Art+Design 16 17

The College of Art is a community of designers and artists.At WashU, you will learn to make things with many different materials; examine people, communities, and situations carefully and with empathy; communicate with diverse audiences; and create positive change in the world.

Your studies will be rigorous and fun. Washington University is an interna-tionally recognized research institution where you can take courses in art history, psychology, gender studies, computer science, literature, business, science, and everything in between. Our courses are taught by leaders in their fields, who are working on local and global challenges.

YEAR 1 Build a foundation.In your first year, your required studio course work includes two semesters of drawing, two-dimensional design, three-dimensional design, and a weekly lecture course.

YEAR 2 Choose your path.As a sophomore, you select courses across art and design, taking a digitally oriented class and choosing from introductory courses in fashion design, graphic design, illustration, painting, photography, printmaking, sculpture, and typography. During your second semester, you select your major.

YEAR 3 Focus your study.In your junior year, you dive into your major, choosing among rigorous studio courses taught by faculty with diverse expertise.

YEAR 4 Culminate with capstone.As a senior, you take a yearlong cap-stone course, which provides a bridge to your future after college. You begin with research that results in finished work and a public exhibition.

Your WashU education brings together a strong liberal arts foundation and a major in art or design.As a BFA student, your liberal arts foundation is built on a combination of required academic courses, art history and visual culture courses, and elec-tive courses. There is time and space to explore fields across our under-graduate divisions—Architecture, Arts & Sciences, Business, and Engineering & Applied Science. A BFA degree requires a total of 128 credits of course work, with a min-imum of 39 credits taken in Arts & Sciences. With proper planning, you can pursue a minor or a second major. Dual degrees are also possible and typically take five years to complete.

Drawing I 2-D or 3-DDesign

Practices I Drawing II 2-D or 3-DDesign

Practices II

FA

LL

SP

RIN

G

Academic Requirements 12 creditsWriting I 3 Natural Sciences/Math 3Humanities 3Social or Behavioral Sciences 3Art History & Visual Culture Classes 15 creditsArt, Architecture, Design History I & II 6Art History & Visual Culture Electives 9Foundation Classes 14 creditsDrawing I & II 6Practices I & II 22-D & 3-D Design 6Major Classes 42 creditsArchitecture/Art/Design Electives 9 creditsAdditional Elective Classes 36 credits Total 128 credits

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Art & Design BFA Degree Credit Requirements

Major in ArtThe art major is built on two central ideas: first, you will become a maker with technical and conceptual depth; second, you will drive your own educa-tion with the choices you make about what classes to take and what projects to take on. You can decide to leave your art studio education open, or you can choose to concentrate in a specific discipline, including painting, photog-raphy, printmaking, or sculpture.

Your choices begin in your sophomore year, when you select two of four Material & Culture studios: painting, photography, printmaking, and sculpture. In addition, you take a digital studio course, which focuses on technology and the moving image.

Art Practice CoursesDuring your junior and senior years, you take seven Art Practice courses; we offer them in a range of areas and topics every semester. These courses help you to acquire technical and con-ceptual strategies as you move toward independent work.

Methods & Contexts CoursesTaught by teams of faculty during your junior year, Methods & Contexts courses help you understand your own artistic interests within the con-temporary, professional field of art.

CapstoneIn your senior capstone course, you commit to an artistic position— evidenced through studio production, presentation, and writing. Your work culminates in a spring exhibition.

Art Practice

Art Practice

Art Practice

Art Practice

Material & Culture

Capstone I

Methods& Contexts

I

Digital Studio

Art Practice

ArtPractice

Material & Culture

Capstone II

ArtPractice

Methods& Contexts

II

FA

LL

SP

RIN

G

Sample classes include:

Body ImageLarge Format PhotographyThe Printed ImageMaterial as MetaphorPublic PracticeTime-Based Media

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YEAR 2

YEAR 3

YEAR 4

Major in Communication DesignThe communication design major is a collaborative program at the inter-section of graphic design, illustration, and interaction design. Our faculty have backgrounds in illustration, information design, graphic design, social impact design, user interface design, and advertising. You can choose to design interfaces for mobile devices and the web, make pictures for games and motion graphics, illustrate stories, create comics, and design printed posters and books.

Some projects allow you to apply design skills to social problems in the community in areas such as public health and urban education. Others provide the chance to study the history of printed images, comics, and adver-tising through our Modern Graphic History Library.

In your sophomore year and the fall semester of your junior year, you take courses such as Digital Design, Word & Image, Typography, and Interaction Foundations. Starting in the second semester of your junior year, you choose all of your own major courses.

CapstoneAs a senior, you pursue a capstone project in design or illustration that culminates in an illustrated book, zine, screen-based presentation, graphic novel/mini-comic, or digital experience. Your final project is displayed in a public exhibition.

Word & Image II

DigitalDesign

Capstone I

Type II

Elective

Major Elective

InteractionFoundations

Type I

Capstone II

Major Elective

Word & Image I

Major Elective

Major Elective

Major Elective

FA

LL

SP

RIN

G

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Sample classes include:

Pictures for CommunicationType and LetterformMaterial & Culture (Art)

Interaction Design: User-Centered Applications

Illustration Concepts & Media/Visual Journalism

Content to Cover: The Design of Books

Design for Social ImpactArt Practice

YEAR 2

YEAR 3

YEAR 4

Major in Fashion DesignThe fashion design major provides experience in designing for mass production, as well as one-of-a-kind pieces. Courses provide a working knowledge of industry standards and procedures, informed by history and current trends.

During your sophomore year, you build a foundational understanding of fashion research, culture, and design. In your junior year, you undertake projects exploring a spectrum of garment design problems, fabrication strategies, textiles, and illustration, supported by digital tools.

CapstoneAs a senior, you focus on your own aesthetic through the realization of a signature collection. Students have drawn inspiration from dance, science-fiction genres, sustainable design, and architecture for recent collections.

Guided by faculty and professional mentors, you work through the full design process, from initial research and conceptual design to pattern and muslin stages to the final construction of each garment. Your designs are featured on the runway in the annual WashU Fashion Design Show.

Digital Design

Capstone I

Pattern- making &

Production

Pattern- making Lab Digital Lab

Intro to Fashion

Special Topics in Fashion Design

FashionIllustration

Capstone II

2-D FashionDesign

Fashion History & Research

Textile Design

PortfolioDevelop-

ment

3-D Fashion Design

Digital Fashion &

TextileDesign

FA

LL

SP

RIN

G

98

YEAR 2

YEAR 3

YEAR 4

Your real-world experience begins right here in St. Louis.

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Address sustainability issues. Sustainability Exchange allows students to work in transdisciplinary teams to discover innovative solutions for reducing energy use on campus, and to develop recommendations for advancing net-zero energy design and construction.

Use word and image to become a visual reporter. For professor Douglas Dowd’s Visual Journalism and Reportage Drawing course, students act as visual reporters, weaving together text and image.

Create films and videos to document communities.Taught by associate professor Denise Ward-Brown, the course Tale of Two Cities: Documenting Our Divides uses the medium of film to docu-ment local grassroots reform efforts, spurred in part by the 2014 events in Ferguson, Missouri.

Use design thinking to work on patient health care challenges. Interaction design courses allow students to learn research methods and collaborative processes in design thinking. Students often work on innovative, digitally delivered solu-tions for health care challenges.

Share your experiences with high school students. Fashion design students participate in studio activities with visiting high school students.

Experience what it takes to teach. Since 2003, WashUCity has given WashU design students the opportu-nity to develop curriculum, teach, and mentor graphics students at University City High School.

Engage in human-centered design.Design for America at WashU brings together students from majors across campus, challenging them to use human-centered design for local impact, addressing topics such as food access and waste reduction.

Use photography to tell your story. The Documentary Photography & Social Practice course, taught by professor Stan Strembicki, focuses on philosophical, aesthetic, and tech - nical approaches to photographing our contemporary, human-altered landscape.

Find out what it takes to make public art. Now in its 31st year, the University City Public Art Series provides students with hands-on experience in developing site-specific works. Participants choose locations, estimate costs, design models, and make professional presen tations before University City’s Municipal Commission on Arts & Letters. Winning projects are constructed in the community.

NY

DC

STL

AUS

LA

SF

MOZILLA 72ANDSUNNY

IBM

STUDIO BLUE

CHEREE BERRY PAPER

NATIONAL PORTRAIT GALLERY

PHILADELPHIA MUSEUM OF ART

ARTIST ASSISTANT TO TARA DONOVAN

NICKELODEON ANIMATION

STUDIO

YOUTUBE PIXAR

FACEBOOKGOOGLE

SHUTTERFLY

IDEO

SHEDD AQUARIUM

QUAD/GRAPHICS

FLEISHMAN-HILLARD

TOKY BRANDING + DESIGN

REGIONAL ARTS COMMISSION

SIX MILE SCULPTURE

WORKS

WHITE FLAG PROJECTS

DIGITASLBI

INTERBRAND

PENTAGRAM

KATE SPADEAMERICAN MUSEUM OF NATURAL HISTORY

JENNIFER BEHR

GLAMOUR MAGAZINE

J. CREW

NEW YORK MAGAZINE

OGILVY & MATHER

PENGUIN GROUP

CALVIN KLEIN

DEREK LAM

NANETTE LEPORE

VERA WANG

DIANE VON FURSTENBERG

ISAAC MiZRAHI

RALPH LAUREN

THEORY

TOMMY HILFIGER

TORY BURCH

GAGOSIAN GALLERY

METROPOLITAN MUSEUM OF ART

WHITNEY MUSEUM OF AMERICAN ART

PACE PRINTS

Sarah Ettinger, BFA15 Assistant designer for childrenswear and womenswear at Kate Spade New York, NY

Aaron Duffy, BFA06 Creative director and visual narrative mastermind at 1stAveMachine + SpecialGuest New York, NY

Adam Rubin, BFA05 New York Times best-selling children’s author New York, NY

Katy Scoggin, BFA05Film director and producer Brooklyn, NY

LEVI STRAUSS & CO.

FROG

VELASLAVASAY PANORAMA

FIREBELLY DESIGN

LAPIN DESIGN

NATIONAL GALLERYOF ART

Joey Brooks, BFA01 Owner/designer of Elle & Jae Los Angeles, CA

Jonathan Yukio Clark, BFA09 Mixed media artist Makawao, HI

Yu Araki, BFA07 Video artist and filmmakerTokyo, Japan

Benjamin Lowy, BFA01Award-winning photojournalist New York, NY

Jordana Warmflash, BFA07 Founder/designer of NOVISNew York, NY

Nina Buxenbaum, BFA96 Artist and faculty member Jamaica, NY

Judy Pfaff, BFA71Artist Kingston, NY

Ian Monroe, BFA95Artist London, England

IMPOSSIBLE VENTURES

SPREDFAST

CA TECHNOLOGIES

FURMAN + KEIL ARCHITECTS

HOMEAWAY.COM

Nicole White, BFA06 Artist Tulsa, OK

Paula Wilson, BFA98 Artist and faculty member Carrizozo, NM

DREAMWORKS ANIMATION

GRAVITYTANK

MONICA + ANDY

THE ATLANTIC

MONKEY DEUX

PHI

512

Check out how some of our alums are applying their WashU educations across the country and around the world.

Your degree will help you impact your community and your profession.

Michael Alm, BFA06 Mixed media sculptor Seattle, WA

Shelby Shadwell, BFA03 Artist and faculty member Laramie, WY

Louise Smythe, BFA10 Story artist at Pixar Animation Studios San Francisco, CA

Paul Dillinger, BFA94 Vice president and head of global product innovation at Levi Strauss & Co. San Francisco, CA

Sandy Speicher, BFA96 Partner and managing director of Education practice at IDEO San Francisco, CA

Douglas Powell, BFA88 Design principal at IBM Design Austin, TX

Sharon Silverberg, BFA10 Design director at Impossible Ventures Austin, TX

Tina Ho, BFA05 Senior user experience designer at HomeAway.com Austin, TX

Regina Allen, BFA91 Artist and faculty member Austin, TX

Julia Kuo, BFA07 Freelance illustrator Chicago, IL

De Andrea Nichols, BFA10 Social entrepreneur and founder of Civic Creatives St. Louis, MO

Tucker Pierce, BFA15 Founder of Westminster Press artist space St. Louis, MO

John Witty, BFA10 Doctoral candidate in Italian Renaissance art history Atlanta, GA

Tom Friedman, BFA88 Artist Plymouth, MA

Heather McPherson, BFA06 Artist and faculty member Providence, RI

Isaac Howell, BFA15MFA candidate in painting and printmaking New Haven, CT

Michelle Komie, BFA97 Executive editor of art and architecture at Princeton University Press Princeton, NJ

Mary K. Bryson, BFA88Founder of Bryson Medical Illustrations Langhorne, PA

Benjamin Guthorn, BFA10 Judicial law clerk for Judge Dan Friedman, Maryland Court of Special Appeals Baltimore, MD

CHI

Sandy Speicher

De Andrea Nichols

NOVIS collection by Jordana Warmflash

Starting in your junior year, our career development staff integrates profes-sional programming into your course work. You will be guided through specialized programs and learn how to structure an internship and job search. In addition, you will have access to personalized career advising and resources to find prospects for the best internships, residencies, fellowships, graduate schools, jobs, or other professional placements.

You are also encouraged to become actively involved with professional organizations and to attend conferences.

Professional PracticesThe Pro Practices program includes sessions on résumé, cover letter, and portfolio development. It also includes skill-building sessions on networking, interviewing, and professional etiquette.

Road ShowsRoad Shows offer students a chance to travel to major markets to visit agencies, studios, and professionals, and to connect with alumni currently working in the field. Recent Road Shows have been held in Chicago, Minneapolis, New York, and Silicon Valley.

Professional development is an integral part of your studio education.

Nationally and internationally distin-guished, our faculty exhibit in galleries, have successful design and studio practices, publish articles and books, conduct human-centered research, create interactive media, consult, and participate in a range of other creative activities. You’ll get to know your fac-ulty well. Their research and studio practices are often interwoven with the courses that they teach.

Faculty ProfilesIf you ask associate professor John Hendrix—who has authored and illustrated several children’s books and completed assignments for publi-cations such as Sports Illustrated,

Entertainment Weekly, Rolling Stone, The New York Times, The New Yorker, and Esquire—the sketchbook is a vital tool for illustrators, providing a “personal playground” for concep-tualizing ideas and honing drawing skills. For his course The Illustrator’s Sketchbook, students make images that explore visual narratives.

Senior lecturer Jennifer Ingram, BFA04, knows the challenges of designing a collection for the annual Fashion Design Show. “It’s a balance of freedom and restriction,” says Ingram, who coordinates the public showcase. “You can be creative and think outside the box, but you also have to make sure the garment works for a manufacturer and a clientele.”

An internationally recognized artist, professor Lisa Bulawsky’s innovative approach to teaching stems from her research interests and invest-ment in the philosophical and political qualities inherent to printmaking. Her role as director of Island Press epitomizes this convergence of practice and education. The research-based printmaking workshop hosts profes-sional artists for intensive studio residencies, and their visits are incor-porated into the curriculum.

Our faculty are practicing artists, designers, and architects.

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IBM Design Studio, Austin, Photo courtesy of IBM Corporation

Cheree Berry Paper, St. Louis. Photo: Tyler Stephens, CORE10 Architecture

Levi Strauss & Co., San Francisco

Studio and Making SpacesAll students have their own studios beginning in their junior year, provid-ing a space to work, collect, and be inspired. These spaces are an import-ant part of our community-oriented culture and provide the opportunity for informal peer review and discus-sion, as well as individual faculty visits. From large-scale etching presses to laser cutters to book production facilities to wood and metal shops, you’ll have access to professionally equipped making spaces.

Island Press Island Press is a research-based print-making workshop that is committed to creating and publishing innovative prints and multiples. Students have the opportunity to work with visiting artists, participating in the development of artistic ideas and gaining access and insight into both the technical and conceptual challenges of each project.

Public Lecture SeriesEach semester, the School brings nationally and internationally recog-nized artists, designers, architects, historians, and critics to campus, giving students the chance to hear from some of the most important creative and inspiring voices of our

time. Past speakers include Mark Dion, Xu Bing, Carrie Mae Weems, Jon Kolko, Trevor Paglen, Alfredo Jaar, Michael Bierut, and Abbott Miller.

Mildred Lane Kemper Art MuseumThe Mildred Lane Kemper Art Museum is located right across the plaza from students’ studio spaces. With over 5,000 objects, it is one of the finest university collections in the United States with strengths in 19th-, 20th-, and 21st-century European and American paintings, sculptures, prints, installations, and photographs. The Museum’s exhibition program focuses on both contemporary and historical forms of art, architecture, and design and the unique points of

intersection between those areas. Faculty often incorporate exhibitions into their courses. The Museum offers all WashU students a free membership, giving you access to special exhibition previews and events. Other opportunities for student involvement include the Kemper Student Council, Museum internships, and a curatorial fellowship.

Nancy Spirtas Kranzberg Studio for the Illustrated BookA collaboration between the College of Art and WashU Libraries, the Kranzberg Book Studio is a working book and print production facility that includes equipment for letterpress and intaglio printing, photopolymer plate, and silkscreen printing.

You will have access to work spaces with the latest technology and tools.

Resources outside your studio will inspire your work.

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If you choose to study abroad, you can spend a semester, typically in your junior year, immersed in the rich artistic and cultural environment of Florence and the surrounding Tuscan countryside. The curriculum includes intense studio work in addition to courses in Italian language, Renaissance art history, and Italian art and design culture. You can choose to travel to destinations across Europe during semester break.

Another option is to spend nine weeks of your summer in Florence. Our offerings vary by year, but they frequently include drawing, painting, and communication design courses, which are supplemented with lan-guage and art history course work.

You can also access the broad range of study abroad opportunities offered through other WashU programs.

This is what happens when the Sam Fox School goes to Florence.

1918

FLO

ROM

VENMIL

RAVENNA

AREZZO

MARCIANAMARINA

Get answers to specific questions regarding admissions, financial assistance and scholarships, or transfer admission by contacting the Office of Undergraduate Admissions:

phone 800.638.0700 or 314.935.6000

e-mail admissions@wustl.edu

online admissions.wustl.edu

It’s the best way to learn about Washington University. Meet current Washington University students and faculty. See the campus. Go to visit.wustl.edu, e-mail visit@wustl.edu, or call 800.638.0700 or 314.935.6000. Our visit coordinators will take care of everything, so that you can see and experience what is most relevant to your interests.

Visit us!

AdmissionThe primary considerations for undergraduate admission are artistic and intellectual promise and academic record. You must have graduated from high school, received a recommen-dation from your teachers or other responsible officials of the school, and taken an appropriate distribution of high school subjects.

To Apply for First-Year AdmissionSubmit the Common Application at commonapp.org or the Coalition Application at coalitionforcollegeaccess.org. The Early Decision deadline is November 15, 2016, and the Regular Decision deadline is January 15, 2017. Your application must be accompanied by a $75 nonrefundable application fee. You must also submit your official second ary school transcript, a teacher recommendation, SAT or ACT scores, and essay.

To Apply for Transfer AdmissionTransfer admission to Washington University is selective and competitive. In any given year any academic division may have from zero to a small handful of slots available. We recommend the strongest candidates for admission present proof of a high school diploma or equivalent and proof of a high level of academic success at their current institution. Transfer applicants are required to submit a portfolio, along with transcripts reflecting all collegiate work undertaken. Submit the Common Application at commonapp.org or the Coalition Application at coalitionforcollegeaccess.org. Your application must be accompanied by a $75 nonrefundable application fee.

PortfolioRequired for admission to the College of Art, a portfolio can include any-thing from drawings and paintings, to photographs, illustrations, videos,

sculptures, storyboards, websites, or other types of work that seem relevant. Choose 10-20 pieces of your best and most recent work.

There are three ways to submit your portfolio; however, if you would like to be considered for an academic scholarship, you must submit a digital portfolio.

Digital PortfolioSubmit images through the SlideRoom function of the Common Application. Each image/file can be up to 5MB. When you upload your materials, you will be able to include information such as title of work, medium, dimensions, and date. There is no additional fee.

National Portfolio DayAt National Portfolio Days, held in major cities throughout the country, you will have the opportunity to receive a personal portfolio review by one of our representatives and ask questions about the School. For more information about the events we will be attending, visit samfoxschool.wustl.edu/npd.

Visit CampusSchedule a visit to Washington University and have your work reviewed on campus. A visit to campus or to a National Portfolio Day can count as your portfolio submission, or you may use this feedback to improve your work before submission.

Scholarships & Financial AssistanceWe meet 100 percent of need for all admitted students. Awards range up to the full cost of attendance, including no-loan packages for families who need them. Students apply for financial aid year by year, and we are committed to helping you throughout your undergraduate years. Each family is assigned a dedicated Washington University financial

assistance counselor. Our financial assistance application process is simple with our free Family Financial Profile, ffp.wustl.edu.

Financial assistance information for international students can be found on the International First-Year Student Financial Aid page of admissions.wustl.edu.

Merit-based and need-based scholarships are also available, but may require separate applications. Academic scholarships offered by the University, regardless of financial circumstances, include:

Conway and Proetz ScholarshipsEach year, up to one full-tuition schol-arship and five partial scholarships are awarded to first-year students in the College of Art whose artistic and aca-demic potential is judged outstanding by a faculty selection committee. The scholarships are renewable for four years of undergraduate study, assuming the student maintains a satisfactory academic record. Art applicants who wish to be considered for the Fred Conway Scholarship and Arthur and Esther Proetz Scholarship are required to submit portfolios by 5:00 p.m. Central Time on January 15. No special application form is needed.You must select Art as your division on the Common Application. Other Academic ScholarshipsIn addition, students may apply for the following opportunities:

– Enterprise Holdings Scholars Program

– Entrepreneurial Scholars Program

– John B. Ervin Scholars Program– Annika Rodriguez Scholars

ProgramHigh school seniors on our

mail ing list receive our scholarships brochure; applications and instructions can be found at admissions.wustl.edu.

Admission & Scholarships

Washington University encourages and gives full consideration to all applicants for admission, financial aid, and employment. The University does not discriminate in access to, or treatment or employment in, its programs and activities on the basis of race, color, age, religion, sex, sexual orientation, gender identity or expression, national origin, veteran status, disability, or genetic information. Applicants with a prior criminal history will not be automatically disqualified from consideration for admission. Inquiries about compliance should be addressed to the University’s Vice Chancellor for Human Resources, Washington University, Campus Box 1184, One Brookings Drive, St. Louis, MO 63130.

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Art+Design 16 17Art+Design 16 17

Office of Undergraduate AdmissionsCampus Box 1089One Brookings DriveSt. Louis, Missouri 63130-4899

800.638.0700 / 314.935.6000

http://admissions.wustl.edu

SAM FOX SCHOOL OF DESIGN & VISUAL ARTSCOLLEGE OF ARCHITECTURE GRADUATE SCHOOL OF ARCHITECTURE & URBAN DESIGN COLLEGE OF ART GRADUATE SCHOOL OF ART MILDRED LANE KEMPER ART MUSEUM

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P A I dST. LOUIS, MOPERMIT NO. 1256

Installation view, From Picasso to Fontana—Collecting Modern and Postwar Art in the Eisendrath Years, 1960–1968, Mildred Lane Kemper Art Museum, Washington University in St. Louis, spring 2015. All works are in the collection of the Mildred Lane Kemper Art Museum, Washington University in St. Louis. Clockwise from left: Antonio Saura, Gina, 1958–59. Oil on canvas, 64 1/16 x 54 3/8". Gift of Mr. and Mrs. Richard K. Weil,

1963; Antonio Saura, Crucifixion, 1961. Collaged paper, tempera, and ink on canvas, 27 11/16 x 40 3/16". Gift of Phoebe and Mark Weil, 2005; Antoni Tàpies, Blanco y Grafismos (White with Graphism), 1957. Mixed media on canvas, 79 x 69". Gift of Mr. and Mrs. Richard K. Weil, 1963; and Eduardo Chillida, Rumor de limites #4 (Rumor of Limits #4), 1960. Forged iron, 38 1/8 x 38 1/8 x 26 1/4". Gift of Mr. and Mrs. Richard K. Weil, 1962.