apah chapter 20 all mc questions

CHAPTER20PIETY,PASSION,ANDPOLITICS:15thCenturyArtinNorthernEuropeandSpain

1. JanvanEyck'sGiovanniArnolfiniandHisBridecontainsmanysymbols.WhichofthefollowingisanallusiontoGod?a. thedog c. thewhiskbroomb. thebedpost d. themirror

ANS: D PTS: 1 OBJ: TYPE:Analysis/Comprehension

2. AlthoughcousinstotheFrenchkings,theBurgundiansusuallysidedwithEngland.Whichofthefollowingaccountedforthis?a. TheyneededEnglishwoolforitswoolindustry.b. EnglandwasindebttoBurgundy.c. FrancewasindebttoBurgundy.d. BurgundyhadamarriagealliancewithEngland.

ANS: A PTS: 1 OBJ: TYPE:Analysis/Comprehension

3. Inthe15thcentury,theDukesofBurgundywieldedpoweroverwhichofthefollowingcounties?a. Bavaria c. Galiciab. Flanders d. Lombardy

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4. WhichofthefollowingaccountedfortheinterestinillusionisminFrenchmanuscriptillumination?a. contactwithItalyb. contactwithConstantinoplec. contactwithBrugesd. contactwithLondon

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5. LesTresRichesHeuresduDucdeBerrylikemanyBooksofHourscontainsacalendar.Thissectionofthismanuscriptinparticulardepictswhichofthefollowing?a. courtlylifeb. therosaryc. seasonaltasksd. theancestryoftheDucdeBerry

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6. HowdidtheDukesofBurgundyacquirethecountyofFlanders?

a. marriage c. treatyb. barter d. purchase

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7. WhichofthefollowingreasonsaccountsfortheshiftinfocusoftheBurgundianDukesawayfromDijonandtowardsBruges?a. itslocationtoItalyb. itsfinancialdominationc. itsweatherd. itsproximitytowater

ANS: B PTS: 1 OBJ: TYPE:Comprehension

8. TheDukesofBurgundycommissionedarttoreinforcetheirstatusasrulersandtheirdynasty.Whichofthefollowingbestsupportsthis?a. TheDukeswantedtoreinforcetheviewofdynasticsophisticationb. TheDukeswantedtoemployartistsc. TheDukeswantedtoprovideartfordispersald. TheDukeswantedtoamassagreatcollection

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9. WhichofthefollowingwasadynasticsymbolfortheDukesofBurgundy?a. ValoisCastleb. ChateauBlancc. ChartreusedeChampmold. St.Bavo

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10. WhatdoesthefountaincreatedbyClausSluterforthecloisterofChartreusedeChampmolsymbolize?a. EverlastingLifeb. theWellofMosesc. flowingwaterd. theDukesofBurgundy

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11. ThefollowingphrasefromRevelations,"pureriverofwateroflife,clearascrystal,proceedingoutofthethroneofGodandoftheLamb"isdepictedinwhichofthefollowing?a. Depositionb. LastSupperfromtheHolySacramentAltarpiecec. AltaroftheLambfromtheGhentAltarpieced. AdorationoftheShepherdsfromthePortinariAltarpiece

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12. Whowasdeanofthepainters'guildofGhentandworkedforTommasoPortinari?a. JanvanEyckb. RogiervanderWeydenc. DirkBoutsd. HugovanderGoes

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13. WhichofthefollowingartistsspecializedinimagesoftheMadonna?a. HugovanderGoesb. RogiervanderWeydenc. HansMemlingd. JanvanEyck

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14. Whichofthefollowingisamanifestationofthecommitmentofprivateprayer?a. aBookofHoursb. asmallAltarpiecec. theconstructionofsmallchapelsinthecitycathedrald. anilluminatedPsalter

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15. ThehugepomegranatetreefoundonthefaadeoftheColegiodeSanGregorioinValladolidisasymbolforwhichofthefollowingcities?a. Valladolid c. Sevillab. Granada d. Madrid

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16. Thefollowingphrase,"...activityofathousandintertwinedmotifsunifiesthewholedesign..."describeswhichofthefollowingstyles?a. GermanLateGothic c. French15thcenturyb. Flemish15thcentury d. SpanishPlateresque

ANS: D PTS: 1 OBJ: TYPE:Analysis

17. Amysticmarriagewouldhaveresonatedinparticularwithnuns.Whichofthefollowingaccountsforthis?a. Itvalidatedmarriageb. Itsecuredthewoman'spositionaswifec. Itwasaspecialspiritualmarriage

d. Itsecuredcertainrightsforthewife

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18. ThePortinariAltarpiececontainsmedievalpictorialdevices,smallscenesthatstressthemeaningandsignificanceofthedepictedevent.Whichofthefollowingisonesuchmedievalpictorialdevice?a. theArrivaloftheMagi c. theBaptismofChristb. theCrucifixion d. theResurrection

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19. WhichofthefollowingmedievaldevicescanbefoundinStephenLochner'sMadonnaintheRoseGarden?a. astructuredcompositionb. agoldbackgroundc. asymmetricalcompositiond. thepatronappearsinthework

ANS: B PTS: 1 OBJ: TYPE:Comprehension

20. StossVeitrevealsthepoweroftheLateGothicstyle.Whichofthefollowingsupportsthisstatement?a. Hecreatedlargecarvedwoodenaltarpieces.b. HedesignedanelegantBookofHours.c. Hecreatedadetailedreliquary.d. HepaintedanaltarpiecedevotedtotheLastJudgment.

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21. WhichofthefollowingwouldsupporttheargumentthattheWellofMosescreatedbyClausSluterdidnotactuallyspoutwater?a. TherewasnowatersourceintheCarthusianmonastery.b. Carthusiancommitmenttosilencewouldprecludeanysoundmakingdevice.c. TheWellofMoseswasneverfinished,soitneverworked.d. TheWellofMoseswasnottheactualdeviceusedtospoutwater.

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22. TheHundredYearsWarinvolvedprimarilywhichtwokingdoms?a. EnglandandFrance c. ItalyandGermanyb. GermanyandFrance d. EnglandandSpain

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23. WhowasthenoblepatronwhocommissionedLesTrsRichesHeures?a. PhiliptheGoodb. GiovanniArnolfinic. TommasoPortinari

d. Jean,DukeofBerry

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24. Whichofthefollowingartistswasfamousforhisenigmaticlargescalework?a. HieronymusBosch c. HugovanderGoesb. VeitStoss d. JanvanEyck

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25. WhichofthefollowingwasPhiliptheBoldofBurgundy'smostsignificantcommission?a. ChartreusedeChampmol c. GhentAltarpieceb. LesTrsRichesHeures d. PortinariAltarpiece

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26. TheNurembergChronicleisatributetothenewcraftoftheprintedillustratedbook.WhatwasthecontentoftheNurembergChronicle?a. ItwasthehistoryofNuremberg.b. ItwasthehistoryofGermany.c. Itwasthehistoryoftheworld.d. Itwasthehistoryoftheillustratedbook.

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27. InMartinSchongauer'sengravinghecreateddistinctionsoftonalvaluesandtextures.Hedistinguishedbetweenskinandcloth,featherandfur.WhichofthefollowingisthetitleofMartinSchongauer'sengraving?a. SaintAnthonyTormentedbyDemonsb. TheCrucifixionc. TheMysticMarriageofSt.Catherined. TheAdorationoftheShepherds

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28. Whichcityderiveditswealthfrombankingandthewooltrade?a. Dijon c. Munichb. Bruges d. Paris

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29. Sluter'ssculpturalworkscanbecharacterizedasa. elegant,usingsweepingcurvilinearlinesb. havinglittlephysicalmovementorweightshiftc. typicalofthe"soft"styled. influencedbythestyleofDonatello

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30. OneofthemostimportanttradingcitiesoffifteenthcenturyNetherlandswasa. Dijon c. Baselb. Bruges d. Amsterdam

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31. Whichofthefollowingartistssecularizedportraiture?a. TilmanRiemenschneiderb. HieronymusBoschc. HugovanderGoesd. JanvanEyck

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32. PhiliptheBoldofBurgundyclearlyunderstoodtheramificationsoftheGreatSchism.Herecognizedthedisputewasnotdoctrinalbutratherpolitical.Heeagerlyenteredintothefraybecausehewasconfidentofhispowerandcontrol.WhichofthefollowingdidPhiliptheBoldsupport?a. thepopeinRomeb. thekingofEnglandc. thekingofFranced. thepopeinAvignon

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33. Emergingcapitalismledtourbanprosperity.Thisprosperityledtoagrowinginterestinwhichofthefollowingarttypes?a. secularportraits c. smallaltarpiecesb. reliquaries d. churchconstruction

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34. WhichofthefollowingwasNOTincludedinJanvanEyck'sGhentAltarpiece?a. AdamandEve c. Depositionb. GodtheFather d. AdorationoftheLamb

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35. InRiemenschneider'sAssumptionoftheVirgin,theartisthadsuccessfullyincorporatedwhichofthefollowingelements?a. Italianillusionismb. Byzantinespiritualityc. Romanclassicismd. Gothicintricacy

ANS: D PTS: 1 OBJ: TYPE:Comprehension

36. RecentscholarshiphasindicatedthatmanyoftheimagesofBosch'sGardenofEarthlyDelightsaremostlikelybasedonwhichofthefollowing?a. storiesfromtheGoldenLegendb. alchemicalsymbolismc. visionsofSt.BridgetofSwedend. Ovid'sMetamorphosis

ANS: B PTS: 1 OBJ: TYPE:Analysis

37. CharlesIofSpainunitedthreemajordynasticlines:Burgundian,Spanish,andwhichother?a. Capetian c. Portinarib. Hapsburg d. Valois

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38. WhichofthefollowingweremembersoftheGuildofSt.Luke?a. weavers c. masonsb. metalsmiths d. painters

ANS: D PTS: 1 OBJ: TYPE:Analysis

39. HugovanderGoes'sPortinariAltarpieceischaracterizedbywhichofthefollowing?a. itsjoyfulangelsandmutedcolorsb. anexclusiveconcernwithformalproblemsc. aflat,goldbackgroundd. itsrichcolorsandasombermood

ANS: D PTS: 1 OBJ: TYPE:Analysis

40. WhichtwoentitiesdividedtheBurgundianterritoriesafterthedeathofCharlestheBold?a. FranceandSpainb. FranceandtheHolyRomanEmpirec. EnglandandFranced. RomeandEngland

ANS: B PTS: 1 OBJ: TYPE:Knowledge

41. AllofthefollowingarefactorsthatcontributedtothedevelopmentofcitiesinthefifteenthcenturyEXCEPTa. Themigrationofasignificantportionoftheruralpopulationtourbancenters.b. Thethrivingcommerce,industry,andfinanceofEuropec. Thefirstinternationalcommercialstockexchange.d. Thedelayintheonsetofconsequences

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42. Separatepagesofvellumorparchmentboundtogetheratoneside;thepredecessorofthemodernbook.a. Codex c. Logosb. Biblio d. Athos

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43. A15thand16thcenturystyleofSpanisharchitecturecharacterizedbyelaboratedecorationbasedonGothic,ItalianRenaissance,andIslamicsourcesa. Mozaribic c. Arabesqueb. Plateresque d. Romanesque

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44. WhatisaBookofHours?a. adailyplanner c. abookusedforrecitingprayersb. acollectionofBooksofMinutes d. aCatholicversionoftheBible

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45. NametheartistswhoilluminatedtheTresRichesHeuresduDucdeBerry.a. theLimbourgbrothers c. theHolbeinsb. theVanEyckbrothers d. thePicassosisters

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46. DescribethestylisticcharacteristicsthatlinktheilluminationsdonebytheLimbourgbrotherswithfourteenthcenturySienesepainting:a. Growingartisticinterestinsurrealismandabstractthemes.b. Closeobservationofthenaturalworldc. Convincingshadowscastbythepeopleandobjects.d. Depictionofaperceptualreality,asshownbythearchitecturaldetail.

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47. ThesymbolicmeaningoftheWellofMosesattheChartresusedeChampmolwasasymbolicfountainoflife,withtheBloodofChristflowingdownovertheOldTestamentprophets,washingawaytheirsinsintothewellbelow.Itrepresentsthepromiseofeverlastinglife.a. True b. False

ANS: A PTS: 1

48. Anarchitecturalscreenorwallaboveandbehindanaltar,usuallycontainingpainting,sculpture,carving,orotherdecorations.a. altar c. retableb. gallery d. ambulatory

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49. WhatisthegeneralthemeoftheGhentAltarpiece?a. Eternaldamnation c. HumanitysRedemption.b. Obedienceandsacrifice d. HopeandCourage

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50. WhatpaintingtechniquewasperfectedbyfifteenthcenturyFlemishpainters?a. Tempera c. Oil.b. Acrylic d. Water

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51. IncontrasttothecomplexsymbolismofJanvanEyck,whatdidRogiervanderWeydenstressinhispaintings?a. Humanitysredemption c. Christsloveb. Humanactionanddrama. d. Paganism

ANS: B PTS: 1

52. Howdidmostwomenartistsreceivetheirtrainingduringthefifteenthandsixteenthcenturies?a. Fromthewomensartistguildb. Conventsc. Fromtheirhusbandsandfatherswhowerepainters.d. Cathedralschoolsandapprenticeships

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Akindofengravinginwhichthedesignisincisedinalayerofwaxorvarnishonametalplate.Thepartsoftheplateleftexposedarethenetched(slightlyeatenaway)bytheacidinwhichtheplateisimmersedafterincisingEtching

Avitreouscoatingappliedtopotterytosealanddecoratethesurface;itmaybecolored,transparent,oropaque,andglossyormatte.Inoilpainting,athin,transparent,orsemitransparentlayerputoveracolortoalteritslightlyGlaze

Awoodenblockonthesurfaceofwhichthosepartsnotintendedtoprintarecutawaytoaslightdepth,leavingthedesignraised;also,theprintedimpressionmadewithsuchablock.Woodcut

CHAPTER20PIETY,PASSION,ANDPOLITICS:15thCenturyArtinNorthernEuropeandSpain

1. (Figure207)

a. HansMemling c. JanvanEyckb. HugovanderGoes d. RogiervanderWeyden

ANS: D PTS: 1 KEY: SlideIdentification

2. (Figure204)

a. IsenheimAltarpiececlosedb. GhentAltarpiececlosedc. GhentAltarpieceopend. ChampmoldeRetable

ANS: D PTS: 1 KEY: SlideIdentification3. (Figure209)

a. Italian c. Netherlandishb. French d. German

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4. (Figure2011)

a. MrodeAltarpieceb. GhentAltarpiecec. ChampmoldeRetabled. St.JohnAltarpiece

ANS: D PTS: 1 KEY: SlideIdentification

5. (Figure2015)

a. PetrusChristus c. RogiervanderWeydenb. JeanFouquet d. MelchiorBroederlam

ANS: A PTS: 1 KEY: SlideIdentification

6. (Figure2017)

a. Spanish c. Germanb. French d. Netherlandish

ANS: D PTS: 1 KEY: SlideIdentification

7. (Figure2019)

a. Deposition c. GhentAltarpieceb. MelunDiptych d. MrodeAltarpiece

ANS: B PTS: 1 KEY: SlideIdentification

8. (Figure2021)

a. RogiervanderWeyden c. KonradWitz

b. StephenLochner d. MartinSchongauer

ANS: C PTS: 1 KEY: SlideIdentification

9. (Figure2023)

a. VeitStoss c. TilmanRiemenschneiderb. ClausSluter d. GildeSilo

ANS: C PTS: 1 KEY: SlideIdentification

10. (Figure2025)

a. manuscriptillumination c. engravingb. etching d. woodcut

ANS: C PTS: 1 KEY: SlideIdentification

11. (Figure202)

a. January c. Decemberb. October d. May

ANS: B PTS: 1 KEY: SlideIdentification

12. (Figure2010)

a. DirkBouts c. HugovanderGoesb. JeanPucelle d. HansMemling

ANS: C PTS: 1 KEY: SlideIdentification

13. (Figure2026)

a. Dijon c. Madridb. Bruges d. Valladolid

ANS: D PTS: 1 KEY: SlideIdentification

14. (Figure208)

a. ClausSluter c. HansMemlingb. RogiervanderWeyden d. DirkBouts

ANS: B PTS: 1 KEY: SlideIdentification

15. (Figure2026)

a. German c. Frenchb. Netherlandish d. Spanish

ANS: D PTS: 1 KEY: SlideIdentification

16. (Figure203)

a. workedforLouisIXb. workedforCatherineofAragonc. workedforPhiliptheBoldd. workedforTommasoPortinari

ANS: C PTS: 1 KEY: SlideIdentification

17. (Figure206)

a. JanvanEyck c. RobertCampinb. RogiervanderWeyden d. Bosch

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18. (Figure2014)

a. RogiervanderWeyden c. JeanFouquetb. PetrusChristus d. JanvanEyck

ANS: D PTS: 1 KEY: SlideIdentification

19. (Figure2018)

a. France c. Germanyb. Netherlands d. Spain

ANS: B PTS: 1 KEY: SlideIdentification

20. (Figure205)

a. CreglingenAltarpiece c. PortinariAltarpieceb. IsenheimAltarpiece d. GhentAltarpiece

ANS: D PTS: 1 KEY: SlideIdentification

Chapter20ArnolfiniWedding

(Figure201)

1. (Figure201)Theworkwaspaintedbya. Vermeer c. VanEyckb. Rembrandt d. Memling

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2. (Figure201)Theworkwaspaintedinwhichcentury?a. Thirteenth c. Seventeenthb. Fifteenth d. Nineteenth

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3. (Figure201)Theartistwhocreatedthepaintingworkedprimarilyina. Paris c. Londonb. Antwerp d. Bruges

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4. (Figure201)Thepaintingincorporatesa. religioussymbolism c. musicalmetaphorsb. politicalpropaganda d. Classicalmythology

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5. (Figure201)TheworkhasbeeninterpretedasavisualdocumentofallofthefollowingEXCEPTa. marriage c. coronationb. betrothal d. legalcontract

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6. (Figure201)Theworkismostnotableforitsattentiontoa. highlynaturalisticdetail c. geometricpatterningb. mythologicalnarrative d. Classicalrevival

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7. (Figure201)Theartistincludeshimselfinthepaintingintheformofa. animalrepresentation c. symbolicrepresentationb. writtentext d. narrativeelements

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Chapter20BookofHours

(Figure202)

1. (Figure202)Theworkshownwasmadeinapproximatelya. 1200 c. 1600b. 1400 d. 1800

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2. (Figure202)Theworkisaa. manuscriptilluminationb. wallpaintingfromaprivatechapelc. predellapanelofanaltarpieced. ceramicpanelinachateau

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3. (Figure202)Thisexampleistakenfromwhichofthefollowingcycles?a. Allegoriesofvirtuesandvicesb. Biblicalstoriesrepresentedincontemporarydressc. Arepresentationofthelaborsofthemonthsd. Abookofanimalhusbandry

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4. (Figure202)Thisworkisanexampleofwhichofthefollowingperiodstyles?a. Roman c. Carolingianb. Byzantine d. InternationalGothic

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5. (Figure202)Thisworkillustratesa. aparadeofactorsandmusiciansb. membersofthecourtonanoutingc. pilgrimsontheirwaytoaholysited. contestantsabouttoenterarace

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6. (Figure202)Theworkwaspaintedbya. Irishmonks c. theLorenzettiBrothersb. JanandHubertvanEyck d. theLimbourgBrothers

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7. (Figure202)Workslikethisarerelatedtothemesfoundinthepaintingsofwhichofthefollowingartists?a. Giotto c. PieterBreugelb. Duccio d. ElGreco

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