august 29 - november 21 2010, tue - sun 10.00-18.00 ... · byron ioannou university of nicosia...

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August 29 - November 21 2010, Tue - Sun 10.00-18.00, Mondays closed Palazzo Malipiero, San Marco 98, 30124 - Venice, S. Samuele boat stop Palazzo Grassi, line 2 telephone 340 6464662, telephone/fax 0422 821508 www.walkingmovie.org

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Page 1: August 29 - November 21 2010, Tue - Sun 10.00-18.00 ... · Byron Ioannou University Of Nicosia Haris Pelapaissiotis University Of Cyprus Panayiota Pyla Graphic Design Beetroot design

August 29 - November 21 2010, Tue - Sun 10.00-18.00, Mondays closed Palazzo Malipiero, San Marco 98, 30124 - Venice, S. Samueleboat stop Palazzo Grassi, line 2telephone 340 6464662, telephone/fax 0422 821508www.walkingmovie.org

Page 2: August 29 - November 21 2010, Tue - Sun 10.00-18.00 ... · Byron Ioannou University Of Nicosia Haris Pelapaissiotis University Of Cyprus Panayiota Pyla Graphic Design Beetroot design

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01 Theo DavidTheo David Architects + KAL EngineeringGSP “Pancypria” Stadium and Athletic Centre, Nicosia 02Stavros OikonomouNicosia Retail Market 03Vasilis IeridesIMA ArchitectureHellenic Bank, Nicosia (In collaboration with J+A PHILIPPOU Architects) 04Vakis HadjikyriacouVakis Associates, Architects and Designers Columbia Plaza, Limassol

05Nikos Mesaritis, Marios PelekanosPolytia ArmosSewage Board of Nicosia Headquarters 06Eleftheria Sergidou, Vasilis PashiourtidesArmon Choros ArchitektonikisOlympic House and Park in Nicosia, Cyprus 07Neoptolemos Michailidesa. St. Varnava Church, Nicosiab. Apartment Building of Alexandros Demetriou 08Konstantinos Maratheftisa. Audit Office of the Republic of Cyprusb. Shacolas Emporium Park, Nicosia

09Chrysanthos ChrysanthouC. E. Chrysanthou & Associatesa. University of Cyprus, Students Residenceb. University of Cyprus, Sports Hall(In Collaboration with Eracles Papachristou) 10Constantinos Constanti Ena Pros Ekato Constanti ArchitectsOffice Building in Nicosia 11Margarita DanouAthletic Park at the old GCO stadium in Limassol 12Charilaos KythreotisKythreotis and Αssociatesa. RAI Office Buildingb. The Cyprus National Theatre, Nicosia

13Yiorgos HadjichristouResidence, 2 appartments and a private institute in Aglantzia 14George Georgiou, George Paroutis, Elena Parouti, Maria CharalambidouEpitessera ArchitectsSchool of Fine and Applied Arts AIGAIA 15Zenon + Christina Sierepeklia. Science Building at The English School Nicosiab. 2nd Avgorou Elementary School (Marios Economides/Zenon Sierepeklis) 16Athos DikaiosAthos Dikaios & AssociatesUniversal Tower

17Eracles PapachristouEracles Papachristou – Architectsa. University of Cyprus, Students Residenceb. University of Cyprus, Sports Hall(In Collaboration with Chrysanthos Chrysanthou) 18Charilaos Dikaios 19Michael KosmasMichael Cosmas ArchitectureHouse 17 20Charis FeraiosFeraios and AssociatesYiorkio 21Mikis Zempylasa. Cyprus Central Bank, Nicosia(In Collaboration with Alkis Ioannidis)b. Apartment Building in Nicosia

22Paris PhilippouJ+A Philippou Architects Engineersa. Residence in Kato Deutera b. Hellenic Bank, Nicosia(In collaboration with Vasilis Ierides) 23Marios Economides, Maria AkkelidouEconomides + Akkelidou Architectsa. Private Residence in Nicosiab. 2nd Avgorou Elementary School(Marios Economides/Zenon Sierepeklis ) 24Ikaros Ioakim, Andreas Loizas IOAKIM – LOIZAS Architects Engineers N.T.U.A.Acropolis Park, Nicosia

CuratorChristakis ChatzichristouAssistant Professor, Department of Architecture, University of Cyprus

Deputy CuratorAimilios MichaelArchitect

CommissionerPetros DymiotisMinistry Of Education And Culture

Deputy CommissionerAngela Skordi

Selection CommitteeCyprus Architects AssociationStefanos FereosMarios ChristodoulidesAssociation Of Architects Of Cceaa(Cyprus Civil Engineers& Architects Association)Vera Efthymiou-ParlalidouChrysanthos PissaridesFrederick UniversityByron IoannouUniversity Of NicosiaHaris PelapaissiotisUniversity Of CyprusPanayiota Pyla

Graphic DesignBeetroot design groupwww.beetroot.gr

Exhibition Production Roscianach Habibi Minelliand Sky Venice

Architects & Projetcs

The montaged images removed from the spatial rhizome

The spatial rhizome

Credits Introduction

25Socrates Stratis, Kyriakos Koundouros, Riccardo UrbanoAA & URedevelopment of Heraklion Old City Waterfront, Crete, Greece (Europan 4) 26Haris Andrea H.J. Vassilioua.The Aretaieio Hospital Nicosiab.Office Building in Nicosia 27Phoevos Polydorides 28Alexandros LivadasAlexandros Livadas Architects Cyprus Supreme Court, Nicosia 29Demetris Thymopoulos

30Gregoris G. PatsalosavvisGr G. Patsalosavvis Architecture + DesignNice Day Tower – Offices αnd Shops 31Polyvios M. Michailidesa. Building Complex in the Walled City, Nicosiab. Hellenic Bank, Nicosia 32Floris Panayides, Aida SpinazzolaPanayides – Spinazzola ArchitectsKleanthous Residence 33Dickon Irwin, Margarita Kritioti irwinkritioti architectureNew Limassol Cruise Terminal

34Cleanthous + Eliasides, ArchitectsUniversity of Cyprus Social Activities Building Complex35Alkis IoannidesCyprus Central Bank, Nicosia(In Collaboration with Mikis Zempylas) 36Alessandra Swiny‘Interactive-Installation’ for YK:EMX at the Nicosia Municipal Arts Center 37Giannis ArmeftisArmeftis and AssociatesBuilding on Amathountos str 38Costas KoutsoftidesKoutsoftides Architects«A permanent camping tent», Pomos-Paphos

The exhibition is the narration of an architectural story, in a setup similar to that of a movie theatre, where the lights are low and where the viewers come in contact with successions of bright images. Still, the linear and one-directional flow of the images in front of a static viewer is here replaced with a rhizomatic narration where the viewer becomes a navigator who can follow different paths, constructing to a degree his/her own experience while influenc-ing the experience of others.

These linear elements, being truly rhizomatic can be found crawling at different locations in Venice, ‘pointing’ the way to the Cyprus exhibition.

The story is actually an archi-tectural fiction movie. Architec-tural not only because its raw material are images from the built environment, but also, and mainly, because the montage techniques used to ‘stitch’ these images together comment on the way the built environment is designed and experienced.

Fiction because the architec-tural ‘story’ told is made up by montaging together seemingly unrelated pieces of existing, re-membered or proposed designs. Movie because the viewer is transformed into a navigator.

It so happened that hardly any encounters between people have been captured by the images taken for the purpose of ‘constructing’ the story. Still, while the depiction of encoun-ters of people in architecture does not happen through the material exhibited,

a number of different en-counters do take place in and through the exhibition itself.

The visitor is indeed warned that by entering the exhibi-tion, he/she may end up being engaged in encounters in architecture, despite the architecture, for architecture, but more importantly, because of the architecture. Some of these meetings involve the visitor, the projects presented and their architects, while other encounters take place between the visitors themselves.

This last type is encouraged if not dictated by the rotating linear elements which require some kind of coordination between the visitors.

Another type of encounter occurs between the exhibited projects themselves. The visitor basically walks through ‘an ar-chitectural fiction movie which comments on how architectural entities ‘socialize’. The archi-tectural landscape presented exists, but only through the montage techniques used to create it.

August 29 - November 21 2010Tue - Sun 10.00-18.00, Mondays closed

Palazzo Malipiero, San Marco 3198, 30124 - Venice, S. Samuele

boat stop Palazzo Grassi, line 2

telephone 340 6464662telephone/fax 0422 821508

Infowww.walkingmovie.org

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