all theory at s.g. graphic communication is based on the colour wheel

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Page 1: All theory at S.G. Graphic Communication is based on the colour wheel
Page 2: All theory at S.G. Graphic Communication is based on the colour wheel

All theory at S.G.All theory at S.G.Graphic CommunicationGraphic Communication

is based on the is based on the colour wheelcolour wheel

Page 3: All theory at S.G. Graphic Communication is based on the colour wheel

Primary Colours

RED YELLOW BLUE

All other colours are mixed from these basic three

Primary Colours

RED YELLOW BLUE

All other colours are mixed from these basic three

Secondary Colour - GREEN

Mixed from Yellow and Blue

Secondary Colour - GREEN

Mixed from Yellow and Blue

Secondary Colour - ORANGE

Mixed from Yellow and Red

Secondary Colour - ORANGE

Mixed from Yellow and Red

Secondary Colour - VIOLET

Mixed from Red and Blue

Page 4: All theory at S.G. Graphic Communication is based on the colour wheel

Tertiary ColoursMixed from a PRIMARY colour and a SECONDARY colour

YellowOrange

YellowGreen

BlueGreen

RedOrange

Blue Violet

Red Violet

Tertiary Colour - Yellow/OrangeTertiary Colour - Yellow/Orange

Tertiary Colour - Red/OrangeTertiary Colour - Red/Orange

Tertiary Colour - Red/VioletTertiary Colour - Red/Violet

Tertiary Colour - Blue/VioletTertiary Colour - Blue/Violet

Tertiary Colour - Blue/GreenTertiary Colour - Blue/Green

Tertiary Colour - Yellow/GreenTertiary Colour - Yellow/Green

Page 5: All theory at S.G. Graphic Communication is based on the colour wheel

Tints and Shades

When WHITE is added to a colour it is called a TINT of that colour.

When BLACK is added to a colour it is called a SHADE of that colour.

TINTTINT SHADESHADE

RecedingReceding , , Advancing, Advancing, Harmony and Contrasting Colours.Harmony and Contrasting Colours.

ColdCold colours are said to be colours are said to be RECEDINGRECEDING colours coloursWarmWarm colours are said to be colours are said to be ADVANCINGADVANCING colours colours

Similar colours are in HARMONYSimilar colours are in HARMONYOpposite colours are in CONTRASTOpposite colours are in CONTRAST

ADVANCINGADVANCINGRECEDINGRECEDING

HARMONY HARMONYCONTRAST

Page 6: All theory at S.G. Graphic Communication is based on the colour wheel

DarkDark andsoft BROWNSBROWNS

REDRED-GREENGREENBLUEBLUE-YELLOWYELLOW

WarmReds/Reds/OrangesOranges

ColdBLUESBLUES

Page 7: All theory at S.G. Graphic Communication is based on the colour wheel

Colour selection for a product is guided by the function of the product, the environment in which the product will be used

and the market for which the product is intended.

Red: Great power of attraction. Hot, bold, exciting, festive, passionate and positive. Can be associated with rage, aggression, danger, courage and speed.Yellow: Most easily seen, luminous, bright, pleasant, happy, sunny, lively and cheerful. Blue: Formal, cool, sophisticated, aristocratic, serene, passive, elegant and reliable. Orange: Sunny, cheerful, warm and happy. Green: Restful, fresh, cool, soothing, natural and informal.Purple: Rich, pompous, impressive and regal.Violet: Cool, negative, retiring subdued and solemn.Grey: Neutral, sedate, dignified and inconspicuous.White: Luminous, positive, light delicate and clean.Black: Subdued, solemn and profound,Brown: Safe, reliable and earthy natural.

Colour selection for a product is guided by the function of the product, the environment in which the product will be used

and the market for which the product is intended.

Red: Great power of attraction. Hot, bold, exciting, festive, passionate and positive. Can be associated with rage, aggression, danger, courage and speed.Yellow: Most easily seen, luminous, bright, pleasant, happy, sunny, lively and cheerful. Blue: Formal, cool, sophisticated, aristocratic, serene, passive, elegant and reliable. Orange: Sunny, cheerful, warm and happy. Green: Restful, fresh, cool, soothing, natural and informal.Purple: Rich, pompous, impressive and regal.Violet: Cool, negative, retiring subdued and solemn.Grey: Neutral, sedate, dignified and inconspicuous.White: Luminous, positive, light delicate and clean.Black: Subdued, solemn and profound,Brown: Safe, reliable and earthy natural.

SUNMEDHOLIDAY

S

Page 8: All theory at S.G. Graphic Communication is based on the colour wheel

PROHIBITION MANDATORY SAFE

CONDITIONWARNING

Flash Bars

Flash bars are used tomake the subject of a

display more prominent and eye catching

i.e. the perfume bottleshown opposite has three

different 'flash' bar shapes. The shape of the flash bar

is the designers choice.

In the cases opposite a blue 'gradient' bar was used

because it recedes into the background.

TRENDSTRENDS ShoesShoes

BRITISH SAFETYKITE MARK

Page 9: All theory at S.G. Graphic Communication is based on the colour wheel

As part of the course requirements for Credit level work, whether Manual or Computer generated, reasons are needed for colour choice.

The blue background is cold andreceding creating the feeling of distance so allowing the warm yellow and red text colours to advance to the front giving them the desired importance.The vertical and horizontal flash bars are light blue but gives the illusion of being nearer than the background and at the same time promotes the graphic of the IRONIRON which is the main subject of the display.The ‘shirt’ graphic is also placed over the horizontal flashbar to give it prominence. The various shades of blue give the display an overall formallook to hopefully appeal to the professional person.