animagic - art of commercials & vfx

84
ANIMAGIC It’s a unique studio where as one client put it, “Any magic is possible!!” What began as a three member group with nothing but a belief in our potential to create great animation, is now a eleven year old studio with a sterling reputation for the quality of our work. From graphics, animation and special eects in commercials, corporate lms, feature lms, titles for lm and television, visualisation and preproduction design for both ads and features, to Illustration and design, children’s books, educational textbooks, the studio has expanded its creative outreach to many dierent avenues often setting new standards of excellence. 1

Upload: thomas-marcus-george

Post on 09-Mar-2016

233 views

Category:

Documents


4 download

DESCRIPTION

India's Premiere Animation Studio - winner of countless National and International Awards - for short and feature length animated films - Their work for comercials and VFX has also garnered awards and acclaims including a Silver Lion and a Bronze Lion at Cannes '07.

TRANSCRIPT

Page 1: Animagic - Art of Commercials & VFX

ANIMAGIC It’s a unique studio where as one client put it, “Any magic is possible!!”

What began as a three member group with nothing but a belief in our potential to create great animation, is now a eleven year old studio with a sterling reputation for the quality of our work.

From graphics, animation and special e!ects in commercials, corporate "lms, feature "lms, titles for "lm and television, visualisation and preproduction design for both ads and features, to Illustration and design, children’s books, educational textbooks, the studio has expanded its creative outreach to many di!erent avenues often setting new standards of excellence.

1

Page 2: Animagic - Art of Commercials & VFX

VISUAL DESIGNPRE PRODUCTION AND STORYBOARD

62

Page 3: Animagic - Art of Commercials & VFX
Page 4: Animagic - Art of Commercials & VFX

68

Page 5: Animagic - Art of Commercials & VFX

70

Page 6: Animagic - Art of Commercials & VFX

71

Page 7: Animagic - Art of Commercials & VFX

64

Page 8: Animagic - Art of Commercials & VFX

65

Page 9: Animagic - Art of Commercials & VFX

73

Page 10: Animagic - Art of Commercials & VFX

72

Page 11: Animagic - Art of Commercials & VFX

74

Page 12: Animagic - Art of Commercials & VFX

75

Page 13: Animagic - Art of Commercials & VFX

78

Page 14: Animagic - Art of Commercials & VFX

79

Page 15: Animagic - Art of Commercials & VFX

80

Page 16: Animagic - Art of Commercials & VFX

81

Page 17: Animagic - Art of Commercials & VFX

82

Page 18: Animagic - Art of Commercials & VFX

84

Page 19: Animagic - Art of Commercials & VFX

85

Page 20: Animagic - Art of Commercials & VFX

THE GRAPHIC NOVEL

Page 21: Animagic - Art of Commercials & VFX

91

Page 22: Animagic - Art of Commercials & VFX

92

Page 23: Animagic - Art of Commercials & VFX

93

Page 24: Animagic - Art of Commercials & VFX

94

Page 25: Animagic - Art of Commercials & VFX

95

Page 26: Animagic - Art of Commercials & VFX

96

Page 27: Animagic - Art of Commercials & VFX

97

Page 28: Animagic - Art of Commercials & VFX

98

Page 29: Animagic - Art of Commercials & VFX

99

Page 30: Animagic - Art of Commercials & VFX

ILLUSTRATION & BOOK DESIGN

86

Page 31: Animagic - Art of Commercials & VFX

87

Page 32: Animagic - Art of Commercials & VFX

88

Page 33: Animagic - Art of Commercials & VFX

89

Page 34: Animagic - Art of Commercials & VFX

90

Page 35: Animagic - Art of Commercials & VFX

91

Page 36: Animagic - Art of Commercials & VFX

92

Page 37: Animagic - Art of Commercials & VFX

93

Page 38: Animagic - Art of Commercials & VFX

94

Page 39: Animagic - Art of Commercials & VFX

95

Page 40: Animagic - Art of Commercials & VFX

96

Page 41: Animagic - Art of Commercials & VFX

97

Page 42: Animagic - Art of Commercials & VFX

98

Page 43: Animagic - Art of Commercials & VFX

99

Page 44: Animagic - Art of Commercials & VFX

100

Page 45: Animagic - Art of Commercials & VFX

101

Page 46: Animagic - Art of Commercials & VFX

102

Page 47: Animagic - Art of Commercials & VFX

103

Page 48: Animagic - Art of Commercials & VFX

COMMERCIALSANIMATION & VFX

2

Page 49: Animagic - Art of Commercials & VFX

21

Page 50: Animagic - Art of Commercials & VFX

20

Page 51: Animagic - Art of Commercials & VFX

22

Page 52: Animagic - Art of Commercials & VFX

23

Page 53: Animagic - Art of Commercials & VFX

24

Page 54: Animagic - Art of Commercials & VFX

25

Page 55: Animagic - Art of Commercials & VFX

26

Page 56: Animagic - Art of Commercials & VFX

27

Page 57: Animagic - Art of Commercials & VFX

28

Page 58: Animagic - Art of Commercials & VFX

29

Page 59: Animagic - Art of Commercials & VFX

30

Page 60: Animagic - Art of Commercials & VFX

31

Page 61: Animagic - Art of Commercials & VFX

32

Page 62: Animagic - Art of Commercials & VFX

33

Page 63: Animagic - Art of Commercials & VFX

34

Page 64: Animagic - Art of Commercials & VFX

35

Page 65: Animagic - Art of Commercials & VFX

36

Page 66: Animagic - Art of Commercials & VFX

38

Page 67: Animagic - Art of Commercials & VFX

39

Page 68: Animagic - Art of Commercials & VFX

40

Page 69: Animagic - Art of Commercials & VFX

41

Page 70: Animagic - Art of Commercials & VFX

44

Page 71: Animagic - Art of Commercials & VFX

45

Page 72: Animagic - Art of Commercials & VFX

46

Page 73: Animagic - Art of Commercials & VFX

47

Page 74: Animagic - Art of Commercials & VFX

48

Page 75: Animagic - Art of Commercials & VFX

49

Page 76: Animagic - Art of Commercials & VFX

50

Page 77: Animagic - Art of Commercials & VFX

51

Page 78: Animagic - Art of Commercials & VFX

55

Page 79: Animagic - Art of Commercials & VFX

56

Page 80: Animagic - Art of Commercials & VFX

57

Page 81: Animagic - Art of Commercials & VFX

60

Page 82: Animagic - Art of Commercials & VFX

61

Page 83: Animagic - Art of Commercials & VFX

The StudioIt was in 1997 that the three founder directors started with the belief that an animation studio needed to be a place where we searched for our artistic and national identity thru this amazing art form. We got together without the slightest backing or support and no infrastructure to speak of. Today, our greatest sense of satisfaction stems from the fact that we never compromised our principles in the most trying of situations. We worked the razors edge balancing our desire to pour our souls out in our !lms while running the studio doing commercial work which paid the bills with an equal amount of sincerity & zeal.

The Founder Directors:

Gayatri RaoHaving done her B.F.A. from the College of Arts, Delhi and Masters in Design (M.Des.) in Visual Communication, from IDC, IIT-Powai, Bombay, where she was a pioneered animation as a medium by creating her !rst short !lm ‘CALLS OF ANIMALS’ on alternative teaching methods. She has had the rare distinction of doing an internship at Walt Disney Studios, Florida sponsored by UNICEF where she grasped the spirit of classical animation which she passed on to her hungry for knowledge colleagues back in India. She also created as her project there, a minute long !lm on female infanticide which moved many of her distinguished mentors at Disney. She also pioneered stylised animation commercials in India and directed the animation for Mahakapi, a !lm based on the Jataka tale of the Monkey King, for CFSI, which won the prestigious UNESCO Award in 1997. A true designer whose clear and often critical insight and aesthetics informs all the studio’s projects, her vision for Raju & I helped it to transcend the general limitations of a public service message !lm to become the most critically acclaimed Indian animation !lm, winning her the National Award for Best Animation Director in 2005. She loves to create and started RAWWORKS a project which seeks to bridge the gap between the traditional and contemporary by creating utility products inspired by traditional and tribal art forms.

104

Page 84: Animagic - Art of Commercials & VFX

Chetan Sharma Considered by many to be India’s foremost classical 2D animator, started in animation when he was 15 and worked his way with a commitment and attention to detail that have resulted in some of the best animation India has produced. Winner of the National Award as the Best Animator in 2005, and a self taught artist, he inspires passion and devotion towards the drawn art and continues to hold aloft the !ag of 2D animation in creating new and exciting characters and worlds. His experience in Live-action "lms, designing and storyboarding some of the most widely acclaimed commercials and "lms of our time like Happydent, XBox 360 & Ekalvya has also honed the cinematic quality of his vision.

Sumant Rao An aeronautics engineer from IIT, Mumbai, he took to the design stream in IDC, IIT and with Gayatri, was a pioneer in animation techniques in the visual communication stream, his ingenuity and innate understanding of animation making up for the lack of proper facilities. Work in the emerging and then in its infancy, computer graphics industry, his animation sense once morehelped in overcoming many software/hardware related shortcomings in the business at large creating many memorable e#ects in advertising "lms. His knowledge and experience were utilised by Discreet Logic (now Discreet) as a consultant as he provided many "lmmakers in India with their "rst glimpses of computer graphics in "lms and also trained a generation of editors and e#ects artists in the artistic use of these high end softwares.He is one of the country’s top e#ects directors, having supervised and executed many scores of ad "lms for top production houses as well as feature "lms like Ekalvya and Hey Ram which won the National Award for Best Special E#ects in 1999. His great passion for teaching and sharing his knowledge has brought him full circle to devote a part of his time as faculty in animation at IDC, IIT-Powai, Mumbai, where he now helps young talent look beyond softwares and into the heart of animated storytelling.

105