art fundamentals history try to achieve? what goal does a ......mesolithic rock shelter paintings...
TRANSCRIPT
What goal does a study of arthistory try to achieve?
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To understand art and its meaning in itshistorical context
UARG:5,1,1
Concepts
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What FOUR factors are consideredin the study of a work of art?
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Formal qualities, function, artist and patrongoals, and audience
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To what THREE disciplines is arthistory closely related?
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Anthropology, history, and sociology
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With which TWO fields does arthistory sometimes overlap?
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Aesthetics and art criticism
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Aesthetics
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The philosophical inquiry into the natureand expression of beauty
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Art criticism
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The explanation of current art events tothe public via the press
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What type of media do modern arthistorians consider "art"?
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Visual material with meaning or aestheticappeal
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Concepts
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On what kind of art did past arthistorians primarily focus?
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Fine art
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What FIVE media types qualify asfine art?
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Paintings, prints, drawings, sculpture, andarchitecture
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Concepts
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What types of artworks, dismissedby earlier art historians, are nowincluded in our definition of "art"?
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Crafts
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Concepts
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What THREE types of artworks areconsidered crafts?
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Textiles, pottery, and body art
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Concepts
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What FOUR objects are sometimesincluded in art history that may notbe considered art by their audience?
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Mass-produced posters and advertisements,telephones, forks, and furniture
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Three crafts considered art bymodern art historians
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Textiles, pottery, and body art
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Concepts
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What TWO modes are used inhistorical analysis of art?
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Formal analysis and contextual analysis
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Concepts
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Formal analysis
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Analysis of the visual qualities of anartwork
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Concepts
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What basic assumption informsformal analysis of art?
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The artist makes decisions on the visualaspects of an artwork that can revealmeaning of the piece.
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Concepts
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What TWO skills are necessary forformal analysis?
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Observation and description
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Concepts
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Contextual analysis
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Looking outside of the artwork itself todetermine its meaning
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Concepts
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What FOUR historical facets doescontextual analysis examine?
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Cultural, social, religious, and economiccontext of an artwork
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Concepts
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What FIVE aspects of context mayart historians examine?
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Patronage, viewer access, physical location,cost, and subject matter
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Concepts
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What assumption does art historymake as it examines changes in
style over time?
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One generation of artists impacts the next
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Concepts
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How do art historians often begintheir analysis of a work of art?
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Close examination of the work
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Concepts
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Why is direct examination of a workbetter than examination of a
reproduction?
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Allows examination of all of the art'squalities
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What THREE qualities of an artworkare lost when examining a
reproduction?
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Size, texture, and some color quality
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Concepts
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Why might an art historian chooseto examine a reproduction instead
of the original work?
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Lost or damaged original
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Concepts
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What artistic sources may arthistorians examine to understand
the context of an artwork?
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Associated studies such as sketches andother works by the same artist orcontemporaries
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Concepts
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What THREE written sources mayart historians use in contextual
examination?
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Letters between the artist and patron,other documents regarding the artwork'scommission, and art criticism
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Concepts
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What THREE factors may arthistorians consider when determining
the context of a work?
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Costs of materials, the function of thework, and literature, music, theater, andhistory of the time period
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Concepts
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What TWO methods may arthistorians use to immerse
themselves in an artistic context?
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Interviews with artists and consumers ofart and participant observation
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Concepts
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When did art history begin as anacademic discipline?
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The mid 18th century
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Dates
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Pliny the Elder (23-79 C.E.)
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Roman historian who sought to analyzehistorical and contemporary art
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People
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Book by Pliny the Elder analyzing historicaland contemporary art
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People
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Giorgio Vasari (1511-74)
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Italian author and artist who wrote
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People
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Johann Joachim Winckelmann
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Enlightenment scholar who shifted thefocus of art history to study of stylisticdevelopment over time
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People
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Aspect of art analysis receivingincreasing emphasis in the 19th and
20 th centuries
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The relationship between formal qualitiesof a work and its context
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Concepts
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Group that recently proposed arevised view of art history
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Feminist art historians
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Groups
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What trend have feminist historiansnoticed in traditional art history?
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A focus on white men
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How has art history as a disciplinechanged in response to revisionist
views?
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Increasingly international, multicultural, andinclusive
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Concepts
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What major trend is observable inthe changing focus of art history
over time?
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Artistic genius and individualism hasdiminished while "visual culture" hasincreased.
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Concepts
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How have we gleaned most of ourinformation about the earliest
humans?
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Artifacts from earlier cultures
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Concepts
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Materials of most surviving ancientartworks
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Stone, metal, or fired clay
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Processes
E
How do environmental factorsinfluence the preservation of
artifacts?
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Dry climates preserve, humid areas causedeterioration
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Processes
E
Why has art history tended to focuson Western art?
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Best-preserved and most easily-accessibleartworks.
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Concepts
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Where is the Chauvet Cave?
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Southeastern France
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When were the Chauvet Cavepaintings made?
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30,000 B.C.E.
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When were the Chauvet Cavepaintings discovered?
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1994
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What TWO materials were used inthe Chauvet Cave paintings?
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Red ochre and black charcoal
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Works
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What FIVE animals are depicted inthe Chauvet Cave paintings?
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Horses, rhinoceros, lions, buffalos, andmammoths
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In what age were the Chauvet Cavepaintings created?
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The Old Stone Age
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In what TWO countries have cavepaintings been discovered?
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France and Spain
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Location of the most famous latercave paintings
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Lascaux and Altamira
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When were the later cave paintingscreated?
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C. 13,000-11,000 B.C.E.
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What opinion did scholars originallyhold towards the cave paintings?
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Considered scribbling by primitive cavemen.
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What belief do scholars now holdabout the cave paintings?
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Created by skilled artists and served ritualfunctions.
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(or )
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The most famous Old Stone Age fertilitysculpture
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Works
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What THREE exaggerated physicalcharacteristics do the Old StoneAge fertility sculptures possess?
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Bellies, breasts, and pubic areas
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Works
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What THREE physical characteristicsdo the Old Stone Age fertility
sculptures lack?
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Facial features, feet, well-defined arms
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Works
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Environmental factor separating theOld from the Middle Stone Age
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Warmer climate
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Dates
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How did the warmer climate of theMiddle Stone Age influence
Mesolithic art?
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Cave dwellers built rock shelters wherethey painted.
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When were the Mesolithic rockshelter paintings created?
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From around 7000 B.C.E. to about 4000B.C.E.
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What element separates theMesolithic rock shelter paintingsfrom Paleolithic cave paintings?
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The depiction of the human figure
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Processes
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Which TWO art forms are mostoften linked with the Neolithic
period?
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Rings or rows of stones in WesternEurope
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Processes
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When were the earliest Neolithicstone formations created?
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4000 B.C.E.
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Dates
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Megaliths
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The stones used in creating Neolithicstone formations
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Term
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Megalithic
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Civilizations that created Neolithic stoneformations
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Term
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How large are megaliths?
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Up to 17 feet tall and 50 tons in weight
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The most well-known megalithic
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Stonehenge
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Location of Stonehenge
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On Salisbury Plain in Wiltshire, England
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When was Stonehenge built?
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Between 2000 and 1000 B.C.E
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What TWO materials are used inStonehenge?
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Sarsen and "bluestones"
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Sarsen
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A form of sandstone
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Term
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Bluestones
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Stones indigenous to the region aroundStonehenge
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Term
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What arrangement of stones isfound in the outer ring of
Stonehenge?
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Huge sarsen pieces arranged inpost-and-lintel construction
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What material makes up the secondoutermost ring of Stonehenge?
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Bluestones
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What arrangement of stones isfound in the innermost ring of
Stonehenge?
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A horseshoe-shaped row of fivelintel-topped sarsen stones
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Where are the largest stones inStonehenge found?
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In the innermost ring
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Works
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Where is the "heel-stone" relative toStonehenge?
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To the east of Stonehenge
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What location does the "heel-stone"mark in relation to Stonehenge?
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The place where the sun rises on themidsummer solstice, as seen from thecenter of Stonehenge
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Where is Mesopotamia?
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The valley between the Tigris andEuphrates Rivers
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What geographic characteristicweakened the Mesopotamian
civilizations?
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A lack of natural barriers to ward offinvaders
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For what TWO reasons do so fewexamples of Mesopotamian art
exist?
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Perishable materials and conflicts
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Places
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Which civilization lived inMesopotamia from 4000 to 2340
B.C.E.?
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The Sumerians
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The central aspect of Sumerian life
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Religion
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Groups
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Ziggurats
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Temple-like structures that developed outof Mesopotamian platforms
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Took over Sumer around 2340B.C.E.
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Sargon of Akkad
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How did the Akkadians deal withSumerian culture?
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Assimilation
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Akkadian equivalent of Sumerianloyalty to the state
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Loyalty to the king
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Groups
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Who overthrew the Akkadiansaround 2150 B.C.E.?
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The Guti
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Groups
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How did the Akkadian loyalty to theking affect Akkadian art?
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Akkadians erected sculptures of their rulers.
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Groups
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Took control of Sumer about 60years after the Guti invasion
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Sumerians
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Was named king when theSumerians retook control of Sumer
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King Ur
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The greatest known works of theSumerian reestablishment period
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Ziggurats built at city centers
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What THREE purposes did zigguratsserve?
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Temples and administrative and economiccenters
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City-state that conqueredMesopotamia in 1792 B.C.E.
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Babylonia
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King of Babylonia during itsconquest of Mesopotamia?
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Hammurabi
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People
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Hammurabi's enduring legalachievement
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Codification of Babylonian law into theCode of Hammurabi.
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People
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What TWO artworks fromHammurabi's rule are best-known
today?
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A stone stele engraved with Hammurabi'scode and a relief sculpture of Hammurabi
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Location of the stone stelecontaining Hammurabi's code
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The Louvre Museum
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Works
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Civilization that dominated northernMesopotamia from 900 to 600
B.C.E.
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The Assyrians
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Most notable medium of Assyrianartwork
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Relief carvings
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Processes
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Civilization which controlledMesopotamia between 612 and 538
B.C.E.
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Babylonia
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Places
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Two important architecturalconstructs built during the
Neo-Babylonian period
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The hanging gardens and the Ishtar Gate
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Architectural style that influenced thedesign of the palace at Persepolis
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Egyptian
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Styles
M
Four major works produced duringthe Ancient Egyptian period
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Sphinx, pyramids of Giza, Pharaoh statues,and head of Queen Nefertiti
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Hierarchical scale
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Determining figures' relative size in anartwork according to their social status
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Styles
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Egyptian artifact exemplifying theuse of hierarchical scale
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The Palette of King Narmer
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Function of the Palette of KingNarmer
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Mixing cosmetics
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Main image on the Palette of KingNarmer
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Narmer holding the hair of a fallen enemyand preparing to deliver a death blow
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Fractional representation
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A method of presenting figures so that thebody is shown as clearly as possible
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Styles
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Burial practices observed byEgyptians
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Mummification and entombment withfurnishings, servants, and jewelry
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Groups
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Egyptian king whose famouslywell-hidden tomb was uncovered in
1922
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Tutankhamen
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People
E
Kingdom that covered much ofAfrica during the reign of Ancient
Egypt
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Nubia
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Places
E
Cycladic
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Aegean culture that flourished from 3200to 2000 B.C.E. in the Cyclades
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Groups
E
Minoan
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Aegean culture which supplanted theCycladic culture on Crete, peaking around1000 B.C.E.
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Groups
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Knossos
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central city in Minoan culture, believed tobe the home of the Minotaur
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Places
E
Minotaur
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Half-man, half-bull creature believed tohave lived in a maze in Knossos
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People
E
Two major forms of Minoan painting
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Frescoes on palace walls and potterydesigns
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Styles
M
Mycenaean
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Aegean culture whose rise coincided withthe fall of the Minoans
UARG:12,1,2
Groups
E
Mycenae
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Central city of the Mycenaean culture
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Places
E
Material used in the best-knownMycenaean artworks
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Gold
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Styles
E
Archaic Period
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Period in art history lasting from 660 to475 B.C.E.
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Dates
M
Two regions whose sculpturesinfluenced Archaic Greek sculptures
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Egypt and Mesopotamia
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Places
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Two column styles used in ArchaicGreek temple construction
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Doric and Ionic
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Styles
E
Corinthian style of pottery decoration
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Depicting figures against a floral,ornamented background
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Styles
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Common column style used in EarlyClassical Period temples
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Doric
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Styles
M
Contrapposto, or counter positioning
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Greek pose invented to show the body toits best advantage
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Styles
M
Middle Classical Period
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Art historical period following the EarlyClassical Period
UARG:13,1,2
Dates
E
Late Classical Period
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Period in which architecture declined afterAthens' defeat in the Peloponnesian War
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Dates
M
Corinthian column design
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Column design which became popular inthe Late Classical Period
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Styles
M
Hellenistic Period
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Art historical period which saw increasedinfluence of Eastern civilizations on Greekworks
UARG:13,1,3
Dates
M
Two notable sculptures from theHellenistic Period representing ideals
of beauty
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The and the
UARG:13,2,1
Works
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Italian civilization whose artrepresents a transition from Greek
to Roman artistic styles
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Etruscan
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Groups
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Art medium for which Etruscancivilization is largely known
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Tomb decoration
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Styles
M
Two Roman innovations in the fieldsof architecture and engineering
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Concrete and the curved arch
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Groups
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Two surviving buildings thatexemplify Roman engineering genius
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The Colosseum and the Pantheon
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Type of sculpture adorning Romantriumphal arches and tombs
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Relief sculpture
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Styles
M
Italian city which contains Byzantinemosaic walls
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Ravenna
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Places
M
Constantinople building consideredone of the greatest architectural
achievements in history
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The Hagia Sophia
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Works
E
Central institution in medievalEuropean society
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The Church
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Groups
E
Two materials used as paper duringthe medieval period
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Vellum and parchment
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Styles
M
Two notable medieval illuminatedmanuscripts
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The and the
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Medieval culture noted for metalwork
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Nomadic Germanic peoples
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Groups
M
Medieval culture noted for woodwork
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Vikings
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Groups
M
Hybrid artistic style created in theViking invasions of England and
Ireland
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Hiberno-Saxon
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Styles
H
Romanesque churches
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Churches based around Roman arches,built in the early part of the late Medievalperiod
UARG:15,1,2
Styles
M
Barrel vault
Art
Fun
dam
enta
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Tunnel of arches used in Romanesquechurches
UARG:15,1,2
Styles
M
Vault
Art
Fun
dam
enta
ls
Arch-shaped structure used as a ceiling orroof support
UARG:15,1,2
Styles
M
Architectural style commonly used inchurches that developed in the early
12th century
Art
Fun
dam
enta
ls
Gothic style
UARG:15,1,3
Styles
M
Ribbed vault
Art
Fun
dam
enta
ls
Framework of stone ribs under theintersection of vaulted ceiling sections
UARG:15,1,3
Styles
M
Flying buttresses
Art
Fun
dam
enta
ls
Additional bracing material and archesplaced on the exterior of buildings
UARG:15,1,3
Styles
M
Giotto di Bondone
Art
Fun
dam
enta
ls
Early Renaissance Florentine artist bestknown for his frescoes
UARG:15,1,4
People
H
Difference in use of perspectivebetween Gothic and Renaissance
paintings
Art
Fun
dam
enta
ls
Simple perspective rather than flat
UARG:15,2,1
Styles
M
Primary patrons of art during theRenaissance
Art
Fun
dam
enta
ls
Wealthy families
UARG:15,2,2
Groups
M
Social class including painters andsculptors that was looked down
upon until the Renaissance
Art
Fun
dam
enta
ls
Artisans
UARG:16,1,2
Groups
E
Lorenzo Ghiberti
Art
Fun
dam
enta
ls
Sculptor who won a Florentine competitionin 1400 to design doors for a newbaptistery
UARG:16,1,3
People
H
Filippo Brunelleschi
Art
Fun
dam
enta
ls
Florentine sculptor and architect whohelped develop linear perspective
UARG:16,1,4
People
H
Development in perspectivepioneered by Filippo Brunelleschi
Art
Fun
dam
enta
ls
Linear (single vanishing point) perspective
UARG:16,1,4
Styles
M
Massaccio
Art
Fun
dam
enta
ls
Renaissance painter known for using linearand aerial perspective
UARG:16,1,4
People
H
Donatello
Art
Fun
dam
enta
ls
Renaissance artist widely considered thefounder of modern sculpture
UARG:16,1,5
People
M
Art
Fun
dam
enta
ls
Painting by Botticelli that established anenduring image of female beauty
UARG:16,2,1
Works
H
Term used to identify Renaissanceartists following Botticelli and
Donatello
Art
Fun
dam
enta
ls
High Renaissance artists
UARG:16,2,2
Groups
E
Two High Renaissance artistsremembered as "renaissance men"
Art
Fun
dam
enta
ls
Michelangelo and Leonardo da Vinci
UARG:16,2,2
People
E
Two of Leonardo da Vinci's mostwell-known works
Art
Fun
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ls
and the
UARG:16,2,2
Works
M
Sfumato
Art
Fun
dam
enta
ls
Leonardo Da Vinci's technique of usingmellowed color and blurred outline inpainting
UARG:17,1,1
Styles
E
Statue by Michelangelo di Buonarottithat established his reputation as a
sculptor
Art
Fun
dam
enta
ls
UARG:17,1,2
Works
M
Three Michelangelo sculpturescreated for the tomb of Pope Julius
II
Art
Fun
dam
enta
ls
and
UARG:17,1,3
Works
H
Papal commission that Michelangeloworked on from 1508 to 1512
Art
Fun
dam
enta
ls
The ceiling of the Sistine Chapel
UARG:17,1,3
Works
M
Raphael Sanzio
Art
Fun
dam
enta
ls
High Renaissance painter influenced byMichelangelo who painted the
UARG:17,1,4
People
E
Raphael painting of the Virgin Maryinfluencing many subsequent
religious paintings
Art
Fun
dam
enta
ls
UARG:17,2,1
Works
M
Three Italian cities whose artisticscene expanded greatly during the
Renaissance
Art
Fun
dam
enta
ls
Rome, Florence, and Venice
UARG:17,2,2
Places
M
Giorgione
Art
Fun
dam
enta
ls
Venetian painter who pioneered landscapepaintings with
UARG:17,2,2
People
M
Tintoretto
Art
Fun
dam
enta
ls
Venetian painter linked with Mannerismand chiaroscuro
UARG:17,2,4
People
M
Titian Vecelli
Art
Fun
dam
enta
ls
Prolific Venetian painter who began thecustom of using settings as backdrops forportraits
UARG:17,2,3
People
M
Mannerism
Art
Fun
dam
enta
ls
Artistic style characterized by distortion ofperspective or scale, acidic colors, andtwisted poses
UARG:17,2,4
Styles
H
Chiaroscuro
Art
Fun
dam
enta
ls
Dramatic contrasts of light and dark
UARG:17,2,4
Styles
E
16th century religious movementthat impacted contemporary art
Art
Fun
dam
enta
ls
The Reformation
UARG:17,2,5
Dates
E
Dominikos Theotokopoulos (ElGreco)
Art
Fun
dam
enta
ls
Mannerist artist influenced by Tintorettoand the Counter Reformation
UARG:18,1,1
People
M
Two German artists considered thegreatest north European
Renaissance artists
Art
Fun
dam
enta
ls
Matthias Grünewald and Albrecht Dürer
UARG:19,1,3
People
M
Matthias Grünewald
Art
Fun
dam
enta
ls
German painter known for religious scenesand his depiction of the crucifixion
UARG:19,1,3
People
M
Albrecht Dürer
Art
Fun
dam
enta
ls
Most famous artist of ReformationGermany, influenced by late Gothic andItalian Renaissance works
UARG:19,1,4
People
M
Hans Holbein the Younger
Art
Fun
dam
enta
ls
German portraitist known for his work inEngland as a court painter for King HenryVIII
UARG:19,1,5
People
M
Baroque era (art history)
Art
Fun
dam
enta
ls
Period in art history lasting from the late16th century through the mid 18th century
UARG:19,1,6
Dates
E
Two regions where the CatholicChurch sought to maintain its
dominance during the Baroque era
Art
Fun
dam
enta
ls
Spain and Italy
UARG:19,2,1
Groups
M
Jesuits
Art
Fun
dam
enta
ls
Organization founded to convertnon-Europeans to Catholicism
UARG:19,2,1
Groups
E
Four most powerful European rulersin the 17th and 18th centuries
Art
Fun
dam
enta
ls
Empress Maria Theresa, Peter the Great,Catherine the Great, and Louis XIV
UARG:19,2,2
People
H
Jean-Jacques Rousseau
Art
Fun
dam
enta
ls
Enlightenment philosopher who protestedthe low standards of living of thepeasantry
UARG:19,2,2
People
M
Baroque (style)
Art
Fun
dam
enta
ls
Rich color and ornamentation in artworksfrom the Baroque period
UARG:19,2,3
Styles
M
Caravaggio
Art
Fun
dam
enta
ls
Italian Baroque painter renowned for useof chiaroscuro and naturalism
UARG:20,1,2
People
M
Artemisia Gentileschi
Art
Fun
dam
enta
ls
Painter notable for her adaptation ofCaravaggio's techniques
UARG:20,1,3
People
H
Gianlorenzo Bernini
Art
Fun
dam
enta
ls
17th century Baroque sculptor, architect,painter, and draftsman known for the
UARG:20,1,4
People
M
Peter Paul Rubens
Art
Fun
dam
enta
ls
Early 15th -century Flanders painter knownfor his influential energetic and colorfulworks
UARG:20,1,5
People
M
Rembrandt van Rijn
Art
Fun
dam
enta
ls
17th -century Dutch painter, printmaker, anddraftsman known for
UARG:20,1,5
People
M
Palace of Versailles
Art
Fun
dam
enta
ls
French palace built under Louis XIVexemplifying Baroque design andmonarchial power
UARG:20,2,2
Places
M
The Paris
Art
Fun
dam
enta
ls
Influential annual art exhibition run by theFrench Academy until the 19th century
UARG:20,2,3
Term
s
M
Diego Velázquez
Art
Fun
dam
enta
ls
17th century court painter of King Philip IVof Spain who influenced theImpressionistmovement
UARG:20,2,4
People
M
Jean-Antoine Watteau
Art
Fun
dam
enta
ls
17th century French painter who led theemerging Rococo movement and developedthe
UARG:21,1,1
People
M
Art
Fun
dam
enta
ls
Genre of painting developed byJean-Antoine Watteau depictingelegantly-dressed nobles in the countryside
UARG:21,1,1
Styles
M
François Boucher
Art
Fun
dam
enta
ls
18th century French painter influenced byJean-Antoine Watteau, favorite painter ofMadame Pompadour
UARG:21,1,1
People
M
Jean-Honoré Fragonard
Art
Fun
dam
enta
ls
French painter influenced by FrançoisBoucher and promoted by MadamePompadour
UARG:21,1,1
People
M
Monarch for whom MadamePompadour was a mistress
Art
Fun
dam
enta
ls
Louis XV
UARG:21,1,1
People
H
Neoclassicism
Art
Fun
dam
enta
ls
Style influenced by Enlightenmentphilosophy and classical works thatemerged shortly before the FrenchRevolution
UARG:21,1,2
Styles
M
Jacques Louis David
Art
Fun
dam
enta
ls
Neoclassical French painter who paintedthe and was involvedin the French Revolution
UARG:21,1,2
People
M
Jean Dominique Ingres
Art
Fun
dam
enta
ls
Pupil of Jacques Louis David whoexemplified Neoclassical style
UARG:21,1,2
People
M
Eug?ne Delacroix
Art
Fun
dam
enta
ls
Painter and leader of the Romanticmovement
UARG:21,2,2
People
M
Romanticism (art history)
Art
Fun
dam
enta
ls
Style returning to the Baroque emphasison emotional qualities
UARG:21,2,2
Styles
M
Three important Romantic artists
Art
Fun
dam
enta
ls
Eug?ne Delacroix, William Blake andThéodore Gericault
UARG:21,2,2
People
H
Realism
Art
Fun
dam
enta
ls
Style of painting emphasizing the use ofall features of a subject
UARG:21,2,3
Styles
M
Gustave Courbet
Art
Fun
dam
enta
ls
Leader of Realist movement who painted
UARG:21,2,3
People
M
Impressionism
Art
Fun
dam
enta
ls
Style of painting that grew out ofdissatisfaction with strict rules
UARG:21,2,4
Styles
M
Édouard Manet
Art
Fun
dam
enta
ls
Predecessor of the Impressionists,juxtaposing bright, contrasting colors in hiswork
UARG:21,2,4
People
M
Claude Monet
Art
Fun
dam
enta
ls
Impressionist painter who inspired themovement's name with his painting
UARG:22,1,2
People
M
Four notable Impressionist painters
Art
Fun
dam
enta
ls
Edouard Manet, Claude Monet, CamillePissaro and Alfred Sisley
UARG:22,1,2
People
H
Paul Cézanne
Art
Fun
dam
enta
ls
Influential Post-Impressionist painter whoredefined art in terms of form andinfluenced Cubism
UARG:22,2,1
People
M
Post-Impressionism
Art
Fun
dam
enta
ls
Style partly influenced by Impressionismthat emphasized vivid colors
UARG:22,2,2
Styles
M
Georges Seurat
Art
Fun
dam
enta
ls
Post-Impressionist painter who emphasizedthe scientific rules of color and developedoptical mixing techniques
UARG:22,2,2
People
M
Vincent Van Gogh
Art
Fun
dam
enta
ls
Artist who used color to portray emotions,painted
UARG:23,1,2
People
M
Paul Gauguin
Art
Fun
dam
enta
ls
Painter who emphasized intense color inhis works
UARG:23,1,3
People
M
Two inventions that allowedImpressionists to paint outdoors
Art
Fun
dam
enta
ls
Chemical-based paints and the paint tube
UARG:23,2,2
Processes
M
Invention that questioned the needto capture reality in painting
Art
Fun
dam
enta
ls
Camera
UARG:23,2,2
Processes
M
Edgar Degas
Art
Fun
dam
enta
ls
Impressionist painter influenced byJapanese art
UARG:23,2,2
People
M
Pre-Raphaelites
Art
Fun
dam
enta
ls
Artists who returned to simple,pre-Renaissance styles
UARG:23,2,3
Groups
M
Art Nouveau
Art
Fun
dam
enta
ls
Style of décor, architecture and designpopular in the late 19th and early 20 th
centuries
UARG:23,2,3
Styles
M
Henri Matisse
Art
Fun
dam
enta
ls
Leader of movement that usedhighly intense, arbitrary colors
UARG:23,2,4
People
M
Cubism
Art
Fun
dam
enta
ls
Style of art influenced by African art thatused form in new ways
UARG:24,1,1
Styles
M
Two artists who developed theCubist style
Art
Fun
dam
enta
ls
Pablo Picasso and Georges Braque
UARG:23,2,5
People
M
Art
Fun
dam
enta
ls
Group of German artists who combinedFauvist color with emotional intensity
UARG:24,1,2
Groups
H
Two well-known German artistsincluded in
Art
Fun
dam
enta
ls
Ernst Ludwig Kirchner and Emile Nolde
UARG:24,1,2
People
H
Expressionism
Art
Fun
dam
enta
ls
Artistic style that attempted to expressabstract consciousness
UARG:24,1,1
Styles
M
Art
Fun
dam
enta
ls
German Expressionist group led by VasilyKandinsky that painted completely abstractworks
UARG:24,1,2
Groups
H
Two pioneering artists who usedtotal abstraction
Art
Fun
dam
enta
ls
Kazimir Malevich and Piet Mondrian
UARG:24,2,1
People
H
Global development that helped shiftthe focus of the art world from Paris
to New York
Art
Fun
dam
enta
ls
World War I
UARG:24,2,2
Events
E
The first major showing of modernart in the United States
Art
Fun
dam
enta
ls
The Armory Show
UARG:24,2,2
Events
M
Art
Fun
dam
enta
ls
Marcel Duchamp painting shown at theArmory Show
UARG:24,2,2
Works
M
Art
Fun
dam
enta
ls
Picasso painting shown at the ArmoryShow
UARG:24,2,2
Works
M
Art
Fun
dam
enta
ls
Constantin Brancusi painting shown at theArmory Show
UARG:24,2,2
Works
M
Center of African-American creativityduring the 1920s
Art
Fun
dam
enta
ls
Harlem
UARG:24,2,3
Places
E
Harlem Renaissance
Art
Fun
dam
enta
ls
Flowering of the arts in 1920s Harlem
UARG:24,2,3
Events
E
Dada
Art
Fun
dam
enta
ls
Artistic movement protesting acceptedsocial mores
UARG:24,2,4
Styles
M
Marcel Duchamp
Art
Fun
dam
enta
ls
Dadaist artist who invented "ready-made"art
UARG:24,2,5
People
M
Surrealists
Art
Fun
dam
enta
ls
Group of artists influenced by Freudwhose work portrayed the workings of themind
UARG:25,1,1
Groups
M
Three notable Surrealists
Art
Fun
dam
enta
ls
Salvador Dalí, René Magritte, and JoanMiró
UARG:25,1,2
People
H
Bauhaus
Art
Fun
dam
enta
ls
Weimar-era German school of design thatestablished the standards for modernarchitecture and design
UARG:25,1,3
Places
M
Global development that haltedorganized art movements
Art
Fun
dam
enta
ls
World War II
UARG:25,1,4
Events
E
Two prominent art critics in 1950sNew York
Art
Fun
dam
enta
ls
Harold Rosenberg and Clement Greenberg
UARG:25,2,2
People
H
Four prominent AbstractExpressionists
Art
Fun
dam
enta
ls
Willem de Kooning, Lee Krasner, FranzKline, and Jackson Pollock
UARG:25,2,2
People
H
Wo types of Abstract Expressionistworks
Art
Fun
dam
enta
ls
Action-paintings and color field paintings
UARG:25,2,3
Styles
M
Two well-known AbstractExpressionist color field artists
Art
Fun
dam
enta
ls
Mark Rothko and Josef Albers
UARG:25,2,3
People
H
Jasper Johns
Art
Fun
dam
enta
ls
Artist who created works featuring commonitems such as flags, numbers, maps, andletters
UARG:25,2,4
People
M
Robert Rauschenberg
Art
Fun
dam
enta
ls
Artist who created "combines", sculpturescreated from cast-off items
UARG:25,2,4
People
M
Pop Art
Art
Fun
dam
enta
ls
Style that violated artistic subject-matterconventions
UARG:25,2,5
Styles
E
Andy Warhol
Art
Fun
dam
enta
ls
Pop art icon whose work mocked the artworld
UARG:25,2,5
People
M
Roy Lichenstein
Art
Fun
dam
enta
ls
Pop artist who used comic-book styleillustration
UARG:26,1,1
People
M
Robert Indiana
Art
Fun
dam
enta
ls
Pop artist who used industrial stencils inhis art
UARG:26,1,1
People
M
Minimalism
Art
Fun
dam
enta
ls
Artistic style that reduced art to bareessentials
UARG:26,1,2
Styles
E
Two innovations that enabledMinimalist "hard-edge painting"
Art
Fun
dam
enta
ls
Acrylic paint and the airbrush
UARG:26,1,2
Processes
M
Frank Stella
Art
Fun
dam
enta
ls
Minimalist painter known for large,non-objective works
UARG:26,1,2
People
M
Two sculptors who created largeabstract minimalist works
Art
Fun
dam
enta
ls
David Smith and Dan Flavin
UARG:26,1,2
People
H
Photorealism
Art
Fun
dam
enta
ls
Artistic style where subjects are depicted insharp focus
UARG:26,1,3
Styles
E
Two photorealist artists who revivedGustave Courbet's Realism
Art
Fun
dam
enta
ls
Chuck Close and Duane Hanson
UARG:26,1,3
People
H
Christo and Jeanne-Claude
Art
Fun
dam
enta
ls
Two artists who "packaged" landscapeswith fabric and plastic
UARG:26,1,4
People
M
Four artists associated withEarthworks
Art
Fun
dam
enta
ls
Christo, Jeanne-Claude, Michael Heizer andRobert Smithson
UARG:26,2,1
People
H
Performance Art
Art
Fun
dam
enta
ls
Style combining theater and art whereartists themselves become the work
UARG:26,2,2
Styles
E
Postmodernist
Art
Fun
dam
enta
ls
20 th -century artistic style reintroducingtraditional elements or exaggeratingModernist ones
UARG:26,2,3
Styles
E
The most famous work of AncientChinese art
Art
Fun
dam
enta
ls
The Great Wall
UARG:27,2,2
Works
E
Chinese emperor whose tombcontains a life-sized clay army
Art
Fun
dam
enta
ls
Qin
UARG:28,1,2
People
E
Tang dynasty
Art
Fun
dam
enta
ls
Period of Chinese history often referred toas a "golden age"
UARG:28,1,3
Dates
E
Number of languages and dialectsspoken in India
Art
Fun
dam
enta
ls
Over 1600
UARG:28,1,3
Concepts
M
Two religions with strong influenceson Indian art
Art
Fun
dam
enta
ls
Buddhism and Hinduism
UARG:28,1,4
Groups
E
Religion with strong influence onJapanese art
Art
Fun
dam
enta
ls
Buddhism
UARG:28,2,2
Groups
E
African nation containing some ofthe oldest examples of cave painting
Art
Fun
dam
enta
ls
Namibia
UARG:28,2,3
Places
M
Nok
Art
Fun
dam
enta
ls
Civilization that arose in Nigeria around500 B.C.E. and influenced the Yoruba
UARG:28,2,3
Groups
M
Benin Kingdom
Art
Fun
dam
enta
ls
Nigerian civilization that produced castbronze portrait heads and other ceremonialobjects
UARG:29,1,1
Places
M
Ceremonial African and Oceania artpieces intended for use in
performances
Art
Fun
dam
enta
ls
Masks
UARG:29,2,2
Works
M
Oceania
Art
Fun
dam
enta
ls
Islands comprising Polynesia, Melanesia,and Micronesia
UARG:29,2,3
Places
M
Important expression of socialstature in Polynesia
Art
Fun
dam
enta
ls
Tattoos
UARG:29,2,3
Processes
E
Asmat
Art
Fun
dam
enta
ls
Cultural group in Melanesia who producedcarved wooden shields
UARG:29,2,4
Groups
M
Location where Islam emerged
Art
Fun
dam
enta
ls
The Arabian Peninsula
UARG:30,1,3
Places
E
The Quran
Art
Fun
dam
enta
ls
The holy book of Islam
UARG:30,1,3
Works
E
Dome of the Rock
Art
Fun
dam
enta
ls
Jerusalem mosque that is one of theoldest example of Islamic architecture
UARG:30,2,1
Works
M
Five civilizations that flourished inthe pre-colonial Americas
Art
Fun
dam
enta
ls
Olmec, Toltec, Maya, Inca, and Aztec
UARG:31,1,1
Groups
H
Six basic formal qualities of art
Art
Fun
dam
enta
ls
Line, shape, form, space, color, andtexture
UARG:31,1,3
Concepts
M
Line
Art
Fun
dam
enta
ls
The path of a point moving through space
UARG:31,1,4
Concepts
E
Implied line
Art
Fun
dam
enta
ls
A series of interrupted dots or lines thatthe eye connects
UARG:31,1,4
Concepts
E
Vertical lines
Art
Fun
dam
enta
ls
Lines that cause the eye to move upward
UARG:31,2,1
Concepts
E
Horizontal lines
Art
Fun
dam
enta
ls
Lines that suggest a peaceful feeling
UARG:31,2,1
Concepts
E
Two types of lines that suggest asense of activity
Art
Fun
dam
enta
ls
Curved and jagged lines
UARG:31,2,1
Concepts
E
Shape
Art
Fun
dam
enta
ls
The two-dimensional area of an object
UARG:31,2,2
Concepts
E
Form
Art
Fun
dam
enta
ls
The three-dimensional representation of anobject
UARG:31,2,2
Concepts
E
Geometric forms
Art
Fun
dam
enta
ls
Forms that can be defined mathematicallyand convey order and stability
UARG:31,2,3
Concepts
E
Organic forms
Art
Fun
dam
enta
ls
Irregular forms that convey movement andrhythm
UARG:31,2,3
Concepts
E
Space (in art)
Art
Fun
dam
enta
ls
Element of art related to the organizationof objects and the areas around them
UARG:31,2,4
Concepts
E
Positive space
Art
Fun
dam
enta
ls
Space occupied by objects in an artwork
UARG:31,2,4
Concepts
E
Negative space
Art
Fun
dam
enta
ls
Space surrounding objects in an artwork
UARG:31,2,4
Concepts
E
Freestanding sculpture
Art
Fun
dam
enta
ls
Sculpture that can be viewed from anyangle
UARG:31,2,4
Processes
E
Relief sculpture
Art
Fun
dam
enta
ls
Sculpture that projects from a surface
UARG:31,2,4
Processes
E
Contours
Art
Fun
dam
enta
ls
Visible borders of an object
UARG:31,2,5
Concepts
E
Four techniques used to create asense of perspective
Art
Fun
dam
enta
ls
Shading and highlighting, placement behindor in front of other objects, size, and levelof detail
UARG:31,2,5
Concepts
M
Aerial/atmospheric perspective
Art
Fun
dam
enta
ls
Technique taking into account effects ofairborne particles on appearance of distantobjects
UARG:32,1,1
Concepts
E
Linear perspective
Art
Fun
dam
enta
ls
Technique founded on the visualphenomenon of vanishing points
UARG:32,2,1
Concepts
E
Hue
Art
Fun
dam
enta
ls
Name of a color
UARG:33,1,1
Concepts
E
Three primary colors
Art
Fun
dam
enta
ls
Red, blue, and yellow
UARG:33,1,1
Concepts
E
Secondary colors
Art
Fun
dam
enta
ls
Colors made by combining two primarycolors
UARG:33,1,1
Concepts
E
Tertiary colors
Art
Fun
dam
enta
ls
Colors made by combining a secondarycolor with an adjacent primary color
UARG:33,1,1
Concepts
E
Color wheel
Art
Fun
dam
enta
ls
Visual organization of all hues
UARG:33,1,1
Concepts
E
Value
Art
Fun
dam
enta
ls
The lightness or darkness of a color orneutral
UARG:33,1,2
Concepts
E
Neutrals
Art
Fun
dam
enta
ls
Black, white, and grays
UARG:33,1,2
Concepts
E
Intensity
Art
Fun
dam
enta
ls
The brightness or purity of a color
UARG:33,1,3
Concepts
E
Warm colors
Art
Fun
dam
enta
ls
Red, orange, and yellow
UARG:33,1,5
Concepts
E
Cool colors
Art
Fun
dam
enta
ls
Green, blue, and violet
UARG:33,2,0
Concepts
E
Local color
Art
Fun
dam
enta
ls
The "true" color of an object
UARG:33,2,1
Concepts
E
Optical color
Art
Fun
dam
enta
ls
The effect that special lighting has on thecolor of objects
UARG:33,2,1
Concepts
E
Texture
Art
Fun
dam
enta
ls
How things feel or how we think theywould feel
UARG:33,2,2
Concepts
E
Composition
Art
Fun
dam
enta
ls
Organization of the elements of art
UARG:33,2,4
Concepts
E
Rhythm
Art
Fun
dam
enta
ls
Movement or pattern in a work of art
UARG:34,1,1
Concepts
E
The two aspects of repetition
Art
Fun
dam
enta
ls
Motif and pattern
UARG:34,1,2
Concepts
E
Motif
Art
Fun
dam
enta
ls
A single element of a pattern
UARG:34,1,2
Concepts
E
Balance
Art
Fun
dam
enta
ls
Equal distribution of visual weight in anartwork
UARG:34,1,3
Concepts
E
Approximate symmetry
Art
Fun
dam
enta
ls
Slight variation of shapes or objects aroundthe central axis
UARG:34,1,3
Concepts
E
Asymmetrical balance
Art
Fun
dam
enta
ls
Visual balance of disparate objects
UARG:34,1,4
Concepts
E
Focal point
Art
Fun
dam
enta
ls
Point where the eye tends to rest
UARG:34,2,1
Concepts
E
Proportion
Art
Fun
dam
enta
ls
Relationships between objects' sizes in anartwork
UARG:34,2,3
Concepts
E
Five drawing tools
Art
Fun
dam
enta
ls
Pencil, pen, charcoal, crayon, and felt-tipmarkers
UARG:35,1,2
Processes
M
Shading
Art
Fun
dam
enta
ls
Drawing technique used to change colorvalues
UARG:35,2,1
Processes
E
Hatching
Art
Fun
dam
enta
ls
Shading with closely set parallel lines
UARG:35,2,1
Processes
E
Crosshatching
Art
Fun
dam
enta
ls
Shading with crisscrossed lines
UARG:35,2,1
Processes
E
Stippling
Art
Fun
dam
enta
ls
Shading with varying densities of smallcolored dots
UARG:35,2,1
Processes
E
Four styles of printmaking
Art
Fun
dam
enta
ls
Relief, intaglio, lithograph, and screenprinting
UARG:35,2,4
Processes
M
Matrix
Art
Fun
dam
enta
ls
Printing plate on which the image iscreated
UARG:35,2,4
Processes
E
Relief printmaking
Art
Fun
dam
enta
ls
Process where pieces of matrix are cutaway so the image projects from thesurface
UARG:35,2,5
Processes
E
Brayer
Art
Fun
dam
enta
ls
Tool used to apply ink to a plate
UARG:35,2,5
Processes
M
Two tools used to transfer ink froma plate to a page
Art
Fun
dam
enta
ls
Printing press and burnisher
UARG:36,1,0
Processes
M
Intaglio printmaking
Art
Fun
dam
enta
ls
Process of inscribing lines into the matrix
UARG:36,1,1
Processes
E
Engraving
Art
Fun
dam
enta
ls
Intaglio process using carving tools todirectly inscribe lines into a matrix
UARG:36,1,1
Processes
E
Etching
Art
Fun
dam
enta
ls
Intaglio process using acid to etch groovesinto exposed matrix
UARG:36,1,1
Processes
E
Lithography
Art
Fun
dam
enta
ls
Process where ink is applied to a waximage drawn on the matrix
UARG:36,1,2
Processes
E
Screen prints
Art
Fun
dam
enta
ls
Process where an image is transferred toa fabric frame and acts as a stencil
UARG:36,1,3
Processes
E
Three materials comprising paint
Art
Fun
dam
enta
ls
Pigments, binders, and solvents
UARG:36,2,0
Processes
M
Fresco
Art
Fun
dam
enta
ls
Technique where water-based paints areapplied to wet plaster
UARG:36,2,2
Processes
E
Tempera
Art
Fun
dam
enta
ls
Water-based paint with egg binder thatdries quickly and has a narrow tonal range
UARG:36,2,3
Processes
E
Glazes
Art
Fun
dam
enta
ls
Thin transparent layers of oil paints appliedover another color
UARG:36,2,4
Processes
E
Encaustic
Art
Fun
dam
enta
ls
Wax-based paint fused to surfaces with hotirons
UARG:37,1,1
Processes
E
Gouache
Art
Fun
dam
enta
ls
Water-based paint similar to tempera
UARG:37,1,2
Processes
E
Watercolor
Art
Fun
dam
enta
ls
Water-based paint tinted by adding waterinstead of white paint
UARG:37,1,3
Processes
E
Acrylic paint
Art
Fun
dam
enta
ls
Synthetic paint developed after World WarII
UARG:37,1,4
Processes
E
Four basic methods of sculpture
Art
Fun
dam
enta
ls
Carving, modeling, casting, andconstruction
UARG:37,2,1
Processes
M
Carving
Art
Fun
dam
enta
ls
Removing original material to create asculpture
UARG:37,2,2
Processes
E
Modeling
Art
Fun
dam
enta
ls
Adding materials to a surface to create asculpture
UARG:37,2,3
Processes
E
Casting
Art
Fun
dam
enta
ls
Creating a plaster mold used to replicatethe original sculpture
UARG:38,1,1
Processes
E
Alexander Calder
Art
Fun
dam
enta
ls
Sculptor who created mobiles whose partsare moved by wind
UARG:38,1,3
People
M
Environmental art/ Earthworks
Art
Fun
dam
enta
ls
Large sculpture that redefines the spacewhere it is created
UARG:38,1,4
Processes
E
Mixed media
Art
Fun
dam
enta
ls
Artworks that use several art media
UARG:38,1,5
Processes
E
Five craft products that have cometo be recognized as art forms
Art
Fun
dam
enta
ls
Pottery, jewelry, fibers, glass, and woodenobjects
UARG:38,2,4
Processes
M
Pottery
Art
Fun
dam
enta
ls
Craft medium using natural materials suchas clay
UARG:38,2,5
Processes
E
Slip
Art
Fun
dam
enta
ls
Liquid clay used to join edges of claypieces
UARG:39,1,0
Processes
E
Kiln
Art
Fun
dam
enta
ls
Oven used to remove all moisture from aclay piece
UARG:39,1,2
Processes
E
Two fiber art forms
Art
Fun
dam
enta
ls
Weaving and quilting
UARG:39,2,1
Processes
M
Architecture
Art
Fun
dam
enta
ls
The design and construction of buildings
UARG:40,1,2
Processes
E
Post-and-lintel construction
Art
Fun
dam
enta
ls
Technique where a beam is placedhorizontally across another two beams
UARG:40,1,3
Processes
E
Four key inventions in architecture
Art
Fun
dam
enta
ls
Post-and-lintel, the arch, the vault, and thedome
UARG:40,1,4
Processes
M
The Great Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Global economic crisis triggered by the1929 United States stock market crash
UARG:42,1,1
Events
E
Six factors determining howindividuals were affected by the
Great Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Social and financial status, education, race,gender, age, and location
UARG:42,1,2
Events
M
The economic sector experiencingthe most severe unemployment
during the Great Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Industrial sector
UARG:42,1,2
Events
E
Region of the United States struckwith drought during the Great
Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Midwest
UARG:42,2,1
Events
E
Largest patron of visual arts,theater, and literature during the
Great Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The government
UARG:42,2,2
Groups
E
Author of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
John Steinbeck
UARG:42,2,2
People
E
Institution which society trusted toresolve the problems of the Great
Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The government
UARG:43,1,1
Groups
E
New Deal policies
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Depression-era United States governmentpolicies intended to help the economywhich supported the arts and literature
UARG:43,1,2
Events
M
Franklin D. Roosevelt
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
32 nd president of the United States from1933 to 1945 who enacted New Dealpolicies
UARG:43,1,3
People
E
Herbert Hoover
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
31st president of the United States,predecessor of Franklin D. Roosevelt
UARG:43,1,3
People
E
The First New Deal
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
New Deal policies enacted in 1933 underFranklin D. Roosevelt
UARG:43,1,4
Events
M
The Second New Deal
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
New Deal policies enacted in 1935 andlater
UARG:43,2,0
Events
M
Three New Deal agencies still inexistence today
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Federal Deposit Insurance Company,Securities and Exchange Commission, andthe Social Security system
UARG:43,2,1
Groups
H
Political system that many peopleclaimed Franklin D. Roosevelt's
policies would lead to
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Communism
UARG:43,2,2
Concepts
E
The Red Scare
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Fear of communism in the United Statespost-Russian Revolution
UARG:43,2,2
Concepts
E
Event that began the Red Scare inthe United States
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Bolshevik revolution
UARG:43,2,2
Events
M
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Diego Rivera mural censored for itsdepiction of the Bolshevik leader VladimirLenin
UARG:44,1,1
Works
M
The Rockefeller center
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Location of Diego Rivera's
UARG:44,1,1
Places
M
Two reasons for government artpatronage during the Great
Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Job creation and morale improvement
UARG:44,1,2
Events
M
Nation whose mural movementinspired American government art
patronage
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Mexico
UARG:44,1,3
Places
E
Two leading figures of New Dealart projects
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Edward Bruce and Holger Cahill
UARG:44,2,1
People
M
Alphabet agencies
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
New Deal agencies referred to by theiracronyms
UARG:44,2,2
Groups
E
Public Works of Art Project
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The first New Deal experimental artagency led by Edward Bruce
UARG:44,2,2
Groups
M
Section of Painting and Sculpture
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The second New Deal experimental artagency led by Edward Bruce under theTreasury Department
UARG:45,1,0
Groups
M
Three main locations ofDepression-era federal mural
projects
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Justice Department Building, postoffices, and schools
UARG:45,1,1
Places
H
Six types of Depression-eragovernment-supported architectural
projects
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Apartment buildings, schools, hospitals,airports, bridges, and dams
UARG:45,1,1
Works
H
Two Depression-era naturalisticartists who received government
patronage
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Grant Wood and Ben Shahn
UARG:45,1,2
People
M
Two Depression-eranon-representational artists whoreceived government patronage
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Stuart Davis and Arshile Gorky
UARG:45,4,2
People
M
Demographic group representing41% of artists working on WorksProgress Administration projects
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Women
UARG:45,2,0
Groups
E
Two types of art primarily used inpublic art projects
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Everyday experiences and landscapes
UARG:45,2,1
Styles
E
Diego Rivera
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
20 th century Mexican painter who greatlyinfluenced public art in the United States
UARG:45,2,2
People
E
Guanajuato, Mexico
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Birthplace of Diego Rivera
UARG:45,2,3
Places
M
Mexican art academy which DiegoRivera attended from 1896 to 1905
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Academy of San Carlos
UARG:45,2,3
Places
M
Three European nations whereDiego Rivera lived before returning
to Mexico in 1921
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Spain, France, and Italy
UARG:46,1,1
Places
H
José Vasconcelos
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Mexican Secretary of Public Education whocommissioned Diego Rivera's mural
UARG:46,1,2
People
M
Dwight Morrow
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
United States ambassador to Mexico from1927 to 1930 who commissioned a muralcycle from Diego Rivera at the CortésPalace
UARG:46,1,3
People
M
Political party to which Diego Riverabelonged
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Communist party
UARG:46,1,3
Groups
E
Frida Kahlo
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Diego Rivera's wife and fellow painter
UARG:46,1,4
People
E
Mural cycle painted by Diego Riverafrom 1932 to 1933
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Detroit Institute of Arts murals
UARG:46,2,0
Works
M
Controversial mural which DiegoRivera painted in New York in 1933
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
UARG:46,2,0
Works
E
Number of mural panels comprising
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
21
UARG:47,1,1
Works
H
Event depicted on the east wall ofDiego Rivera's cycle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The origins of human life
UARG:47,1,1
Works
M
Industry depicted on either side ofthe plant bulb in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Agriculture
UARG:47,1,1
Works
M
Focus of the west wall of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Intersections between technology, naturalresources, and human life
UARG:47,1,1
Works
M
Number of horizontal fields intowhich the north and south walls are
divided in Diego Rivera's
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Three
UARG:47,1,2
Works
E
Allegorical representation of differentraces in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Large nude women with different skincolors
UARG:47,1,2
Works
H
Which wall of is aselected artwork?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The south wall
UARG:47,1,3
Works
E
On which factory was the south wallof based?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Ford Motor plant
UARG:47,1,3
Works
M
Charles E. Sorenson
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Head of production at Ford's River Rougefactory in 1933, depicted in
UARG:47,2,0
People
H
Grisaille
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Painting technique that uses only black,white, and grays
UARG:47,2,1
Processes
E
Henry Ford
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Founder of Ford Motors, depicted in
UARG:47,2,1
People
E
William Valentiner
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Director of the Detroit Institute of Arts inthe 1930s
UARG:47,2,2
People
H
Edsel Ford
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
President of the Ford Motor Company andthe Detroit Arts Commission in the 1930s
UARG:47,2,2
People
H
What painting technique did DiegoRivera use in ?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Fresco
UARG:48,1,1
Processes
E
Number of automobiles produced in1931
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
One million
UARG:48,1,2
Events
M
Dearborn
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Home of Ford Motor Company and site ofa 1932protest for better working conditions
UARG:48,1,2
Places
M
Religiously controversial scene in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Vaccination of a child
UARG:48,1,4
Works
H
Why did upper-class Detroitresidents object to ?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
It depicted them standing next toworking-class people.
UARG:48,1,4
Works
H
Aaron Douglas
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
African-American Harlem Renaissancepainter
UARG:48,2,1
People
E
Two Harlem Renaissance poets whobefriended Aaron Douglas
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Langston Hughes and Countee Cullen
UARG:48,2,1
People
M
Birthplace of Aaron Douglas
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Topeka, Kansas
UARG:48,2,2
Places
E
Wineld Reiss
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
German illustrator who illustrated an issueof dedicated to the HarlemRenaissance
UARG:48,2,2
People
H
Egyptian form
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Simplified Egyptian-influenced figures usedby Aaron Douglas
UARG:48,2,2
Processes
M
Two significant Harlem Renaissancemagazines, illustrated by Aaron
Douglas
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
and
UARG:49,1,1
Works
H
City where Aaron Douglas traveledto study European modernism
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Paris
UARG:49,1,2
Places
M
Institution where Douglas studiedfrom 1928 to 1929
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Barnes Foundation in Philadelphia
UARG:49,1,2
Places
M
University which commissioned amural cycle from Aaron Douglas for
its library
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Fisk University in Nashville, Tennessee
UARG:49,1,2
Places
M
Location of Aaron Douglas muralcycle commissioned by the Public
Works of Art Project in 1934
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The 135th Street Branch of the New YorkPublic Library
UARG:49,1,2
Places
H
University where Aaron Douglastaught until 1966
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Fisk University
UARG:49,1,3
Places
E
City where Aaron Douglas died in1979
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Nashville
UARG:49,1,3
Places
E
Current name of the 135 th StreetBranch of the New York Public
Library
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Schomburg Center for Research inBlack Culture
UARG:49,1,4
Places
M
First panel in the Schomburg Centercycle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
UARG:49,1,5
Works
M
Two horizontal panels showingscenes of joy and African-American
unity in the Schomburg Centermural cycle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
and
UARG:49,2,0
Works
M
Final panel of the SchomburgCenter mural cycle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
UARG:49,2,0
Works
E
Familiar New York icon whichestablishes the setting of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Statue of Liberty
UARG:49,2,1
Works
E
Musical instrument held by the largemale figure in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Saxophone
UARG:50,1,0
Works
M
Focus that distinguishes the finalpanel of the Schomburg Center
mural cycle from the others
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Industrialism and urban setting
UARG:50,1,1
Works
E
Colors used in the SchomburgCenter mural cycle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Shades of gray, black, white, and rustyearth tones
UARG:50,1,2
Works
E
Government organization thatcommissioned
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Works Project Administration/Federal ArtProject
UARG:50,1,4
Works
M
Segregation
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Social system where people were keptseparate based on race
UARG:50,2,0
Events
E
Great Migration
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Mass movement of African Americans fromsouthern to northern states during theearly 20 th century
UARG:50,2,0
Events
M
George Biddle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Prolific printmaker, painter, and sculptorknown for his advocacy of public artprojects
UARG:50,2,1
People
E
Alma mater of George Biddle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Harvard University
UARG:50,2,1
Places
E
Parisian academy where GeorgeBiddle studied after abandoning a
law career
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Académie Julian
UARG:50,2,1
Places
M
Art academy where George Biddleenrolled after returning from Paris to
the United States
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Philadelphia Academy of Fine Arts
UARG:50,2,1
Places
M
Global conflict that cut GeorgeBiddle's art career short
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
World War I
UARG:50,2,1
Events
E
Nation to which George Biddletraveled in 1928 and befriended
Diego Rivera
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Mexico
UARG:50,2,2
Places
E
Location of a George Biddle muralcommissioned by the Mexican
government
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Supreme Court building in Mexico City
UARG:51,1,0
Places
M
Classmate of George Biddle whohired a team of artists to paint the
Justice Department
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Franklin D. Roosevelt
UARG:51,1,1
People
E
Location of George Biddle's 5-panelmural cycle for the Justice
Department
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The first floor lobby of the JusticeDepartment
UARG:51,1,2
Works
H
Group which George Biddle chairedin 1943, spending time with
American troops in northern Africa
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
U.S. War Artists Committee
UARG:51,1,3
Groups
M
Where did George Biddle die in1973?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Croton-on-Hudson, New York
UARG:51,1,3
Places
M
Subject matter of George Biddle'sJustice Department mural cycle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Working-class Americans
UARG:51,1,4
Works
E
Subject of the first vertical field of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
An elderly woman holding an axe andwood next to an apartment building
UARG:51,1,5
Works
M
The subject of the foreground of thefirst horizontal field of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
An old woman and a younger man sawingwood
UARG:51,2,1
Works
M
The subject of the second horizontalfield of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
A crowded house
UARG:51,2,1
Works
M
The overall feeling of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Individual isolation
UARG:52,1,1
Works
E
Louis D. Brandeis
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Influential Supreme Court Justice duringthe New Deal period
UARG:52,1,2
People
H
Supreme Court Justice who isquoted in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Oliver Wendell Holmes, Jr.
UARG:52,1,2
People
H
Ben Shahn
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Leftist 1930s painter, printmaker, andphotographer who used his art to expresshis political views
UARG:52,1,3
People
E
Birthplace of Ben Shahn
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Kovno, Lithuania
UARG:52,1,3
Places
M
City where Ben Shahn's familysettled when they moved to the
United States in 1906
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Brooklyn, New York
UARG:52,1,3
Places
M
Printmaking technique Ben Shahnlearned through an apprenticeship
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Lithography
UARG:52,1,4
Processes
E
Two colleges at which Ben Shahnstudied biology
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
New York University and the City Collegeof New York
UARG:52,2,0
Places
M
Two art academies that Ben Shahnattended
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The National Academy of Design and theArt Students League
UARG:52,2,0
Places
M
Two continents where Ben Shahntraveled with his wife from 1924 to
1928
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Europe and Africa
UARG:52,2,0
Places
M
Style of art Ben Shahn developed inthe 1930s
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Social realism
UARG:52,2,0
Styles
M
Series of 23 gouache paintingscreated by Ben Shahn between
1931 and 1932
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
UARG:52,2,1
Works
H
Diego Rivera painting on which BenShahn was invited to work
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
UARG:52,2,2
Works
E
Bernarda Bryson
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Artist and social activist for whom BenShahn abandoned his family
UARG:52,2,3
People
M
Federal agency for which BenShahn produced posters and
photographs from 1935 to 1938
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Farm Security Administration (FSA)
UARG:52,2,3
Groups
M
Walker Evans
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Photographer who guided Ben Shahnthrough the South and Midwest whileworking for the Farm SecurityAdministration
UARG:52,2,3
People
H
Most famous mural cycle created byBen Shahn during the New Deal
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Mural cycle for the Jersey Homesteadsgovernment housing project
UARG:52,2,4
Works
H
Three mural cycle governmentcommissions completed by Ben
Shahn
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Bronx Central Postal Station, theSocial Security Building, and the JerseyHomesteads housing project
UARG:53,1,0
Works
H
Government agency for which Shahnworked during World War II
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Office of War Information
UARG:53,1,1
Groups
M
Subject of famous Ben Shahnportrait for magazine in 1965
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Martin Luther King, Jr.
UARG:53,1,1
People
E
Position Ben Shahn held at Harvardfrom 1956
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Charles Eliot Norton Professor
UARG:53,1,2
People
H
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Collection of Ben Shahn's Harvard lectures
UARG:53,1,2
People
M
Medium of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Tempera on paperboard
UARG:53,2,1
Works
M
The two dominant color tones in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Browns and grays
UARG:53,2,1
Works
E
Collaborator on Ben Shahn's initialsketches for
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Bernarda Bryson
UARG:54,1,1
People
E
Government agency that sponsoredthe mural commission for which
was created
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Treasury Department Section ofPainting and Sculpture
UARG:54,1,1
Groups
M
Number of panels in themural cycle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
13
UARG:54,1,1
Works
H
Walt Whitman poem which inspiredBen Shahn's
mural cycle
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
"I Hear America Singing"
UARG:54,1,2
Works
M
Areas where homelessness becamea widespread problem during the
Great Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Urban areas
UARG:42,1,2
Places
M
United States city which had thrivedpre-Great Depression through
industrialization
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Detroit
UARG:42,1,2
Places
M
Primary region of the United Stateswhere African-Americans faced
discrimination
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The South
UARG:42,2,1
Places
E
Primary artistic subject matter duringthe Great Depression
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Real-life experiences
UARG:42,2,2
Events
E
Fiorello LaGuardia
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
New York City mayor from 1934 to 1945and New Deal supporter
UARG:43,1,1
People
H
Two working arrangements to whichmost artists were accustomed before
the New Deal
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Working for private patrons or sellingworks in private galleries
UARG:43,1,2
Events
H
Later name for the Section ofPainting and Sculpture
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Section of Fine Arts
UARG:45,1,0
Groups
E
Number of murals created underfederal art programs between 1933
and 1945
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
3,500
UARG:45,1,1
Events
H
Number of sculptures created underfederal art programs between 1933
and 1945
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
18,000
UARG:45,1,1
Events
H
Number of paintings created underfederal art programs between 1933
and 1945
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
108,000
UARG:45,1,1
Events
H
Number of prints created underfederal art programs between 1933
and 1945
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
250,000
UARG:45,1,1
Events
H
Number of photographs taken underfederal art programs between 1933
and 1945
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
500,000
UARG:45,1,1
Events
H
Art technique which Diego Riverataught other United States artists
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Fresco
UARG:45,2,1
Styles
E
Political ideology of Diego Rivera'sparents
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Liberal
UARG:45,2,3
People
E
City where the Cortés Palace islocated
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Cuernavaca
UARG:46,1,3
Places
H
Corporation where AmbassadorDwight Morrow previously worked
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
J.P. Morgan and Company
UARG:46,1,3
Groups
H
City where Diego Rivera traveled in1930 with Frida Kahlo
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
San Francisco
UARG:46,1,4
Places
M
Location of a Diego Rivera workpainted shortly after the Rockefeller
Center affair
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
New York's New Worker's School
UARG:46,2,0
Places
H
Year of Diego Rivera's death
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
1957
UARG:46,2,0
Dates
M
Diego Rivera's largest and mostcomplex work completed in the
United States
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
UARG:47,1,0
Works
E
The two larger walls in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
North and south
UARG:47,1,2
Works
M
Process depicted in the south wallof
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The production of an automobile's exterior
UARG:47,1,3
Works
E
Machine in the far right quarter ofthe south wall of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Stamping press used to make steelfenders
UARG:47,1,3
Works
M
Machine depicted in the uppercenter portion of the south wall of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Welding buck
UARG:47,2,0
Works
M
Car parts that female workers aretesting in the upper right corner of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Spark plugs and ignition systems
UARG:47,2,1
Works
H
Type of Renaissance artworkrecalled by the use of grisaille in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Altarpieces
UARG:47,2,2
Works
M
Two races represented by figuresholding limestone and sand in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Asian and Caucasian
UARG:47,2,3
Works
H
Industry represented in the upperleft panel in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Pharmaceutical
UARG:47,2,3
Works
M
Industry represented in the upperright panel in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Chemical
UARG:47,2,3
Works
M
Artist featured in the curriculumwhom Diego Rivera taught the
fresco technique
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
George Biddle
UARG:48,1,0
People
E
Director who took an unpaid leavefrom his position at the Detroit
Institute of Arts in 1932
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
William Valentiner
UARG:48,1,2
People
M
Death toll of the March 1932Dearborn march
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
4
UARG:48,1,2
Events
H
Albert C. Barnes
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
White Philadelphia art collector whosupported the Harlem Renaissance andinfluenced Aaron Douglas
UARG:48,2,1
People
M
Two intellectual figures who spurredthe Harlem Renaissance
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
W.E.B. DuBois and Alain Locke
UARG:48,2,1
People
M
Three Harlem Renaissance writerswho commissioned Aaron Douglas
to illustrate their books
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Countee Cullen, Langston Hughes, andJames Weldon Johnson
UARG:49,1,1
People
H
James Weldon Johnson bookillustrated by Aaron Douglas to
critical acclaim
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
UARG:49,1,1
People
H
Subject of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Two central figures dancing with drummersand singers, while hunters and fighterswatch
UARG:49,2,0
Works
M
Subject of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
A male figure gazing at the New Yorkskyline with another man fightingoppression
UARG:50,1,0
Works
E
Aaron Douglas' view of urbanindustrialism, from
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Provided opportunities for social equity
UARG:50,1,1
Works
M
Effect of generalized, unidentifiablefigures in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Distances the viewers from the scenesrepresented in the paintings
UARG:50,1,3
Works
M
How are African culturesrepresented in
?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
As primitive and exotic
UARG:50,1,3
Works
M
Island where George Biddle traveledafter World War I before returning
to the United States
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Tahiti
UARG:50,2,1
Places
E
Popular destination for Americanartists during the post-World War I
era
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Mexico
UARG:50,2,2
Places
E
Three items of clothing worn by thesubject of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
White workers' gloves, a cap, and darkkhaki worker's clothing
UARG:53,1,3
Works
M
Effect of setting in anambiguous location
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Able to represent industrial work in abroader sense
UARG:53,1,4
Works
M
Which three parts of the riveter'sbody are given more emphasis in
?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Arms, hands, and his tool
UARG:53,1,4
Works
M
How is focus directed at theriveter's hands in ?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The bright white gloves, in contrast withthe worker's clothing
UARG:53,1,4
Works
M
How was Ben Shahn's styleinfluenced by his work as a
photographer?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Use of tightly cropped framing andemphasis on human action
UARG:53,2,0
Styles
M
Number of proposals submitted tothe Treasury Department for the
Bronx Central Postal Stationcommission
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
189
UARG:54,1,1
Works
H
What aspect of Whitman's poetryinspired Ben Shahn?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Whitman's way of defining America by itspeople and their work
UARG:54,2,1
Works
M
Goal of Ben Shahn's works aboutAmerican workers
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Celebrate and monumentalize workers
UARG:54,2,1
Works
E
Poet shown in Ben Shahn's Bronxmural panels as a man with long
white hair
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Walt Whitman
UARG:54,2,2
People
E
Controversial Walt Whitman poemused by Ben Shahn in his Bronx
mural
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
"Thou mother with Thy Equal Brood"
UARG:54,2,2
Works
H
Why was Walt Whitman's poem"Thou mother with Thy Equal Brood"
controversial?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Seen as an attack on the Christianchurch's role in society
UARG:54,2,2
Works
M
Birthplace of George Stanley
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Acadia Parish, Louisiana
UARG:55,1,1
Places
M
Year of birth of George Stanley
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
1903
UARG:55,1,1
Dates
M
City to the north of Los Angeleswhere George Stanley spent his
youth
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Watsonville, California
UARG:55,1,1
Places
H
College where George Stanleystudied sculpture from 1923 to 1926
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Otis Art Institute in Los Angeles
UARG:55,1,1
Places
H
Two schools where George Stanleytaught
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Otis Art Institute in Los Angeles andthe School of Arts in Santa Barbara
UARG:55,1,1
Places
H
High school for which GeorgeStanley completed a sculpture
commission
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Long Beach Polytechnic High School
UARG:55,1,1
Places
H
George Stanley's most notablepublic artwork
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The sculpture of Sir Isaac Newton atGriffith Observatory
UARG:55,1,2
Works
M
The larger collaborative sculptureproject of which George Stanley's
Isaac Newton is a part
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
UARG:55,1,2
Works
E
Two George Stanley sculptureprojects funded by the Public Works
of Art Project
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
and
UARG:55,1,2
Works
M
Number of artists who collaboratedon
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
5
UARG:55,1,3
Works
H
Overseer of the construction of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Archibald Garner
UARG:55,1,3
People
H
Name appearing on thesculpture in
place of the artists' names
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
PWAP
UARG:55,1,3
Works
M
Why is George Stanley's name noteasily recognizable today?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
New Deal art programs tended to embraceanonymity.
UARG:55,1,4
Works
E
Cedric Gibbons
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The art director of MGM during GeorgeStanley's early career
UARG:55,1,4
People
H
Well-known bronze statuette createdby George Stanley for Cedric
Gibbons
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Academy Award of Merit/Oscar
UARG:55,1,4
Works
E
Year when the first Oscar statuettewas awarded
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
1929
UARG:55,2,0
Works
H
Width of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
200 feet
UARG:55,2,1
Works
H
Height of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
22 feet
UARG:55,2,1
Works
H
Material used in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Concrete with light gray granite facing
UARG:55,2,1
Works
M
Source of the granite used in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
A quarry near Victorville, California
UARG:55,2,1
Works
H
Style of sculpture embodied in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Art Deco
UARG:55,2,1
Works
M
Height of the central figure in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
15 feet
UARG:55,2,2
Works
H
Which muse is the central figure in?
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The muse of music
UARG:55,2,2
Works
M
Height of statues on either side ofthe muse of music in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
10 feet
UARG:55,2,2
Works
H
Item in the niches on either side ofthe muse of music in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Representations of dance and drama
UARG:55,2,2
Works
M
Pose of the figures inwhich recalls
Greek sculpture
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Contrapposto
UARG:55,2,2
Works
E
Two masks worn or carried by themuse of drama in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Comedy and tragedy
UARG:55,2,3
Works
E
Expression of the figure of dance in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Calm and serene
UARG:56,1,1
Works
E
Clothing worn by the figures in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Stylized drapery with deep ridges
UARG:55,2,2
Works
E
Instrument played by the muse ofmusic in
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Harp
UARG:56,1,2
Works
E
Two artists featured in thecurriculum who depicted the muses
of music, dance, and drama
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Diego Rivera and George Stanley
UARG:56,1,3
People
E
Location of Diego Rivera's depictionof the muses of music, dance, and
drama
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The mural at the NationalPreparatory School in Mexico
UARG:56,1,3
Works
M
Year of opening of the HollywoodBowl
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
1922
UARG:56,1,4
Dates
H
Year of completion of
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
1940
UARG:56,1,4
Dates
H
Two orchestras that perform at theHollywood Bowl regularly
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Hollywood Bowl Orchestra and theLos Angeles Philharmonic
UARG:56,1,5
Groups
M
Year with the highest attendanceever at the Hollywood Bowl
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
1936
UARG:56,2,0
Dates
H
Event that drew the highestattendance of all time at the
Hollywood Bowl
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
Performance by Lily Pons, a French operastar
UARG:56,2,0
Events
H
Number of people in attendance atLily Pons' 1936 Hollywood Bowl
concert
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
26410
UARG:56,2,0
Events
H
Two organizations thatcommissioned
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
The Hollywood Bowl Association and theLos Angeles County Board of Supervisors
UARG:56,2,1
Groups
M
Year in whichwas restored
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
2006
UARG:56,2,2
Works
H
Year in whichwas designed
Art
and
the
New
Dea
l(P
aint
ing
and
Scu
lptu
re)
1938
UARG:56,2,1
Dates
H
General perception of photography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
As truthful representations of reality
UARG:58,1,1
Styles
E
The 1930s general public'sperception of photography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
As a documentary tool
UARG:58,1,1
Styles
E
How did 1930s photographersperceive photography?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
As a form of art
UARG:58,1,1
Styles
E
The two most popular genres ofphotography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Portraiture and landscape
UARG:58,1,3
Styles
E
Factor sacrificed by smaller camerasfor greater portability and faster
photography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Image quality
UARG:58,1,2
Processes
E
Decade of photography's debut asan art form
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The 1930s
UARG:58,1,3
Dates
E
Reason for continued use oflarge-format cameras in the 1930s
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Higher quality images
UARG:58,1,2
Processes
E
Two popular genres of artisticphotography in the 1930s
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Landscape and portraiture
UARG:58,1,3
Styles
E
Context in which the public viewedphotography in the 1930s
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Journalism
UARG:58,2,0
Styles
E
Samuel Morse
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Inventor who brought the daguerreotype tothe United States
UARG:58,2,1
People
M
Two reasons the American publicpreferred daguerreotypes to painted
portraits
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Cheaper and more accurate in portraying alikeness
UARG:58,2,1
Styles
E
Purpose of photography during theCivil War
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Documentary
UARG:58,2,2
Styles
E
Mathew Brady
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A photographer who organizeddocumentary efforts during the Civil War
UARG:58,2,2
People
M
Two popular subjects of Civil Warphotography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Life of soldiers in the camps and theaftermath of battles
UARG:58,2,3
Styles
M
Two kinds of media used to portraythe action of the Civil War
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Lithographs and photographs
UARG:58,2,3
Styles
M
Why did the public preferphotographs of the Civil War to
prints?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Photographs seemed more realistic andtrustworthy
UARG:58,2,3
Styles
E
Technological limitation thatprevented Civil War photographers
from capturing live action
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Long exposure times
UARG:58,2,3
Processes
E
Two groups who sent photographersto the western territories
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The United States government and privatepatrons
UARG:59,1,1
Groups
M
Timothy O'Sullivan
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A survey photographer of the late 1800s
UARG:59,1,1
Styles
H
Three formats in which surveyphotographs were sold
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Stereographs, individual prints, and foliobooks
UARG:59,1,1
Processes
H
City in which Timothy O'Sullivan'sphotographs were printed and sold
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Washington, D. C.
UARG:59,1,1
Places
H
Two practical reasons for sendingsurvey photographers to the western
territories
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Documenting the region and findinglocations for railroads and settlements
UARG:59,1,1
Styles
M
Jacob Riis
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
An 1800s to early 1900s photographerwhose work pushed for social reform
UARG:59,2,1
People
E
Lewis Hine
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A late 1800s to early 1900s photographerwhose work pushed for social reform
UARG:59,2,1
People
E
Two subjects Jacob Riisphotographed
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Tenement housing and life on the streets
UARG:59,2,1
Styles
M
Jacob Riis' goal as a photographer
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
To expose the middle class to thestruggles of the poor
UARG:59,2,1
Styles
M
Labor situation to which Lewis Hineobjected most
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Child labor
UARG:59,2,1
People
M
Lewis Hine's major social concern
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Labor conditions
UARG:59,2,1
People
E
Which building's construction didLewis Hine famously photograph?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The Empire State Building
UARG:59,2,1
Places
E
Roy Stryker
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Director of the Farm SecurityAdministration photography projects
UARG:60,1,2
People
E
Roy Stryker's state of birth
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Colorado
UARG:60,1,2
Places
H
To which city did Roy Stryker moveafter World War I?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
New York City
UARG:60,1,2
Places
M
Rexford Tugwell
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
An agricultural economist who mentoredRoy Stryker
UARG:60,1,2
People
M
University at which Roy Strykerstudied
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Columbia
UARG:60,1,2
Places
M
Roy Stryker's major at Columbia
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Economics
UARG:60,1,2
People
E
A depression-era book for whichRoy Stryker collected images
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
"American Economic Life"
UARG:60,1,2
Works
M
Roy Stryker's method of educatinghis students about the labor
movement
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Sending them into the city to involvethemselves directly
UARG:60,1,3
People
M
Two core concepts that informedRoy Stryker's work with photography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Visual conceptualization of problems anddirect engagement with social issues
UARG:60,1,3
Styles
H
Government agency run by RexfordTugwell from 1935 to 1936
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The Resettlement Administration
UARG:60,1,4
Groups
M
The original goal of theResettlement Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Relocating poor residents of overburdenedrural and urban areas
UARG:60,1,4
Groups
E
Government administration spawnedfrom the Resettlement Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The Farm Security Administration
UARG:60,1,4
Groups
E
Farm Security Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A New Deal organization that addressedrural problems
UARG:60,1,4
Groups
E
How did the goals of theResettlement Administration changewhen it became the Farm Security
Administration?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Focused more on problems faced by ruralworkers
UARG:60,1,4
Groups
M
Reason farmers unable to afford tokeep their land during the Great
Depression
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Lower prices for agricultural products
UARG:60,1,5
Groups
E
Two factors that led to the DustBowl
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Drought and poor farming practices
UARG:60,1,5
Events
E
Three ways in which the FarmSecurity Administration helpedfarmers to increase agricultural
productivity
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Helping tenant farmers and sharecroppersbuy land, education on land use, andupgrading equipment
UARG:60,2,0
Groups
H
Section of the Farm SecurityAdministration headed by Roy
Stryker from 1935 to 1943
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The Historical Section
UARG:60,2,1
Groups
E
Roy Stryker's role as head of theHistorical Section of the Farm
Security Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Overseeing the photographic documentationof the agency's work
UARG:60,2,1
People
M
Two goals of Roy Stryker regardingthe Farm Security Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Increasing awareness of the Farm SecurityAdministration's work and garnering supportfor it
UARG:60,2,1
People
E
Difference in tone of the FarmSecurity Administration's photographs
compared to other organizations?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Highlighted the difficulties faced byimpoverished workers
UARG:60,2,1
Styles
E
The Farm Security Administration'smethod of constructing a compelling
narrative
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Photographs
UARG:60,2,1
Styles
E
Shooting scripts
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Guidelines stating what kind of subjectsand poses a photographer should look for
UARG:61,1,1
Styles
E
Three ways in which Roy Strykergave his photographers guidance
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Educating them on social issues, providingthem with shooting scripts, and reviewingtheir negatives
UARG:61,1,1
Styles
M
Dorothea Lange
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous photographer who worked underRoy Stryker for the Farm SecurityAdministration
UARG:61,1,2
People
M
Region photographed by DorotheaLange for the Farm Security
Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
California
UARG:61,1,2
Places
M
Gordon Parks
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous photographer who worked underRoy Stryker for the Farm SecurityAdministration
UARG:61,1,2
People
H
Walker Evans
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous photographer who worked underRoy Stryker for the Farm SecurityAdministration
UARG:61,1,2
People
H
Jack Delano
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous photographer who worked underRoy Stryker for the Farm SecurityAdministration
UARG:61,1,2
People
H
Reason Roy Stryker was able topublish his photographs in major
publications
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Connections in the media
UARG:61,1,3
People
M
Walker Evans
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous 1930s photographer
UARG:61,1,4
People
E
Walker Evans' city of birth
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Saint Louis, Missouri
UARG:61,1,4
Places
M
Three cities in which Walker Evansspent his childhood
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Saint Louis, Chicago, and Toledo
UARG:61,1,4
Places
H
What type of camera did WalkerEvans use as a child?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A Kodak Brownie
UARG:61,1,4
Processes
H
Where did Walker Evans travel in1926?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Europe
UARG:61,1,4
Places
M
Government agency that employedWalker Evans in the 1930s
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Farm Security Administration
UARG:61,1,4
Groups
E
Walker Evans' preferred camerawhile working for the Farm Security
Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
8 x 10
UARG:61,2,0
Processes
M
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Carleton Beals book for which WalkerEvans supplied photographs
UARG:61,2,1
Works
E
Reason why large-format camerasproduce sharper photographs
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Print from a larger negative
UARG:61,2,0
Processes
E
How did Walker Evans photographpeople on New York City streets
and subways?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
With a 35mm camera hidden in his coat
UARG:61,2,0
Processes
E
Hired Walker Evans to work for theFarm Security Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Roy Stryker
UARG:61,2,2
People
E
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A book about white sharecroppers inAlabama, published in 1941
UARG:61,2,3
Works
E
James Agee
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A magazine writer whocollaborated with Walker Evans
UARG:61,2,3
People
M
Two creators of
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
James Agee and Walker Evans
UARG:61,2,3
People
M
Region of the United States thatWalker Evans photographed for the
Farm Security Administration
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The South
UARG:61,2,2
Places
E
Original publisher of
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
magazine
UARG:61,2,3
Works
E
Event that overshadowed therelease of
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The United States' entry into World War II
UARG:61,2,3
Events
M
Museum where Walker Evans heldhis first solo exhibition
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Museum of Modern Art
UARG:62,1,1
Events
M
Significance of Walker Evans' 1938Museum of Modern Art exhibition
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
First exhibition devoted to a singlephotographer
UARG:62,1,,1
Events
M
Grant that Walker Evans wasawarded in 1940
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Guggenheim Fellowship
UARG:62,1,1
People
M
Publication that hired Walker Evansin 1945
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
magazine
UARG:62,1,2
People
E
Position that Walker Evans held atmagazine
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Staff writer
UARG:62,1,2
People
M
University where Walker Evanstaught from 1965 until his death
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Yale
UARG:62,1,2
Places
E
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous Walker Evans photograph
UARG:62,1,3
Works
E
Unusual feature of
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
No figures in the photograph
UARG:62,2,0
Works
M
City in which Walker Evans died
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
New Haven, Connecticut
UARG:62,1,2
Places
M
Feature ofthat implies a
human presence
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The chairs are prepared for customers
UARG:62,2,0
Works
E
Type of camera used for
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Large-format
UARG:62,2,1
Processes
E
Item covering the walls on the leftside of
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Newspaper
UARG:62,2,0
Works
E
Direction the chairs face in
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Toward the viewer
UARG:62,2,1
Works
E
Location of the mirrors located in
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
At the sides
UARG:62,2,1
Works
M
Gender typically associated withbarbershops
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Male
UARG:62,2,2
People
E
Social condition highlighted in
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Racial segregation
UARG:62,2,2
Works
M
Term Walker Evans used todescribe the purpose of his
photography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Lyric documentary
UARG:63,1,3
Styles
M
Goal of Walker Evans' photography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Conveying the breadth of humanexperience
UARG:63,1,3
Styles
E
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous Dorothea Lange photograph
UARG:63,2,1
Works
E
Disease that Dorothea Langesuffered as a child
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Polio
UARG:63,2,1
People
M
Dorothea Lange's original intendedprofession in New York City
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Teaching
UARG:63,2,1
People
H
To what city did Dorothea Langemove in 1913?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
New York City
UARG:63,2,2
Places
E
Two famous photographers whomentored Dorothea Lange
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Clarence White and Arnold Genthe
UARG:63,2,2
People
H
Location of Dorothea Lange'sportrait studio, started in 1919
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
San Francisco
UARG:63,2,2
Places
M
Paul Taylor
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
An economist who married andcollaborated with Dorothea Lange
UARG:63,2,3
People
M
Two groups photographed byDorothea Lange in California
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Sharecroppers and migrant workers
UARG:63,2,3
People
E
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A book on sharecroppers and migrantworkers by Paul Taylor and DorotheaLange
UARG:63,2,3
Works
M
Cause that Dorothea Lange'sphotography promoted
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Supporting labor camps
UARG:63,2,4
People
E
Collaborated with Dorothea Lange todocument Japanese internment
camps
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Ansel Adams
UARG:64,1,1
People
M
Difference in Dorothea Lange'sattitude toward her work compared
to that of Walker Evans
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Considered her photos political tools
UARG:63,2,4
Styles
M
United States government's usein 1998
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Postage stamp
UARG:64,1,2
Works
M
Subject of
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A mother and her 3 children
UARG:64,1,3
Works
E
Only face clearly visible in
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The mother
UARG:64,1,3
Works
E
Appearance of the figures in
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Dirty or unkempt
UARG:64,2,0
Works
E
Number of photographs in the seriesthat included
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
6
UARG:64,2,2
Works
M
Florence Owens Thompson
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The central figure of
UARG:64,2,4
People
M
Florence Owens Thompson's stateof birth
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Oklahoma
UARG:64,2,4
Places
M
Why did Florence Owen Thompsonmigrate to California?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Finding work
UARG:64,2,4
People
E
What occupation did DorotheaLange mistakenly attribute toFlorence Owen Thompson?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Peapicker
UARG:65,1,0
People
M
What TWO possessions didDorothea Lange claim Florence
Owen Thompson had sold for food?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Tent and car tires
UARG:65,1,1
People
M
Berenice Abbott
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous photographer who becameprominent in the 1930s
UARG:65,2,1
People
E
Berenice Abbott's city of birth
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Springfield, Ohio
UARG:65,2,1
Places
M
To what city did Berenice Abbottmove in 1918?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
New York City
UARG:65,2,1
Places
E
With what artistic community didBerenice Abbott involve herself upon
arriving in New York City?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Greenwich Village
UARG:65,2,1
Places
E
To what city did Berenice Abbottmove in 1921?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Paris
UARG:65,2,1
Places
E
Berenice Abbott's first job inphotography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Darkroom assistant
UARG:65,1,2
People
M
Photographer who first employedBerenice Abbott
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Man Ray
UARG:65,1,2
People
M
Man Ray
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous 20 th century portraitphotographer and painter
UARG:65,1,2
People
E
Why did Man Ray intentionally hirea darkroom assistant with no
experience?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
So she would print his photographsexactly as he wanted
UARG:65,1,2
People
E
Three celebrities whose portraitsappeared in Berenice Abbott's first
exhibition
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Coco Chanel, James Joyce, and JeanCocteau
UARG:65,1,3
People
H
City in which Berenice Abbott's firstexhibition took place
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Paris
UARG:65,1,3
Places
E
Eugene Atget
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous 20 th century photographer whoinfluenced Berenice Abbott and WalkerEvans
UARG:65,1,3
People
E
Primary subject of Eugene Atget'sphotography
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The city of Paris
UARG:66,1,0
People
E
Why did Berenice Abbott return tothe United States from Paris?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
To promote Eugene Atget's photographs ofParis
UARG:66,1,1
People
M
What TWO aspects of New YorkCity surprised Berenice Abbott when
she returned in 1929?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The increase in population and the boomin skyscraper construction
UARG:66,1,1
Places
M
Three iconic New York Citystructures built during Berenice
Abbott's time photographing the city
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
George Washington Bridge, ChryslerBuilding, and Rockefeller Center
UARG:66,2,0
Places
H
Museum that exhibited 41 ofBerenice Abbott's photographs in
1934
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The Museum of the City of New York
UARG:66,2,1
Events
H
School at which Berenice Abbotttaught from 1935
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The New School for Social Research
UARG:66,2,1
Places
H
To what government agency didBerenice Abbott propose a
documentary survey of New YorkCity?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The Works Progress Administration/FederalArts Project
UARG:66,2,1
Groups
M
Berenice Abbott's documentarysurvey of New York City
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
"Changing New York"
UARG:66,2,1
Works
E
Position that Berenice Abbott held inthe Federal Arts Project
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Superintendent of the Photographic Division
UARG:66,2,1
People
M
Why did Berenice Abbott feel it wasimportant to document New York
City?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Rapidly changing conditions
UARG:66,2,1
People
E
Why was Berenice Abbott tauntedwhen she worked on the street?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Seen as taking employment from a man
UARG:66,2,3
People
E
Reason for Berenice Abbott'sdeparture from the Federal Arts
Project in 1939
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The World's Fair
UARG:66,2,4
Events
M
To what state did Berenice Abbottmove after the 1939 World Fair?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Maine
UARG:67,1,1
Places
M
Two aspects of Maine documentedby Berenice Abbott
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Architecture and landscape
UARG:67,1,1
Styles
E
Textbook type to which BereniceAbbot contributed photographic
illustrations
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Physics
UARG:67,1,1
Works
M
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous Berenice Abbott photograph ofNew York City buildings
UARG:67,1,2
Works
E
Element of Berenice Abbott's workexemplified by
Street with ChryslerBuilding and Daily News Building,
Manhattan
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Juxtaposing old and new buildings
UARG:67,1,2
Styles
E
Building in the foreground of
Street with Chrysler Building andDaily News Building, Manhattan
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
No. 331 East 39 th Street
UARG:67,1,2
Works
E
Why are the windows of No. 331 in
Street with Chrysler Building andDaily News Building, Manhattan
striking?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
They are boarded up
UARG:67,1,2
Places
M
Building material of No. 331 in
Street with Chrysler Building andDaily News Building, Manhattan
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Brick
UARG:67,1,2
Places
E
Two uses of building No. 331 in
Street with Chrysler Building andDaily News Building, Manhattan
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Shops and residences
UARG:67,1,2
Places
M
Where inStreet with Chrysler Building
and Daily News Building, Manhattanis No. 331 positioned?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The right half
UARG:67,1,2
Works
E
On what street was the New YorkDaily News building located in the
1930s?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
East 42 nd Street
UARG:67,1,3
Places
M
Distinction held by the ChryslerBuilding when it was constructed
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Tallest building in New York
UARG:67,1,3
Places
M
Distinguishing feature of the ChryslerBuilding in the New York skyline
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The crown ornamentation
UARG:67,1,3
Places
E
Replaced the Chrysler Building asthe tallest in New York
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The Empire State Building
UARG:67,1,3
Places
E
Ansel Adams
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous 20 th century photographer
UARG:67,2,2
People
E
Type of photograph for which AnselAdams is most famous
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Black-and-white landscapes
UARG:67,2,2
Styles
E
Ansel Adams' favorite park tophotograph?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Yosemite
UARG:67,2,2
Places
E
Ansel Adams' job in the 1930s
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Commercial photographer
UARG:67,2,2
People
M
Two political issues Ansel Adamsaddressed
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Land development and environmentalprotection
UARG:67,2,2
People
M
Ansel Adam's city of birth
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
San Francisco
UARG:67,2,3
Places
M
What occupation did Ansel Adamsconsider pursuing in his youth?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Concert pianist
UARG:67,2,3
People
M
Type of camera Ansel Adams usedduring his 1916 visit to Yosemite?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A Kodak Brownie
UARG:68,1,0
Processes
E
Organization Ansel Adams joined atage 17
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The Sierra Club
UARG:68,1,0
Groups
E
Sierra Club
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
An organization founded in the 19th
century that sought to preserve nature andmake it accessible
UARG:68,1,0
Groups
E
Ansel Adams' first job in the SierraClub
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Tour guide
UARG:68,1,0
People
M
Ansel Adams' highest position in theSierra Club
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Director
UARG:68,1,0
People
M
Virginia Best
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Ansel Adams' wife
UARG:68,1,1
People
M
Establishment operated by the Bestfamily
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A photographic studio
UARG:68,1,1
People
M
Group f/64
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A group of photographers promotingstraight photography to which Ansel Adamsbelonged
UARG:68,2,2
Groups
M
Four photographic techniques AnselAdams preferred
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Large-format camera, large depth of field,sharp focus, and careful balance ofcontrast
UARG:68,2,1
Processes
H
How did Ansel Adams achieve hisbalance of contrast?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Darkroom techniques
UARG:68,2,1
Processes
M
Zone system
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Ansel Adams' system of balancing lightand dark in a photograph
UARG:68,2,1
Processes
M
Origin of Group f/64's name?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The smallest aperture opening of a lens
UARG:68,2,2
Groups
H
Style of photography promotedGroup f/64?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Straight photography without manipulation
UARG:68,2,2
Styles
M
Two effects of an f/64 apertureopening
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Large depth of field and range of focus
UARG:68,2,2
Processes
H
Two artistic effects rejected byGroup f/64
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Soft focus and textured papers emulatingpainting
UARG:68,2,2
Processes
M
Ansel Adams' main concern duringthe 1930s
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
The preservation of natural spaces
UARG:68,2,3
People
E
To which part of the United Statesgovernment did Ansel Adams submit
portfolios of his work?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Congress
UARG:68,2,3
Groups
E
Ansel Adams' goal in submitting hisphotos to Congress
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Promote the development of new parks
UARG:68,2,3
People
E
Two corporations that employedAnsel Adams as a photographer
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Kodak and Standard Oil
UARG:68,2,3
Groups
M
United States governmentdepartment that hired Ansel Adams
in 1941
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Department of the Interior
UARG:68,2,4
Groups
E
Ansel Adam's task under theDepartment of the Interior
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Photographing landscapes across thecountry
UARG:68,2,4
Groups
E
Two subjects Ansel Adamsphotographed for the Department of
the Interior
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
National parks and Native Americanreservations
UARG:68,2,4
Places
E
Ansel Adams' grant in the 1940s
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Guggenheim Fellowship
UARG:68,2,4
People
M
Ansel Adams project funded by theGuggenheim Fellowship fund?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Photographing national parks
UARG:69,1,0
Works
E
Why did Ansel Adams removetraces of human presence from his
photographs?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
To give an impression of idyllic, untouchednature
UARG:69,1,0
Styles
E
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
A famous Andel Adams photograph
UARG:69,1,1
Works
E
Amount for whichwas
auctioned off
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
$600,000
UARG:69,1,1
Works
M
By what road is Hernandez, NewMexico located?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
US Highway 84
UARG:69,1,1
Places
M
What piece of equipment was AnselAdams missing when taking
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Light meter
UARG:69,1,1
Processes
M
Three human structures in
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Group of houses, adobe church, andcemetery
UARG:69,1,1
Places
E
Two contrasting elements in theupper part of
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Light clouds and dark sky
UARG:69,1,2
Works
E
Why did Ansel Adams retain rightsto
instead of the Department ofthe Interior?
Doc
umen
tary
Pho
togr
aphy
ofth
e19
30s
Did not bill the Department of the Interiorfor his work that day
UARG:69,2,1
Works
M
Structure that transformed Americancities in the 1930s
Arc
hite
ctur
eof
the
1930
s
Skyscrapers
UARG:71,1,1
Places
E
Goal that spurred the constructionof skyscrapers in New York City
during the 1930s
Arc
hite
ctur
eof
the
1930
s
Constructing the world's tallest building
UARG:71,1,1
Places
E
Two technological advances thatallowed the construction of
skyscrapers
Arc
hite
ctur
eof
the
1930
s
The safety elevator and steel construction
UARG:71,1,1
Processes
M
William Le Baron Jenney
Arc
hite
ctur
eof
the
1930
s
A 19th century architect often credited withthe first skyscraper
UARG:71,1,3
People
H
The Home Insurance Building
Arc
hite
ctur
eof
the
1930
s
A Chicago building often considered thefirst skyscraper
UARG:71,2,0
Works
M
Advantage of skyscrapers forpatrons
Arc
hite
ctur
eof
the
1930
s
Make the most of limited acreage
UARG:71,1,2
People
N
The Wainwright Building
Arc
hite
ctur
eof
the
1930
s
An early skyscraper located in St. Louis
UARG:71,2,0
Works
M
Louis Sullivan
Arc
hite
ctur
eof
the
1930
s
A 19th century architect who pioneeredskyscrapers
UARG:71,2,0
People
H
Two goals of early skyscraperarchitects
Arc
hite
ctur
eof
the
1930
s
The illusion of lightness and the clarity offunction through form
UARG:71,2,0
Styles
M
"traditional" skyscrapers
Arc
hite
ctur
eof
the
1930
s
Skyscrapers built following World War Iwith new types of profiles and historicalreferences
UARG:71,2,1
Styles
E
What government ordinance led tothe change in skyscraper profiles
after World War I?
Arc
hite
ctur
eof
the
1930
s
Setbacks at the top to allow light and airto reach street level
UARG:71,2,2
Processes
M
What feature did skyscraperarchitects incorporate after World
War I to allow light and air to reachstreet level?
Arc
hite
ctur
eof
the
1930
s
Decorative crown structures
UARG:71,2,2
Processes
E
The Chicago Tribute Tower
Arc
hite
ctur
eof
the
1930
s
A 1920s skyscraper in the traditional style
UARG:71,2,3
Works
E
What part of a traditional skyscraperreflects older architectural styles?
Arc
hite
ctur
eof
the
1930
s
The detailing
UARG:71,2,3
Styles
M
Howells and Hood
Arc
hite
ctur
eof
the
1930
s
The architectural firm that built the ChicagoTribune Tower
UARG:71,2,3
Groups
H
Older architectural style reflected inthe Chicago Tribune Tower
Arc
hite
ctur
eof
the
1930
s
Gothic
UARG:71,2,3
Styles
M
Modern skyscrapers
Arc
hite
ctur
eof
the
1930
s
Skyscrapers built in the 1930s thatdeliberately rejected historical references
UARG:72,1,1
Styles
E
Focus of the modern style ofskyscraper architecture
Arc
hite
ctur
eof
the
1930
s
Unifying form and function
UARG:72,1,1
Styles
E
Art Nouveau
Arc
hite
ctur
eof
the
1930
s
A decorative style that uses plants,flowers, and other organic forms
UARG:72,1,2
Styles
E
Art Deco
Arc
hite
ctur
eof
the
1930
s
A decorative style that emphasizedhard-edged, abstracted forms
UARG:72,1,2
Styles
E
Event at which Art Deco firstemerged
Arc
hite
ctur
eof
the
1930
s
UARG:72,2,0
Events
H
Style moderne
Arc
hite
ctur
eof
the
1930
s
The European term for Art Deco
UARG:72,2,0
Styles
M
Decorative style of the ChryslerBuilding
Arc
hite
ctur
eof
the
1930
s
Art Deco
UARG:72,2,1
Styles
E
Four structures in which Art Decowas most popular
Arc
hite
ctur
eof
the
1930
s
Hotels, diners, movie houses, andskyscrapers
UARG:72,2,1
Styles
M
Gregory Johnson
Arc
hite
ctur
eof
the
1930
s
Architect who designed the Empire StateBuilding
UARG:73,1,1
People
M
Shreve, Lamb, and Harmon
Arc
hite
ctur
eof
the
1930
s
Architectural firm that designed the EmpireState Building
UARG:73,1,1
People
H
Address of the Empire StateBuilding
Arc
hite
ctur
eof
the
1930
s
350 5 th Avenue
UARG:73,1,1
Places
M
Homer Gage Balcom
Arc
hite
ctur
eof
the
1930
s
A structural engineer who helped designthe Empire State Building
UARG:73,1,1
People
H
The Reynolds Building
Arc
hite
ctur
eof
the
1930
s
A skyscraper by the same firm thatdesigned the Empire State Building
UARG:73,1,1
Works
M
Building that previously occupied thelocation of the Empire State Building
Arc
hite
ctur
eof
the
1930
s
The Waldorf-Astoria Hotel
UARG:73,2,0
Works
M
Number of floors in the EmpireState Building
Arc
hite
ctur
eof
the
1930
s
102
UARG:73,2,0
Works
H
Height of the Empire State Buildingexcluding the pinnacle
Arc
hite
ctur
eof
the
1930
s
1,239 feet
UARG:73,2,0
Works
H
Four materials used in the exteriorof the Empire State Building
Arc
hite
ctur
eof
the
1930
s
Indiana limestone, granite, aluminum, andchrome-nickel steel
UARG:73,2,0
Processes
H
Aspect of the Empire StateBuilding's construction that allowed
for many windows
Arc
hite
ctur
eof
the
1930
s
Steel frame
UARG:73,2,1
Processes
E
Aspect of the Empire State Buildingthat creates the impression of even
greater height
Arc
hite
ctur
eof
the
1930
s
Setbacks relatively close to ground level
UARG:74,1,1
Processes
M
Length of the Empire StateBuilding's construction
Arc
hite
ctur
eof
the
1930
s
1 year and 45 days
UARG:74,1,2
Works
H
Number of people who worked onthe construction of the Empire State
Building
Arc
hite
ctur
eof
the
1930
s
3,400
UARG:74,1,2
Works
M
John Jacob Faskob
Arc
hite
ctur
eof
the
1930
s
The man who financed the Empire StateBuilding
UARG:74,1,3
People
M
Total cost of constructing the EmpireState Building
Arc
hite
ctur
eof
the
1930
s
$25,000,000
UARG:74,1,3
Works
M
Why was the Empire State Buildingnot profitable upon completion?
Arc
hite
ctur
eof
the
1930
s
The Great Depression made finding rentersdifficult
UARG:74,1,3
Works
E
Most popular feature of the EmpireState Building at its opening
Arc
hite
ctur
eof
the
1930
s
The observation deck
UARG:74,1,3
Works
E
Official unveiler of the Empire StateBuilding
Arc
hite
ctur
eof
the
1930
s
President Herbert Hoover
UARG:74,1,4
People
E
How did Herbert Hoover unveil theEmpire State Building?
Arc
hite
ctur
eof
the
1930
s
Pressing a button in the White House thatturned on its lights
UARG:74,1,4
Events
M
Feature added to the Empire StateBuilding in the 1960s
Arc
hite
ctur
eof
the
1930
s
Floodlights
UARG:74,1,4
Works
M
How did private building constructionhelp the economy in the 1930s?
Arc
hite
ctur
eof
the
1930
s
Provided temporary employment
UARG:74,2,2
People
E
Civilian Conservation Corps
Arc
hite
ctur
eof
the
1930
s
A Depression-era government agencyresponsible for construction projects inpublic parks
UARG:74,2,2
Groups
E
Tennessee Valley Authority
Arc
hite
ctur
eof
the
1930
s
A government agency responsible forcreating jobs and new energy sources inthe South
UARG:74,2,3
Groups
E
Two types of construction projectsundertaken by the Tennessee Valley
Authority
Arc
hite
ctur
eof
the
1930
s
Building bridges and dams
UARG:74,2,3
Works
E
Goal of the Tennessee ValleyAuthority in building bridges and
dams
Arc
hite
ctur
eof
the
1930
s
Controlling and harnessing the power ofwaterways
UARG:74,2,3
Groups
E
Why did the Tennessee ValleyAuthority's construction projects
extend beyond just building bridgesand dams?
Arc
hite
ctur
eof
the
1930
s
New towns had to be built to house theworkers
UARG:74,2,3
Works
E
How did the completed projects ofthe Tennessee Valley Authority
stimulate the economy?
Arc
hite
ctur
eof
the
1930
s
Access to electricity allowed furtherindustrial development
UARG:74,2,3
People
E
Types of structures constructed andimproved by the Works Progress
Administration
Arc
hite
ctur
eof
the
1930
s
Structures for public use
UARG:74,2,3
Works
E
Tallest New York City skyscraper
Arc
hite
ctur
eof
the
1930
s
Empire State Building
UARG:73,1,1
Works
E
On what river is the Hoover Damlocated?
Arc
hite
ctur
eof
the
1930
s
Colorado River
UARG:75,2,1
Places
E
Between which TWO states is theHoover Dam located?
Arc
hite
ctur
eof
the
1930
s
Arizona and Nevada
UARG:75,2,1
Places
E
Hoover Dam
Arc
hite
ctur
eof
the
1930
s
A massive dam built during the GreatDepression
UARG:75,2,1
Works
E
Distinction held by Hoover Damwhen it was completed
Arc
hite
ctur
eof
the
1930
s
Largest dam in the world
UARG:75,2,1
Works
E
Height of Hoover Dam
Arc
hite
ctur
eof
the
1930
s
726.4 feet
UARG:75,2,1
Works
H
Height of the ornamentation on topof Hoover Dam
Arc
hite
ctur
eof
the
1930
s
40 feet
UARG:75,2,1
Works
H
Structure used for Hoover Dam
Arc
hite
ctur
eof
the
1930
s
Arch-gravity structure
UARG:75,2,2
Works
M
Material used in Hoover Dam
Arc
hite
ctur
eof
the
1930
s
Concrete
UARG:75,2,2
Works
E
Construction process used forHoover Dam
Arc
hite
ctur
eof
the
1930
s
Concrete blocks placed in vertical towers
UARG:75,2,2
Processes
M
Time taken to construct HooverDam
Arc
hite
ctur
eof
the
1930
s
Almost 2 years
UARG:75,2,2
Processes
M
Amount of concrete used toconstruct Hoover Dam?
Arc
hite
ctur
eof
the
1930
s
4 million cubic yards
UARG:75,2,2
Processes
M
How was the concrete used toconstruct Hoover Dam cooled?
Arc
hite
ctur
eof
the
1930
s
Iced water circulating through pipes
UARG:75,2,2
Processes
M
Style of ornamentation characterizingHoover Dam?
Arc
hite
ctur
eof
the
1930
s
Art Deco
UARG:75,2,3
Styles
E
General shape of Hoover Dam
Arc
hite
ctur
eof
the
1930
s
A curve
UARG:75,2,3
Styles
E
Gordon Kaufmann
Arc
hite
ctur
eof
the
1930
s
Architect who designed Hoover Dam
UARG:75,2,4
People
E
Region in which Gordon Kaufmannworked
Arc
hite
ctur
eof
the
1930
s
Southern California
UARG:75,2,4
Places
M
Nationality of Gordon Kaufmann
Arc
hite
ctur
eof
the
1930
s
English
UARG:75,2,4
People
M
Government agency that drew upthe basic plans for Hoover Dam?
Arc
hite
ctur
eof
the
1930
s
The Bureau of Reclamation
UARG:75,2,4
Groups
M
Aspect of Hoover Dam planned bythe Bureau of Reclamation
Arc
hite
ctur
eof
the
1930
s
Engineering
UARG:75,2,4
Processes
E
Aesthetic purpose of Hoover Dam'swater intake towers
Arc
hite
ctur
eof
the
1930
s
Giving a sense of verticality
UARG:75,2,5
Works
M
Appearance evoked by the simple,clean lines of Hoover Dam
Arc
hite
ctur
eof
the
1930
s
Modern
UARG:75,2,5
Works
E
Under which president was theHoover Dam completed?
Arc
hite
ctur
eof
the
1930
s
Franklin Delano Roosevelt
UARG:75,2,6
People
E
Government official who began theplanning for the construction of
Hoover Dam
Arc
hite
ctur
eof
the
1930
s
Herbert Hoover
UARG:75,2,6
People
E
Post held by Herbert Hoover whenthe planning for Hoover Dam began
Arc
hite
ctur
eof
the
1930
s
Secretary of Commerce
UARG:76,1,0
People
M
Under which president was theplanning for Hoover Dam begun?
Arc
hite
ctur
eof
the
1930
s
Warren Harding
UARG:76,1,0
People
M
Engineering problem faced by thebuilders of Hoover Dam
Arc
hite
ctur
eof
the
1930
s
Getting the concrete to cool and setproperly
UARG:75,2,2
Processes
M
The seven Basin states
Arc
hite
ctur
eof
the
1930
s
Arizona, Colorado, Nevada, New Mexico,California, Utah, and Wyoming
UARG:76,1,0
Places
H
Original name of the Hoover Dam
Arc
hite
ctur
eof
the
1930
s
Boulder Canyon Project
UARG:76,1,0
Works
E
President who approved the BoulderCanyon Project
Arc
hite
ctur
eof
the
1930
s
Calvin Coolidge
UARG:76,1,0
People
M
Originally planned location of HooverDam
Arc
hite
ctur
eof
the
1930
s
Boulder Canyon
UARG:76,1,0
Places
E
Revised location of Hoover Dam
Arc
hite
ctur
eof
the
1930
s
Black Canyon
UARG:76,1,0
Places
E
How far is Black Canyon fromBoulder Canyon?
Arc
hite
ctur
eof
the
1930
s
8 miles
UARG:76,1,0
Places
E
Company contracted to build HooverDam
Arc
hite
ctur
eof
the
1930
s
Six Companies, Inc.
UARG:76,1,1
Groups
E
Ancillary project to the Hoover Dam,also contracted to Six Companies,
Inc.
Arc
hite
ctur
eof
the
1930
s
Building a town to house the workers
UARG:76,2,0
Works
E
Homes of the Hoover Dam workerswhile Boulder City was under
construction
Arc
hite
ctur
eof
the
1930
s
In camps
UARG:76,2,0
People
E
Why did construction begin on theHoover Dam before Boulder City
was finished?
Arc
hite
ctur
eof
the
1930
s
The need for jobs during the GreatDepression
UARG:76,2,0
Works
E
In what TWO ways did the need forworkers' housing create more jobs?
Arc
hite
ctur
eof
the
1930
s
Housing construction and production ofextra building materials
UARG:76,2,0
People
E
What incidental benefit did theexistence of worker towns provide?
Arc
hite
ctur
eof
the
1930
s
Fewer homeless people around buildingsites
UARG:76,2,0
People
M
Initial purpose of Hoover Dam
Arc
hite
ctur
eof
the
1930
s
A way to share water resources betweenthe Basin states
UARG:76,1,0
Groups
M
Three names given to the HooverDam
Arc
hite
ctur
eof
the
1930
s
The Boulder Canyon Project, Boulder Dam,and Hoover Dam
UARG:77,1,1
Works
M
Why did the RooseveltAdministration refuse to accept the
name "Hoover Dam"?
Arc
hite
ctur
eof
the
1930
s
Reluctant to acknowledge Herbert Hoover'scontribution
UARG:71,1,1
People
M
When was the name "Hoover Dam"officially accepted?
Arc
hite
ctur
eof
the
1930
s
After Franklin Roosevelt's death
UARG:71,1,1
Works
M
Industrial phenomenon that led tohigher rates of homelessness during
the Great Depression
Arc
hite
ctur
eof
the
1930
s
A sharp decline in housing construction
UARG:77,1,2
People
E
How did homeless people in urbancenters find shelter?
Arc
hite
ctur
eof
the
1930
s
Living together in shantytowns
UARG:77,1,3
People
E
Hoovervilles
Arc
hite
ctur
eof
the
1930
s
A colloquial name for the shantytowns ofthe Great Depression
UARG:77,1,3
Places
E
Why were Depression-erashantytowns known as
"Hoovervilles"?
Arc
hite
ctur
eof
the
1930
s
Many considered Herbert Hoover thecause of the stock market crash
UARG:77,1,3
Places
M
Two major dangers associated withHoovervilles
Arc
hite
ctur
eof
the
1930
s
Poor sanitation and unsound structures
UARG:77,1,4
Places
E
Two reasons the government couldnot shut down Hoovervilles
Arc
hite
ctur
eof
the
1930
s
Dense population and lack of alternatives
UARG:77,2,0
Places
E
Two reasons soup kitchens andshelters could not adequately
provide for the homeless during theGreat Depression
Arc
hite
ctur
eof
the
1930
s
Lack of funding and space
UARG:77,2,0
People
E
Federal Housing Administration
Arc
hite
ctur
eof
the
1930
s
A Depression-era government agencydedicated to encouraging new construction
UARG:77,2,1
Groups
E
Government agency thatincorporated the Federal Housing
Administration in the 1960s
Arc
hite
ctur
eof
the
1930
s
Housing and Urban Development
UARG:77,2,1
Groups
E
How does Housing and UrbanDevelopment help homebuyers?
Arc
hite
ctur
eof
the
1930
s
Providing low-interest loans
UARG:77,2,1
Groups
M
Division of Subsistence Homesteads
Arc
hite
ctur
eof
the
1930
s
A Depression-era government agencyresponsible for creating model communitiesoutside metropolitan centers
UARG:77,2,2
Groups
E
Greenbelt, Maryland
Arc
hite
ctur
eof
the
1930
s
A planned community initiated in 1935 andsettled in 1937
UARG:77,2,2
Places
M
Three benefits model communitiesprovided during the Great
Depression
Arc
hite
ctur
eof
the
1930
s
Shelter, jobs, and farms
UARG:77,2,2
Places
E
Purpose of the farms of modelcommunities during the Great
Depression
Arc
hite
ctur
eof
the
1930
s
Supplying fruits and vegetables to nearbycities
UARG:77,2,2
Places
E
Federal Emergency ReliefAdministration
Arc
hite
ctur
eof
the
1930
s
A Depression-era government agency thatincluded the Division of SubsistenceHomesteads
UARG:77,2,2
Groups
M
Location of the first federally fundedpublic housing project
Arc
hite
ctur
eof
the
1930
s
Chicago
UARG:78,1,1
Places
M
United States government agencythat supported the first federally
funded public housing project
Arc
hite
ctur
eof
the
1930
s
The Works Progress Administration
UARG:78,1,1
Groups
M
The Jane Addams Homes
Arc
hite
ctur
eof
the
1930
s
The first federally funded public housingproject in the United States
UARG:78,1,1
Works
E
Purpose of the Jane AddamsHomes
Arc
hite
ctur
eof
the
1930
s
Providing homes and social services tostruggling residents
UARG:78,1,1
Works
E
What goal do public housingprojects in densely populated areas
have to fulfill?
Arc
hite
ctur
eof
the
1930
s
Providing basic shelter to a maximumnumber of people within a limited space
UARG:78,1,1
Works
E
Style of construction used by publichousing projects in densely
populated areas
Arc
hite
ctur
eof
the
1930
s
Basic, solid construction with few frills
UARG:78,1,1
Works
E
"Fallingwater"
Arc
hite
ctur
eof
the
1930
s
A famous home designed by Frank LloydWright
UARG:78,1,2
Works
E
Frank Lloyd Wright
Arc
hite
ctur
eof
the
1930
s
An innovative 20 th century architect
UARG:78,1,3
People
E
How was "Fallingwater" unusual fora Depression-era home?
Arc
hite
ctur
eof
the
1930
s
Was a vacation home
UARG:78,1,3
Works
M
Social phenomenon illustrated byDepression-era vacation homes like
"Fallingwater"
Arc
hite
ctur
eof
the
1930
s
The disparity between economic classes inthe 1930s
UARG:78,1,3
Works
E
Number of buildings designed byFrank Lloyd Wright
Arc
hite
ctur
eof
the
1930
s
About 400
UARG:78,1,3
Works
M
Two aspects of design Frank LloydWright worked with
Arc
hite
ctur
eof
the
1930
s
Architecture and interior design
UARG:78,1,3
Styles
M
How did Frank Lloyd Wrightcombine his interest in interiordesign with his architecture?
Arc
hite
ctur
eof
the
1930
s
Customized furnishings for his buildings
UARG:78,1,3
Styles
M
Prairie School
Arc
hite
ctur
eof
the
1930
s
An architectural movement associated withFrank Lloyd Wright's early career
UARG:78,1,3
Groups
M
What term best describes FrankLloyd Wright's later work?
Arc
hite
ctur
eof
the
1930
s
Organic
UARG:78,1,3
Styles
E
Foreign architectural influence onFrank Lloyd Wright's later work
Arc
hite
ctur
eof
the
1930
s
Traditional Japanese architecture
UARG:78,1,3
Styles
E
Two reasons Frank Lloyd Wright'slater work is considered "organic"
Arc
hite
ctur
eof
the
1930
s
Efforts to harmonize his buildings withnature and frequently opening up spacesin his buildings
UARG:78,1,3
Styles
M
Frank Lloyd Wright's state of birth
Arc
hite
ctur
eof
the
1930
s
Wisconsin
UARG:78,1,4
Places
E
University that Frank Lloyd Wrightattended
Arc
hite
ctur
eof
the
1930
s
University of Wisconsin
UARG:78,2,1
Places
M
Famous architect who employedFrank Lloyd Wright during the 1880s
Arc
hite
ctur
eof
the
1930
s
Louis Sullivan
UARG:78,2,1
People
M
Why did Frank Lloyd Wright leaveLouis Sullivan's architectural firm?
Arc
hite
ctur
eof
the
1930
s
Sullivan discovered that Wright was takingcommissions on the side.
UARG:78,2,1
People
M
City in which Frank Lloyd Wrightbegan his career
Arc
hite
ctur
eof
the
1930
s
Chicago
UARG:78,2,1
Places
E
Catherine Tobin
Arc
hite
ctur
eof
the
1930
s
Frank Lloyd Wright's first wife
UARG:78,2,1
People
M
Town Frank Lloyd Wright moved toafter leaving Louis Sullivan's
architectural firm
Arc
hite
ctur
eof
the
1930
s
Oak Park
UARG:78,2,1
Places
M
City in which the Prairie School wasbased
Arc
hite
ctur
eof
the
1930
s
Chicago
UARG:78,2,2
Places
E
External architectural feature thatcharacterized the Prairie School
Arc
hite
ctur
eof
the
1930
s
Low, sweeping profiles
UARG:78,2,2
Styles
E
Which region's landscape did thePrairie School attempt to evoke
through its architecture?
Arc
hite
ctur
eof
the
1930
s
The Midwest
UARG:78,2,2
Styles
E
Internal architectural feature thatcharacterized the Prairie School
Arc
hite
ctur
eof
the
1930
s
Open interior plans
UARG:78,2,2
Styles
E
Materials preferred by the PrairieSchool
Arc
hite
ctur
eof
the
1930
s
Local, natural materials
UARG:78,2,2
Styles
E
Two criteria the Prairie Schoolconsidered in selecting materials
Arc
hite
ctur
eof
the
1930
s
Practical function and aesthetic appeal
UARG:78,2,2
Processes
M
The Robie House
Arc
hite
ctur
eof
the
1930
s
A Frank Lloyd Wright building in thePrairie School style
UARG:78,2,2
Works
M
Neighborhood in which the RobieHouse is located
Arc
hite
ctur
eof
the
1930
s
Hyde Park
UARG:78,2,2
Places
M
Mamah Cheney
Arc
hite
ctur
eof
the
1930
s
A woman with whom Frank Lloyd Wrighthad an affair
UARG:78,2,3
People
E
Number of children Frank LloydWright had
Arc
hite
ctur
eof
the
1930
s
6
UARG:78,2,3
People
M
Region to which Frank Lloyd Wrightand Mamah Cheney travelled in
1909
Arc
hite
ctur
eof
the
1930
s
Europe
UARG:78,2,3
Places
E
The
Arc
hite
ctur
eof
the
1930
s
A collection of designs Frank Lloyd Wrightpublished in Europe
UARG:78,2,3
Works
M
How did Frank Lloyd Wright's affairwith Mamah Cheney affect his
Chicago business?
Arc
hite
ctur
eof
the
1930
s
No longer willing to hire him
UARG:78,2,3
People
E
Town in which Frank Lloyd Wrightsettled with Mamah Cheney
Arc
hite
ctur
eof
the
1930
s
Spring Green, Wisconsin
UARG:78,2,4
Places
M
Taliesin
Arc
hite
ctur
eof
the
1930
s
Frank Lloyd Wright's home in SpringGreen, Wisconsin
UARG:79,1,0
Places
M
Tragic event that befell Frank LloydWright at Taliesin in 1914?
Arc
hite
ctur
eof
the
1930
s
A servant murdered Mamah Cheney andher children with an ax.
UARG:79,1,0
Events
M
Miriam Noel
Arc
hite
ctur
eof
the
1930
s
Frank Lloyd Wright's second wife
UARG:79,1,0
People
H
Olga Ivanovna Lazovich
Arc
hite
ctur
eof
the
1930
s
Frank Lloyd Wright's third wife
UARG:79,1,0
People
H
Location of Fallingwater
Arc
hite
ctur
eof
the
1930
s
Bear Run, Pennsylvania
UARG:79,1,1
Places
M
Magazine that featured Fallingwateras a cover in 1938?
Arc
hite
ctur
eof
the
1930
s
magazine
UARG:79,1,1
Works
E
Family that owned Fallingwater
Arc
hite
ctur
eof
the
1930
s
The Kaufmann family
UARG:79,1,2
People
E
Member of the Kaufmann familywho first contacted Frank Lloyd
Wright
Arc
hite
ctur
eof
the
1930
s
Their son, Edgar Kaufmann, Jr.
UARG:79,1,2
People
M
How did Edgar Kaufmann, Jr. meetFrank Lloyd Wright?
Arc
hite
ctur
eof
the
1930
s
Studied with Wright in Wisconsin
UARG:79,1,2
People
M
City in which the Kaufmann familylived
Arc
hite
ctur
eof
the
1930
s
Pittsburgh
UARG:79,1,3
Places
M
How is the waterfall perceptibleinside Fallingwater?
Arc
hite
ctur
eof
the
1930
s
Is audible
UARG:79,2,0
Works
E
Why did Frank Lloyd Wright makethe waterfall audible inside
Fallingwater?
Arc
hite
ctur
eof
the
1930
s
Allowing the residents to live with thewaterfall in addition to seeing it
UARG:79,2,0
Works
M
Who advised Frank Lloyd Wright notto built Fallingwater over a
waterfall?
Arc
hite
ctur
eof
the
1930
s
Structural engineers
UARG:79,2,0
Processes
M
Source of the stone used inFallingwater
Arc
hite
ctur
eof
the
1930
s
Local quarries
UARG:79,2,1
Processes
E
Structure evoked by the low ceilingsof Fallingwater
Arc
hite
ctur
eof
the
1930
s
A cave
UARG:79,2,1
Works
M
Most famous view of Fallingwater
Arc
hite
ctur
eof
the
1930
s
From across the falls looking up
UARG:80,1,2
Works
M
Contrast evoked by the concretecantilevers and stone mullions of
Fallingwater
Arc
hite
ctur
eof
the
1930
s
Earth and trees
UARG:80,1,2
Works
M
Limitation that Frank Lloyd Wrightrecognized in his work as he
designed Fallingwater
Arc
hite
ctur
eof
the
1930
s
Only available to the elite
UARG:80,1,4
Styles
E
Broadacre City
Arc
hite
ctur
eof
the
1930
s
A model city designed by Frank LloydWright
UARG:80,1,4
Works
M
Usonian houses
Arc
hite
ctur
eof
the
1930
s
Small, inexpensive single-family homesdesigned by Frank Lloyd Wright
UARG:80,1,4
Works
M
For which social class were Usonianhouses intended?
Arc
hite
ctur
eof
the
1930
s
Middle class
UARG:80,1,4
People
E
Purpose of designing Usonianhouses
Arc
hite
ctur
eof
the
1930
s
Making economical homes
UARG:80,1,4
Works
E
Unity Temple
Arc
hite
ctur
eof
the
1930
s
A famous Frank Lloyd Wright church
UARG:80,2,0
Works
M
Johnson Wax Research Tower
Arc
hite
ctur
eof
the
1930
s
A famous Frank Lloyd Wright building
UARG:80,2,0
Works
M
The Solomon R. GuggenheimMuseum
Arc
hite
ctur
eof
the
1930
s
A famous Frank Lloyd Wright museum
UARG:80,2,0
Works
M
Age at which Frank Lloyd Wrightpassed away
Arc
hite
ctur
eof
the
1930
s
91
UARG:80,2,0
People
H
Sears Modern Homes
Arc
hite
ctur
eof
the
1930
s
Economical kit homes sold through theSears, Roebuck and Company catalogue
UARG:80,2,1
Works
E
How were Sears Modern Homesshipped to buyers?
Arc
hite
ctur
eof
the
1930
s
Train
UARG:80,2,1
Processes
E
Party responsible for transportingthe kit for a Sears Modern Home
from the train station
Arc
hite
ctur
eof
the
1930
s
The buyer
UARG:80,2,1
Processes
E
How did a buyer construct a SearsModern Home?
Arc
hite
ctur
eof
the
1930
s
Followed steps in the instructional bookletincluded
UARG:80,2,1
Processes
E
Why were Sears Modern Homesaccessible to the general public?
Arc
hite
ctur
eof
the
1930
s
Constructing them required little technicalexpertise
UARG:80,2,2
Processes
M
Type of framing used in SearsModern Homes
Arc
hite
ctur
eof
the
1930
s
Balloon framing
UARG:80,2,2
Processes
H
For what TWO reasons did SearsModern Homes use balloon
framing?
Arc
hite
ctur
eof
the
1930
s
Easy to construct and leaves little roomfor error
UARG:80,2,2
Processes
M
Roofing material used in SearsModern Homes
Arc
hite
ctur
eof
the
1930
s
Asphalt shingles
UARG:80,2,2
Processes
H
The Winona
Arc
hite
ctur
eof
the
1930
s
A bungalow-style Sears Modern Home
UARG:80,2,3
Works
M
Line of Sears Modern Homesincluding the Winona
Arc
hite
ctur
eof
the
1930
s
Honor-Bilt line
UARG:80,2,3
Works
E
Number of stories in the Winona
Arc
hite
ctur
eof
the
1930
s
1
UARG:81,1,0
Works
E
Number of bathrooms in the Winona
Arc
hite
ctur
eof
the
1930
s
1
UARG:81,1,0
Works
E
Two possible numbers of bedroomsin the Winona
Arc
hite
ctur
eof
the
1930
s
2 or 3
UARG:81,1,0
Works
E
Two possible numbers of stories ina bungalow
Arc
hite
ctur
eof
the
1930
s
1 or 1.5
UARG:82,1,0
Styles
E
Two external features of a bungalow
Arc
hite
ctur
eof
the
1930
s
Low pitched roof and large, covered frontporch
UARG:82,1,0
Styles
M
Interior feature used in bungalowsto maximize space
Arc
hite
ctur
eof
the
1930
s
Built-in furnishings
UARG:82,1,1
Styles
M
Three rooms typically integrated in abungalow
Arc
hite
ctur
eof
the
1930
s
Kitchen, living room, and dining area
UARG:82,1,1
Styles
M
Functions of the two sides of theWinona
Arc
hite
ctur
eof
the
1930
s
One half is devoted to communal livingand the other to private life
UARG:82,1,2
Works
M
A key selling point for the Honor-Biltline of Sears Modern Homes
Arc
hite
ctur
eof
the
1930
s
The use of high-quality "clear" woods
UARG:82,1,3
Works
M
Rooms in the Sears Modern HomesHonor-Bilt line that used woods like
oak and maple
Arc
hite
ctur
eof
the
1930
s
Rooms where guests would be received
UARG:82,1,3
Works
M
Rooms in the Sears Modern HomesHonor-Bilt line that used pine
Arc
hite
ctur
eof
the
1930
s
Bedrooms
UARG:82,1,3
Works
M
Three lines of Sears Modern Homes
Arc
hite
ctur
eof
the
1930
s
Honor-Bilt, Standard Built, and SimplexSectional
UARG:82,1,4
Works
E
Highest quality Sears ModernHomes line
Arc
hite
ctur
eof
the
1930
s
Honor-Bilt
UARG:82,1,4
Works
E
Lowest quality Sears Modern Homesline
Arc
hite
ctur
eof
the
1930
s
Simplex Sectional
UARG:82,2,0
Works
E
Purpose of many Simplex Sectionalhomes used
Arc
hite
ctur
eof
the
1930
s
Vacation homes
UARG:82,2,0
Works
M
Price range for Honor-Bilt homes
Arc
hite
ctur
eof
the
1930
s
$500-$4,000
UARG:82,2,0
Works
M
Number of kit homes sold by mailorder by Sears, Roebuck and
Company
Arc
hite
ctur
eof
the
1930
s
70,000-75,000
UARG:82,2,1
Works
H
Three means by which Americanartists became aware of European
art movements
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Visiting Europe, migrant European artists,and exhibitions in New York City
UARG:84,2,2
Styles
M
Regionalism
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
An American art movement that focusedon rejecting European influences in theearly 1900s
UARG:85,1,1
Styles
E
Another name for the Regionalistmovement
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
American Scene painting
UARG:85,1,1
Styles
M
Three Regionalist painters
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Grant Wood, Thomas Hart Berton, andJohn Steuart Curry
UARG:85,1,1
People
M
Region with which the Regionalistmovement was associated
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Midwest
UARG:85,1,1
Styles
E
Lifestyle with which the Regionalistmovement was associated
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Rural life
UARG:85,1,1
Styles
E
magazine's description of theRegionalist movement in 1934
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
"truly American"
UARG:85,1,2
Styles
E
Regionalist artist featured on thecover of magazine in 1934
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Thomas Hart Benton
UARG:85,1,2
People
M
Demographic that dominated theRegionalist movement
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
White men
UARG:85,1,2
Styles
E
Social perspective most common inRegionalist art
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
White male perspective
UARG:85,1,2
Styles
E
Two aspects of Georgia O'Keefe'swork that qualify as "abstract"
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Expressive use of color and focus ondetail
UARG:85,2,0
Styles
M
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous Grant Wood painting
UARG:85,2,1
Works
E
Grant Wood's town of birth
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Amamosa, Iowa
UARG:85,2,2
Places
H
What impression did Grant Woodtry to evoke in photographs of
himself?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
That of the rural worker
UARG:85,2,2
People
E
Two opposing ways to interpret
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Reverential image of the Americanheartland or satirical and perhaps criticalcommentary on rural life
UARG:85,2,1
Works
M
How did Grant Wood give theimpression of being a rural worker
in photographs?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Posing in overalls
UARG:85,2,2
People
M
Town to which Grant Wood movedafter his father's death
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Cedar Rapids, Iowa
UARG:85,2,2
Places
M
After what event did Grant Woodbegin taking formal art lessons?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
His father's death
UARG:85,2,2
People
M
School at which Grant Woodenrolled after high school
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Minneapolis School of Design andHandicraft
UARG:85,2,3
Places
M
Three subjects Grant Wood studiedat the Minneapolis School of Design
and Handicraft
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Metalworking, jewelry making, andwoodworking
UARG:85,2,3
Styles
H
Aesthetic that influenced GrantWood during his studies at the
Minneapolis School of Design andHandicraftA
mer
ican
Reg
iona
lism
/Am
eric
anE
xper
ienc
es
Arts and Crafts
UARG:85,2,3
Styles
E
City to which Grant Wood moved in1913
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Chicago
UARG:85,2,4
Places
E
School at which Grant Wood studiedin Chicago
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
School of the Art Institute of Chicago
UARG:85,2,4
Places
M
Job Grant Wood took while studyingin Chicago
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Teaching
UARG:85,2,4
People
E
Two styles of art Grant Woodstudied in Europe
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Impressionism and Post-Impressionism
UARG:85,2,4
Styles
M
European tendency that Grant Woodrejected
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Abstraction
UARG:85,2,4
Styles
E
Art movement with which GrantWood gained some familiarity in
Europe
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Modernism
UARG:85,2,4
Styles
E
Two aspects of American art thatRegionalists believed should reflect
the American experience
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Subject matter and style
UARG:86,1,0
Styles
E
Northern Renaissance artist whoinfluenced Grant Wood
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Jan Van Eyck
UARG:86,1,0
People
M
Stone City Art Colony
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Depression-era organization that gaveartists residencies
UARG:86,1,1
Groups
M
Organization that employed GrantWood work in the summers of 1932
and 1933
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Stone City Art Colony
UARG:86,1,1
Groups
M
Region in which Stone City ArtColony was located
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Rural Iowa
UARG:86,1,1
Places
M
Subject that Grant Wood taught atStone City Art Colony
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Painting
UARG:86,1,1
People
E
State that Grant Wood oversaw forthe Public Works of Art Project in
1935
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Iowa
UARG:86,1,1
Places
E
Where did Grant Wood first meetthe artists he employed for the
Public Works of Art Project?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Working at Stone City Art Colony
UARG:86,1,1
Groups
M
University at which Grant Woodtaught painting
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
University of Iowa
UARG:86,1,2
Groups
E
Number of years that Grant Woodwas on the University of Iowa
faculty
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
8
UARG:86,1,2
People
M
Age at which Grant Wood passedaway
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
50
UARG:86,2,0
People
M
What trend in artistic styles causedGrant Wood's work to be dismissed
in the 1940s?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Move toward abstraction
UARG:86,2,0
Styles
E
THREE shortcomings that art criticsattributed to Grant Wood's work in
the 1940s
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Naïve, folksy, and overly simplistic
UARG:86,2,0
Styles
M
Why did Midwesterners continue tosupport Grant Wood's work in the
1940s?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Upheld traditional values endangered inmodern times
UARG:86,2,1
Styles
E
Two subjects in the foreground of
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Man and woman
UARG:86,2,2
Works
E
Two subjects in the background of
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Farmhouse and barn
UARG:86,2,2
Works
E
Prominent architectural feature inthe farmhouse in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A Gothic-style window
UARG:86,2,2
Works
E
How are the figures inposed?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Stiffly, as if for a photograph
UARG:86,2,3
Works
E
How much of the figures' bodiesare visible in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The waist up
UARG:86,2,3
Works
E
How would a 1930s audience haveviewed the clothing of the figures in
?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Old-fashioned and conservative
UARG:86,2,3
Works
E
Three garments worn by the womanin
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Dress, cameo pin, and apron
UARG:86,2,3
Works
M
Three garments worn by the man in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Work shirt, overalls, and jacket
UARG:86,2,3
Works
M
Farming implement held by the manin
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Pitchfork
UARG:86,2,3
Works
E
Expressions of the figures inhave
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Serious or emotionless
UARG:86,2,4
Works
E
Difference between the gazes of theman and the woman in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Is looking directly at the viewer
UARG:86,2,4
Works
M
Attitude indicated by the direct gazeof the man in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Strong patriarchy
UARG:87,1,0
Works
M
Attitude indicated by the position ofthe pitchfork in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The man protecting the woman
UARG:87,1,0
Works
M
Items on the porch of thefarmhouse in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Potted plants
UARG:87,1,1
Works
M
Two aspects of the farmhousewindow in that
indicate a Gothic style?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The pointed arch and tripartite division
UARG:87,1,1
Works
E
Object hanging in the farmhousewindow in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A brown and white patterned cloth
UARG:87,1,1
Works
M
Object partly visible on thefarmhouse roof in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A lightening rod
UARG:87,1,1
Works
M
Kind of building that the lighteningrod and window in
evoke
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A church
UARG:87,1,1
Works
E
Feature of the farmhouse evoked bythe thin faces of the figures in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The window
UARG:87,1,2
Works
M
Feature of the woman's outfitechoed by her face in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The cameo pin
UARG:87,1,2
Works
M
TWO features of the man's outfitechoed by the pitchfork in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The stitching on his overalls and thestripes on his shirt
UARG:87,1,2
Works
H
Feature of the farmhouse echoed bythe pitchfork in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The divisions of the window
UARG:87,1,2
Works
M
What TWO purposes does repetitionserve in ?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Unifying the features of the painting andshowing that the image was carefullyconstructed
UARG:87,1,2
Works
M
False impression about Grant Woodcreated by the careful detail in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
That he was a self-taught or naïve painter
UARG:87,1,3
Styles
H
Artistic tradition reflected by thecareful detail in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Northern Renaissance art
UARG:87,1,3
Styles
M
Person on whom the woman inwas based
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Grant Wood's younger sister, Nan
UARG:87,2,1
People
H
Person on whom the man inwas based
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Grant Wood's dentist, Byron McKeeby
UARG:87,2,1
People
H
Location of the house that formedthe basis for
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Eldon, Iowa
UARG:87,2,1
Places
H
Architectural style of the farmhousein
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Gothic revival
UARG:87,2,1
Styles
E
Sponsoring organization of thecompetition in which Grant Wood
entered
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Art Institute of Chicago
UARG:87,2,2
Events
E
Prize that won inthe Art Institute of Chicago's
competition
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Bronze medal
UARG:87,2,2
Events
M
Amount of money Grant Wood wonfor in the Art
Institute of Chicago's competition
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
$300
UARG:87,2,2
Events
M
Organization that purchased
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Art Institute of Chicago
UARG:87,2,2
Events
E
Amount of money for which the ArtInstitute of Chicago purchased
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
$300
UARG:87,2,2
Events
M
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A satirical Grant Wood painting
UARG:87,2,2
Works
M
H. W. Jansen
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
An influential art historian who rejectedGrant Wood's work
UARG:87,2,3
People
M
Artistic tradition with which H. W.Jansen equated Grant Wood's work
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Nazis' heroic nationalism
UARG:87,2,3
Styles
M
Georgia O'Keefe
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous 20 th century painter
UARG:88,1,1
People
E
Decade in which Georgia O'Keeferose to prominence
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The 1920s
UARG:88,1,1
People
M
Georgia O'Keefe's city of birth
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Sun City, Wisconsin
UARG:88,1,2
Places
H
School at which Georgia O'Keefebegan taking art classes in 1905
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The School of the Art Institute of Chicago
UARG:88,1,2
Places
M
School at which Georgia O'Keefeenrolled in 1907
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Art Students League
UARG:88,1,2
Places
H
City to which Georgia O'Keefemoved from New York City in 1908
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Chicago
UARG:88,1,2
Places
M
Job Georgia O'Keefe took inChicago in 1908
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Commercial artist
UARG:88,1,2
People
M
State to which Georgia O'Keefemoved from Chicago
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Texas
UARG:88,1,2
Places
M
Job Georgia O'Keefe initially took inTexas
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Art teacher
UARG:88,1,2
People
M
University at which GeorgiaO'Keefe's interest in art was
rekindled
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
University of Virginia
UARG:88,1,3
Places
M
Arthur Wesley Dow
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
An artist who mentored Georgia O'Keefe
UARG:88,1,3
People
H
Arthur Stieglitz
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
An influential art dealer and photographerwho promoted and later married GeorgiaO'Keefe
UARG:88,1,3
People
E
Anna Pollitzer
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A friend of Georgia O'Keefe's who firstshowed her work to Arthur Stieglitz
UARG:88,1,3
People
H
291 (gallery)
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous Arthur Stieglitz art gallery
UARG:88,1,3
Places
H
Two subjects Georgia O'Keefepainted in the 1920s
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Plants and New York architecture
UARG:88,1,5
Styles
E
Georgia O'Keefe's preferred medium
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Oil paint
UARG:88,1,5
Styles
E
Region of the United States towhich Georgia O'Keefe traveled in
1929
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Southwest
UARG:88,2,1
Places
E
What kind of landscape inspiredGeorgia O'Keefe in the Southwest?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The desert
UARG:88,2,1
Places
E
Three cities Georgia O'Keefe visitedin her first trip to the Southwest
United States
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Albuquerque, Santa Fe, and Taos
UARG:88,2,1
Places
H
After what event did GeorgiaO'Keefe relocate permanently to
New Mexico?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Arthur Stieglitz's death
UARG:88,2,1
Events
M
Which part of the year did GeorgiaO'Keefe spend in New Mexico from
1929 to 1949?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Summer
UARG:88,2,1
Events
E
Difference between GeorgiaO'Keefe's New Mexico paintings and
her New York paintings
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
More abstract
UARG:88,2,1
Styles
E
Common features of GeorgiaO'Keefe's New Mexico and New
York paintings
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Landscape and architecture as subjects
UARG:88,2,1
Styles
E
TWO themes of Georgia O'Keefe'sabstract style
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Undulating forms and evocative colors
UARG:88,2,1
Styles
M
Organization that held a 1943retrospective of Georgia O'Keefe's
work
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Art Institute of Chicago
UARG:88,2,2
Events
M
Museum that held a 1946retrospective of Georgia O'Keefe's
work
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Museum of Modern Art
UARG:88,2,2
Events
M
Significance of Georgia O'Keefe's1946 Museum of Modern Art
retrospective
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The museum's first retrospective dedicatedto a female artist
UARG:89,1,0
Events
M
What physical limitation did GeorgiaO'Keefe begin to suffer in the
1970s?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Poor eyesight
UARG:89,1,1
People
M
Juan Hamilton
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A potter who worked with Georgia O'Keefelate in her career
UARG:89,1,1
People
H
Medium with which Georgia O'Keefebegan to work with in the 1970s
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Clay
UARG:89,1,1
Processes
H
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous painting by Georgia O'Keefe
UARG:89,1,2
Works
E
Why does the appearance of theskull in
stand out
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Larger than life
UARG:89,1,2
Works
M
What process does the appearanceof the skull in
imply it hasundergone?A
mer
ican
Reg
iona
lism
/Am
eric
anE
xper
ienc
es
Bleaching in the sun
UARG:89,1,2
Works
M
Style that characterizes thebackground of
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Abstract
UARG:89,1,2
Works
E
Number of roses in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
2
UARG:89,1,2
Works
E
Near what TWO parts of the skullare the roses situated in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The snout and the right horn
UARG:89,1,2
Works
M
What painting style characterizes?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Linear
UARG:89,1,3
Works
M
What aspect ofprovides a sense of
volume?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Subtle gradations of light and dark
UARG:89,1,3
Works
M
Object dominating the center of
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The skull
UARG:89,1,3
Works
E
How are objects clearly delineatedin
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Firm outlines
UARG:89,1,3
Works
E
What feature ofinterrupts the
painting's symmetry?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The thick, dark line that bifurcates thecomposition
UARG:89,1,3
Works
M
Role of the thick, dark line behindthe skull in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Creates negative space
UARG:89,1,3
Works
M
Distinguishing characteristic ofGeorgia O'Keefe's work
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Her use of color
UARG:89,1,4
Styles
E
Four vibrant colors Georgia O'Keefefrequently used
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Red, green, blue, and yellow
UARG:89,1,4
Styles
E
What THREE colors are contrastedin ?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
White, black, and grey
UARG:89,1,4
Works
E
What effect makes the skull standout in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The contrast of the skull's white with thebackground's grays
UARG:89,1,4
Works
E
European term for the inclusion of askull in a painting
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
UARG:89,1,5
Styles
M
Purpose of inEuropean painting
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A reminder of man's mortality
UARG:89,1,5
Styles
E
How does Georgia O'Keefe play onthe tradition of ?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Portraying cow skulls rather than humanskulls
UARG:89,1,5
Styles
E
Process portrayed in GeorgiaO'Keefe's painting of cow skulls
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The natural passage of life
UARG:89,1,5
Styles
E
Why is Georgia O'Keefe NOTconsidered a Regionalist painter?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Focuses on the Southwest instead of theMidwest
UARG:89,2,1
Styles
E
Thomas Hart Benton
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous 20 th century painter
UARG:89,2,2
People
E
How did Thomas Hart Benton'sexperience as a Regionalist differ
from that of Grant Wood?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Lived long enough to see Regionalism fallout of favor
UARG:89,2,2
Styles
M
Thomas Hart Benton's town of birth
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Neosho, Missouri
UARG:89,2,3
Places
H
What kind of school did ThomasHart Benton attend in his youth?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Military school
UARG:89,2,3
People
M
Why was Thomas Hart Benton sentto military school?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
His father expected him to have a militaryor political career.
UARG:89,2,3
People
M
Thomas Hart Benton's uncle'sposition
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Senator
UARG:89,2,3
People
M
School in which Thomas HartBenton enrolled in 1907
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The School of the Art Institute of Chicago
UARG:89,2,4
Places
M
In what city did Thomas HartBenton live from 1908 to 1912?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Paris
UARG:89,2,4
Places
E
In what city did Thomas HartBenton settle upon his return to the
United States in 1912?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
New York City
UARG:89,2,4
Places
E
Rita Piacensa
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Thomas Hart Benton's wife
UARG:89,2,4
People
M
Original nature of the relationshipbetween Thomas Hart Benton and
Rita Piacensa
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Teacher and student
UARG:89,2,4
People
H
Why did Thomas Hart Benton returnto Missouri in 1924?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
To care for his dying father
UARG:89,2,5
People
M
Project that Thomas Hart Bentonwas chosen to execute in 1932
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Painting a series of murals about Indiana
UARG:90,1,0
Works
E
Event at which Thomas HartBenton's Indiana murals were first
displayed
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Chicago World's Fair
UARG:90,1,0
Events
M
Why were Thomas Hart Benton'sIndiana murals controversial?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Depicted unpleasant moments in Indiana'shistory
UARG:90,1,0
Works
M
Two unpleasant historical eventsdepicted in Thomas Hart Benton's
Indiana murals
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Ku Klux Klan and the forced removalof Native Americans
UARG:90,1,0
Works
M
Two unpleasant contemporaryconditions depicted in Thomas Hart
Benton's Indiana murals
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Labor riots and unemployment lines
UARG:90,1,0
Works
M
Thomas Hart Benton's signaturestyle in presenting his artwork
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Brutal honesty
UARG:90,1,0
Styles
M
How does Grant Wood's depictionof the Midwest differ from that of
Thomas Hart Benton?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
More idealistic and pastoral
UARG:90,1,0
Styles
E
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous Thomas Hart Benton muralcycle
UARG:90,2,0
Works
M
Building for which Thomas HartBenton painted
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Missouri State Capitol building
UARG:90,2,0
Places
H
Jackson Pollock
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous Abstract Expressionist painterwho studied under Thomas Hart Benton
UARG:90,2,1
People
M
School at which Thomas HartBenton taught from 1926 to 1935
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Art Students' League
UARG:90,2,1
Places
M
School at which Thomas HartBenton taught from 1935 to 1941
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Kansas City Art Institute
UARG:90,2,1
Places
M
Why was Thomas Hart Benton firedfrom the Kansas City Art Institute in
1941?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Offensive statements he had made publicly
UARG:90,2,1
People
M
Thomas Craven
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
An art critic who supported Thomas HartBenton
UARG:90,2,2
People
M
Why did Thomas Hart Benton'sassociation with Thomas Craven
become problematic in the 1940s?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Thomas Craven was openly anti-Semitic.
UARG:90,2,2
People
H
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous Thomas Hart Benton lithograph
UARG:90,2,3
Works
E
Novel thatillustrates
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
UARG:90,2,3
Works
E
Between which TWO states are theJoads traveling in the scene
depicted in?A
mer
ican
Reg
iona
lism
/Am
eric
anE
xper
ienc
es
Oklahoma and California
UARG:90,2,3
Works
E
Phase of the moon in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Crescent
UARG:90,2,3
Works
E
Condition of the farmland in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Barren
UARG:90,2,4
Works
M
Building in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A small, ramshackle house
UARG:90,2,4
Works
E
Why is the portrayal of the figuresin
unusual stylistically?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
No faces are visible
UARG:90,2,4
Works
M
Vehicle in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A truck
UARG:90,2,4
Works
E
Effect of obscuring the figures' facesin
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Leaving the image open to interpretation
UARG:90,2,4
Works
M
Activity of the men in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Loading the family's possessions onto thetruck
UARG:90,2,5
Works
E
Location the woman in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Sitting on the running board of the truck
UARG:90,2,5
Works
E
Which character is most likely thewoman in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Rose of Sharon
UARG:90,2,5
Works
M
Two characters represented by thechildren in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Winfield and Ruthie
UARG:91,1,0
Works
M
Characteristic implied by the passiveposes of the woman and children in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Lack of agency
UARG:91,1,0
Works
M
Attitude implied by the figuresconversing in the middle of
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The anxiety associated with change
UARG:91,1,0
Works
M
Which character is most likely thefigure sitting by the house in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Muley Graves
UARG:91,1,0
Works
H
Company that commissionedThomas Hart Benton to make
promotional images for the film
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Twentieth Century-Fox
UARG:91,1,1
Groups
M
Number of illustrations Thomas HartBenton made of
for Twentieth Century-Fox
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
6
UARG:91,1,1
Works
M
Company that commissionedThomas Hart Benton to illustrate aspecial edition of
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Limited Edition Club
UARG:91,1,1
Groups
M
Number of illustrations Thomas HartBenton made of
for the Limited Edition Club
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
61
UARG:91,1,1
Works
M
Three attitudes towards moving westrepresented in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Confidently moving forward, hesitating, andsteadfastly remaining at home
UARG:91,1,2
Works
E
Jacob Lawrence
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous 20 th century painter
UARG:91,2,1
People
E
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous Jacob Lawrence painting
UARG:91,2,1
Works
E
How did Jacob Lawrence'sperspective differ from that of the
Regionalist painters?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Was African-American
UARG:91,2,1
Styles
E
Event portrayed by the series thatincludes
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The African-American migration out of theSouth between the World Wars
UARG:91,2,1
Works
E
Two means through which theseries that includes
was shownto the general publicA
mer
ican
Reg
iona
lism
/Am
eric
anE
xper
ienc
es
Publication in a popular magazine and anexhibition tour
UARG:91,2,1
Works
M
Jacob Lawrence's city of birth
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Atlantic City, New Jersey
UARG:91,2,2
Places
M
What event led to Jacob Lawrenceliving in foster care in his
childhood?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
His parents' separation
UARG:91,2,2
Events
M
Where did Jacob Lawrence begantaking formal art classes?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Harlem
UARG:91,2,2
Places
E
Museum at which Jacob Lawrencespent his free time in his youth
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Metropolitan Museum of Art
UARG:91,2,2
Places
M
New Negro Movement
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A group of African-American artists,musicians, and writers who worked inHarlem during the 1920s and 1930s
UARG:91,2,3
Groups
E
Alain Locke
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
An African-American philosopher whocoined the term "New Negro Movement"with his book
UARG:91,2,3
People
M
"The Negro Speaks of Rivers"
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous Langston Hughes poem
UARG:91,2,3
Works
E
Charles Alston
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A muralist who mentored Jacob Lawrence
UARG:91,2,4
People
M
Augusta Savage
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A sculptor who mentored Jacob Lawrence
UARG:92,1,0
People
H
Two places where Jacob Lawrencestudied with Charles Alston
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Utopia Children's House and theHarlem Art Workshop
UARG:92,1,0
Places
H
Branch of the New York PublicLibrary at which Jacob Lawrence
studied in the 1930s
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The 135th Street Branch
UARG:92,1,0
Places
M
Name eventually given to the 135 th
Street Branch of the New YorkPublic Library
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Schomburg Center for Research in BlackCulture
UARG:92,1,0
Places
M
School at which Jacob Lawrencecontinued his studies in 1936
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The American Artists School
UARG:92,1,0
Places
M
Building in which Jacob Lawrencehad his first solo show in 1938
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Harlem YMCA
UARG:92,1,0
Places
M
Government agency that hired JacobLawrence following his first solo
show
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Works Progress Administration/ FederalArts Project
UARG:92,1,0
Groups
E
Two historical figures JacobLawrence created a series of
paintings on in 1938
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Frederick Douglass and Harriet Tubman
UARG:92,2,0
People
M
College that hired Jacob Lawrencein 1946
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Black Mountain College
UARG:92,2,1
Places
M
University that hired Jacob Lawrencein 1970
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
University of Washington
UARG:92,2,1
Places
M
Gwendolyn Knight
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Jacob Lawrence's wife
UARG:92,2,1
People
M
Four social incentives forAfrican-Americans to leave theSouth between the World Wars
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Discrimination, limited education, poorhealth care, and inadequate housing
UARG:92,2,2
Events
E
Environmental incentive forAfrican-Americans to leave theSouth between the World Wars
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Boll weevil infestations
UARG:92,2,2
Events
E
Three improvementsAfrican-Americans sought by leavingthe South between the World Wars
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Better jobs, education, and living conditions
UARG:92,2,3
Events
E
The Great Migration
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The northwards migration of 1.5 millionAfrican-Americans between the World Wars
UARG:92,2,3
Events
E
Four cities to which AfricanAmericans migrated between the
World Wars
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
New York, Detroit, Chicago, and SaintLouis
UARG:92,2,3
Places
M
Number of panels in JacobLawrence's series
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
60
UARG:93,1,1
Works
M
Size of panels in Jacob Lawrence'sseries
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
12" x 18"
UARG:93,1,1
Works
M
Feature that accompanies the panelsin Jacob Lawrence's
series
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Brief text that narrates the panels
UARG:93,1,1
Works
E
Orientation of the panel
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Horizontal
UARG:93,1,2
Works
E
Subject of
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A group of African-American men, women,and children
UARG:93,1,2
Works
E
What feature separates the figuresof
from the viewer?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Railroad tracks
UARG:93,1,2
Works
E
What situation does the appearanceof the figures in
indicate?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Travelling
UARG:93,1,2
Works
E
What TWO aspects of the figures inare
unusual?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Have no facial features and outlines blendtogether
UARG:93,1,2
Works
E
What objects occupy the foregroundin ?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Trunks and suitcases
UARG:93,1,2
Works
E
Effect of the facelessness andblending together of figures in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
None of the figures seem like individuals
UARG:93,1,2
Works
E
Two materials used in
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Tempera paint and composition board
UARG:93,1,3
Works
E
How did Jacob Lawrence select hiscolor palette for his
series?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Used inexpensive paint powders
UARG:93,1,3
Works
M
Two features Jacob Lawrence usedto unify the panels of his
series
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Color palette and repeated motifs
UARG:93,1,4
Styles
M
Where in the series doesfit?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
At the end
UARG:93,1,4
Works
M
Two methods Jacob Lawrence usedto create variety in his compositions
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Alternating close and distant viewpointsand vertical and horizontal compositions
UARG:93,1,4
Styles
M
Aspect of the Great Migrationillustrated by the early panels of
Jacob Lawrence'sseriesA
mer
ican
Reg
iona
lism
/Am
eric
anE
xper
ienc
es
The various causes for the migration
UARG:93,2,1
Works
M
Aspect of the Great Migrationillustrated by the later panels of
Jacob Lawrence'sseriesA
mer
ican
Reg
iona
lism
/Am
eric
anE
xper
ienc
es
Positive and negative aspects of life in theNorth
UARG:93,2,1
Works
M
Museum that owns the evennumbered panels of Jacob
Lawrence's series
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Museum of Modern Art
UARG:93,2,3
Places
M
Museum that owns the oddnumbered panels of Jacob
Lawrence's series
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Philips Collection
UARG:93,2,3
Places
H
Magazine that published somepanels from Jacob Lawrence's
series in 1941
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
magazine
UARG:93,2,4
Events
M
Museum at which the entireseries was exhibited
before going on a nationwide tour
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Museum of Modern Art
UARG:93,2,4
Events
E
Edward Hopper
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
A famous 20 th century painter
UARG:94,1,1
People
E
How did Edward Hopper's subjectsdiffer from those of the Regionalists?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Painted urban scenes
UARG:94,1,1
Styles
E
Edward Hopper's town of birth
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Nyack, New York
UARG:94,1,2
Places
M
School at which Edward Hopperwas formally educated in art
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
New York Institute of Art and Design
UARG:94,1,2
Places
M
Three artists who taught EdwardHopper
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
William Merritt Chase, Robert Henri, andJohn Sloan
UARG:94,1,2
People
H
Edward Hopper's 1905 job
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Advertising illustrator
UARG:94,1,3
People
M
Number of trips Edward Hoppermade to Europe between 1906 and
1910
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
3
UARG:94,1,3
Events
M
Aspect of Europe on which EdwardHopper focused during his trips
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Paris art scene
UARG:94,1,3
Places
E
Two main themes of EdwardHopper's art
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Architecture and figures in shared spaces
UARG:94,1,3
Styles
M
Emotion evoked by much of EdwardHopper's art
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The isolation of urban living
UARG:94,1,3
Styles
E
Josephine Nivison
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Edward Hopper's wife and manager
UARG:94,1,4
People
M
Museum through which EdwardHopper first received critical acclaim
in 1923
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Brooklyn Museum
UARG:94,1,4
Places
M
Number of pieces Edward Hoppercontributed to the 1923 Brooklyn
Museum exhibition
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
6
UARG:94,1,4
Events
M
Museum that held a 1933retrospective of Edward Hopper's
work
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
The Museum of Modern Art
UARG:94,1,4
Places
M
How did the 1923 Brooklyn Museumexhibition change Edward Hopper's
lifestyle?
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Able to support himself through paintings
UARG:94,1,4
People
M
Neighborhood in which EdwardHopper lived with his wife
Am
eric
anR
egio
nalis
m/A
mer
ican
Exp
erie
nces
Greenwich Village
UARG:94,2,0
Places
E
Two elements of Edward Hopper'spainting that evoke film stills
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Strong lighting and frozen poses
UARG:94,2,1
Styles
E
Two of Edward Hopper's dominantpersonality traits
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Silent and solitary
UARG:94,2,1
People
E
How did Thomas Hart Benton'spersonality differ from that of
Edward Hopper?
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Outspoken
UARG:94,2,1
People
E
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A famous Edward Hopper painting
UARG:94,2,2
Works
E
Location of the diner that formedthe basis for
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Greenwich Village, New York City
UARG:94,2,2
Works
E
What feature of New York Citycontrasts with the composition of
Edward Hopper's
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Skyscrapers
UARG:95,1,0
Works
M
Material of the walls of the diner in
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Glass
UARG:95,1,1
Works
E
What part of the diner is not shownin
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The door
UARG:95,1,1
Works
E
Color of the employee's clothes in
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White
UARG:95,1,2
Works
E
Color of the woman's dress in
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Red
UARG:95,1,2
Works
E
Color of the woman's hair in
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Red
UARG:95,1,2
Works
E
Drink the customers are consumingin
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Coffee
UARG:95,1,2
Works
M
Two articles of clothing worn by themale customers in
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Hat and suit
UARG:95,1,2
Works
E
Content of the text in
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Advertising for Phillies cigars
UARG:95,1,3
Works
M
Two items conspicuously absentfrom the counter in
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Food and menus
UARG:95,1,3
Works
M
Objects placed against the back wallof the diner in
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Coffee tureens
UARG:95,1,3
Works
M
Color of the diner's walls in
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Yellow
UARG:95,1,3
Works
E
Shape of the diner's counter in
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Triangular
UARG:95,1,3
Works
E
To where does the door in thediner in seem to lead?
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The kitchen
UARG:95,1,3
Works
E
Edifice across from the diner in
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A storefront
UARG:95,1,4
Works
E
Edifice above the storefront in
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An apartment
UARG:95,1,4
Works
E
What feature of the apartmentabove the storefront in
indicates the presence ofinhabitants?A
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Open blinds
UARG:95,2,4
Works
M
Phrase used by Barbara Haskell todescribe Edward Hopper's work
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"narrative of inaction"
UARG:95,1,5
Styles
H
What question do the frozenmoments depicted in Edward
Hopper's work invite?
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What the circumstances of the subjectsare
UARG:95,1,5
Styles
M
Distinctive aspect of the appearanceof the diner in
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Its openness
UARG:95,1,1
Works
M
Which two figures inhave an implied relationship?
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The man and woman sitting together atthe counter
UARG:95,1,5
Works
E
How does Edward Hopper trace theedges of the buildings in
?
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Hard lines
UARG:95,1,1
Works
M
How is a relationship impliedbetween the man and woman sitting
together at the counter in?A
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Hands are almost touching
UARG:95,1,2
Works
M
Type of light illuminating thesidewalk in
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Fluorescent
UARG:95,1,0
Works
M
Feature echoed by the curve of thecounter in
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The curve of the building
UARG:95,1,1
Works
M
Position of the solitary man at thecounter in
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With his back to the viewer
UARG:95,1,2
Works
E
What theme common to EdwardHopper's work is represented in
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The human experience of the city
UARG:95,1,0
Works
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Color of the employee's hair in
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Blond
UARG:95,1,2
Works
M
European art movement rejected byEdward Hopper
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Modernism
UARG:94,1,3
Styles
E