student example: sadness #2
Post on 16-Apr-2017
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Sadness
Exhibition Statement
The depiction of sadness is all about shape. Although one often hears about a sad expression most of the artists we surveyed did not show their subject’s faces, preferring to use their subjects posture to indicate their feelings. If anything the lack of direct eye contact, the hidden and unapproachable poses, serve to heighten the feeling of deep grief. Nor was sadness associated with a gray or colorless image as one might imagine. Very often intense colors and contrasts were used. Although blues and greens were more commonly used, there were a fair number of warmer colors in evidence as well. The other striking feature of the work is the almost total absence of supporting background detail. The world recedes from the sad into a place of isolation.
The works cover a span of several centuries and represent work by both masters as well as lesser known artists.
Please also note our selection of background colors to support each individual image rather than the use of a common or plain white one.
Shea HollimanOil on Canvas
The Sad Man
Major DepressionSad Days Indeed
Asbjorn LonvigAcrylic on
hardboard
A Sad Girl
Carlos Saenz de Tejada
1921
Femme aux Bras Croises
Pablo Picassolithograph, oil1902
untitled (sadness)
Carolee Bennett Sherwood
acrylic on canvas
Portrait of Sadness
Helena Wierzbicki
Old Man in Sorrow (On the Threshold of Eternity)
Vincent van Gogh
Cry From Many Nations Lidija Ivanek
SadnessMarisSherwood
Sadness Like WaterKerriBlackman
Resources1. The Sad Man, Shea Holliman, Oil on Canvas
2. Major Depression - A Sad Day Indeed, Asbjorn Lonvig, acrylic on hardboard
3. A Sad Girl, Carlos Saenz de Tejada
4. Femme aux Bras Croises, Pablo Picasso, lithograph oil
5. untitled (sadness), Carolee Bennett Sherwood, acrylic on canvas
6. Portrait of Sadness, Helena Wierzbicki
7. Old Man in Sorry (On the Threshold of Eternity), Vincent van Gogh
8. Cry From Many Nations, Lidija Ivanek
9. Sadness, Maris Sherwood
10.Sadness Like Water, Kerri Blackman
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