a matter of life and death (digital).pdf

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 ron Maiden A Matter of Life and Death Different World - 02 These Colours Don't Run - 12 Brighter Than A Thousand Suns - 22 The Pilgrim - 33 The ongest Da! " #1 $ut $f The Shado%s " &1 The Reinarnation $f Ben(amin Breeg " &) *or The +reater +ood $f +od " )0 ord $f ight " ,& The ega! " , Digital Conversion ©  2011 Sorgdal  Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any claim to its accuracy or value as a learning aid. Sorgdal

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8/21/2019 A Matter of Life and Death (Digital).pdf

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 ron Maiden

A Matter of Life and DeathDifferent World - 02

These Colours Don't Run - 12

Brighter Than A Thousand Suns - 22

The Pilgrim - 33

The ongest Da! " #1

$ut $f The Shado%s " &1

The Reinarnation $f Ben(amin Breeg " &)

*or The +reater +ood $f +od " )0

ord $f ight " ,&

The ega! " ,

al Conversion ©  2011 Sorgdal  Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I

to its accuracy or value as a learning aid.

8/21/2019 A Matter of Life and Death (Digital).pdf

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 © Copyright 2006 Iron Maiden Publishing (Overseas) Limited

BMG Music Publishing Limited

All Rights Reserved. International Copyright Secured.

Different World

Intro

q = 185

Words & Music by Steve Harris & Adrian Smith

7fr

E53fr

C55fr

D5 G5 A5 Dsus4 D2fr

G/B

  [E]

Gtr. 1

 ff  w/dist.   P.M.  

Gtr. 2

 ff  w/dist.   P.M.     P.M.  

Gtrs. 1+2

E5

  Gtr. 3

 f  w/dist.

 

   

Gtr. 1

P.M.  

cont. in slashes

Gtr. 2

P.M.     P.M. 

cont. in slashes

                                 

79

79

79

710

77

79

7 9 107

10 9 7 79

79

79

710

77

79

710 9 7

10 9 7

    

              

           

02

02

02

03

00

02

0 2 30

3 2 0 02

02

02

03

00

02

03 2 0

3 2 0

  

               

3

05

05

05

05

05

05

05

05

05   3

05

05

05

05

05

05

05

05

05

05

       

              

   

     

79

79

79

710

77

79

7 9 107

10 9 7 79

79

79

710

77

79

710 9 7

10 9

    

 

 

            

 

 

     

02

02

02

03

00

02

0 2 30

3 2 0 02

02

02

03

00

02

03 2 0

3 2

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Verse  C5

D5 E5

1.

2.

You

I

lead

thought

me

I

on

had

the

it

path,

all,

keep

I had

show ing

it

- me

all worked

the way.

out.

rhythm cont. sim.

 

Gtr. 2

cont. in slashesP.M. 

I

Just

feel

what

a

the

lit

fu

tle-

ture-

lost,

held,

a

that

lit

there

G5

tle

would

- strange

be no

to day.

doubt.

D5

-

  E5

I

But

think 

then

I’ll

the card

take

came

a hold

up

of 

and

what

I

C5

- ev

took 

er-

an

comes

oth-

my

er-

way.

turn.

D5

Gtr. 1 2°

P.M.   cont. in slashes

Gtr. 2 2°

P.M.   cont. in slashes

Gtr. 2 1°

P.M.  cont. in slashes

             

                 

       

0 2 30

3 2

 

   

 

   

 

 

   

                       

             

5 74 5 4

7 5

             

7 9 107

10 9 7

     

  

0 2 30

3 2

2

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1.

$2.

  E5

But

Then

I don’t

we’ll

know

see

if 

what

it’s

hap pens,

for

take

ev

G5

-

it

er-

day

that

by

I

day.

yearn.

D5

Gtr. 2

P.M.

 cont. in slashes

G5

Chorus

C5

rhythm cont. sim.

A5 C5

 Tell me what you can hear and then tell me what you see.

Ev ’ry- bo

G5

- dy- has a diff  

C5

’rent- way to view

E5

the world.

D5

I would like

E5

you to know,

C5

when you see

G5

the sim ple- things,

D5

to ap pre

E5

- -

ci- ate- this life.

C5

It’s not too late

G5

to learn.

D5

Don’t

E5

  Gtr. 3 (2° ad lib.)

                  

 

   

 

 

0 2 30

3 2

          

                             

                                    

                       

                               

 

9

3

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Bridge

To Coda Ø

want

G5

to be

C5

here,

D5

some

E5

- - where

G5

I’d ra

C5

ther- - be.

D5

But

E5

when

G5

I get

C5

there,

D5

I’m a fraid

A5

-

it’s not

C5

for me.

Dsus4 D

Tell me what

G5

           

                               

9

8

9

10

9 9

8

9 9

8

9

8

9

7

9 9

8

9

10

9 9

7

9

10

9

7

9

8

9 9

           

 

  

   

   

  

   

 

 

 

   

   

  

  

  9

89

109 9

89

89

109 9

7

9

8

9 9

7

9 910

98

97

98

9 9

             

                                

98

910

9 98

98

910

9 9

7

9 98

910

9 9

7

910

97

98

9 9

         

                        

       

98

910

9 9

7

9

8

9

7

910

9778

778

778

777

777

4

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Chorus

Interlude

you can hear

C5

and then tell

A5

me what you see.

C5

Ev ’ry- bo

G5

- -

dy- has a diff  

C5

’rent- way to view

E5

the world.

D5

I would like

E5

you to know,

C5

when you see

G5

the sim ple- things,

D5

to ap pre

E5

- -

C5 G5

  D5

ci- ate- this life. It’s not too late to learn.

 [E]Gtr. 1

P.M.  

Gtr. 2

P.M.     P.M.  

                               

                               

                       

                                   

        

              

    

       

79

79

79

710

77

79

7 9 107

10 9 7 79

79

79

710

77

79

710 9 7

10 9 7

    

  

 

            

  

 

       

02

02

02

03

00

02

0 2 30

3 2 0 02

02

02

03

00

02

03 2 0

3 2 0

5

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P.M.  

P.M.     P.M.  

Gtr. 1

Gtr. 2

*E5 C5 G5 D5

Gtr. 3

 

 

 

*chords implied by bass

        

              

    

       

79

79

79

710

77

79

7 9 107

10 9 7 79

79

79

710

77

79

710 9 7

10 9 7

    

  

 

            

  

 

       

02

02

02

03

00

02

0 2 30

3 2 0 02

02

02

03

00

02

710 9 7

10 9 7

                                   

98 8

87

9

78 8

87

9

78 8

8 7777

                      

9 710 9

2

710 9

4 5 45

5 45

5 4

5

        

9 710 9

710 9

6

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E5 C5 G5 D5

E5 C5 G5 D5

Gtr. 4

 

 f w/dist.

 

                                        

88

79

78 8

87

9

78 8

87

9

78 8

87

9

78 8

8 7775

                    

5 45

5 45

5 45

5 45

5 4

5

                                           

88

79

78 8

87

9

78 8

87

9

78 8

87

9

78 8

8 7777

                     

5 45

5 45

5 45

5 45

5 4

5

                       

9 79

9 79

9 79

9 79

9   97 11

7

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Gtr. solo

Gtrs. 1+2

E5

A5 C5 D5

cont. in slashes

Gtr. 5

 f  w/dist.

1/2

 

 

C5 G5

rhythm cont. sim.

D5 E5

Gtrs. 3+4 tacet

       

  

 

full

  

     C5

3  3 

G5 D5

 E5

    

  

                                     

88

79

78 8

87

9

78 8

87

7

710

14

            

5

5 45

5 45

5 4

5

              

9 79

9 79

9   97 11

                                      

 

1412 12 13 15

1215 13 12 13 12

1412

14 12 11 12 1412   12

15

                         

12 12 14 15 14 12

12 1112 10 10 12 10

1210

1210 12 12 12 10 10

8

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 D.S. al Coda

Ø Coda

C5 G5

5 6  5  5  5  5 

-1/2

w/bar

D5 C5

P.M.   3 3 

-1/2

 G/B

Dsus4

D

Tell me what

G5

  3 3 

     

    full    

fullfull

 Gtr. 3 cont. ad lib.

Don’t

E5

know

G5

what I

C5

want,

D5

or

E5

where

G5

I want

C5

to be.

D5

Feel

E5

ing

G5

- more

C5

con

D5

fused,- the more

A5

the days

C5

go by.

Dsus4 D

               

               

      

12 8 7 58 7 5

12 8 7 512 8 7 5

8 12 8 7 512 8 7 5

12 8 7 512 8 5

12 8 7 512 8 7 5

                                   

12   8 8 7 5 55

7 5 47 5 4

5 2 3 5 74 5 7 9

5

   

                          

7 9 9 9 9

017

14 15 17 19 20   20 20

           

 

 

       

                     

         

9

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Outro

 [E]

Gtr. 3

 

   

Gtr. 1

P.M.  

Gtr. 2

P.M.     P.M.  

E5

 

 

P.M.  

  

   

P.M.  

                             

3

05

05

05

05

05

05

05

05

05   5

05

05

05

05

08

08

08

08

08

08

08

08

08

08

010

010

010

         

              

   

       

79

79

79

710

77

79

7 9 107

10 9 7 79

79

79

710

77

79

710 9 7

10 9 7

                                  

02

02

02

03

00

02

0 2 30

3 2 0 02

02

02

03

00

02

03 2 0

3 2 0

    

   

                

 

  0

120

120

120

120

120

120

120

120

120

150

150

150

150

170

170

170

170

17 170

170

        

              

    

79

79

79

710

77

79

7 9 107

10 9 7 79

79

79

710

77

779 9

    

  

 

            

  

 

  

02

02

02

03

00

02

0 2 30

3 2 0 02

02

02

03

00

02

10

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These Colours Don't Run

© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%).

All Rights Reserved. International Copyright Secured.

Intro q = 110

Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith

1.

accel.

2.

Em92fr

C'9/E5fr

D'9/E7fr

E53fr

C53fr

G55fr

D5 Csus2 Gsus2 A5 F5 E5*

   Em9

Gtrs. 1+2

 mf w/clean tone

C'9/E

P.M.    

Em9 C'9/E D'9/E

P.M.   Fig. 1

 

   Em9

Gtr 3.

 mp 

C'9/E Em9

 C'9/E D'9/E

w/dist.

Gtrs. 1+2 play Fig. 1

 

 

Gtr. 4

 mp w/dist.

 

 

 Em9   C'9/E Em9

 C'9/E D'9/E

C'9/E D'9/E

 

  

 

        

                         

02

42

45 4 2

5

03

53

7 5 45

02

42

45 4 2

03

57

05

79

     

   

 

   

 

     

     

912 12 12 10

12

1013 12 10 12

12 12   1111 1210

                               

2 9 9 9 7 57 5

9 7 9 5 5   44 5 7

                                

1 2 1 2 1 2 1 012

1013 12 10 12

12 12   1111 12 11 9 11 9

                                  

9 9 9 7 57 5

9 7 9 5 5   44 5 47

47

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q = 148 1.

Verse2.

    Em9Gtrs. 1+2

 ff w/dist.

C'9/E Em9 C'9/E D'9/E

P.M.   Fig. 1

C'9/E

D'9/E E5

1.

2.

It’s

There

the

is

same

no one-

in ev

that

C5

’ry

will

- coun

save

try,

you,

- when

go

G5

-

  Gtr. 2

P.M.

  P.M.

  Fig. 3

 

P.M.  

Gtr. 1

P.M.   P.M. P.M.  P.M.Fig. 2

you

ing-

say

down

you’re

in

leav

flames.

D5

ing.-

E5

 P.M.

  P.M.

  P.M.

  Fig. 3

 

P.M.   P.M. P.M.   P.M.Fig. 2

         

      

         

   

  

02

42

45 4 2

03

53

7 5 45

02

42

45 4 2

03

57

05

79

                 

 

        

     

     

02 2

42

45 4

03

53

7 5 4

3

     

      

 

 

03

57

05

7799

799

0 0799

0355

355

3 3 355

3355

           

               

        

35

3

75

3577

57

5

97

5

    

355

3 3 355

3577

577

5 5 577

5

2

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Pre-chorus

Chorus

q = 103

1.

Gtr. 1 plays Fig. 2Gtr. 2 plays Fig. 3

Left

No

be

sur

hind,

ren

the

der,-

loved

cer

C5

ones

tain-

wait

death,

ing,

you

- si

look 

G5

lent

it

- in

in

the

the

hope.

eye.

D5 E5

Where

On

you’re

the

go

shores

ing,

of 

there’s

tyr

C5

ad

ra-

ven

ny

-

-

ture

you

- oth

crashed,

G5

ers

a

- on

hu

ly

man

-

-

dream

wave.

D5

of.

E5

Gtrs. 1+2

E5

Red

Pay

and

ing for

green light,

our

this

free

C5

is

dom-

real

with

and

your

so

lone

G5

you

ly,-

go

un

to

marked-

war.

graves.

D5

For the pas -

Csus2 Gsus2rhythm cont. sim.

D5 E5

sion,- for the glo ry.- For the mem ’ries,- for the mon ey.- You’re a sol

dier- for your coun

Csus2

try.- What’s the diff  

Gsus2

’rence?- All the same.

D5

E5 C5 G5

rhythm cont. sim.

D5 E5 C5 G5 D5

Far a way- from the land of our birth, We fly a flag in some for eign- earth.

E5

We sailed a way-

C5

l ikeour fath

G5

ers- be fore.

D5

These co

E5

lours- don’t run

C5

from cold,

G5

blood-y war.

D5

    Gtrs. 1+2

                                 

                             

  

                                   

                                                 

                               

          

             

              

                 

                 

 

0

3

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q = 148

2.

Interlude

$q = 180

 Em9 C'9/E Em9 C'9/E D'9/E

P.M.

 Em9

C'9/E

Em9

C'9/E

D'9/E

cold,

G5

blood-y war.

D5

    Gtr. 2

   

 

P.M.  

Gtr. 1

   

[A]

Gtr. 4

Gtr. 3

 f w/dist.

 

Gtrs. 1+2

Fig. 4 P.M.  

         

      

         

   

  

2 4 2

4

5 4 2

03 5 3

7 5 4

5

02 4 2

4

5 4 2

03 5

7

05 7

9

   

 02

      

   

      

  

 

02

42

45 4 2

03

53

7 5 45

02

42

45 4 2

03

57

05

7799

      

 

      

       

512

613

815

613

512

613

512

613

512

613

55

7

1213

14

                                         

23 0

35 0

57 0

35 0

23

35

23 0

35 0

57 0

35 0

23

35

4

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To Coda Ø

(*F5)

Gtrs. 1+2 play Fig. 4

(D5)

*chords implied by bass

[A]

Gtr. 2

Gtr. 1 plays Fig. 4

P.M. P.M. P.M. P.M.

Fig. 5 P.M. P.M. P.M. P.M.

Gtr. 2 plays Fig. 5

      

       

        

   

512

613

815

1017

815 13

6 512

613

512

613

55

7

1213

14

 

      

    

        

   

512

613

815

613

512

613

512

613

512

613

55

7

1213

14

 

      

      

       

512

613

815

1017

815 13

512

613

512

613

55

7

1213

14

 

 

 

 

       

 

 

 

   

910

0

1012

0

1214

0

1012

0

910

1012

910

0

1012

0

1214

0

1012

0

910

1012

 

  

   

    

        

   

512

613

815

613

512

613

512

613

512

613

55

7

1213

14

5

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Gtr. Solo

Gtr. Soloq = 103

F5 D5

C5

D5

Gtr. 5

 ff w/dist.

 

12

full

 E5* G5   E5* G5

 6  6  3 

 

full

 Gtrs. 1+2

P.M.  P.M.  P.M. Fig. 6 P.M.  P.M.  P.M. 

 E5*

Gtrs. 1+2 play Fig. 6

G5 E5*

   

G5

6 3 3  3 6 

 

      

    

    

          

512

613

815

1017

815 13

6 512

613

512

613

55

7

1213

14

  

15

      

   

    

       

512

613

815

613

512

613

512

613

512

613

55

7

1213

14

                                    

1215

1 2 1 5 1 4 1 5 1 4 1 215

12 14 1215 14 12

1512 14 12

15 14 1214

12 1215 17 15

 

 

022

0 0 022

0 0 022

0 0 355

355

022

0 0 022

0 0 022

0 0 355

355

                               

13 1 5 13 15 1 3 12 13 1 214

1 3 1 21412111214

1 2 1 3 1 21412141112111211

141214121214   714   14 12 0

1412

6

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 D.S. al Coda

Ø CodaGtr. Solo

 E5* G5

3  6 

 E5* G5

 3 

3  w/bar

 

  -1/2

E5* -1/2

-1/2

w/bar

G5 

  E5* 

 

    

G5

  -1/2 -1/2 -1/2

     

Gtr. 6

 f w/dist.

[A]   

P.M.

  3 

1/2

   full

 

Gtr. 2 (Fig. 4)

Gtr. 1 plays Fig. 3

P.M.  

                                

13 12 15 14 1215

12 13 1215 14 12

1412 12

1412 15 14 14 15

12 13 1215

12 13 1214

                           

12 11 12 1412 13 12

14 12 14 12 11 12 1114 12 10 12 10 12 10 9 10 12 10 9

5

                             

8 7 10 8 13 12 1512   1714 15 17 19   1819 19 19

      

                  

         

10 1310 12   10

1310

1210

13 12 1010 910 9

     

                        

5 612 13

55

7

1213

142

3 03

5 05

7 03

5 02

33

52

3 03

5 05

7 03

5 02

33

5

7

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Interlude

Gtr. 1 plays Fig. 3

Gtr. 2 plays Fig. 4

      

  

   

*F5     D5

  

*chords implied by bass

      1/2

[A]

rake

     

  

 Fig. 7...

E5Gtr. 3

  G5

 Gtrs. 1+2

 

   

   

              

            

1715

17 17 15 13 15 1314

1314

13 15 1314

13 12

12 12

1214

1 2 1 3 1 512

                              12

15 15 13 13 1214

12   12

10 10 9 9

                    

                  

    

74 5 7

5 6 5 57 5

75 7

5

X

X

17 18 17 1815

1 7 1 815 17 19 20 22

         

12 12 13 15 13 12 12 13

         

4 4 5 7 5 4 4 5

8

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1.

2.

1.

2.

  C5

D5

Oh,

 ...Fig. 7 ends

 

  E5

oh,

G5

oh,

C5

 

Gtr. 3 plays Fig. 7

oh.

D5

Oh,

D5

  

   

             

12 14 12 14 12 14 12 14

             

47 5 7 5 7 5 7

           

            4 4 5 7 5 4 4 5 4

             

             

7 5 7 7 5 75 5 5

9

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Chorus

Chorus

q = 103

1.

2. rall.

Outro q = 110

rall.

E5

Gtrs. 1+2

Gtr. 3 tacet

C5 G5

rhythm cont. sim.

D5

Far a way- from the land of our birth,

E5

We fly a flag

C5

in some

G5

for - eign earth.

D5

E5

We sailed a way-

C5

likeour fath

G5

ers- be fore.

D5

These co

E5

lours- don’t run

C5

from cold,

G5

blood y war.

D5

G5 D5

cold,

G5

blood- y war.

D5

These co

E5

lours- don’t run

C5

from cold, blood -y war.

 Em9

Gtr. 3

 mp Gtr. 3 w/dist.Gtrs. 1+2 play Fig. 1

C'9/E Em9

 C'9/E D'9/E

 

 Gtr. 4

 mp w/dist.

 

 

 Em9 C'9/E Em9

 C'9/E D'9/E

 

  

 

          

             

              

                                  

          

                     

                             

12 12 12 1012

1013 12 10 12

12 12   1111 1210

                              

9 9 9 7 57 5

9 7 9 5 5   44 5 7

                             

12 12 12 1012

1013 1 2 10 12

12 12   1111 12 11 9

                                 

9 9 9 7 57 5

9 7 9 5 5   44 5 47

10

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 © Copyright 2006 Iron Maiden Publishing (Overseas) Limited.

BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%).All Rights Reserved. International Copyright Secured.

Brighter Than A Thousand Suns

Introq = 115

Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith

Verse

Em9

4fr

D/E5fr

Em

Cmaj7#11

7fr

F#m/E

5fr

Am9

9fr

G/E

F52fr

G/B

E5

9fr

D/F#

F#53fr

G5

7fr

E5*

B5

C

3fr

C5

4fr

D'4

A5

8fr

C5*

G5

7fr

B5*

Fmaj7#11

5fr

A5*

  D/EGtr. 1

 mf  let ringw/slight dist.

Em F#m/E G/E F#m/E Em D/E

Fig. 1

 D/E Em

1. We are not

F#m/E

the sons

G/E

of God,

F#m/E

we are not

Em

his cho sen

D/E

- peo

Gtr. 2

 mf   Gtr. 2 w/clean tone + chorus

Gtr. 1 plays Fig.1

 D/E

ple- now.

Em

We have

F#m/E

crossed the

G/E

path he trod,

F#m/E

we will

Em

feel the pain

D/E

of 

     

 

 

 

     

  

45

0

57

0

79

0

910

0

910

0

79

0

57

0

45

0

                    

 

 

 

 

 

 

 

 

77

0

89

0

1011

0

1212

0

1212

0

1011

0

89

0

77

0

                     

 

 

 

 

 

 

 

 

77

0

89

0

1011

0

1212

0

1212

0

1011

0

89

0

77

0

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accel. poco a poco

accel. poco a poco

Verse

$

q = 125

q = 125

(1° only)

D/E

his

Em

be gin- ning.

F#m/E G/E

F#m/E Em D/E

Gtrs. 1+2

 ff w/dist.

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.Fig. 2

  E5 F#5 G5

P.M.

B5 C5 E5 D5 F#5

P.M.

G5 B5 C5

  D/E

2.

3.

4.

5.

6.

Gtrs. 1+2 play Fig. 1

Di

Knock 

Bomb

Sha

Yel

vide

Em

-

- ing

low

anders

dow-

-

fing

heads

sun,

conlaunch

ers

to

its

querwith

-

-

rise

geth

ev

whileno

F#m/E

-

a

er

il

yere

-

-

bove,

well,

twin,

may,call,

G/E

-

-oth ers

ir

raise

in

preachmin

on

a

the

ute

F#m/E

- fin

ci

black,

andwarn

oth

gers

ty

the

ing

-

-

-

stab

build

winds

ersof 

Em

-

the

a

de

fallthe

de

liv

liv

andmis

D/E

-

-

-pray.

sert

ing

er

sile’s

-

-

sky.

hell.

him.

fall.

D/E Em

Oh,

Join

We

In

Take

be

the

will

a

a

hold

race

split

bunk 

look 

-

F#m/E

the

to

our

er’s

at

-

pow

su

souls

where

your

er

G/E

of 

i

with

we’ll

last

-

man,

cide,

in,

die,

sky,

-

-

guess

on

lis

at

there

its

ten

om

the

ing

F#m/E

-

-

tow

for

seed

ex

you

er

the

to

e

won’t

-

-

read

tol

nu

cu

have

Em

-

the

y

ling

clear

tion

-

-

-

-

for

of 

dust

ers

time

D/E

-

the

the

is

they

to

      

 

   

 

 

 

 

   

  

4

50

57

0

79

0

910

0

910

0

79

0

57

0

45

0

  

    

        

   

         

02

02

02

02

02

24

35

024

35

02

02

02

02 5

7

0 24

35 2

435

                 

                       

2

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1, 4.

2, 3, 5.

Pre-chorus

1.

2, 3.

To Coda Ø

fall.

bell.

riv

lie.

cry.

E5

en.

F#5 G5 B5 C5 E5

D5 F#5 G5 B5 C5 E5

D5 F#5 G5 B5 C5

Gtrs. 1+2

P.M. P.M. P.M. cont. in slashes

C5 A5

rhythm cont. sim.

G5 F5

Out of the un i- verse,- a strange love is born.

C5

Un ho- ly- u

A5

ni- on,- tri

G5

ni- ty- re formed.

Fmaj7#11

-

  E5

F#5 G5 B5 C5 E5

D5 F#5 G5 B5 C5

Gtrs. 1+2

P.M. P.M.

  Em9Gtrs. 1+2

 mf  let ring

w/slight dist.

Cmaj7#11 Am9 Fmaj7#11

Fig. 3

   

  

  

       

 

   

      

 

   

    

02

02

02

02

02

24

35

024

35

02

02

02

02 5

7

0 24

35 2

435

02

02

02

02 5

7

0 24

35 2

435

     

                             

                             

  

    

    

    

   

    

    

0

2

0

2

0

2

0

2

0

2

2

4

3

5

0

24

35

0

2

0

2

0

2

0

2 57

0 2

4

3

5 24

35

           

           

        

02

40

00

43

40

00

00

40

75

00

00

1

32

00

02

3

3

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Chorus

1.

2.

Chorus

  Em9

Gtrs. 1+2 play Fig. 3

Out of the dark  

Cmaj7#11

ness,- bright er- than

Am9

a thou sand- suns.

Fmaj7#11

 Em9

Out of the dark  

Cmaj7#11

ness,- bright er- than

Am9

a thous and- suns.

Fmaj7#11

-

ness, bright er- than

Am9

a thou sand- suns.

Fmaj7#11

E5*

Gtrs. 1+2

C5 A5

rhythm cont. sim.

Out of the dark ness,- bright er- than a thou sand- suns.

F5 E5*

Out of the dark  

C5

ness,- bright er- than

A5

a thou sand- suns.

F5

 

 ff w/dist.

Gtr. 3

full

                              

                       

     

         

           

                       

             

 

 

 

14

10

0

4

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Gtr. Solo

E5      C5 A5 G/B

 

C5 G5* D/F#

   E5*

full  

 

  

 Gtrs. 1+2

Fig. 4

*Gtr. 3 w/pitch shift pedal

Gtrs. 1+2 play Fig.4

C5 A5

5 6 

 

*Set pitch shift -1 8ve and

use pedal to slur into notes.

G/B C5 G5* D/F# E5*

6 6  6 

  

1/2

    C5 A5

full full full full fullfull

          

                   

10   12 14 15 14 12 14 12 1 4 12 1 0

14121412

1214 14

14

12

12 10   10 1010 12 12 12 12

              

   

     

  

 

799

7799

9 10 9 78 8 5 7 8 7 5

022

022

25

25

355

355

1012

912

799

                        

12 14 15 17 1215

12 15 1215

12 17 1215

12 15 12 15 1215

12 1 7 1215

12

                           

15 1215

12 17 1215

12 15 1215

12 17 1215

12 12 0 0   19   19

          

                

14

12   15

1215 12

12 1215

14

1512 1212 12 12

1514

12 1212   15

1 5 12

5

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InterludeDouble time feel

G/B C5 G5* D/F#     E5*

full  full full full full

C5 A5

full full

G/B C5 G5*D/F#   

fullfull full full full

  

  E5Gtrs. 1+2

Gtr. 3 tacet

P.M.    P.M.    P.M.    P.M. 

C5

P.M.    P.M.    P.M.    P.M.  Fig. 5

 A5

P.M.    P.M.    P.M.    P.M. 

F5

P.M.    P.M.    P.M.    P.M. 

                     

15 1515   15 17 17   12 15

                                        

17 11 1 5 1 7 1 2 1 5 1 212 15 17 12 15

1 7 1 2 1 5 1 21 2 1 5 1 7 1 2

1412

1 2 1 4   141 6 1 212

14

15 12 12

                  

        

14

1215 12

14

1212

15 12 1212

1514

12 1212

14

15 12 12

151215 12

 

 

 

 

0 0799

0 0799

0 0799

0 0799

3 3 355

3 3 355

3 3 355

3

0 0 022

0 0 022

0 0 022

0 0 022

1 1 133

1 1 133

1 1 133

1 1 133

6

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Bridge

(Double time feel)

1.

Bu

Ev

Gtrs. 1+2 play Fig. 5

E5

ry

er

-

-

your

would

prob

Ro

lems

bert-

and

have

bu

said

C5

ry

to

- your

his

dead,

God, ’bout

Bu

how

A5

ry

he

- your

made

head

war

in

with

the

the

sand.

sun.

F5

  E

E5

e quals

- M C squared,

you

C5

can re

late-

how

A5

we made

God with our

hands.

F5

Gtr. 2

P.M.    P.M.    P.M.    P.M. 

Gtrs. 1+2

P.M. 

End double time feel

[E]

C

D'4 [E]

C D'4

What

Gtr. 3

let ring

  let ring

let ring   let ring

                             

                   

           

                      

5 5 54

5 5 54

5 5 54

5 5 54

1 1 13

13

13

13

13

13

13

13

13

13

 

            

            

0

4 25 4 2

32

0

54

0

0

4 25 4 2

32

0

54

0

                

              

0

5 4 2 02 3

20

54

0

0

5 4 2 02 3

20

54

0

7

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Bridge

(End double time feel)

2.

Gtr. Solo

  [E]

All na tions are ris

C

ing,-

D'4 [E]

through ac id- veils

C

of love

D'4

and hate.

[E]

let ring

Fig. 7

let ring

let ring   let ring Fig. 6  

Gtrs. 1+2 plays Fig. 6Gtr. 3 plays Fig. 7

C D'4 [E] C D'4

Gtrs. 1+2

A5

Chain let ters of Sa tan,- Un cer- tain ty led us all to this.

Gtr. 3 tacet   F5 G5 A5 F5 C5 A5

All na tions are ris ing,- through ac id- veils of love and hate.

G5 Fmaj7#11

Cold fu sion- of fu ry.-

B5*

rake

C5*  

full

  

Gtrs. 1+2

P.M.   Fig. 8

                           

            

            

0

4 25 4 2

3 32

0

54

0

0

4 25 4 2

32

0

54

0

              

              

0

5 4 2 02 3

20

54

0

0

5 4 2 02 3

20

54

0

0

                                

                       

           

             

                     

                        

7

99

79

9 79

79

7 9 1 0

7

10X

X

10

9 79

                                     

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

810

8

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Interlude

 D.S. al Coda

Ø Coda

  A5* B5* G5* F5

 

 

  D/E

 ff w/dist.

Em

P.M. P.M.

F#m/E G/E

P.M. P.M. P.M.

F#m/E

P.M.

Em

P.M.

D/E

P.M.

 E5 F#5 G5

P.M.

B5 C5 E5 D5 F#5

P.M.

G5 B5 C5

 E5 F#5 G5

P.M.

B5 C5 E5 D5 F#5

P.M.

G5 B5 C5

Gtrs. 1+2 play Fig. 3

Em9

Out of the dark  

Cmaj7#11

ness.-

Am9 Fmaj7#11

                   

16 1416

1416 14 12 14 12

14 13 13

     

 

 

 

     

  

4 50

5 70

7 90

9 100

9 100

7 90

5 70

4 50

  

    

    

    

   

    

    

02

02

02

02

02

24

35

024

35

02

02

02

02 5

7

0 24

35 2

435

  

    

    

  

  

    

 

 

  

02

02

02

02

02

24

35

024

35

02

02

02

02 5

7

0 24

35 2

435

             

10

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Chorus

1, 2, 3.

4.

Outro

rall.

 Em9

Out of the dark  

Cmaj7#11

ness,- bright er than a thou

Am9

sand- suns.

Fmaj7#11

  Gtr. 1

 f w/dist.

E5Gtrs 1+2 play Fig. 4

Out of the dark  

C5

ness,- bright er- than

A5

a thou

G/B

sand- suns.

C5 G5* D/F# E5*

 

  G5* D/F# E5   (Hi-hat)

  D/EGtr. 1

 mf  let ring...Gtr. 1 w/slight dist.

Gtr. 2 tacet

Em F#m/E G/E F#m/E Em D/E

 D/E

Em F#m/E G/E

Ho ly

F#m/E

Fa ther,- we

Em

have sinned.

D/E E5

Gtr. 2

 mf  let ring...

w/slight dist.

                       

 

133

133

133

133

133

133

133

133

                       

 

  

  

 

355

355

1012

1012

912

022

     

 

 

 

     

  

45

0

57

0

79

0

910

0

910

0

79

0

57

0

45

0

         

  

 

 

   

 

 

 

77

0

89

0

1011

0

1212

0

1212

0

1011

0

89

0

77

0 022

11

8/21/2019 A Matter of Life and Death (Digital).pdf

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© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited.

All Rights Reserved. International Copyright Secured.

The Pilgrim

Introq = 95

Words & Music by Janick Gers & Steve Harris

7fr

E53fr

C55fr

D5 A5 B5 F58fr

F5*4fr

B5/A4fr

Db5

µGtr. 3

E5 C5 D5 E5 C5 D5 A5

  Gtrs. 1+2

 f w/dist.

(Drums)

    Gtr. 4

 f w/dist.

E5 C5 D5 E5 D5 E5 C5 D5 A5

   

 

  

 

                                      

                       

7 710 8 7

910 10

7 8 7 710 8 7

9

7 710 8 7

910 10 8 7

98 7

9 7

                      

4 47 5 4

77 7

4 5 4 47 5 4

7

4 47 5 4

77 7 5 4

75 4

7 5

                                                                        

   

9

7 710 8 7

910 10

7 8 7 710 8 7

9

7 710 8 7

910

7

10 8 79

                                 

7

4 47 5 4

77 7

4 5 4 47 5 4

7

4 47 5 4

77

5

7 5 47

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Verse

q = 190

   E5

 Gtrs. 1+3

Gtr. 4 tacetP.M.     P.M.     P.M.     P.M.     P.M.     P.M.     P.M.     P.M.  

cour(2.)

E5

age

1. The

find

keys to

and gra

death

-

and

cious

hell,

will.

the

De

ail

liv

C5

- er

ing- king

good

dom,

from ill.

doomed to fail. The

 Gtrs. 1+2+3

P.M.     P.M.     P.M.    P.M.    P.M.    P.M.    P.M.    P.M. 

bonds

Clean

D5

of 

the

sin

wat

and

er,-

hearts

clean

A5

will

our

break,

guilt. With

the pil

us

E5

grim’s

do

course

what

will

you

take.

will.

 

P.M.    P.M.    P.M.    P.M.    P.M.     P.M.    P.M.    P.M. 

Quell

Then

ing

will

- the

my

dev

 judge

il’s

ap

might

pear,-

and

bear

read

no

C5

y

false

for

an

e

gel-

ter-

that

nal

I

- fight.

hear. For

 

P.M.    P.M.    P.M.    P.M.    P.M.    P.M.    P.M.    P.M. 

           

0 0 0 079

0 0 079

0 0 079

0 0 0 0 0 0 079

0 0 079

0 0 079

0 0 0

                           

 

 

 

              

0 079

0 079

0 079

0 079

79

3 3 35

3 3 35

3 3 35

3 3 35

35

                               

         

 

      

5 5 57

5 5 57

0 0 02

0 0 02

02

0 079

0 079

0 079

0 079

79

                           

 

 

                

0 079

0 079

0 079

0 079

79

3 3 35

3 3 35

3 3 35

3 3 35

35

2

8/21/2019 A Matter of Life and Death (Digital).pdf

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$

Ach

on

A5

ing- limbs

ly- then

and

I

faint

will

C5

ing

con

soul,

fess

ho

D5

ly

to

- bat

my

E5

tles

e

- take

tern-

their

al-

toll.

hell.

 

P.M.     P.M.    P.M.    P.M.    P.M.     P.M.    P.M.    P.M.    P.M. Pre-chorusE5Gtr. 4

C5 D5 B5 C5

 

2. 3.

1.   Li

Now

ber

give

- ty

us

- and

our

hope

ho

di

ly-

- vine,

sign, chang

chang ing

ing-

- the

the

 Gtr. 3

 Gtr. 2

Gtr. 1

D5 E5 E5 C5 D5

wat

wat

er

er

-

-

in

in

to

to

-

-

wine.

wine. 

So to you we bid fare -

 

 

                              

             

 

    

0 0 02

0 0 02

0 0 35

3 3 35

57

0 079

0 079

0 079

0 079

0 0

  

     

       

 

        9 5 7 4 5

 

  

5

8

7

94

7

5

8

4

7

5

7

7

9

   

 

      

 

       

 

   

    7 2 9 5 7

     

  

9

754

5

8

7

94

7

5

8

4

7

3

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Chorus

B5 F5 C5 D5 E5

well, king dom- of hea ven- to hell.

 

 

  [A]

Spi rit- ho ly,- life e tern- al.-

 Gtrs. 1+2+3

Gtr. 4 tacetFig. 1

Raise me up, take me home.

D5

 Fig. 1

 

   

 

 

 

 

       

4 75 7 9

5

7

3

6

7

8

5

5

7

7

         

         

                     

01414

1413

1212

1212

01010

109

1212

1212

           

         

 

     

01414

1413

1212

1212

01010

109

577

577

4

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To Coda Ø

Interlude

q = 95

1.

2.

  [A]Gtrs. 1+2+3 play Fig. 1

Pil grim- sun rise,- pa gan- sun set.-

On ward- jour ney- be gun.-

D5

E5

Gtr. 3

F5* rhythm cont. sim.

P.M.  

 Gtr. 2

Gtr. 1 dbls. ad lib. 8vb

   E5 F5

  C5 Db5

  C5

Db5

2.   To

Db5

   

         

         

           

         

                           

0

9 109 10 9

9 10 9 9 109 10 9 10 9 10 9

                               

9 10

9 10 9

9 10 9 9 10

9 10 9 10 9 10 9

                               

5 65 6 5

5 6 5 5 65 6 5 6 5 6 5

 

                                     

5 65 6 5

5 6 5 5 65 6 5

6 5 6 5 5 65 6 5

6 5 6 5

5

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Gtr. Solo

q = 190

B5

P.M.     P.M.

 Gtr. 5

 ff w/dist.

rake    3 

    full full

C5

P.M.  B5

rhythm cont. sim.

B5/A

    3 

 

1/2

 B5   C5 B5

  

full    

    B5/A B5

 

      C5 B5 

 full

         

   

                             

X

X

4 4 54 5   5 57 5 4

54

5 4 5 4

        

                                 

74 4 8

11

8

11 7 7 6 8 8 7 8 710

7 8 11 12

                                

 

12

  12 11 8 11 8 7 10 7 14 17 15 14 12 1215 1 412

14

15 12

             

 

               

12 13 12   1010 12 12 10 12 13 0 13 0 13 12 1311 12 11

1311

 

                1212 14 15 14 15   15   15

6

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 D.S. al Coda

Ø Coda

1.

2.

q = 95

  3 

B5/A B5 C5     D5

full  1/2

  [A]Gtrs. 1+2+3 play Fig. 1

Spi

Pil

rit

grim

-

-

ho

sun

ly,

rise,

-

-

life

pa

e

gan-

tern

sun

- al.

set,

-

-

Raise

On -

me

ward

up,

 jour

take

ney-

me

be

home.

gun.-

D5

Interlude

E5

Gtr. 3

F5rhythm cont. sim.

P.M.  

 Gtr. 2

Gtr. 1 dbls. ad lib. 8vb

  E5 F5

 

                            

14 12 14 14 1216

15 14 15 1416

14 15 17   17

         

             

       

                 

                           

0

9 109 10 9

9 10 9 9 109 10 9 10 9 10 9

         

                             

9 109 10 9

9 10 9 9 109 10 9 10 9 10 9

7

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Outro

1.

2.

  C5 Db5

  C5 Db5

Slower

E5

Gtr. 3

C5 D5 E5 D5 E5 C5

 Gtrs. 1+2

 f w/dist.

 Gtr. 4

 f w/dist.

D5 A5

rall.

D5 E5 A5

     

 

   

 

                               

5 65 6 5

5 6 5 5 65 6 5 6 5 6 5

                               

5 65 6 5

5 6 5 5 65 6 5

6 5 6 5

                           

                               

9

7 710 8 7

910 10

7 8 7 710 8 7

9

7 710 8 7

9

     

 

    

         

       

 

 

7

4 47 5 4

77 7

4 5 4 47 5 4

7

4 47 5 4

7

                               

       

910 10 8 7

98 7

9 710

7

10 8 79

                            

7 7 5 47

5 47 5

75

7 5 47

8

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Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith

The Longest Day

© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.

BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%).All Rights Reserved. International Copyright Secured.

Intro

q = 108

Verse

2°+3° poco a poco accel...

2fr

G/B

7fr

E53fr

C5

Asus4

G5

10fr

G5*

5fr

D5

9fr

F#5

3fr

Cadd9

2fr

Badd9

Eadd9

3fr

Gadd9

5fr

Dadd9

5fr

Aadd9

  [E]Bass arr.

for Gtr.

Fig. 1…let ring...

w/slight dist.

[E]Gtr 1

 mf 

…Fig. 1 ends

  [E]

3. The

1.

2.

In

Ov

ris

the

er

ing

-

-

gloom

lord,

dead,

-

the

your

gath

mast

fac

’ring

er

es

-

-

-

storm

not

bloat

your

ed,-

a bates.

God.

torn.

-

Gtr. 2

 mf  Gtr. 2 w/dist.+ flangingGtr. 1 plays Fig. 1

cont. sim.

P.M.  

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

             

                   

 

      

0

9 7 97

97

107

710

0

9 7 97

97

107

7   7   97

   

 

   

  

    

  

 

   

  

9 7 97

97

107

710

0

9 7 97

97 7

9

                      

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

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The

They

In

en

are

e-

the

my

re

-

lieved,

ships,

coast,

- the

gim

dawn

liv

let

ing

ing

-

-

eyes

grey

wait

with

their

a wait.

scud.

turn.

- A

These

Your

call

wretch

num

to

ed

ber’s

arms,

souls,

up,

to

the

ham

puk 

bul

mer

ing,

let’s

at

shak 

got

ing

your

-

the gates.

fear.

name.

To

To

You

blow

take

still

them

a

go

wide,

bul

on

let-

throw

for

to

ev

those

hell

il-

who

and

to

sent

back 

its

them

a

here.

gain.-

fate.

  [B]

All

TheVal

sum

halworld’s

-

mers

ala-

long,

light,waits,

-

the

theVal

drills

cliffskyr- ies-

to

e

build

ruptrise

- inand

the ma

flame.fall.

-

Gtr. 1

Gtr. 2

cont. sim.P.M.  

chine,- to

The

turn

No

war ri

es

or-

men

cape,

tombs

from

re

lie

- morse

flesh

op

and

en

less

-

blood

shrap

for

nel

us

-

to steel.

rains.

all. A

From

Drown

pap

ghost

-

er

ing

ly

-

-

sol

man,

hand

diers to

no

                     

                                  

               

                   

24 2 4

24

25

2

25

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

                         

                                    

24 2 4

24

25

22 4

24 2 4

24

2

2

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1.

2, 3.

bo

chance

reach

dies

es

for

on

a

through

war ri-

the

or’s

the

-

beach.

fate.

veil,

From

A

sum

chok 

blood

mer

ing

and sand,

sands

death,

to

we

ar ma- ged- don’s reach.

Pre-chorus

E5 C5rhythm cont. sim.

G5

en

will

ter-

pre

hell’s

vail!-

gate! Slid ing- we go, on ly- fear

 ff w/dist. Fig. 2

on our side.

D5

To the edge

E5

Fig. 2

Gtr. 1 plays Fig. 1

of the wire,

C5

and we rush

G5

with the tide.

D5

Oh, the wat

E5

er- is red

C5

with the blood

G5

of the dead.

D5

Oh, but I’m

E5

C5   G5Gtrs. 1+2

D5

still a live,- pray to God I sur vive.-

                      

                  

52

25

24 2 4

24

244

           

                       

       

         

44

079

079

079

079

079

077

000

355

355

355

35

25

XXX

355

           

           

355

355

35

25

XXX

577

577

577

57

47

XXX

0799

         

             

 

                       

                        

3

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Chorus

q = 122

To Coda Ø

How

Cadd9

long,

Eadd9

on this long

Dadd9

est- day,

Eadd9

’til we fin

Cadd9

al- ly- make

Eadd9

it through?

Gtrs. 1+2

let ring...Fig. 3

  Dadd9

How

Cadd9

long,

Eadd9

on this long

Dadd9

est- day,

Eadd9

’til we

 

Fig. 3

 

fin

C5

al- ly- make

G/B

it through?

A5

Fig. 3

How

Cadd9Gtrs. 1+2 play Fig. 3

long,

Eadd9

on this long

Dadd9

est- day,

Eadd9

’til we fin

Cadd9

al- ly- make

Eadd9

it through?

Dadd9

How

Cadd9

long,

Eadd9

on this long

Dadd9

est- day,

Eadd9

’til we fin

C5

al- ly- make

G/B

it through?

                       

  

  

 

  

  

     

  

35

7

02

45

79

02

43

57

02

4

             

               

   

           

3   57

9

57

57

57

35

7

02

45

79

02

4

         

355

355

355

355

355

2

05

2

05

2

05

2

05

2

05

022

022

022

022

                       

                         

4

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1.

2.

e = 190

  A5 Asus4

  A5

Gtrs 1+2

  E5 G5* F#5 D5 E5 G5 F#5 E5 G5* F#5 D5

 E5 G5* F#5 D5 E5 G5 F#5 E5 G5* F#5 C5

  [E] [F]

P.M.     P.M.

 [E] [F]

P.M.     P.M.

 

022

0223

022

022

                           

79

79

79

1012

911

57

79

79

1012

911

79

79

79

1012

911

57

                            

79

79

79

1012

911

57

79

79

1012

911

79

79

79

1012

911

35

                                            

0 3 2 0

2

3 0 3 2 0

2

3 1 3 5

2 3 52

5 3 2

5 3

                                             

0 3 2 02

3 0 3 2 02

3 1 3 52 3 5

25 3 2

5 3

5

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1.

2.

Gtr. Solo

 [B] [C]

P.M.     P.M.

 [B]

[C]

[C]

Gtr. 3

 ff w/dist.

 

 

P.M.     P.M.     P.M.   cont. in slashes

  

  

Eadd9

Gtrs. 1+2

Badd9 Gadd9 Aadd9 Eadd9

rhythm cont. sim.

Badd9

    

full full

    full

  

  Gadd9 Aadd9   

Eadd9 Badd9

   

                                             

2 5 4 24

5 2 5 4 24

5 3 5 74 5 7

47 5 4

7 5

     

14

000

                                      

2 5 4 24

5 2 5 4 24

5 3 5 74 5 7

47 5 4

7 5 3 52 4 5 7

4

             

                                      

X

X

15 15151 2 1 4 1 5 1 4 1 2 1 4 1 2

151512 12 14 12 12

15 1215 14 12 14

1412 14

                                 

12 1112

12 1412 14   12   14

12

14 14

12 14 12 11

1212

11 12 14

6

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Interlude

Interlude

1.

Gadd9 Aadd9   

 Eadd9 Badd9

 

 

Gadd9 Aadd9    

   

    

  Gtr. 4

  Gtr. 5

Gtr. 6

  C5 G5 D5 E5

 C5 G5 D5

 

Gtr. 3 tacet

 

   

    

 

 

     

 

               

 

910

12

9 9 11 12 1212

12

101012

1415

17 17

     

5 7

        10 12

7 9

                                 

7   9 7 5 47 5

7 47 5

74

5 7 9 7 5 47 5

7 5 7

  

      

        

                            

           

12

9   10 9 7

13 12 1 0

5 47

8 7 8

7 5 47

10 8 79

12

710 12

9

57 9 10 9 7

13 12 10   88 7 8 10

55 47

7

10 12

7 9

7

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2.

1.

2.

A5

Gtrs. 1+2

E5

  Gtrs 4+5+6 tacet

        

         

Gtrs. 1+2

     P.M.  

   

    

    

Fig. 5 P.M.  

                   

P.M.

    P.M.

  Fig. 4

C5 G5 D5 E5 rhythm cont. sim.

Gtrs. 1+2 play Fig. 4

Gtr. 3 plays Fig. 5

Gtr. 4

 

Gtr. 3 tacet

 

Gtr. 5

Gtr. 6

  

 

 

     

   

6

799

799

799

799

799

799

799

799

 

 

7

10

7

10

022

022

022

022

022

022

022

022

       

     

799

799

799

799

0 2 30 2 3 7

99

799

799

799

799

799

799

799

799

799

799

799

3 2 03 2 0

 

     

 

 

    

   022

022

022

022

0 2 30 2 3

022

022

022

022

022

022

022

022

022

022

022

022

3 2 03 2 0

             

                               

75 7 9 7 5 47 5

79 7 5 4

5 7

       

             

             

               

1210 12

97 9 10 9 7

13 12 10

5 47

8 7 8

7 5 47

10 8 79 7

10 12

57 9

8

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1.

2, 3.

Gtr. Solo

 D.S. al Coda

 

  C5

G5 D5

D5

Gtr. 3 

 

cont. sim.

 

  

  

  

cont. sim.

     

  

 

C5 G5 D5 E5 C5

    G5

  full full full

full

D5

   C5 G5 D5 E5

 

C5 G5 D5   

full   full

     

12 14

                          

7   9 7 5 47 5

7 5 7 7 5 7

  

                    

               

         

 

12

9   10 9 7

13 12 10   88 7 8 10

55 47

7

810 12 10

57 9 7

10 12

7 9

                                      

15

15 14 15 14 12 12 14

15

12

15 1214 14

15 12 121 4 1 2 1 4

1712 14 15 17 15 17

                                          

17 17 12 14 15 14 15 14 12 14 15 14 15 14 12 14 15 14 12 14 1215

1 2 1 0 12 1 012

10 12 14

                        

15 14 15 14 1215

1712 14 15 17   17   1517 17 17

9

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Ø Coda

rall.

  A5 Asus4

 [E]Gtr. 1

 mf  let ring...

w/slight dist.

Gtr. 2

 mf w/dist.+flanging cont. sim.P.M.  

022

022

3

022

3

022

3

        

 

0

9 7 9 9 107

7 710

0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

              

      

           

9 7 97

97

10 779

0

9 7 97

97

    

                   

 

107

710

0

9 7 97

97

107

7   77 9

0

9

10

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 © Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited.

All Rights Reserved. International Copyright Secured.

Out Of The Shadows

Intro

q = 85

Words & Music by Bruce Dickinson & Steve Harris

1.

2.

q = 73

Asus2

Am

5fr

A5

E

Em

C

D

G

A

5fr

Dm

Bm

F

F#

3fr

C5

5fr

D*

5fr

D5

5fr

A*

Em7 

7fr

Em*

3fr

Csus2

7fr

Bm*

Dsus2

7fr

E5

Am

Gtr. 3

(acous.)

E C

rhythm cont. sim.

G Dm Am

Gtrs. 1+2

 ff w/dist.

F C5 D5 F C5 D5

 

 Em7 

 mf w/slight dist.

Gtr. 3 tacet

Csus2 Em7 Csus2

Fig. 1

        

 

 

 

 

 

022

022

022

022

022

022

355

355

355

355

355

355

5776

5776

5776

5776

577

577

      

     

   

133

133

133

133

355

577

133

133

133

133

355

577

                  

             

02

20

03

02

35

53

33

55

02

20

03

02

35

53

33

55

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Verse

 Em7 

Gtr. 4

 f w/dist.

    Csus2 Dsus2 Asus2

 

   

full 1/2 full

 

Hold

Dust

1.

2.

Em7 

Gtrs. 1+2 play Fig. 1

a

y

ha

dreams

lo

in

- round

fad

Csus2

the

ing-

world,

daylight,

gold

flick 

Em7 

er

en- is

on

the

the

day.

walls.

Csus2

Princ

No

Em7 

thing

es-

new,

of the

your

un

life’s

Csus2

i

a

- verse,

drift,

-

-

your

what

bur

pur

Dsus2

den

pose

-

-

is

to it

the

all?

way.

Asus2

So

Eyes

Em7 

are

there

closed

is no

and

bet

death

Csus2

ter

is

- time,

call ing,-

who

 Gtr. 4 (2° only)

1/2

will

reach

Em7 

ing

be

out

born

his

to day?

hand.

Csus2

- A gyp

Call

Em7 

sy

up

- child

on-

at

the

day

star

Csus2

break,

light,

-

- to

a

sur-

 Gtr. 4 (2° only)

rake  

 

1/2

   

                            

15

14

1212 15

14

1215 14 12 14 12 14 14 12

1 4 1 214 12 12

          

                            

02

20

03

02

35

53

33

55 0

23

2

03

20

02

20

00

22

                           

                          

           

7 7 57 5 7 5 4

                        

             

X

X

77

7   57 7 9

2

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Chorus

$

To Coda ØØTo Coda Ø

Dsus2 A5Gtrs 1+2

king

round- you.

for a day.

    Gtr. 4 (1°)

2° Gtr. 4 plays ad lib.

  

full 1/4   

Em

Gtr. 3

(acous.)

C

rhythm cont. sim.

D A

Out of the sha dow,- and in to the sun.

 2°+3° Gtr. 4 plays ad lib. fills

   

    

 Gtrs. 1+2

Fig. 2

Dreams

EmGtrs. 1+2 play Fig. 2

of the past,

C

as the old

D

ways are done.

A

Oh,

Em

there is beau

C

ty, and sure

D

ly- there is pain.

A

But we

Em

must en dure

C

- it to

 

     

                    

       

912

14

12 1412 14

12 14 1215

1412

15 14 12

 

                   

12

                                 

022

022

XXX

XXX

355

355

XXX

XXX

577

577

XXX

XXX

577

577

XXX

XXX

                 

                              3

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Gtr. Solo

Gtr. Solo

 D.S. al Coda

 

D A

live a gain.-

 Gtr. 4  

 f w/dist.+echo

Gtr. 5

 

 

 

full

 Gtrs. 1+2

 Em7 

Gtrs. 1+2 play Fig. 1

Gtrs. 3+4 tacet

 Csus2   

 

Em7    

Csus2   

Em7      Csus2

3 3 

     

 

   

   

   

 Dsus2 Asus2

rake  

  Em7 Csus2 Em7    

P.M.  

Csus2    3 

     

 

 Em7 

P.M.  

Csus2 Dsus2 

  Asus2

3  6 6 

 

        

 

         

   14

1514 12 14 14

7   9

       

577

577

XXX

XXX

577

          

         

           

9

10

9 11 12

12

7   99

97

7 57

7   99

10

11 12

12 12 12 10 8

    

                                

10

XX

8 77 9 9 9

7 8 710

710

78

710

78

7

9 7

9 79

7 5 7 5 7 57 7 17

                 

             

74 5

74 5 7

4 5 75 7 8

5 7 8 8 7 58   8

510 10 8 8 5 12

0 15 1215

1215 12 15 12

1412

1412

4

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Ø Coda

Interlude

q = 93

D A

livea gain.-

 

    Gtr 4

P.M.

 

     

    1/4 full full

  Gtrs 1+2

 

 Bm

Gtr. 3 (acous.)

Gtr 6 (elec.) dbls. w/dist.

Gtrs. 1+2+4 tacet

F# D* A*

Fig. 3

 Em* Bm* G D5 E5

 BmGtrs. 1+2

Gtr. 3 plays Fig. 3

F# D* A*

Fig. 4

                   

       

    

       

121412

14 13 12 1 01210

12

14 14

1412

15 15

      

5

77

5

77

X

XX

X

XX

57

7

     

     

      

      

 

    

    

      

      

24432

24432

24432

24432

XXXXX

XXXXX

244322

244322

244322

XXXXXX

XXXXXX

5777

5777

5777

5777

XXXX

XXXX

577655

577655

577655

XXXXXX

XXXXXX

     

     

 

              

      

                      

79987

79987

79987

79987

XXXXX

XXXXX

799777

799777

799777

XXXXXX

XXXXXX

355433

355433

355433

355433

355433

XXXXXX

XXXXXX

577

XXX

XXX

799

XXX

XXX

    

    

                         

2443

2443

2443

2443

XXXX

XXXX

244

244

244

XXX

XXX

577

577

577

577

XXX

XXX

577

577

577

XXX

XXX

5

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Interlude

 D.S. al Coda ØØ

ØØ Coda

 Em* Bm* G D5 E5

 Gtr. 4

Gtrs. 1+2 play Fig. 4

Bm F# D* A* Em* Bm*

G D5 E5

Gtrs. 1+2+3

C5 D5

 P.M.  

   

 

live

D

a gain.-

A

Out

Em

Gtrs. 1+2 play Fig. 2Gtr. 4 plays ad lib.

of the sha

C

dow,- and in

D

to the sun.

A

Dreams

Em

of the past,

C

as the old

D

waysare done.

A

Oh,

Em

there is beau

C

ty,- and

sure

D

ly- there is pain.

A

But we

Em

must en dure

C

- it to

 

     

     

        

  

  

                        

7998

7998

7998

7998

XXXX

XXXX

799

799

799

XXX

XXX

101212

101212

101212

101212

XXX

XXX

577

XXX

XXX

799

XXX

XXX

                             

12 12 12 129

1111 11 11 9

12 11 911 9 9

12 12 12 1012 11 9 11

12 12

                                  

12 10

12

10

12 12 11 9 11 12 11 9

7 9

7

107 9 10 9 11 12

10 12 13 1512

                        

                         

                      6

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Outro

q = 75

rall.

D

live a gain.-

 Gtrs. 1+2

Em7 

Csus2 Em7 Csus2

The

    Gtr. 4

1/2

 

 mf let ring...

w/slight dist.

man

Em7 

who casts no sha

Csus2

dow,- has no

Dsus2

soul.

Asus2

     

   

 

 

       

577

         

   

15 1214   1 4 1 2 1 4

14

          

       

                

02

20

03

02

35

53

33

55

02

20

03

02

35

53

33

55

                   

   

             

12 12   7   98 10

9 79 7

                       

         

02

20

03

02

35

53

33

55 0

23

2

03

20

02

20

0

7

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q = 110

Verse

Em Csus2 Esus2

 

1.  Let me

rake

tell

Em7 

you ’bout my life, let me tell you ’bout my dreams.

[E5]

Let me

Gtr. 3

 mf  Gtr. 3 let ring w/clean tone

Gtrs 1+2 tacet

tell you ’bout the things that hap pen,- al ways- real to me. Let me

tell you of my hope,

D6/F#

of my need

Gadd9

to reach the sky.

F'#11

Let me

     

                 

      

7 9 7 45 5 7 7 9 4 5

X

X

4 5 5 4

                                   

                               

07

97

7

78

797

70

797

7

78

797

70

797

7

78

797

70

79

710

77

7

                             

         

                

      

07

97

107

77

07

97

107

77

07

97

107

77

07

97

107

77

                                

         

                          

07

97

107

77

2

02

0

0

02

0

3

02

0

0

02

0

1

32

3

0

32

3

2

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take

[E5]

you on an awk ward- jour ney,- let me tell you why.

D6/F#

Gadd9

F'#11

Let

[E5]

me tell you why.

Gtrs. 3+4

 

Gtr. 4

Harm.

Gtr. 3 plays Fig. 1

                     

         

                

      

07

97

107

77

07

97

107

77

07

97

107

77

07

97

107

77

   

  

 

 

 

      

 

 

 

           

       

2

02

0

0

02

0

3

02

0

0

02

0

1

32

3

0

32

3

07

97

107

77

     

       

           

           

    0

79

710

77

70

79

710

77

70

79

710

77

7

       

1212

12 1212

12 1212

12 1212

12

         

                

      

07

97

107

77

07

97

107

77

07

97

7

79

70

79

7

7

79

7

3

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Verse

Verse

Harm.

 ff w/dist.

Gtrs. 5+6

  E5

Gtrs. 3+4 tacetP.M.  

B5 C5 F#5 G5 F#5 E5 E5

P.M.  

B5 C5 F#5 G5 F#5

cont. in slashes

E5

E5

Gtrs.5+6

D/F# Gsus2 A5

Why should these

cur ses be

laid up on

- me? I won’t be for

giv- en- ’til

I can break 

  E5

free.

B5 C5 F#5 G5 F#5 E5 E5

B5 C5 F#5 G5 F#5 E5

Gtr. 7

 f w/dist.

      

  

full

Gtrs. 5+6

P.M.     P.M.   cont. in slashes

   

1212

12 1212

12

                       

07

97

7

79

70

79

7

7

79

15

 

 

   

 

 

 

   

 

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

 

                 

               

 

 

     

1512

1512 12

       

         

 

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

4

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Verse

E5

Gtrs. 5+6

D/F# Gsus2 A5

2.

3.

What

I

did

know

I

they’re

do

cry

to

ing

de

for

serve

help,

all

reach

this

ing

out.

guilt?

The

Paid

bur

for

den

my

of 

sins

them will

with the

take

sale

me

of 

down

my

as

soul.

well.

E5 B5 C5 F#5 G5 F#5 E5 E5

B5 C5 F#5 G5 F#5 E5

Gtr. 7 (1° only)

      

full   

Gtrs. 5+6

P.M.     P.M.   cont. in slashes

E5Gtrs.

5+6

D/F# Gsus2 A5

The

De

sin

mons

of 

- are

a

thou

trapped all

sand

in

souls,

side

not

- of 

died

my

in

head,

vain.

my

re

hopes

in-

of 

carn

- -

God,

ates

reach

to

for

let

hea

me,

ven

live

from

a

-

  Gtr. 7

 

full

                                   

   

    

15

 

 

     

 

 

     

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

 

                                   

  

15

12

5

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Chorus

$

hell.

gain.-

E5

-

B5 C5 F#5 G5 F#5 E5 E5 B5 C5 F#5 G5 F#5 E5

  

  

Gtrs. 5+6

P.M.

    P.M.

  cont. in slashes

  E5

1.

2.

3.

My

Some

Some

sins

one

one

F#5

are

to

to

G53 

ma

save

save

C5

ny,

me,

me,

D/F#

-

E5

My guilt

some

some

B5

is

thing

thing

A5

too

to

to

B53 

hea

save

save

C5

me

me

from

from

vy.

G5*

-

my

my

self.

hell.

-

Gtr. 7    

full  

  3 

P.M. P.M.

Fig. 2

   

  

1215

   

     

   

     

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

       

 

           

 

    

1215

      

 

 

079

022

25

35 3

55

0 2X02

0 022

244

022

244

355

3X0033

6

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To Coda Ø

1.

  E5

The pres

To

a

bring

des

sure

F#5

of 

sal

ti

G53 

-

know

va

na

C5

-

-

ing,

tion,

tion

D/F#

-

-

-

of 

to

a

how

ex

way

E5

-

or

from

-

then

cise

this

-

what

B5

I

this

night

A5

know.

hell.

mare.

B5

-

C5 D5

  3 

P.M. P.M.

Fig. 2

  E5

2. 3.

1.  I’m a

Some

ble

one

F#5

- to

to

G53 

see

save

C5

me,

things,

D/F# E5

things

some

B5

I

thing

A5

-

don’t

to

B53 

want

save

C5

to

me

see.

from

G5*

my self.-

Gtr. 7

Gtrs. 5+6 play Fig. 2

   

full  

  E5

The lives

Tobring

F#5

of 

sal

a

G5

thou

va

C5

-

sand- souls

tion,

D/F#

- to

weigh

ex

E5

or-

hea vy

-

cise-

down

this

on

B5

hell.

A5B5

me.

C5 D5

 E5

Gtrs. 5+6

P.M.  

B5 C5 F#5 G5 F#5 E5 E5

P.M.  

B5 C5 F#5 G5 F#5 E5

 E5

P.M.  

B5 C5 F#5 G5 F#5 E5 E5

P.M.  

B5 C5 F#5 G5 F#5 E5

                                 

   

  

 

 

079

022

022

25

35 3

55

0 2X02

0 022

244

022

244

355

577

                        

    

1215

 

         

       

       

 

       

         

 

0 024

4

35

5

X 244

355

244

022

0 024

4

35

5

X 244

355

244

022

       

         

 

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

7

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2. Interlude

C5 D5 E51° only

C5

B5 E5 D5 E5 C5 B5 E5 G5 F#5 E5

P.M.

    P.M.

   P.M.

   P.M.

   P.M.

 

  C5 B5 E5

P.M.  

C5 B5 E5

P.M. 

D5 E5

P.M. 

C5 B5 E5

P.M. 

G5F#5Play 3 times

E5

P.M. 

C5 B5E5Gtrs. 5+6

E5 C5   A5 F5

cont. in slashesP.M.

 

Gtr. 7

E5

Gtr. 8

Gtr. 9

C5 A5

F5 Play 3 times

 

 

             

 

 

 

355

577

02

02

02

02

02

02

02

02

02

02

02

02 3

524

0 057

0 035

24

0 0 35

24

0 0

                      

   

35

24

02

02

02

02

02

02

02

02

02

02

02 3

524

0 057

0 035

24

0 0 35

24

0 0

         

                                

35

24

02

02

02

02

02

02

02

02

02

02

02

2 4 5 74 5 7 5 4 2

32

                                           

10

97 9 10

7 8 107 9

7 8

10 9

10 8 7 56

5

7 57

5

                     

2 4 5 74 5 7 5 4 2

32

8

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Gtr. Solo

 E5Gtr. 8

  C5 A5 F5

Gtr. 7

E5

Gtr. 8

Gtr. 9

C5 A5

F5

  E5

Gtrs. 5+6

Gtrs. 7+8+9 tacetP.M.  

F5* E5* E5

P.M.  

A5* G#5 E5

P.M.  

C5* B5* E5

P.M.  

A5* G#5

E5

Gtrs.5+6

P.M.   G/B C5

Gtr. 9

 f w/dist.   3 

                     

97 8 10

7 8 10 8 7 56

5

                      2 4 5 7

4 5 7 5 4 23

2

                                           

10

97 9 10

7 8 107 9

7 8

10 9

10 8 7 56

5

7 57

5

                     

2 4 5 74 5 7 5 4 2

32

 

 

 

 

0 0 0 0

356

245

0 0 0 0

79

10

689

0 0 0 0

101213

91112

0 0 0 0

79

10

689

 

                   

79 10

7 9 7 7 5 7 5 4 5

9

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D/F# Gsus2 rhythm cont. sim.

3 3  3 

 E5 G/B C5

3   3    6 

full full

  D/F#

 

D5

6    3    3 

3   

 

full 1/2 full full

E5

      G/B     C5

        

D/F# Gsus2

fullfull full full full 1/2

     

                                   

5 7 85 7 8 7 8 7 5 7 5 7 5

85

8 7 57 5 7 5

                                   

47 8 7 8 7

97 8 7

9 7 5 7 5 7 5 4 1212 13

14

12 13 1214

1214

12 15 12 12

                                         

14 14

15 12 121 4 1 2

1412 14

121 4 1 2

1412

14 121214 1 4 12 10

14

14

12 1412 14 12

14 15

                              

17 15 14 15 14 15 1417   17

1419 15 12

14 12 11 1217 19

                              

2017 19 20 19 20 19   2017 19 20   20 20 20 20   14

10

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 D.S. al Coda

E5 G/B C5

3    3 

full

  D/F# D5

  3  3    3 3 3 

  full fullfull

 E5 B5 C5 F#5 G5 F#5    E5 E5

B5 C5 F#5 G5 F#5 E5

 

Gtrs. 5+6

P.M.     P.M.  

 E5

P.M.  

B5 C5 F#5 G5 F#5 E5 E5

P.M.  

B5 C5 F#5 G5 F#5 E5

                                    

1412   15   15 13 15 13 12 17 15 17 15

17 15 17 15 1415

14 12

15

                                    

14 15 1417

1 4 1 2 14 1 215

121 5 13 12 13 1 2

1 4 14 1 2 1 2 14 1 2   1411 12 1412

1414 12 12

 

12

       

         

 

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

       

         

 

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

11

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Ø Coda

Outro

rall.

 

 

E5 B5 C5 F#5 G5F#5 E5 E5 B5 C5 F#5 G5F#5 E5 E5 B5 C5 F#5 G5F#5 E5

Gtrs. 5+6

P.M.    P.M.    P.M. 

E5 B5 C5 F#5 G5F#5 E5 E5 F5*E5* E5 A5* G#5 E5

C5*B5* E5 A5* G#5

P.M.    P.M.     P.M.     P.M.     P.M.  

 E5

P.M.

 

F5*E5* E5

P.M.

 

A5*G#5 E5

P.M.

 

C5*B5* E5

P.M.

 

A5*G#5

Gtrs. 5+6 tacet

  [E5]Gtr. 4

 mf let ring...w/clean tone + chorus

Harm.

Gtr. 3

 mf 

let ring...

w/clean tone

 

 

  

 

 

 

  

 

 

 

  

 

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

0 0244

355

X 244

355

244

022

          

 

 

 

0 0244

355

X 244

355

244

022

0 0 0 0

356

245

0 0 0 0

79

10

689

0 0 0 0

101213

91112

0 0 0 0

79

10

689

 

 

 

   

 

0 0 0 0

356

245

0 0 0 0

79

10

689

0 0 0 0

101213

91112

0 0 0 0

79

10

689

         

1212

12 1212

12 1212

12 1212

12

         

                

      

07

97

107

77

07

97

107

77

07

97

7

79

70

79

7

7

79

7

12

8/21/2019 A Matter of Life and Death (Digital).pdf

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 © Copyright 2006 Iron Maiden Publishing (Overseas) Limited.

BMG Music Publishing Limited.

All Rights Reserved. International Copyright Secured.

Words & Music by Steve Harris

For The Greater Good Of God

Introq = 58

q. = 43

q. = 43

2fr

D/F#

Em

5fr

D5

5fr

C

A5

3fr

G

G5*

7fr

D

D5*

7fr

E5

G5/A

3fr

C5

B5

3fr

G5

3fr

C5

  [E]Gtr. 2

 mp w/clean tone + chorus + echo

Gtr. 1

 mp w/clean tone + chorus + echo

Bass arr. for Gtr.

let ring...

  [E]

Gtrs. 1+2+3

            

7   9   5   7   7   9

                  

5   7   3   5   5   7

5   7

                           

00 2

25   7

00 2

23   5

00 2

25   7

00 2

2   5   7

    

               

    

    

0

5 47

0

5 47

0

5 47

7 4 5

0

5 47

0

5 47

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1.

2.

Verse

q = 164

 

Em

Gtr. 3

Crhythm cont. sim.

1.

2.

Are

A

you

life

a

that’s

man

made

of 

to

peace,

breathe,

or a

de -

man

struc

G

of 

- tion

ho

or

ly

de

-

-

war?

fence.

D

Gtrs. 1+2

let ring...Fig. 1

 EmGtrs. 1+2 play Fig. 1

Too

A

ma

mind

ny-

that’s

sides

vain

C

to

cor

you,

rup- tion,-

don’t know

bad

G

which

or

an

good

y

in

- more.

tent.

D

-

-

 Em

So

A

ma

wolf 

ny

in

- full

sheep’s

C

of 

cloth

life,

ing,- a

but al

saint

G

so

ly

-

-

filled

or

with

sin

pain.

ner.

D

-

 Em

Or

Don’t know

some that

 just how

would

C

ma

be

ny

lieve,

-

-

will

a

live

ho

G

to

ly-

breathe

war win

a gain.

ner.

D

-

-

           

           

0

5 47

55 7

0

5 47

55 7

                        

                             

79

99

9

35

55

5

35

55

55

77

77

                       

                   

                     

 

2

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Verse

q = 164

  E5

4.

3. They

More

fire

pain

off 

and

ma

mi

C5

ny

se-

shots

ry-

and

in the

ma

hist

G5

ny

’ry-

part

of 

ing

man

-

-

blows.

kind.

D5

Gtr. 3 (2° only)

 mf w/dist.+chorus

Gtrs. 1+2

 ff w/dist.

P.M.  P.M.  P.M. P.M.  P.M.  P.M. P.M.  P.M.  P.M. P.M.  P.M.  P.M.Fig. 2

  E5

Their

some

ac

times-

tions-

it

be yond

seems

C5

- a

more

reas

like

’ning,-

the

on

blind

G5

ly

lead

- God

ing-

would

the

Gtrs. 1+2 play Fig. 2

know.

blind.

D5 E5

And

It

as

brings up

he lies

on

C5

- us

in hea

more

ven,

of 

or

Gtr. 3 (1°+2°)

Gtr. 1 (2° only)

P.M.   P.M.   P.M. P.M.   P.M.   P.M. P.M.   P.M.   P.M.

             

                              8

910

89

10

87

9

77

7

 

 

     

079

0 079

0 079

0355

3 3 355

3 3 355

3355

3 3 355

3 3 355

3577

5 5 577

5 5 577

5

             

                      8

910

89

10

87

9

             

                     

77

7

89

10

89

10

 

 

 

 

25

2 2 25

2 2 25

2 079

0 079

0 079

0355

3 3 355

3 3 355

3

3

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Pre-Chorus

Pre-Chorus

it

fam

G5

could

ine,-

be

death

in

and

hell.

war.

D5 E5

I

You

feel

know

he’s

re -

P.M.   P.M.   P.M. P.M.   P.M.   P.M. P.M.   P.M.   P.M.

some

li

C5

-

where

gion-

here,

has

or

a

look 

lot

G5

ing

to

from

ans

be

wer-

low,-

for.

D5

but I don’t

P.M.  P.M.   P.M. P.M.  P.M.   P.M. P.M. 

know.

A5

Play 1° only

I don’t know.

Gtr. 1

P.M.  P.M.  P.M. P.M.  P.M. P.M. P.M.  P.M.  P.M. P.M. 

       

                     

8

7 9

7

7 7

8

9 10

   

 

 

25

2 2 25

2 2 25

225

2 2 25

2 2 25

2 079

0 079

0 079

0

                       

               

89

10

1212

1214

   

355

3 3 355

3 3 355

3 25

2 2 25

2 2 25

2 577

5 5 577

577

577

577

577

               

   

022

0 0 022

0 0 022

0 0 022

0 0 022

0 022

0 355

3 3 355

3 3 355

3 577

5 5 577

577

577

577

577

4

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Chorus

q = 105

Verse

q = 164

  *E5

Please tell me now what life is.

C5

Please tell me now what love

G5

is.

D5

Gtr. 3     cont. sim.

P.M.

  P.M.

 P.M.

  Fig. 4

   

    cont. sim.

P.M.   P.M.  P.M.   Fig. 3

*chords implied by bass

   

  E5

Gtrs. 1+2 play Fig. 3Gtr. 4 plays Fig. 4

Well, tell me now what war is.

A5

A gain- tell me what life

C5

is.

D5

  E5

5. And

6. And

as

all

they

be - cause

searched

C5

of 

to find

it,

the

you’d

bo

think 

G5

dies

that

in

we’d

the

have

sand.

learned.

D5

Gtr. 3 (2° only)

Gtrs 1+2 play Fig. 2

 

Gtr. 1 (2° only)

P.M.  P.M.  P.M. P.M.  P.M.  P.M.

             

             

                          

75 7 4 5 2 4 0 0 0 2 2 2 0

2 75 7 4 5 2 2 2 4 4 4 0 0 0 2 2 2 0

2

                          

79 10 7 9 5 7 4 4 4 5 5 5 4

5 79 10 7 9 5 5 5 7 7 7 4 4 4 5 5 5 4

5

             

             

               

                              8

910

89

10

87

9

77

7

 

25

2 2 25

2 2 25

225

2 2 25

2 2 25

2

5

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1.

  E5

They

But

find

still

it’s

the

ash

bo

C5

es

dy-

that

count,

are

the

scat

ci

G5

tered

ty-

a cross

fi

- the

res-

land.

burned.

D5

 

Gtr. 1 (2° only)

P.M.  P.M.  P.M.

  E5

And

Some

as

where

their

there’s

spi

some

C5

rits

one

- seemed

dy ing-

to whist

in

G5

le

a

- on

for

the

eign-

wind,

land,

D/F#

Gtr. 3 (1°+2°)

 

Gtr. 1 (1°+2°)

P.M.  P.M.  P.M.

  E5

a

mean

shot

while

is

the

fired

world

C5

some

is

where,

cry ing,-

an

stu

oth

pi

G5

-

-

er

di

-

-

war

ty-

be

of 

gins.

D5

-

(Gtr. 3)

Gtr. 1 plays Fig. 2

                     

                              8

9 10

8

9 10

8

7 9

7

7 7

25

2 2 25

2 2 25

2

             

                              8

910

89

10

87

9

77

7

25

2 2 25

2 2 25

2

                       

                     

89

10

89

10

1212

12

6

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2. Pre-Chorus

Chorus

$

q = 105

man,

D5

tell me why,

A5

tell me

Gtr. 3

Gtrs. 1+2

P.M.   P.M.   P.M.  P.M. P.M.   P.M. P.M.

why?

C5 D5

P.M.   P.M.   P.M. P.M.  

  *E5

*chords implied by bass

Gtrs. 1+2 play Fig. 3Gtr. 3 plays Fig. 4

Please tell me nowwhat life is.

C5

Please tell me now what love

G5

is.

D5

  E5

Well, tell me now what war is.

A5

A gain- tell me what life

C5

is.

D5

           

14

57

7

5 5 57

7

57

7

57

7

57

7

57

7

02

2

0 0 02

2

0 0 02

2

0 0 02

2

0 0 02

2

0 02

2

0

       

 

355

3 3 355

3 3 355

3 577

5 5 577

577

577

577

577

                           

             

             

7

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Bridge

 4° To CodaØ

Interlude

q. = 64

E5

Gtr. 2 rhythm cont. sim.

For the great er- good of God.

Gtr. 3    

Fig. 6

  

Gtr. 1    

Fig. 5

  

For

C5

Gtr. 1 plays Fig. 5Gtr. 3 plays Fig. 6

the great er- good of God.

G5 B5 D5

For

E5

the great er- good of  

God. For

A5

the great er- good of God.

C5 D5

  [E]Gtr. 3

cont. sim.

Gtrs. 1+2

                 

                         

9

710 8 7

9 9 7 97 8 7 8 10

7 8 710

710 8 7

                         

7

47 5 4

7 7 5 74 5 4 5 7

4 5 47

47 5 4

                             

                   

                                  

 

8 79

8 79

8 79

10 7 8 8 79

8 79

8 79

87 9

   

           

       

       

0

5 47

0

5 47

0

5 47

7 4 5

0

5 47

0

5 47

0

5 47

55 7

8

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  *E5 C5 G5 D5

*chords implied by bass

 E5 A5 C5 D5

Gtr. 3

Gtr. 2

G5* D5*

 [E]

Gtr. 2 cont. in slashes

Gtr. 1

Fig. 7

let ring...

A5 G5* G5/A D5

Fig. 8

   

            

       

        

0

5 47

0

5 47

0

5 47

7 4 5

0

5 47

0

5 47

0

5 47

55 7

   

            

       

        

0

5 47

0

5 47

0

5 47

7 4 5

0

5 47

0

5 47

0

5 47

55 7

                                  

7 9 9 9 7 9 9 9 7 9 9 9 7 9 9 9 9 9 7 9 9 9 7 9 9 98 10 8 7

9 78 10 8 7

9 7

 

 

 

 

 

              

05 7 7 7

05 7 7 7

05 7 7 7

05 7 7 7

05 7 7 7

05 7 7 7

5 7 5 47 5

5 7 5 47 5

                                                            

7 9 9 9 7 9 9 9 7 9 9 9 7 9 9 9 7 9 9 9 7 9 9 98 10 8 7

9 78 10 8 7

9 7

                              

05 7 7 7

05 7 7 7

05 7 7 7

05 7 7 7

05 7 7 7

05 7 7 7

5 7 5 47 5

5 7 5 47 5

9

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Gtr. Solo

Interlude

[E]

Gtr. 4

 ff Gtr. 4 w/dist.Gtr. 1 plays Fig. 7

Gtr. 3 plays Fig. 8

rake

  

      

      

 

     

full   

G5* D5* A5

 

     

    

          

full

G5* G5/A D5

fullfull

  [E]1° only

Gtr. 3 tacet Gtr. 4 tacet

Gtrs. 1+2

P.M.   Fig. 9

                                  

        

X

X   17 12

1314 11 12 11

14 1214 13 12 10 12

1210 11

12

10   14 1515 14   10 9 7 610 7

                 

                                      

15 14 10 915 10

12

14

12 15

14

1 2 1 5

14

1 2 1 7

14

1 2 1 5

14

1 2 1 4   15

14

12 15 14 121 2 1 1 1 2 11

14

             

                             

151212

1212 14 15

1215 14 12

1412

14 12 14 12 1012

 

12

                          

7 8 7 0 0 0 7 5 3 0 0 0 5 3 2 0 0 0 3 2 0 0 0 0

10

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[E]

Gtr. 5

 ff Gtr. 5 w/dist.+wah-wahGtrs. 1+2 play Fig. 9

rake

     

full full

     full

rake

        

full full

        full

Gtr. 3

B5 C5 G5 A5

rhythm cont. sim.

Gtr. 1        

full full      

Gtr. 6

Gtr. 2

     

   

  

B5 C5 G5 A5   

B5 C5

   

  

  

  

 

   

  

  

      

         

12

X

X

15

1215

14

15 12 12 12 15 12 X

  

      

       

12

X

X

15

1215 15

15 12 12 12 15 12 12

                         

                        

10 10

7 8 7 11 710 8 7

8

  

            

                              77

107

447

4

88 7 8

55 4 5 7 5 4

10 8 710 8 10

7 5 7

                       

           

1 2 1 4 1 2 1 0 1 2 1 01 3 1 2 1 3 1 2 1 0 1 2 1 0

12 11 12 1114

1114 12

14 14

11

44

5 47

47 5 7

           

                 

              

            

7710

7

447

4

88 7 8

55 4 5 7 5 4

10 8 7

7 5 7

10 8 10

7710

7

447

4

8 7 8

5 4 5

11

8/21/2019 A Matter of Life and Death (Digital).pdf

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  G5

A5 B5

C5 G5 A5

Gtr. 5

   

 

  

  

 

full

  

   

  

  

         

[E]

Gtrs. 1+2 play Fig. 9

Gtrs. 3+6 tacet

 

 

  

 3 

   

full 1/2

   

0 0 0 0 0 0 0 0

               

5 2 4 52 4

5   9 9 108 9 11 12 14

  

          

               

                         

     

8

5   7 5 4

10 8 7

7 5 7

10 8 10

7710

7

447

4

88 7 8

55 4 5 7 5 4 2

10 8 710

 

17 0 0 0 0 0 14 0 0 0 0 0 15 0 0 0 0 0 12 0 0 0 0 0 14 0 0 0 0 0 10 0 0 0 0 0 12 0 0 0 0 0 8 0 0 0 0 0

              

10 0 0 0 0 0 7 0 0 0 0 0 8 0 0 0 0 0 5 0 0 0 0 0 7 0 0 0 0 0 3 0 0 0 0 0 3

         

                               

XXX

XXX

1514

1215 12

14 12 15 14 12 1514

15 14 15 14 12   1214 1214

1314

12

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Interlude

1.

2.

    

full  

Gtrs. 1+3

B5 C5 G5 A5

rhythm cont. sim.

B5 C5

 

Gtr. 2

Gtr. 6

  

  

  

  

   

 

G5 A5 B5 C5 G5 A5

  Gtr. 3

 

Gtrs. 1+2

     

   

Gtr. 2 cont. in slashes

   

  

  

                             

16 1716 17

14 15 17 15 1417

14 15   17

17 15

                         

17

           

                                     

               77

107

447

4

88 7 8

55 4 5 7 5 4

10 8 7

7 5 7

10 8 10

7710

7

447

4

8 7 8

5 4 5

         

8 10

     

5 7

  

          

                    

                    

     

8

5   7 5 4

10 8 7

7 5 7

10 8 10

7710

7

447

4

88 7 8

55 4 5 7 5 47

10 8 710

13

8/21/2019 A Matter of Life and Death (Digital).pdf

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1, 2, 3.

 D.S. al Coda

4.

Ø Coda

rall.

q = 164

E5

Gtr. 4

C5

rhythm cont. sim.(with repeats)

  G5 D5 D5

God.

C5 D5

 

 

Outro

Em

Gtr. 3

C

rhythm cont. sim.

G D

He gave his life for us, he fell up on- the cross.

Gtrs. 1+2

 mf let ring...w/clean tone + chorus

(Fig. 1)

                                   7

9 9 7 98 10

7

9 9 7 98 10

7

9 9 7 98 7

98 10

9

                                 

4

7 7 5 75 7

4

7 7 5 75 7

4

7 7 5 75 7

75 7

7

 

                             

9 7 97 8 7 8 10

7 8 710

710 8 7

                             

7 5 74 5 4 5 7

4 5 47

47 5 4

 

                  

                             

79

99

9

35

55

5

35

55

55

77

77

14

8/21/2019 A Matter of Life and Death (Digital).pdf

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rit.

q. = 43

q. = 43

rall.

 EmGtrs 1+2 play Fig. 1

To die for all

C

of those who nev

G

er- mourn his loss.

D

 Em

It was n’t- meant

C

for us to feel

G

the pain a gain.

D

- Tell me

why,

A

tell me why?

C

Gtrs. 1+2

  D

[E]

Gtrs.1+2+3

                      

                    

             

                         

02

22

2

02

22

2

35

55

5

          

            

57

77

7

0

5 47

0

5 47

0

5 47

55 7

15

8/21/2019 A Matter of Life and Death (Digital).pdf

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 © Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%).

All Rights Reserved. International Copyright Secured.

Lord Of Light

q = 127

Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith

2fr

D/F#

Emb6

Cmaj7#11

D13

3fr

G5

Cmaj7 

B5

Am9

5fr

Am9*

Em9

10fr

G5*

7fr

E5

9fr

F#5

5fr

D

6fr

Eb5

A5

4fr

C#5

E5*

Bb5

 Intro

Emb6Gtrs. 1+2

 mf   let ring...

w/clean tone

There

Verse

1.   are se crets- that you keep.

D13

 

There

I

Don’t

Emb6

are

can’t

de

se

reach

ny-

crets

things

me

- that

I

what

you

can’t

I

keep,

see,

am,

D13

 

                           

24

10

14

24

10

14

24

10

14

24

10

14

               

                 

     

       

   

24

10

14

24

10

14

24

10

04

10

14

04

10

14

04

10

               

                                  

 

24

10

14

24

10

14

24

10

04

10

14

04

10

14

04

10

8/21/2019 A Matter of Life and Death (Digital).pdf

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1, 2.

3.

There

you

no

Cmaj7 

are

don’t

thing-

se

see

hid

crets

this

den

-

-

that

strange

still

you

world

you

tell

quite

fail

Am9

to

the

to

me

same

see

a

as

the

lone.

me.

truth.

-

D13

 

D13

These

Emb6

are things you can’t re veal.-

 

   

Interlude

Emb6Gtr. 1   

P.M.   Fig. 1

  Gtr. 2

Fig. 2

                     

   

        

            

        

      

3

41

01

4

3

41

01

4

32

3 2 0

41

01

40

41

01

40

41

0

               

                                 

10

14

04

10

24

10

14

24

10

14

24

10

24

10

14

24

                         

9 9 7 9 5 5 7 4 5 47 5

                                        

10

14

24

10

24

10

14

24

10

14

24

14

2

8/21/2019 A Matter of Life and Death (Digital).pdf

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q = 160

 Gtr. 3

 mf  Gtr. 3 w/dist.Gtr. 1 plays Fig. 1Gtr. 2 plays Fig. 2

  

  

Em9Gtr. 1

Gtr. 3 tacet

               

               

These are things you can’t re veal.-

Em9

               

Em9

               

 

    Gtr. 2

               

                 

   E5Gtr. 1

 ff w/dist.P.M.     P.M.     P.M.     P.M.  

 

 

                         

12 12 10 12 8 10 7 8 79 7

                   

 

241

                 

799

0 0 0799

0 0 0799

0 0799

07

07   5

05 7

55

74

5

3

8/21/2019 A Matter of Life and Death (Digital).pdf

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P.M.     P.M.     P.M.    

 

We

VerseE5

are part of some strange plan.

D5

 Gtrs. 1, 2+3

P.M.     P.M.     P.M.    

P.M.     P.M.     P.M.

 

 

Why

E5

the slaugh ter- of the

 P.M. 

 

P.M.     P.M.     P.M.    

 

Fig. 3…

 

bro

D5

ther- hood- of man? In fern

C5

- al- sac -

 P.M.     P.M.     P.M.    

P.M.     P.M.     P.M.

 

       

         

799

0 0799

0 0799

0

7799

0 09

79

57

               

 

 

           

799

0 0 0799

0 0 0799

0 0 0799

5   75

74

5 577

5 5 5 577

5 5 5 577

5 5

             

                 

 

             

5 577

7   97

95

7 799

0 0 0799

0 0 0799

0 0 0799

5   75

74

5

               

              

577

5 5 5 577

5 5 5 577

5 5 5 577

7   97

95

7 355

3 3 3 355

3 3 3 355

3 3

4

8/21/2019 A Matter of Life and Death (Digital).pdf

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1.

2.

ri- fice- of hell.

A5 D5

 P.M.    P.M.     P.M.     P.M.  

… Fig. 3 ends

Fire

-venge

E5

Gtrs. 1+2+3 play Fig. 3

is

breath

liv

ing,

ing

-

-

lead

in

the

the

way,

past,

D5

melts

time

C5

our

to

bod

look 

-

iesin

- asto-

theya

allnew

A5

burnmil

inle-

toni

--

one.um.

D5

-Re -

 Interlude

E5Gtr. 2

Gtr. 1

D5

 Gtr. 3

P.M.     P.M.     P.M.     P.M.     P.M.     P.M.    P.M.     P.M. 

       

 

3 355

3 3 355

355

355

022

022

0 0 0 022

0 0 577

577

577

577

577

577

577

       

       

   

   

             

   

         

     

     

           

   

         

9 9 7 9

12 12 10 12

5

8

7

10

4

7

5

8

4

7

7 5

9 79 9 7 9

12 12 10 12

10

13

7

10

9

12

5

8

7

10 7 8

4 5

   

 

 

799

0 0 0799

0 0 0799

0 0 0799

0 0 0799

799

799

577

577

5 5 5 577

5 5 5 577

5 5 5 577

5 5 5 577

577

577

577

5

8/21/2019 A Matter of Life and Death (Digital).pdf

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1.

2.

q = 80

 E5 C5 D5

 

P.M.    P.M.    P.M.     P.M. 

Spi

Fire

Verse   E5Gtrs. 1+2+3 play Fig. 3

ral- path

breath-

leads

ing,-

through

lead

the

the

maze,

way,

D5

down

Lu

C5

in

ci-

to

fer

-

-

the

was

fie

 just

ry

an

- un

an

A5

der

gel

-

-

world

led

- be

a

low.

stray.

D5

-

-

Chorus   E5*

Free

D/F#

your

G5

soul and

D/F# E5*

let

C5

it

E5

fly,

D5

 

Fig. 4…

Gtrs. 1+2+3

P.M.     

P.M.  

 

 

         

     

        

            

  

   

         

9 9 7 9

12 12 10 12

5

8

7

10

4

7

5

8

4

7

7 5

9 79 9 7 9

12 12 10 12

10

13

7

10

9

12

5

8

7

10 7 8

4 5

   

 

 

799

0 0 0799

0 0 0799

0 0 0799

0 0 0799

799

799

799

355

355

355

355

355

355

577

577

577

577

577

577

577

577

               

       

             

 

                     

           

 

     

02

02

25

35

35

35

25

02   5

7

35

0 079

57

57

0 0

6

8/21/2019 A Matter of Life and Death (Digital).pdf

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q = 76

give

B5

your

D5

life

C5

to the Lord of  

D5

Light.

E5 D5

 

P.M.

 

  P.M.

    P.M.

    P.M.

    P.M.

  …Fig. 4 ends

P.M.

     

E5*

Gtrs. 1+2+3 play Fig. 4

Keep

D/F#

your

G5

se crets and

D/F#E5*

rain

C5

on

E5

me,

D5

all

B5

I

D5

see

C5

are mys te

D5

- ries.-

E5 D5

 E5*

Gtrs. 1+2+3

Interlude

Gtrs. 1+2

Gtr 3 tacet

 mf 

Em9

w/clean tone

Cmaj7#11

Fig. 5

Bridge

Em9Gtrs. 1+2 play Fig. 5

Am I

Oth

not

ers-

wor

wait

thy

their

- in

turn,

your

their

black 

lives

Cmaj7#11

and

were meant

blaz

to

ing

last,

- eyes?

 Em9

We gathuse yours er- wise de monsly-- inas thethe mirlight

Cmaj7#11

roris- evfad ’rying-- day.fast. Free your

           

  

     

 

 

 

 

3

5

24

0 057

35

35

35

0 035

0 057

0 079

0 057

0 0

                         

             

      

            

            

022

02

40

00

4

02

40

00

43

40

00

00

34

00

00

04

                        

                   

7

8/21/2019 A Matter of Life and Death (Digital).pdf

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1.

2.

soul

Am9*

The

and

bridge

let it

of 

fly,

dark ness- casts

mine

a

was

sha

caught,

Fmaj7#11

I

dow-

could

on

n’t

us all,

try. Time re -

 Gtrs. 1+2

turns

Am9

and

a

all

gain-

our

to

sins

pun ish

to you

all

we

of 

give

Fmaj7#11

this day.

 

us.

E5

We

We

are

were

the

cast

sha

out

dows of 

by

G5*

our

the

F#5

blood

one

E5

y

un

fath

ho-

er’s

ly-

hand.

ghost.

C5 Eb5

 

 ff  w/dist.

P.M.     P.M.    P.M.    P.M.     P.M.    P.M.

  E5

We

In

are

our

strang

night mare

ers- in

world,

G5*

this

F#5

the

lone

on

E5

ly

ly

-

- one

prom

we

ised land.

trust.

C5 Eb5

 

P.M.     P.M.    P.M.    P.M.     P.M.    P.M.

                  

        

       

         

   

    

07

50 0 0

5

07

50 0 0

57

13

32

0 02

13

32

0 02

3

                    

    

       

           

       

   0

75

00

05

07

50

00

57

13

32

00

2

13

32

00

23

                    

    

     

        

 

     

13

32

00

2

13

32

00

799

0 0 0799

0 0799

799

0 0101212

81010

799

0 0 0799

0 0355

355

0688

         

 

   

     

      

799

0 0 0799

0 0799

799

0 0101212

81010

799

0 0 0799

0 0355

355

0688

8

8/21/2019 A Matter of Life and Death (Digital).pdf

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 Gtr. solo B5Gtr. 4

 f  w/dist.+ pitch shift pedal set one 8vb.

D5 C#5     B5

 

G5 Bb5

   

full

      full

 Gtrs. 1+2

P.M.     P.M.    P.M.   P.M.     P.M. Fig. 6

 B5

Gtrs. 1+2 play Fig. 6

D5 C#5 B5 G5 Bb5

3    6    6  6    6 

6    

  

    B5     D5 C#5 B5 G5

P.H.      

 Bb5

cancel pitchshift pedal

         

 B5 D5 C#5 B5 G5 Bb5

6 6 

3     

full full   

                           

10

97

7 9

97 9 9 9

9

77 5   57 7 5

   

  

   

244

2 2 2 244

2 2 244

244

2 577

466

244

2 2 2 244

2 2355

355

3133

                                     

14 1012

1112 11

12 1114

12 1114 12

1114 12 11 14 12 11

1412 11

14 1211

1 4 1 2 1 0 1 4 1 2 1 0 9 1 0

                                 

9   11 14 14 11 14

12 11 10 7 67 6 10 7 6

9 7 7 9 77

                                     

9 79 7 9

7 9 7 97

97 9 7

9 7 97

10

9 79

7

10   10 7 7 7 7 109

77

9

9

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 94/112

 

 

q = 194

 B5

w/pitch shift set 8va. 

D5 C#5 B5 G5  w/slide  

Bb5 

   

  

 Gtrs. 1+2

Fig. 7

 Gtrs. 1+2 play Fig. 7

B5 D5   C#5 B5 G5 Bb5

 

  

    B5

slow gliss

D5 C#5

 

  

   

 B5

    G5 Bb5

Gtr. 5

Gtr. solo

*E5

 f   w/dist.

     C5

 

  w/bar     full full full full

 

Fig. 8…

*chords implied by bass

            

5 7 10 10 9 9   10   12

 

 

 

 

   

 

 

 

224

224

224

224

224

224

224

224

224

224

224

224

557

446

002

224

224

224

224

224

224

224

224

224

224

224

224

355

133

              

12 12 5 17 175 14 19

 

   

   

   

          

19 12 15 15

14

15 14 1214

12 12 15 12

 

             

075

97

109

1210

109

97

0

10

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 95/112

 

 

     

B53 3 

3    3 3 

 

   

full full full full full fullfull full full fullfull

 

 A5

    D5   E5

  

 

…Fig. 8 ends

 

Gtrs. 1+2 play Fig. 8

C5

w/bar

w/bar

  

   

                      

                 

14 14

1 2 1 5 1 214

121 4 1 2

1412 14 14 12

1412

12

17

12

1412

17   17 17 17 17 17

             

     

75

97

109

1210

109

97

075

97

109

                                      

1714 15

1714 15 17 14 15

1714 15 14

1714

1715

16

12 7 8

       

             

97

75

64

075

97

109

1210

109

97

0

                   

7 8 78 7 8 7

97 8 7

9 7 5 7 7 5 3 5 75 6 5

75 6 5

7 5 4 5 47 7 5 7 5 4 9

7 9

11

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 96/112

 

 

 

1.

2.

     B5

 3    3 A5

  

 

full

    D5 E5

full full

    Gtrs. 1+2

 Interlude

1° only

Gtr. 4 tacet

C5

B5

 

    A5 D5

E5

                          

9 1412 14

12 14   14   16 12 1414

1215 14

14

1215

12

                         

1414 1215 12

15 14 1214

12 1412

1412

14

 

0

             

             

75 97 109 1210 109 97

075 97 109 1210 109 97

0

               

                  

75

97

109

97

75

64

075

97

109

1210

109

97

01210

109

97

12

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 97/112

 

q = 92

1, 2.

3.

Chorus

E5*

Gtrs. 1+2+3 play Fig. 4

Free

D/F#

your

G5

soul and

D/F# E5*

let

C5

it

E5

fly,

D5

give

B5

your

D5

life

C5

to the Lord of  

D5

Light.

E5 D5

 E5*

Keep

D/F#

your

G5

se crets and

D/F#E5*

rain

C5

on

E5

me,

D5

all

B5

I

D5

see

C5

are mys te

D5

- ries.-

E5 D5

mys te

D5

- ries.-

E5 D5 E5*

    Gtrs. 1+2+3

  (Hi-hat)

E5

D5 E5

   

                                       

                                              

     

022

 

       

 

799

799

799

799

799

577

799

13

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 98/112

 

 

The Legacy

© Copyright 2006 Iron Maiden Publishing (Overseas) Limited.BMG Music Publishing Limited.

All Rights Reserved. International Copyright Secured.

12fr

Dsus4

3fr

C5

10fr

Dm9fr

Dsus2

F5

10fr

D7 8fr

D9'b6

E5

7fr

D5*

7fr

E5*

4fr

Dsus2*

5fr

D7/A[omit3]

7fr

D5

E5**

Gtr 1 (acoustic);

Gtr 2 (acoustic 12 str.);

Chord boxes:

6 = D  3 = G

5 = A  2 = A4 = D 1 = D

5fr

D7[omit3]

5fr

D7sus4

D5**

5fr

G5

3fr

D6

7fr

G/D

A5

F5

9fr

D9

9fr

Dsus2/4

Dsus2

5fr

G5*

All other Gtrs.

6 = D  3 = G5 = A  2 = B4 = D 1 = E

12fr

Dm*

7fr

Dm*

Dm7/A

9fr

D/F#

D5/A*

12fr

Dsus2/4*

5fr

D5***

12fr

Dsus4

7fr

C/E

11fr

D

Intro

Dsus4Gtr. 1

(acous.)

finger picked; let ring... mf 

D7 D9'b6 D5cont. sim.

D7sus4 D6 D7sus4 Dsus2

D6 Dsus2 Dm7/A Dsus2 D6 D6 Dm7/A

 

  

  

  

  

  

          

0 0

120

12

12

0

100

11

10

0

80

9

8

0

70

7

7

0

50

5

5

0

30

4

3

0

50

5

5 20

2

2

                         

       

0 0

20

2

2

0

30

4

3

0

20

2

2

0

32

3

3

0

20

2

2

0

30

4

3

0

20

2

23

23

3

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 99/112

 

 

Verse

1.

2.

rall.

 

Tell

Off 2.

1.

Dsus4

you

to

a thing

war

D7 

that

to

you

play

D9'b6

ought

lit

to

tle-

know.

games,

D5

Two

and

min

on

D7sus4

utes of  

their

your

re

time,

turn,

D6

-

then

can’t

on

name

D7sus4

you

no

go.

names.

Dsus2

Tell

Some

Fig. 1

 

tale

strange

Dsus4Gtr. 1 plays Fig. 1

of 

yel

the

low

men

gas

D7 

all

has

dressed

played

D9'b6

in

with their

black,

minds,

D5

that

has

most

red

D7sus4

dened

of 

their

them,

eyes,

D6

not

re -

 

com

D7sus4

ing- back.

Dsus2

2. Sent - moved

D7sus4

all the lies.

Dsus2

As strange

Dsus4

as it sounds,

D7 

death

 

knows

D9'b6

no bounds.

D5

How ma

D7sus4

ny- get well,

D6

on ly- time

D7sus4

will tell.

Dsus2

Dsus4 D7 D9'b6 D5 D7sus4 D6 D7sus4 Dsus2

  Dsus2   D6 Dsus2 Dm7/A Dsus2 D6

On ly time

Dsus2

will tell.

D5*

                        

 

     

                  

 

                              

 

 

 

  

   

0 0

120

12

12

0

100

11

10

0

80

9

8

0

70

7

7

0

50

5

5

0

30

4

3

0

50

5

5 20

2

2

                     

                              

                 

 

  

  

  

  

      

      

0 0

120

12

12

0

100

11

10

0

80

9

8

0

70

7

7

0

50

5

5

0

30

4

3

0

50

5

5 20

2

2

     

     

           

             

0 0

20

2

2

0

30

4

3

0

20

2

2

0

32

3

3

0

20

2

2

0

30

4

3 20

2

2

000

02

0

2

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 100/112

 

 

 

Interludeq = 73

 

Dsus4*

                     

Dm

                     

Dsus4

                     

Dm

                  

cont. sim.

Dsus4 Dm Dsus2*

 

                     

                        

                        

                     

Fig. 2

D5*Gtr. 2 (acous. 12 str.)

               

D5*

               

Gtr. 3 (elec.)

(fade in w/vol. control)

Gtr. 2 w/clean tone + chorus

 mf  cont. sim.

Fig. 3

D7[omit3]

            

D5*

            

Gtr. 3 plays Fig. 2

Gtrs. 4+5 (elec.)

  f 

D5** A5 D5** A5

Gtr. 6 (elec.)

  f Gtrs. 4+5+6 w/dist

Gtr 1 plays Fig. 2

Gtrs. 2+3 tacet

 

 

 

0

00

120

00

100

00

120

00

100

00

120

00

100

00

100

00

9

                       

10 11 10 10 11 10 11 10 1110 10 10

12

                               

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

8

7

8

7

8

7

8

7

7

7

5 0

7 7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

8

7

8

7

8

7

8

7

7

7

5

                                 

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

7

5

7

5

7

5

7

5

5

5

3

5

0

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

8

7

8

7

8

7

8

7

7

7

5 0

7

                                                                                   

12 10 12 10 12 10 10 9 9 12 10 12 10 12 10 10 9 9

3

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 101/112

 

 

 

D5*Gtr. 2 (acous. 12 str.)

               

D5*

               

Gtr. 3 plays Fig. 3

Gtrs. 4+5 tacet

D7[omit3]

               

D5*

               

Dsus2/4

Gtr. 2 (acous. 12 str.)

Gtr. 3 tacet

                     

Dm*

                       

D5**

Gtrs. 4+5 (elec.)

  f Gtrs. 4+5 w/dist.Gtr. 1 plays Fig. 2

Gtrs. 2+3 tacet

A5 D5**

                                

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

8

7

8

7

8

7

8

7

7

7

5 0

7 7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

8

7

8

7

8

7

8

7

7

7

5

                                 

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

7

5

7

5

7

5

7

5

5

5

3

5

0

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

8

7

8

7

8

7

8

7

7

7

5 0

7

     

           

0

0

910

0

0

0

0

910

78

78

0

0

78

                                   

910

910

910

910

910

910

910

910

910

910

910

910

910

910

910

910

910

78

78

78

78

78

78

78

78

78

78

78

78

78

78

78

 

 

 

 

 

 

 

 

 

000

000

000

000

000

000

000

022

022

000

000

000

000

000

000

4

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 102/112

 

 

q = 90

Verse

A5 D5***

P.M. 

C/E C5 D5*** F5

P.M. 

E5  

  

D5***

P.M.  

C/E C5 D5*** F5

P.M.  

E5

Fig. 4

  

  

 

D5***

2.

1.

Gtrs. 4+5 play Fig. 4

You

Tang led-

lie

up

in

in

your

a web

death

C/E

bed

of 

C5

now,

lies,

D5***

could

but

have

what

been

did

a

you

F5

bring

way

to

to

the ta

pro

ble?

phe

E5

-

- sise.-

 

D5***

Brought

Un

us

a-

on

ware-

ly

of 

-

the

ho

con

C/E

ly

se

-

-

C5

sin,

quence,-

D5***

ut

not

ter

a

- trust

ware-

is

of 

F5

a

the

dead

se

ly

crets

-

-

thing.

that

E5

you kept.

  D5***

To

No

the

thing- that

prayer of  

we

ho

can’t

C/E

ly

be

-

C5

peace,

lieve,-

D5***

we did

to

n’t

re

know

veal-

what

the

was

fa

F5

ly

cade-

ing

of 

- un

face

der

less

E5

-

-

neath.-

 

men.

D5***

So

Not a

how

thing

could

that

we

we

be

could

C/E

such

for

C5

fools?

see,-

D5***

and

not

to

a

think 

sign

that

that

we

would

F5

tell

thought you

us

the

the

an

out

swer.

come.

E5

-

-

 

 

 

   

   

        

0

00

022

022

0

57

57

57

0 0

710

0

35

57

57

57

57

0 0 3

3

2

2

3

3

2

2

       

   

           

00 5

757

57

0 07

10

035

57

57

57

57

0 0 33

22

33

22

                     

           

               

                 

5

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 103/112

 

 

Pre-Chorus

 

 D5**

I

You

can’t

had

be

us

Dsus2*

gin

all

- to

strung

un

out

der

with

- stand-

pro mis

ing- all

es- of 

the lies,

Gtrs. 4+5

P.M.

  P.M.

  P.M.

  P.M.

  P.M.

  Fig. 5

Gtrs. 1+2 (acous.)

                        

    

                    

    

 

peace,

D7[omit3]*

but

but

on

all

your

a

death

long

G/D

-

bed

your

- I

cov er-

can

plan

see it

was

in

to

your

de

eyes.

ceive.-

Gtrs. 4+5 play Fig. 5

  D9

Just

Can it

as clear

put

Dm*

as

to

all

rights now,

the

on

sweat up

ly-

on

time

- your

will

brow,

tell,

Dsus2/4*

it

your

real

pro

ly

phe

makes

cies

               

 

00

000

000

05

05

05

05

05

05

05

05

05

05

05

05

05

05

           

000

02

0

005

04

0

54

55

57

55

54

             

                       

00

0

75

0

75

77

79

77

75

00

0

9

0

797

99

910

99

97

                     

     

     

     

00

0

10

0

9109

1010

1012

1010

109

00

00

1210

1210

1212

1214

1212

1210

00

00

1412

1412

1414

1415

1414

1412

6

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 104/112

 

 

1.

2, 3.

Pre-Chorus

 

  D

sense, I can see it clear ly- now.

D

will send us all to hell as well.

                        

       

                        

    

                        

       

                        

       

 

D5***

Left to all our

C5D5***

gold

E5

en- sons,

D5***

left to pick up

[D]

on the peace.

D5**

Gtr. 4

Gtr. 5

P.M.   Fig. 6

 

D5***

You could h ave giv en

C5

-

D5***

all

E5

of them

D5***

a lit tle- chance,

[D]

at least.

D5**

Gtr. 5 plays Fig. 6

                 

00

00

1211

00

00

1211

                 

                          7 7 7 5 7 9 5

5 5 5 4 5 7 5 47 5

                               

057

57

57

35

57

79

57

57

57

57

57

4 5 7 5 4 2 00

               

                      

7 7 7 5 7 9 55 5 5 4 5 7 5 4

74

7

8/21/2019 A Matter of Life and Death (Digital).pdf

http://slidepdf.com/reader/full/a-matter-of-life-and-death-digitalpdf 105/112

 

 

 

Interlude   q = 73

q. = 144

 

D5***

Take the world to

C5

a

D5***

bet

E5

ter- place,

D5***

giv en- them all

[D]

 just a lit tle- hope.

D5**

D5**Gtr. 5

 

D5***

Just think, what

C5

a

D5***

le

E5

ga- cy,

D5***

- you now…

[D]

will leave.

 

D5**

Gtr. 6 (elec.)A5 D5** A5

Gtrs. 4+5 (elec.)

  f  w/dist.

[D]

Gtr. 7 (elec.)

Gtrs. 4+5+6 tacet

P.M.   P.M.  

Fig. 7…

       

           

                         

7 7 7 5 7 9 5 5 5 5 4 5 7 5 47 5

          

       

                     

7 7 7 5 7 9 55 5 5 4 5 7 5 4

74

                                    

12 10 12 10 12 10 10 9 9 12 10 12 10 12 10 10 9 9

 

  

 

 

  

 

000

000

000

000

000

000

000

022

022

000

000

000

000

000

000

000

022

022

                                         

5 7 85

85 6 5

85

8 7 5 7 85

85 7 5

85

8

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P.M.  

…Fig. 7 ends

P.M.  

  [D]Gtr. 4

Gtr. 5 plays Fig. 7Gtr. 7 tacet

P.M.   P.M.  

P.M.   P.M.  

D5**

Gtrs. 4+5E5*

P.M.  

C5

P.M.

 

D5***

P.M.

 

A5

P.M.

 

Fig. 8…

D5**

E5* C5 D5*** G5

Gtr. 8

  ff w/dist.

P.M.   P.M.   P.M.   P.M.   …Fig. 8 ends

                                         

5 7 85

85 7 5

85

8 78 7 5 7 5

85

8 7 8

                                         

12 14 1512

1512 13 12

1512

15 14 12 14 1512

1512 14 12

1512

                       

                 

12 14 1512

1512 14 12

1512

15 1415 14 12 14 12

1512

15 14 15

     

 

 

 

 

00

22

22

222

222

3 3 3 355

355

5 5 5 577

577

0 0 0 022

022

     

14

       

 

 

 

00

22

22

222

222

3 3 3 355

355

5 5 5 577

577

5 5 5 555

555

9

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Gtr. Solo

D5**E5* C5 D5*** A5 D5**E5* C5 

Gtrs. 4+5 play Fig. 8 full full

fullfull fullfull

D5*** G5

   

D5**E5* C5 D5*** A5

   fullfull

D5**E5* C5

P.H.

D5*** G5

P.H. full full

D5** E5* C5 D5*** A5

4 5 5 

  

  

D5**E5* C5 D5*** G5  

 

full full 1/2

   

fullfull

                                        

12

1416

14

12   14

15   15 1215

1215 14

15

1214

12

1 5 1 4 1 21512

1212   15 15

                                           

15   1 5 1 212 1414

1214 12 12

17   17 15 14 15 1415

1415 17

14 151417

1 4 1 5 1 7 1 5 1 417

1417 15

                                 

17 1512 12 14 15 14 12

151212

12   15   1512

                                          

15 1215

1215

12 15 1215

1215

12 15 1215

1215

12 16 1215 12 15

12 15 1215

12 17 1215

12 15 1215

12 15 17 19

                             

     

20   20 19 1717   20

1717 20   20 20 20   19

10

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Interlude

  [D]Gtr. 4

P.M.   P.M.  

Gtr. 8 tacet

Gtr. 5

P.M.   P.M.  

P.M.

  P.M.

 

P.M.   P.M.  

E5* C5

Gtr. 6

Gtr. 4

Fig. 9

4

4

4

4

4

4

4

4

A5 F5

4

4

4

4

4

4

4

4

                                         

14 16 1714

1714 15 14

1714

17 16 14 16 1714

1714 16 14

1714

                                         

7 9 107

107 8 7

107

10 9 7 9 107

107 9 7

107

                                         

14 16 1714

1714 16 14

1714

17 1617 16 14 16 14

1714

17 16 17

                                         

7 9 107

107 9 7

107

10 910 9 7 9 7

107

10 9 10

     

                                                    

7 9 7 510 12 10 8

7 510 8

5 7 5 48 1 0 8 7

5 48 7

7 9 7 510 12 10 8

7 510 8

5 7 5 4 58 10 8 7 8

     

                                                    

7 9 7 510 12 10 8

7 510 8

5 7 5 48 10 8 7

5 48 7

7 9 7 510 12 10 8

7 510 8

5 7 57

55 6 5

75

11

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Chorus

Fig. 10…

E5*

P.M.   P.M.  

C5

P.M.   P.M.  

Gtrs. 4+6 play Fig. 9

  A5

P.M.   P.M.  

F5

P.M.   P.M.  

…Fig. 10 ends

  E5*

Gtrs. 4+6 play Fig. 9Gtr. 5 plays Fig. 10

We seem dest ined- to

C5

live in fear, and some

A5

that would say ar ma- -

ged

F5

- don- is near.

E5*

But where there’s a life,

C5

well there’s hope, that

A5 F5Gtrs. 4+5

E5*

Gtr. 6 tacet2° Gtr. 5 plays Fig. 11

C5

man won’t self de- struct.-

2.

1. Why

But

can’t

some

we

are

treat

 just

our

not

fel

want

low

ing

- men

peace, their

D5** G5* D/F# D5*** E5*

with

whole

more res pect

lives

- and a shake

death

of their

and

hands?

mi se- ry.-

But

The

an

on

ger- and

ly-

C5 D5** G5* D/F# D5***

loaththing

ingthat

- isthey

rife,learn,

thefight

deathfire

on allwith

sidesfire,

islife

beis

comcheap.

- ing- a way of  

 

 

   

 

799

799

7 7 7 799

799

7 7 7 355

355

3 3 3 355

355

3 3 3

 

 

   

 

022

022

0 0 0 022

022

0 0 0333

333

3 3 3 333

333

0 0 0

                                 

       

 

 

               

 

                                      

                                                    

                                                         

12

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Interlude

life.

E5

We live

But

in

if they

an un

do

C5

cer

stop

- tain

to

- world,

think, that

Gtr. 5

Gtr. 4 cont. sim.Fig. 11…

P.M.   P.M.   P.M.   P.M.  

fear

man

D5***

un - der

is

stand

teet

- ing

er

-

-

and

ing-

ig

right

G5*

nor- ance

on

- is

the

lead

brink.

D/F#

ing-

D5***

to

P.M.   P.M.  

…Fig. 11 ends

death.

E5

Gtr. 5 plays Fig. 11

On

But

ly

do

- the

you

culp

think 

C5

sters

that

- are

they

left,

care?

for

They

vult

be

D5***

ures

ne

-

-

that

fit-

prey

from

on

death

their

and

bones.

pain

G5*

and des pair.

D/F#D5***

E5

Gtr. 7

Gtr. 8Gtrs. 4+6 play Fig. 9

Gtr. 5 plays Fig. 10

C5

                 

 

 

   

 

799

799

7 7 7 799

799

7 7 7 355

355

3 3 3 355

355

3 3 3

                           

 

 

 

5

77

5

77

5 5 5 5

77

5

77

5 5 5 10

12

10

12

9

12

5

7

                 

                   

        

         

412

412

513

715

715 13 12

5 4

13

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D5*** G5* D/F# D5*** E5

C5 D5*** G5* D/F# D5***

E5

Gtr. 7

Gtr. 8

C5 D5*** G5* D/F#D5***

E5 C5 D5*** G5* D/F#D5***

               

      

512

74

714

1214 4

124

125

137

15

           

           

715

5 45

13 1212

7 5 714 1 2 14

                           

412

412

513

715

715

5 45

1 3 1212

74

714

1214

     

  

         

         

412

412

513

715

715

7 5 45

15 13 12 8

7 5 714 12 14

14

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1.

2.

rall.

Outro

 q = 63

  [D]Gtr. 4

P.M.   P.M.   P.M.   P.M.

Gtrs. 6, 7+8 tacet

Gtr. 5

P.M.   P.M.   P.M.   P.M.

P.M.    

 

 

P.M.    

 

Dsus4*Gtr. 2 (acous. 12 str.)

Dm Dsus4 Dm Dsus4 Dm Dsus2*

                                       

1 2 1 4 1 512

151 2 1 3 12

1512

15 14 12 14 1512

151 2 1 4 1 2

1512

1 2 1 4 1 512

151 2 1 4 1 2

1512

15 14

                                       

5 7 85

85 6 5

85

8 7 5 7 85

85 7 5

85

5 7 85

85 7 5

85

8 7

                   

 

     

 

   

 

   

 

15 14 12 14 1215

1215 14 15

15 14 12 14 1215

1215 14 15 14 10   10   12

                                      

8 7 5 7 58

58 7 8

8 7 5 7 58

58 7 8 7 3   3   5