arcomadrid 2012 - preview

8/3/2019 ARCOmadrid 2012 - preview

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ARTISTS AT ARCOMadridHIGHLIGHTED

Susana Gaudncio (1977, Lisbon, Portugal)

Ricardo Anglico (1973, Angola)Daniel Blaufuks (1963, Lisbon, Portugal)

Manuel Caeiro (1975, vora, Portugal)Javier Nez Gasco (1971, Salamanca, Spain)

Jos Loureno (1975, Lisbon, Portugal)Jos Batista Marques (1975, Lisbon, Portugal)

CARLOS CARVALHOARTE CONTEMPORNEA

(Lisbon, Portugal)Booth: 10f28

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Manuel Caeiros work is based on a constructive principle, giving emphasis tothe cromathics, the texture, interrelating drawing, architecture and painting. Heocuses in compositive order coming through the classical roles o perspective,and disorders it, dismantling it. This kind o intervention is also seen in the wayhe uses tonal and material changes, 2 and 3 dimensions, that show us morethan the classical balance and symmetry. Between the years 1999 and 2000he centres his work in a research process about the weathering o tiles andwalls o the typical Lisbon taverns. From 2001 he has leaning over around thehouse concept, through Cenas Domsticas (Gallery Ara, 2001), Neighbourhood(Gallery vora Arte, 2002) and the group o exhibitions Dream Houses (galleryAra, 2003), Inbox (Gallery Paos do Concelho de Torres Vedras, 2004), OutsideDoor (Palcio da gallery, Tavira, 2004) conceiving spaces as geometricalyprogressive structures, based on drawing as a structural principle o volumetry.From his solo exhibition we have to distinguish Down side up (Lurixs-Bar)(Galeria Bar . So Paulo, Brasil, 2011), 33 de ama (Carpe Diem Arte ePesquisa . Lisbon, Portugal, 12 000m2 dentro de um T0 (Carlos Carvalho ArteContempornea . Lisbon, Portugal, (Domestic Viability, Crown gallery . Bruxelas

Brussels, Blgica Belgium), DownTown (Lurixs Arte Contempornea . Rio deJaneiro, Brazil), Manuel Caeiro (Palcio Vila Flor . Guimares, Portugal), Welcometo my lot (Carlos Carvalho Arte Contempornea, 2008), Reconstruyendo elVaco (Cubo Azul, Lon, Spain) and Deconstruction and Rebuilding (GaleriaGomes Alves, Guimares, Portugal). As ar his exhibitions in a group, we haveto mention his work in the many ARCO art airs, Terceira Metade (curated byMarta Mestre e Luiz Camillo Osrio, MAM Rio de Janeiro . Rio de Janeiro, Brazil,2011), Processo e Transgurao (Casa da Cerca . Almada, Portugal, 2010), FiatLux Iluminacin y creacin (curated by Paulo Reis, MACUF Museo de ArteContemporneo . Corua, Spain, 2010), Parangol: Fragmentos desde los 90

MANUEL CAEIRO

MANUEL CAEIRO,Views of the exhibition 12 000m2 dentro de um T0Carlos Carvalho Arte Contempornea . Lisbon, Portugal

en Brasil, Portugal Y Espanha (Patio Herreriano Museo de Arte Contempornea Espaol . Valladolid, Spain,2008), Surrounding Matta-Clark (Carlos Carvalho Arte Contemporenea), Prmio Ariane de Rothschild (PalcioGalveias, Lisbon, Portugal) and Outras Arquitecturas, Outros Artistas...Outras Alternativas (Carlos CarvalhoArte Contempornea, Lisbon, 2005). He is represented in various public and private collections such asBarclays Bank, Sociedade Nacional das Farmcias, Tipograa Fernandes & Terceiro, Eastcnica, Fundao PLMJ,Francisco Pimentel & Associados SADV, Serralvarez Arquitectos, Aires Mateus Arquitectos, CGD - Culturgest,CME - Lisboa, Faculdade de Direito Universidade Clssica de Lisboa, Vtor Pinto da Fonseca, Banque PriveEdmond de Rothschild Europe, Lisboa, OPCA, BES Vida, Coleco Manuel de Brito, Fundaci Banc Sabadell,Barcelona, Spain, Coleco AIP Associao Industrial Portuguesa, Lisboa, Cmara Municipal de Tavira, BancoMais.

MANUEL CAEIRO, National Geometric, 2012, Acrlico s/ linho, 150 x 200 cm

MANUEL CAEIRO, 12 000m2 dentro de um T0 #5, 2011, Acrlico s/ linho, 140 x 200 cm


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Daniel Blauuks was born in Lisbon in 1964. He graduated in Photography Studies by Ar.Co.,Lisbon, 1989, Royal College o Art, London, 1993 and Watermill Center, New York, 1994. Hewas one o the ounders o the visual arts school Maumaus and has worked as a teacher atMaumaus, Ar.Co, ETIC, EPI, all in Lisbon, and SESC, in Rio de Janeiro. About his individualexhibitions we have to mention Trs quartos de memria (Fundao Eva Klabin, Rio deJaneiro, Brasil, 2011), Hoje sempre ontem (comissariada por Luiz Camillo Osrio, MAM,Museu de Arte Moderna, Rio de Janeiro, Brasil, 2011), Perecs Bro (curated by Srgio Mah,Kunstverein Ruhr, Essen, Germany, 2010), Viagens com a minha tia (Solar Galeria de ArteCinemtica . Vila do Conde, Portugal, 2009), Album (Centro Cultural Vila Flor . Guimares,Portugal, 2008), Cinema Motel, (Elga Wimmer PCC, New York City, 2006), No Prximo

Sbado, (Gallery Carlos Carvalho Ar te Contempornea, Lisbon, 2006), A Perect Day, (Museudo Chiado, Lisbon, 2005), Tomorrow is a Long Place, (Lurixs Arte Contempornea, Rio deJaneiro, 2004), Collected Short Stories, (Centro de Arte Moderna, Fund. Calouste Gulbenkian,Lisbon, 2003), Exile, (Image Galery, Aarhus, 2001), Tasso, (Mois de la Photo, Paris, 1996) andEin Tag in Mostar, (Haus der Kulturen der Welt, Berlin, Goethe-Institut, Madrid, 1996). As arher exhibitions in a group, we have to mention his work in Staging the Archive (MACE Museu de Arte Contempornea de Elvas . Elvas, Portugal, 2011), Between Times, Instants,intervals, durations (Photoespaa.Teatro Fernn Gmez, Centro de Arte . Madrid, Spain,2010), Da outra margem do Atlntico, alguns exemplos da otograa e do vdeo por tugus(curated by Paulo Reis, Centro de Artes Hlio Oiticica . Rio de Janeiro, Brazil), 50 Anos de ArtePortuguesa, (Fundao Calouste Gulbenkian, Lisbon, 2007), BES Photo, (Centro Cultural de

DANIEL BLAUFUKS

DANIEL BLAUFUKS, Mo com pistola de brincar, (romthe series O Ocio de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Um copo de gua, (rom the seriesO Ocio de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS,Aula de anatomia , (rom the seriesO Ocio de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Panorama de Veneza, (rom theseries O Ocio de Viver), 2010, C-Print, 70 x 100 cm

Belem, Lisbon, 2007), Del Zero al 2005, (Fundacion Marcelino Botin, Santander, 2005), ErichKahn, (Museu de Arte Moderna Coleco Berardo, Sintra, 2005), 20 + 1, (Centro Galegode Arte Contempornea, Santiago de Compostela, 2004), We Are The World, (Chelsea ArtMuseum, New York City, 2004), RE-Location Shake, (National Museum o ContemporaryArt, Bucharest, 2004), Pallazzo delle Libert, Palazzo delle Papesse, Siena, 2003, Arquivo eSimulao - Archive and Simulation, (LisbonPhoto, Centro Cultural de Belm, Lisbon, 2003),Artists in Residence 2002-2003, (Location One, New York, 2003), Open Studios, (InternationalStudio and Curatorial Program, New York, 2002), London Art Biennale,(Shoreditch TownHall, London, 2000), O Autoretrato na Coleco, (Fundao Calouste Gulbenkian, Lisbon,1999), Linha de Sombra, (Centro de Arte Moderna, Lisbon, 1999), Biennale Internazionale di

Fotograa, (Palazzo Bricherasio, Torino, 1997), En la piel de Toro, (Centro de Arte Reina Soa,Madrid, 1997), Carnets de Route, (Galerie Contretype, Bruxelas, 1997), Imagens para os Anos90, (Fundao de Serralves, Porto, Culturgest Lisbon, 1993).He is represented in various public and private collectionssuch as Byrd Homan Foundation,New York, Centro de Arte Moderna da Fundao Calouste Gulbenkian, Lisbon, CentroCultural de Belm, Lisbon, Centro Galego de Arte Contempornea, Santiago de Compostela,Centro Portugus de Fotograa, Porto, Centro de Artes Visuais, Coimbra, Coleco BES,Lisbon, Fundao PLMJ, Lisbon, MEIAC, Badajoz, Museu de Arte Contempornea, Funchal,Museu de Arte Contempornea - Coleco Berardo, Sintra, O Museu Temporrio, Lisbon,Museu da Cidade, Lisbon, Palazzo delle Papesse, Siena, Sagamore Art Collection, Miami and

The Progressive Collection, Ohio.


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DANIEL BLAUFUKS, Untitled, (rom the series Endless End),2005, C-Print, 30 x 40 cm, Ed. 5



We may dene Daniel Blauuks as an artist capable o contradicting the norm, who

expandes and deormes the landscape in order to allow dierent levels o reading that

will in many cases elude his initial intentions. To a certain extent, almost all o Daniel

Blauukss works are in the manner o a polyphonic experiment, rom arranged ideas; a

montage o sequences in a cinematic style, independently o the act that in many cases

it does not valorise a narrative linearity, but, rather, a game o language in the sense o

Wittengenstein. In Blauukss work everything has to do with the evolution o the thought

process, like a river capable o shaping its own course and ending at the right place.

Everything is the product o an event about which we know nothing and in which it doesnt

matter who the protagonists are. Everything is true, and what is not, is pure imagination.

Or, in any case, a series o notes that will be o use to him in another story in images, one

o those stories capable o building itsel. Blauuks is interested in that suspended moment,

that is his decisive moment, precisely the non-decision, the event resulting rom the space

between two virtual events, the moment o lack o communication in this universe o

continuous communication, o saturation o apparently decisive instants, that do not

allow the encountering o meaning, at every second, in a simple gesture. Thus, each

photograph points out an option, a choice, a phrase, word or story. DAVID BARRO

DANIEL BLAUFUKS,As moedas de ouro, (rom the series Odisseia de Viver), 2010,C-Print, 70 x 100 cm


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JAVIER NEZ GASCO

Javier Nnez Gasco is looking or tenants who wish to rent 4m2 o the stage o Teatro

Cames during ballet dance Perda Preciosa, perormed by CNB/ Companhia Nacional

de Bailado (authorship Andr E. Teodsio, Rui Lopes Graa and Massimo Mazzeo) rom

April 19 to 22 and 27 to 29 between 9:30 and 11:00pm. The artist is giving the opportunityto any person who wishes to make anything o what will be presented in such rented

space. The project will rst be presented and advertised as a house model in real property

rental at Carlos Carvalho Arte Contemporneas booth in ARCOMadrid. An enormous

outdoor will be placed along with a photo o the exact space to be rented in order tocatch both costumers and art viewers attention. Five photo views o the stage shows the

space to be rented. An advertising campaign and other promotional activities will be

organized in order to run an eective communication operation.The rented space will be separated rom the wooden foor o the stage by a thin layer o

transparent thermoplastic holding the marks o people who have visited the booth in

order to establish a dierent zones. Thereore, what the artist is trying to investigate is

how to rent the time o the play by renting the space.

The artist plays with objects presented in real lie putting them in stageperormance, sharing artistic with conventional space.

Taking the subject o authorship more deeply by addressing legal and social

questions, Javier Nez Gasco opens a gap on an established authorship as

o the choreograers and creators o Perda Preciosa by oering the tenant

the possibility to be an artist (or not). For that matter, althought he is driving

attention on setting and determine conditions o the legal right to use 4m2o the stage, Javier Nuez Gasco by expanding his authorship, chooses not tocontrol creatively the entire artwork. However Javier Nez Gasco, as the artist

will take and include photos o the perormance in the nal artwork project.

For more inormation please visit http://miedoescenico2012.blogspot.com/

JAVIER NEZ GASCO, Miedo Escnico, 2012, Project in cooperation with Andr Teodsioand Companhia Nacional de Bailado o Portugal in the theatrical perormance Perda PreciosaTeatro Cames, Lisbon, 2012


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Javier Nez Gasco was born in Salamanca, Spain in 1971. About his solo shows we haveto mention Misrias Ilimitadas, Lda. Pantallas sensibles (curated by Javier Panera, DA2Domus Artium 2002 Centro de Arte de Salamanca . Salamanca, Spain), Tu Creador no teolvida, Espao Land, Lisbon, Portugal) Registros (2004, curated by por Javier Panera, DA2Domus Artium 2002 Centro de Arte de Salamanca . Salamanca, Spain), VIII Edio doConcurso Bienal de otograa Puricacin Garcia(Museu da Cidade . Lisboa Lisbon, Portugal and Palcio de Cristal . Porto, Portugal, 2011),Abismos Contemporneos I Look Up! Natural Porto Art Show (2010, comissariado porcurated by David Barro, Fundao da Juventude Palcio das Artes . Porto, Portugal),Spain on the Edge Limits o a Narrative Confict NEXT: the invitational Exhibition oEmerging Art (2010, curated by Nacho Ruiz), No uture Art Bus (2008, comissariada por

curated by Ral Mar tnez e Michele Robecchi, Monkey Town . New York, United States),Idlios (2007, curated by Javier Panera, DA2 Domus Artium 2002 Centro de Arte deSalamanca . Salamanca, Spain, War trade (2006, curated by por Ramn Mateos), VideoLounge, La Constancia, Plataorma Puebla 2006 (curated by Priamo Losada and BarbaraPerea, Puebla, Mxico), Luzboa Bienal Internacional da Luz (curated by Mrio Caeiro;organizacin Extramuros Associao Cultural para a Cidade, Lisbon, Portugal), Sin

Miramiento Alguno Arte Iberoamericano Actual (curated by Omar-Pascual Castillo;organizacin: Alexis Esquvel, Martha Elizabeth Laguna, Ral Genaro), Bienal de laHabana Playa, Havana . Havana, Cuba), Making Lie Come to Lie: Ben dArmagnac(curated by Claudine Hellweg, Ardi Poels, Stedelijk Museum . Amsterdam, TheNetherlands), Videomix: Geometras del Deseo (curated by Javier Duero, La CasaEncendida . Madrid, SpainResonance (curated by Dominique Busch, The Netherlands Instituut voorMediakunst, Montevideo . Amsterdam, The NetherlandsSeducidos por el Accidente (curated by David Barro, Fundacin Luis Seoane . LaCorua, Spain). He is represented in the ollowing collections: Junta de Castilla yLen, Spain, Museo de Salamanca, Salamanca, Spain

Instituto de la Juventud, Ministerio de Trabajo y Asuntos Sociales, Madrid, Spain,Ayuntamiento de Legans, Madrid, Spain, Centro Fotogrco Universidad deSalamanca, Salamanca, Spain, DA2 Domus Artium 2002 Centro de Arte deSalamanca, Salamanca, Spain, ADIAC Associao para a Diuso Internacionalda Arte Contempornea, Lisbon, Portugal, COFF Centro Ordez-Falcn deFotograa, San Sebastin, Spain, O Espao do Tempo, Montemor-o-Novo, Portugal.


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RICARDO ANGLICO

Ricardo Anglico was born in Angola in 1971 and works and lives in Pvoa de Varzim.He has studied Fine Arts at Faculdade de Belas Artes da Universidade do Porto andhas been exhibiting regularly since 1995. About his solo exhibitions we have tomention There will be no saety zone (Carlos Carvalho Arte Contempornea . Lisbon,Portugal, 2011), God is great, but God is greater (Galeria Adhoc . Vigo, Spain, Portugal,2010), Pele, Plinto e Pelicano (Galeria Gomes Alves 1 . Guimares, Portugal, 2009), Thearonburg mystery (Carlos Carvalho Arte Contempornea . Lisbon, Portugal, 2008), St.Adol II Um arquitecto em Waldau, (Biblioteca Municipal da Pvoa de Varzim. Pvoade Varzim, Portugal, 2005), Caro Jnger/Caro Nabokov (Museu Nacional de HistriaNatural, Sala do Veado. Lisbon, 2004), Museu de Cera I magens da Coleco Christian D.Karlo, (Fundao D. Lus . Cascais, Portugal, 2003), Tln para principiantes uma histrianatural, (Galeria Ara . Lisbon, Portugal, 2003) and Novas espcies alimentares (GaleriaAra. Lisbon, Portugal, 1999). About his most noteworthy group exhibitions we have

to mention his regular participations on ARCOMadrid, 20 anos da Sala do Veado (MuseuNacional de Histria Natural, Sala do Veado . Lisbon, Portugal, 2010, O Desenho Dito,2009 (Casa da Cerca Centro de Arte Contempornea . Almada, Portugal, 2009), voltado papel, 100 artistas (Centro de Arte Manuel de Brito . Algs, Portugal, 2008), V PrmioFidelidade Jovens Pintores, (Culturgest . Lisbon, Portugal, 1998). He is represented in theollowing collections, Caixa Geral de Depsitos, Lisbon, Portugal, Fundao D. Lus I,Cascais, Portugal, Fundao PLMJ, Lisbon, Portugal, Centro de Arte Manuel de Brito, Algs,Portugal

RICARDO ANGLICO, Untitled, 2011,Acrylic and China ink on paper, 130 x 144 cm

RICARDO ANGLICO, Estudo para instalao #7,2011, Gouache on paper, 75 x 110 cm



RICARDO ANGLICO, Estudo para instalao,2011, Gouache on paper, 75 x 110 cm


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JOS LOURENO, Untitled, 2008,Acrylic on canvas,120 x 120 cm

Jos Loureno was born in Lisbon in 1975 and works and lives in Lisbon. He has studiedPainting at Faculdade de Belas Artes da Universidade de Lisbon and he has exhibitingregurarly since 1994. About his solo exhibitions we have to mention Anamorphosis (MarliaRazuk galeria de arte, So Paulo, Brasil, 2010), Paisagens (Pavilho de Portugal, Lisbon, 2007),Ao redor do teu corpo, (Carlos Carvalho Arte Contempornea, Lisbon, 2006), Lugares (GalleryMy names lolita art. Madrid, 2005) Dnde os perdi? (Gallery Marisa Marimn. Ourense), Osteus segredos eram jardins (Gallery Ara. Lisbon, 2001). As ar his exhibitions in a group, wehave to mention his work in Lugares de incerteza / Look up! Natural Porto ar t show (PalacetePinto Leite, Porto, Portugal, 2010), Ressonncia Visual (curated by David Barro, Paos da cultura,S. Joo da Madeira, Portugal, 2010), Antes de ayer y pasado maana; o lo que puede serpintura hoy, (Museo de Arte Contemporneo Unin Fenosa - MACUF . Corua, Spain, 2009),

Fragmentos desde os 90: Brazil, Portugal, Spain, (Museu Patio Herreriano de Valladolid, curatedby Paulo Reis and David Barro), 2 Prmio de Pintura Ariane de Rothschild (Gallery Municipal- Galveias, 2005), Outras Arquitecturas, Outros ArtistasOutras Alternativas (Carlos CarvalhoArte Contempornea, 2005) Le Premier Dessin (Gallery Ara, 2004, Lisbon, with Manuel Caeiroand Jos Batista Marques). He is represented in various public and private collections suchas Secil, Barclays Bank, Baviera, S.A., Cmara Municipal da Amadora, Coleco Norte de ArteContempornea. Governo da Cantbria, Diputacin de Ourense, Faculdade Belas-Artesda Universidade de Lisbon, Fundao Baruch Spinoza. Barcelona, Fundao PLMJ . Lisbon,Instituto Cervantes and Museu de Belas Artes de Santander.

JOS LOURENO

JOS LOURENO, Untitled, 2008,Acrylic on canvas, 130 x 195 cm, detail


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SUSANA GAUDNCIO

Addressing questions about utopia and the main narratives, Elsewhere is a sitespecic project to ARCO 2012 comprised by Houyhnhnm and Cadmus which aretwo projects already presented by the artist.

Houyhnhnms are the acutely rational race that Jonathan Swit envisages asarchetypes o purity in Gullivers Travels. The reerence serves as a counterpoint tothe animations, where loaded societal icons inhabit a strange world. Urban spaces,amassed crowds, and orators are rendered in ull cinematic action, alongside thecolorul and idiosyncratic excesses caused by the animation process.

Houyhnhnm was presented at Res Publica (curated by Leonor Nazar and Helena deFreitas), CAM Fundao Calouste Gulbenkian, rom October 2010 to January 2011.Reviews Jos Marmeleira in PblicoPresented also at ISE Foundation, New York in October 2009.

SUSANA GAUDNCIO, Elsewhere, 2012, site specic inst allation, variable sizes. Comprised by Houyhnhnm, 2009, Vdeo animation, 307

Reviews Author: Miguel Amado 10.23.09-11.20.09 ISE Foundation http://artorum.com/archive/id=24170http://susanagaudencio.com/houyhnhnm/

Cadmus represents the ormal and programmatic construction o the cityaccording to its maps and organization o its basic needs such as energy andcommunication.


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Susana Gaudncio was born in Lisbon in 1977 and works and lives in Lisbon.She has studied Fine Arts at Faculdade de Belas Artes da Universidade de Lisbon andat Hunter College in New York and has been exhibiting regularly since 2000. About hersolo exhibitions we have to mention Chamber o Execution (Carlos Carvalho ArteContempornea. Lisboa Lisbon, Portugal, 2011), Chamber o Invention (Drawing spaces.Lisbon, Portugal, 2011) Chamber o Examination (Galeria Presena. Porto, Portugal, 2010),Stout Cobweb (organized by Maalda Santos and Daniel Pires, Maus Hbitos Espao deinterveno cultural . Porto, Portugal, 2010), Agonized Humor II (The Mews Project Space,London, United Kingdom, 2010), Agonized Humor I (NOGO Project room or architecture,

contemporary art & experimental cinema, Lisbon, Portugal), Front Project Space (ISE CulturalFoundation. New York, United States, Library o Sorts (Bowery Poetry Club . New York, UnitedStates, 2009), Blocking (Carlos Carvalho Arte Contempornea . Lisbon, Portugal, 2007), AgentProvocateur (curated by Miguel Amado e Filipa Oliveira, Carlos Carvalho Arte Contempornea- Sala Zoom . Lisbon, Portugal), What time is this place (Chashama Gallery Visual Arts Program. New York, United States, 2007), Project Room (CAV - Centro de Artes Visuais. Coimbra,Portugal, 2004), A/C #1Arte Contempo . Lisbon, Portugal), Tcnicas de Auto-deesa (GalleryArte Peririca, Lisbon, 2001, Susana Gaudncio (Project Room programme) (Centro de ArtesVisuais, Coimbra, 2004), Susana Gaudncio (Arte Contempo, Lisbon, 2004) and Mnemnicade lugares (Gallery Pedro Cera, Lisbon, 2005). About her most recent exhibitions we have

Cadmus, 2010, Drawings, Gouache and inkjet print on paper, 29,7 x 21 cm (each)

to mention Rdio Europa Livre (Plataorma Revlver . Lisbon, Portugal, 2011), ResPublica 1910e 2010 ace a ace (curated by Leonor Nazar e Helena de Freitas Edicio sede da FundaoCalouste Gulbenkian . Lisbon, Portugal, 2010), Bio Arte 10 + 1 (So Vicente . Madeira, Portugal,2010), 700IS Experimental Film and Video Festival, Egilsstair, Islndia Iceland, 2010), SevenEasy Steps or Social Improvement (curated by Amanda Schmitt, Galeria Hortin & Lui . NewYork, United States, 2009), NYC Visions (curated by Maurizio Pellegrin, Milbank Chapel andMacy Gallery Columbia University . New York, United States), A Escolha da Crtica (curated byLgia Aonso, Plataorma Revlver / Edicio Transboavista . Lisbon, Portugal), Opes e Futuros- Coleco da Fundao PLMJ (Museu da Cidade . Lisbon, Portugal), Artistas Portugueses L

Fora (curated by Joo Pinharanda, Museu da Electricidade. Lisbon, Portugal), Group (curatedby Emma Spertus, Subletters gallery . Brooklyn, New York, Estados Unidos, 2008), How weKnow (Beta Spaces 08, Arts in Bushwick . Brooklyn, New York, United States), Enganar a Fome(Espao Avenida . Lisbon, Portugal), Cut! (curated by Tiany Sum e Yuka Yokoyama, Monkey

Town . Brooklyn, New York, United States), MFA thesis Show (Hunter College, Times SquareGallery . New York, United States), Artistas Portugueses L Fora (curated by Joo Pinharanda,Edicio da Praa da Liberdade . Viana do Castelo, Lisbon, Portugal ), The Equestrian Project(Hunter College, Times Square gallery . New York, United States, 2007) and Pirate radio (Bienalde Liverpool, The Walker Art Gallery . Liverpool, United Kingdom, 2002).


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JOS BATISTA MARQUES

Jos Batista Marques was born in Lisbon in 1975. He graduated in PaintingStudies by Faculty o Fine Arts o the University o Lisbon. About hisindividual exhibitions we have to mention A cor a terapia do impossvel(Centre Municipal de Cultura La Merc, Burriana, Castelo, Spain, 2011), O

crime oculto (Galeria Gomes Alves, Guimares, Portugal, 2010) e Odisseia Dor& Espanto (Carlos Carvalho Arte Contempornea, Lisbon, Portugal, 2010).As ar his exhibitions in a group, we have to mention Muito ObrigadoArte Portugus del siglo XXI en la coleccin Coca Cola (DA2 Domus Artium,Salamanca, Spain, 2010), Jeune Cration Europenne 2007/09 (MuseuMunicipal Amadeo de Souza-Cardoso, Amarante, Portugal, 2009), A imagemseguinte (Espao Arte Tranquilidade, Lisboa, Lisbon, Portugal, X MostraInternacional Unin Fenosa, Museu de Arte Contemporneo Unin Fenosa .A Corua, Spain, 2008), volta do papel (CAMB Centro de Arte Manuel deBrito, Algs, Portugal, 2008), Pretrito Pereito (Museu de Francisco TavaresProena Jnior . Castelo Branco, Portugal, 2008), XIII Premi DArtes VisualsCiutat de Burriana (C.M.C La Merc . Burriana, Spain, 2008), IV CertamenInternacionat de Pintura de Castelln (Museu de Belles Arts de Castell .Espanha Spain, 2008), 3 Prmio de Pintura Ariane de Rothschild (Antiga

grca de Mirandela Lisbon, Portugal, 2007), Outras Arquitecturas, OutrosArtistas...Outras Alternativas (Carlos Carvalho Arte Contempornea, Lisbon,Portugal, 2005), Wunderkammer II: paisages (Celebrao do 15aniversrioda galeria Nina Menocal . Cidade do Mxico, 2005). He is represented invarious public and private collections such as BES-Vida, Lisbon, Portugal,Barclays Bank , Lisbon Portugal, Cmara Municipal de Oeiras, Oeiras, Portugal,Eastcnica, Lisbon Portugal, Banque Prive Edmond de Rothschild, LisbonPortugal, Banco Mais, Lisbon Portugal, Fundao Marqus de Pombal, Lisbon,Portugal, Faculdade de Belas-Artes da Universidade de Lisboa, Lisbon,Portugal and DA2 Domus Artium 2002, Salamanca, Spain

JOS BATISTA MARQUES, O Grande Livro, 2011,Oil and plaster, 97 x 57,5 x 41 cm


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JOS BATISTA MARQUES, O homem invisvel, 2011,Oil and plaster, 120 x 15 x 15 cm

JOS BATISTA MARQUES, Untitled, 2011,Oil and plaster, 120 x 15 x 15 cm


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STAFF AT ARCOMadrid

Director: Carlos Carvalho tel. +(351)919 728 575

Assistant: Isabel Amaral

[email protected]

GALLERY ARTISTSRicardo Anglico (1973, Angola)

Jos Bechara (1957, Rio de Janeiro, Brazil)Daniel Blaufuks (1963, Lisbon, Portugal)

Isabel Brison (1963, Lisbon, Portugal)Carla Cabanas (1979, Lisbon, Portugal)Manuel Caeiro (1975, vora, Portugal)

Catarina Campino (1975, Lisbon, Portugal)Mnica Capucho (1971, Lisbon, Portugal)

Alexandra do Carmo (1966, Felgueiras, Portugal)Paulo Catrica (1965, Lisbon, Portugal)

Sandra Cinto (1968, Santo Andr, SP, Brazil)Roland Fischer (1957, Saarbrcken, Germany)

Javier Nez Gasco(1952, A Corua, Spain)Susana Gaudncio (1977, Lisbon, Portugal)

Jos Loureno (1975, Lisbon, Portugal)Jos Batista Marques (1975, Lisbon, Portugal)

Anta Moure (1981, Lugo, Spain)lvaro Negro (1973, Laln, Spain)

Lus Nobre(1971, Lisbon, Portugal)Ana Lusa Ribeiro(1962, Lisbon, Portugal)

Richard Schur(1971, Munich, Germany)Eurico Lino do Vale (1966, Porto, Portugal)

Manuel Vilario (1952, A Corua, Spain)

ARCOmadrid_2012

CARLOS CARVALHO ARTE CONTEMPORNEA

Rua Joly Braga Santos, Lote F R/C1600 123 Lisboa PortugalTel.+(351) 217 261 831Fax+(351) 217 210 874

[email protected]

www.carloscarvalho-ac.com

Booth: 1028

arcomadrid 2012 - preview

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