arts integrated exp 1.8

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Arts Integrated Learning Experience & Website Spring 2010

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Page 1: Arts Integrated Exp 1.8

Arts Integrated Learning Experience & Website

Spring 2010

Page 2: Arts Integrated Exp 1.8

Arts Integrated Learning Experience & Website Spring 2010

• Arts integrated Lesson Plans supporting the North Carolina Standard Courses of Study in science, math, art, computer/technology, and other subject areas as appropriate

• Unique museum/school partnership betwen SECCA, the WS/FC Public School System, and the Winston-Salem Arts Council

• Artists residencies featuring public artists whose work will be housed in the new Downtown Center for the Arts, along with other regional professionals.

• Lessons will also be supported through new media, and long distance learning.

• Students will use technology to document each lesson. The results will become the basis for an interactive educational web site. Each lesson taught previously in the classroom will become a multimedia presentation on the Web site. Teachers throughout the state can utilize the Web site as lessons that directly support the North Carolina Standard Courses of Study.

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Program Components

• Educator workshop on processes and procedures involved with art in public spaces led by David Finn

• Artist residency with public artist Kyungmi Shin

• Artist residency with public artist Jimmy O’Neal

• Project based lessons during which students conceptualize and execute a work of art inspired by the artists in residence, that will be placed in a public environment

• Interactive website outlining the lesson plans developed from the educator workshops and residencies. Teachers throughout the state can utilize the website as a pre- visit guide for a trip to the Downtown Center for the Arts or as a series of stand-alone lessons. The web site will also host an active forum where teachers and students can upload still images or video of their students’ work, as well as share ideas.

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Program Development

• Program will be developed collaboratively by educator teams, WS/FCS administrators, SECCA staff, Arts Council staff, and participating artists

• Educator teams will consist of 1 science and 1 art teacher from 2 different schools• Mt. Tabor High School - Taryn Kendig, Science; Alice Morley, Art• RJ Reynolds High School - Ashley Witherspoon, Science; Matt Fussell, Art

• 2 Program Development meetings in January/early February• 1 meeting for the collaborative group to meet and discuss initial program vision• 1 day-long meeting to craft lesson plans and evaluation metrics

• Lesson plans will be refined through February via email and on-line project management software

• Residencies will take place during mid-late March and early Spring (residency calendar will be established based on school calendars and artists’ availability.

• Website will be finalized by early May

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Jimmy O’NealAsheville, NC

www.overawed.com

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In Karrezza Noemata2003

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In Karrezza Noemata2003

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Cymatics

“also known as modal phenomena, is the study of visible sound and vibration, typically on the surface of a plate, diaphragm, or membrane. Directly visualizing vibrations involves using sound to excite media often in the form of particles, pastes, and liquids.”

Properties of Waves

• Frequency

• Wavelength

• Period

• Amplitude

• Intensity

• Speed

• Direction

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Evan Grant

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Why Cymatics?

• Metaphorically connect the visual experience in the lobby space to the audio-visual experiences in the theatre spaces

• Ambient audio from the theatre space will serve as the source of the cymatic paintings

• Additional audio documented throughout Winston-Salem cultural community will provide supplemental material

• Provides a rich platform for an arts-in-education residency that could potentially involve visual arts, science, math, theatre arts, and music

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Kyungmi Shin(Los Angeles, CA)

Laundry 2002

www.kyungmishin.com

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Wallpaper Patterns, Knocking on Heaven’s Door2000

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Paradise2007

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Why Patterns?

• Proposed installation represents the traffic patterns that flow between and connect the spaces, representing the residual and cumulative “creative energy.”

• Opportunity to study weather patterns as well as human impact on naturally occurring phenomena

• Opportunity to study growth patterns among organisms both simple and complex and their relationships

• Identifying and rendering patterns are core practices in both science, biology, and artistic processes.