visual studies nift

7/30/2019 Visual Studies NIFT

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Early Renaissance

HighRenaissance

Mannerism Baroque

Romanticism Neo Classicism Realism

Impressionism

Cubism Fauvism Expressionism

Dadaism Futurism Surrealism

Abstraction Minimalism AbstractExpressionism

Conceptual

ArtPOP

PostModern Art

Alternate Art

Subversive Art

let there be

life in art

Movement

Expression

Skill Scientific approach

Grasp of Naturalism

Understanding of Humanism

Dante [1265 -1321]

Petrarch [1304 - 1374]

Boccaccio [1313 -1375]

Vitruvius’ book "De Architectura" was

rediscovered in 1414 by the

Florentine humanist Poggio

Bracciolini. To Leon Battista Alberti

(1404-1472) befalls the honour of

making this work widely known in his

seminal treatise on architecture De

Re Aedificatoria (ca. 1450).

Nicolo Pisano [active.1258-1278 ] Gionavnni Pisano [1250-1314]

Cimabue [1240- c. 1302]

The Madonna in Majesty (Maestà)

1285-86

Tempera on panel, 385 x 223 cmGalleria degli Uffizi, Florence

The pulpit in the Baptistery at Pisa(dated 1260)

Giotto 1267-1337 Filippo Brunelleschi 1377-1446 Lorenzo Ghiberti 1378-1455

Donatello 1386-1466 Paolo Uccello 1397-1475

Masaccio 1401-1428

Piero della Francesca 1422-1492 Andrea Mantegna 1431-1506

Sandro Botticelli 1445-1510

http://slidepdf.com/reader/full/visual-studies-nift 18/509Entry into Jerusalem 1304-06 , Fresco,Cappella Scrovegni (Arena Chapel), Padua

Kiss of Judas 1304-06 , Fresco, Cappella Scrovegni (Arena Chapel), Padua

Lamentation 1304-06 , Fresco, Cappella Scrovegni (Arena Chapel), Padua

Flight to Egypt, 1310s, Fresco, North transept, Lower Church, San Francesco, Assisi

Filippo

Brunelleschi1377-1446

Dome of the Cathedral

1420-36

-Duomo, Florence

Ospedale degli Innocenti, Florence 1419-24

Old Sacristy

1418-28

Church of San Lorenzo, Florence

Lorenzo Ghiberti1378-1455

Northern Door of the Baptistry

1403-24

BronzeBaptistry, Florence

Northern Door of the Baptistry

1403-24

Eastern Door of the Baptistry

1425-52

Story of Joseph, Eastern Door , 1425-52, Bronze, Baptistry, Florence

Jacob and Esau, Eastern Door , 1425-52, Bronze, Baptistry, Florenc

Donatello

1386-1466

St Mary Magdalenc. 1457

Museo dell'Opera del

Duomo, Florence

Davidc. 1430

Bronze, height: 158 cm

Museo Nazionale del Bargello,

Florence

Deposition from the Cross (Pala di Santa Trinità)

1437-40Tempera on panel, 176 x 185 cm

Museo di San Marco, Florence

Bernardino della Ciarda Thrown Off His Horse

Tempera on wood, 182 x 220 cm

Galleria degli Uffizi, Florence

Deposition from the Cross (Pala di Santa Trinità)

1437-40Tempera on panel, 176 x 185 cm

Museo di San Marco, Florence

Niccolò da Tolentino Leads the Florentine Troops

National Gallery, London

Birth of Christ

1443-45Stained glass window

Duomo, Florence

The Hunt in the Forest

(Last work) 1460s

Ashmolean Museum, Oxford

Triumph of Perspective

Euclid, is also referred to as Euclid of Alexandria, (c. 330BC – c 275 BC)

3 D geometry also known as Euclidean geometry

• Abū ‘Alī al-Ha ṣan ibn al-Ha ṣan ibn al-Haytham (965–1040) or al -Basri• Born in Basra•known as Alhacen / Alhazen to the west

• Worked on the optics•Kitab al-Manazir (Book of Optics)•Translated to Latin in middle ages•Light and Process of vision

•Camera obscura

Pioneers 2- Islamic

Filippo Brunelleschi Donatello

Leon Battista Alberti wrote Della Pittura

Piero Della Francesca De Prospectiva Pingendi

Luca Pacioli [1494] – Summa de arithmetica

geometria

proportioni et proportionalita

Piero della Francesca 1422-1492

Baptism of Christ

1448-50

Tempera on panel, 167 x 116 cm

The Flagellation c. 1455, Oil and tempera on panel, 59 x 82 cm, Galleria Nazionale delleMarche, Urbino

Portraits of Federico da Montefeltro and His Wife Battista Sforza

1465-66, Panel, 47 x 33 cm (each), Galleria degli Uffizi, Florence

Ideal City, c. 1470, Panel, 60 x 200 cm, Galleria Nazionale, Urbino

Andrea

Mantegna1431-1506

Agony in the Garden, c. 1459, Tempera on wood, 63 x 80 cm, National Gallery,

Ceiling Oculus

1471-74

Fresco, diameter: 270 cm

Camera degli Sposi,

Palazzo Ducale, Mantua

The Lamentation over the Dead Christ, c. 1490

Tempera on canvas, 68 x 81 cm, Pinacoteca di Brera, Milan

Giovanni

Bellini

1426 1516

Agony in the Garden, c. 1459, Tempera on wood, 81 x 127 cm

Madonna and Child

1480-90

Oil on panel, 83 x 66 cm

Accademia Carrara, Bergamo

La figura

•Andrea del Verrocchio 1435-1488•Sandro Botticelli 1445-1510

•Pietro Perugino 1445-1523

The Baptism of Christ

1472-75

Oil on wood, 177 x 151 cm

The Young David

1473-75

Bronze, height: 125 cm

Museo Nazionale del Bargello, Florence

Adoration of the Magi

1470-75

Tempera on panel,

diameter 131,5 cm

Adoration of the Magi, 1481-82, Tempera on panel, 70 x 103 cm

National Gallery of Art, Washington

Zephyr Wind god

Three GracesMercury

Zephyr, Wind god

nymph Chloris

The Birth of Venus

c. 1485

Tempera on canvas, 172.5 x 278.5 cm

The Baptism of Christ (detail)1472-75Oil on woodGalleria degli Uffizi, Florence

Adoration of the

Magi 1481-82

Oil on panel,

246 x 243 cm

Galleria degli Uffizi,

Florence

Perspectival study of the Adoration of the Magi

c. 1481

Pen and ink, traces of silverpoint and white on paper, 163 x 290 mm

Virgin of the Rocks

1483-86

Oil on panel, 199 x 122 cmMusée du Louvre, Paris

[Virgin Mary, Jesus,

St.John The Baptist, Archangel Uriel]

Virgin of the Rocks

1483-86

Patron:

Duke Ludovico SforzaThe Refectory with the Last Supper

after restoration

-Convent of Santa Maria delle Grazie, Milan

The Battle of Anghiari (detail),1503-05, Black chalk, pen and ink,

watercolour on paper, 452 x 637 mmMusée du Louvre, Paris

Mona Lisa (La Gioconda)

c. 1503-5

Musée du Louvre, Paris

Anatomical studies of the shoulder

1510-11

Black chalk, pen and ink on paper,

289 x 199 mm

Royal Library, Windsor

Study sheet with cats, dragon andother animals

1513-15

Pen, ink, black chalk on paper,

271 x 204 mm

Royal Library, Windsor

Raphael Sanzio

(1483 – 1520)

Spozalizio (The Engagement of Virgin

Oil on roundheaded panel, 170 x 117 cm

Pinacoteca di Brera, Milan

Madonna of Belvedere (Madonna

del Prato)

Oil on wood, 113 x 88 cmKunsthistorisches Museum, Vienna

The School of Athens (detail)

Fresco

Stanza della Segnatura, Palazzi

Pontifici, Vatican

The School of Athens (detail)

Fresco

Stanza della Segnatura, Palazzi

Pontifici, Vatican

The Fire in the Borgo, 1514, Fresco, width at base: 670 cmStanza dell'Incendio di Borgo, Palazzi Pontifici, Vatican

The Sistine Madonna

1513-14

Oil on canvas, 270 x 201 cm

Gemäldegalerie, Dresden

The Transfiguration

1518-20

Oil on wood, 405 x 278 cm

Pinacoteca, Vatican

Madonna of the Stairs

1490-92

Pietà1499

Tomb of Lorenzo de' Medici, 1524-31

Slave (dying)

c. 1513

Slave (Atlas)

Pietà

c. 1550

Creation of Adam, Genesis 4

Separation of the Earth from the Waters, Genesis 3

Creation of the Sun, Moon, and Plants, Genesis 2

Last Judgment

1537-41

Mannerism

Mannerism - A European art movement and style thatdeveloped between 1520 and 1600. It was a style thatrejected the calm balance of the High Renaissance infavor of emotion and distortion.

Figura Serpentinata

Giorgione (1477-1510) Titian (Tiziano Vecellio) (1490-1576)

Rosso Fiorentino (1494-1540)

Domenico Beccafumi (1486-1551)

Jacopo Carrucci da Pontormo (1494-1557)

Jacapo Bassano (1515-1592)

Corregio (Antonio Allegri ) (1490-1534 )

Assumption of the Virgin

1516-18

Noli me tangere

c. 1512

Sacred and Profane Love

The Andrians (Bacchanalia)

c. 1525

The Venus of Urbino

Rape of Europa

Crowning with Thorns

c. 1570

St Paul

c. 1515

Moses and the Golden Calf

1536-37

Birth of the Virgin

c. 1543

Supper at Emmaus

Joseph in Egypt

1515-18

Deposition

c. 1528

CORREGGIO

Noli me Tangere

about 1525

CORREGGIO

Passing away

of St John

1520-24

Assumption of

the Virgin

1526-30

Jupiter and Io

1531-32

Form & Space

EUGENE DELACROIX

THEODRE GERICAULT

FRANSICOGOYA

CASPER DAVID FRIEDERICH

JMW TURNER

JOHN CONSTABLE

HENRI FUSELI WILLIAM BLAKE

P i H l F il th St 1648

DAVID, Jacques-Louis

troclus

l on canvas, 122 x 170 cm

sée Thomas Henry, Cherbourg

Belisarius Receiving Alms

Musée des Beaux-Arts, Lille

The Oath of the Horatii

The Death of Socrates [1787]

Oil on canvas, 130 x 196 cm, Metropolitan Museum of Art, New York

The Death of Marat

Musées Royaux des Beaux-Arts,

Brussels

Napoleon at the

St. Bernard Pass, 1801

Kunsthistorisches Museum,

Vienna

Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine

1805-07, Oil on canvas, 629 x 979 cm, Musée du Louvre, Paris

Napoleon on his Imperial throne

The Bather

The Grand Odalisque

Antonio Canova

Orpheus

Museo Correr, Venice

Daedalus and Icarus

1777-79

Marble, 200 x 95 x 97 cm

Museo Correr, Venice

The Three Graces.

Hermitage, St. Petersburg

Napoleon

1803-09

Bronze, height 325 cm

Pinacoteca di Brera, Milan

Paolina Borghese as Venus Victrix

1804-08

Marble, height 200 cm

Galleria Borghese, Rome

Christian Johann Heinrich Heine (born as Harry Heine) (1797– died

February 17, 1856) Henrik Johan Ibsen 1828 –May 1906) Ivan Sergeyevich Turgenev (1818 –1883) Leo Tolstoy, ( 1828 –1910) Henri-Marie Beyle (, 1783 –1842), ‘Stendhal’ Honoré de Balzac (1799 –1850). “La Comédie humaine” Gustave Flaubert (1821 –1880, Madame Bovary (1857) Charles Dickens, (1812 –1870) George Eliot (1819-1880) Naturalists Guy de Maupassant (1850 –1893) Émile François Zola (1840 –1902)

École des Beaux-Arts, which was created by

Cardinal Mazarin, chief minister of France, in1648.

1673- First semi-public art exhibit at the SalonCarré by the Académie royale de peinture et desculpture (a division of the Académie des beaux-arts)

1725 – Salon at Louvre – Salon de Paris 1748 – Jury introduced

Robert Cornelius, self-portrait,1839, approximate quarter plate

daguerreotype.

The back reads, "The first lightpicture ever taken."

"NADAR élevant laPhotographie à lahauteur de l'Art"(NADAR elevatingPhotography to Art).

Lithograph publishedin Le Boulevard,1862.

“The people have my sympathies, I must address myself to them directly”_ Courbet.

Gustave Courbet. The Stone Breakers. 1849

"The Burial at Ornans was in reality the burial of Romanticism."Courbet

A Burial at Ornans

1849-50, Oil on canvas

Still Life: Fruit

1871-72

Jean-Baptiste Camille Corot(1796 –1875)

View from the Farnese Gardens, Rome

Morning, the Dance of the Nymphs

c. 1850

The Boatman of Mortefontaine

c. 1865-70

Jean-François Millet (1814 –1875)

Honoré Daumier (1808 –1879)

The Uprising

c. 1860, Oil on canvas

Two Sculptors Undated, Oil on wood

The Third-Class Carraige

1863-65 , Oil on canvas

Les Trains de Plaisir(The trains of pleasure). 1864

Crispin and Scapin, 1858-1860.

MONETImpression, soleil levant,

[Impression, Sunrise], 1872

“Impression!” “Wallpaper in its embryonic

state is more finished!” - Louis Leroy, Critic

Music in the Tuileries

Olympia

Le Dejeuner sur L'Herbe (Luncheon on the Grass), 1863

The Execution of Emperor Maximilian, 1867

The Balcony

1868-69

A Bar at the Folies-Bergeres, 1881-82

La lecture, Reading

(The Mother and Sister

of the Artist)

1869-1870

Peasant Hanging out the Washing 1881

In the Garden at Maurecourt, c. 1884

Young Girl at a Window

c. 1883

Mother and Child

“ Photography - an image of magical instantaneity,”

Musicians in the Orchestra, 1872,

The Dance Class, 1873

Cabaret

c. 1877

Singer with a Glove

c. 1878

The Star OR Dancer on Stage

At the Stock Exchange

c. 1879

La Toilette

c. 1884 –1886

Claude Monet

Camille Pissaro

Pierre-August Renoir

Garden at Sainte-Adresse 1867

Bathing at La Grenouillere, 1869

Fishing Boats Leaving the Harbor, Le Havre

Bordighera 1884

Wheatstacks (End of Summer) 1890-91

Rue Montargueil with Flags

Water Lilies (The Clouds) 1903

Houses of

Parliament,

Sun Breaking Through the Fog, 1904

Houses of Parliament, London, 1905

L'Hermitage, c. 1868

Boulevard Montmartre: Morning, Grey Weather, 1897

Boulevard Montmartre: Night, 1897

Boulevard Montmartre: Rainy Weather, Afternoon, 1897

Boulevard Montmartre: Afternoon, Sunshine, 1897

Monet painting in his garden at Argenteuil, 1873

Dancer

La loge

The Theater Box

Le Moulin de la Galette, 1876

The Swing

The Luncheon of the Boating Party, 1881

Post Impressionism

Part 1

Term coined by Roger Fry in 1910

Other Names : Neo-Impressionism

Neo Impressionism Chromo- Luminerism Pointillism

Cloisonnism Divisionism Synthetism Pont-Aven School Symbolism

Life is not longfor anybody,and theproblem is only

to makesomething of it.

1888-9

Dear Theo,

If I were without your friendship, they would drive me

remorselessly to suicide, and coward that I am,I should end by committing it.

– Vincent

Paul Signac

Art is either plagiarism or revolution."

Les Alyscamps, Arles

Vision After the Sermon, Jacob Wrestling with the Angel,1888

Night Café at Arles, (Mme Ginoux), (1888)

Le Christ jaune

(The Yellow Christ)

Woman with a Flower, (1891)

Where Do We Come From? What Are We? Where Are We Going? 1897

"I want to make of Impressionismsomething solid and

something solid andlasting like the art inthe museums."

-Paul Cézanne, Letters,edited by John Rewald, 1984.

Jas de Bouffan 1876.

The Cardplayers, (1892).

Basket of Apples, 1890-1894

Still Life with a Curtain (1895)

Still Life with A les and Oran es 1895-1900.

Les Grandes Baigneuses, 1906

Montagne Sainte-Victoire, 1882-1885,

Road Before the Mountains Sainte-Victoire 1898-1902

Mont Sainte-Victoire 1902

Mont Sainte-Victoire Seen from Les Lauves 1904-06

Mon t Sainte-Victo ire 1906

Mill at the River, 1900-1906

Cubism

Cubism Analytical

Synthetic

Picasso

Le Fauves – Means beasts

Mattisse Vlamink

Derain

Mattisse

FUTURISM

CONSTRUCTIVISM

DE STIJL

ABSTRACTION

Naum Gabo

Art must be inspiration

ANTONIE PEVSNER

controlled by

mathematics.I have a need for

peace, symphony,

orchestration.“

- Antoine Pevsner

Anchored Cross (La Croix ancrée), 1933.

Marble, brass painted black, and crystal,

ANTONIE PEVSNER

Model of the Tatlin Tower,

monument for the Communist

International.

FUTURISMFUTURISMFUTURISM

FUTURISM

Umberto Boccioni,

The Roundup Oil on canvas.

Private Collection

Synthesis of Human Dynamism Umberto Boccioni, 1912

Work destroyed

Head + House + Light Umberto Boccioni, 1912

Plaster and assemblage of f

ound materials.

Size unknown. Work Destroyed.

Forme unic he d el la con tinu ità nel lo spazio (Unique Form of Continuity in Space)

Umberto Boccioni, 1913

Bronze (126.4 x 89 x 40.6 cm)

Museum of Modern Art, New York

Giacomo Balla, Dynamism of a Dog on a Leash

"There are idiots that define my work

as abstract, yet what they call abstract

is what is most realistic, what is real is

not the appearance but the idea the

not the appearance but the idea, the

essence of things."- Brancusi

Bird in Space, 1923

Brancusi

"The Gate of Kiss", part of the Sculptural Ensemble in Târgu Jiu, 1938.

Willem

DeKooning

Composition

Willem De

Kooning

Seated Woman. (1952)

Philip

Guston

To B.W.T.

Painting Number 2

1954Franz Kline

Jackson

Pollock

Cathedral, 1947

Autumn Rhythm,1950

Rothko

No. 10,1950.

Untitled [Seagram Mural] c 1958

Untitled [Seagram Mural] ,c. 1958

Rothko

Rothko with his Rothko Chappell Murals, 1964

Once you “got” Pop, you could never see a

sign the same way again. And once you

thought Pop, you could never see America

the same way again.

--Andy Warhol

Brillo Soap Pads Box, 1964,

Three Coke Bottles, 1962, AWF

Pop Artists used common images fromeveryday culture as their sources including:

Roy Lichtenstein, Masterpiece, 1962

Andy Warhol, Campbell's Soup II, 1969,

Pop Artists reflected 60’s culture by usingnew materials in their artworks including:

Robert Rauschenberg, Retroactive I I, 1963

Claes Oldenburg, Floor Burger 1962, Claes Oldenburg

Silver Liz [Ferus Type], 1963, AWF

Jackie paintings, 1964,AWF

RAUSCHENBERG, Robert

RAUSCHENBERG, Robert, Monogram, 1955-9

Jackie, 1964

16 Jackies

Self-Portrait, 1986

Turquoise Marilyn - 1962

Pink Marilyn Reversal 1986

Go for Baroque

Jasper Jones, Flag. 1954 –55

David Hockney,

A Bigger Splash

Portrait of an Artist (Pool with Two Figures) 1971

Look at the cross a bit

longer and you‘ll notice that

all dots except the green

one will disappear.

CHRISTO

Lord Napier wrapped in red tape by Eleonora Aguiari in 2004.

Damien Loebb, Scream, Oil on Linen, 2006

$23.6 million -becoming the most

expensive piece by aliving artist everauctioned

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