apah chapter 20 all mc questions

CHAPTER20PIETY,PASSION,ANDPOLITICS:15thCenturyArtinNorthernEuropeandSpain

1. JanvanEyck'sGiovanniArnolfiniandHisBridecontainsmanysymbols.WhichofthefollowingisanallusiontoGod?a. thedog c. thewhiskbroomb. thebedpost d. themirror

ANS: D PTS: 1 OBJ: TYPE:Analysis/Comprehension

2. AlthoughcousinstotheFrenchkings,theBurgundiansusuallysidedwithEngland.Whichofthefollowingaccountedforthis?a. TheyneededEnglishwoolforitswoolindustry.b. EnglandwasindebttoBurgundy.c. FrancewasindebttoBurgundy.d. BurgundyhadamarriagealliancewithEngland.

ANS: A PTS: 1 OBJ: TYPE:Analysis/Comprehension

3. Inthe15thcentury,theDukesofBurgundywieldedpoweroverwhichofthefollowingcounties?a. Bavaria c. Galiciab. Flanders d. Lombardy

ANS: B PTS: 1 OBJ: TYPE:Knowledge

4. WhichofthefollowingaccountedfortheinterestinillusionisminFrenchmanuscriptillumination?a. contactwithItalyb. contactwithConstantinoplec. contactwithBrugesd. contactwithLondon

ANS: C PTS: 1 OBJ: TYPE:Analysis/Comprehension

5. LesTresRichesHeuresduDucdeBerrylikemanyBooksofHourscontainsacalendar.Thissectionofthismanuscriptinparticulardepictswhichofthefollowing?a. courtlylifeb. therosaryc. seasonaltasksd. theancestryoftheDucdeBerry

ANS: C PTS: 1 OBJ: TYPE:Knowledge

6. HowdidtheDukesofBurgundyacquirethecountyofFlanders?

a. marriage c. treatyb. barter d. purchase

ANS: A PTS: 1 OBJ: TYPE:Knowledge

7. WhichofthefollowingreasonsaccountsfortheshiftinfocusoftheBurgundianDukesawayfromDijonandtowardsBruges?a. itslocationtoItalyb. itsfinancialdominationc. itsweatherd. itsproximitytowater

ANS: B PTS: 1 OBJ: TYPE:Comprehension

8. TheDukesofBurgundycommissionedarttoreinforcetheirstatusasrulersandtheirdynasty.Whichofthefollowingbestsupportsthis?a. TheDukeswantedtoreinforcetheviewofdynasticsophisticationb. TheDukeswantedtoemployartistsc. TheDukeswantedtoprovideartfordispersald. TheDukeswantedtoamassagreatcollection

ANS: A PTS: 1 OBJ: TYPE:Analysis

9. WhichofthefollowingwasadynasticsymbolfortheDukesofBurgundy?a. ValoisCastleb. ChateauBlancc. ChartreusedeChampmold. St.Bavo

ANS: C PTS: 1 OBJ: TYPE:Analysis

10. WhatdoesthefountaincreatedbyClausSluterforthecloisterofChartreusedeChampmolsymbolize?a. EverlastingLifeb. theWellofMosesc. flowingwaterd. theDukesofBurgundy


11. ThefollowingphrasefromRevelations,"pureriverofwateroflife,clearascrystal,proceedingoutofthethroneofGodandoftheLamb"isdepictedinwhichofthefollowing?a. Depositionb. LastSupperfromtheHolySacramentAltarpiecec. AltaroftheLambfromtheGhentAltarpieced. AdorationoftheShepherdsfromthePortinariAltarpiece


12. Whowasdeanofthepainters'guildofGhentandworkedforTommasoPortinari?a. JanvanEyckb. RogiervanderWeydenc. DirkBoutsd. HugovanderGoes

ANS: D PTS: 1 OBJ: TYPE:Knowledge/Comprehension

13. WhichofthefollowingartistsspecializedinimagesoftheMadonna?a. HugovanderGoesb. RogiervanderWeydenc. HansMemlingd. JanvanEyck


14. Whichofthefollowingisamanifestationofthecommitmentofprivateprayer?a. aBookofHoursb. asmallAltarpiecec. theconstructionofsmallchapelsinthecitycathedrald. anilluminatedPsalter

ANS: A PTS: 1 OBJ: TYPE:Comprehension

15. ThehugepomegranatetreefoundonthefaadeoftheColegiodeSanGregorioinValladolidisasymbolforwhichofthefollowingcities?a. Valladolid c. Sevillab. Granada d. Madrid


16. Thefollowingphrase,"...activityofathousandintertwinedmotifsunifiesthewholedesign..."describeswhichofthefollowingstyles?a. GermanLateGothic c. French15thcenturyb. Flemish15thcentury d. SpanishPlateresque

ANS: D PTS: 1 OBJ: TYPE:Analysis

17. Amysticmarriagewouldhaveresonatedinparticularwithnuns.Whichofthefollowingaccountsforthis?a. Itvalidatedmarriageb. Itsecuredthewoman'spositionaswifec. Itwasaspecialspiritualmarriage

d. Itsecuredcertainrightsforthewife


18. ThePortinariAltarpiececontainsmedievalpictorialdevices,smallscenesthatstressthemeaningandsignificanceofthedepictedevent.Whichofthefollowingisonesuchmedievalpictorialdevice?a. theArrivaloftheMagi c. theBaptismofChristb. theCrucifixion d. theResurrection


19. WhichofthefollowingmedievaldevicescanbefoundinStephenLochner'sMadonnaintheRoseGarden?a. astructuredcompositionb. agoldbackgroundc. asymmetricalcompositiond. thepatronappearsinthework

ANS: B PTS: 1 OBJ: TYPE:Comprehension

20. StossVeitrevealsthepoweroftheLateGothicstyle.Whichofthefollowingsupportsthisstatement?a. Hecreatedlargecarvedwoodenaltarpieces.b. HedesignedanelegantBookofHours.c. Hecreatedadetailedreliquary.d. HepaintedanaltarpiecedevotedtotheLastJudgment.

ANS: A PTS: 1 OBJ: TYPE:Comprehension

21. WhichofthefollowingwouldsupporttheargumentthattheWellofMosescreatedbyClausSluterdidnotactuallyspoutwater?a. TherewasnowatersourceintheCarthusianmonastery.b. Carthusiancommitmenttosilencewouldprecludeanysoundmakingdevice.c. TheWellofMoseswasneverfinished,soitneverworked.d. TheWellofMoseswasnottheactualdeviceusedtospoutwater.

ANS: B PTS: 1 OBJ: TYPE:Comprehension/Analysis

22. TheHundredYearsWarinvolvedprimarilywhichtwokingdoms?a. EnglandandFrance c. ItalyandGermanyb. GermanyandFrance d. EnglandandSpain


23. WhowasthenoblepatronwhocommissionedLesTrsRichesHeures?a. PhiliptheGoodb. GiovanniArnolfinic. TommasoPortinari

d. Jean,DukeofBerry

ANS: D PTS: 1 OBJ: TYPE:Knowledge

24. Whichofthefollowingartistswasfamousforhisenigmaticlargescalework?a. HieronymusBosch c. HugovanderGoesb. VeitStoss d. JanvanEyck


25. WhichofthefollowingwasPhiliptheBoldofBurgundy'smostsignificantcommission?a. ChartreusedeChampmol c. GhentAltarpieceb. LesTrsRichesHeures d. PortinariAltarpiece


26. TheNurembergChronicleisatributetothenewcraftoftheprintedillustratedbook.WhatwasthecontentoftheNurembergChronicle?a. ItwasthehistoryofNuremberg.b. ItwasthehistoryofGermany.c. Itwasthehistoryoftheworld.d. Itwasthehistoryoftheillustratedbook.


27. InMartinSchongauer'sengravinghecreateddistinctionsoftonalvaluesandtextures.Hedistinguishedbetweenskinandcloth,featherandfur.WhichofthefollowingisthetitleofMartinSchongauer'sengraving?a. SaintAnthonyTormentedbyDemonsb. TheCrucifixionc. TheMysticMarriageofSt.Catherined. TheAdorationoftheShepherds

ANS: A PTS: 1 OBJ: TYPE:Comprehension/Analysis

28. Whichcityderiveditswealthfrombankingandthewooltrade?a. Dijon c. Munichb. Bruges d. Paris


29. Sluter'ssculpturalworkscanbecharacterizedasa. elegant,usingsweepingcurvilinearlinesb. havinglittlephysicalmovementorweightshiftc. typicalofthe"soft"styled. influencedbythestyleofDonatello

ANS: B PTS: 1 OBJ: TYPE:Analysis/Comprehension

30. OneofthemostimportanttradingcitiesoffifteenthcenturyNetherlandswasa. Dijon c. Baselb. Bruges d. Amsterdam


31. Whichofthefollowingartistssecularizedportraiture?a. TilmanRiemenschneiderb. HieronymusBoschc. HugovanderGoesd. JanvanEyck

ANS: D PTS: 1 OBJ: TYPE:Analysis/Comprehension

32. PhiliptheBoldofBurgundyclearlyunderstoodtheramificationsoftheGreatSchism.Herecognizedthedisputewasnotdoctrinalbutratherpolitical.Heeagerlyenteredintothefraybecausehewasconfidentofhispowerandcontrol.WhichofthefollowingdidPhiliptheBoldsupport?a. thepopeinRomeb. thekingofEnglandc. thekingofFranced. thepopeinAvignon

ANS: D PTS: 1 OBJ: TYPE:Comprehension/Analysis

33. Emergingcapitalismledtourbanprosperity.Thisprosperityledtoagrowinginterestinwhichofthefollowingarttypes?a. secularportraits c. smallaltarpiecesb. reliquaries d. churchconstruction

ANS: A PTS: 1 OBJ: TYPE:Comprehension/Analysis

34. WhichofthefollowingwasNOTincludedinJanvanEyck'sGhentAltarpiece?a. AdamandEve c. Depositionb. GodtheFather d. AdorationoftheLamb

ANS: C PTS: 1 OBJ: TYPE:Comprehension/Analysis

35. InRiemenschneider'sAssumptionoftheVirgin,theartisthadsuccessfullyincorporatedwhichofthefollowingelements?a. Italianillusionismb. Byzantinespiritualityc. Romanclassicismd. Gothicintricacy

ANS: D PTS: 1 OBJ: TYPE:Comprehension

36. RecentscholarshiphasindicatedthatmanyoftheimagesofBosch'sGardenofEarthlyDelightsaremostlikelybasedonwhichofthefollowing?a. storiesfromtheGoldenLegendb. alchemicalsymbolismc. visionsofSt.BridgetofSwedend. Ovid'sMetamorphosis

ANS: B PTS: 1 OBJ: TYPE:Analysis

37. CharlesIofSpainunitedthreemajordynasticlines:Burgundian,Spanish,andwhichother?a. Capetian c. Portinarib. Hapsburg d. Valois


38. WhichofthefollowingweremembersoftheGuildofSt.Luke?a. weavers c. masonsb. metalsmiths d. painters


39. HugovanderGoes'sPortinariAltarpieceischaracterizedbywhichofthefollowing?a. itsjoyfulangelsandmutedcolorsb. anexclusiveconcernwithformalproblemsc. aflat,goldbackgroundd. itsrichcolorsandasombermood


40. WhichtwoentitiesdividedtheBurgundianterritoriesafterthedeathofCharlestheBold?a. FranceandSpainb. FranceandtheHolyRomanEmpirec. EnglandandFranced. RomeandEngland


41. AllofthefollowingarefactorsthatcontributedtothedevelopmentofcitiesinthefifteenthcenturyEXCEPTa. Themigrationofasignificantportionoftheruralpopulationtourbancenters.b. Thethrivingcommerce,industry,andfinanceofEuropec. Thefirstinternationalcommercialstockexchange.d. Thedelayintheonsetofconsequences

ANS: D PTS: 1

42. Separatepagesofvellumorparchmentboundtogetheratoneside;thepredecessorofthemodernbook.a. Codex c. Logosb. Biblio d. Athos

ANS: A PTS: 1

43. A15thand16thcenturystyleofSpanisharchitecturecharacterizedbyelaboratedecorationbasedonGothic,ItalianRenaissance,andIslamicsourcesa. Mozaribic c. Arabesqueb. Plateresque d. Romanesque

ANS: B PTS: 1

44. WhatisaBookofHours?a. adailyplanner c. abookusedforrecitingprayersb. acollectionofBooksofMinutes d. aCatholicversionoftheBible

ANS: C PTS: 1

45. NametheartistswhoilluminatedtheTresRichesHeuresduDucdeBerry.a. theLimbourgbrothers c. theHolbeinsb. theVanEyckbrothers d. thePicassosisters

ANS: A PTS: 1

46. DescribethestylisticcharacteristicsthatlinktheilluminationsdonebytheLimbourgbrotherswithfourteenthcenturySienesepainting:a. Growingartisticinterestinsurrealismandabstractthemes.b. Closeobservationofthenaturalworldc. Convincingshadowscastbythepeopleandobjects.d. Depictionofaperceptualreality,asshownbythearchitecturaldetail.

ANS: A PTS: 1

47. ThesymbolicmeaningoftheWellofMosesattheChartresusedeChampmolwasasymbolicfountainoflife,withtheBloodofChristflowingdownovertheOldTestamentprophets,washingawaytheirsinsintothewellbelow.Itrepresentsthepromiseofeverlastinglife.a. True b. False

ANS: A PTS: 1

48. Anarchitecturalscreenorwallaboveandbehindanaltar,usuallycontainingpainting,sculpture,carving,orotherdecorations.a. altar c. retableb. gallery d. ambulatory

ANS: C PTS: 1

49. WhatisthegeneralthemeoftheGhentAltarpiece?a. Eternaldamnation c. HumanitysRedemption.b. Obedienceandsacrifice d. HopeandCourage

ANS: C PTS: 1

50. WhatpaintingtechniquewasperfectedbyfifteenthcenturyFlemishpainters?a. Tempera c. Oil.b. Acrylic d. Water

ANS: C PTS: 1

51. IncontrasttothecomplexsymbolismofJanvanEyck,whatdidRogiervanderWeydenstressinhispaintings?a. Humanitysredemption c. Christsloveb. Humanactionanddrama. d. Paganism

ANS: B PTS: 1

52. Howdidmostwomenartistsreceivetheirtrainingduringthefifteenthandsixteenthcenturies?a. Fromthewomensartistguildb. Conventsc. Fromtheirhusbandsandfatherswhowerepainters.d. Cathedralschoolsandapprenticeships

ANS: C PTS: 1

Akindofengravinginwhichthedesignisincisedinalayerofwaxorvarnishonametalplate.Thepartsoftheplateleftexposedarethenetched(slightlyeatenaway)bytheacidinwhichtheplateisimmersedafterincisingEtching

Avitreouscoatingappliedtopotterytosealanddecoratethesurface;itmaybecolored,transparent,oropaque,andglossyormatte.Inoilpainting,athin,transparent,orsemitransparentlayerputoveracolortoalteritslightlyGlaze

Awoodenblockonthesurfaceofwhichthosepartsnotintendedtoprintarecutawaytoaslightdepth,leavingthedesignraised;also,theprintedimpressionmadewithsuchablock.Woodcut

CHAPTER20PIETY,PASSION,ANDPOLITICS:15thCenturyArtinNorthernEuropeandSpain

1. (Figure207)

a. HansMemling c. JanvanEyckb. HugovanderGoes d. RogiervanderWeyden

ANS: D PTS: 1 KEY: SlideIdentification

2. (Figure204)

a. IsenheimAltarpiececlosedb. GhentAltarpiececlosedc. GhentAltarpieceopend. ChampmoldeRetable

ANS: D PTS: 1 KEY: SlideIdentification3. (Figure209)

a. Italian c. Netherlandishb. French d. German

ANS: C PTS: 1 KEY: SlideIdentification

4. (Figure2011)

a. MrodeAltarpieceb. GhentAltarpiecec. ChampmoldeRetabled. St.JohnAltarpiece


5. (Figure2015)

a. PetrusChristus c. RogiervanderWeydenb. JeanFouquet d. MelchiorBroederlam

ANS: A PTS: 1 KEY: SlideIdentification

6. (Figure2017)

a. Spanish c. Germanb. French d. Netherlandish


7. (Figure2019)

a. Deposition c. GhentAltarpieceb. MelunDiptych d. MrodeAltarpiece

ANS: B PTS: 1 KEY: SlideIdentification

8. (Figure2021)

a. RogiervanderWeyden c. KonradWitz

b. StephenLochner d. MartinSchongauer


9. (Figure2023)

a. VeitStoss c. TilmanRiemenschneiderb. ClausSluter d. GildeSilo


10. (Figure2025)

a. manuscriptillumination c. engravingb. etching d. woodcut


11. (Figure202)

a. January c. Decemberb. October d. May


12. (Figure2010)

a. DirkBouts c. HugovanderGoesb. JeanPucelle d. HansMemling


13. (Figure2026)

a. Dijon c. Madridb. Bruges d. Valladolid


14. (Figure208)

a. ClausSluter c. HansMemlingb. RogiervanderWeyden d. DirkBouts


15. (Figure2026)

a. German c. Frenchb. Netherlandish d. Spanish


16. (Figure203)

a. workedforLouisIXb. workedforCatherineofAragonc. workedforPhiliptheBoldd. workedforTommasoPortinari


17. (Figure206)

a. JanvanEyck c. RobertCampinb. RogiervanderWeyden d. Bosch

ANS: A PTS: 1 KEY: SlideIdentification

18. (Figure2014)

a. RogiervanderWeyden c. JeanFouquetb. PetrusChristus d. JanvanEyck


19. (Figure2018)

a. France c. Germanyb. Netherlands d. Spain


20. (Figure205)

a. CreglingenAltarpiece c. PortinariAltarpieceb. IsenheimAltarpiece d. GhentAltarpiece


Chapter20ArnolfiniWedding

(Figure201)

1. (Figure201)Theworkwaspaintedbya. Vermeer c. VanEyckb. Rembrandt d. Memling

ANS: C PTS: 1

2. (Figure201)Theworkwaspaintedinwhichcentury?a. Thirteenth c. Seventeenthb. Fifteenth d. Nineteenth

ANS: B PTS: 1

3. (Figure201)Theartistwhocreatedthepaintingworkedprimarilyina. Paris c. Londonb. Antwerp d. Bruges

ANS: D PTS: 1

4. (Figure201)Thepaintingincorporatesa. religioussymbolism c. musicalmetaphorsb. politicalpropaganda d. Classicalmythology

ANS: A PTS: 1

5. (Figure201)TheworkhasbeeninterpretedasavisualdocumentofallofthefollowingEXCEPTa. marriage c. coronationb. betrothal d. legalcontract

ANS: C PTS: 1

6. (Figure201)Theworkismostnotableforitsattentiontoa. highlynaturalisticdetail c. geometricpatterningb. mythologicalnarrative d. Classicalrevival

ANS: A PTS: 1

7. (Figure201)Theartistincludeshimselfinthepaintingintheformofa. animalrepresentation c. symbolicrepresentationb. writtentext d. narrativeelements

ANS: B PTS: 1

Chapter20BookofHours

(Figure202)

1. (Figure202)Theworkshownwasmadeinapproximatelya. 1200 c. 1600b. 1400 d. 1800

ANS: B PTS: 1

2. (Figure202)Theworkisaa. manuscriptilluminationb. wallpaintingfromaprivatechapelc. predellapanelofanaltarpieced. ceramicpanelinachateau

ANS: A PTS: 1

3. (Figure202)Thisexampleistakenfromwhichofthefollowingcycles?a. Allegoriesofvirtuesandvicesb. Biblicalstoriesrepresentedincontemporarydressc. Arepresentationofthelaborsofthemonthsd. Abookofanimalhusbandry

ANS: C PTS: 1

4. (Figure202)Thisworkisanexampleofwhichofthefollowingperiodstyles?a. Roman c. Carolingianb. Byzantine d. InternationalGothic

ANS: D PTS: 1

5. (Figure202)Thisworkillustratesa. aparadeofactorsandmusiciansb. membersofthecourtonanoutingc. pilgrimsontheirwaytoaholysited. contestantsabouttoenterarace

ANS: B PTS: 1

6. (Figure202)Theworkwaspaintedbya. Irishmonks c. theLorenzettiBrothersb. JanandHubertvanEyck d. theLimbourgBrothers

ANS: D PTS: 1

7. (Figure202)Workslikethisarerelatedtothemesfoundinthepaintingsofwhichofthefollowingartists?a. Giotto c. PieterBreugelb. Duccio d. ElGreco

ANS: C PTS: 1

apah chapter 20 all mc questions

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