anna beznogova portfolio
DESCRIPTION
A collection of academic and proffessional work of a fourth year student at the University of Waterloo School of Architecture.TRANSCRIPT
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[email protected] | Guelph, Ontario
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3SKILLS
Personal Individual-trustworthy,reliable,fastlearner,orga-nized
Interpersonal - spoken,written, and visual com-munication,leadershipskills
Languages - English, native Russian speaker,French&Italianbasics
EDUCATION
ACHIEVEMENTS
WORK EXPERIENCE
Computer Interfaces-WindowsXP/Vista,MacOSX 3D-SketchUp,Grasshopper(basics) Drafting-AutoCADArchitecture2010,2008 AdobeCreativeSuite5-Photoshop,InDesign,Il-lustrator,Dreamweaver,AfterEffects
Programming/Scripting-Arduino,Java,VB,HTML Office -MicrosoftWord,PowerPoint, andExcel;OpenOffice;Prezi
Technical Modelling-Basswood,cardboard, fabric, thread(knitting/crochet/knotting/weaving), wire, foam,carvedplaster/vermiculite,clay
Drafting-Vellum,mylar,pen,pencil Rendering-Watercolour,penciltone,acrylicpaint,oilpaint,colouredpencil,charcoal,chalks
2008present Honours Bachelor of Architectural Studies, Uni-versityofWaterloo
Courses: Design Studio, Principles Of Environ-mental Design, Building Construction, AcousticsandLighting,CulturalHistory,VisualCommunica-tion
20042008 OSSD,CentennialCollegiateandVocationalInsti-tute(Guelph,Ontario)
Academic Analyticaldrawing featuredonstudiohomepage(2009)
UniversityofWaterlooPresidentsScholarshipofDistinction(2008)
Extra Curricular 1stintheStudentHydrogenDesignContest(Feb.2011)
PhilipBeesley/CITAWorkshop(Aug.2009) Designed stained glass for Centennial CVI inGuelph,Ontario(2008)
1stOverallatNationalShadValley/RBCCup(2007)
Parkin Architects, Toronto JanApr20111 Valleybrook Dr, Toronto ON
P3 design competition: block diagrams; designofmainfacadeinSketchUpandAutoCAD;spacesummarymatrix;reconciliationtables
Kasian Architecture ID & P SeptDec2010350-1555 Pender St W, Vancouver BC
design anddevelopment for FaregateProject for 5transitstationsinMetroVancouver
concept design on redevelopment of Scott RoadStationsite
metwithclientandconsultants conductedsitedocumentation
Kasian Architecture ID & P JanSept2012350-1555 Pender St W, Vancouver BC
Extensive experience with project administration shop drawing review, site visits, and sitemeetingsforapublictransitprojectfor5newstationsinVan-couver
Designandconstructiondrawingsofbarriersfor32rapid transit stations across Vancouver from sche-maticdesignthroughtoissuefortender;alsoplayedamajorroleinkeepingtheprojectorganizedandco-ordinatingwithconsultants
Assistedinthedesignanddevelopmentofaretire-mentcommunity inKelowna,BC, includingprelimi-narydesignconceptsandpreparationofpresenta-tiondrawings
Prepared schematic design presentation materialsand detailed design development drawings for ashoppingmallinYuankai,China
InferUrban, Toronto MaySept20111240 Bay St, Toronto ON
researchedbuildingtypologiesandcategorization illustrated building types and their identifiers, a re-gion,andaprecinct
puttogetheradynamicclientpresentationofanin-vention
understoodandillustratedabstractideasofthetech-nicalworkingsoftheinvention
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5814161820222426
3034363839
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RE-ENVISIONINGBUGGERRUBATHSOFCARACALLAPOP-UPWORKSHOPWINDANDCURRENTLARGEURBANBUILDINGVEGGIEBELTWINDCATCHERHYPARWAVE
KASIANINFERURBANKASIANSARGASSOFIELDPARKINARCHITECTS
PHOTOGRAPHYCRAFTART
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7SCHOOL
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8Thisprojectwascompletedduringatwo-weekwork-shopwithpredominantlyItalianstudentsandprofes-sorsinCagliari,Italy.
Theprojectaskedus toanalyzeasmall towncalledBuggerruwhichusedtofunctionasaminingtownandbecame a popular beach once the industry movedout.Ouranalysisuncoveredthatthetownhasseveralproblems:ithasaportthatdoesnotfunctionbecausethe bad design has led to an accumulation of sandthatdoesntpermitlargevesselstopass;thetownisunprotected from the sea and wind, which becomeextreme in thewinterseason; there isa largefluxofpopulation between summer andwinter, when tour-ists and residents alike leave to move to protectedtowns inland; there are several historical buildingsfromtheminingindustrythathavefallen indisrepair.Ouranalysiscumulatedinathreefolddesignproposal:aproposalforadiffusehoteltoaddresstheeconomicneedsofthetown,aproposalforaconnectiontothehistoryofthetown(itsmemory),andanarchitecturalproposal for the underdeveloped waterfront of thetown.
I conducteda largeportionof theanalysisandpro-ducedthediagramstopresentourfindings.
RE-ENVISIONING BUGGERRU
Most of the roads in Buggerru run perpendicular to the waterfront, directly to the port, speaking to its impor-tance in the formation of the city. One road runs par-allel to the waterfront, servicing the port, beach, and camper areas.
There is very little communication between the main street, Via Roma, and the elevated highway which causes the city and its people to be divided due to lack of connections.
ACCESSIBILIT E CIRCOLAZIONE /ACCESSIBILITY AND CIRCULATION
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9Spaces that attract activity in Buggerru, creating a source of economic income. Ranking the activities from most popular to least popular shows us oppor-tunities for improvement. All the spaces are concen-trated on the waterfront.
This is an analysis of the points of interest in Buggerru, which define the civic centre of the city and give its sense of place. Many of these are historic buildings from the mining industry. It is evident that the space in front of the buildings defines the citys relationship to the water because of the way that buildings face into it and roads lead to it.
However, the waterfront space has lost its character after the end of the mining industry and is now used for a boat yard, a soccer field, and a camper-ground. The character of these areas should be reconsidered in order to redefine the citys relationship to the sea and improve the experience of the sea.
ATTIVIT ECONOMICHE /ECONOMIC ACTIVITIES LUNGOMARE /WATERFRONT
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A comparison to Piazza Navona (and the dense devel-opment surrounding it) shows the scale of the water-front spaces and the importance of subdividing them into smaller spaces.
The effect of the city is to expand in the summer, oc-cupying the port and beach area during the day, and the piazzas in the evening. However, the area directly between the city and the beach is never occupied.
LUNGOMARE /WATERFRONT DUALIT ESTATE-INVERNO /SUMMER-WINTER DUALITY
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In the winter, the city contracts, occupying only the so-cial buildings along the main street, Via Roma. It is not possible to enjoy the sea in this season because it is too violent and dangerous.
The relationship between summer and winter spaces is that of urban rooms created by social buildings. It also shows one type of approach to creating social spaces for the public.
The city is built up on and around retaining walls which allow the streets and buildings to negotiate the steep topography.
(CONTD) CAMERE URBANE /URBAN ROOMS STRUTTURA DELLA CITT /CITY STRUCTUREDUALIT ESTATE-INVERNO /SUMMER-WINTER DUALITY
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PROPOSTA ECONOMICA /ECONOMIC PROPOSAL PROPOSTA DI RICONNESSIONE /RECONNECTION PROPOSAL
Instead of building a large hotel to accomodate the tourist population in Buggerru, we propose a diffuse hotel, with the historical laveria as the reception cen-ter. In the diffuse hotel model residents in the town rent out their rooms to tourists. Instead of individual bread and breakfasts, a centralized organization system helps to keep track of available rooms.
PROPOSTA ECONOMICA /ECONOMIC PROPOSAL PROPOSTA DI RICONNESSIONE /RECONNECTION PROPOSAL
PROPOSTA ECONOMICA /ECONOMIC PROPOSAL PROPOSTA DI RICONNESSIONE /RECONNECTION PROPOSAL
We reconnect lower and upper Buggerru by way of a new park accessible through the laveria.
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13
? ? What can I put in my Wall?
Water
More water
A roof
Or a game
A bigger game
Just stairs
A park
A hidden place
Or just a house.
Inhabited Walls
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14TheBathsofCaracallawasa1-weekintensivedesigncharrettecompletedwithinternationalstudentsduringmy semester at theWaterloo campus inRome.Theprojectbriefaskedforabusterminalonasiteadja-cent to theBaths toact asadropoffpoint for tour-ists.Thedropoffisexpectedtoserveabout300coachbuseseachday.Theprogramalsoprovidedforameni-tiessuchasaninformationpoint,ticketingfacility,andcafeaswellaseducationprogramsuchasaprojec-tionroomandexhibitionspace.
Itwasimportanttoestablishanarchitecturalrelation-shipbetweenthearrivaloftouristsbybusandtheex-perienceoftouringtheBaths.Aswell,itwasimportanttorespectthelandscapeonthesite,whichhasbeenmuchdocumentedbyRomanticpainters.
I took on a leadership role within the project team,guidingteamdiscussions,helpingtoproduceastory-boardandassigningtaskswithinateamof14people.
BATHSOFCARACALLA
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15
CITYARCHAEOLO
GY
TRANSITION
CONTINUITY
0.Theexistingsiteiscutinhalfbyalocalroadthatrunsthroughit.Wedecidetousetheroadasinfrastructureandexploreoptionsforrationalizingprivatecartrafficwithbustraffic.
3.Wecreateacompressioninthecentersothatthewhole building acts as one long threshold betweentheideaofcityandarchaelogicallandscape.
4.Organizationoftheinteriorprogramisinspiredbythe formof the ruinsof theBaths theseparationsof rooms and functions arent clearly bounded butsuggested.
5.Weintroduceaperturesintotheroofofthebuildingtocommunicatetherelationshipbetweentheexteriorandinterior.InspiredbyRomancisterns,theopeningsallow the exterior to impose itself on the interior,acknowledgethepassingoftimeandcreateamorecontemplativeenvironment.
1.Thechosenoptioncutstheroadtorestrictaccess-itisnolongerathroughway.Theresultingcontinuousspacemediatesthetransitionbetweenthecitystate(the arrival by bus) and a contemplative state (thearchaeologicallandscape).
2. The shell of thebuilding is createdbypulling upthegrade to insert programandcreate a continuitywiththeexistinglandscape.Thebuildingoperatesonthetwoaxesofcontinuityoflandscapeandtransitionfromcitytoarchaeology.
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16POP-UP WORKSHOP
0 250 500 750 1000125m
Queen St. E.Queen St. W.
Tibetan pavilion
Ukrainian pavilion Korean pavilion Ethiopian pavilion Jamaican pavilion Bangladeshi pavilion Vietnamese pavilion
Ukrainian pavilionDutch pavilion
Welsh pavilion
NATHAN PHILLIPS SQUARE
Yong
eBay
University
Spad
ina
Bathurst
businesses: non-corporatecorporate
Jan
July
Feb
Aug
Mar
Sept
AprOct
May
Nov
June
Dec
Thepop-uptextileworkshopfocusesonbringingoutandcelebratingsomeof themanyethnicgroup thathavesettledalongQueenStreet.Thestreethaslongbeenaplacewherewavesofimmigrantshavesettleddown.Overtheyearspeoplehavemovedoutandnewpeoplehavemovedin,shiftingtheculturalmix,buttheprocessofimmigrantsmovingouthasbeenacceler-atedrecentlybecauseofeffortstogentrifythearea.Thisincreaseslandvaluesanddiscouragesimmigrantgroupsmovingin,whileencouraginglargecorporatepresenceandupper-scale living.The immigranteth-nic groups have a lot of fascinating culture to bringtoQueenStreet,andtoshare.Iwanttobringoutthissharingaspectthroughthemediumofcraft. This map is a representation of the domi-nantmid-populationgroups.Working from the 2006census,and126ethnicorigincategories,thelistwasculled of ethnic groupswith populations that wouldoverwhelm the entiremap. This left about 18 ethnicgroupswhichwereanalyzedonablock-by-blockba-sis,tofindthetopthreepopulationsineachblock. Inthefirstphaseofthepop-up,pavilionsarelocatedalongQueenStreetwherevertheresapatternofclusteringofanethnicgroup,orwhere there isasingleculturewhichstandsout.Theyaredesignedtofitinaparkingspotonthestreet,workingofftheprec-edentoftheBixibikeracks.Thisallowsittobeflexibletobedeployedanywhereonthestreet,withthepos-sibility tobedeployedagainwitheachnewcensus.Inthisphase,thepavilionscanbeasourceofpublicoutreach,aswellasartisanspace. The celebration of these different culturesandskillscomestogetherduringthesecondphaseofthe project atNathanPhillipsSquare as aweekendfestival. The pavilions help to activate the peripheryandmakeitmoreinviting,aswellasgivingthepavil-ionsastrongstreetpresencetohelpdrawpeoplein.Inthiswaytheyadressboththestreetandthesquare,tyingthetwodespitethewalkwaysdivisionaryquality.ThepubliccelebrationwhichhappensatNathanPhil-lipsisalsointhemidstofthehomogenizingprocessofgentrification,asevidencedbytheamountofcor-poratebusinesspresenceinthatarea.
Queen St. Plan 1:25
1800mm
1800
mm
2600
mm
5900mm
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Nathan Phillips detail plan 1:25
Nathan Phillips section-elevation 1:25
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18This project looks at the interaction between windand water current forces, as observed from fourstringshungfromabridge.Withapartner,Irecorded,mapped,andanalyzed(extensively)themotionofthestrings.Oneaspectoftheanalysislooksatmodellingthe velocities of several points on one of the stringthrough time.Theprocess (or recipe) for thatpro-cesscanbedescribedasfollows:
Foreachtimeperiodstartingatthesecondtimepe-riod:
Foreachpointinthetimeperiod:
1.Subtractthecoordinatesofthe pointattime=0fromthecurrent point;thisrepresentsthespeedand directionofthepointasitmoved fromthefirsttimeperiodtothe currenttimeperiodi.e.itsvelocity
2.Drawtheresultingpoint
3.Next(gotothenextpoint)
4.Interpolatethecurvebetweenallthe pointsrepresentingvelocity
Storethecurveinanarray
5.Next(gotothenexttimeperiod)
6.Loftthesurfacebetweenallthecurvesinthearray,inorder;thisisa3Drepresentationofthevelocitiesonthestringthroughtime.
WIND ANDCURRENT
1.
2.
3. 6.
5.
4.
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Wind Movementa more aCCurate theoretiCal approaCh to wind modeling
Velocityfrom initial position, over 6s
for each time period starting at the second time period:
for each point in the time period:
subtract the coordinates of the point at time=0 from the current point
this represents the speed and direction of the point as it moved from the first time period to the current time period i.e. its velocity
draw the resulting point
next
interpolate the curve between all the points representing velocity
store the curve in an array
next
loft the surface between all the curves in the array, in order
accept a degree of volatility of wind from the user
Copy the ideal points to a new array
from the 4 middle points, pick a random point to be the maximum affected
apply the wind vector and wind strength to the point, assuming no friction so that:
magnitude of displacement = wind strengthdirection of displacement = wind vector
randomly generate the minimum point displacement, based on a limit defined by the degree of volatility provided by the user (ie. the range will either be bigger or smaller)
apply the minimum point displacement to the endpoint touching the water
for each point:
Calculate a magnitude of displacement based on the position of the point relative to the max & min point (ie. a factor
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20Thesiteforthe3AlargeurbanbuildingstudioatCol-legeandSpadinainTorontoisacrossroadsbetweentheUniversityofToronto,KensingtonMarket,andanestablished night-life; it is easily accesible from twostreetcarroutes.BasedonastudyIdid,Iaddressedthesitewithan ideaofpublicspacebecausethis issomethingtheareacurrentlylacks.Withtheideathatthisshouldbeapublicspace,Iorganizedallthepub-licprogramfor thebuilding including retail,perfor-mace,restaurant,artgallery,andcafesothatitcanbeaccessedfromtheoutside,basedonthefactthatas soon as youput a set of doors somewhere, youcreateaboundarywhichprivatizesspace,andlimitswhatcanhappenthere.
Allmy public program is accessible from the plaza,whichisaspacewherethingscanhappenspontane-ously.Accesstoprogrammedspacekeepstheplazaactivated throughout the day, from the cafe in themorning,totheperformancehallatnight.
The plaza becomes an informal counterpart to themore formally structured program within: the stairsfunctionasstreetfurniture,aplacetositandobservetheperformanceofstreetlife;theblankwalloftheadjacentbuildingbecomesablankcanvasforurbanexpression,whethergraffiti,mural,orprojectionart.
LARGE URBAN BUILDING
Spa
dina
Ave.
CollegeSt.Kensington
restaurant
coffee shop
retail
performance
gallery
live-works
office
1stiteration 2nditeration 3rditeration
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Firstfloor
Secondfloor
2.5floor
Thirdfloor
Fourthfloor
Firthfloor
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22Thefocusofthe2BtermwasthatofProductiveLand-scapes.Thisculminatingprojectlooksathowresiden-tialdevelopmentcanhappeninanagriculturalareainamoresustainablemanner,withoutlosingtheproduc-tivityofthelandscape.
Thefollowingisadiagramofprogrammaticdevelop-ment,andthefinalplansandsection.
VEGGIE BELT
Moving Living
ServicingArrangingWorking
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SitePlan
Plan
LongitudinalSection
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24Apavilion located for the hot humid climate of KohPhaNgan,Thailand.Thedesignaimsatprovidingareprievefromtheclimatebymeansofextensiveventi-lationandprotectionfromtorrentialtropicalrains.Thebuildingfacesintotheprevailingwind,andissitedonahill.
Sliding screens at both endsof thepavilionprovidethe userwith ventilationoptions,making for amoreindividualizedexperience.
Themain space of the pavilion is large and airy, tocontrastwiththeclosenessandstuffinessofthecli-mate.Thepavilionisastoppingplaceforhikersintherainforest, and a destination in itself: one can relax,meditate,and thinkwhileappreciating thebeautyoftherainforest.
WINDCATCHER
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FROSTED
LAMINATED
GLASS PANELS
HSS ROUND
STEEL PIPES
STEEL CABLES
20X30CM RHS
FRAMING
MEMBERS
CONCRETE
FOUNDATIONS
Thehyperbolicparaboloidshapeofthebandshell istiltedslightlybackwards,openinguptotheaudience.Thisversatilestructurehighlights theuseofsteelbycreatingacontrastbetweentheheavyframingmem-bersandlight,airycablesofthecanopy.Thecanopyappearstofloatabove,asasail catchingthewind.The framingmembers resemble cantilevers that arepulledtogetherbyanetworkofcablesandroundsteelmembers.(Designedinagroupoftwo.)
The round steel piping, although straight, creates agentle curve by through its arrangement, framing aviewofthelandscape.
Location:VictoriaPark,Kitchener,ON
HYPAR WAVE
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Frame to Foundation connection:
20X30CM RHS FRAMING MEMBERS SIT ON POURED
CONCRETE FOUNDATION. BENT STEEL PLATES FIT
OVER FRAMING MEMBERS AND ARE BOLTED TO CON-
CRETE FOUNDATION.
central connection:
ScreW
GlaSS connection Plate
FroSted laminated GlaSS
HSS round Steel PiPe (3.5cm diameter)
cleViS PinS
cleViS connection PlateS
cleViSeS
Steel caBle (1cm diameter)
HSS round Steel PiPe (3.5cm diameter)
edGe connection:
FROSTED LAMINATED GLASS PANELS
GLASS CONNECTION PLATE WELDED TO
20X30CM RHS FRAMING MEMBER
STEEL CABLES CONNECTED BY
PINS AND CLEVISES TO A
HORIZONTAL STEEL PLATE
HSS ROUND STEEL PIPE ATTACHED TO
VERTICAL STEEL PLATES WITH
SCREW
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WORK
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30
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STEP 1Compare total program area relative to site area and begin to look for the opportunities on site. the building is sited on a hill with premium views onto okana-gan lake
02_ Design ProcessMassing Logic
_ page 5
STEP 2what if we staCked the program to maximize views to the lake ?
02_ Design ProcessMassing Logic
_ page 6
STEP 3and we bend the form to maxi-mize units with views and optimize light exposure to the units
02_ Design ProcessMassing Logic
_ page 7
STEP 4enClosing the site with single family residential around the bent form Creates a Centre and the first step in Creating a sense of Community
02_ Design ProcessMassing Logic
_ page 8
STEP 5Cutting the bending form allows arterial views to the lake and the voids beComes a plaCe of gather-ing. Cutting the form inCreases the number of Corner units
02_ Design ProcessMassing Logic
_ page 9
STEP 6subdividing the Central green spaCe with two amenity wings Creates a sense of arrival in the foreCourt while enClosing the in-timate aCtivity and health areas behind. the variety of gardens adds value to the south view from the apartments
02_ Design ProcessMassing Logic
_ page 10
KASIAN-RETIREMENTCOMMUNITYOne of the design projects I worked on during my8-month work term with Kasian was a retirementcommunity. Iwas involved incomingupwithdesignconceptsandconsequentlydiagrammingthechosenschemetocommunicateourdesigndecisions.Ialsocontibutedtodevelopingfloorplansanddoingvariousstudiesrequestedbytheclient.Ialsohelpedtokeepmyteamorganizedbysummarizingimportantpointsfromthedesignbrief.
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STEP 7stagger the forms of the single family residential units to Create privaCy and allow for individual garden spaCe
02_ Design ProcessMassing Logic
_ page 11
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setback
property line
+ DESIGN CONCEPT
the property line is offset by setback limits to create the building footprint0
building form is extruded to maximize FAR + square footage1
corner of mass is pulled up to create a welcoming and vibrant public square and to create an iconic architectural element2
back end of mass is pulled away to create a prominant secondary entry3
circulation spine carves through the volume forming connections to both entries with access to shopping and allowing light from above4
new structure
existing
new structural columns tie seamlessly into existing foundations and columns5
KASIAN-SHOPPINGMALLI also worked extensively on the Yuankai ShoppingMallinChinaduringmy8-monthworktermwithKa-sian.IjoinedtheteamduringtheDesignDevelopmentphaseoftheproject.DuringthisphaseIwasinvolvedin finalizing the design of the building anddiagram-mingthefinalschemeasameansofcommunicatingwiththeclient.Ialsohelpedtoproduceanddevelopconstructiondrawings,includingfloorplans,sections,anddetails.Intheendweissuedtwopackages:ade-signpackageandaconstructiondocumentpackage.
WhileatKasianIreceivedRevittraining.ThisisoneofseveralRevitprojectsIworkedonduringthe8-monthterm.
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33
retail
games
cinema
retail occupies the first 4 floors and is visually accessible to pedestrians and userscinemas are placed above the games/entertainment floor which overlooks the retail below6
the roof is peeled up to bring light into the banquet hall and to create an exciting park landscape on the roof7
a depression in the mass creates a seating and viewing area on the north side of the roof scape8
dynamic landscaping configurations allow for exciting potentials on both the roof and ground floor the carved spaces within the atrium creates an exciting invitation into the shopping centre within 9
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34IhadauniqueworkexperiencewithInferUrban,whoarenotateamorarchitects,butateamofinventors.Ihelpedthemtoillustratetheirideasfortheworkingsofapatentedmethodfortheiruseinpresentationswithpotentialclients.Workingwithanotherstudent, Ididextensiveresearchonbuildingtypesandcategoriza-tion, as well as the implications that these have onurbanplanningissues. Ithenillustratedtwoofthosebuildingtypesextensively,andcreatedaPrezipresen-tationwhichgivesanoverviewoftheinvention.
MostoftheworkthatIdidisconfidential,havingtodowiththeworkingsoftheinvention.
INFERURBAN
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OPT
ION
1 - S
ITE
IMPR
OVE
MEN
TS
SCOTT ROAD STATION AND BUS LOOP FEASIBILITY STUDY 28
WEST STATION EAST STATION
SCOTT ROAD
2.1.4 NEW MAIN PEDESTRIAN WALKWAY COLLECTOR
3M WIDE SIDEWALK
NEW TREES, SCRUBS AND PLANTING
EXISTING CONDITION SEATING BENCHSECTION
AtKasian,Iwashighlyinvolvedinthedesignandde-velopmentphaseoftheTranslinkFaregateProjectfor5SkyTraintransitstationsintheMetroVancouverre-gion.Ibecamesolelyresponsibleforputtingtogetherthedrawingpackageforoneofthosestationsaswellashelpingoutwithothers.Ialsoproducedasignageandwayfindingreport,andanequipmentphasingre-port for theproject,andparticipated inboth internalandexternalmeetings.Ilearnedalotaboutconstruc-tiondrawings,workingmainlyinAutoCAD2010.
Aswell,Icontributedtechnicaldrawingsandsketchestotheconceptdesignfortheredevelopmentofoneofthestations.
KASIAN-STATIONDEVELOPMENT
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38Aug.10-24,2009,IparticipatedinaworkshopheldbyPhilipBeesleyArchitectandCITAinCopenhagen.Theworkshopdealtwithissuesofinteractivityandrespon-sivenessinarchitecture,andexploredsustainabilityinits constructionmethodology. I learnedaboutdigitalfabrication, component design, electronics, kinetics,andbehaviourscripting,andassistedinbuildinganddocumentingtheinstallation.
SARGASSOFIELD
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39Proposed and developed an entrance facade de-signfora largehospitalandmentalhealth institutionin Hamilton for a P3 competition. Organized roomdatasheets,roomfinishesmatrix,andincomingfilesfromcontractors.Worked extensively between handsketches,SketchUp,andAutoCADtoproduceplans,sections,elevations,andperspectivesforOrangevilleCountyCourthouse(shownhere)andtheP3competi-tion.
PARKINARCHITECTS
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41
PLAY
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42Ienjoyexperimentingwithphotographyasanartform,especiallywhenitcomestodramaticallylitsituations.
PHOTOGRAPHY
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44IhavebeencrochetingsinceIwassevenandhavere-centlytaughtmyselftoknitaswell.Theseareacoupleexamplesofmymoreintricatework,toshowthatIcanpaygreatattentiontosmalldetailsandamcapableofmakingfinelycraftedobjects.Mymostrecenthobbyisthemakingofchainmaille.Eachringisopenedandclosedbyhandtoput it in itsplace. IenjoyworkingatatightscalewhereIhavetopaygreatattentiontodetails.
CRAFT
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45Lefttoright:
Acrylicandpaperandcanvas.14x36Inkonvellum.6.5x16.5
Graphiteonpaper.13x20
ART