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Chapter 27-3
19th Century Art in Europe and USA!
Britain Late 19th Century
Artist: William Holman Hunt Title: The Hireling Shepherd Medium: Oil on canvas Size: 30 ⅛ X 43 ⅛" (76.4 X 109.5 cm) Date: 1851 Source/ Museum: Manchester City Art Gallery, England
Painted landscapes that he would add figures to
Man flirts with women
Political statement lamb in lap is cute
Artist: BACKGROUND: William Morris Title: Peacock and Dragon Curtain Medium: Handloomed jacquard-woven woolen twill Size: 12' 10 ½" X 11' 5 ⅝" (3.96 X 3.53 m) Date: 1878 Source/ Museum: Manufactured at Queen Square and later at Merton Abbey / Victoria & Albert Museum, London
Alternative to industrial furniture
Hand woven seat and simple
lines
Impressionism
Boycotted the Salon and were called “impressionist”, not realist,
impressionism gives you a taste or an impression of the subject
Artist: Édouard Manet Title: Le Déjeuner sur l’herbe (The Luncheon on the Grass) Medium: Oil on canvas Size: 7' X 8'8" (2.13 X 2.64 m) Date: 1863 Source/ Museum: Musée d’Orsay, Paris
A radical artist
Lead the rejected salon exhibit
Not very appropriate art subject matter
Artist: Édouard Manet Title: Olympia Medium: Oil on canvas Size: 4'3" X 6'2 ¼" (1.31 X1.91 m) Date: 1863 Source/ Museum: Musée du Louvre, Paris
Olympia was a prostitute in a novel by Aleixandre Dumas, passed on a Titian
painting. She is angular and flat, cold and indifferent
cat doesn’t like you
she glares down at the view as if saying you are subordinate
Artist: Claude Monet Title: On the Bank of the Seine, Bennecourt Medium: Oil on canvas Size: 32 X 39 ⅔" (81.5 X 100.7 cm) Date: 1868 Source/ Museum: Art Institute of Chicago. Potter Palmer Collection, 1922.427
Strong light, rich shadows, bold colors, paint conveys freshness of the day
Paint is loosely placed around the canvas to create the allusion of the objects
Artist: Claude Monet Title: Gare St-Lazare Medium: Oil on canvas Size: 29¾ X 50" (75.5 X 104 cm) Date: 1877 Source/ Museum: Musée d’Orsay, Paris. Photo: Erich Lessing/Art Resource, NY
When you painted don’t think of the objects but think of the colors
Artist: Camille Pissarro Title: Wooded Landscape at L’hermitage, Pontoise Medium: Oil on canvas Size: 18 5⁄16 X 22 1⁄16" (46.5 X 56 cm) Date: 1878 Source/ Museum: The Nelson-Atkins Museum of Art, Kansas City, Missouri. Gift of Dr. and Mrs. Nicholas S. Pickard
Later painter but reflects monet style
A lightening of colors and a loose way in which they handled the brush
Enjoyed painting for the sake of painting
Artist: Pierre-Auguste Renoir Title: Moulin de la Galette Medium: Oil on canvas Size: 4'3½" X 5'9" (1.31 X 1.75 m) Date: 1876 Source/ Museum: Musée d’Orsay, Paris
Combined the light and air monet painting with a impressionist figure painting of
his own
Attractive middle class and innocent flirtation, underscored by children, painting
is knit together by the overall mood
Artist: Edgar Degas Title: The Rehearsal on Stage Medium: Pastel over brush-and-ink drawing on thin, cream-colored wove paper, laid on bristol board, mounted on canvas Size: 21⅜ X 28¾" (54.3 X 73 cm) Date: c. 1874 Source/ Museum: The Metropolitan Museum of Art, New York. Bequest of Mrs. H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 (29.160.26) Arranged his own visual choreography
More academic than the other impressionists
Inspired by Japanese prints, intended to delight the eye
Viewed from opera box, the men…. KNOWN FOR HIS
RED HAEDED MODELS AND BALLERINA PRINTS
Artist: Mary Cassatt Title: Woman in a Loge Medium: Oil on canvas Size: 31 ⅝ X 23" (80.3 X 58.4 cm) Date: 1879 Source/ Museum: Philadelphia Museum of Art. Bequest of Charlotte Dorrance Wright
American women painter
Degas invited her to exhibit with the
impressionist
Studio painter, known for her brilliant
color , fluent brushstrokes, and urban
subject matter
Artist: Berthe Morisot Title: Summer’s Day Medium: Oil on canvas Size: 17 13⁄16 X 29 5⁄16" (45.7 X 75.2 cm) Date: 1879 Source/ Museum: The National Gallery, London. Lane Bequest, 1917
Married to Manet’s brother, very
loose painterly style, she like
Cassatt devoted herself to painting
the women at the time
Artist: Édouard Manet Title: A Bar at the Folies-Bergère Medium: Oil on canvas Size: 37 ¾ X 51 ¼" (95.9 X 130 cm) Date: 1881–82 Source/ Museum: Courtauld Institute of Art Gallery, London. (P.1934.SC.234)
Manet followed the lead of the painters around him and loosened his brush stokes
Last major painting, contrast the other happy lady paintings
You are the customer, she is a barmaid, who looks strong and lively but her dreamer
reflects not,
Late Impressionism
Artist: Mary Cassatt Title: Maternal Caress Medium: Drypoint, soft-ground etching, and aquatint on paper Size: 14 ¾ X 10¾" (37.5 X 27.3 cm) Date: 1891 Source/ Museum: National Gallery of Art, Washington, D.C. Chester Dale Collection (1963.10.255) Japanese influence with her introduction to print making Madonna and child reference Simplified and clean Harmony of apricots and browns
Artist: Claude Monet Title: Rouen Cathedral: The Portal (in Sun) Medium: Oil on canvas Size: 39 ¼ X 26" (99.7 X 66 cm) Date: 1894 Source/ Museum: The Metropolitan Museum of Art, New York. Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 (30.95.250)
Painted more than 30 views of the
cathedral
Tried to capture the fleeting affects of light
To put impressionist on the art historical
maps Monet began painting French
historical things
Post- Impressionist
Art after the impressionists
Artist: Paul Cézanne Title: Mont Sainte-Victoire Medium: Oil on canvas Size: 25 ½ X 32" (64.8 X 92.3 cm) Date: c. 1885–87 Source/ Museum: Courtauld Institute of Art Gallery, London. (P.1934.SC.55)
Wanted to develop more abstract styles
In Manet’s circle, early work rejected by salon
sensations of nature brush strokes
Painted this mountain more than 30 times before it died
Artist: Paul Cézanne Title: Still Life with Basket of Apples Medium: Oil on canvas Size: 24 ⅜ X 31" (62.5 X 79.5 cm) Date: 1890–94 Source/ Museum: The Art Institute of Chicago. Helen Birch Bartlett Memorial Collection
Right side of table is
higher than the left
Wine bottle has 2
different silhouette
Tumbling effect
More about the colors
than the perspective
Artist: Paul Cézanne Title: The Large Bathers Medium: Oil on canvas Size: 6'10" X 8"2" (2.08 X 2.49 m) Date: 1906 Source/ Museum: Philadelphia Museum of Art. The W. P. Wilstach Collection
Later work,
Left unfinished,
died
Did not work with
models
2 pyramidal groups
Colors layed over
white in patches
Artist: Georges Seurat Title: A Sunday Afternoon on the Island of La Grande Jatte Medium: Oil on canvas Size: 6'9 ½" X 10'1 ¼" (2.07 X 3.08 m) Date: 1884–86 Source/ Museum: The Art Institute of Chicago.
Divisionism/ pointillism
Dot painting using Chevreul’s law- blue next to yellow, you can detect the
complement
Optical mixing. Grainy appearance,
Different interpretations
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