kay catalogue nº1

Catalogue nº1Paucartambo

CuscoPeru

“Telling stories tocreate new ones”

Enjoy the feast!

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Kay is a brand dedicated to the production and marketing of handmade

pieces and different objects related to industrial design, graphic design

and fashion design. This, in order to create development centers among

the inhabitants of many Peruvian locations, where traditional

craftsmanship is a key factor for social growth, as it supports other

economic activities specific to this various locations.

Kay activities began in Paucartambo (Cusco), working with craftsmen mask

makers; and takes as its inspiration the Feast of the Virgen del Carmen,

held between 15 and 19 july.

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Paucartambo is a town

hidden between

the Andean mountains

crowned by a blue sky.

It´s a place where both;

quechua and spanish have

collide creating this

amazing culture.

Paucartambo is a province in the

department of Cuzco, in Peru.

Paucartambo is 3 hours from Cuzco by bus, van or car.

In 2007, Paucartambo occupied one of the last places in the index Human

Development Rate (IDH) in Peru*.

Paucartambo is the home of the Virgen del Carmen and all the wonderful

crews that complement their feast.

Paucartambo is home to artisans and

multifaceted men, like Santiago Rojas and David Villasante.

“Tres Cruces” is located in Paucartambo. At this viewpoint, you can see one

of the most stunning sunrises in Peru and in the world.

In Paucartambo you can stay at the Anka hostel, or you can camp in the

Manicomio Azul.

* UNESCO report

Every year between july

15 to july 19 people of

Paucartambo celebrate

the Virgen del Carmen

aniversary, one of the

two main patron saints.

The other one is

the Virgen del Rosario.

The expetation

accumulated along the

year eventually comes

to a big religious and

emotional breakout.

A cosmic energy

transends everything and

remains in time.

The feast of the Virgen del Carmen (July 15th to 19th) is one of the most

important and remarkable folklore events in Peru. It is part of the Intan-

gible Cultural Heritage of the Nation, title awarded by the National Insti-

tute of Culture. The popularity of this event is due to the infinite fervor

of the people of Paucartambo, faithful devotees of his Virgin.

In kayarte.com you’ll find detailed information on Paucartambo, their

Virgin, their feast and their crews.

Telling stories to create new stories:

Leaving a mark wherever we go is a predominant need in our reality. The

stories we tell using not only text, but also images and objects, are

unevenly recorded in the mind of every person, and so, they create feelings

and reproduce different expressions. For those who believe in our stories,

we give them an opportunity for self-knowledge, taking into account first,

that the initial feeling for both sides is the same: we want to know and

discover, and in this way we create our own history.

Enjoy the feast!

Qhapaq Negro

The representation of

this group, according to

oral tradition, refers

to former black slaves

from the coast of Peru

and from Potosi, which

were established in

Paucartambo in order to

work on the plantations

of Spanish families in

the Q’osñipata Valley,

as farmers or in mining,

doing the extra work

which the natives of the

jungle couldn’t do.

Product Details:Qhapaq Negro - NegrilloPaper mache, plaster cast / Oil painting.11.4”(H)6.7”(D)6.7”(W)$ 42.00*

Saqras

They are devils that

give the counterpart

and a dual sense to the

feast of the Virgen del

Carmen. In other words,

Saqras represent

temptation and disorder,

and the Virgin represents

the divine order.

It’s important to know

that he meaning of

Saqra is not the same

as the meaning of

Supay: the first

connotes a seductive

and naughty devil, and

the second is a malicious

and dangerous one.

Product Details:Wolf-1Paper mache, plaster castOil painting13”(H)7.5”(D)7.1”(W)$ 104.00

Product Details:Wolf-2

Paper mache, plaster castOil painting

13”(H)7.5”(D)7.1”(W)$ 104.00

Product Details:Wolf-3Paper mache, plaster castOil painting13”(H)7.5”(D)7.1”(W)$ 104.00

Product Details:Tigger-1Paper mache, plaster castOil painting13”(H)7.5”(D)7.1”(W)$ 104.00

Product Details:Owl-1

Paper mache, plaster castOil painting

13”(H)7.5”(D)7.1”(W)$ 104.00

Product Details:Owl-2Paper mache, plaster castOil painting13”(H)7.5”(D)7.1”(W)$ 104.00

Product Details:Satan-1

Paper mache, plaster castOil painting

13”(H)7.5”(D)7,1”(W)$ 104.00

Product Details:BearPaper mache, plaster castOil painting13”(H)7.5”(D)7.1”(W)$ 104.00

NegrilloWe are working on it.

Product Details:Negrillo-1Paper mache, plaster cast.Oil painting.11.4”(H)6.7”(D)6.7”(W)$ 90.00

Auqa chileno

A native group from

Paucartambo, although

the Auq’a chileno

refer to the Chilean

soldiers who

invaded Peru in the

Pacific Ocean War

in 1870.

Product Details:Chilean Auqa

Paper mache, plaster castOil painting

11.4”(H)6.7”(D)6.7”(W)$ 90.00

10% 0f the masks sales are destined by KAY to

enhance the transmission

of this creative artesanl

activity to youngsters in

Paucartambo.

“Being a craftsman means being able and capable of making art with

anything. It means being a carrier of ideas and innovate to give my best in

every job. Bying able to express with my hands all that my mind feels when I

listen to the Huayno of my people. Giving free rein to my creativity in a

world where my hands and my mind connect without prejudice. I thank my

parents and grandparents for giving me life in Paucartambo, and make me

live their customs and dance at the feet of the Mamacha Carmen”.

Waldir Barrantes - Artisan

Bakers represent all work

related to the task of

making bread in wo

od-fired ovens. This is

because Paucartambo was

a territory known for

its production of breads.

Currently there are two

ovens in the district of

Paucartambo and this job

every day unfolds

naturally.

After being gone for

about 15 years, this crew

reappeared in 1991.

Product Details:Baker-1Paper mache, plaster cast.Oil painting.11.4”(H)6.7”(D)6.7”(W)$ 90.00

The Maqt’a is the young

farmer who acts

individually in the

party, and therefore,

has no rigid rules to

follow. They can help

different crews, walk

telling jokes to

viewers, and even make

a way for the crews

that are close, among

other services like

serving food to the

dancers or musicians.

Product Details:Maqta-1Paper mache, plaster cast.Oil painting.11.4”(H)6.7”(D)6.7”(W)$ 90.00

Product Details:Maqta-2Paper mache, plaster cast.Oil painting.11.4”(H)6.7”(D)6.7”(W)$ 90.00

Go beyond

One of our goals is to provide information on peruvian forms, colors and

traditions, so Kay will play as a learning tool for anyone interested to

go further.

Qhapaq Chuncho

They represent the wild people living in the jungle of Q `osñipata. This

crew is one of the most important within the feast, as its representation

is explained in mythic terms: Chunchos have a story to tell about its

origin related to the origin of the Virgen del Carmen in Paucartambo.

They assume the role of “guardians and the favorite dancers of the Virgen

del Carmen”. They walk closely with her, watching over her, singing and

dancing in every procession.

Qhapaq Qolla

The Qhapaq Qolla represent traders coming from the highlands (Qullasuyu) on

holidays in order to exchange their products. They come with their llamas,

which carry the goods.

The Qhapaq Qulla sing songs of fervor on its different appearances in front

of the Virgen del Carmen. Two of the most important moments are the blessing

of the bridge and the parting blessing in the temple courtyard. With this

songs they reflect the sacrifice of the trip to Paucartambo, the melancholy

they experience leaving at the end of the festival and the devotion they

have for their ‘mamacha’.

Danzaq

We are working on it.

Majenos

This group is known for representing the ancient traders and muleteers from

the Majes Valley in Arequipa. They sold wine and spirits. Despite being gone

for a while, the Majenos, since 1970, continue being a group with a very

important level and where many people want to be part of them.

On the day of entry they appear riding horses. Then, they get off his hat and

bow before the court.

K`achampa

This crew portrays young Inca warriors. By dancing they demonstrate their

physical power and represent the struggle and triumph in combat.

The Kachampa are purely native from the province of Paucartambo, which comes

froms the days of the Inca empire.

Paucartampus

We are working on it.

Chunchachas

We are working on it.

Counter Dance (Contradanza)

The Counter Dance is a dance associated with agricultural work, where the

leader introduces dancers in farm work. It is also said to be a kind of

mockery of the dances played by the Spanish in the Colony. The very name

suggests this: Counter Dance.

This troupe earns its reputation for its great deployment and the many

awards received, one of which was in 1991, where they won the Golden Spike

in the festival of Inti Raymi, and for being the first group to have

acquired a private room in the village and have enrolled in the National

Institute of Culture.

Wayras/Siklla

This group represents and satirizes the lawyers and local authorities who

do not follow the law and act under the logic of corruption. They are

abusive to the common people, especially illiterate andeans and they

prefer liviing an easy life devoted to alcohol and seducing women. They

are also called “Doctorcitos”.

Waka Waka

This group was created in Paucartambo in the early twentieth century. The

Waka-waka represent the Spanish bullfight.

Mestiza Qollacha

The name of this group has a Quechua origin, and comes from the word “qoya”

once used to refer to the sister or wife of the Inca, and the diminutive

“cha” which associates the word to a single girl. It is currently used to

designate the andean woman who has some importance and who walks wearing

their best clothes.

The Mestizas Qullachas personify the single most beautiful girls from

families with social prestige, which are seduced by men called Wayna.*

*Fiesta Andina, Mamacha Carmen en Paucartambo, Martine du Authier.

Chukchu

This masked youths originally represented patients from Paucartambo infected

by malaria, who contracted the disease while working as laborers that

extracted rubber in the jungle of Q’osñipata or adventurers in search of

gold. Currently, this group represents not only those infected by malaria,

but also, for AIDS and certain cancers. They come to the party to honor and

beg salvation to his ‘mamacha’.

Unique forms - Unique hands - Unique minds

All the characters contained in this catalogue belong to the feast of the

Virgen del Carmen of Paucartambo, Cusco. Each mask is unique and holds in

itself a special meaning expressed by the artisan when creating it.

If you want any mask not available in the catalogue let us know by sending

an email to contacto@kayarte.com

“In time with inspiration our forms will grow”

One team - One Spirit

Director

Sissy Junek

Photograph by

Virginia Fernandez

Renato Marsano

Sissy Junek

Artisan

Waldir Barrantes

Contact

contacto@kayarte.com

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