american cinema today – finish black hawk down – film noir notes – time to work on war...
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American CinemaAmerican Cinema
Today – finish Today – finish Black Hawk DownBlack Hawk Down – – Film Noir notes – time to work on War Film Noir notes – time to work on War reviewsreviews
Tomorrow – War unit dueTomorrow – War unit due– NotesNotes– African QueenAfrican Queen– Tora! Tora! Tora!Tora! Tora! Tora!– Black Hawk DownBlack Hawk Down
Film NoirFilm Noir
““Black FilmBlack Film””OrOr
““Dark FilmDark Film””
The The film noirfilm noir genre was born genre was born from crime films: from crime films:
audiences grew bored with audiences grew bored with the criminal protagonistthe criminal protagonist
wanted more of a hero wanted more of a hero during war timesduring war times
more intelligent: German more intelligent: German Expressionists heavily Expressionists heavily influenced by influenced by mise-en-scenemise-en-scene
Lasted from 1945-ish to Lasted from 1945-ish to 1950-ish1950-ish
Some Some film film noirnoir films films
have have criminals and criminals and private eyes, private eyes,
but not all but not all private eye private eye
or crime films or crime films are are film noirfilm noir..
There is no true definition of a There is no true definition of a film noirfilm noir, yet many contain , yet many contain similar characteristicssimilar characteristics
Darkness represents two ideas:Darkness represents two ideas:
Darkness of settingDarkness of setting
Darkness of humanityDarkness of humanity
Humphrey Bogart in The Maltese Falcon (1941)
Darkness of the Darkness of the SettingSetting
Cities:Cities: Mean, nasty places where anything can Mean, nasty places where anything can
happen at any momenthappen at any moment Violence and crime occur often, usually Violence and crime occur often, usually
randomlyrandomly Sex: strip clubs, bars, sultry women Sex: strip clubs, bars, sultry women
aboundabound Cities are grimy, dirty places with lots of Cities are grimy, dirty places with lots of
shadows.shadows.
Fog:Fog: Fog obscures, makes unclear and Fog obscures, makes unclear and
unknown.unknown. Fate, mystery, future .Fate, mystery, future .
Water:Water: What lies under the water?What lies under the water? Rarely can the audience see below Rarely can the audience see below
the surface of waterthe surface of water Sometimes choppy and tumultuousSometimes choppy and tumultuous
Casablanca (1942)
What Lies Beneath (2000)
Darkness of the Setting
LightingLighting Film noir uses Film noir uses high contrast lightinghigh contrast lighting with with
lots of shadows. lots of shadows. Sometimes props are the only source of Sometimes props are the only source of
lightlight
This is called This is called low key lightinglow key lighting..– Little Little key lightingkey lighting (principle source of light) (principle source of light)– Mostly Mostly fill lightfill light (lights from side or back) (lights from side or back)– Comedies, musicals use Comedies, musicals use high key lightinghigh key lighting to to
create uniform light with little contrastcreate uniform light with little contrast
Notice the Brox Sisters in 1929’s Singing in
the Rain. What do you notice about the
lighting?
What do you see for lighting in this image of Bogart from Casablanca (1942)?
Darkness of Darkness of Humanity:Humanity:
ItIt’’s a world of paranoia and entrapments a world of paranoia and entrapment Male protagonist feels trapped and Male protagonist feels trapped and
overwhelmed by a situationoverwhelmed by a situation Chance plays a larger role than fateChance plays a larger role than fate Heavy use of Heavy use of mise-en-scenemise-en-scene to show to show
craziness and entrapment:craziness and entrapment:– Bars or lines in front or behind characterBars or lines in front or behind character– Tight framingTight framing– Odd anglesOdd angles– Slow tracking shotsSlow tracking shots– Backward tracking shotsBackward tracking shots
Femme FataleFemme Fatale A A ““dangerous womandangerous woman”” who traps or pulls the who traps or pulls the
male protagonist (usually a common, everyday male protagonist (usually a common, everyday Joe) into a world of crime and dangerJoe) into a world of crime and danger
She is sexy, dangerous, often filled with She is sexy, dangerous, often filled with ““mad mad love,love,”” greed, or jealousy greed, or jealousy
Often, one or the other, maybe both, will die.Often, one or the other, maybe both, will die.
AKA – The Spider WomanAKA – The Spider Woman– Ensnares the hero in a web of danger, lies and Ensnares the hero in a web of danger, lies and
deathdeath
Other SymbolsOther Symbols Fog, water, cities, Fog, water, cities,
shadowsshadows– All show obscurity or All show obscurity or
the unknown mysterythe unknown mystery
Transportation:Transportation:– Used as a weapon or Used as a weapon or
a place of isolation a place of isolation and escapeand escape
– Cars, trains, planes, Cars, trains, planes, boatsboats
Double Indemnity (1944)
Clothing:Clothing:– Symbol of status, power, Symbol of status, power,
innocence or guiltinnocence or guilt
Mirrors and glass:Mirrors and glass:– Sharp and dangerous yet Sharp and dangerous yet
fragile, like lifefragile, like life– Shows all people are the Shows all people are the
samesame– Something might be Something might be
hidden behind a mirrorhidden behind a mirror
The Lady from Shanghai (1947)
Other Symbols
Postmodern Film Postmodern Film NoirNoirEven though Even though film noirfilm noir died out, it still died out, it still
exists:exists:– Small details have been taken from the Small details have been taken from the
classics (symbols, lighting, characters)classics (symbols, lighting, characters)
– Some feel Some feel film noirfilm noir must be black and must be black and white, others feel that high contrast can white, others feel that high contrast can be achieved through vivid colorsbe achieved through vivid colors
Examples:Examples: Blade RunnerBlade Runner (1982) (1982), The , The Usual SuspectsUsual Suspects (1995) (1995), Glengarry Glen , Glengarry Glen Ross Ross (1992)(1992)
The Maltese FalconThe Maltese Falcon
19411941 John HustonJohn Huston A private detective takes on a case
that involves him with three eccentric criminals, a gorgeous liar, and their quest for a priceless statuette.
Double IndemnityDouble Indemnity
19441944 Billy WilderBilly Wilder An insurance rep lets himself be talked
into a murder/insurance fraud scheme that arouses an insurance investigator's suspicions.
Double indemnity - Double indemnity - a provision in a life-insurance or accident policy whereby the company agrees to pay twice the face of the contract in case of accidental death