bv
P.T. MCGINLEY.
2tmfiam car Clamu Hac lonnlai^.
( Battle Song of Clann Mac Ginley.)
MY FATHER'S STORY.{Original So/ig-.j Music by
CARL G. HARDEBFXK.
Doh is C.
Maestoso e con spirito.(J = 96) II^ :f II. ,1 ,1 :1 ,_^s
1-m
K >, ^ '^ h 4^—9—'Se
Oft
ttJO
^ ^-t-^W g i
4^ ^-
•Dei|i
says myac - aip
fa - ther
SO
to
bpuil.
me _
5; ^E S
^ i%
&'^. ^
1 ,ta — :1 ., s 11 -X mT I d ,r .- :m ,f Is :s .,1 }
W ' * ^ i h J > ^'
iiieip -
bold _61
Er
5
fie
in's in thral
I5
pmacc 43
dom of
11151b cap |-ai - le a
for - eign rob - bers from
§ i P^5#=«,^
^ b*if W
tw s ,m — ,m Is :f
^ s "^^^^
r :f .,s
V j^ J- ^^'5
ov
eauu
er
ail
the
aU.
sea.
00
That
bpuil F'Oft - fS^ic
a brave no
na n^aet)eal
ble race is
^ ^ S S
^ s
w
^m &;fc
This air must be regard*'(l as beinf^ in tlie Reh or Dnriah mode. The fine spirited style of the poem justifies its insertion here.
C.G.H.5
^!l 1 ,
ta .— :1 .,s 11 ,f
27
;1 .,s 11 ,f .- :r .,1 I r' .d' :- .1 Is .f :- .m
le pa - na
ill slav - er y 'w ith
buiU
out one bri^-ht hope that their
}l r .,d Ir ,1 I^^.1 -I
II .s .- .1
?' J' i^ J'^=?^Jv Ji J^ i^^puil
land
f-rm.
will
50
be
la5.
free
,
But
e
time there. was once when.nac
we
5 S^ it SEES
W"f ' r
m ^ i ^ ^
<i«w{I d' .d' :- .,1 Is .m :d
^^,1, I
^.d' II :s •.1. I
J^ ^ -h. }\^P^ S ^ _?ti-
r=rt=Tam - laiT) no bi 4it
met them _ in fierce ar
tray
I iiBift
Those bold
inn pan o, nuaip a
for - eig-n thieves, ,who came
i g £ £ S^-'CI ?^
^ i-^-^i ^ k fe:
^{l d' .d' .,1 Id' .,1
.1 *i
^.,d' II .s
h Ji Ji. J^
.,1 I
^P^^ ^^C15
ov
s-P-;^
i
ear)
.
er _
^
na 'Hall',
the sea
.
21ct
When
>>: -^ •/ t ^ :
i
ife
Er3inre-
.
in's _ip c|ieui
brave her
pifi .
oes
le
with
^ k
te
:i^1
C.G.H.5
•-es
tl d|^ .d' •-— .,1 Is ,11 - :d .,ni I r .f :— .s II .s :— .m I r .f :— .s 11 : .1 j
^/ve - ce '^le cLiiouii - ce 21^ lonti - fUfoe a natii-ati ^au cuifi - i^e- jati pcari. Tli l
sword and with battle axe.Gave fight to the foe- men by night and_ by day. I
i s S* ^ SEEjE iE 5E5EEt
i)7 / ^* i ^ S i EEiEP
*:r' ,r'..- II .,1
h i> k }\
.,1 Is ,m .-m^^lif 0- ^^ ^I
know^5 - jmnot my self wheth
411
er this tale
no bfied5_be true or
5 S i^ ^
e 2Jcc
false . But
£ i^3w
g ^ ^ k: JliF
11 r .t II
dim.r .r
1^ Jl i^ ^ J^'^
:- .,d Ir^^ .,m }
5 ^ £ 1^-7-1^
mo o^iT)
dad say.
fill e _
that is.
*
the sto - ry I
ii-jb -ft Jim
heard my
4^ ^i^i
m^^i^i^^i
'Tis
t * i m^EEi^WWWh ^
9, *^ ^^ i•=:i i%>. ^
K ,ta - :1- :f .,s II. ,1 .—:— .,s II. ,f :r .,r
^Sf^. .-i- —r'
•0I|1 <"?0
hood Th^itgreat on nie the sor - row50
that
lei - ce
I'm notTin
50
mylii -
man
£ £ i£ f3i
-7—
.
i: kf^
C.G H 5
w .«...w ..*^...M^.iAm.u.i^..-.ijj.i 1 ! 1.1, r..,j.iJ-v^.i.t.>.^^-i.*.*~-i.-*i.t W)«|. ; i .,
^^'.•..-.'.^.^^
29
Rd .r im .f Is :s .J ' s ,m .- :(i ,m .- Is : .m Ir :f .,s II 1 ,1 .- :- ..s
nihpe.tr - HO- cjiiiii jii c!ip if ^:) bpeic-pitiii tiiap a - ra . ITle peiti '^uy tiM rejfi-ca - pa
I might un-der- stand all the bur-dens Er- in bore. My- self and my bro - thers _ Would
-V ^ Si
S ^
1^ y h V,
r^i^^
-
—
^ *
s sm ^^=F> 5=5
ill ,ta.- :1 .,s .- I1_J :r'
i'^:d' .,1 is .f .,n
leo.
tie
^-fY-p^T^^^^^fc:J>^-.Jb^^P^\^^c - ^ - ttiaoiy* i fpai|iii
forth un - to the bat
bo puai^-pea - itiaoif
For Er - in mytui "^aiU j*eo,
dear coun - try,
.
le
and
i:r .,d Ir : .,1 Ir' .r' :- .d II .s :- .1 Id'
'
d'
m ^ mm^^ ^m.J I s ,m .1 I
^^ i# • ^) •
claire,\u'i"5iif* le 5a. 'Oo leif; me peiiif^eala a|i bpiaii TTlofi
free - dom once more- I've oft read the sto-ry of Brian king of Er
W^^seauti
,
in.
bo
How
'
F'^'m^ 5~1Ti
fS9
fj-^i ^i ^
iIr' ,r' .,d II .,1 I d' .,d' :d'
F P P ;?
^ ^ ^^.,1 . Id' .,1 I
ive^c - a in
he and
as*
re
his
le cean peaji
brave sol - diers—le Loc - lann-ai^ib a' pleir^e.
the plun - der - ers did slay.
S fc ^i
.^
r
i
t
bU\\
He
C.C7.H.5
30.1 _i
m^m.,1 Id'
fh i) i). }i-p-f—
p
.,1 !s
^
:d
E
.,m
s
itiiaipb fe
rout - ed
.
in thou- sands.
Ithe proud Dan
5 ^5 ,^ -J^
50 leiit
ish Vik
14T)
ings
THac
Not
±^J ^ 5 *W
^5 £ ^ i>-^-^±^
I'r .m :f .s II .s
tr^^ 7^ ^ ^
.,m Ir .f .,s II
jHji i> J'. J^^,.,1 I
i^J' J' ^
tn4 - cd|t Tie tia lueiji - 1151b
one of their great lead - ers _ es - caped from
n4 Tiefo.
the fray.
Sf
jsssjs
Till
I
i ^^^ *
^ I^ 7 ^EEEEfc *
llr' :r' ,d' .- II .s :- .,1 Id' .d' :- .} Is jm .- :d .,1^
know
:^^not my
pein e
self whethati
er this
e
tale
til) bpea5
be true or^ S lE ^
false, But
i=t»: tf
^ Jl*
^ .,s II :s ,m
f) j). ji-4-^^ ^ -d Ir
^m1^ j^ Jy i:jf7—*
—
a lei 5'.
ers say.
fin
that
i
^e .
is.
t
an. r5«'*^
the sto
t
mu - jia
ry our
^^^^^^
S
clif
fore
0^1 in
fath
h-iv^-t i^
i
C.G.H.5
Oc, Oc, 6tl^t5 let^eAf !
"OCH, OCH, EIRIE LIGIS OH!"
31
English words by
CARL G. HARDEBECK.Arranged by
CARL G. HARDEBECK.
Andante mosso. J = ss(G is Doh.)
*^ w: : A ,r I m .m :r .d
I I y f^ \ i J^ ^ J^ ^ w
Och,
-X wbeinn pern
if I were
ui
in
tfy f FF 3n=?7m i 4^ iw
flegg
^=^
^^-i ,^n n '
>- ?Fr^ J i
Yuna corda
jsr 3=
i
i111, .s, :1.
S^^.1, I d .r :m .m I s ,ss ,s .m jj* :mI '
I
1
X
. Ml .d jT
s XE
2lnt - -oe Cuan In
Air - de Cuan 'Tis
ai - ce f-liab a
I that would n't leave it soon, 'Twas
aS ± Ty s i
xn
5*S
ii—
T
ffi t*1
ffl
i iTT-
•
lim .m :r .d I 1, .s, :m,
^3 ^ ed ,r I m .,r :d I 1,
i
:1.
^4rt - x\^\v. lioin a
pleas-ant going a court-ing- down The_5leaun tia^ Cuac le
cue - koo Glen on
JH-i-^^ m i ^ Dom -
Sun - day,
ir- r-
y| :
I^^E
:^t=«:S * 51:SS^ ^ *
Note. This melody is in Lah mode though F|} (te) and (fah^ do not appear in the melody.C.G.H.5
sr«.€.^
3'^a tempo
I: .s. ,1. I d :s, :1. :s, .1, I
^^mJiiiL^f^^}rr-rw^^'^'^=F=^21 - ^uf oc oc 6ip - 15
But its Och Och Eir - ie lig- - is o.
e.fi - 15
Ei - ri
lott - T>ub
Ion - duv
XE ^ 31:
i
[^m ZKT
t
;5^^£3 ^ i
n:
S
*lid
rit
.r .m -.s I- :- .m ,r I m
/^ ii teniPo
iI tewto
.,r :d
o:~Xf ^^^
.s, ll. :1,
/O
4
a5«'r —gus_
0;.oh,-
'Se »Mo
'Tis mycjioifie 'ci cpoiii 4')*
heart that's black with
n7.
P^ « tempo
WiT
E^
XT
b4t6ii
sor
3
row.
3^
r-/ ra ^
i ^ i.d ,r I .m :r ,r .d
31:
f^ ^^^ ^FS
l-^-^-i-It's
cup - pac tni - i*e aim
me that's wea-ry- ing-
tri corde
i ^
3^3==*=# i
-tT-*^
loiizst:5_^
*
JlSI
una CO yda "p
xe:
ac
i111, .S, :1. : .1, d ,d .r :m ,m .m I
alFg-##^ \TE i^ k
s .m ,r :m
IF=^
^^P ^ 1 ^ ^' '^^^ .d ,r }
XE
+
feo lioiit peiti
here my lone,
^ri
*?
%
TIjc n'jiciiim juc C01U15 Ion
With - out— one word of
^=&
XE
pub tio an cpeuii,
news from home.
FB=^
^i
i
The
XT
XE
C.G.H.5
liH
•m , ,m, :r •d I 1, .s, :m,
rif.
d ,r I m ^ .,r, :dii •''I .I'l •! .u I 1, .s, :m, : .a ,r i m .,r :u :1,
y^^^.jl - ban j*inol - ac tiaop-^ac peiii
corn crakes croak would mus-ic be,
cJUf cau aic - mm peiti a' "Ooiii
And its och the pleas-ant Sun
i gtu»c
day
-/Or-
:o
^ m orj 'J
:fe
iSC ^^ o-
*a tempo
.s, ,1, d .d :S| .S|m PS .s, :1, I d :s, .1, 1
i^ a ^5m f :5 E5 ¥W^A ^ <>
r-—*::::
lei5 - ejf o, _
Lig-- is oh,.
m 9
6iji - 15 -Ion - "oub
Ei - rie lun duv
21 -5111* oc, oc, 61^ - 15
But 'tis och och Ei - ree
:it 51: H--^ TE
i* * s^=i
5SS E ^ f t XE£ 4
ild .r ,m :s
rit.mmm r>Mi
•A tU *^1
31: fe1. :1,
yjv-
Jf=
£
J - Sip— -
a - gus oh,.
'5e iti<">
'Tis myc|ioiTie r.\ rfioiti ^fheart that's black with
^msor -
~ns
i
row.
-y^
wr ^ ^
ic;
iI:
.d ,r I m .m ,m :r .d I 1, .s, :1,
^^^.
5t=^ jm
pn m w^-rr
• __coic Y fiatii
boat and oar_
tl f f i
21 iiibejT) d^jtn pern jc
If I had but a
tri corde
* fV^-
3 zz
E? i
Z5_iuna c
J21 i
JQC^ gorda
?F^1 *
i *
TT
^^•
r.G.H.5
«J4
d ,r .rn :rn
>^-^-^—tr^.m .r :m^^ m .m
m:^ i' J^ h ^
"0'ioiH4 - fia - tnn
I would see this
i ^
leij- j' cfiaiiu.
place no more,
"Dull '5iif "Oia 50
I'd hie to my
3=i: m ^
^^ %?E:3 W
17
W=^ %-JJL ^
Ij. a W=^
*11, .s, :m,
^m f
.d ,r I
n'f.
,r :d .s,
TC feE^EE^1,
£ i
/TV
:1,
-T^V
own dear shore, Were it but to die in
*a i f=f^=^ rf
Eir
3
lit II
.
inn.
^ r-
tSC
r
'C
*
a tempo{: .s, ,1, I .d :s, .s, I PI, .s, :1,
?=5^5 3= 5E5:s, .1,
i^ ^ SEE ^g^f 5e as^ <!' ^ -*^ W
och och Eir - ie
• ^lei^ - edf o , .
lig - is oh,
.
w
Eir - ie
-21 - 5urBut 'tis
Vun - Dub
Ion - duv
i^ EC W 31:
f * sa tempo
^m xc
5 f
B^ i xcIiE3 ^
Id .r ,m :s
rit.^mm r\.m ,r ,r :d
^^-.
i'- i J>
II. :1.
V?t
^ £r
a5"r— 0,-
oh,.
it^be mo
'Tis mycfioine ra
heart that's black with
S^-#^E:[^i
BC
i
m m
bpon
sor - row.
-y?v-
PC.G.H.5
Caz Ceim au ftAt).
35
^
Andante con moto. J : 8o
{: I : : I : : 1
(Key D)
I :s :-.m
as ^I i i J - JWl
it If
I^ ^Coif.
To_
^5eS ^ wW^mw 2::
f *^3a
m^i^ 1&-^
f-^T^^ fr^^T^=H^ s
iId ,(i .- :r ,r .- ,d Id ,d .- .d ,r Im Ir' ,d .- .t ,1
sH^y .^J> iiiiji ^ iJ^ilg p P F P' ^ i:ir; .^' ^,^^ ^#" *' #abann "Sleaiuia'ti Ce -ma
sweet Glen Kee - ma- nee -a
111 lllb - L^O'^- M\i
in her beau ty ex - cell - ing-
mjL\\ a
i F^ A^ i *r
1* i
Lento. J = 44
*.,1 :m .,in Ir .r .in I s : 1 ,fn 1j
feh; J^ i) i)i- jn^J--^^
.- ,1 s .m
f ::si
w 5^5 t^•pcean an piat) Y'^^" oin - ce
straydwheredeer wereseek-ing
cun r"'t^ " coTi-la 1*05
their nights peace-ful rest
.
R.H.
ail
i?.i/.
I
Note. I got this from Margaret NeiJlon. Co: Tipperary.C.C.H.5
WIT' ir:r rrfrr^ljgiT;fff^'Tlfffi*3^w3-^'-*-'-fcfcfc^ l;m tj^> *in^.'i»r^yj'L''.')a''^«g'"°™^=
**^ a tempo
d .d -.r .d Id ,d
i.r
4!m ^ :1 .t Ir .d' : .t ,1 Is .\ :m ..r Im .r
r; J' j^ ii ^T-'-^J p p p p ^ -g^i ^ i'- i>i' ;>^ TOL
S^i^ai»iacctiait»|*edl lioin pein a" "oeaH - jtu tiio fiituamce 2I5 eif - "Peace t jcoil-ctb le
sat me down todream-ing and mak-ingmed-i - ta-tion The calm for- est mus-4c with
^ ^H i
gSJf^ i
f «*
XEi % % 22
Allegro. (J = 104) con musso a vtro
i.,d I d .s ,s Is
p: ^P ^g^.,1
f #^ ir; WJ-^ zr
binn 5ui: na n-eun .
peace filled my breast.
Tluaifi a cuaV
Sud-den trum
Sx\ cac
pets blare
45
and
Lento.
Il ..d' :r' :- .t Id' .,1 :t ..S :1 .1
31 .t .1 IS
rf^^p; P V f?+^- p r ^Vp. pi^f-'rw^ ^^ xn
ciMcc le fianf le
shook the ground the
puaitu ail ai|iin t)0 c|iic a»
tramp of hor - ses com-ingfUab.
near.
'Sna|i
Brokem ^ sc^ a ia £
^^ ± ImE i:
r.o.H
Allegro.
ils^
.1
Tempo I.
'
.d :r
37
m Id .d A .r
^ii ;^ N -*^ p? i^j) J) J) J) 1) ])•'
j> ji j^
ineiiin liotti a njloft
on my lis'- ning ear
"Can- a - pjfi 50 nain-.iT>- titiji
Came the cru - el slaugh-ter- ers
1114(1 cioc - pari
like to a
*i t
S ^iE *-^
llm iS^ .s :1 .t Ir' .d' :
Lento. J = 44
.t ,1 Is :- .,1 In .,r I PI .r :r
ii^^ ^^ ^^^P M ^ Q ^5^(1 -Ta ne con -41b nithe
fu-ri-ous tor- rent rush-ing
5u|* cutiia
Mv heart
mo cpoipe tia
was an - guish
rain- f^ifi
riv - en
* s* i 2:
i
Si^U
XE£i i i
i
Adagio.
jid .,d:d I-^ Id :-!-:-
1
^i • ' C "O"n'pa5 -4 - •oap 5411 cfieoip.
strick-en with des - pair.
^ ^ —m . V i^^ J^^
f f m f&_
*ri
"SIT
?Fja -^ i3s:TT
i«:- .m I d .d :r .,d Id .d : .r }
^ ^_J^ i rjrjr^. j) J) j> ^ J)i
• # » #} # «pan peaji bean n4 p4if-Tie inu
all the land is ring"-ing- with
(m ^ < =
Tl'io|i
Now.^ ^:5± ^ t
1r
i± f-P-f^ 5 i>7 ^
r r^C.G.H.5
38
-h
Lento.
\m ^ :1 .t Ir' .d' : .t A Is .,1 :ni .,r Im .r - ,s .1 .m \
^^^^#F^i^j>^^iv^H^7"ir i^ J, ,n^
air
end
fieab ud •ociofi ca
less des^air-ing"
k
Tla ^iTp - i^ joil no bi 'cu Y"-^The ex - iled and the home-less are
mil
wail
ce o - la
ing ev-er
I ^i ^^^^ f fXE
i
.,1 s I m
^ i
a tempod .d :r .,d Id .d .r I
^ J^ l:^ j) jUL_ji j) j)^22:sr T*—* ^> •> <>
2I5 peac-aitic aji an tt^ajt-Ta 50
Be - hold -ing dai - ly, hour-ly the
*
more
R H.
^1R.H.
g ai if
3L. //.
ap^ iIrzzi iEEEl-0 ——
i-j-^—
%a. ^
m .s :1 .t Ir' .d' : .t ,1 Is .,1 :in .,m Ir ,r .- : .rid ,d .-
^^11 Jl^'p pF p y [j iJ'- ^Mv iij^A y ;,I2 jij>
.,d
w^ ^.
lai - "oni na •ocitn-ceaU
rav - a ges of hell hounds
2I5 iSm - ac ''5U|' 45 iTon-aT)
Their plun - der- ing and slay-ing from moun-tain
.
:*
iia
to
i
fi—^-H
r r
^ ii *s
^felid
IF
co» fuoco.,$ Is .,1 :d^ .1 It ,d' .r'^^ .n' I
I ti±# #—
r3~~^
•ncfieo
shore
2trt I1U5
A - rose
5up leai;
the shout both
bpar? 1 T^cem-
near and far.
'Se
Come4L
C.G.H.5
39
3.d^ a :t
^^ ^&Z5.
..1 I .1 ;t a Is : .m Is a :t .,r' Id'
JL^'- ^' iJt f'T^-J -^ J^ ijr^pg^^^5lujii-|-iTi 50 ttiea|i canscat - ter and smite the
cac
Sax
0 4
on host Be they for ev - er lost
Tempo I.
Ilm .d :r .d
If.d ,r Im .s ;1 A Ir' ,r' .d' .ta I^ r^^^-^X Fi. ji j) j^
^1^^^ w jr w w'Ci - na - DAjt na \\\^ - pifi
He - roes came and war- riors bring-- ing joy un to the hope-less ones Once
i * * i
m: t i t
fei.,1 :m .,m Ir .d
h I s ji J) . .^s ^ 5^5fS
- ammore
mea - T)A]\
the foe
na pain - 1^
is fly - ing-
le
and
)-*an
scat
ain
.
- ter'd.
IT
afi
his
TT-
feol
host.
Ws ^ mr
311
"is:
^^C.G.H.5
40
iS
^^m
:S :- .PI 1
^== N. j^
fe
^j=j
^^^.'^
f ^^[^jv-|But-
i
K;^g
^^iJ^^f-H^fe i^m
Id ,d .- :r .,d Id .d .r lin ^ :1 .t Ir' .d' s ,1 ,.m :- .,r )^ V J) I
ji J^
i; f?F
.^ '^^Mxjija. i'- i J' J'bp4"oa "ouititt 50 ocaini5
ah! not long we wait- ed
fe
^'^m lai"o - iji 'iia T)riiiicej!l i'7uti
till came the foe we hat-ed A scat-ter-ing- and^i i
f£Efe EEi u:B i
i r[^:^n-^
I^ ^3e1 E^ E^
^^ i:
Lento.
*:Im .r I
3a .m Is ..1 s I m
h h k ]m m # J^Hr:\
.n, }
t* ^ =^=«nT>aom-eY -
blight- ing-
^AC tnaoilmn
with ruth -
paoi n _
less;' slay - ing
5ceo
hand
bin
De -
M I£»i i
f A v:>
5»o
XE ^S
^ {Id ,d .- :r .,d Id .d Im .s
%d.
:1 .t Ir' .d
^
Is .1 :m .r Im
^ M^Jiii > jij) j'^ I J^^'M ^ ^
i mr—wbAtifiJC "ti-x bini-bjil "cu
spoil-ing, de - vas-ta-ting
bap-tiecc a- juj* beechep
Crom-well and his min-ions lead-ers of a cru - e'^f-M j) V ^
t
f
f
PP^ r^e3e IE^ 2;:
C.G.H.5
Id .d :d ,d .-
Furioso, Allegro appassionato. J ^ 112
A :d' :- A It ,d' .r'
41
^:- .,PT
pf=i p r" is p^^ ± w 511
f—*
—
mil - ce eil - e leo
mur-drous hell-ish band God of Ven - geance strike them stark
5an
that
^I
xc
ifW t
1t *
^ s t i i iZE
:«
!ld'
'J^.
.1 :t . ,s ll .d' .-r' . ,t
^' 'SeD. «
d' ,1 :t t ,S :1 ,1 ^
4F2=#^ ^:lu T^an liiear ^an ii4C -s;jrt r^an ?5o cem - cil
^clu 5dn 11164]* jan \\dt ^jn J*e4n
in . this land wroug-ht hav - oc dark^^ ^ cem - cib mea|i4 i meaj"^ tia
mong- the damn'd be nurn - ber'dm3^i i=^
g^ i3fe^ i
?
Lento. -^
{It :- .1 ,t a Is
r^"=^ r r
4
Allegro..,m Is .1 :t ..r Id'
Tempo I.
.m Id ,d .- :r .,d Id .d
lg=p=^-.i^--^ J^ i' p •
P r^=j^f^^r^ j, j> J,yj
bpiasi
they.
^jm pjo- 1]*- 10m 50 "oeo.
for ev- er and for aye.
CesD niol-ar» inop le h-lopa
Praise God a - bove for ev - er
nap
who
i^3 ^ i<*^=^ i r^i ^S^EE^
-^s#li£^=#^^g u^—^^^1-jt ^f
!!m ,m .s :1 .t Ir' .d'
#^UiJi^^PP h• iLJ. Is •?! ''^ "i^ ''1 -r : .r I d .d :- .d Id :- I-
^N jfjrtv hlJi hj^w#=5
T)io-la-ma}i jfi Jti Tir<ii|i
from us our bondshath riv- en
Pf21c beir a5 Te^n - atn ^fmm oe St*'! inn-|'mc s\\ r^5-
To hearth and home re-store us. Now joy-ous_ and free.
Io:
EEfe i^ i
^ e:-^ t
t
i
^THs: m
-a
C.G.H.S
%2
hotiA leAtAt)At\iCe.
Allesrretto scherzoso. J- = 66(Doh is E),
rit.
u {Is :s :s ll .1 :1. :1 I t
& wa tempo
,m I m :m :m
p= <4 j ^ j > J '
p P PI F F P^ i^ ? wT
l « J' itit
cuiiui - e 'feafi beacui5-edT> »io CJOJl -
S^^
- a 2I5 "Oi.A)i-mui-o o
iSit^
?^ »E £<7 tempo
W±t j±# ^^ ^r
^. -* '^. '1^
rit.
d/I li U IS . :m :r IQ
^-¥tf i'J> J^ I J,
:1. :1.
Srt tempo
m :s
,
W Ji J i>^ S H ^ \
DuiU - eaiii o bajiji - a iij h-2Joro ne
feftPI i ffi
tn« T>eap c-i|i
mHi^^ ^fe
rt tempo
^ s
This song must be taken accordintj to the metronome, not too fast. In the la.st bar of the Chorus the note D was in the
original. This leading note did not seem in keeping with an Irish air and as some sing C instead of D, I have written Cin this version.
C.G.H.5
rit.
"UIs :s :s ll :1 I
ftIs
a tempo43
:m :r }
;tz^T^^^ W=f='it ^ M J ) J^ J)i^ 3r i
4c -4J1 •com cui|i le f^iiU 6ji|* - bat) CO - bdc DO
H
'^ttrit.
5H=^
S ^Si±
a tempo
^
*=*i
S--^t—
#
<^.
U :1. :1, Id
^^z:—
r
S*
Tempo giusto.
t:
Id im :s
.
(
S '-y^^-^ £ ^ s^bi 4}i an 3c Ut) 41)16. bo b6 bo Tid leau -
i^ fe
t
^^111i^ :s Ipi :m Id U, :1, Id
S^ ^ £
- 4T)4lt1C - e
!
bo
^mbo fi ti cfean - C40|i 4"oaft C4C;
£^^f-
g#N
Id :m^s, ll :s Im :m :m
h i) i)S f#-= #L-i- #
bo bo na lejc - 4T»4I|ic bo Djiuim - pionii
±
t ^^ 1~0^
^
C.G.H.5
44
*AIr :m :r
• * • \ J '
J)
d :1, :1, Id
^?e - Afi^ d'y n'}l-eaTi-ap cA bpuif;biiin i.
urit.
:m :s ll :1 :1 I
e 5:fr=»-p-hp-p-^L2|_ p p IP :
b'^eapfi lioiiv (la TS''^" '"S 5'^ bpeic-jMnn mo
A ^sit
•)% rP S
it
'^. ^
a 111
8^5^a tempo rit.
.ml m :m :m Is :m :r Id ;1, :1|
p-T^r^-j) J, I
j^ j) ^jr^^^d :- :- Ir
S ^Hi ii:
caop
aSai2^5 ceacc cim an oop-an* ap maiT>-ui no '^c - oiTice
3
I=B=£fc ^ -±t
« tempo
'^.
5:^•:^
aa tempo
lU :s
fe
:s Is :s :s
fit.
ll .1 :1 :1 I t
w=r^Is
^
"Cal - pafi 1*1
^PN^^P^^ B ^bam - tie -potu beac-oc - a'n ri rotn
a tempoi'm :m :in Is , :n :r Id :1, :1, Id
Tempo g:iusto.45
n!i> J) }) |i'#^ :r \m
1S^* ' d
Cuip - peaf> |*i J4ck - i - -oitt -oeaf j|i mo ^u^l - - -Jill 11. bo^ is^
?E::^a^ i s • * •
Id :m :s£^ h :s im :n I
^1S ^bo
^bo iu\ leac - afianic bo bo
" 1
I1 r^^4\' }/t ,tt.i
^^ s;^^
#
iA{l^__^.
:1. Id :r im Ir Id :m :s.
(^m^ s
rf-eail - cao|t dT)4p - C4C bo b$ bo na lear
«Ai E
fPifgfSi i^ *
*A111 :s Im :m rm Ir :pi :r Id :1, :1, Id
f' i^ J' I J^ J' ^^ :d II.
^^# ^^anjific bo T)}tuim-pio»n -oe - ups S\- u'pean-aft cJi bpui^bitm
£• i'^ Is
Bie sJ J g i
i^i^i
C.G.H.Sr
4»i
Su^df teif An n6Aet)i\'5 !
Melody by H. WHITE (Fionn).
Arranged by CARL G. HARDEBECK.
Allegro moderato. Maestoso. ild :- .s, :s, Id :- S, :S,
=R= £ Sii) ^'' iii±
5 3:1. ^05 - aiTi 1^, "Co-g - ai-n 1,
i ^ s^. «i ^ V- w ^
m P-' -^ -I*-
i^ a
Ild :- .m :r Id
\> h ii ii
:S| 11, :- .li :1, Id :- .r :m Is :- .f :m Ir :- :d l
i Ij^. J'J^ J'-^'^'
\v ^
s i
€05
^;call - ttiaiii a}i nTJUit; - ce J
I- TO r^^r r 50 li-ion - dx> }i6 clii 1 - ceac
^ ^ ^: E
gf
5 F"f r i^
Is :- .1 :t Id' :- .t :1 is :- .m :d Id : :r Im :- .r :m Is :- .1 :S
[?• [?M" H ir ^^ ^ ri^. J^J) ^^y"—TF
tTo^ - am 50 -oaui - je^n-r ni bl - 61 paon la^ hf, ho - }t6, 'Cog - ai-o T
j^ J ^ ± S
I I E ^X
tUr rg ?^
t^
rIld' :- .s :m Ir
^:d :s,
¥ S \ y ii ^|*uaf lei|* ail tiSaeT) - 1I5 'St
r^5
/O
p^ E^—a^
IT"^*~*—*^
os
^
fc (S iv:^.
Note.— The words of this song are an adaptation (at my request) by SeajjiiO Cacain, from the Original Gaelic wordsGlasgow. I publish this song by the kind permission of the late H.Why tc (Fionn), and at the request of many Gaelic
It makes a fine rallying song. C.G.H.5
by Duncan Reid,Leaguers.
47
lsi :- .1, :t| Id :- .r :m Is :- .1 :s If :m Is :- .s :S Is :- .m :d
m } ;> j^.^^^j^-f—fr [TJ ^ ir n F
^^cah'- ttiyiui ifa H-615' I, Y' CArt'- itiaiii na h-aoij* Can' m^m Aft finti - rif '
^
i
#: #:
^^
Im :- .r :r Ir
h^r-^.f Is :- .1 :s Is :- .m :d Id
^
:- .r :m If :m .f {
jf-TF r ^'J^ i Jv J^^''r ^^^—
#
CAti' - tnjiiu an jaoil
J j> J-
t^a fi 'noif 40|* - ca adr ]teac - cac a'f cpeati Tlio|i
J:*• ^i>J i
m J ^E^/C\
^ ^^^^ rr^Z). C al Chorus.
:- .1 :s Is A Id
^ ^ i~^m ^^caiU r» Bea|ic, af nio|t I'CftlOC r' •DO beim.
£]^
SIT
fi a^
^
2.
Ca moji-f-ftuc an beapla aj bajaipc 50 c|iuaiT)
2l}i dan'twain ap ntiuccai]* tto flu^ax) ^an cfiua'j
2lc.c reafaro -50 -oUij* \e can'nvain bufi n^aoil,
'S ni puije ]*i an bap 50 oci TieifteaT) an c-faojail.
3.
"O'aimDeoin jac ionnf*uiT)e "D'a •ocu^ax) le natiiaro,
21 ceajtc peini^ luactnap -oo fpumeat) o'n nSae"6eal-
Tir 5eiU]^i"n }*e coifice 50 Bpa^a ye an buaifi
Clijt jac peall a'l* ea^coifi a id* peat)^at; e 'fiua^'.
N.B. Omit introductory quaver C in singing Verse 4.
^-
0, ro^aif) buft nsuc, leacnui^ro can'mam na mbeann,
^Y cluinceajt a puaini aji }:eaT) monat) aY ^leann.
2l|i"n-femnif) a clu-]*an i mbajfoacc Y ' ^ceol
2lY tta lei^it) le coitiiijcij i tUaflax) -50 "oeo.
5.
it clanna na nSaeT>eal hmi ]^aj*atHac nine
Le "juaihub a ceile a^ coj*ainc ^ac clue
0, feafaiT) 50 ^aipceamail le can'tnain buji n^fiaf)'
21Y "^ cpeijiT) an SaeT)il5 anoi|' na 50 bjiac.
P, co^ai-o a btiacac 50 h-ajfo uifan cip,
'S bioT) hcpeaca mapcannac i*c|tiobc' a|t •jac cjioroe-
Tlt cftet5}:eam an SaetJil^ an paix) Y beimro beo
Can'tnain munuieac ap rmnicce nf utiei5peain 50 "oeo.
C.Ct.H.5
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IRISH BALLADSLARK IN THE CLEAR AIR (F & Ab)
MAVOURNEEN MINETHE HEATHER GLENO HUSH O!
GREEN SPRIGS
IRISH CRADLE SONG (Db & Eb) ...
WAITING FOR THE MAYASTHOREENCHILD OF MY HEARTMY LITTLE RED COLLEEN ...
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EDUCATIONAL WORKS.ELEMENTS OF MUSIC
Containing Questions and Exercises.
B. W. Rooke, Mus. Bac.
SCALES AND ARPEGGIOS, Part I B. W. Rooke, Mus, Bac.
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Examinations in the Royal Irish Academy of Music.
PIGOTT & GO'S. PIANOFORTE TUTORPIGOTT & GO'S. IRISH PIANOFORTE TUTOR
VIOLIN.COLLECTION OF IRISH AIRS, MARCHES AND DANCE TUNES.
CorapUed and arranged for Violin, Mandoline, Pipes or Flute, by F. Roche.
Vols. 1 & 2.
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PIGOTT & CO., LTD.HUMOROUS SONGS
Ach, I (linino Peny Frencli
Como back, Faddy Reillv
DrumcollihcrEileen O^c ; oi the Pride of FetraxoreEmij^rant's Letter, The ...
Elanaf^an's Flying Machine ... ,,
Jim VVhelehan's AutoniobeelLetter from Marv of Mourne, A David Buchan
(A Kiplx U) till' " MomitMiiiN o' Momiu' ")
Little Bridget Flynn
Mat Hannigan's Aunt
M'Breen's Heifer ...
Mick's Hotel
Mountains o' Mourne, The
Night Miss Cooney Eloped, The
Phil the Fluter's Ball
Slatterv's Mounted Fut ...
Percy L rencJi
zTnuzvn -soxc.s.
2lti boictti'n baxvt ... m v. G. M . Palmer,
bejti "Oub an ^[Icanna arr. Hardeheck,
Cufut* 4tt cSiijai'n
Sti.ab «a tti'bati
Citttife ttn Co'olu'O ,,
U,«4 bin ..• •'
SON(. ALBLMS.SeoT)^ Ceotl ((ienis of Melody), Part 1
... arr. Hardebeck,
Sedt)4 Ceotl ((iems of Melody), Fart H... arr. Hardeheck,
SeoD4 Ceoil idems of Melody), Part HI... arr. Hardebeck,
%n ClutYce4T)il ... arr. /. /". Larchet,
FART SOXGS.2lniiliu nA jamw^ . i'.,rt arr. /. F . Larcliei,
2lti Cai'tCti bisn 1I'Ti
2lw Ctitlpionn ... ,arr. Hardeheck,
2l»i X)t»oi5ni»i "Don* arr.2la6 0. Tn^olfittAnai'o,
21 n Tn^mtiin Ru4T) arr. /. F. Larchet,
Ciic ni "Ouibift . . . arr. /. F. Larchet,
PIGOTT ALBUM OF IRISH SONGSI -1st (if Cnnlcnts post frci mi application]
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IRISH BALLADS
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Bard of Armagh (G and A)Diarmuid's LamentHeather (ilen. TheLark in the Clear Air (in V. A flat, B flat)
Mav'ourneen, Mine(), Hush, ()!
Song of Glen Dun. The ... Carl HardebeckGalway Bay
King Cormac.
Harp of Oisin.
A. Colahan
PIANO SOLOS
Iri.sh Fantasia
Dr. Annie Patterson
Dr. Annie Patterson
PART SONGS-ro«7/»«ft/2lti Spatlpi'n pinac i ^ i
I'm . arr. /. /". Larchet,
babojio , , arr. .Aviiic (i. Hii^i^ins,
baticttoic 6tt»e4»n arr. 2lo'6 0. Tnuoltitianui'o,
irr. (j. M. Palmer,
arr. /. F. Larchet,
arr. Hardebeck,1-
-1 J . F. Larchet,
arr.b. TnucRuai'ottj'
arr. Hardebeck,
arr. J . F. Larchet,
arr. L^almer,
Cojafi tia «21iti5e4t
64t»ottn an Ctiuic iI'.ii
6iblt'»t 4 Rtttw
yS\\ze Com4ib 50 h6it«»Mn
Tn4'itie.be4l Tii 2lwn4fSea'n 'Ouibif* 4ti ^Ie4nn4Sliab n4 «»b4n ... .- i\„i
Su4MCf4(Tlie
Cuiwr* m CoT»t4-6 ... arr. .A>inieG. Higgins.
21 be4n tit) Sfof ... arr. Searntin TH. Piniat*,
Pai-oiji Iflottn^uala .. . arr. Seutjiuti TH. Piwafi,
DOT) Pl21'nO PIANO.arr. Hardebeck.
Catnc Reitiiceol »f PofiC, Cut-o Li> » » CttfO \\.
II i> II Cult) HLC«tt4f4C Pope tf Cot*, Cttro L
.1 .. CttiT) IL
VIOLIN AND PIANO
Irish Melodies. Op. 56I Rich and Karo.
4 Flv Not Vet (Jif().
M. EspositoCoulin. j Silent O Movie.
5 When Thiough Life.
Fantasia on Irish Aiis /•". Roche & Carl Hardebeck
Irish Airs, Sets I and 2 J . F . LarchetWith I'arts lor String Orchestra (ad lib).
Irish Fantasv Leonard Shanahan
Three Irish Airs (Violoncello, or Violin and Piano)Eileen & William Reidy
VIOLIN
Collection of Irish Airs, Marches, and Dance TunesCompiled and .Arranj^'ed (or N'iolin, Mandoline, Pipes or
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Airs and Fantasies-Collection of Operatic Selections.Ballads, and Traditional Airs.
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