audiovisual support as the glue of european cinema ilse schooneknaep iminds-smit-vub ecrea 2014
TRANSCRIPT
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AUDIOVISUAL SUPPORT AS THE GLUE OF EUROPEAN CINEMA
ILSE SCHOONEKNAEPiMinds-SMIT-VUB
ECREA 2014
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1.INTRODUCTION
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Does the audiovisual support system MEDIA strengthen the cross border circulation of European
Audiovisual productions?
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2.SETTING THE SCENE
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“The euros learn English with a Hollywood accent”
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“IF CONTENT IS KING THAN DISTRIBUTION IS KING KONG”
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“EUROPE AS A PATCHWORK OF INDIVIDUAL WAYS OF ENTERTAINMENT”
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3.DISTRIBUTION ENHANCING EU POLICIES
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MEDIA I1991-1995
MEDIA II1996-2000
MEDIA Plus2001-2007
MEDIA 20072007-2013
Film Distribution in Cinemas
Film & Video Distribution
Cinema Distribution Encourage distribution
Distribution Video & TV
Circulation of TV programs
Distribution off-line Improve circulation
Multilingualism Promoting companies
TV broadcasting Promote transnational dissemination
Development of markets
Distribution on-line Encourage digitisation
Encourage cinema
Overall budget of 200 m
Overall budget of 400 m
Overall budget of 513 m
Overall budget of 755 m
43% for distribution 62% for distribution 57;5% for distribution
55% for distribution
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Amount of MEDIA supported films in Top EU 25 (European Audiovisual Observatory 2006-2013)
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BELGIUMBELGIUM
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DENMARKDENMARK
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UNITED KINGDOMUNITED KINGDOM
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Type of films and their distributors
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4.CONCLUSIONS
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"The European film industry has fought to establish, maintain and revive a place in the international film business “
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