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Not intended as an offer of or solicitation to buy real estate where prior qualifcation is required. Void where prohibited by law. Illustrations are conceptual renderings (or photographs included for illustrative purposes only) that may not refect the project as currently designed or ultimately be constructed. Plans, specifcations, features and pricing and are not complete and are subject to change without notice. English shall be the controlling language regarding interpretation. The Baha Mar Project (and the residency component) is owned, offered, marketed, sold, constructed and developed exclusively by Baha Mar Ltd. Baha Mar is not owned, offered, marketed, sold constructed or developed by Rosewood Hotels and Resorts, L.L.C., SBE Hotel Group, LLC; or Hyatt Corporation, or any of their affliates (collectively, the Brands). All registered trademarks, trade names, and photos and product/facility depictions (collectively Brand Intellectual Property) of the respective Brands are owned by each Brand, as applicable and such Brand Intellectual Property has been included for illustrative purposes only. The Developers use of the Brand Intellectual Property is pursuant to various contractual agreements with each of the Brands which contractual agreements may be amended or terminated in the future in accordance with their terms. The respective Brands Intellectual Property will not be associated with the Residences, or any residential unit situated within the Residences, upon termination of any of the agreements with the respective Brands. While certain management functions will be under the direction and auspices of the Brands, neither the Developer nor the Brands guaranty the continued use or availability of such services or of the Brand Intellectual Property. Neither purchasers of any Residences, nor any community association

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BAHA MAR PROMISES TO TRULY REDEFINE LUXURY LIVING IN NASSAU, THE BAHAMAS.

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constituted with respect to the Residences nor any segment thereof shall have any right, title or interest in and to the name of any of the Brands or Brand Intellectual Property. Any purchase of a residence should be without reliance upon any Brand identifcation. Any purchase of a Residence should be for personal use and enjoyment and should be without reliance upon any potential for future proft, rental income, economic or tax advantages. No legal or fnancial advice is being offered and purchasers are solely responsible for determining whether any investment is appropriate or suitable based on personal investment objectives and fnancial status. No warranty or guarantee is made concerning eligibility for permanent residency and/or citizenship and in all cases specifc inquiries should be made to the relevant agency. Consult with your own legal and business advisors. THE COMPLETE OFFERING TERMS ARE IN AN OFFERING PLAN AVAILABLE FROM THE SPONSORS. FILE #s: CD13-0215, CD13-0216, CD13-0217. SPONSORS: BAHA MAR, LTD., BAHA MAR LAND HOLDINGS, LTD., BMP GOLF LTD., BMP THREE LTD. - BAHA MAR BOULEVARD, CABLE BEACH, NASSAU, N.P., THE BAHAMAS. OBTAIN THE PROPERTY REPORT REQUIRED BY FEDERAL LAW AND READ IT BEFORE SIGNING ANYTHING. NO FEDERAL AGENCY HAS JUDGED THE MERITS OR VALUE, IF ANY, OF THIS PROPERTY. 2014 - Baha Mar Ltd. - All rights reserved. Equal Housing Opportunity.

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Property address: 551 West 21st Street. Sponsor Name: 551 West 21st Street Owner LLC. Sponsor Address: 375 Park Avenue Suite 1504. New York, NY. Equal Housing Opportunity.

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Oral representation cannot be relied upon as correctly stating the representation of the developer for correct representations, references should be made to the documents required by section 718.503, Florida Statutes to be furnished by a developer to a buyer or lessee. This ofering is made only by the prospectus for the condominium and no statement should be relied upon if not made in the prospectus. This is not an ofer to sell, or solicitation of ofers to buy, the condominium units in states where such ofer or solicitation cannot be made. Prices, plans and specifcations are subject to change without notice. Actual improvements may vary from renderings and are used solely for illustrative purposes. Actual views may vary and may not be available in all units. Views cannot be relied upon as the actual view from any particular unit within the condominium. The developer does not guarantee the future view from the property or from a specifc unit and makes no representation as to the current or future use of any adjacent property. We are pledged to the letter and spirit of the US policy for achievement of equal housing opportunity throughout the nation we encourage and support an afrmative advertising and marketing program in which there are no barriers to obtaining housing because of race, color, religion, sex, handicap, familial status or national origin.

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The art world has never been more excit-

ing than it is now, and nothing is a better

indicator of its energy and success than

Art Basel in Miami Beach. Now in its 13th

edition, the show is expected to surpass last years

attendance and sales fgures: more than 75,000 visi-

tors and over $3 billion in sales. Its an

incredible testament to the worldwide

impact of contemporary and Modern

art, which shows no signs of abating.

With 100 percent of exhibitors in

the Galleries sectorthe main sector

of the fairreapplying, this years list

of exhibitors is the strongest yet, says

Marc Spiegler, director of all the Art Basel shows.

Spiegler, who has been with Art Basel since 2007,

oversees the global development of the organiza-

tion. With the Miami Beach fair sure to continue

growing, one of the constant challenges has been

finding ways to evolve the shows platforms and

improve the experience. Last year was a hugely

successful edition, which is why all the galleries want

to come back, Spiegler says. We do not take this

success for granted and work very hard to keep the

quality at our shows high.

For this years fair, 24 new galleries have been

added to the list of exhibitors presenting, for a total

of 267. And while it may seem like a small number,

bringing in more dealers is not as simple as it sounds.

We apply a rigorous selection process that ensures

only galleries with strong programming and a great

roster of artists make it into the show, Spiegler

explains. The show actually has not become big-

ger over the years, but the competition has certainly

become tougher. Eight of these frst-timers to the

Miami Beach fair are galleries from the United States:

Michael Jon Gallery, Clifton Benevento, Honor

Fraser, Freedman Fitzpatrick, Simone Subal Gallery,

Garth Greenan Gallery, Menconi + Schoelkopf, and

Jessica Silverman Gallery.

In terms of programming, the show

has continually developed new sec-

tors to showcase certain aspects of and

growing niches within the contempo-

rary art world. This year marks the

debut of the Survey sector, dedicated

to art-historical projects, with 13 galler-

ies. The projects featured in this sec-

tor include rarely seen works by artists such as Niki

de Saint Phalle and Alfredo Volpi, as well as an over-

view of production by the groundbreaking Taller

Torres-Garca, Spiegler says. With all the museum

groups and connoisseur collectors attending, we feel

there is a real audience at our Miami Beach show

for these remarkable works. ABMB

Great ExpectationsArt Basel in Miami Beach director Marc Spiegler steers the shows 13th edition to new heights of success.

By Ken Rivadeneira

The show actually has not become bigger over the years, but the competition

has certainly become tougher. Marc Spiegler

Marc Spiegler

38 art basel | Miami beach 2014

Meet the director

Bal harBour shops 9700 collins avenue 305 861 7114 fendi.com

Oral representations cannot be relied upon as correctly stating the representations of the developer. For correct representations, make reference to this advertisement and to the documents required by section 718.503, Florida statutes, to be furnished by a developer to a buyer or lessee. The sketches, renderings, graphic materials, plans, specifcations, terms, conditions and statements contained in this advertisement are proposed only, and the Developer reserves the right to modify, revise or withdraw any or all of same in its sole discretion and without prior notice. All improvements, designs and construction are subject to frst obtaining the appropriate federal, state and local permits and approvals for same. This is not an offer to sell, or solicitation of offers to buy, the condominium units in states where such offer or solicitation cannot be made. Images and renderings are all artist conceptual compositions. Created by the seventh art.

W H E R E L U X U R Y M E E T S L I V I N G

sales & marketing by

F E N D I C H A T E A U R E S I D E N C E S . C O M

P H O N E 3 0 5 - 9 4 4 - 4 4 4 0

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S P A C I O U S O C E A N F R O N T R E S I D E N C E S

D E V E L O P E D B Y C H A T E A U G R O U P

ph

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contents38 Meet the Director

54 FroM the eDitor

56 FroM the Publisher

58 contributors

SectorS

72 Kabinett

Diving deep into the curated programs

of the Kabinett sector. By Jordan Hruska

74 nova

The Nova sector showcases the best

in young international galleries this

year. By Tamara Warren

76 Positions

The Positions sector showcases

emerging international artists, who

explore everything from memory and

political displacement to the process

of creation itself. By Jean Nayar

78 survey

With the fairs new sector, Survey,

attendees can discover artists by tak-

ing a step back in time. By Brett Sokol

82 eDition

Entering its second year, Edition,

Art Basel in Miami Beachs most

accessible sector, is a growing favorite

for blue-chip as well as frst-time

collectors. By Michael Dougherty

84 Public

The Public sectors outdoor exhibit

fosters experimentation, discovery,

and relaxation. By Rebecca Kleinman

88 FilM

The Film sector expands.

By Susan Plummer

LocaL InStItutIonS

100 even tuesDays are crowDeD

After a celebrated opening last

December, the Prez Art Museum

continues fulflling its mandate: to

bring the art world to Miami

and Miami art to the world.

By Laura van Straaten

104 one way Journey

An exhibition of the work, artistic

infuences, and collaborations of

architect Peter Marino transforms the

Bass Museum into an adventure through

his creative process. By Jean Nayar

106 Kristalovas Palace

Continuing its popular series

Recognition of Art by Women, the

Norton Museum of Art introduces work

by Klara Kristalova to US audiences.

By Tamara Warren

108 the toll oF war

A three-part exhibition at the

Wolfsonian-FIU evokes the horror of

the First World War and the birth of

industrialized warfare. By Phoebe Hoban

110 where art anD nature Meet

Fairchild Tropical Botanic Garden

presents two stunning exhibitions on

its lush 83-acre grounds.

By Sari Anne Tuschman

112 suPer nova

Two stellar shows are worth the trip to

the Museum of Art, Fort Lauderdale.

By Laura van Straaten

114 a Fresh start

MoCAs former board of trustees

founds a new institution in the Design

District. By Debra Scott

coLLectIng

124 all that Glitters

The de la Cruz Collection

Contemporary Art Space weighs fools

gold against true artistic treasure.

By Brett Sokol

126 treasure hunt

With his Warehouse in Wynwood

closed from April to October, Marty

Margulies uses those months to buy

art. The results are on view now, part

of his collections 15th anniversary.

By Fred Bernstein

Turkish Man (LC96), Joseph Cornell, 1933.

44 art Basel | Miami Beach 2014

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46 art basel | miami beach 2014

table of contents

130 All in the FAmily

The Rubell Family Collection celebrates

two major milestones with newly commis-

sioned work by six artists and a 700-page

catalog. By Phoebe Hoban

132 AbstrAct exhibitionism

This year the Cisneros Fontanals Art

Foundation showcases 80 years of

international abstraction.

By Margery Gordon

134 AustrAliAn obsession

Aboriginal abstract painting takes center

stage at Debra and Dennis Scholls

annual exhibit. By Sari Anne Tuschman

Features

146 `men-tr

An experienced or trusted advisor

to train someone, especially a younger

colleague. By Julie L. Belcove

150 GoinG GlobAl

In every part of the worldeven those

mired in political upheavalcontempo-

rary art continues to expand and fourish.

By Robin Pogrebin

154 PrAGers World

With her subtly disquieting work, its

photographer Alex Pragers world; were

just lucky to live in it. By Edward Helmore

158 A PrivAte AFFAir

New art institutions are popping up all

over Asia, but private museums are the

ones grabbing the spotlight.

By Mary Elizabeth Agnew

160 doubles, Anyone?

Art-world powerhouses Allan

Schwartzman and Amy Cappellazzo

partner on a new patronage consulting

paradigm thats both innovative and old-

school. By Rachel Wolff

162 the best oF Printed mAtter

Super-collector and book afcionado Phil

Aarons breaks down the most important

artist tomes of our times.

164 doinG your FieldWork

These three outdoor site-specifc works

are worth venturing out to fnd at Art Basel

in Miami Beach. By Marina Cashdan

Photo PortFolio

168 deco dreAminG

Photographer Simon Chaput revisited

some of the most celebrated Art Deco

buildings in South Beach for this

special portfolio. Accompanying the

images, noted architectural historian

Beth Dunlop puts both the past and the

present in perspective.

Conversations

182 JAy sAnders With FrAnk stellA

On post-painterly abstraction, space, and

Stellas new Scarlatti K series.

184 AdAm sheFFer With

GrAynA kulczyk

On Kulczyks ability to mix business with

art and her work to empower women

worldwide.

186 AGustn Prez rubio With

liliAnA Porter

On how Porter has always looked

at Argentina from both the inside and

the outside.

188 lucy mitchell-innis With yAnG

bin And yAn QinG

On how the Beijing-based collector and

his gallerist wife approach the fair.

190 chris dercon With kAder AttiA

On Attias exhibition Culture, Another

Nature Repaired.

inFluenCers

194 bAstions oF berlin

Collectors Karen and Christina Boross

art bunker has become the hottest ticket

in Europe. By Alexander Forbes

196 disQuietinG melAncholy

With his brilliant frst large-scale retro-

spective at MoMA attracting crowds and

critical praise, Robert Gober cements his

reputation as one of the most important

artists of our time. By Julie L. Belcove

198 it tAkes one to knoW one

LACMA and Prospect.3 curator Franklin

Sirmans explains why the one to watch in

his business is Eungie Joo.

Big Eyes (2014), directed by tim burton.

Untitled (Al Aqsa), 2009/2014,Kader attia, Installation view, Middelheim Museum antwerp.

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table of contents

200 When a hauser & Wirth

Becomes a home

Bringing new meaning to the term global art

world, legendary dealers Iwan and Manuela

Wirth expand to Los Angeles and the

English countryside. By Mary Elizabeth Agnew

202 the GloBe-trotter

Nigerian-born curator and museum director

Okwui Enwezor leaves his mark as he takes

the helm of the Venice Biennale.

By Kate Sutton

204 larGer than life

In remembrance of a dear friend, the

indefatigable collector Francis Dittmer,

Anthony Grant shares memories of their

times together.

GroundbreakinG

220 if they Build it, Will you come?

With the massive expansion of LAs gallery

scene, the citys physical space is fnally

catching up to its well-known conceptual

space. By Kevin McGarry

224 the Whitney revolution

The leaders who spearheaded the Whitney

Museum of American Arts move to Lower

Manhattan give us the inside story on their

decision and what it means for the future of

this revered institution. By Robin Pogrebin

228 education By desiGn

Recently named director Rodman Primack

ushers in a new decade for Design Miami.

By Jordan Hruska

230 a museum for the neW millennium

The nomadic Moving Museum proves

a successful new paradigm for an artistic

institution. By Mark Ellwood

48 art Basel | Miami Beach 2014

234 the aBramovi method hits miami

The frenzy surrounding omnipresent artist

Marina Abramovi heightens this week at

Art Basel. By Kate Sutton

Photo Portfolio

238 miami Beach 100th anniversary

celeBration

To commemorate the centennial of the

city of Miami Beach and the redesign of

the iconic Surf Club, we take a look back

at the sun, sand, celebrity, and culture that

embody the spirit of this town.

luminaries

244 sinGular sensations

Art-world luminaries reveal the work or

show that started it all. By Rachel Wolff

248 33 artists come to miami

In preparation for this weeks annual Salon

Series, where Sarah Thornton will discuss

her new book, 33 Artists in 3 Acts, curator

Massimiliano Gioni attempts to solve the

eternal mystery: What is an artist?

By Massimiliano Gioni

250 younG Guns

First-time galleries from around the globe

share their excitement and anxiety about

making the cut. By Betsy Perry

254 performance at the playBoy

Ryan McNamara reimagines his stage piece

MEEM as MEEM 4 Miami. By Carol Kino

258 island roots

Cuban artists attract global collectors while

maintaining native ties. By Margery Gordon

Los papagayos (The Parrots), beatriz Gonzalez, 1987.

Yellow and Blue Fried Egg, nathalie Djurberg, 2013.

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on thE covEr Mariposa, Beatriz Milhazes, 2004.

Private Collection

Photography by Srgio Guerini;

courtesy of Galeria Almeida & Dale;

2014 Beatriz Milhazes

table of contents

au courant

262 Global GivinG

Art Basels new initiative with Kickstarter

supports visual arts organizations.

By Debra Scott

264 Year book

Art Basel celebrates 2013, the year it went

global, with a new comprehensive tome.

By Rebecca Kleinman

266 a DaY in the life

Collector and international raconteur

Jean Piggozi takes us through his schedule

for VIP Opening Day of the fair.

270 Partners

Part of the success of Art Basel in Miami

Beach is due to the support of partners

UBS, Davidoff, Ruinart, BMW, Absolut,

and Audemars.

278 art basel in MiaMi beach

official GuiDe

the last word

296 MY MiaMi

Universally adored collectors Eleanore

and Domenico De Sole break down how

they roll at Art Basel in Miami Beach.

By Sue Hostetler

Lady Gaga The Death of Marat, Robert Wilson, 2013.

BAL HARBOUR SHOPS

LAPERLA.COM

Senior Managing Editor Danine Alati

Art Director Adriana Garcia

Special Projects Art Director Anastasia Tsioutas Casaliggi

Creative Director Nicole Nadboy

Designers Aaron Belandres, Sarah Litz, Natali Suasnavas

Photo Director Lisa Rosenthal

Photo Editor Marie Barbier

Senior Digital Imaging Specialist Jeffrey Spitery

Digital Imaging Specialist Jeremy Deveraturda

Digital Imaging Assistant Htet San

Manager, Copy and Research Wendie Pecharsky

Copy Editor David Fairhurst

Contributing Research Editor Shelley Nicole Jefferson

Senior Vice President and Editorial Director Mandi Norwood

Vice President of Creative and Fashion Ann Song

Sue HoSTeTLeREDItoR-In-ChIEF

Art Basel Miami Beach magazine is a registered trademark of Niche Media Holdings, LLC, and the entire contents of Art Basel Miami Beach are copyright Niche Media

Holdings, LLC. All column names are the property of Niche Media Holdings, LLC and may not be used or reproduced without the express written permission of the publisher.

Liability in the event of an error is limited to a printed correction. Niche Media Holdings, LLC does not assume liability for products or services advertised herein.

Managing Partner Jane Gale

Chairman and Director of Photography Jeff Gale

Senior Vice President, Chief Financial OffcerJohn P. Kushnir

Chief Executive OffcerKatherine Nicholls

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MDC Museum of Art + DesignFreedom Tower at Miami Dade College600 Biscayne Blvd, Miami(305) 237-7700www.mdclivearts.org www.mdcmoad.org

EXHIBITION + PERFORMANCES:

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Free public performances by SHEN WEI DANCE ARTSLimited seating available - for tickets visit www.mdclivearts.org

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PRESENTED BY:

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Victoria Henry, Karen Levine, Meredith Merrill, Norma Montalvo,

Jeff Nicholson, Deborah OBrien, Shannon Pastuszak,

Michelle Petrillo, Lauren Shapiro, Jim Smith

Event Marketing Manager Cristina Parra

Event Marketing Assistant Shana Kaufman

Assistant Distribution Relations Manager Michelle Petrillo

Sales and Business Coordinator Dara Hirsh

Sales Assistants Ana Blagojevic, Cristina Cabielles, Kara Kearns

MARkETING, PRoMoTIoNS, PuBLIC RELATIoNS

Vice President, Public Relations and Marketing Lana Bernstein

Integrated Marketing Director Robin Kearse

Integrated Marketing Manager Jimmy Kontomanolis

Creative Services Director Scott Robson

Promotions Art Designers Kaitlyn Richert, Carly Russell

PRoDuCTIoN, PLANNING, AND PoSITIoNING

Vice President, Manufacturing Maria Blondeaux

Director of Positioning and Planning Sally Lyon

Positioning and Planning Manager Tara McCrillis

Assistant Production Director Paul Huntsberry

Production Artist Alisha Davis

Traffc Supervisor Estee Wright

Traffc Coordinator Jeanne Gleeson

COuRTLAND LANTAFFPuBLISHER

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Chairman and Director of Photography Jeff Gale

Senior Vice President, Chief Financial OffcerJohn P. Kushnir

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NICHE MEDIA HoLDINGS, LLC | NiChE MEDiA CuStOM PuBLiShiNG

100 Church Street, Seventh Floor, New York, NY 10007 Phone: 646-835-5200 Fax: 212-780-0003

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54 art basel | Miami beach 2014

sue hostetler

No words more aptly capture the essence of this week than those of photographer Walker Evans when he said,

Look! We dont have that much time.

As Art Basel in Miami Beach enters its 13th edition, I am once

again stunned at how the show has grown and the immense and

diverse events being offered this year. I am frequently asked how

Art Basel, now on three continents, consistently puts on blockbuster

show after blockbuster show. The answer is quality. More than 250

of the worlds leading international dealers are here exhibiting the

best, from contemporary and Modern masters to emerging artists.

Congratulations again to Marc Spiegler and his terrifc team for the

ambitious and innovative week of programming they have achieved.

In every issue that we produce, there seems to be a thematic thread

that organically emerges. This year its all about the curator as art

star. From the upcoming Venice Biennales Okwui Enwezor and

Sharjahs Eungie Joo to LACMAs Franklin Sirmans and, of course,

the ubiquitous Massimiliano Gioni and Hans Ulrich Obrist, these bril-

liant minds seem to be the ones exploring new frontiers, reimagining

and elevating the conversation about contemporary art. Dont miss

the profles of or by all of these fascinating trailblazers in this issue.

The other theme that is omnipresent in our stories is the contin-

ued globalization of the art world. Mark Ellwood talks to the pair

behind the Moving Museum; Robin Pogrebin uncovers several

unlikely new far-fung art capitals; and our annual Conversation

Series spans the globe, having taken place in Asia, Europe, South

America, and the United States.

Not surprisingly, the immense expansion within the art world

marches on. We have Kevin McGarry reporting from Los Angeles

about the colossal physical growth of galleries and institutions in

that city; Mary Elizabeth Agnew details the nonstop creation of art

spaces in Asia; and we feature a very special roundtable with the

four people instrumental in bringing the new Whitney Museum

building to fruition.

Most importantly, do not miss any of our extensive coverage

of fair programming. I am particularly excited about Nicholas

Baumes second year curating the Public sector, aptly titled

Fieldwork; the new sector in the Convention Center called

Survey; and this years feature film, Big Eyes, directed by Tim

Burton and starring Christoph Waltz and Amy Adams. And if you

venture off-campus, defnitely hit the Margulies Collection, which

is celebrating its 15th anniversary with a very special exhibition.

So get out there and enjoy Miami and all this week has to offer.

As Charley Ray says about great art, I want to see it again. It asks

me to be near, to come closer and look longer or to come back

tomorrow and look again. The work whispers, Be with me.

clockwise from top left: Editor-in-Chief Sue Hostetler; at a roundtable about the new Whitney Museum with (among others) Robin Pogrebin, Brooke Garber Neidich, and Adam Weinberg; at Art Basel magazines 2013 Women in the Arts luncheon at Lure with Agnes Gund, Ann Philbin, Tracey Emin, and Lisa Dennison.

FRoM THE EDiToR-iN-CHiEF

Now in MiamiMiami Design District

140 NE 39th Street, Miami

Patrimony Perpetual Calendar

www.vacheron-constantin.com

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courtland lantaff

One of Miamis greatest shows is fnally here. Locals are not the only ones who have been counting down the

days until Art Basel in Miami Beach. The show has become

something that artists, collectors, curators, and art enthusiasts

from all over the world come to South Florida to experience.

With more tents being pitched and events being planned, this

years fair will be bigger and better than ever.

In the past year, Miami has catapulted to the top as a leading

global arts and design hub, and we have Art Basel in Miami

Beach to thank. Infuenced by this fair and subsequent city

developments in art and design, former districts of warehouses

are turning into hip neighborhoods flled with galleries, luxury

retail stores, and high-end condos. Architects are creating

residential environments that will keep up with the increasing

sophistication of the city, artists are donating their talents to

ensure that aesthetically pleasing public spaces surround each

area, and all the worlds most elite want a piece of the action.

Youll read all about this and more in the 13th edition of our

publication, brimming with details on the upcoming art events, as

well as the exhibitions and creators to keep an eye on this season.

I hope to see you around at all of the art-full events.

With Carlos Rosso, Edgardo Defortuna, and Andy Mitchell at the announcementby The Related Group, Fortune International Group, and The Fairwinds Group partnershipthat the brand Auberge is coming to Fort Lauderdale.

With Dan Marino at the Ocean Drive magazine October Mens Issue release party at Anthonys Coal Fired Pizza.

Jeff Ransdell and I at the Friends of New World Symphony Young Patrons Dinner Salon at Vintro Hotel & Kitchen.


FROM THE PubLISHER

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1. ALEXANDER FORBES A Berlin-based art

writer and critic specializing in contemporary art and

the art market, Alexander Forbes relocated from

New York to Berlin in 2010 and the following year

joined Louise Blouin Media, overseeing the editorial

expansion of the companys print and online publica-

tions into German-speaking Europe. He currently

serves as European market editor at artnet News.

2. CAROL KINO A regular writer for WSJ

Magazine, T magazine, The New York Times, and

1stdibs, and a longtime contributing editor at Art

+ Auction, Carol Kinos work has also appeared

in Town & Country, Slate, The Atlantic, and The

National (Abu Dhabi), among many other publica-

tions. She was a two-time USC Annenberg/Getty

Arts Journalism Fellow, in 2007 and 2011.

3. FRANKLIN SIRMANS The Terri and

Michael Smooke Department Head and Curator

of Contemporary Art at the Los Angeles County

Museum of Art (LACMA), Franklin Sirmans is

currently serving as the artistic director of Prospect

New Orleans (Prospect.3: Notes for Now).

Previously, he was the curator of modern and con-

temporary art at the Menil Collection in Houston,

and he has written extensively for catalogues in

addition to articles and reviews in publications

such as The New York Times, Time Out New York,

Essence, Parkett, and Grand Street. His forthcoming

exhibition, Noah Purifoy: Junk Dada, debuts at

LACMA in spring 2015.

4. KATE SUTTON An arts writer currently based

in Zagreb, Croatia, Kate Sutton is a regular contrib-

utor to Artforum.com in addition to writing articles

and reviews for magazines including Artforum,

Bidoun, Frieze, The Hollywood Reporter, and Leap. In

2013, she was recognized with an Art Writers Grant

from the Andy Warhol Foundation.

5. MASSIMILIANO GIONI Massimiliano Gioni is

the artistic director of the New Museum in New York

and the director of the Nicola Trussardi Foundation

in Milan. He has curated numerous international

exhibitions and biennials, including the 55th Venice

Biennale, which he directed in 2013. Gioni has con-

tributed to many publications, including Artforum,

Flash Art (for which he served as US editor from

1999 to 2003), and Tate. He cofounded the Wrong

Gallery with Maurizio Cattelan and Ali Subotnick,

with whom he has directed the independent art

magazines The Wrong Times and Charley.

6. BETH DUNLOP An author, editor, and critic

living in Miami Beach, Beth Dunlop is editor of

Modern magazine, a quarterly devoted to design,

architecture, and the decorative arts that is pub-

lished in New York. She is also the author of numer-

ous books on architecture, many of them focusing

on the Miami area.

1. 2. 3.

4. 5. 6.

58 Art Basel | Miami Beach 2014

CONTRIBUTORS

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7. KEVIN MCGARRY A writer and curator based

in Los Angeles and New York, Kevin McGarry writes

about art, fi lm, and culture for magazines and journals,

including Frieze, T: The New York Times Style Magazine,

Artforum, W, Kaleidoscope, V Magazine, Modern

Weekly China, and others. He has organized fi lm

festivals dedicated to artists fi lm and video since

2005: Migrating Forms (2008present) and New

York Underground Film Festival (20052007).

8. JULIE L. BELCOVE A New Yorkbased

independent writer and editor with a focus on art

and culture, Julie L. Belcove has written for The New

Yorker, The New York Times, the Financial Times,

The Wall Street Journal, Harpers Bazaar, Elle, Elle

Dcor, and Architectural Digest, among other publi-

cations. While deputy editor of W, she created and

edited the magazines annual Art Issue.

9. FRED BERNSTEIN New Yorkbased Fred

Bernstein studied architecture at Princeton and law

at NYU; he now writes about those subjects and oth-

ers. He has penned articles for Art Basel magazine

in the past, as well as this year, and he has attended

every Art Basel in Miami Beach since its founding .

10. RACHEL FELDER Rachel Felders writing

about style, art, and travel frequently appears in

The New York Times, the Financial Times, Travel +

Leisure, Womens Wear Daily, Departures, Town &

Country, and numerous other outlets. The author

of Manic Pop Thrill, a book about the connection

between fashion and music, she is currently working

on its follow-up, to be published in 2016.

11. MARK ELLWOOD British-born, New York

based Mark Ellwood has lived out of a suitcase

for most of his adult life. He contributes regularly

to Departures, Cond Nast Traveler, and The Wall

Street Journal, among other publications. He is

also the author of Bargain Fever: How to Shop in a

Discounted World.

12. ROBIN POGREBIN Robin Pogrebin is a staff

reporter at The New York Times, where she covers

the business of cultural institutions and issues

like preservation, arts funding, and architecture

for the Culture Desk. Prior to joining the Times,

Pogrebin worked as an associate producer for Peter

Jenningss documentary unit at ABC News, pro-

ducing hourlong specials on subjects like Bosnia,

Haiti, and Christianity in America. She is a free-

lance writer for publications including Architectural

Digest, Vogue, Town & Country, Departures, and

New York magazine.

7. 8. 9.

10. 11. 12.


CONTRIBUTORS

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Obtain the property report required by federal law and read it before signing anything. No federal agency has judged the merits or value, if any, of this property.ORAL REPRESENTATIONS CANNOT BE RELIED UPON AS CORRECTLY STATING THE REPRESENTATIONS OF THE DEVELOPER. FOR CORRECT REPRESENTATIONS, MAKE REFERENCE TO THE DOCUMENTS REQUIRED BY SECTION 718.503,

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Founded in 1979 by Jorge M. Prez, The Related Group is the

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This is not intended to be an offer to sell, or solicitation of an offer to buy, condominium units to residents of CT, ID, NY, NJ and OR, unless registered or exemptions are available, or in any other jurisdiction where prohibited by law, and your eligibility for purchase will depend upon your state of residency. This offering is made only by the Prospectus for the Condominium and no statement should be relied upon if not made in the Prospectus. Developer (as is defined herein below) reserves the right to revise or modify designs and construction specifications. All depictions of appliances, fixtures, counters, soffits, wall coverings, floor coverings, furnishings, closets, and other matters of detail, including, without limitation, items of finish and decoration, are conceptual only and are not necessarily the final finishes and details included with the purchase of a Unit. The managing entities, operators, hotel operators, amenities, resort managers, spas, restaurants, and other features referred to are accurate as of the date of this publication; however, there is no guarantee that these will not change. Dimensions and square footage of the Units are approximate and may vary with actual construction. This Condominium is being developed by PRH Fairwinds, LLC (Developer), which has a limited right to use the trademarked names and logos used herein pursuant to a license and marketing agreement. The Related Group, Fortune International Group, and The Fairwinds Group are not, singularly nor jointly, the developer. No real estate broker is authorized to make any representations or other statements regarding the project, and no agreements with, deposits paid to or other arrangements made with any real estate broker are or shall be binding on the Developer. All prices are subject to change. Services and products offered by any spa, resort, concierge, beach club, restaurant, or other vendor are offered for a fee. Consult the Prospectus for the site plan and the location of the Unit you desire. 2014, PRH Fairwinds, LLC. All rights reserved. Unless otherwise noted, the content is owned by Developer and the unauthorized reproduction, display or other dissemination constitutes copyright infringement.

An exceptional development from the team behind many of South Floridas

most desirable properties, including Jade Beach, Jade Ocean,

Murano Grande, and Apogee. With lifestyle amenities and services from

the brand behind award-winning residential and resort destinations,

including Esperanza, Auberge du Soleil, and Calistoga Ranch.

This is not intended to be an offer to sell, or solicitation of an offer to buy, condominium units to residents of CT, ID, NY, NJ and OR, unless registered or exemptions are available, or in any other jurisdiction where prohibited by law, and your eligibility for purchase will depend upon your state of residency. This offering is made only by the Prospectus for the Condominium and no statement should be relied upon if not made in the Prospectus. Developer (as is defined herein below) reserves the right to revise or modify designs and construction specifications. All depictions of appliances, fixtures, counters, soffits, wall coverings, floor coverings, furnishings, closets, and other matters of detail, including, without limitation, items of finish and decoration, are conceptual only and are not necessarily the final finishes and details included with the purchase of a Unit. The managing entities, operators, hotel operators, amenities, resort managers, spas, restaurants, and other features referred to are accurate as of the date of this publication; however, there is no guarantee that these will not change. Dimensions and square footage of the Units are approximate and may vary with actual construction. This Condominium is being developed by PRH Fairwinds, LLC (Developer), which has a limited right to use the trademarked names and logos used herein pursuant to a license and marketing agreement. The Related Group, Fortune International Group, and The Fairwinds Group are not, singularly nor jointly, the developer. No real estate broker is authorized to make any representations or other statements regarding the project, and no agreements with, deposits paid to or other arrangements made with any real estate broker are or shall be binding on the Developer. All prices are subject to change. Services and products offered by any spa, resort, concierge, beach club, restaurant, or other vendor are offered for a fee. Consult the Prospectus for the site plan and the location of the Unit you desire. 2014, PRH Fairwinds, LLC. All rights reserved. Unless otherwise noted, the content is owned by Developer and the unauthorized reproduction, display or other dissemination constitutes copyright infringement.

Sales by RELATED REALTY in collaboration with FORTUNE DEVELOPMENT SALES

Obtain the property report required by federal law and read it before signing anything. No federal agency has judged the merits or value, if any, of this property. Oral representations cannot be relied upon as correctly stating the representations of the developer. For correct representations, make reference to this brochure and to the documents required by section 718.503, Florida statutes, to be furnished by a developer to a buyer or lessee.

Just steps from Miamis most prestigious cultural attractions,

an Auberge Resorts residential and hospitality destination with interiors

by renowned Italian designer Piero Lissoni.

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B r o k e r p a r t i c i p a t i o n w e l c o m e . O r a l r e p r e s e n t a t i o n c a n n o t b e r e l i e d u p o n a s c o r r e c t l y s t a t i n g t h e r e p r e s e n t a t i o n o f t h e D e v e l o p e r , f o r c o r r e c t r e p r e s e n t a t i o n , m a k e r e f e r e n c e t o t h e d o c u m e n t s r e q u i r e d b y s e c t i o n 7 1 8 . 5 0 3 F l o r i d a S t a t u t e s , t o b e f u r n i s h e d b y t h e D e v e l o p e r o r B u y e r o r L e s s e e . N o t a n o f f e r w h e r e p r o h i b i t e d b y S t a t e S t a t u t e s . P l a n s ,

f e a t u r e s a n d a m e n i t i e s s u b j e c t t o c h a n g e w i t h o u t n o t i c e . A l l i l l u s t r a t i o n s a n d p l a n s a r e a r t i s t c o n c e p t u a l r e n d e r i n g s a n d a r e s u b j e c t t o c h a n g e w i t h o u t n o t i c e . T h i s a d v e r t i s e m e n t d o e s n o t c o n s t i t u t e a n o f f e r i n t h e s t a t e s o f N Y o r N J o r a n y j u r i s d i c t i o n w h e r e p r i o r r e g i s t r a t i o n o r o t h e r q u a l i f i c a t i o n i s r e q u i r e d . E q u a l H o u s i n g O p p o r t u n i t y ,

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World-Class , Museum-Qual i ty Art throughout the Property inc luding Sculptures by Jaume Plensa

E X C L U S I V E M A R K E T I N G S A L E S B Y

D O U G L A S E L L I M A N D E V E L O P M E N T M A R K E T I N G

D E V E L O P E D B Y S A L E S G A L L E R Y

S O U T H B A Y S H O R E D R I V E T H F L O O R

M I A M I F L O R I D A


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Entering its 10th year, Art Basel in Miami

Beachs Kabinett program offers par-

ticipating galleries the opportunity to

explore an exhibition strategy that falls

somewhere between the commercial art fair booth

and a tightly focused curated exhibition. This year,

27 galleries present everything from historical sur-

veys to site-specific installations and single-artist

programs, furthering Kabinetts reputation as a

patient, thoughtful sector within the bustling Miami

Beach Convention Center.

The highlights include a selection of 20th-century

photography from East Berlin, exhibited by Kicken

Berlin. Titled Germanys Coming of Age, the

program includes works from a realist school of

nine photographers who documented elegiac nar-

ratives and subjects in the former East Germany.

Photographers such as Sibylle Bergemann and

Ute Mahler stand out as members of the still-active

Ostkreuz photography agency, formed in 1990 and

named after Berlins East Crossing train station.

Bergemanns image of a Marx-Engels monument

under construction illustrates the disenchantment

of the time, as do the spellbinding portraits of every-

day East Germans by Helga Paris.

Viewers can also experience how Communism

impacted the work of two Romanian artists through

a wry, revisionist history of the Nicolae Ceau escu

years at David Nolan Gallery. Artists Ciprian

Mure an and erban Savu present Communism

Never Happened, a collaborative installation com-

prising intertwined documentary and allegorical

works. The installation contains a vitrine-encased

book layout in progress, coupled with paintings of

prosaic Communist-era subjects hung in the style of

a Renaissance altarpiece.

Three major Argentine artists are showing this

year in separate presentations. Antonio Asis, who

has been based in Paris since 1956, will exhibit

sketches he made in the 1950s and 60s. Houstons

Sicardi Gallery presents these formative works,

which exemplify the artists movement into the

realm of Op Art and presage his cofounding of the

artist group Position, consisting of fellow Argentine

expats. The Kabinett space is an appropriately inti-

mate setting for these personal gesturesrecords of

how Asis was developing a geometric language to

explore the intangible qualities of light.

The tessellated shapes in Asiss midcentury

sketches fnd a contemporary cousin in the works of

Buenos Airesbased artist Guillermo Kuitca, show-

ing at Sperone Westwater. The artist exhibits his

three Acoustic Mass collages from 2005. Composed

of overlapping pieces of paper, the collages simi-

larly use dancing geometric shapes to explore the

phenomena surrounding acoustics and choreogra-

phy. Kuitca governs these collages with architec-

tural formations reminiscent of theaters and stage

sets. These vibratory works represent a confident

articulation of the artists interest in theatrical pre-

sentation since the 1980s, when he engaged in dia-

logue with choreographer Pina Bausch.

Rounding out the Argentines, Buenos Airess

Ruth Benzacar Galera de Arte presents small-

format pieces by Liliana Porter, including works

on paper, paintings, and photographs. The stand-

out, The Traveler (with green hat), 2014, is typical

of the artists most recent sculptures, involving

miniature figurative statues in uncannily arranged

worlds. This piece pits the title traveler against

weaponry and scattered objects much larger in

scale and contrastingly whitewashed, perhaps fig-

ments of an idle brain, which, as they say, is the

devils workshop. ABMB

Kabinett of WonderDiving deep into the curated programs of the Kabinett sector.By Jordan Hruska

left: Acoustic Mass I (Covent Garden), Guillermo Kuitca, 2005. above: The Traveler (with green hat), Liliana Porter, 2014.

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Caixa de Jias, Alexandre Brando, 2013.

left: Plain Jane Chain Gang, JPW3, 2014. above: Work, Tsuruko Yamazaki, 2009.

Over the past decade, Art Basel in Miami

Beach has grown into a greatly antici-

pated highlight of the global art-world

calendar. Part of what keeps the annual

event fresh in its second decade is the energy that

surrounds emerging artists who exhibit at the show.

The Nova sector fulflls one of Art Basels purposes

by giving young galleries and artists a platform to

explore work in a concentrated way.

The 34 international galleries selected for Nova

may each exhibit work by up to three artists. The

sectors 2014 edition includes a fve-day performance

installation by Brazilian artists Cibelle Cavalli Bastos

and Patricia Leite at Mendes Wood DM, a two-

person exhibit by Peruvian artists David Zink Yi

and Rita Ponce de Len at 80m2 Livia Benavides,

and a solo presentation of mounted, high-

defnition video pieces by Brian Bress from the Los

Angelesbased gallery Cherry and Martin.

Cherry and Martin has exhibited at Nova in previ-

ous years. Its vital that a world-class art fair show a

range of material, from blue-chip galleries to emerg-

ing artists and new galleries, says Cherry and Martin

cofounder Philip Martin. Those are markets that

collectors are interested in across the board. Bringing

new, cutting-edge work through focused presenta-

tions and sections like Nova is a great way to do that.

Its the way to bring gallery experience to the fair.

Nova offers small galleries the opportunity to stand

out in a massive art fair, while also allowing interna-

tional exhibitors to reach a wider audience, as galleries

from Europe, South America, and Asia join the sec-

torincluding the Japan-based dealer Take Ninagawa

and the China-based exhibitor Beijing Commune.

Since this is our frst time at Nova, we have curated

the project to give viewers a sense of the gallerys

identity and the way that we work across genera-

tions and historical contexts, says Take Ninagawa

gallerist Atsuko Ninagawa. We will be introducing

Tsuruko Yamazaki, a founding member of the Gutai

Art Association, which is the seminal group from the

postwar avant-garde; Shinro Ohtake, who began his

career in the 1980s and has had a major infuence on

the current generation of young artists; and Ryoko

Aoki, who is at the forefront of reinventing fguration

as a space for conceptual experimentation in Japan.

The Michael Jon Gallery is also new to Art Basel.

It frst opened in Miami and recently unveiled a sec-

ond space in Detroit. Its our frst year applying and

the frst year we got accepted, says Alan Gutierrez, a

partner and codirector. The gallery will show paint-

ings by Sayre Gomez and a large-scale sculpture by

JPW3. Collectors are naturally curious to see whats

happening thats new, Gutierrez says. And Nova

has been created specifcally for that purpose. ABMB

Taking the Worlds StageThe Nova sector showcases the best in young international galleries this year. By Tamara Warren


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A fxture at Art Basel in Miami Beach since

its inauguration in 2002, the Positions sec-

tor, in the Convention Center, provides a

platform for young galleries to showcase

one of their emerging artists with an exhibition of a

single major project. This year the sector spotlights

artists from 16 galleries around the globe.

Exhibiting for the second time, Kalfayan Galleries,

based in Athens, premieres Homesick, a new pro-

ject featuring video and images from internationally

renowned photographer Hrair Sarkissian, who was

born in Damascus, Syria, and left the country in

2008. Sarkissian recreated and destroyed an archi-

tecturally exact scale model of the apartment build-

ing in Damascus where he grew up and his parents

are still living, says gallery manager Yuli Karatsiki.

In addition to providing shelter to his parents, it is

the place where he belongs, a container for his mem-

ories, and a place for his familys collective identity.

Although it takes as its starting point the current

sociopolitical situation in Syria, says Karatsiki, the

project more broadly examines intertemporal

issues of personal and collective history, memory,

and displacement.

Exhibiting for the frst time, the New Yorkbased

gallery Clifton Benevento will present new sculp-

tures by American artist Zak Kitnick, whose first

monograph will also debut at Art Basel in Miami

Beach. Incorporating industrial and commercial

materials and intended to raise issues of production

and distribution, the sculptures blur the boundar-

ies between art, interior design, and commodity

production. Kitnicks work explores how these

parallel worlds borrow from each other, acquiring

and defusing each others potential, says gallery

co-owner Michael Clifton, who adds that the artist

was part of the Tasters Choice exhibition at New

Yorks MoMA PS1 this past spring, which high-

lighted emerging artists who regard choice as both

the process and content of their work.

Returning to Positions for the second time, the

So Paulobased Galeria Marilia Razuk will present

a solo show by emerging Brazilian artist Maria Laet,

whose work uses the body as reference in explor-

ing questions of limit and continuation, opacity and

transparency. Her choice of materials and mediums

avoids meaning, any codifcation of sense, bringing

nearer the very episode of creation, says gallery co-

owner Marcela Razuk. Laet uses materials like con-

crete, gauze, balloons, and thread, as well as natural

elements such as wind, sand, wooden sticks, and

milk. Among the works she will show in her three-

part exhibition is an installation called Propagao, in

which visitors will participate by walking amid 800

metal Baoding balls (Chinese exercise or meditation

balls) with bells inside, spread over a felt-covered

floor. The sounds they create will be captured by

microphones and become part of the environment.

The Los Angelesbased gallery Freedman

Fitzpatrick, participating for the first time, will

present a solo project by German artist Lucie

Stahl. Infuenced by the visual schizophrenia of digi-

tal communication platforms and advertising vernac-

ular, the artist assembles and scans images gleaned

from mass media into collages that she subsequently

prints then embalms in a viscous layer of polyure-

thane. For this exhibition, Lucie will create a portrait

gallery of characters culled from found images, says

dealer Alex Freedman. Some of these works will

focus on apocalyptic stock images from video games

and political campaigns that have been extracted

from their base context. Other works will be more

like friezes, with masks, faux body parts, and other

objects melded to the surface of the ink-jet print by

a layer of resin. The overall landscapeincluding a

motley of fngerprintswill resemble a sunset caught

on screen with a portal to a parallel reality. ABMB

Making Waves This years Positions sector showcases the work of ambitious emerging international artists, who explore everything from memory and political displacement to the process of creation itself. By Jean Nayar

Homesick, Hrair Sarkissian, 2014. right: Nmero 1, Faivovich & Goldberg,2014.

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Joaqun Torres-Garca (design) by MAOTIMA, circa 1951.

If you visit the booth of New York City gallerist

James Fuentes at Art Basel in Miami Beachs

new Survey sector, consider it a digital-free

zone. Its not that Fuentes is a Luddite. Its

just that he takes the art-historical mission behind

Survey very seriously. And as the owner of one of

the 13 Survey galleries selected by the fairs com-

mittee to present a tightly curated historical pro-

ject, hes determined to do justice to New York artist

Alison Knowless 1967 artwork The Big Book.

Knowles has dubbed her new piece The Boat Book.

Fuentes deems it a seminal social sculpture and

an ambitiously scaled work by a historically signifi -

cant artist, although the artist has referred to it as

simply a book. However, its one with eight differ-

ent eight-foot-tall movable pages chockablock with

handmade texts, graphics, andif the reader needs a

break while slowly climbing through its tunnels and

nooksa tea station. Reading about coffee is differ-

ent from crawling into a book and heating yourself a

cup, Knowles explained prior to the unveiling of the

original piece, striking the wry tone that marked her

efforts as a cofounder of the Fluxus movement, with

its disdain for traditional art-world attitudes.

Nearly 50 years later, The Boat Book offers a whole

new layer of meaning as print culture itself seems

endangered. You cant download this book, notes

Fuentes. This is a work that needs to be readand

experiencedin person. Theres a younger genera-

tion that has grown up without books occupying such

a central role in their life. This is ultimately a play-

ful way to see how people respond to that change.

Perhaps channeling the spirit of Knowles, he adds

pointedly, In an art fair context, itll be interesting

to show something thats so non-JPEG.

Striking a more sober note at Survey is New Yorks

Cecilia de Torres Ltd., whose booth showcases

Forward Into the PastWith the fairs new sector, Survey, attendees can discover artists by taking a step back in time. By Brett Sokol

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S U N C L I P S Ethe alchemy of light, color, and design


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Its interesting that Art Basel, which epitomizes the world of insider art, is highlighting such an infuential outsider artist.

andrew edlin

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Uruguays Taller Torres-Garca, the mid-20th-

century Montevideo artists workshop run by Joaqun

Torres-Garca, who devoted himself to fusing tradi-

tional Latin American approaches with Modernist

aesthetics. A sense of stylistic fusion is also evident

amidst the inventive sculptures of the late French

expat Niki de Saint Phalle, who receives a welcome

retrospective courtesy of Pariss Galerie Georges-

Philippe & Nathalie Vallois. Similarly, the hallucina-

tory urban scenes of Japanese painter Tetsuya Ishida

were rarely seen in the United States before his

passing in 2005, a situation thankfully remedied via

Survey by Tokyos Y++ Wada Fine Arts.

The posthumous recognition continues at the

booth of New Yorks Andrew Edlin Gallery, which

is showcasing the collages, drawings, and watercol-

ors of Henry Darger, whose work was discovered

inside his Chicago apartment only after his death in

1973. He wrote an epic story about children who

are enslaved by sadistic, militaristic adult men, says

Edlin. The visual works that illustrate the talecalled

The Story of the Vivian Girlsare by turns eerily

beautiful and downright creepy, mixing extreme

violence and borderline pedophilia and establish-

ing Darger as one of last centurys foremost outsider

artists, even as museum curators wring their hands

over the mind-set behind it all. Edlin, however, rel-

ishes that aesthetic discomfort. In fact, much like

fellow dealer Fuentes, hes looking forward to the

notion of challenging expectations. Its interest-

ing that Art Basel, which epitomizes the world of

insider art, is highlighting such an infuential out-

sider artist, Edlin says.

As for the unsettling subject matter, What sepa-

rates Darger from so many other contemporary art-

ists whose work has a shocking effect is that Darger

wasnt deliberately trying to shock anybody, Edlin

explains. He wasnt making the work for anybody

but himself. Indeed, Edlin believes its that very iso-

lation that gives the art its visceral power: Trained

artists, through their academic careers, spend a lot

of time under the watchful eyes and company of

their professors, fellow students, curators, and their

audience. But when they see somethi

art basel 2014

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