style in artworks
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2003 Bickford / Art One / Style Intro.
StyleStyle in Artworks in ArtworksStyleStyle:: The The distinctive characteristicsdistinctive characteristics
embodied in the artworks of a embodied in the artworks of a person, person, period of time, or geographic location.period of time, or geographic location.
2003 Bickford / Style Intro / Art One
StylesStyles can be can be described and described and defined by the defined by the
specific ways the specific ways the artists use the artists use the
elements of artelements of art and and design principlesdesign principles..
For Example: Realism
•Line: varied in thickness placement color and value, implied and created.•Shape: in proper proportion, varied in contour, enhanced with 3/d value to create form.
•Value: 3/D, light source that creates structure and convincing 3/D forms, illusions of depth and space.•Texture: varied in visual surface feel, layers of techniques and elements that communicate rich surface contrasts.
•Color: objective with an emphasis on real physical attributes, varied, multiple tints and shades that follow 3/D value rules.
2003 Bickford / Style Intro / Art One
RealismRealismMagee Adams
Adams Mansanarez
2003 Bickford / Style Intro / Art One
RealismRealism
Lord Frederic Leighton
Thiebaud
Homer
2003 Bickford / Style Intro / Art One
RealismRealism
Vermeer
Waterhouse
2003 Bickford / Style Intro / Art One
RealismRealism
Prior
Escher
2003 Bickford / Style Intro / Art One
SurrealismSurrealism
Dali
Appia
2003 Bickford / Style Intro / Art One
SurrealismSurrealism
Magritte
2003 Bickford / Style Intro / Art One
SurrealismSurrealism
Dali
2003 Bickford / Style Intro / Art One
SurrealisSurrealismm
Dali
2003 Bickford / Style Intro / Art One
ImpressionisImpressionismm
Monet
2003 Bickford / Style Intro / Art One
ImpressionisImpressionismm
Monet
2003 Bickford / Style Intro / Art One
ImpressionisImpressionismm
Seurat
Monet
2003 Bickford / Style Intro / Art One
ImpressionisImpressionismm
Monet
2003 Bickford / Style Intro / Art One
AbstractionAbstraction
Demuth Lourenco
2003 Bickford / Style Intro / Art One
AbstractionAbstraction
CirannaJohns
KandinskyVarley
2003 Bickford / Style Intro / Art One
AbstractioAbstractionn
Holston Duchamp
2003 Bickford / Style Intro / Art One
AbstractiAbstractionon
Picasso Matisse
2003 Bickford / Style Intro / Art One
AbstractioAbstractionn
Freundlinger Marc
2003 Bickford / Style Intro / Art One
AbstractionAbstraction
Picasso
2003 Bickford / Style Intro / Art One
Non-Non-representationalrepresentational
Gottlieb
Matisse
2003 Bickford / Style Intro / Art One
Non-representationalNon-representational
Kandinski
Kandinski
Maxwell
2003 Bickford / Style Intro / Art One
Non-representationalNon-representational
Kandinski
2003 Bickford / Style Intro / Art One
Non-representationalNon-representational
Kandinski
Miller
2003 Bickford / Style Intro / Art One
Non-representationalNon-representational
Rothko
2003 Bickford / Style Intro / Art One
Non-representationalNon-representational
Gottlieb
2003 Bickford / Art One / Style Intro.
PortraitsPortraitsThe range of styles used to create The range of styles used to create
portraits is unlimited. Portraits can be portraits is unlimited. Portraits can be very objective, as true to real physical very objective, as true to real physical
features as possible. They can features as possible. They can exaggerate features to create a god-like exaggerate features to create a god-like
or real and imagined social or real and imagined social standing.They can be abstracted beyond standing.They can be abstracted beyond any physical features. They can be about any physical features. They can be about an entire life or strong ideals the person an entire life or strong ideals the person
holds dear. This assignment will holds dear. This assignment will concentrate on creating a physical concentrate on creating a physical
likeness, but the way you tell that story likeness, but the way you tell that story will be up to you…. will be up to you….
2003 Bickford / Style Intro / Art One
GalleryGallery
Kahlo
Manet
2003 Bickford / Style Intro / Art One
CotMacke
2003 Bickford / Style Intro / Art One
HanksMoore
2003 Bickford / Style Intro / Art One
DeLempicka
2003 Bickford / Style Intro / Art One
Briks
Modigliani
2003 Bickford / Style Intro / Art One
Cooper
2003 Bickford / Style Intro / Art One
Magritte
Sargent
2003 Bickford / Style Intro / Art One
Jaye Rossetti
2003 Bickford / Style Intro / Art One
Winterhalter
2003 Bickford / Style Intro / Art One
Varner
Clark
2003 Bickford / Style Intro / Art One
Lempicka
2003 Bickford / Style Intro / Art OneBrown
Klimt
2003 Bickford / Style Intro / Art One
Mucha
Holbien
2003 Bickford / Style Intro / Art One
VanGogh
Cowper
2003 Bickford / Art One / Style Intro.
ConclusionConclusion Artists create visual images in a huge range Artists create visual images in a huge range
of of STYLESSTYLES.. STLYESTLYE can be described and defined by can be described and defined by
using the using the elements of art.elements of art. STYLESSTYLES embody ideas, hopes and belief embody ideas, hopes and belief
systems.systems. STYLESSTYLES are unique to…. are unique to….
IndividualsIndividuals: VanGogh, Monet, Picasso, Dali…: VanGogh, Monet, Picasso, Dali…
Periods of timePeriods of time: Surrealism, Jazz, Rap, Classical : Surrealism, Jazz, Rap, Classical Music, Pop Art, Optical Art…Music, Pop Art, Optical Art…
Geographic locationGeographic location: Egyption, Native : Egyption, Native American, Greek, Hopi, Oxhacan…American, Greek, Hopi, Oxhacan…
2003 Bickford / Art One / Style Intro.
2002 Style Introduction2002 Style IntroductionBickford / Art OneBickford / Art One
Images: google.com
art.comSony Cyber Shot Dig Camera
Image Quality:Adobe Photo Shop
Data and Information:Style worksheet, Bickford
Art: Images and Ideas, Chapman
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