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AGAINST ALL ODDS. ONSTAGE AND OFF! Canadian College of Performing Arts 2018-19 Year-in-Review Managing Artistic Director Caleb Marshall Director of Education & Programming Heather Burns

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Page 1: AGAINST ALL ODDS. ONSTAGE AND OFF!...Season Launch Social5 Welcome Dinner6 Orientation Week7 Twelve Angry Jurors8-9 Club 20 10 Remembrance Day11 The Penelopiad12-13 Studio Ensemble

2018-19SEASON

VIEWBOOK

AGAINST ALL ODDS. ONSTAGE AND OFF!

Canadian College of Performing Arts 2018-19 Year-in-ReviewManaging Artistic Director Caleb Marshall

Director of Education & Programming Heather Burns

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TABLE OFCONTENTS

Message from the Managing Artistic Director 1Message from the Director of Education & Programming 2Message from the Board 3Alumni Company 4Season Launch Social 5Welcome Dinner 6Orientation Week 7Twelve Angry Jurors 8-9Club 20 10Remembrance Day 11The Penelopiad 12-13Studio Ensemble & the Naden Band 14Middletown 15-16Stage Door 17-18Community Engagement 19Sweet Charity 20-21Studio Ensemble Graduation 22National Audition Tour 23Day of Bridge 24TD Festival of New Works 25Acorn Arts Award 26West Side Story 27-28Diploma & Certificate Graduation 292019-19 Students 302018-19 Faculty 312018-19 Staff 32

Middletown, December 2018Performing Arts Diploma Year II

director Stuart Aikinsphoto credit Peter Pokorny

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CCPA has graduated well over 650 students since its inception. It has brought hundreds of artists together in collaboration as coaches, educators and trainers. CCPA is one of the most uniquely focused conservatory style training programs in western Canada. Over the years the college has seen incredible growth from its original one year certificate program, which doubled almost instantly to add a second year program. “Company C”, our premiere third year studio Ensemble, was added a few years afterwards. Under the

leadership of Ron Schuster and Darold Roles, the college began affiliations for transferring to full degree programs with other institutions. Having an institution like CCPA in Victoria, national in its scope and ambition, is a rare gateway for emerging Canadian artists, and also a chance for this community to intersect with the country – to develop lifelong nationwide relationships and to expand horizons for all Canadians.

To join the college and be able to build on its legacy is a very rare and significant responsibility that I welcome and take very seriously. I aim to carry on the tradition of creating thoughtful, engaged, creative citizens, who will be advocates not only for their own careers, but for their communities, and view the trajectory of their art as a commitment to the essential need for theatre in our society. I have always measured success in arts education by preparing a student to function both as a motivated self-employed business and an inspired artist whose story telling can better illuminate the human condition. This is a commitment the college has always maintained.

Caleb MarshallManaging Artistic Director

West Side Story, April 2019Performing Arts Diploma Years I & IIdirector Matthew Howephoto credit Peter Pokorny

MESSAGE FROM THE MANAGING ARTISTIC DIRECTOR

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At CCPA we are about creating and training emerging artists, but also, ideally, enhancing and speaking into the lives of our students, faculty and team as human beings, and encouraging each of us to bring our best person in to the room, stage, studio, and practice. It is these values and priorities that I believe makes CCPA a leading training institution, and our graduates not only strong artists, but exceptional human beings, primed to leave a mark in the communities they step into following their time here.

I continued to be inspired by the work of our faculty, students, staff, and community of guest artists who invest and speak into the processes and productions of the programs at the college. The artistic & cultural landscape of our industry is ever changing, and that puts demands on us to stay connected to change and expand our values and vision, while also responding to a dynamic body of young artists. We strive to provide a challenging and rigorous, yet safe and inspiring, environment to learn, create and perform in - one that is reflective of the professional industry our graduates aspire to step into.

Heather BurnsDirector of Education and Programming

MESSAGE FROM THE

DIRECTOR OF EDUCATION

AND PROGRAMMING2

Sweet Charity, February 2019Applied Performing Arts Diplomadirector Barbara Tomasicphoto credit Peter Pokorny

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MESSAGE FROM THE BOARD

We have much to celebrate as this dynamic year comes to a close. For our Managing Artistic Director, Caleb Marshall, it was his first full year in a demanding new role. Under Caleb’s strong leadership, and in partnership with the talented Heather Burns, Director of Education and Programming, the College enjoyed a very successful year.

In January 2019, the Canadian College of Performing Arts received the Oak Bay Acorn Arts Award: this honour brought new light to the important relationship that the College enjoys with its host municipality.

A highlight of the past year was the introduction of a new method for interactive communication with members and supporters. On June 22, the Board and staff hosted a Town Hall at the College. A lively group of faculty members, donors, volunteers, staff, present and former board members and the Founders spent the afternoon discussing the future of the College and the Canadian Heritage Arts Society (CHAS).

We know our priorities for the coming year. We will continue to work to ensure that our students are safe; that they are inspired and stretched

by their work, and that academic standards remain at the highest level.

On behalf of the Board, I want to express our sincere thanks to all of our individual and corporate supporters, volunteers, donors, and audience members. For more than twenty years, your support has allowed the Canadian College of Performing Arts to deliver the highest caliber of professional training to young performing artists.

Respectfully submitted,Barbara GreeniausBoard Chair

Twelve Angry Jurors, October 2018Applied Performing Arts Diploma

director James Fagan Taitphoto credit Peter Pokorny

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ALUMNI COMPANYKitsune Project conceived by Ryan Nelson Reid

A year after College alumnus Ryan Nelson Reid wowed theatregoers with his colorful portrayals of Trekkie Monster and other characters in the Alumni Company’s production of Avenue Q, the puppet director took his skills to a new level with the Kitsune Project, a new piece he conceived that signalled a shift in the Alumni Company’s focus to support new work development.

Kitsune Project Workshops, Summer 2018Alumni Companydirector Ryan Nelson Reidphoto credit Jackie Adamthwaite & Dorothy Eggenberg-

“““I like the idea we can put together a puppet in minutes, tell a story with it, and then take it apart and recycle it... We’re looking at how to consume less.” -Ryan Nelson Reid

“It was an honour to have such experienced performers take on a room full of high-school students. I was mesmerized by the subtlety and precision of movement and how well the truth of living imagination can be expressed.”

- René Schwarz, Spectrum School 4

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2018-19 saw the inaguration of a new College tradition - the summertime Season Launch Social in and around St. Mary’s Anglican Church’s lovely garden, to whet the appetite for theatrical treasures and new initiatives to come. Staff, students, faculty and board members pitched in, showcasing the spirit of collaboration the College is known for.

SEASON LAUNCH SOCIAL Season Launch Social, August 2018

photo credits Emily Dobby and Jim Hill 5

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The Student Welcome Dinner is one of the College year’s most eagerly anticipated events. It’s a chance for returning students to reunite and reminisce, newcomers to be embraced, and for staff, faculty and board members to welcome students. One unforgettable moment? When Company C Studio Ensemble students Joscelyne Tamburri (above left) and Mackenzie Breeze-Bone, after delivering their entertaining welcoming address, inspired the crowd to collectively sing and dance to Matthew Howe’s classic spin on Lady Bump, the 1970s dance hit.

STUDENT WELCOME DINNER

Student Welcome Dinner, September 2018photo credit Emily Dobby

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There’s never a dull moment during Orientation Week, and 2018 was no exception. Highlights included the perennially popular scavenger hunt, the wearing of costumes, studio tours, Victoria Cultural Scene presentation, voice and dance placements, the welcome dinner and garden lunch. Incoming Managing Artistic Director Caleb Marshall also presented his inaugural acting workshop, an introduction for the intensive studies to come.

Orientation Week, September 2018photo credits Jackie Adamthwaite and Emily Dobby

ORIENTATION WEEK

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twelve Angry Jurors

Reginald Rose’s

Directed byJames Fagan Tait*

Emmy Award-winning classic drama

Adapted by Sherman L. Sergel

TWELVE ANGRY JURORSThe verdict on “Company C” Studio Ensemble’s Twelve Angry Jurors, the first show of the 2018-19 season was clear.

Under James Fagan Tait’s direction, this triumphant adaptation of Reginald Rose’s 1957 courtroom classic featured a predominantly female cast, bringing newfound relevance to a riveting, naturalistic legal drama that plays out in real time.

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Twelve Angry Jurors, October 2018Applied Performing Arts Diploma

director James Fagan Taitphoto credit Peter Pokorny

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TWELVE ANGRY JURORS9

Twelve Angry Jurors, October 2018Applied Performing Arts Diploma

director James Fagan Taitphoto credit Peter Pokorny

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It was the bees knees! The College’s staff team pulled off one of this year’s most rousing and fun-packed social events - a Roaring Twenties-themed night out at the Union Club. Students and alumni dazzled costumed supporters with period music and dance, notably the electrifying Charleston performance. Club

10Club 20, October 2018

photo credit Jackie Adamthwaite

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It’s a consistently unforgettable experience as students pay tribute each year to those in the military whose sacrifices ensure our freedom with the College’s touring Concert of Remembrance. A tradition that co-founders Janis Dunning and Jacques Lemay began two decades ago as the College’s gift back to the community through performances at parishes, legions and community centres took on a new dimension. An inaugural partnership with the District of Oak Bay made this cherished tradition more accessible with a new public performance presented at the Dave Dunnet Community Theatre in support of local charities.

Concert of Remembrance, November 2018Performing Arts Diploma Year I & II

directors Heather Burns & Matthew Howephoto credit Jackie Adamthwaite

CONCERT OF REMEMBRANCE 11

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A fresh, witty, and daring retelling of Homer’s Odyssey.

Margaret Atwoodby

With the emergence of the #MeToo movement, “Company C” Studio Ensemble’s production of Margaret Atwood’s dark and amusingly subversive twist on Homer’s The Odyssey couldn’t have been more timely. Director Ron Jenkins and Choreographer Laura Krewski took particular pride in how the cast responded to the challenges of a play that has

contributed to Atwood becoming increasingly relevant.

12THE PENELOPIAD

The Penelopiad, November 2018Applied Performing Arts Diploma

director Ron Jenkinsphoto credit Peter Pokorny

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13THE PENELOPIAD

The Penelopiad, November 2018Applied Performing Arts Diploma

director Ron Jenkinsphoto credit Peter Pokorny

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STUDIO ENSEMBLE WITH THE NADEN BAND

Few events in Victoria can get patrons into the Christmas spirit quite like the annual Naden Band Christmas Concert at the Royal Theatre. The 40th anniversary edition, again shining a spotlight on College students whose contributions have been instrumental to the success of this series, was another example of building community partnerships, in this case with both the Naden Band and Salvation Army, an integral part of CCPA’s strategic plan.

Naden Band Christmas ShowDecember 2018

Applied Performing Arts Diplomaphoto credit MARPAC Imaging Services

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The cast, crew and directors of Stage Door and Middletown (Jim Leard and Stuart Aikins, respectively) had their work cut out for them, but it paid off for Year II students whose talents were showcased in these two disparate plays -- the

Depression-era backstage classic and Will Eno’s new stylized existential portrait of life in a fictional small town. Staging these “theatrical treasures” in repertory gave all the students involved the opportunity to bring a character to life.

MIDDLETOWN

For tickets andfull seasoninformation250 595 9970 ccpacanada.com

Middletown is presented by special arrangement with SAMUEL FRENCH, INC.

Thurs. Dec. 137:30pm

Fri. Dec. 142:00pm

RelaxedPerformanceSat. Dec. 157:30pm

TicketsAdult $27.50Senior $23.50Student $18.50

Performance Hall1701 Elgin Road

written by Will Enodirected by Stuart Aikins

MIDDLETOWNThere can be great joy just

being in the middle.

In repertory withSTAGE DOORSee both shows

and save $5!Phone our Box Office for two-pack pricing.

A deeply compelling,

funny journey.

Content AdvisoryMature themes and strong language.

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Middletown, December 2018Performing Arts Diploma Year IIdirector Stuart Aikinsphoto credit Peter Pokorny

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MIDDLETOWN16

Middletown, December 2018Performing Arts Diploma Year II

director Stuart Aikinsphoto credit Peter Pokorny

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STAGE DOOR

For tickets andfull seasoninformation250 595 9970 ccpacanada.com

Stage Door is presented by special arrangement with Dramatists Play Service, Inc., New York.

Wed. Dec. 127:30pm

Fri. Dec. 147:30pm

RelaxedPerformanceSat. Dec. 152:00pm

TicketsAdult $27.50Senior $23.50Student $18.50

Performance Hall1701 Elgin Road

written by Edna Ferber andGeorge S. Kaufman

directed by Jim Leard

STAGE DOORAll the world’s a stage…

some just have better seats.

In repertory withMIDDLETOWNSee both shows

and save $5!Phone our Box Office for two-pack pricing.

A fast-paced,

comedic love letter

to the theatre.

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Stage Door, December 2018Performing Arts Diploma Year II

director Jim Leardphoto credit Peter Pokorny

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STAGE DOOR18

Stage Door, December 2018Performing Arts Diploma Year II

director Jim Leardphoto credit Peter Pokorny

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photo credits Jackie Adamthwaite

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COMMUNITY ENGAGEMENT

Community engagement remains an essential foundational principle of life at the College. Students frequently volunteer at community events, visit senior’s centres and take the time to hear their stories, and uphold a Christmas caroling tradition to spread joy each December.

photo credit Jackie Adamthwaite

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The College’s enduring reputation for presenting top-drawer musical theatre productions kicked off last year with the “Company C” Studio Ensemble’s production of Sweet Charity, described by Times Colonist theatre critic Adrian

Chamberlain as a show highlighted by “solid direction [Barbara Tomasic] and choreography [Jessica Hickman] … and a diminutive spark-plug known as Lara Hamburg as an irrepressible dance hall floozy with a heart of gold.” Despite the

most inclement weather since 1996 during its winter run, the production was a near sell-out.

SWEET CHARITY20

Sweet Charity, February 2019Applied Performing Arts Diploma

director Barbara Tomasicphoto credit Peter Pokorny

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SWEET CHARITY21

Sweet Charity, February 2019Applied Performing Arts Diploma

director Barbara Tomasicphoto credit Peter Pokorny

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STUDIO ENSEMBLE GRADUATION

There were tears, laughter and accolades during the Studio Ensemble graduation ceremony and dinner at the Hotel Grand Pacific as students began their performing arts career journeys. Managing Artistic Director Caleb Marshall delivered the keynote address.

Studio Ensemble Graduation, February 2019photo credit Jackie Adamthwaite and Andrew Barrett 22

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photo credit Caleb Marshall

Twenty years after Janis Dunning and Jacques Lemay co-founded this post-secondary training institution, with roots in Charlottetown, PEI, its national scope remains, hence the National Audition Tour that continues each year. The objective: to hold auditions from coast-to-coast in search of promising Canadians with performing arts career potential and provide them with intensive training and access to tuition subsidies from the Canadian Heritage Arts Society, the not-for-profit charitable organization that owns and operates the College.

AUDITION NOWmusicaltheatretraining.caQuotes are excerpts from the 2017 Independent Artistic Assessment on behalf of the Department of Canadian Heritage.

“CCPA is at the leading edge.”“The highest standard of instruction.”

“There are few curriculums as all-encompassing.”

Intense exposure to acting, voice & dance

Individualized curriculum tailored to you

Numerous performance opportunities

Less than 3:1 student/faculty ratioFaculty are working professionals

And much more!

NATIONALAUDITION TOUR

National Audition Tour, February - March 2019photo credit Caleb Marshall

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DAY OF BRIDGE

One of the most beloved traditions at the College is the Dorothy Gray Day of Bridge fundraiser in honour of the late, legendary volunteer known as the “Daffodil Lady” for her 60 years of service raising funds for the Canadian Cancer Society. The dedicated philanthropist’s affection for the students prompted her to designate CCPA in 2001 as sole recipient of funds she raised through bridge tournaments and luncheons that continue to this day at the College and feature performances by students.

The D o r o t h y G r a y Spring Day of Bridge

Monday, March 11, 201910:00am - 3:00pm

CCPA Performance Hall1701 Elgin Rd.

Admission by DonationAll proceeds to support student programming!For tickets and further information, please contact Nicole at

250-595-9970 or [email protected]

Spring Day of Bridge, March 2019photo credit Andrew Barrett

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TD FESTIVAL OF NEW WORKSFESTIVAL OFNEW WORKSADMISSION BY DONATIONMARCH 28 - 30 | 7:00PM

For full seasoninformation250 595 9970 ccpacanada.com

ChoralSavena AlterOlive Elzinga

ChoreographyAlissa GramsDaniel KnappEmma McEvoyAnnick Robledo MoralesAlexa Ste. Marie

DirectingRose McTavishDanny Saretsky

FilmFernando Jimenez

Musical TheatreBlanche DominqueChelsea MacEwan

Physical TheatreCourtney CrawfordNick HarrisonPedro M. SiqueiraRyan NicolaiRegina RiosGeri SchaerTessa Thompson

PlaywritingStephie BrightIsabella GiampaoloStephanie SzymanskiEmma VickersMatthew Wheadon

ProductionManagementRylee GodoMarissa McClymontJaeyoung Park

Performance Hall1701 Elgin Road

Mentorship is the backbone of the TD Festival of New Works, the annual festival that showcases projects created by students, giving them the opportunity to take creative leadership and have their voices heard through directing, playwriting, musical theatre, film and other disciplines. Faculty members and other professional mentors help guide students as they bring their new works in progress to the stage in a three-day festival of performances.

TD FESTIVAL OF NEW WORKS

TD Festival of New Works, March 2019Performing Arts Diploma Year I & II

photo credit Andrew Barrett

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Dozens of supporters, donors, students, faculty, and representatives from the municipality attended a special event on April 4 at the College housed in St. Mary’s Anglican Church at 1701 Elgin Rd. This open rehearsal celebrated the College having been chosen as the second recipient of the District of Oak Bay’s Acorn Arts Award, in honour of its contributions to the arts and the community it has called home for 20 years.

ACORN ARTS AWARD

Acorn Arts Award ceremony, April 2019photo credit Jackie Adamthwaite

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WEStSIDesTORybook by Arthur Laurents music by Leonard Bernsteinlyrics by Stephen Sondheim conceived by Jerome Robbinsdirector Matthew Howe choreographer Sara-Jeanne Hosiemusical director Heather Burns

Tickets at250 386 6121or rmts.bc.caMore information atccpacanada.com

West Side Story is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com

Fri. April 197:30pm

Sat. April 202:00pm

Sat. April 207:30pm

Wed. April 247:30pm

Thurs. April 257:30pm

Fri. April 267:30pm

Sat. April 272:00pm

Sat. April 277:30pm

TicketsAdult $45.00Senior $40.00Student $35.00

McPherson Playhouse3 Centennial Square

The College’s year-end musical is always a hotly-anticipated event, and this year’s production at the McPherson Playhouse – the iconic Broadway musical West Side Story – did not disappoint. Backed by a live orchstra, the show garnered rave reviews, as well as positive feedback regarding its educational value from its cast of 56 students. It underscored the impact of its all-star creative team, including Director Matthew Howe, Musical Director Heather

Burns, Choreographer Sara-Jeanne Hosie and Mercedes Bátiz-Benét, who as Artistic Consultant ensured accuracy and sensitive treatment of the musical’s cultural elements.

WEST SIDE STORY27

West Side Story, April 2019Performing Arts Diploma Year I & II

director Matthew Howephoto credit Peter Pokorny

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WEST SIDE STORY28

West Side Story, April 2019Performing Arts Diploma Year I & II

director Matthew Howephoto credit Peter Pokorny

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Graduation day at the Marriott Hotel for Diploma and Certificate students was at once bittersweet and inspiring. The College re-instated the founders’ tradition of wrapping students in a College scarf, a symbol of warmth, family, and care for your instrument. A new tradition was instituted of welcoming alumni to deliver the Keynote address. Clayton Baraniuk, College alumnus and Artistic Producer for Vancouver’s Electric Company Theatre, shared words of wisdom to graduates surrounded by friends and family.

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DIPLOMA & CERTIFICATE GRADUATION

Graduation Ceremony, April 2019photo credit Andrew Barett and Jim Leard

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Savena Alter

Olive Elzinga

JosephineKay

Emma McEvoy

SammyRadelfinger

Alexa Ste. Marie

Ben Alto-Bond

NathanielExley

KiannaKing

Rose McTavish

Kyra Reine

Zhuonan Sun

Stephie Bright

Avery Fehr

Brooke Klugkist

ElanMiller-Jeannotte

Regina Rios

Stephanie Szymanski

Mackenzie-Breeze Bone

Chevy Forsyth

Daniel Knapp

Emil Mogensen

Emily Rittammer

Joscelyne Tamburri

Jaime Butler

Isabella Giampaolo

Angela Kostiniuk

Madeline Morrison

Annick Robledo Morales

Tessa Thompson

RicardoCaballero

NatalieGlum

Kelsey Launier

Ryan Nicolai

Emma Vickers

Dolan Rud

Emma Vickers

MakylaCharlie

Rylee Godo

AndreaLemus Olavarrieta

Annie O’Connor

Mitya Salinas Loza

Matthew Wheadon

BenjaminConroy

Alissa Grams

Cameron Lorenzo

Brenley Palmer

Daniel Saretsky

Courtney Crawford

Lara Hamburg

Emily Lutz

Jaeyoung Park

Geri Schaer

EllaDaly

Nick Harrison

Chelsea MacEwan

Avry Payne

KooroshShamshiri

NiahDavis

Jordan Holloway

BrynMackay-Pettyjohn

Jacelyn Perret

Jordan Shillingford

EmilyDehod

Fernando Jimenez

Marissa McClymont

Chris Perrins

Olivia Simpson

Blanche Dominique

Justine Elizabeth Joudrie

PJ McCormack

Emily Pugsley

Pedro M. Siqueira

2018-19STUDENTS

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Michael Boston

Glenda Balkan-Champagne

Heather Burns

Jane Edler-Davis

Luba Ellis

Teodora Georgieva

Iryna Graifer

Alison Greene

Kim Greenwood

Jessica Hickman

Jim Hill

Matthew Howe

Jim Leard

Jacques Lemay

Dr. Iris MacGregor-Bannerman

CalebMarshall

Nathan McDonald

Jeremy Miton

Tiffany Miton

Angela Mousseau

Erin Ormond

Arlene Overman

Sara Partridge

Barbara Poggemiller

David Roland

Amalia Schelhorn

Treena Stubel

Janice Tooby-MacDonald

Jessica Van der Veen

ChristopherWeddell

2018-19 FACULTY

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Jackie Adamthwaite

Theatre Operations &

Outreach Manager

Andrew BarrettCommunications

& Marketing Officer

Heather BurnsDirector of

Education & Programming

Maia CrockettDesign &

Publications Coordinator

Mary Ann Ladroma

Bookkeeper

Anna MacAlpineAdministrative

Assistant

Caleb MarshallManaging Artistic

Director

R.J. PetersProduction Manager

Michael D. ReidPublic Relations

Liaison

Mark RiishedeRegistrar

Nicole MalcolmDevelopment & Recruitment

Manager

2018-19 STAFF32