troubairitz cycle.pdf
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What I Write Now...
Anon. (Marie de Ventadour?) Translated by Derek Mahon
What I write now I write with grief and pain,those troubadours of a previous generation,dead now, committed a most grevous sinand threw their epoch into dire confusionwhen they were frankly critical of women;for those who hear, believing their glib song,decide there must be truth in the aspersionand so perpetuate a serious wrong.
Those gentlemen, great poets though they be,only pretended to be serious lovers
since he who speaks of love ambiguouslydishonours love and is a great deceiver.And if, against the truth of his own nature,he should deceive himself, it's his disgrace:without a woman he can have no future;the love of women is his best resource.
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e = 126 sombre but rhythmical and dance-like
Tansy Davies
Anon.translated by Derek Mahon
What I Write Now...
Soprano
Tombak or Darabuka
5
12
20
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What
p
I write now I write with grief
*
use hands, create contrasting sounds/pitches and varied attacks.
low notes should be resonant, high pitches should be dry & bright, unless marked otherwise.
p
)
and pain: those
mf
trou ba- dours-
f
+
of
mf
a pre vi- ous-
*
mf
f
)
ge
f
ne- ra- tion- dead now,
,
com
mp
mi- ted-
*
f
dead sound-
,
mp
)
a
p
most grie vous- sin
mf
and
p
threw
mf
their
mp
e poch- in toto-
*
p
mf
p
mf
mp
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dire
f
con fu- sion- when
mp
they were frank ly- cri
f
ti- -
*
f
f
)
cal of women; for
p
those who hear, be
mf
lie- -
*
p
mf
)
ving their glib
f
song,
p
de
mp
cide- there
mf
must be
*
f
-
pp
:
mp
mf
)
truth in the as
f
per - sion- and
p
so per pe- tu- -
*
f
p
)
ate
mf
a se
f
rious- wrong. Those
mp
*
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f
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gen tle- men,- great
mf
po ets- though they be on ly-
*
mp
p
mf
)
pre tend- ed- to be se rious- lo vers- since he
*
)
who
p
speaks of love
f
am bi- gu- ous- ly-
*
p
f
p
f
p
f
p
f
p
f
)
: :
dis
f
ho- nours- love
*
p
f
p
f
p
f
)
and
p
is a great de
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cei- ver.- And
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if, a gainst- the truth
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*
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of his own na ture,- he
p
should de ceive-
*
p
) him self,- it's his dis
f
grace:- with
mp
out- a wo
f
man-
*
f
)
he
p
can have no
mf
fu
f
ture;- the
p
love
*
p
mf
f
p
)
of wo
mf
man- is
f
his best re source.-
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5
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Secret Wishes
Text by Garsenda de Forcalquier, translated by Derek Mahon
You with the air of a whole-hearted lover,
I'm more than pleased you like me if you do;I wish you wouldn't be so shy, however,since I am similarly in love with you.I know the timidity from which you suffer.You hesitate to speak of what you feel;but a young woman simply daren't uncoverher secret wishes lest she seem a fool.
6
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Since I Refused
Text by Béatrice de Die, translated by Derek Mahon
Great pain has come to me
from a young man I lost.Of the young men I knowI fancy him the most;and now I've been betrayedsince I refused my love.What was I thinking of,lying there cold and hard?
If he should come againI'd clasp him with my thighsuntil he gasped for breathand gravely take him in
since I would be his wife;like some great herioneI'd give him my bright eyes,my heart, my soul, my life.
Dear friend, should you once moredecide to be my loverand spend a night with me,I'll love you ardently;no pleasure could comparewith what we shall find there,believe me, if you do just what I ask you to.
Performance note:
Four (or more) different sounds/pitches should be producedon the Bohdran, the 3 lines on the stave indicate low, medium,and high pitches, the performer may determin the technique/ colours/attack. Crosses indicate dry, 'clicking' sounds, to be playedon the rim of the instrument. All sounds should be as resonant aspossible.
* Note: here the percussionist should vocalise a 'breathy' sound byexhaling noisily, no pitch should be produced. The sound shouldemphasise the lyric- 'gasped'. The performer should also produce a'swishing' sound with fingernails on the skin of the Bohdran, whilevocalsing the 'Ah' sound.
8
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Béatrice de Die,translated by Derek Mahon
q = 60 soulful, rhythmically flexible
Tansy DaviesSince I Refused
Soprano
Bohdran
4
7
11
14 A
#
#
#
#
)
Great
mf
pain has cometo me froma youngman I
*
use a rute
mf
)
lost. Of the young men I know I
*
)
fan cy- him the most;
f
and
p
nowI've been be trayed- since I re-
*
p
)
fused my love.
mf
What
p
was I think ing- of,
*
mf
p
)
ly
mp
ing- there cold
mf
and hard?
f
If
p
he should
*
mf
'click' on rim-
f
-
:
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18
22
26
29
32
B
#
#
#
#
)
come
mf
a gain- I'd clasp
f
him with my thighs
*
mf
f
)
un
p
til- he
*see note
gasped
ff
,
for
mp
breath and grave ly- take him in since
f
*
*see note
Ah! mp
)
I would be his wife; like some great her o- ine-
mp
*
f
)
I'd
p
give him my bright
mf
eyes, my heart, my
*
p
mf
)
soul, my life.
f
,
Dear
mp
friend, should you
* -
-
f
mp
.
.
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10
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35
38
41
44
47
#
#
#
#
)
once more de cide- to be my lo
f
ver - and
p
spenda
*
- - -
p
-
)
night
mp
with me, I'll
mf
love you ar
ff
dent- -
*
mp
-
mf
-
f
)
ly; no
mp
plea sure- could com pare with what we
*
mp
- - - -
)
shall find there,
mf
be
mp
lieve- me,
*
mf
- -
mp
)
if you do just what I ask you to.
,
* - - ,
.
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11
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Beloved Friend
Text by Tibors, translated by Derek Mahon
Beloved friend, believe me when I sayI haven't spent an undesirous daysince first I met and chose you for my love,nor let an hour pass when I didn't givesome thought to you and that the most devout.I've known no moment of regret or doubt;nor, if you left me with an angry word,have I had peace of mind till you returned.
12
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Tibors, translated by Derek Mahon
q = 66 warm, intimate
Tansy Davies
Beloved Friend
6
10
15
19
23
28
31 rit.
&
&
&
&
)
Be
p
lov- ed- friend, be
f
lieve- me when I
)
say
pp
I
f
have n't- spent an un de- si- rous- day
p
since
)
I first met and
f
chose you for my love,
p
)
nor
mp
let an
mf
hour pass
p
when I did
f
n't- give
p
some
)
thought to you
f
and
mp
that the most
mf
de vout.
f
-
)
I've
p
known no mo ment- of re gret- or doubt; nor
mf
, if you
)
left
f
me with an an gry- word,
,
have
p
I had
)
peace
mf
of mind till you re turned.
,
-
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Now He Is Gone
Text: Anon. Translated by Derek Mahon
Heart veiled in sorrow, I've made up my mind
to renounce love and love's society,for on this earth I never hope to finda friend so genial and so fine as he.He was courageous, honourable and clever,so madly brave he died as a result:if I should ever take another lover,now he is gone, my heart would be at fault.
performance note:
The tremolandos (represented by 3 lines between
two notes) should have the same effect as trills (iethey should be sung as fast as possible and withoutpulse).
* one note trill / Montiverdi trill.
** may be a smaller, folk bass drum.
15
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Anon.Translated by Derek Mahon
q = 72 tearful mourning, Montiverdi-style lamenting
Tansy Davies
Now He Is Gone
Soprano
Bass Drum**
4
7
11
14
$$
$$
$
$
%
%
%
%
%
%
>
>
>
>
(
(
(
(
#
#
$$
$$
#
#
)
Heart
p
veiled
*
in sor row,
-
,
I've made up my
*
semprepppp
,
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
?
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
)
mind
+
,
to re nounce
+
- love
*
?
#
@@@@@@@@@@@@@@@@@@@@@@@
,
?
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
)
andlove's soc
+
i
+
- et
+
- y,
+
- for on this earth I ne ver -
*
?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ?@@@@@@@@@@@@
)
hope to find
+
a
,
friend so
,
*
?
#
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ , ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ,
)
gen i- al- and so fine as he.
,
He
f
was cour a- geous-
* ?@@@@@@@@@@@@@@@@@@@@@@@@ : ?@@@@@@@@@@@@@@@@@@@@@@@@, ?@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
.
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16
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19
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17
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18
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Winter
Text by Azalais de Portiragnes, translated by Derek Mahon
Winter is here, the frozen timeof frosty nights of snow and slush;the singing birds we love are dumband silent in the blackthorn bush.Hedges are bare beside the road,no leaf or flowering branch in sight;there is no nightingale to be heardwho wakes the soul on a spring night.
My furious heart is so distraughtI am estranged from everyone;I realise we lost the fightmore quickly than it takes to win.
We are at fault if we don't lovea man of honour, a man of worth;I've lost the one who was my lifeand mourn the fact from this day forth.
19
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Azalais de Portiragnestranslated by Derek Mahon
e = 132 light, agile
WinterTansy Davies
Tombak /
Darabuka
5
8
11
13
C17
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*
use hands, decorate freely with grace-notes & 3/4 stroke 'rolls' ad lib.
f
)
Win
f
ter - is here, the froz en- time of fros ty- nights of
*
)
snow and slush; the sing ing- birds we love are dumb and
*
)
sil ent- in the black thorn- bush.
*
*
)
Hed ges- are bare bes ide- the road, no
*
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19
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D29
32
35
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leaf or flower ing- branch in sight; there is no night in- -
*
)
gale to be heard who wakes the soul on a spring night.
*
*
) My fur ious- heart is so dis traught- I am es tranged- from
*
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ev ery- one;- I re a- lise- we lost the fight more
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quick ly- than it takes to win.
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21
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37
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We are at fault if we don't love a
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man of hon our,- a man of worth; I lost the one who
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was my life I've lost the one who was my life and
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mourn and mourn the fact from this day
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forth. and mourn the fact from this day forth.
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22
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I Walk Alone
Anon. translated by Derek Mahon
I walk alone in a green wood
with no friend at my side.I lost him through ineptitudeand walk alone in a green woodI should write to let him knowI'll make it up to him somehow.I walk alone in a green woodwith no friend at my side.
23
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1
Anon.translated by Derek Mahon
q = 60 lonely, chilling
Tansy Davies
I Walk Alone
5
9
13
18
22
26
30
33
% # %
% %
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% %
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)
I
p
walk al one- in a green wood with no friend at my
)
side. I
mp
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walk al one- in a green wood
p
I
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shouldwrite to lethim
)
know I'll make it up tohim some how.-
,
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p
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)
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mf
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)
lost him through in ep- tit- ude- and walk al one
mp
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)green
p
wood I
mf
should write to let him know I'll make it up to
)
him some how.-
p
B
I walk al one- in a
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