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Early Renaissance

HighRenaissance

Mannerism Baroque

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Romanticism Neo Classicism Realism

Impressionism

Post

Impressionism

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Cubism Fauvism Expressionism

Dadaism Futurism Surrealism

 Abstraction Minimalism  AbstractExpressionism

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Conceptual

 ArtPOP

PostModern Art

 Alternate Art

Subversive Art

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let there be

life in art

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Space

Movement

Form

Expression

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Skill Scientific approach

Grasp of Naturalism

Understanding of Humanism

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  Dante [1265 -1321]

Petrarch [1304 - 1374]

Boccaccio [1313 -1375]

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Vitruvius’ book "De Architectura" was

rediscovered in 1414 by the

Florentine humanist Poggio

Bracciolini. To Leon Battista Alberti

(1404-1472) befalls the honour of 

making this work widely known in his

seminal treatise on architecture De

Re Aedificatoria (ca. 1450).

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Nicolo Pisano [active.1258-1278 ] Gionavnni Pisano [1250-1314]

Cimabue [1240- c. 1302]

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The Madonna in Majesty (Maestà)

1285-86

Tempera on panel, 385 x 223 cmGalleria degli Uffizi, Florence

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The pulpit in the Baptistery at Pisa(dated 1260)

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Giotto 1267-1337 Filippo Brunelleschi 1377-1446 Lorenzo Ghiberti 1378-1455

Donatello 1386-1466 Paolo Uccello 1397-1475

Masaccio 1401-1428

Piero della Francesca 1422-1492  Andrea Mantegna 1431-1506

Sandro Botticelli 1445-1510

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http://slidepdf.com/reader/full/visual-studies-nift 18/509Entry into Jerusalem 1304-06 , Fresco,Cappella Scrovegni (Arena Chapel), Padua

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Kiss of Judas 1304-06 , Fresco, Cappella Scrovegni (Arena Chapel), Padua

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Lamentation 1304-06 , Fresco, Cappella Scrovegni (Arena Chapel), Padua

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Flight to Egypt, 1310s, Fresco, North transept, Lower Church, San Francesco, Assisi

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Filippo

Brunelleschi1377-1446

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Dome of the Cathedral 

1420-36

-Duomo, Florence

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Ospedale degli Innocenti, Florence 1419-24 

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Old Sacristy 

1418-28

Church of San Lorenzo, Florence

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Lorenzo Ghiberti1378-1455

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Northern Door of the Baptistry 

1403-24

BronzeBaptistry, Florence

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Northern Door of the Baptistry 

1403-24

BronzeBaptistry, Florence

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Eastern Door of the Baptistry 

1425-52

BronzeBaptistry, Florence

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Story of Joseph, Eastern Door , 1425-52, Bronze, Baptistry, Florence

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Jacob and Esau, Eastern Door , 1425-52, Bronze, Baptistry, Florenc

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Donatello

1386-1466

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St Mary Magdalenc. 1457

Wood,

Museo dell'Opera del

Duomo, Florence

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Davidc. 1430

Bronze, height: 158 cm

Museo Nazionale del Bargello,

Florence

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Deposition from the Cross (Pala di Santa Trinità)

1437-40Tempera on panel, 176 x 185 cm

Museo di San Marco, Florence

Bernardino della Ciarda Thrown Off His Horse 

1450s

Tempera on wood, 182 x 220 cm

Galleria degli Uffizi, Florence

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Deposition from the Cross (Pala di Santa Trinità)

1437-40Tempera on panel, 176 x 185 cm

Museo di San Marco, Florence

Niccolò da Tolentino Leads the Florentine Troops 

1450s

Tempera on wood, 182 x 320 cm

National Gallery, London

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Birth of Christ 

1443-45Stained glass window

Duomo, Florence

The Hunt in the Forest 

(Last work) 1460s

Tempera on wood, 65 x 165 cm

 Ashmolean Museum, Oxford

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Triumph of Perspective

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Euclid, is also referred to as Euclid of Alexandria, (c. 330BC – c 275 BC)

3 D geometry  also known as Euclidean geometry 

• Abū ‘Alī al-Ha ṣan ibn al-Ha ṣan ibn al-Haytham (965–1040) or al -Basri• Born in Basra•known as Alhacen / Alhazen to the west

• Worked on the optics•Kitab al-Manazir (Book of Optics)•Translated to Latin in middle ages•Light and Process of vision

•Camera obscura 

Pioneers 2- Islamic 

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Filippo Brunelleschi Donatello

Leon Battista Alberti wrote Della Pittura

Piero Della Francesca De Prospectiva Pingendi

Luca Pacioli [1494] –  Summa de arithmetica

 geometria

 proportioni et proportionalita 

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Piero della Francesca 1422-1492

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Baptism of Christ 

1448-50

Tempera on panel, 167 x 116 cm

National Gallery, London

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The Flagellation c. 1455, Oil and tempera on panel, 59 x 82 cm, Galleria Nazionale delleMarche, Urbino

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Portraits of Federico da Montefeltro and His Wife Battista Sforza 

1465-66, Panel, 47 x 33 cm (each), Galleria degli Uffizi, Florence

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Ideal City, c. 1470, Panel, 60 x 200 cm, Galleria Nazionale, Urbino

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Andrea

Mantegna1431-1506

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Agony in the Garden, c. 1459, Tempera on wood, 63 x 80 cm, National Gallery,

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Ceiling Oculus 

1471-74

Fresco, diameter: 270 cm

Camera degli Sposi,

Palazzo Ducale, Mantua

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The Lamentation over the Dead Christ, c. 1490

Tempera on canvas, 68 x 81 cm, Pinacoteca di Brera, Milan

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Giovanni

Bellini

1426 1516

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Agony in the Garden, c. 1459, Tempera on wood, 81 x 127 cm

National Gallery, London

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Madonna and Child 

1480-90

Oil on panel, 83 x 66 cm

 Accademia Carrara, Bergamo

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La figura

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•Andrea del Verrocchio 1435-1488•Sandro Botticelli 1445-1510

•Pietro Perugino 1445-1523

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The Baptism of Christ 

1472-75

Oil on wood, 177 x 151 cm

Galleria degli Uffizi, Florence

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The Young David 

1473-75

Bronze, height: 125 cm

Museo Nazionale del Bargello, Florence

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Adoration of the Magi 

1470-75

Tempera on panel,

diameter 131,5 cm

National Gallery, London

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Adoration of the Magi, 1481-82, Tempera on panel, 70 x 103 cm

National Gallery of Art, Washington

Zephyr Wind god

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Three GracesMercury

Zephyr, Wind god

nymph Chloris

Flora

Venus

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The Birth of Venus 

c. 1485

Tempera on canvas, 172.5 x 278.5 cm

Galleria degli Uffizi, Florence

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The Baptism of Christ (detail)1472-75Oil on woodGalleria degli Uffizi, Florence

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Adoration of the

Magi 1481-82

Oil on panel,

246 x 243 cm

Galleria degli Uffizi,

Florence

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Perspectival study of the Adoration of the Magi 

c. 1481

Pen and ink, traces of silverpoint and white on paper, 163 x 290 mm

Galleria degli Uffizi, Florence

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Virgin of the Rocks 

1483-86

Oil on panel, 199 x 122 cmMusée du Louvre, Paris

[Virgin Mary, Jesus,

St.John The Baptist, Archangel Uriel]

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Virgin of the Rocks 

1483-86

Oil on panel, 199 x 122 cm

National Gallery, London

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Patron:

Duke Ludovico SforzaThe Refectory with the Last Supper 

after restoration 

1498

-Convent of Santa Maria delle Grazie, Milan

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The Battle of Anghiari (detail),1503-05, Black chalk, pen and ink,

watercolour on paper, 452 x 637 mmMusée du Louvre, Paris

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Mona Lisa (La Gioconda) 

c. 1503-5

Oil on panel, 77 x 53 cm

Musée du Louvre, Paris

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Anatomical studies of the shoulder  

1510-11

Black chalk, pen and ink on paper,

289 x 199 mm

Royal Library, Windsor 

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Study sheet with cats, dragon andother animals 

1513-15

Pen, ink, black chalk on paper,

271 x 204 mm

Royal Library, Windsor 

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Raphael Sanzio

(1483 – 1520)

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Spozalizio (The Engagement of Virgin

Mary) 

1504

Oil on roundheaded panel, 170 x 117 cm

Pinacoteca di Brera, Milan

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Madonna of Belvedere (Madonna

del Prato) 

1506

Oil on wood, 113 x 88 cmKunsthistorisches Museum, Vienna

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The School of Athens (detail) 

1509

Fresco

Stanza della Segnatura, Palazzi

Pontifici, Vatican

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The School of Athens (detail) 

1509

Fresco

Stanza della Segnatura, Palazzi

Pontifici, Vatican

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The Fire in the Borgo, 1514, Fresco, width at base: 670 cmStanza dell'Incendio di Borgo, Palazzi Pontifici, Vatican

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The Sistine Madonna 

1513-14

Oil on canvas, 270 x 201 cm

Gemäldegalerie, Dresden

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The Transfiguration 

1518-20

Oil on wood, 405 x 278 cm

Pinacoteca, Vatican

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Madonna of the Stairs

1490-92

Pietà1499

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David

1504

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Tomb of Lorenzo de' Medici, 1524-31

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Slave (dying)

c. 1513

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Moses

1515

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Slave (Atlas)

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Pietà

c. 1550

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Creation of Adam, Genesis 4

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Separation of the Earth from the Waters, Genesis 3

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Creation of the Sun, Moon, and Plants, Genesis 2

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Last Judgment

1537-41

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Mannerism

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Mannerism - A European art movement and style thatdeveloped between 1520 and 1600. It was a style thatrejected the calm balance of the High Renaissance infavor of emotion and distortion.

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Figura Serpentinata

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Giorgione (1477-1510) Titian (Tiziano Vecellio) (1490-1576) 

Rosso Fiorentino (1494-1540) 

Domenico Beccafumi (1486-1551)

 Jacopo Carrucci da Pontormo (1494-1557) 

 Jacapo Bassano (1515-1592) 

Corregio (Antonio Allegri ) (1490-1534 )

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Assumption of the Virgin

1516-18

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Noli me tangere

c. 1512

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Sacred and Profane Love

1514

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The Andrians (Bacchanalia)

c. 1525

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The Venus of Urbino

1538

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Rape of Europa 

-

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Crowning with Thorns

c. 1570

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St Paul 

c. 1515

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Moses and the Golden Calf  

1536-37

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Birth of the Virgin 

c. 1543

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Supper at Emmaus 

1525

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Joseph in Egypt 

1515-18

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Deposition 

c. 1528

CORREGGIO

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Noli me Tangere 

about 1525

CORREGGIO

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Passing away

of St John 

1520-24

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Assumption of 

the Virgin 

1526-30

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Jupiter and Io 

1531-32

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Form & Space

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EUGENE DELACROIX 

THEODRE GERICAULT

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THEODRE GERICAULT

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FRANSICOGOYA 

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CASPER DAVID FRIEDERICH

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 JMW TURNER 

 JOHN CONSTABLE

HENRI FUSELI WILLIAM BLAKE

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P i H l F il th St 1648

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DAVID, Jacques-Louis

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troclus 

80

l on canvas, 122 x 170 cm

sée Thomas Henry, Cherbourg

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Belisarius Receiving Alms 

1781

Oil on canvas, 288 x 312 cm

Musée des Beaux-Arts, Lille

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The Oath of the Horatii 

1784

Oil on canvas, 330 x 425 cm

Musée du Louvre, Paris

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The Death of Socrates [1787]

Oil on canvas, 130 x 196 cm, Metropolitan Museum of Art, New York

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The Death of Marat 

1793

Oil on canvas, 162 x 128 cm

Musées Royaux des Beaux-Arts,

Brussels

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Napoleon at the

St. Bernard Pass, 1801

Oil on canvas, 246 x 231 cm

Kunsthistorisches Museum,

Vienna

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Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine 

1805-07, Oil on canvas, 629 x 979 cm, Musée du Louvre, Paris

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Napoleon on his Imperial throne

1806

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The Bather  

1808

Oil on canvas, 146 x 97 cm

Musée du Louvre, Paris

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The Grand Odalisque 

1814

Oil on canvas, 91 x 162 cm

Musée du Louvre, Paris

 

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Antonio Canova

 

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Orpheus 

1876

Stone

Museo Correr, Venice

Daedalus and Icarus 

1777-79

Marble, 200 x 95 x 97 cm

Museo Correr, Venice

 

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The Three Graces. 

Hermitage, St. Petersburg

 

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Napoleon

1803-09

Bronze, height 325 cm

Pinacoteca di Brera, Milan

 

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Paolina Borghese as Venus Victrix 

1804-08

Marble, height 200 cm

Galleria Borghese, Rome

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Christian Johann Heinrich Heine (born as Harry Heine) (1797– died

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February 17, 1856) Henrik Johan Ibsen 1828 –May 1906) Ivan Sergeyevich Turgenev (1818 –1883) Leo Tolstoy, ( 1828 –1910) Henri-Marie Beyle (, 1783 –1842), ‘Stendhal’  Honoré de Balzac (1799 –1850). “La Comédie humaine”  Gustave Flaubert (1821 –1880, Madame Bovary (1857) Charles Dickens, (1812 –1870) George Eliot (1819-1880) Naturalists  Guy de Maupassant (1850 –1893) Émile François Zola (1840 –1902)

École des Beaux-Arts, which was created by 

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Cardinal Mazarin, chief minister of France, in1648.

1673- First semi-public art exhibit at the SalonCarré by the Académie royale de peinture et desculpture (a division of the Académie des beaux-arts)

1725 – Salon at Louvre – Salon de Paris  1748 – Jury introduced

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Robert Cornelius, self-portrait,1839, approximate quarter plate

daguerreotype.

The back reads, "The first lightpicture ever taken."

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"NADAR élevant laPhotographie à lahauteur de l'Art"(NADAR elevatingPhotography to Art).

Lithograph publishedin Le Boulevard,1862.

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“The people have my sympathies, I must address myself to them directly”_ Courbet. 

Gustave Courbet. The Stone Breakers. 1849

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"The Burial at Ornans was in reality the burial of Romanticism."Courbet

 A Burial at Ornans 

1849-50, Oil on canvas

 

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Still Life: Fruit

1871-72

 

Jean-Baptiste Camille Corot(1796  –1875)

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View from the Farnese Gardens, Rome

1826

 

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Morning, the Dance of the Nymphs

c. 1850

 

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The Boatman of Mortefontaine

c. 1865-70

 

Jean-François Millet (1814 –1875)

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Honoré Daumier (1808 –1879)

 

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The Uprising

c. 1860, Oil on canvas

 

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Two Sculptors Undated, Oil on wood

 

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The Third-Class Carraige

1863-65 , Oil on canvas

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Les Trains de Plaisir(The trains of pleasure). 1864

 

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Crispin and Scapin, 1858-1860.

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MONETImpression, soleil levant,

[Impression, Sunrise], 1872

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“Impression!” “Wallpaper in its embryonic 

state is more finished!” - Louis Leroy, Critic

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Music in the Tuileries

1862

 

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Olympia

1863

 

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Le Dejeuner sur L'Herbe (Luncheon on the Grass), 1863

 

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The Execution of Emperor Maximilian, 1867

 

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The Balcony

1868-69

 

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 A Bar at the Folies-Bergeres, 1881-82

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La lecture, Reading

(The Mother and Sister 

of the Artist)

1869-1870

 

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Peasant Hanging out the Washing 1881

 

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In the Garden at Maurecourt, c. 1884

 

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Young Girl at a Window

c. 1883

 

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Mother and Child

1889

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“ Photography - an image of magical instantaneity,”

 

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Musicians in the Orchestra, 1872,

 

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The Dance Class, 1873

 

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Cabaret

c. 1877

 

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Singer with a Glove

c. 1878

 

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The Star OR Dancer on Stage

1878

 

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 At the Stock Exchange

c. 1879

 

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La Toilette

c. 1884 –1886

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Claude Monet

Camille Pissaro

Pierre-August Renoir 

 

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Garden at Sainte-Adresse 1867

 

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Bathing at La Grenouillere, 1869

 

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Fishing Boats Leaving the Harbor, Le Havre

1874

 

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Bordighera 1884

 

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Wheatstacks (End of Summer) 1890-91

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Rue Montargueil with Flags

 

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Water Lilies (The Clouds) 1903

 

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Houses of 

Parliament,

Sun Breaking Through the Fog, 1904

 

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Houses of Parliament, London, 1905

 

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L'Hermitage, c. 1868

 

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Boulevard Montmartre: Morning, Grey Weather, 1897

 

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Boulevard Montmartre: Night, 1897

 

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Boulevard Montmartre: Rainy Weather, Afternoon, 1897

 

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Boulevard Montmartre: Afternoon, Sunshine, 1897

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Monet painting in his garden at Argenteuil, 1873

 

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Dancer 

1874

 

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La loge

The Theater Box

1874

 

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Le Moulin de la Galette, 1876

 

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The Swing

1876

 

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The Luncheon of the Boating Party, 1881

Post Impressionism

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Post Impressionism

Part 1

Term coined by Roger Fry in 1910

Other Names : Neo-Impressionism

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Neo Impressionism Chromo- Luminerism Pointillism

Cloisonnism Divisionism Synthetism Pont-Aven School Symbolism

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Life is not longfor anybody,and theproblem is only 

to makesomething of it.

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1881

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1885

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1887

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1888

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1888

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1888-9

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1888

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1888

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1889

 

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Dear Theo,

If I were without your friendship, they would drive me

remorselessly to suicide, and coward that I am,I should end by committing it.

– Vincent 

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Paul Signac

 

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 Art is either plagiarism or revolution."

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Les Alyscamps, Arles

1888,

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 Vision After the Sermon, Jacob Wrestling with the Angel,1888

 

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Night Café at Arles, (Mme Ginoux), (1888)

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Le Christ jaune

(The Yellow Christ) 

1889

 

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Woman with a Flower, (1891)

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 Where Do We Come From? What Are We? Where Are We Going? 1897

"I want to make of Impressionismsomething solid and

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something solid andlasting like the art inthe museums."

-Paul Cézanne, Letters,edited by John Rewald, 1984.

 

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Jas de Bouffan 1876.

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The Cardplayers, (1892).

 

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Basket of Apples, 1890-1894

 

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Still Life with a Curtain (1895)

 

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Still Life with A les and Oran es 1895-1900.

 

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Les Grandes Baigneuses, 1906

 

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Montagne Sainte-Victoire, 1882-1885,

 

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Road Before the Mountains Sainte-Victoire 1898-1902

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 Mont Sainte-Victoire 1902

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 Mont Sainte-Victoire Seen from Les Lauves 1904-06

 

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Mon t Sainte-Victo ire 1906

 

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Mill at the River, 1900-1906

Cubism

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Cubism Analytical

Synthetic

Picasso

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Le Fauves – Means beasts

Mattisse  Vlamink

Derain

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Derain

Dufy 

Mattisse

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FUTURISM

CONSTRUCTIVISM

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DE STIJL

ABSTRACTION

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 M

O

ND

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RI

A

N

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Naum Gabo

 Art must be inspiration

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ANTONIE PEVSNER

controlled by

mathematics.I have a need for 

peace, symphony,

orchestration.“ 

- Antoine Pevsner 

 

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 Anchored Cross (La Croix ancrée), 1933.

Marble, brass painted black, and crystal,

ANTONIE PEVSNER

 

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Model of the Tatlin Tower,

monument for the Communist

International.

FUTURISMFUTURISMFUTURISM

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FUTURISMFUTURISMFUTURISM

FUTURISM

 

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Umberto Boccioni,

1910

The Roundup Oil on canvas.

Private Collection

 

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Synthesis of Human Dynamism Umberto Boccioni, 1912

Work destroyed

 

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Head + House + Light Umberto Boccioni, 1912

Plaster and assemblage of f 

ound materials.

Size unknown. Work Destroyed.

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Forme unic he d el la con tinu ità nel lo spazio (Unique Form of Continuity in Space) 

Umberto Boccioni, 1913

Bronze (126.4 x 89 x 40.6 cm)

Museum of Modern Art, New York

 

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Giacomo Balla, Dynamism of a Dog on a Leash

"There are idiots that define my work

as abstract, yet what they call abstract

is what is most realistic, what is real is

not the appearance but the idea the

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not the appearance but the idea, the

essence of things."- Brancusi

Bird in Space, 1923

Brancusi

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"The Gate of Kiss", part of the Sculptural Ensemble in Târgu Jiu, 1938.

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Willem

DeKooning

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Composition

 

Willem De

Kooning

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Seated Woman. (1952)

 

Philip

Guston

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To B.W.T.

1952

 

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Painting Number 2

1954Franz Kline

Jackson

Pollock

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Cathedral, 1947

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 Autumn Rhythm,1950

 Mark

Rothko

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No. 10,1950.

 

Untitled [Seagram Mural] c 1958

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Untitled [Seagram Mural] ,c. 1958

Mark

Rothko

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Rothko with his Rothko Chappell Murals, 1964

Once you “got” Pop, you could never see a

sign the same way again. And once you 

thought Pop, you could never see America

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 thought Pop, you could never see America 

the same way again.

--Andy Warhol

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 Brillo Soap Pads Box, 1964,

AWF

Three Coke Bottles, 1962, AWF 

Pop Artists used common images fromeveryday culture as their sources including: 

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Roy Lichtenstein, Masterpiece, 1962

Andy Warhol, Campbell's Soup II, 1969,  

AWF

  Pop Artists reflected 60’s culture by usingnew materials in their artworks including: 

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Robert Rauschenberg, Retroactive I I, 1963

Claes Oldenburg, Floor Burger 1962, Claes Oldenburg

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Silver Liz [Ferus Type], 1963, AWF

©2006 Life Inc. 

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 Jackie paintings, 1964,AWF

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RAUSCHENBERG, Robert

Bed

1955

 

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RAUSCHENBERG, Robert, Monogram, 1955-9

 

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Jackie, 1964

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16 Jackies

 

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Self-Portrait, 1986

 

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Turquoise Marilyn - 1962

 

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Pink Marilyn Reversal 1986

 

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Elvis

 

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Go for Baroque

1979

 

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Jasper Jones, Flag. 1954 –55

 

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David Hockney,

A Bigger Splash

1967

 

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Portrait of an Artist (Pool with Two Figures) 1971

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Look at the cross a bit

longer and you‘ll notice that

all dots except the green

one will disappear.

 

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CHRISTO

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Lord Napier wrapped in red tape by Eleonora Aguiari in 2004.

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Damien Loebb, Scream, Oil on Linen, 2006

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$23.6 million -becoming the most

expensive piece by aliving artist everauctioned

7/30/2019 Visual Studies NIFT

http://slidepdf.com/reader/full/visual-studies-nift 507/509

 

7/30/2019 Visual Studies NIFT

http://slidepdf.com/reader/full/visual-studies-nift 508/509

 

7/30/2019 Visual Studies NIFT

http://slidepdf.com/reader/full/visual-studies-nift 509/509