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Alice’s Adventures in Real Magic
(a journey of discovering enchanted music
and magical nature spirits)
by Alice Liddell Francis & Claud Brown
Throughout the enhanced e-book are audio embeds, which are activated by touching or clicking on the musical notes, e.g.: “When I play Debussy’s Reverie ♫” In a print version of the book, a CD will be included.
© Claud Brown, 2014 (Year of the Wood Horse)
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(the faerie princess)
There’s something about the French: when I look at books with paintings by Matisse or Monet,
it’s the way the colors and brush strokes come alive. Nudes, still lifes, or shimmering water
lilies- it’s almost too beautiful. If you look at them long enough, they start to breathe.
That’s when it happens- I slip into the painting, losing myself in the colors.
And it’s the same with French music. When I play something like Debussy’s Reverie ♫ with
Ebony (Mom’s grand piano), the music gives my daydreams pastel tones. Everything feels
dreamy, and if I close my eyes, I’m swept away to Paris in the 1890s. Standing outside the cafés
or inside the salons, thousands of miles away in another time. Feeling like that’s where I belong.
Which is as far away from here as possible.
Last summer was when the hammer came down- when my parents got divorced. And I totally
blamed myself. It’s because I’m too lazy and dreamy. Too self-centered and wrapped up in me
and my music. Of course they told me it wasn’t true, but it didn’t matter. Honestly, after Dad
left, every morning was like waking up to a kick in the stomach. And my one escape was losing
myself in my favorite music and going on musical adventures.
So now when I’m home, if I’m not doing schoolwork, I’m taking a French vacation with Ebony.
Or I head outside to hang out in the garden, or under Drew (my oak tree- and best friend).
I spend hours just listening. To everything. To the crickets and songbirds. To a big truck
shifting gears on Table Mesa, or a plane flying overhead, or the wind scattering some dried
leaves. It’s all music. I just hang out and listen to my own symphony.
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Then after a while I take out my flute and start playing along, imitating the leaves staccato
rhythms, or the pulsing crickets. And of course my bird friends. I’ve really gotten into it since
last summer. At first when I played with them, they seemed to ignore me. But I kept at it,
listening to the birdsongs and imitating them. Call and response. And I swear, now when the
birds begin singing and I imitate their songs on my flute, the blackbirds, robins or larks start
singing back. We listen to one another, echoing each other’s songs and melodies.
And that’s how it begins. You listen. Deeply, totally. Becoming the sounds. Then you join in.
And I’m not a girl anymore. Our backyard becomes an enchanted kingdom, and I’m a faerie
princess with a magic flute, playing music with my friends, the songbirds. Who are the only
ones who really listen to me. Who understand me.
(nature magic)
After dinner I do the dishes, then go outside with my flute to hang out under my oak tree,
seeing if I can get any action with my friends. I hear two or three birds singing next door,
so I just sit here on the grass and meditate. Relaxing, focusing, listening. Enjoying their
musical offering.
Then two music loving chickadees fly from the aspens next door into the top of Drew’s
branches. We sit here together for a bit, and they begin singing again. It’s so delicious.
And now I pick up my flute and join in. ♫ Breathing out long, soft deep tones, inviting them
to listen to me.
I pause and wait for them to begin singing again, and then imitate their songs. Short, lively bird
melodies, bright and quick. I play, and wait for them to sing. Then we take turns singing back
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and forth to each other. Our songs vibrate and flow into each other, as a red-orange sunset glow
slowly fills the backyard. It feels like I’ve stepped into a fairy tale.
My musical partners fly down closer, perching on the branches just above me. They cock
their heads and look at me, and one of them chirps a little song. I hear his music, along with
whistling words:
“It’s you. You. We come for you.”
OMG! I freeze up- what happened? I really heard it- the birdsong and the words together!
The three of us sit here, watching each other. And time stops. Reality has flown away.
I’ve crossed over, but I don’t know where over is.
Then the other chickadee flies to another branch just to my left. And they both twitter away-
wordless birdsongs. Like they’re super excited, trying to tell me something.
Unbelievable. Comme un rêve.
And it’s not just the chickadees. It’s the oak tree, the dandelions, even the air. Everything
around me wakes up and comes to life. All of us breathing and vibrating together. Now the
sunset’s light softens and surrounds us, and everything glows with a shimmering red-violet
aliveness. It feels like the leaves and flowers are about to talk with me, welcoming me into
another world. Then my two friends give me one final, long look- and fly off.
I’m in shock. My heart’s pounding as I lay down on a bed of grass, setting my flute down
and looking up at the sky through the leaves that shimmer in the wind. Did it happen?
And what is it? Questioning everything, as I lay here under my oak tree. Fearing what’s next.
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My body tightens up, like a violin where someone’s twisting my pegs until the strings snap.
I keep breathing deeply, feeling the cool air flowing through me so I don’t faint. Or snap.
I tell myself to relax and see what happens. I keep gazing into the sky, watching it grow darker,
as the pale yellow moon begins to rise. And the whole time I have this feeling- I’m not alone.
Someone or something’s here. Watching me.
j
(the excerpt below appears later in the book)
(musical colors)
What is it with me? This morning I’m soaring, loving my backyard magic. And now, out of
the blue I spiral down into a major depression. Because the truth is, I’m clueless. I don’t even
know who I am, or what’s happening. Is anything I love real?
At this point, all I can do is tell myself to cut it- stop whining, try and raise my energy, and go
sit behind Ebony. Mom’s right, I need to talk with someone. So I invite an old friend into the
living room- Erik Satie. And we “talk” as I play and listen, and he speaks with me through
his music.
I start with his Gymnopedies ♫. These pieces can make me feel so happy, but sometimes they’re
so heartbreaking. Happy and heartbroken, back and forth- that’s me. But I keep playing and
relax into the music, and it’s like Satie is taking my hand and leading me into a magical garden.
Filled with the most lovely, fragrant musical flowers that are so- what’s the word? Melancholy.
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Beautiful and sad. Dark and melancholy.
There’s something about playing sad music when you’re confused, feeling down, or even
feeling like you’re going crazy. It’s like it understands you. Because that’s when you don’t
just listen with your ears, you listen with your heart. Even if it’s broken. Then the music
becomes yours, and it feels the way you do. Flowing inside you, helping you get through the
worst times. You know what I mean- because it’s happened to you, and the music’s been there
for you. Right?
Now I keep repeating my favorite passages, closing my eyes, and becoming the music.
And the strangest thing happens. Totally unexpected. A dream vision appears in my mind.
A daydream- a reverie. I see myself as a little girl, before I started school, playing in our
backyard, then wandering over to the neighbor’s garden, dancing with the roses and daffodils
swaying in the breeze. Because I thought they were dancing to music I couldn’t hear, so I’d
sing along and start moving with them.
When I was born, Lili wanted to name me Jasmine Rose Francis. But Dad went on the internet,
looking up names of people who shared my birthday- May 4th. And the coolest person born on
that day was Alice Liddell- the girl who inspired Lewis Carroll to write Alice in Wonderland.
(Yes, Alice was real!) So I became Alice Liddell Francis.
And I loved my name! The Alice books were my favorites, because I lived in Wonderland.
Everything was alive with musical colors: the cardinal’s red spring rhythms, as he flaps his
scarlet wings in Mrs. G’s birdbath, with water flying everywhere. Or the summer breeze
whistling green through the bright oak leaves, or the hum of Mom’s station wagon as I stick
my blond head out the window, and the wind sings yellow through my hair. Luscious
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strawberry red, bright lime green and sweet mango yellow moments, which slowly lost their
delicious colors and magical music as I grew up.
I’d totally forgotten about all this. But now as I’m playing Satie, it’s somehow flowing back.
It’s like I’m remembering what it was to be a little girl, eight or ten years ago. And what it
was to be a sorceress, two thousand years ago. Seeing the world with young, wild, fresh eyes.
I go back to playing his Gymnopedies from beginning to end, and now I start hearing sad blue
melodies melting into hopeful, sparkling greens. And I almost taste juicy, strawberry red
harmonies that blend into tangy, fluid violets. Just like in my dream. And I have to ask myself-
is this really possible? Can we actually hear, see, taste, smell and touch music?
Look, we can all hear the shapes and textures of music, right? Flowing arpeggios, bright grace
notes and sparkling trills. But somehow, Satie takes us further. And if someone says it’s just
our imagination, or it’s not real, maybe it’s our imagination and it’s real, too.
So now I start improvising on Satie, adding my own JoyFull, ColorFull, HeartFull music. ♫
At first I take control of my improvisation, my musical dream, adding spinning melodies
and pastel harmonies to the Gymnopedies. Falling in love with the way I’m painting this
musical portrait of nature, flowing and swirling through my imagination. Then I let go, letting
the music take me where it wishes. Up and down the keyboard, strange modes and harmonies
play and sparkle in the air. Again and again. And that’s what I do for the rest of the afternoon.
Creating sorcery. Making music and magic. Mon vieux Satie, je t’aime toujours!
w
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