ARTISTS AT ARCOMadrid HIGHLIGHTED

Susana Gaudêncio (1977, Lisbon, Portugal)

Ricardo Angélico (1973, Angola)Daniel Blaufuks (1963, Lisbon, Portugal)

Manuel Caeiro (1975, Évora, Portugal)Javier Núñez Gasco (1971, Salamanca, Spain)

José Lourenço (1975, Lisbon, Portugal)José Batista Marques (1975, Lisbon, Portugal)

CARLOS CARVALHO ARTE CONTEMPORÂNEA

(Lisbon, Portugal)Booth: 10f28

15<19 Feb 2012Ifema, Feria de Madrid, Spain

SUSANA GAUDÊNCIO

Addressing questions about utopia and the main narratives, Elsewhere is a site

specific project to ARCO 2012 comprised by Houyhnhnm and Cadmus which are

two projects already presented by the artist.

“Houyhnhnms” are the acutely rational race that Jonathan Swift envisages as

archetypes of purity in Gulliver’s Travels. The reference serves as a counterpoint to

the animations, where loaded societal icons inhabit a strange world. Urban spaces,

amassed crowds, and orators are rendered in full cinematic action, alongside the

colorful and idiosyncratic excesses caused by the animation process.

Houyhnhnm was presented at Res Publica (curated by Leonor Nazaré and Helena de

Freitas), CAM – Fundação Calouste Gulbenkian, from October 2010 to January 2011.

Reviews José Marmeleira in Público

Presented also at ISE Foundation, New York in October 2009.

SUSANA GAUDÊNCIO, Elsewhere, 2012, site specific installation, variable sizes. Comprised by Houyhnhnm, 2009, Vídeo animation, 3’’07’

Reviews Author: Miguel Amado 10.23.09-11.20.09 ISE Foundation http://artforum.

com/archive/id=24170

http://susanagaudencio.com/houyhnhnm/

“Cadmus” represents the formal and programmatic construction of the city

according to its maps and organization of its basic needs such as energy and

communication.

Susana Gaudêncio was born in Lisbon in 1977 and works and lives in Lisbon.

She has studied Fine Arts at Faculdade de Belas Artes da Universidade de Lisbon and

at Hunter College in New York and has been exhibiting regularly since 2000. About her

solo exhibitions we have to mention Chamber of Execution (Carlos Carvalho Arte

Contemporânea. Lisboa Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces.

Lisbon, Portugal, 2011) Chamber of Examination (Galeria Presença. Porto, Portugal, 2010),

Stout Cobweb (organized by Mafalda Santos and Daniel Pires, Maus Hábitos – Espaço de

intervenção cultural . Porto, Portugal, 2010), Agonized Humor II (The Mews Project Space,

London, United Kingdom, 2010), Agonized Humor I (NOGO – Project room for architecture,

contemporary art & experimental cinema, Lisbon, Portugal), Front Project Space (ISE Cultural

Foundation. New York, United States, Library of Sorts (Bowery Poetry Club . New York, United

States, 2009), Blocking (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2007), Agent

Provocateur (curated by Miguel Amado e Filipa Oliveira, Carlos Carvalho Arte Contemporânea

- Sala Zoom . Lisbon, Portugal), What time is this place (Chashama Gallery Visual Arts Program

. New York, United States, 2007), Project Room (CAV - Centro de Artes Visuais. Coimbra,

Portugal, 2004), A/C #1Arte Contempo . Lisbon, Portugal), Técnicas de Auto-defesa (Gallery

Arte Periférica, Lisbon, 2001, Susana Gaudêncio (Project Room programme) (Centro de Artes

Visuais, Coimbra, 2004), Susana Gaudêncio (Arte Contempo, Lisbon, 2004) and Mnemónica

de lugares (Gallery Pedro Cera, Lisbon, 2005). About her most recent exhibitions we have

Cadmus, 2010, Drawings, Gouache and inkjet print on paper, 29,7 x 21 cm (each)

to mention Rádio Europa Livre (Plataforma Revólver . Lisbon, Portugal, 2011), ResPublica 1910

e 2010 face a face (curated by Leonor Nazaré e Helena de Freitas Edifício sede da Fundação

Calouste Gulbenkian . Lisbon, Portugal, 2010), Bio Arte 10 + 1 (São Vicente . Madeira, Portugal,

2010), 700IS Experimental Film and Video Festival, Egilsstaðir, Islândia Iceland, 2010), Seven

Easy Steps for Social Improvement (curated by Amanda Schmitt, Galeria Hortin & Lui . New

York, United States, 2009), NYC Visions (curated by Maurizio Pellegrin, Milbank Chapel and

Macy Gallery Columbia University . New York, United States), A Escolha da Crítica (curated by

Lígia Afonso, Plataforma Revólver / Edifício Transboavista . Lisbon, Portugal), Opções e Futuros

- Colecção da Fundação PLMJ (Museu da Cidade . Lisbon, Portugal), Artistas Portugueses Lá

Fora (curated by João Pinharanda, Museu da Electricidade. Lisbon, Portugal), Group (curated

by Emma Spertus, Subletters gallery . Brooklyn, New York, Estados Unidos, 2008), How we

Know (Beta Spaces 08, Arts in Bushwick . Brooklyn, New York, United States), Enganar a Fome

(Espaço Avenida . Lisbon, Portugal), Cut! (curated by Tiffany Sum e Yuka Yokoyama, Monkey

Town . Brooklyn, New York, United States), MFA thesis Show (Hunter College, Times Square

Gallery . New York, United States), Artistas Portugueses Lá Fora (curated by João Pinharanda,

Edifício da Praça da Liberdade . Viana do Castelo, Lisbon, Portugal ), The Equestrian Project

(Hunter College, Times Square gallery . New York, United States, 2007) and Pirate radio (Bienal

de Liverpool, The Walker Art Gallery . Liverpool, United Kingdom, 2002).

SUSANA GAUDÊNCIO, Views of the exhibition Chamber of Execution

Carlos Carvalho Arte Contemporânea . Lisbon, Portugal

SUSANA GAUDÊNCIO, Views of the exhibition Chamber of Execution

Carlos Carvalho Arte Contemporânea . Lisbon, Portugal

RICARDO ANGÉLICO

Ricardo Angélico was born in Angola in 1971 and works and lives in Póvoa de Varzim.

He has studied Fine Arts at Faculdade de Belas Artes da Universidade do Porto and

has been exhibiting regularly since 1995. About his solo exhibitions we have to

mention There will be no safety zone (Carlos Carvalho Arte Contemporânea . Lisbon,

Portugal, 2011), God is great, but God is greater (Galeria Adhoc . Vigo, Spain, Portugal,

2010), Pele, Plinto e Pelicano (Galeria Gomes Alves 1 . Guimarães, Portugal, 2009), The

aronburg mystery (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2008), St.

Adolf II – Um arquitecto em Waldau, (Biblioteca Municipal da Póvoa de Varzim. Póvoa

de Varzim, Portugal, 2005), Caro Jünger/Caro Nabokov (Museu Nacional de História

Natural, Sala do Veado. Lisbon, 2004), Museu de Cera – Imagens da Colecção Christian D.

Karloff, (Fundação D. Luís . Cascais, Portugal, 2003), Tlön para principiantes – uma história

natural, (Galeria Ara . Lisbon, Portugal, 2003) and Novas espécies alimentares (Galeria

Ara. Lisbon, Portugal, 1999). About his most noteworthy group exhibitions we have

to mention his regular participations on ARCOMadrid, 20 anos da Sala do Veado (Museu

Nacional de História Natural, Sala do Veado . Lisbon, Portugal, 2010, O Desenho Dito,

2009 (Casa da Cerca – Centro de Arte Contemporânea . Almada, Portugal, 2009), À volta

do papel, 100 artistas (Centro de Arte Manuel de Brito . Algés, Portugal, 2008), V Prémio

Fidelidade Jovens Pintores, (Culturgest . Lisbon, Portugal, 1998). He is represented in the

following collections, Caixa Geral de Depósitos, Lisbon, Portugal, Fundação D. Luís I,

Cascais, Portugal, Fundação PLMJ, Lisbon, Portugal, Centro de Arte Manuel de Brito, Algés,

Portugal

RICARDO ANGÉLICO, Untitled, 2011,

Acrylic and China ink on paper, 130 x 144 cm

RICARDO ANGÉLICO, Estudo para instalação #7,

2011, Gouache on paper, 75 x 110 cmRICARDO ANGÉLICO, Estudo para instalação #4,

2011, Gouache on paper, 75 x 110 cm

RICARDO ANGÉLICO, Estudo para instalação #5,

2011, Gouache on paper, 75 x 100 cmRICARDO ANGÉLICO, Estudo para instalação,

2011, Gouache on paper, 75 x 110 cm

Daniel Blaufuks was born in Lisbon in 1964. He graduated in Photography Studies by Ar.Co.,

Lisbon, 1989, Royal College of Art, London, 1993 and Watermill Center, New York, 1994. He

was one of the founders of the visual arts school Maumaus and has worked as a teacher at

Maumaus, Ar.Co, ETIC, EPI, all in Lisbon, and SESC, in Rio de Janeiro. About his individual

exhibitions we have to mention Três quartos de memória (Fundação Eva Klabin, Rio de

Janeiro, Brasil, 2011), Hoje é sempre ontem (comissariada por Luiz Camillo Osório, MAM,

Museu de Arte Moderna, Rio de Janeiro, Brasil, 2011), Perecs Büro (curated by Sérgio Mah,

Kunstverein Ruhr, Essen, Germany, 2010), Viagens com a minha tia (Solar Galeria de Arte

Cinemática . Vila do Conde, Portugal, 2009), Album (Centro Cultural Vila Flor . Guimarães,

Portugal, 2008), Cinema Motel, (Elga Wimmer PCC, New York City, 2006), No Próximo

Sábado, (Gallery Carlos Carvalho Arte Contemporânea, Lisbon, 2006), A Perfect Day, (Museu

do Chiado, Lisbon, 2005), Tomorrow is a Long Place, (Lurixs Arte Contemporânea, Rio de

Janeiro, 2004), Collected Short Stories, (Centro de Arte Moderna, Fund. Calouste Gulbenkian,

Lisbon, 2003), Exile, (Image Galery, Aarhus, 2001), Tasso, (Mois de la Photo, Paris, 1996) and

Ein Tag in Mostar, (Haus der Kulturen der Welt, Berlin, Goethe-Institut, Madrid, 1996). As far

her exhibitions in a group, we have to mention his work in Staging the Archive (MACE

– Museu de Arte Contemporânea de Elvas . Elvas, Portugal, 2011), Between Times, Instants,

intervals, durations (Photoespaña.Teatro Fernán Gómez, Centro de Arte . Madrid, Spain,

2010), Da outra margem do Atlântico, alguns exemplos da fotografia e do vídeo português

(curated by Paulo Reis, Centro de Artes Hélio Oiticica . Rio de Janeiro, Brazil), 50 Anos de Arte

Portuguesa, (Fundação Calouste Gulbenkian, Lisbon, 2007), BES Photo, (Centro Cultural de

DANIEL BLAUFUKS

DANIEL BLAUFUKS, Mão com pistola de brincar, (from

the series O Ofício de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Um copo de água, (from the series

O Ofício de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Aula de anatomia, (from the series

O Ofício de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Panorama de Veneza, (from the

series O Ofício de Viver), 2010, C-Print, 70 x 100 cm

Belem, Lisbon, 2007), Del Zero al 2005, (Fundacion Marcelino Botin, Santander, 2005), Erich

Kahn, (Museu de Arte Moderna – Colecção Berardo, Sintra, 2005), 20 + 1, (Centro Galego

de Arte Contemporânea, Santiago de Compostela, 2004), We Are The World, (Chelsea Art

Museum, New York City, 2004), RE-Location Shake, (National Museum of Contemporary

Art, Bucharest, 2004), Pallazzo delle Libertà, Palazzo delle Papesse, Siena, 2003, Arquivo e

Simulação - Archive and Simulation, (LisbonPhoto, Centro Cultural de Belém, Lisbon, 2003),

Artists in Residence 2002-2003, (Location One, New York, 2003), Open Studios, (International

Studio and Curatorial Program, New York, 2002), London Art Biennale,(Shoreditch Town

Hall, London, 2000), O Autoretrato na Colecção, (Fundação Calouste Gulbenkian, Lisbon,

1999), Linha de Sombra, (Centro de Arte Moderna, Lisbon, 1999), Biennale Internazionale di

Fotografia, (Palazzo Bricherasio, Torino, 1997), En la piel de Toro, (Centro de Arte Reina Sofia,

Madrid, 1997), Carnets de Route, (Galerie Contretype, Bruxelas, 1997), Imagens para os Anos

90, (Fundação de Serralves, Porto, Culturgest Lisbon, 1993).

He is represented in various public and private collections such as Byrd Hoffman Foundation,

New York, Centro de Arte Moderna da Fundação Calouste Gulbenkian, Lisbon, Centro

Cultural de Belém, Lisbon, Centro Galego de Arte Contemporânea, Santiago de Compostela,

Centro Português de Fotografia, Porto, Centro de Artes Visuais, Coimbra, Colecção BES,

Lisbon, Fundação PLMJ, Lisbon, MEIAC, Badajoz, Museu de Arte Contemporânea, Funchal,

Museu de Arte Contemporânea - Colecção Berardo, Sintra, O Museu Temporário, Lisbon,

Museu da Cidade, Lisbon, Palazzo delle Papesse, Siena, Sagamore Art Collection, Miami and

The Progressive Collection, Ohio.

DANIEL BLAUFUKS, Untitled, (from the series Endless End),

2005, C-Print, 30 x 40 cm, Ed. 5

DANIEL BLAUFUKS, Untitled, (from the series Endless End),

2005, C-Print, 30 x 40 cm, Ed. 5

DANIEL BLAUFUKS, Untitled, (from the series Endless End),

2005, C-Print, 30 x 40 cm, Ed. 5

We may define Daniel Blaufuks as an artist capable of contradicting the norm, who

expandes and deformes the landscape in order to allow different levels of reading that

will in many cases elude his initial intentions. To a certain extent, almost all of Daniel

Blaufuks´s works are in the manner of a polyphonic experiment, from arranged ideas; a

montage of sequences in a cinematic style, independently of the fact that in many cases

it does not valorise a narrative linearity, but, rather, a game of language in the sense of

Wittengenstein. In Blaufuks´s work everything has to do with the evolution of the thought

process, like a river capable of shaping its own course and ending at the right place.

Everything is the product of an event about which we know nothing and in which it doesn´t

matter who the protagonists are. Everything is true, and what is not, is pure imagination.

Or, in any case, a series of notes that will be of use to him in another story in images, one

of those stories capable of building itself. Blaufuks is interested in that suspended moment,

that is his decisive moment, precisely the non-decision, the event resulting from the space

between two virtual events, the moment of lack of communication in this universe of

continuous communication, of saturation of apparently decisive instants, that do not

allow the encountering of meaning, at every second, in a simple gesture. Thus, each

photograph points out an option, a choice, a phrase, word or story. DAVID BARRO

DANIEL BLAUFUKS, As moedas de ouro, (from the series O Ofício de Viver), 2010,

C-Print, 70 x 100 cm

Manuel Caeiro´s work is based on a constructive principle, giving emphasis to the cromathics, the texture, interrelating drawing, architecture and painting. He focuses in compositive order coming through the classical roles of perspective, and disorders it, dismantling it. This kind of intervention is also seen in the way he uses tonal and material changes, 2 and 3 dimensions, that show us more than the classical balance and symmetry. Between the years 1999 and 2000 he centres his work in a research process about the weathering of tiles and walls of the typical Lisbon taverns. From 2001 he has leaning over around the house concept, through Cenas Domésticas (Gallery Ara, 2001), Neighbourhood (Gallery Évora Arte, 2002) and the group of exhibitions Dream Houses (gallery Ara, 2003), Inbox (Gallery Paços do Concelho de Torres Vedras, 2004), Outside Door (Palácio da gallery, Tavira, 2004) conceiving spaces as geometricaly progressive structures, based on drawing as a structural principle of volumetry. From his solo exhibition we have to distinguish Down side up (Lurixs-Baró)(Galeria Baró . São Paulo, Brasil, 2011), 33’ de fama (Carpe Diem Arte e Pesquisa . Lisbon, Portugal, 12 000m2 dentro de um T0 (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, (Domestic Viability, Crown gallery . Bruxelas Brussels, Bélgica Belgium), DownTown (Lurixs Arte Contemporânea . Rio de Janeiro, Brazil), Manuel Caeiro (Palácio Vila Flor . Guimarães, Portugal), Welcome to my loft (Carlos Carvalho Arte Contemporânea, 2008), Reconstruyendo el Vacío (Cubo Azul, Léon, Spain) and Deconstruction and Rebuilding (Galeria Gomes Alves, Guimarães, Portugal). As far his exhibitions in a group, we have to mention his work in the many ARCO art fairs, Terceira Metade (curated by Marta Mestre e Luiz Camillo Osório, MAM Rio de Janeiro . Rio de Janeiro, Brazil, 2011), Processo e Transfiguração (Casa da Cerca . Almada, Portugal, 2010), Fiat Lux – Iluminación y creación (curated by Paulo Reis, MACUF – Museo de Arte Contemporáneo . Coruña, Spain, 2010), Parangolé: Fragmentos desde los 90

MANUEL CAEIRO

MANUEL CAEIRO, Views of the exhibition 12 000m2 dentro de um T0

Carlos Carvalho Arte Contemporânea . Lisbon, Portugal

en Brasil, Portugal Y Espanha (Patio Herreriano – Museo de Arte Contemporânea Español . Valladolid, Spain, 2008), Surrounding Matta-Clark (Carlos Carvalho Arte Contemporeânea), Prémio Ariane de Rothschild (Palácio Galveias, Lisbon, Portugal) and Outras Arquitecturas, Outros Artistas...Outras Alternativas (Carlos Carvalho Arte Contemporânea, Lisbon, 2005). He is represented in various public and private collections such as Barclays Bank, Sociedade Nacional das Farmácias, Tipografia Fernandes & Terceiro, Eastécnica, Fundação PLMJ, Francisco Pimentel & Associados SADV, Serralvarez Arquitectos, Aires Mateus Arquitectos, CGD - Culturgest, CME - Lisboa, Faculdade de Direito – Universidade Clássica de Lisboa, Vítor Pinto da Fonseca, Banque Privée Edmond de Rothschild Europe, Lisboa, OPCA, BES Vida, Colecção Manuel de Brito, Fundació Banc Sabadell, Barcelona, Spain, Colecção AIP – Associação Industrial Portuguesa, Lisboa, Câmara Municipal de Tavira, Banco Mais.

MANUEL CAEIRO, National Geometric, 2012, Acrílico s/ linho, 150 x 200 cm

MANUEL CAEIRO, 12 000m2 dentro de um T0 #5, 2011, Acrílico s/ linho, 140 x 200 cm

JAVIER NÚÑEZ GASCO

Javier Núnez Gasco is looking for tenants who wish to rent 4m2 of the stage of Teatro

Camões during ballet dance “Perda Preciosa”, performed by CNB/ Companhia Nacional

de Bailado (authorship André E. Teodósio, Rui Lopes Graça and Massimo Mazzeo) from

April 19 to 22 and 27 to 29 between 9:30 and 11:00pm. The artist is giving the opportunity

to any person who wishes to make anything of what will be presented in such rented

space. The project will first be presented and advertised as a house model in real property

rental at Carlos Carvalho Arte Contemporânea’s booth in ARCOMadrid. An enormous

outdoor will be placed along with a photo of the exact space to be rented in order to

catch both costumers and art viewers attention. Five photo views of the stage shows the

space to be rented. An advertising campaign and other promotional activities will be

organized in order to run an effective communication operation.

The rented space will be separated from the wooden floor of the stage by a thin layer of

transparent thermoplastic holding the marks of people who have visited the booth in

order to establish a different zones. Therefore, what the artist is trying to investigate is

how to rent the time of the play by renting the space.

The artist plays with objects presented in real life putting them in stage

performance, sharing artistic with conventional space.

Taking the subject of authorship more deeply by addressing legal and social

questions, Javier Núñez Gasco opens a gap on an established authorship as

of the choreografers and creators of “Perda Preciosa” by offering the tenant

the possibility to be an artist (or not). For that matter, althought he is driving

attention on setting and determine conditions of the legal right to use 4m2

of the stage, Javier Nuñez Gasco by expanding his authorship, chooses not to

control creatively the entire artwork. However Javier Núñez Gasco, as the artist

will take and include photos of the performance in the final artwork project.

For more information please visit http://miedoescenico2012.blogspot.com/

JAVIER NÚÑEZ GASCO, Miedo Escénico, 2012, Project in cooperation with André Teodósio

and Companhia Nacional de Bailado of Portugal in the theatrical performance Perda Preciosa

Teatro Camões, Lisbon, 2012

Javier Núñez Gasco was born in Salamanca, Spain in 1971. About his solo shows we have

to mention Misérias Ilimitadas, Lda. Pantallas sensibles (curated by Javier Panera, DA2

Domus Artium 2002 – Centro de Arte de Salamanca . Salamanca, Spain), Tu Creador no te

olvida, Espaço Land, Lisbon, Portugal) Registros (2004, curated by por Javier Panera, DA2

Domus Artium 2002 – Centro de Arte de Salamanca . Salamanca, Spain), VIII Edição do

Concurso Bienal de fotografia Purificación Garcia

(Museu da Cidade . Lisboa Lisbon, Portugal and Palácio de Cristal . Porto, Portugal, 2011),

Abismos Contemporâneos I Look Up! Natural Porto Art Show (2010, comissariado por

curated by David Barro, Fundação da Juventude – Palácio das Artes . Porto, Portugal),

Spain on the Edge – Limits of a Narrative Conflict NEXT: the invitational Exhibition of

Emerging Art (2010, curated by Nacho Ruiz), No future Art Bus (2008, comissariada por

curated by Raúl Martínez e Michele Robecchi, Monkey Town . New York, United States),

Idílios (2007, curated by Javier Panera, DA2 Domus Artium 2002 – Centro de Arte de

Salamanca . Salamanca, Spain, “War trade…” (2006, curated by por Ramón Mateos), “Video

Lounge”, La Constancia, “Plataforma Puebla 2006” (curated by Priamo Losada and Barbara

Perea, Puebla, México), Luzboa – Bienal Internacional da Luz (curated by Mário Caeiro;

organización Extramuros – Associação Cultural para a Cidade, Lisbon, Portugal), Sin

Miramiento Alguno – Arte Iberoamericano Actual (curated by Omar-Pascual Castillo;

organización: Alexis Esquível, Martha Elizabeth Laguna, Raúl Genaro), Bienal de la

Habana Playa, Havana . Havana, Cuba), Making Life Come to Life: Ben d’Armagnac

(curated by Claudine Hellweg, Ardi Poels, Stedelijk Museum . Amsterdam, The

Netherlands), Videomix: Geometrías del Deseo (curated by Javier Duero, La Casa

Encendida . Madrid, Spain

Resonance (curated by Dominique Busch, The Netherlands Instituut voor

Mediakunst, Montevideo . Amsterdam, The Netherlands

Seducidos por el Accidente (curated by David Barro, Fundación Luis Seoane . La

Coruña, Spain). He is represented in the following collections: Junta de Castilla y

León, Spain, Museo de Salamanca, Salamanca, Spain

Instituto de la Juventud, Ministerio de Trabajo y Asuntos Sociales, Madrid, Spain,

Ayuntamiento de Leganés, Madrid, Spain, Centro Fotográfico Universidad de

Salamanca, Salamanca, Spain, DA2 Domus Artium 2002 – Centro de Arte de

Salamanca, Salamanca, Spain, ADIAC – Associação para a Difusão Internacional

da Arte Contemporânea, Lisbon, Portugal, COFF – Centro Ordóñez-Falcón de

Fotografía, San Sebastián, Spain, O Espaço do Tempo, Montemor-o-Novo, Portugal.

JOSÉ LOURENÇO, Untitled, 2008,

Acrylic on canvas,120 x 120 cm

José Lourenço was born in Lisbon in 1975 and works and lives in Lisbon. He has studied

Painting at Faculdade de Belas Artes da Universidade de Lisbon and he has exhibiting

regurarly since 1994. About his solo exhibitions we have to mention Anamorphosis (Marília

Razuk galeria de arte, São Paulo, Brasil, 2010), Paisagens (Pavilhão de Portugal, Lisbon, 2007),

Ao redor do teu corpo, (Carlos Carvalho Arte Contemporânea, Lisbon, 2006), Lugares (Gallery

My name’s lolita art. Madrid, 2005) ¿Dónde os perdi? (Gallery Marisa Marimón. Ourense), Os

teus segredos eram jardins (Gallery Ara. Lisbon, 2001). As far his exhibitions in a group, we

have to mention his work in Lugares de incerteza / Look up! Natural Porto art show (Palacete

Pinto Leite, Porto, Portugal, 2010), Ressonância Visual (curated by David Barro, Paços da cultura,

S. João da Madeira, Portugal, 2010), Antes de ayer y pasado mañana; o lo que puede ser

pintura hoy, (Museo de Arte Contemporáneo Unión Fenosa - MACUF . Coruña, Spain, 2009),

Fragmentos desde os 90: Brazil, Portugal, Spain, (Museu Patio Herreriano de Valladolid, curated

by Paulo Reis and David Barro), 2º Prémio de Pintura Ariane de Rothschild (Gallery Municipal

- Galveias, 2005), Outras Arquitecturas, Outros Artistas…Outras Alternativas (Carlos Carvalho

Arte Contemporânea, 2005) Le Premier Dessin (Gallery Ara, 2004, Lisbon, with Manuel Caeiro

and José Batista Marques). He is represented in various public and private collections such

as Secil, Barclays Bank, Baviera, S.A., Câmara Municipal da Amadora, Colecção Norte de Arte

Contemporânea. Governo da Cantábria, Diputación de Ourense, Faculdade Belas-Artes

da Universidade de Lisbon, Fundação Baruch Spinoza. Barcelona, Fundação PLMJ . Lisbon,

Instituto Cervantes and Museu de Belas Artes de Santander.

JOSÉ LOURENÇO

JOSÉ LOURENÇO, Untitled, 2008,

Acrylic on canvas, 130 x 195 cm, detail

JOSÉ BATISTA MARQUES

José Batista Marques was born in Lisbon in 1975. He graduated in Painting

Studies by Faculty of Fine Arts of the University of Lisbon. About his

individual exhibitions we have to mention A cor a terapia do impossível

(Centre Municipal de Cultura La Mercê, Burriana, Castelo, Spain, 2011), O

crime oculto (Galeria Gomes Alves, Guimarães, Portugal, 2010) e Odisseia Dor

& Espanto (Carlos Carvalho Arte Contemporânea, Lisbon, Portugal, 2010).

As far his exhibitions in a group, we have to mention Muito Obrigado

Arte Portugués del siglo XXI en la colección Coca Cola (DA2 Domus Artium,

Salamanca, Spain, 2010), Jeune Création Européenne 2007/09 (Museu

Municipal Amadeo de Souza-Cardoso, Amarante, Portugal, 2009), A imagem

seguinte (Espaço Arte Tranquilidade, Lisboa, Lisbon, Portugal, X Mostra

Internacional Unión Fenosa, Museu de Arte Contemporâneo Unión Fenosa .

A Coruña, Spain, 2008), À volta do papel (CAMB – Centro de Arte Manuel de

Brito, Algés, Portugal, 2008), Pretérito Perfeito (Museu de Francisco Tavares

Proença Júnior . Castelo Branco, Portugal, 2008), XIII Premi D’Artes Visuals

Ciutat de Burriana (C.M.C La Mercê . Burriana, Spain, 2008), IV Certamen

Internacionat de Pintura de Castellón (Museu de Belles Arts de Castelló .

Espanha Spain, 2008), 3º Prémio de Pintura Ariane de Rothschild (Antiga

gráfica de Mirandela Lisbon, Portugal, 2007), Outras Arquitecturas, Outros

Artistas...Outras Alternativas (Carlos Carvalho Arte Contemporânea, Lisbon,

Portugal, 2005), Wunderkammer II: paisages (Celebração do 15ºaniversário

da galeria Nina Menocal . Cidade do México, 2005). He is represented in

various public and private collections such as BES-Vida, Lisbon, Portugal,

Barclays Bank , Lisbon Portugal, Câmara Municipal de Oeiras, Oeiras, Portugal,

Eastécnica, Lisbon Portugal, Banque Privée Edmond de Rothschild, Lisbon

Portugal, Banco Mais, Lisbon Portugal, Fundação Marquês de Pombal, Lisbon,

Portugal, Faculdade de Belas-Artes da Universidade de Lisboa, Lisbon,

Portugal and DA2 Domus Artium 2002, Salamanca, Spain

JOSÉ BATISTA MARQUES, O Grande Livro, 2011,

Oil and plaster, 97 x 57,5 x 41 cm

JOSÉ BATISTA MARQUES, O homem invisível, 2011,

Oil and plaster, 120 x 15 x 15 cm

JOSÉ BATISTA MARQUES, Untitled, 2011,

Oil and plaster, 120 x 15 x 15 cm

STAFF AT ARCOMadridDirector: Carlos Carvalho tel. +(351)919 728 575

Assistant: Isabel Amaralcarloscarvalho-ac@carloscarvalho-ac.com

GALLERY ARTISTS

Ricardo Angélico (1973, Angola)

José Bechara (1957, Rio de Janeiro, Brazil)

Daniel Blaufuks (1963, Lisbon, Portugal)

Isabel Brison (1963, Lisbon, Portugal)

Carla Cabanas (1979, Lisbon, Portugal)

Manuel Caeiro (1975, Évora, Portugal)

Catarina Campino (1975, Lisbon, Portugal)

Mónica Capucho (1971, Lisbon, Portugal)

Alexandra do Carmo (1966, Felgueiras, Portugal)

Paulo Catrica (1965, Lisbon, Portugal)

Sandra Cinto (1968, Santo André, SP, Brazil)

Roland Fischer (1957, Saarbrücken, Germany)

Javier Núñez Gasco(1952, A Coruña, Spain)

Susana Gaudêncio (1977, Lisbon, Portugal)

José Lourenço (1975, Lisbon, Portugal)

José Batista Marques (1975, Lisbon, Portugal)

Antía Moure (1981, Lugo, Spain)

Álvaro Negro (1973, Lalín, Spain)

Luís Nobre(1971, Lisbon, Portugal)

Ana Luísa Ribeiro(1962, Lisbon, Portugal)

Richard Schur(1971, Munich, Germany)

Eurico Lino do Vale (1966, Porto, Portugal)

Manuel Vilariño (1952, A Coruña, Spain)

ARCOmadrid_2012

CARLOS CARVALHO ARTE CONTEMPORÂNEARua Joly Braga Santos, Lote F R/C

1600 – 123 Lisboa PortugalTel.+(351) 217 261 831Fax+(351) 217 210 874

carloscarvalho-ac@carloscarvalho-ac.com

www.carloscarvalho-ac.com

Booth: 10f28