An Archetypal Story

Archetype:

A pattern, such as a type of character or type of story, that is repeated in literature.

The hero’s journey is one of the oldest story archetypes on the planet.

Some say it’s older than the Pyramids…

And Stonehenge…

And even cave drawings.

(Vogler)

The components of the hero’s journey were identified and developed by Joseph Campbell, who was the world’s foremost authority on mythology.

In his book, The Hero with a Thousand Faces, Campbell asserted that all storytelling follows the ancient patterns of myth, and …

…that all stories use elements of the Hero’s Journey. Campbell called this archetype a

Monomyth.

George Lucas, the creator of Star Wars, consulted with Campbell while writing the scripts for the first Star Wars trilogy.

The function of the story is to entertain, to instruct, and to inspire.

The hero’s journeyis a metaphor

for life itself.

Part I:

Departure

A. The Call to Adventure

The hero is compelled to leave a mundane life and seek adventure or begin a

quest for something specific.

The Refusal of the Call

B.

The hero has second thoughts; adventure

looks too risky or hero feels inadequate.

Dorothy runs back to the farm and Auntie Em. A storm is brewing.

Not exactly what I signed up for…

C. Acceptance of the Call

The hero finally accedes, realizing that there is nobody else who is better qualified to

or available to accept responsibility.

A guide or magical helper appears or becomes known. He may provide an object with “magical” abilities.

D. Supernatural Aid

The rubyslippers

Magic Wand

Mockingjay Pin

E. Crossing the First Threshold

The hero leaves the old world

behind and enters the new.

F. The Belly of the Whale

Like Jonah and Pinocchio, the hero

experiences the “dark night of the soul” and

must face his faults and the truth about his own

flaws.

For some, the belly of the whale experience is a situation in which the hero enters a physical zone of danger.

Katniss prepares to enter the arena.

Luke approaches the Deathstar.

The message is that we all

have a shadow self

and must deal with it

at some point in our

lives.

Part II

Initiation

During the “Initiation” phase,

the hero learns how to live in the new

world.

A. The Road of TrialsThe hero learns that life in the world of adventure can be difficult.

B. Meeting with the Goddess

All-powerful, all

encompassing, unconditional

love.

C. Woman as Temptress Someone or

something tries to distract the hero

from his goal. Circe the witch

tries to keep Odysseus on her

island.

The Mirror of Erised

Shrek’s way of life.

D. Atonement with the Father

The hero may come up against a 'father figure' who must be beaten,

persuaded, or whose approval must be achieved in some way. Ultimately, by whatever means, the difficult relationship between

the two must be reconciled.

E. Apotheosis(from Greek roots meaning “from God”)

The hero recognizes his/her true identity - that spark of divinity within – divine knowledge, love, compassion, and bliss.

But you’ve always had the

power togo home!

The Chosen One

“I keep wishing I could think of a way to…to show the Capitol they don’t own me.”

F. The Ultimate BoonThe hero succeeds in his/her

mission. Dorothy returns to Emerald City with the witch’s broom.

Katniss and Peeta survive and both become victors.

Simba restores peace to Pride Rock.

Part III.

The Return

A. Refusal of Return

The hero wonders if it’s possible to return to the old life.

“How can I go back?”

How can I leave my new best friends?

Will things still be the same?

B. Magic Flight

Upon deciding to return home, the hero must “flee” from yet another danger.

(Here, “flight” refers to fleeing, not flying, though

sometimes flying is involved.)

There’s no place like

home.

DANGER!

C. Rescue from Without

The hero escapes with a little outside help.

D. Crossing the Return Threshold

Finally, the hero

returns to “Kansas.”

…or District 12…

… or the Shire

E. Mastery of Two Worlds

The hero realizes that he can be at home in two worlds.

F. Freedom to LiveHaving faced

evil - both from within and without - the hero is free from powerlessness and fear.

“A hero is someone who reaches the edge of death, steals a piece of magic, then brings the magic home to share with his community.” (Brennan)

Character Archetypes

• Significant character roles/archetypes are found in every hero’s journey.

• Sometimes a character can fill more than one role.

• Sometimes certain roles won’t be included in every story.

Hero• The hero must learn in order to grow.

Often the heart of a story is not the obstacles he faces, but the new wisdom he acquires, from a mentor, a lover, or even from the villain.

• Heroes can be willing and adventurous, or reluctant.

• The essence of the hero is the sacrifice he makes to achieve his goal.

Herald

• The role of the herald is to announce the challenge which begins the hero on his story journey.

• The herald need not be a person. It can be an event or force: the start of a war, a drought or famine, or even an ad in a newspaper

Mentor• The mentor is a character who aids or

trains the hero. • The mentor represents the wiser and

more godlike qualities within us.• The other major role of the mentor is to

equip the hero by giving him a gift or gifts which are important in his quest.

• The hero doesn't always appreciate the mentor’s assistance.

Threshold Guardians• The role of the threshold guardian is to

test the hero's mettle and worthiness to begin the story's journey, and to show that the journey will not be easy. The hero will encounter the guardian early in the story, usually right after he starts his quest.

• NOT the story's antagonist (could be their henchman or employee).

Trickster

• The Trickster is a clown, a mischief maker. He provides the comic relief.

• The trickster can be an ally or companion of the hero, or may work for the villain. In some instances the trickster may even be the hero or villain.

Shape-Shifter• The shapeshifter changes role or

personality, often in significant ways. His alliances and loyalty are uncertain and the questionable.

• This keeps the hero off guard.• Their role is to bring suspense into a

story by forcing the reader (and hero) to question beliefs and assumptions.

Shadow• The shadow is the worthy opponent with

whom the hero must struggle. In a conflict between hero and villain, the fight is to the end; one or the other must be destroyed.

• The shadow frequently sees himself as a hero, and the story's hero as his villain.

• He represents things we don't like and would like to eliminate.

We are all heroes on our separate

journeys

and our mission is to make

the world a better place.

ReferencesBrennan, Kristen. “Star Wars Origins.” 1999-2001.

Jitterbug Fantasia. <http://www.jitterbug.com/ orgins/myth.html> 20 Sept. 2002.

Campbell, Joseph. The Hero with a Thousand Faces. New York: Mythos Books, 1949.

Vogler, Christopher. “The Writer’s Journey.” 2002. Michael Weiss Productions.

<http://www.mwp.com /pages/bookswritourmore.html> 20 Sept. 2002.

“Follow your

bliss.”

- Joseph Campbell