aup spring 2012 catalogue

Collaborating in MultipleCoalitions for Afghanistan

Edited by Robert Beeres, Jan van der Meulen, Joseph Soeters

& Ad Vogelaar

MissionUruzgan

spring 2012

GERT OOSTINDIE

Postcolonial NetherlandsSixty-five years of forgetting,commemorating, silencing

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FILM THEORY IN MEDIA HISTORY

AMSTERDAM UNIVERSITY PRESS

JEAN EPSTEINNEW TRANSLATIONS AND CRITICAL ESSAYS

EDITED BY SARAH KELLER & JASON PAUL

SHARING

RIN

HARIN

H

HAHA

HH

SHARINGHAHANHAR

HAHA

SHHAHASHHHSHARINSHARINHAHAHAHA

RRR

NSHSHARINARINSSSS

RINGS

NNGNGG

AAAAAA

RINRINGRINGNGNGRINGRINGRINGRINGNGNGRINGRINGRINGRINGHARINGHARINGHARINGHARINGRINGRINGRINGRINGRINGRINGRING

RINRINRINRINRINRINRINRIN

RINRINHAHA

RINRINRINRINHHHHHAHAHAHA

RINRINININSHSHSHSHARINARINARINARINRINGRINGRINGRINGRINGINGINGSSSSSSS

NGRINRINHARINGHARINGRINGRINGRINGRING

SHSRINGRINGINGINGINGINGSSSS

RRRRRRRRRINRINRINRINRINRINRININIHARINGHARINGHARINHARINHARINHARIN

GSSG

ARINARINNGG

ARAR

HHHHAHAHAHAISSSHSHHHARINGARINGSSSSARINARINARINARINSSSSSSSHHHAHAHAHASSSHSHHHHHHHHHHAHAHAHAHAHAHAHHHHHHHHH

ISSRINGRINGSSSSGINGG

ININGG

SHARINRINHASHSHSHARSHARSHARSHARHARINHARINARINARIN

SHAARINARINARINARINRINRINRRR SHSHSHASHASHASHANGNGNGNGHHSHASHASHASHANGNGNGNG

GNGNNHAHAHARHARARINARINARINARIN

AAARARRINRINRINRINAANGNGNGNGNGNGNGGNGNGNGNNGNGN

ARARININININ

SHASHARSHARSHARSHARARINARINARINARIN

IISHSSHSGGGGSSSSIN

ARARNNNNSHSHHHRINRINRINRINNGNGNGNGNGGG

HARIGGGGGGGNGNGGGGGGGGGGGGGGGNGNGGGNNGGGGGGGGGGGGGGG

ININININSSSSNNSSARRARRARRARR

HARIHARSHSSSSSHSSHSSSSSSSSHAHAHAHASHSHSHSHSSSSSSS ARIARIARARHAHHAHHAHAHHHHHH

ARIARIRINRINARIARIARIRI

HARINGNGARIARINGNGNGGNNNN

RAAAAAAA RRRINRINRINRINRINRININRINRINRINRINRIIRIIHHHHHHHHAHAHAHAHAHHHAHAHAHAHHHHHHHHH RHARHARHAHAHARHAHAAAAAAAAAAHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARRINRINRINRINRINININRINRINRINRINRINRINNNRINRINRINRINRIRINRINRINNNNSSSSSSSSHHHHSSSSSSSSSSSSSSSHAHAHAHAHAAAHAHAHAHAAAAAHAHAHAHAAAAHAHAHAAAASSSSSSSHHHHHHHHHHHHHHH ARARRRAARARRRAAINGINGNGNGHARINHARINHARINHARINHARINHARINHARINHARINGG

INININARARARAR HARHARNGNGNGNG

NNNNNGNNGNARINARINARINARINSHASHASHASHASHASHASHA SHASHAINGINGINGINGNGNGNGNGNGNGNGNGNGRINRINRININRINRII SSSSGGGGGGGSSGGGGGHHHGGGGGGGG

AAAAAA

ININININNNNNARRARRARARRAAAAAAAAHHHHHHHHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAAAHAAAHAHAAAAAAAAAAAAANNNSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSSSSSSSSSSSSSSSSSSSSSSSSSSSSHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAAAAAAAAHHHHHHHHHHHHH

HHHHHHHARHARHARHAHARHARHARHAHARHARHARHARHARHARHARAAAA

SSGGGGNNSSSSGGGGGGGGGSSGGNNNNSSSSSSSGGGGGGGGGGGGGGINNNNNNNSSSSSSSSGGGGGGGGGGGGGGGSHSHSSSSAAHHHHSHASHASHASHAHARIHARIARARHARIARARINGINGGGSSSSSSSSSSSSSSSHHHH

SSSSSSSGGINGNGINGNGGGSSSSINGNGINGNGINGINGNGNGINGNGNG

GGGGSSSSSSS

HANGNGRINGRINGNGNGNGNGHAHAHAHANGNGNGNGNGNGNGNGNGNGGHHHHHHHNGNGNGNGNGNGNGNGNGGG

SHSHSHSHHHHNGNGNGNGNGNGNGNGNGNGNGNGNGGNGNGNGNGNGNGNGGSSSSSSSSSSSSSSS

ARIARINGNGNGNGSHASHSHASHSHARISHARNGNGNGNGGGGGGGGGGGGGGG

ININININGNGNGNGARARARARARARAR SHSHSHSNGNGNGNGGGG

HARINGNGNGRINGRINGNGNGNGNGNGNGNGNGNGNGNGNGNGNGNGARIARINGNGNGNGSSSHSHSHSHSSS SSSHARSHARARARARARNGNGNGNGGGGGGGG

ARARARARARARANGNGNGNGSHASHASHASHASHASHASHASHASHASHASHASHASHSHSHASHASHASHASHASHASHSH SSSSRIRIRIRIRIRRRIIRIIRIRIIRIRIRR

ININ RIRIINGINGINGINGRIRIINGINGINGINGGGGGINGINGINGINGINGINGINRIRIININININHAHHAH

IIIIIIIIGGGGGGGHAHANGNGNGNGRIRIRIRINGNGNGNGNGNGNG

NNNNNGNGNGNGNGNGNGAAAAAAA

SHASHASHASHAINGINGINGGINGINGGSHASHSHASHGGGGGGG

AAINININININIINNNNGGGGGGGGGGGGGGGGGGGGGGARRRRARRRARRRRARRRR

SHASHASHASHASHASHASHAHAHAHAHAHAHAHAAASHSHSHSHSHSHSHSSSSSSSSNNNSHSHSHSHSHSHHSHSHSHSHSHHSHHSSSSSSHAHAHAHAHAHAHAHAHAHAHAHHHHSHSSHSSHSHSSHSSHSSHSSHSSHSSHSSSHSSSSSSS

ARINHARHAR

NRRSSRRRR

AASHASHASHSHSHSHAASHSHSHSHSSSSSHSHSHSSHSHSNNNNAAAAAAA

SSSNNSSSNNSSHHHHNNNNSSHHHHHHHGGGG

SSSSNNNSSHHHSHHHHHHHHHHHHHHSHSHSHSHSHSHSHHHHSHSHSHSHSHSHSHHHHHHHHHHHHHHHHHHHHHHHHSSSSSS

SHARINGININARINGARINGSHARSHARSHARSHARAAAASSSSSSS

ARIARIARIAR HHHHHHHHHHHHHSSSSHHHHHHHSSSSSSHHHHHHHHHHHHHGGGGSSSSSSSINGNGINGNGINGINGNGSSSSSSSSSSSSSSSGGSSSSSSSSSSSHHHH

ARINGRINGRINGNGNGHARHARHARHAR

IIARARARARARARRRAAAAAAAAAAAAAA NNNNGGGIIIINGGGGGGGRARARRRRRRNNNNNNNNNNNNNNNRIRIRIRIRIRIIRIRIRIRIIIIIARARRRARRRARARRRARARRRRRRRRRRRRRRRRAAAAAAAAAAAAAAARIRIRIRIRIRIIRIRIRIRIRIIRIIRIRIRRIRIRRII NNNNNNNGGGGGGGGGGGGGGG GGGGGGGNNNNNNNGGGGGGGGGGGGGGAASHSHSHSHSHSHSHAAAAAAAASHSHSHSHSHSHSSHSHSHSHSHSHSHSSHSHSHSHSHSHSHSHSHSHSHSHSHSHSH

HHHHHHHHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAAAAAAAAHHHHHHHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHHARHARARARARARARHARHARARARARARARRHAHAAAAAAHAAAAAHARHARARARARARARARHARHARARARARARRRHAHAAAAAAAHAHAAAAA ARARARARARARAR

NINGINGGGGGNGNG

INGINGINGINGINGINGINGING

RININGGGG

ARAGGGG GNNIINNNN

ARARAAAAAAAAAAAAARRRRRRRRRRRININN

ARARARARGGGGAAAAAAAARIARIARIARIGGGGGGG ARARNGNGNGNG

SHARINSHARINHARINHARINARIARIARIARI

ARINGNGNGNGNGNGNGNGNGARINGARINGNNNNNGNGNGNGNGNGNGNGNGNGNG NGNGNGGGARINGARINGARINGARINGNGGNGGNGNGGGGGGGNGNGNGNGNGNGNGNGNGNGNGNGGGG

NGNGGG GGSSGGGGNGNGNGNGNNNNGNGNGGNGNGGNGNGNGGNGNGNGGHAHAGGGG ASHASHASHASHAGGGGGNGNNGNGGGGG GGSSSSGGGGGGGGGGGGGGGGGGGGGGGGGG

GGGGGGGGGGGGGGGGHARHARHARHARSHASHASHASHASHASHAHA

GGRINRINRINRINININNRINGRINGRINGRINGRINGRINGRINGRINRINRINRINRINRINRINRINNGNGNGGNGNGGNGGNGGNGGNGGNGNGNGGNGNGGNGNGGNGGGRINRINININRINININRINNIRINNI GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG

HARHARHARHARHARHGGGGGGGGGGGGGNNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGNGNGNGNGNGNGNGNGNNGNNGNNGNRINRINININRINININININININININININRINRINININRINININININININININNNNNNNNNNNNNNNNNNNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGNNNNNNNGGGGGGGGGGGGGG

SHASHASHASHASSSSSSSSHASHASHAHASHASHAHASSSSSSSSSSSSSSS

SHARINGNGNGNGNGNGN SHARINGSHARINGGGGARARRRGGGGGGG

HARINGRINGRINGRRRRSHARINSHARINHARHARIHARHARGGGGHARHARIHARIHARIHARHARHARGGGG

RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRHAHAHAHAHAHAHARRRRRRRRRRRRRRRGGGGGGGGRRRRHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHARRRRRRRRRRRRRRRRRRRRRRRRRRRRRARARARARARAAARARARARARAAARRRRRRRRRRRRRRRRARRARRARARRARRARRAAARRARRRARRARARRA

ININININIIIIRRRRRRRRRRRRRR NNNNNNNNNNNNNNNGNGNGNGGGGGGGGGGGGGGGGGGGNGNGNGGNGNGGGGGGGGGGNNNNNNNGGGGGGGGGGGGGGGGGGGGINININNININNHAHAHAHHAHHHAHAHAHHAHAHHRRRRRRRRRRRRR NGNGNGNGNGNGNGGGGGGGGG

AAAAAAAAAAAARRRRRRRRRRRRRRRRRRGGGGGGGGGGGGGGGGGGGGGGGGGGGG

ARRRRARRRARRRRARRRRARRRRRRRARRRARRRRRRRRRRRHAHAAHAHAHAAHAHHAHAHAHAHAHAHHHAHAHAHAHAHHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAARARARARARARARARARAAAAAARRRRRRRRRRRRRRRRRRRRARRARRARARRARRARRARRARRARARAAAARRRRRRRRRRRRRRRRRRRRRRRRRRRRR RRRRGGGGGGGNNNNNNNGGGGGGGGGGGGGININNNGGGGGGGRRRRRRRGGGGGGGGGGGGGGG

ARARIRIRIARIRIRIGGGGGGGGGGGGGGGRINGINGRINGINGINGINGINGINGINGINGINGINGINGINGINGRINGRINGINGNGRINGINGNGINGINGINGNGINGNGINGNGINGNGINGNGNGINGNGINGINGGINGNGGRINGRINRINGRINRINGRINGRINRINGRINRINGRINRINGRINRINGRINRINGINGRININRINGRININRINGINGRININRINGINGRININRINGINGRINININGRININRINGRININRINGINGINHAHAHAHAHAHAHAHAHAHAHAHAHAHAHARINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINRINRINRINGRINRINRINGRINRININGINGININAAAAGGGGSHARSHARSHARSHARSHARSHARSHARSHARGGGG INININIGGGGGGGSSSSSSSSSSSSSSS

SHARSHARSHARSHARSHARSHARSHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARGGGGGGGGGGGHHHHHHHHHHHHAAAASHASHASHASHASHASHASHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHSHSHSHSHSHSHSHSHSHSSSHSHSSHHHHHH RRRRRRRRRRRRRRRRRRRRRRRRRRRRHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHAHHAHAHAHAHAHASHSHSHSHSHSHSHSHSHSHSHSHSSSSHSHSHSHSSSSHSHSHSSSHHHHHH RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHHHHHHHHHHHHHHHHHH RRNGNGNGNG

GGGGGGGINININININNNNGNGNGNGNGNGGNGNNNNN

ARRARRRRRRRRRRRRRINRINININRINININRININININRINININININININININININIIIIII GGGGGGGGGGGRRRRRGGGGGGGGGGGGGGGNNNNNNNNNNNNNGGGGGGGGGGGGGGGGGGGGGGGGG

GGGGGGGGGGGGGGGNGNGNGNGNGNGNGNGNGNGGNGNGNGNGNGNGNNGNGNGNGNNNNNGGGGGNGGGNRINGRINGINGNGRINGINGNGRINGRINGINGNGRINGRINGINGGINGINGINGNGNGINGNGINGINGGINGNGGINGNGINGNGINGNGINGNGINGNGINGNGINGNGINGGINGNGINGGINGNGINGGINNIINNINGNGNNNGNNNGGNNGNGNNNNNNGRININRININRINRININRININRININRIIRIIRININRINININRININRIRIIRIIIRININININRINININRININININRININININRINININININININRIIIRIIIRININININRININININRININININRININININRIIIIRIIIIRIIIIRIIIIRININNRININNININININININNININNIIIIINININININININIIIIIIIRINRINININRINININRINRINININRINRIIIRINININININININRIIIRIIIRINRINININRINRINIIRINRINININRINRIIIRIIIIRIIIIRIIIIRIIIIRINRIRIRI

ININIISSSARRARRARRARR HARIHARIAAAARINRIRINIRININI

NGNGNGNNNNNNNNSSSSSSS HARHARHAHAARIARIARARARARRNGNGGGNGGGHAHAHAHAHAHAHAHAAAAAAAANNNNNHHHHHHHHHHHHHHHHARHARHARHARHARHARHAR

ININININARRARRARARR HARHARHARHAHHHHHHSHASHASHASHASHSHSHHARHARARARHARARARHARHARARARHARHARARAR

NGNGNGNGNGNGNG RIRRIRRIRRRRIRRININNNNNNNNNNNNNN

HARHARHARHARSHSHSHSHSHSHHINININIINIIGGGGGGGARRARRARARRRRRRRRRR SSSSSSSSHSHSHSHSSSSHSSHSNGNGNGGGGGNGNGNGGG HANGNG

GGINGINGINGINGGGGGGGG

ININININGGGGGGG

NGNGNGNGNGGRINGRINGRINGRINGRINGRINGRING GGSSNGNGNGGRINGRINGRINGINGRINGINGINGRINRINRINRINRINININRINRINRINRINARINGARINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGNGNGNGNGNGNGGGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGGRINGNGRINGG GGINIIINGNGNGNG

RINRINRINRINRINRINRINARIARIARIARIARARAR SHARSHARSHARSHAR

GGGGGGGNGNGNGNGNGNGNG

SSSSSSSSGGGGGGGGSSSSSSSNGNGNGGGGG GSSSNGNGNGNGNGGGNGNGNGNGNGNGGNGNGNGNGNGGNGGNGNGNGNGNNNNGNGGGNGNGNGGNGNGGNGNGNGGNGNGNGGNGNGNGGNGNGGNGNGGNGNGG SSSSSSSSSSSSSSSSSSSSSSHSHGGGGRIRIRIRIGGGGGGGGGGGRRRRRRRSSSSGGGGGGG

GRIRIRINRINRINRIN GGNNNNNNNNNNNNNNNN RINRININGNGINGNGNGNGNGNNGNGN ARINARINARINARINNGNGNGGNGNGGINGNGINGNGINGINGNGNGNGNGNGNGGGNGNGGGNGNGGGARINARINARINARINARINARINARINNGGNGGNGNGGNGGNGGNGGNGHARINGHARINGHARINGHARINGRINRINRINRINRINRINRINARINGARINARINGARINRINGRINGRINNGNGNGNGNGNGGNGNGNGNGNGGNGG

HAHAHAHAHHHHNGNGNGNGHAHAHAHAHAHAHANNNNHHHHHHHHAHAHAAHAHAAHHHHHAAGGGGGGGNGNGNGNGNGNGNGNNNNNNNNGNGNGNGNGNGNGNGNGNGNGNGNGNGNGARINARINRINRIAAAAAAAARIARIARIARIARINRINRINRINRINRINRINGGGGGGGAAAAAAAAAAAAAAAARINARINARINARINARINARINRINAAAAAAAAAAAAAAAAAAAGGGGGGGGGGG HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHNGNGNGNGNGNGGSSSSSSSSSSSSSSS

NNNNNNNSSSSSSSSSSSSSSSNGNGNGNGNGNGNGNGNGNGNNGNGNGNSSSSSSSSSSSSSSSSSSSSSSSSSSSSSNGNGNGNGNGNGNNGNGNGNGNGNNGNSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSHHHHHHHHHHHHHHHHHHHHHHSSINGNGNGNGINGNGNGINGNGNINGNNSSSSSSSSSSSSSSSSHHHHHHHHHHHHHHHSSNGNGNNGNNGNGNGSSSSSSSSSSSSSAAAAAASHSHSHSHSHSHSHSHSHSHHSHSHHHARARARARARARARARARARARARARARARSSSSSSSSSSSSSSSSSSSSSSSSSSSSARIARIARIARIARIARIARSHASHSHASHSHASHASHSHSHSHSHSHSHSHSHAAAASHSHSHSHSHSHSSHSHSHSHSHSHSHSHHHHHSHHHHHNNNNNNNNNNNNNNNSSSSSSSSSSSSSSSSSSSSSSSSSSSS

AAAAAAAAAAAAAAAAAAAAAAAAAAAASSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSHSHHHSHHHSHSHHHSHSHHHSSSSSSSSSSSSSSSSSSSSSSSSSHHHHHHHHHHHHHHHHHHHHHHHHHHHHSHSHSSSHSSSHSHSSSHSHSSSHSHSSSHSSSHSSHHSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSIIIIIIIIIIIIIIIHHHHHHHHHHHHHHHHHHHHHHHHHHHHRRRRRRRRRRRRRRRRRRRRRRRRRSHSHSHSHSHHHHSHHHSHSHSHSHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHSHSHSSHHHHHSHHSHHHHSHSHSSHSHHHHHSHHSHHHHHHSHSHSHSHSHHHHHHHHHHHSHHHHSHHHHHHHHHHHHSHSHSHSHHHHHHHHHHSHHHHSHHHHHHHHHH

GGHARINGHARINGHARINGARINGRINRINRINRISHASHASHASHASHASHASHA GGGGHARINGHARINGHARINGARINGARINGARINGARINGHAAHAAHAHAAHAAHAAAAAANNGGGG

ARARARARRINGRINGRINGRINGARINGARINGARINGARINGARINGRINGNGSHARSHARSHARSHARSHARSHARSHARNGNGNGNGNGNGNGHAHAHAHAHAHAHAHAHAHAHAHAHAHAHARINRINRINRINRINRINRINRINRINHHSHASHASHASHASHASHNGNGNGGNGGGRRRRSHASHASHASHASHASHASHASHASHSSSHNGNGNGNGNGGGNGNGGGGGGG GGGNGNGNGNGNGNGNGNGGNGGNGGNGGHHHHHHARHARHARHARHARHARHARARARARARARARARAR GGGGGGGGGGGGGGGGGGGGGGGSSSSSHSHSHSHSSRRRRRRRSHSHSHSHSHSHSSHSHSHSHSHSSHSSSSSSSSSHSHSHSHSHSHSHSSSSSSSS

RINGRINGRINGRINGRINGRINGRINRINRINGRINRINNGNGNGNGNGNGGNGNGNGNGNGGNGGGG

GGNNGGGGINGINGINGINGRINGRINGRINGRINGRINGRINGRINGININNNRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRHHHHSHARSHARSHARSHARSHARSHARSHARHARHARHARHARHARHARHARHARHARHARHAHARHARHARHARINRINRINRINRINRININRINRINNNRINRINNNRININRINININRINININHARIHARIHARIHARIHARIHARIHARIHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHHHHHHHARIHARIHARIRRRRRRRRRHAHAAAHAAAAAAAAAAAHAHAAAHAAAAAAAAAAAHAHAHAHAAAAHAAHAAAAAAAAAAAAAAAAAAARRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRSHSHSHSHSHSHHSHSHSHSHSHHSHHHAHAHAHAHAHAHAAAAAAAAAHAHAHAHAHAHAHAAAAAAAHHHHHHHHHHHHHHHHHHRRRRRRRRRRRRRRRRRRHAHAHAHAAAAAAAAAAARRRRRRRRRRRR NGNNGGGGGGGGNGNNGGGGGGGGGGGGGGGGGGNGNGNNNGNNNGNGNNNGNGNNNGNGNGNGNGNGGNGGNGGNGGNGGNGNGNGGNGNGGNGNGGNGGGRINGRINGINGNGRINGNGGINGINGNGNGNGNGNGGIIRINGRINGINGINGRINGNGNGRINGRINGINGINGRINGRINGNGGINNINNNNNNNNNNRINGRINGRINGRINGINGINGINGRINGRINGRINGRINGNGNGNGNGRINGRINGRINGRINGINGINGINGRINGRINGRINGNGNGNGINGINGINGINGINGINGINGINGINNINNNNNINGINGINGINGINGINGINGINGNNNNNNRINRINRINRINININININNINNINNINNINIINIIIIIIIINIINIINIIIIIIIINIINIINIIIIIIIRINRINRINRININININNNNNNNNINIINIINIIIINIIINIIINIINIINIIIRRRRRHAHAAAHAAAAAAAAAARRRRRRRRRRRR NNNNNGGGGGGGGGRINGRINGINGNGRINGNGGINGINGNGNGNGNGNGGIII HHGGGGGGGGGGGNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGG

GGGGGGGGGGGGGGGGGNNNNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG

GGGGHARINGHARINGHARINGHARINGGGGGGGGHARINGHARINGHARINHARINHARINGHARINHARINNNGGGGHARINGHARINGARINGARINGGGGGGGGHARINGHARINGHARINGHARINGHARINGHARINGHARINGGGGGGGGGGGGGGGGARINARINNNGGGGGGHHGGGGGGGGGGGGGGHHHGGGGGGGGSHSHSHHSHS

HAHAHAHAAAAHAHAHAHAAAGGGGGGGGGGGGGGGHARINHARINHARINHARINHARINHARINARINHARINHARINHARINHARINHARINHARINHARINARINRINGRINGRINGRINGRINGRINGINGRINGRINGRINGRINGRINGRINGRINGINGRINGINGRINGINGINGRINGINGRINGRINGINGRINGINGINGHAHAAAHAAAAAAAAAAAHAHAAAHAAAAAAAAAAAHAHAHAHAAAAHAAHAAAAAAAAAAAAAAAAAAARRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR GGGGGGGGGGGGGNNNNNNGGGGGGGGGGGGGGGNNNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGGNNNNNNNNNNNNNNNNNNNNNNNNNRINGRINGRINGRINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGINGRINGRINGINGNGRINGNGGRINGRINGINGNGRINGRINGNGGINGINGNGNGNGNGGINGNGGNGNGGIIIIIIRINGRINGINGINGRINGNGNGRINGRINGINGINGRINGRINGNGGRINGRINGINGINGRINGNGGRINGINGINGRINGRINGGINNINNINNNNINNININNNNNNNNNNNNNNRINGRINGRINGRINGINGINGINGRINGRINGRINGRINGNGNGNGNGRINGRINGRINGRINGINGINGINGRINGRINGRINGNGNGNGRINGRINGRINGRINGINGINGINGINGRINGRINGRINGRINGNGNGNGNGRINGRINGRINGRINGINGINGINGINGRINGRINGRINGRINGNGNGNGGINGINGINGINGINGINGINNINNNNNINGINGINGINGINGINGINNNNNNINGINGINGINGINGINGINGINGNNNNNINGINGINGINGINGINGINGINGNNNHAHAAAHAAAAAAAAAARRRRRRRRRRRR NNNNNNNNNNGGGGGGGGGGGGGGGGGRINGRINGINGNGRINGNGGRINGRINGINGNGRINGRINGNGGINGINGNGNGNGNGGINGNGGNGNGGIIIII GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG

Culture and the Economy in the Internet Age

— Philippe Aigrain

amsterdam university press

with the contribution of Suzanne Aigrain

SHARING

AUP prospectus 2011 incopy GB v14.indd 1 02-11-11 14:37

CONTENTS

3, 4, 5 Art history

4 Classics

5 Cultural studies

12, 13 Economics

6, 7, 8 Film and media studies

9, 10 History

11 Literature

14 Medical anthropology

9, 12, 13, 15, 17 Political science

11 Philosophy

12, 14, 15, 16, 17 Social science

10 Travel

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Christopher D.M. Atkins

The Signature Style of Frans Hals

This illuminating work is the fi rst study to consider the manifold functions and meanings of Hals’s distinctive handling of paint. Atkins explores the uniqueness of Hals’s approach to painting and the relationship of his manner to seventeenth-century aesthetics. He investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artist’s style. The book seeks to understand the multiple levels on which Hals’s consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most

formative painters in the history of art in the Western tradition. It also interrogates the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.

christopher d.m. atkins is assistant professor of art history at Queens College and The Graduate Center of The City University of New York.

isbn 978 90 8964 335 3 • e-isbn 978 90 4851 459 5 • paperback with flaps

190 x 250 mm • 352 pages • 129 colour illustrations • january • €45.00 / £39.00

Frans Hals’s extraordinary brushwork has long been celebrated even if its cultural implications have only been partially understood at best. Atkins’s probing study explores the specifi c ways in which the painter’s brushwork functioned for his contemporaries, and simultaneously, for himself, both as a marker of his skill and of the commercial value of his work. Future studies of Hals, and, indeed, of facture in seventeenth-century Dutch painting, will have to take into account Atkins’s many fi ndings.wayne franits, professor of art history at Syracuse University

Painting, Subjectivity, and the Market in Early Modernity


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David Rijser

Raphael’s Poetics

Raphael’s Poetics applies strategies of interpretation implicit in antique poetry to the visual art of the Renaissance, concentrating on Raphael’s Roman works and their cultural context. Until recently, scholarly discussion was dominated by the application of Renaissance literary theory to visual arts, obscuring the fact that Renaissance humanists who contributed to literary theory were, in the fi rst instance and almost without exception, poets rather than theorists. By focusing on the interaction between the work of art

isbn 978 90 8964 347 6 • e-isbn 978 90 4851 482 3 • paperback

156 x 234 mm • 184 pages • september 2011 • €19.50 / £17.50

Michael C.J. Putnam

The Humanness of Heroes

isbn 978 90 8964 342 1 • e-isbn 978 90 4851 473 1 • paperback

170 x 240 mm • 512 pages • 40 colour illustrations • january • €35.00 / £29.95

A masterful accomplishment. Raphael’s Poetics could not have been written except by someone steeped in the Classics, in the world of Renaissance humanism and of Western aesthetics in general. The book deepened my appreciation of matters with which I was familiar and aroused it when the subject was new. I have nothing but praise.michael c. j. putnam, Brown University

Art and Poetry in High Renaissance Rome

Studies in the Conclusion of Virgil’s Aeneid

and its public, Rijser offers innovative interpretations of canonical works and important insights into the cultural history of the early modern period. Reconstructing a visual grammar and defi ning the context in which Raphael’s art functioned, this study illuminates contemporary signifi cances that have since been lost.

david rijser is assistant professor of Latin at the University of Amsterdam.

The author, a distinguished classical scholar, sheds new light on the controversial ending of one of the most acclaimed epic poems in the Western tradition, Virgil’s Aeneid. Examining the savage rampage upon which Aeneas embarks in the tenth book of the poem, Putnam traces the sources and manifestations of the hero’s emotions, and concludes with a detailed reading of the poem’s closing lines. An epilogue surveys the relationship between Virgil’s denouement and aspects of Stowe’s Uncle Tom’s Cabin and Twain’s Huckleberry Finn.

Through an examination of human values as they are shaped and delineated by a great imagination, the book aims to further the position of Virgil as one of the most original of poets in our humanist canon, himself emulating Homer but deeply infl uential in the literature of our world, from Dante to Derek Walcott and Seamus Heaney.

michael c.j. putnam is MacMillan Professor of Classics and Professor Comparative Literature emeritus at Brown University.


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Maarten van Bommel, Hans Janssen and Ron Spronk (eds)

Inside Out Victory Boogie Woogie

Imagining Global Amsterdam brings together a range of essays on the image of Amsterdam as articulated in fi lm, literature, art and urban discourse, considered specifi cally in the context of globalisation. Subjects include: Amsterdam as a lieu de mémoire of early-modern commerce and expansionist capitalism, and the ways in which this memory resonates with the present global order; (inter)national articulations of Amsterdam as a multicultural and highly permissive ‘global village’, and the role of literature and visual culture in both maintaining and

Victory Boogie Woogie, Piet Mondrian’s unfi nished masterpiece created in 1942-44, has come to be regarded as not merely the high point of his oeuvre, but also as a dazzling icon of non-fi gurative art in the twentieth century. Despite its landmark status in art history, Victory Boogie Woogie has never been studied in detail. This pioneering survey tracks the minute detail of the creation and physical appearance of the painting, delving into historical sources, conservation history and

cities & cultures • isbn 978 90 8964 367 4 • e-isbn 978 90 4851 513 4 • paperback

156 x 234 mm • 320 pages • 42 b/w illustrations • june • €35.00 / £29.95

This important volume explores Mondrian’s masterpiece from every angle, tracing its critical and material history while reporting on new technical studies -- a heterogeneous approach befitting a painting whose singular achievement was (in the words of its curator) to have ‘no dominant components’. harry cooper, Curator of Modern & Contemporary Art, National Gallery of Art, Washington

microscopic analysis of the paint surface and below.

maarten van bommel is senior scientist at the Netherlands Cultural Heritage Agency.hans janssen is chief conservator of modern art at the Gemeentemuseum in The Hague. ron spronk is professor of art history at Queen’s University in Kingston, Ontario and at Radboud University, Nijmegen.

rce publications • isbn 978 90 8964 373 5 • e-isbn 978 90 4851 520 2 • paperback • 210 x 270 mm 336 pages • 188 colour illustrations • december 2011 • €29.50 / £24.95

Marco de Waard (ed.)

Imagining Global Amsterdam

A Material History of Mondrian’s Masterpiece

History, Culture, and Geography in a World City

questioning this image over time; and globalisation’s impact on Amsterdam ‘on the ground’, through city branding, the cultural heritage industry, and other forms of cultural production. Written by an expert team of scholars, and united by a broad humanities approach, this collection forms an unprecedented inquiry into the relationship between Amsterdam, globalisation and the urban imaginary.

marco de waard is lecturer in English and comparative literature at Amsterdam University College.


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WATCH AND LEARN

Rhetorical Devices in Classroom Films after 1940

A M S T E R D A M U N I V E R S I T Y P R E S SN E D E R L A N D S F I L M M U S E U M

FRAMINGFILM

Eef Masson

Watch and LearnSince the late 1990s, there has been a marked increase in academic interest in what are sometimes called ‘utility fi lms’, intended for purposes of information, training, teaching or advertising. Although such research was long overdue, the current academic output tends to be restricted in scope, paying little attention to the fi lms’ textual features: the means they deploy in defending their informational, educational or commercial arguments. In the absence of such studies, the image survives of very ‘formulaic’ genres. Masson’s book seeks to modify this picture, and suggests a

In the process of exploring these new screen practices, Verhoeff offers fresh perspectives on many of the key questions in media and new media studies as well as a number of new original theoretical concepts. As the first theoretical manual for the society of mobile screens, this book will become an essential reference for all future investigations of our mobile screen condition. lev manovich, professor in visual arts department, University of California

methodology that helps to foreground the fi lms’ rhetorical diversity. Taking her departure from a historic collection of Dutch classroom fi lms, Masson proposes an approach that considers an audio-visual text as part of a so-called dispositif: the set-up of technology, text and viewing situation that is relevant to the specifi c corpus under scrutiny.

eef masson is assistant professor of fi lm and visual culture at the University of Amsterdam.

framing film • isbn 978 90 8964 312 4 • e-isbn 978 90 4851 411 3 • paperback • 156 x 234 mm

320 pages • 30 b/w illustrations • january • €39.50 / £34.00

Nanna Verhoeff

Mobile Screens The Visual Regime of Navigation

As far as interaction with screens is concerned, the given technology of particular interactive devices entails an ambiguous status of screens: what is shown on the screen has to do with how one interacts with it, that is, we can almost literally see what we are doing. Refl ecting on the ubiquity of screens of all sizes in our daily lives and the myriad ways in which we interact with them, Verhoeff explores the intersections between mobility and visuality, and the varieties of screen-based access to such experiences.

In fi ve case-study based chapters, the author analyses a variety of contemporary screen technologies and the cultural practices involving these screen-based confi gurations – the ways in which we engage with screens as interfaces with spatial, temporal and haptic experiences.

nanna verhoeff is associate professor of comparative media studies at Utrecht University.

mediamatters • isbn 978 90 8964 379 7 • e-isbn 978 90 4851 526 4 • paperback

156 x 234 mm • 176 pages • 15 b/w illustrations • february • €32.50 / £27.50

Rhetorical Devices in Classroom Films after 1940


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Tantalisingly Close

An Archaeology of Communication Desires in Discourses of Mobile Wireless Media

imar de vries

Dominique Chateau (ed.)

Subjectivity

Imar de Vries

Tantalisingly Close

Filmic Representation and the Spectator’s Experience

Subjectivity is a central concept in fi lm theory, philosophy and cultural studies. This timely volume explores the ways in which the concept has made its way into fi lm theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium. Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina

A number of recent studies of mobile wireless communication devices focus on use values, social implications, changing norms and ethics, conversation strategies and culture-dependent domestication. De Vries proposes to venture into a more historical and comparative direction to shed light on our preoccupation with them in the fi rst place. He constructs an expanded archaeological view of the development, marketing, and reception of communication technologies over the past 200 years, providing a comprehensive account of how persistent paradoxical

Written from a variety of backgrounds and national traditions, by way of theory or applied analysis, each chapter ref lects on what it means to experience cinema: how it shapes our consciousness, how we live with it, and how we invent our lives through its history and ever-changing aspect and form. The book opens us onto new and unforeseen avenues of inquiry. tom conley, Lowell Professor of Romance Languages and Visual & Environmental Studies, Harvard University

In this wide-ranging collection, Dominique Chateau brings a fine group of scholars to explore the diverse, contested meanings and manifestations of subjectivity in film. richard shusterman, Dorothy F. Schmidt Eminent Scholar in the Humanities at Florida Atlantic University

Gržinic, Maria Klonaris, Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux.

dominique chateau is professor of aesthetics and fi lm at the Panthéon-Sorbonne University in Paris.

desires for sublime communication have come to give mobile wireless media such a prominent position. Our expectations and uses of them are surprisingly similar to those of older media: consequently, they reconfi rm the idea that actually living in an ‘anyone, anything, anytime, anywhere’ world is both a blessing and a curse, and that the desire for sublime communication is a tragic yet highly powerful regulative principle in our media evolution.

imar de vries is assistant professor of new media and digital culture at Utrecht University.

the key debates - mutations and appropriations in european film studiesisbn 978 90 8964 317 9 • e-isbn 978 90 4851 420 5 • paperback • 156 x 234 mm • 276 pages

august 2011 • €29.50 / £25.00

mediamatters • isbn 978 90 8964 354 4 • e-isbn 978 90 4851 491 5 • paperback • 156 x 234 mm

256 pages • 15 b/w illustrations • january • €32.50 / £29.95

An Archaeology of Communication Desires in Discourses of Mobile Wireless Media


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FILM THEORY IN MEDIA HISTORY


JEAN EPSTEINNEW TRANSLATIONS AND CRITICAL ESSAYS

EDITED BY SARAH KELLER & JASON PAUL

Tara Forrest (ed.)

Alexander Kluge

Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fi elds and, over the last fi fty years, he has been active as a fi lmmaker, writer and television producer. This book - the fi rst of its kind in English - comprises a wide selection of texts, including articles and

stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself.

tara forrest is senior lecturer in screen and cultural studies at the University of Technology, Sydney.

film culture in transition • isbn 978 90 8964 272 1 • e-isbn 978 90 4851 339 0 • paperback

156 x 234 mm • 450 pages • 25 colour and 20 b/w illustrations • january • €29.90 / £24.95

film culture in transition • isbn 978 90 8964 272 1 • e-isbn 978 90 4851 339 0 • hardback

156 x 234 mm • 450 pages • 25 colour and 20 b/w illustrations • january • €59.90 / £52.50

Sarah Keller and Jason N. Paul (eds)

Jean Epstein New Translations and Critical Essays

Filmmaker and theoretician Jean Epstein profoundly infl uenced fi lm practice, criticism and reception in France during the 1920s and well beyond. His work not only forms the crux of the debates of his time, but also remains key to understanding later developments in fi lm practice and theory. Epstein’s fi lm criticism is among the most wide-ranging, provocative and poetic writing about cinema and his often breathtaking fi lms offer insights into cinema and the experience of modernity.This fi rst comprehensive study in English of Epstein’s far-reaching infl uence arrives as several of the concerns most central to

Epstein’s work are being reexamined, including theories of perception, realism, and the relationship between cinema and other arts. The volume also includes new translations from every major theoretical work Epstein published, presenting the widest possible historical and contextual range of his work.

sarah keller is assistant professor of English and cinema studies at Colby College, Maine, USA. jason n. paul is a PhD student in the Department of Cinema and Media Studies at the University of Chicago.

film theory in media history • isbn 978 90 8964 292 9 • e-isbn 978 90 4851 384 0 • paperback

156 x 234 mm • 370 pages • 25 b/w illustrations • may • €39.50 / £34.95

Raw Materials for the Imagination

The essays in this valuable new collection provide a comprehensive guide through the diverse endeavors of this exemplary public intellectual.eric rentschler, Harvard University

Thanks to this rich and wide-ranging collection of critical appraisals by leading media theorists and translations of selected primary texts, Kluge’s prolific contributions to the domains of cinema, opera, and television have been accorded a nuanced analytic context that should help foster a long-overdue English-language reception.thomas y.levin, Princeton University


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Collaborating in MultipleCoalitions for Afghanistan

Edited by Robert Beeres, Jan van der Meulen, Joseph Soeters

& Ad Vogelaar

MissionUruzgan

GERT OOSTINDIE

Postcolonial NetherlandsSixty-five years of forgetting,commemorating, silencing

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Postcolonial Netherlands

Robert Beeres, Jan van der Meulen, Joseph Soeters and Ad Vogelaar (eds)

Mission Uruzgan

Sixty-fi ve Years of Forgetting, Commemorating, Silencing

The Netherlands is home to one million citizens with roots in the former colonies - Indonesia, Suriname and the Antilles. Entitlement to Dutch citizenship, pre-migration acculturation in the Dutch language and culture as well as a strong rhetorical argument (“We are here because you were there!”) were important assets of the fi rst generation, facilitating its integration into the Dutch society. The current Dutch population counts two million non-Western migrants, and the past decade witnessed heated debates

From autumn 2001 onwards, Dutch armed forces have been involved in military operations in Afghanistan. These deployments found their culmination in a four-year period (2006 – 2010) when the Netherlands acted as lead nation in the province of Uruzgan. This important study provides a wealth of insights into the many problems the military organisation had to cope with, as well as into the solutions achieved by the Dutch soldiers, collaborating with partners in multiple coalitions. Focusing on the collaborative aspect, the authors trace the principles and practice of working together with partners in multiple military coalitions, involving the local population and its variety of power brokers, allies in and beyond NATO, and civil and military entrepreneurs.

about multiculturalism. Postcolonial Netherlands, which elicited much praise but also controversy following the publication of its Dutch edition, is the fi rst scholarly monograph to address the issues raised in the debates in an internationally comparative framework.

gert oostindie is director of the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV) in Leiden and professor of Caribbean history at Leiden University.

robert beeres is associate professor of defence accounting and control at the Netherlands Defence Academy and at the Nyenrode Business School.jan van der meulen is associate professor of civil-military relations at the Netherlands Defence Academy, and professor by special appointment at Leiden University. joseph soeters chairs the Department of Management, Organisation Studies and Defence Economy at the Netherlands Defence Academy and is a professor in organisational sociology at Tilburg University.ad vogelaar is professor of human resource management and organisational psychology at the Netherlands Defence Academy.

isbn 978 90 8964 353 7 • e-isbn 978 90 4851 402 1 • paperback • 156 x 234 mm • 288 pages

10 b/w illustrations • july 2011 • €30.00 / £25.00

isbn 978 90 8555 050 1 • e-isbn 978 90 4851 501 1 • paperback 156 x 234 mm • 352 pages

december 2011 • €44.50 / £37.50

Collaborating in Multiple Coalitions for Afghanistan

This engaging, timely study draws upon Oostindie’s decades of intensive research and writing on slavery, colonialism, and their legacy for the Netherlands. He treats unavoidably provocative cultural issues with admirable sensitivity and balance, renders complex identity issues highly accessible, and tests his findings through comparison with selected other European societies.allison blakely, professor of history, Boston University


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isbn 978 90 8964 352 0 • e-isbn 978 90 4851 490 8 • paperback with flaps • 190 x 250 mm

456 pages • 100 colour and 9 b/w illustrations, 1 foldout map • october 2011 • €49.50 / £42.50

Robert Joost Willink

The Fateful Journey

This compelling, richly illustrated work recounts the African journeys of the intrepid Dutch traveller Alexine Tinne (1835-1869). Heiress to a huge fortune – she was at the time the richest woman in the country – and bored with the royal court intrigues in The Hague, Tinne left for Egypt and Sudan accompanied by her mother Henriette Tinne-Van Capellen, ultimately settling in Khartoum. On her expedition in 1863-64, Tinne was joined by the German zoologist Theodor von Heuglin: the whole party set out for the as yet uncharted Bahr-el-Ghazal, hoping to explore that region and ascertain how far westward the Nile basin extended. After four years of research in the Tinne archives, including hitherto unknown correspondence, photos and other documents, Willink presents a dramatic account of Tinne’s eventful expedition, casting new light on the events which

some years later, in 1869, ended with Tinne’s murder, most likely by the tribesmen who believed there was gold hidden in her water tanks. In this important work, Willink casts a new light on the excitement and the dangers of travel in colonial Africa’s uncharted territories before and after Tinne’s enterprise, revealing to what extent her gruesome death had been foreshadowed in the earlier years and how it would reverberate in the years to come. An accomplished photographer and collector of artefacts, Tinne left a wealth of material from her travels, and many items are reproduced here in colour, bearing testimony to her fascination with Africa.

robert joost willink is an independent historian and associate fellow researcher at the African Studies Centre at Leiden University.

The Expedition of Alexine Tinne and Theodor von Heuglin in Sudan (1863-1864)

The Fateful JourneyThe Expedition of

Alexine Tinne and

Theodor von Heuglin

in Sudan (1863-1864)

Robert Joost Willink

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Douwe Fokkema

Perfect Worlds

Utopian Fiction in China

and the West

Thomas Vaessens and Yra van Dijk (eds)

Reconsidering the Postmodern

Douwe Fokkema

Perfect Worlds

European Literature beyond Relativism

From Grunberg to Houellebecq, from Hemon to Marías: contemporary literature is deeply infl uenced by postmodernism. This timely study takes its reader on a tour of the European novel and the critical discussion around it. Now that postmodernism has been declared moribund, it is time to critically evaluate its literary legacy. Have we gone beyond it in literature and why would we want to go beyond? Twelve specialists in the national literatures sketch the outlines of the debate. Turning to the novels, they fi nd them to be

Perfect Worlds offers an extensive historical analysis of utopian narratives in the Chinese and Euro-American traditions. This fi ne comparative study discusses also the rise of dystopian writing – a negative expression of the utopian impulse – in Europe and America (including the classic works by Zamyatin, Huxley, Orwell, Bradbury, Atwood) as well as in China (Lao She, Wang Shuo and others).The author observes that the utopian imagination thrives in a context of secularisation. It appears that in the

engaged, but not uncritically so. Personal, and still ironic; historical, but not nostalgic; Reconsidering the Postmodern reveals how the European novel has renewed itself.

thomas vaessens is professor of Dutch literature at the University of Amsterdam. yra van dijk is assistant professor of Dutch literature at the University of Amsterdam.

twentieth century the distinction between utopia and dystopia became blurred as a result of the increasing autonomy of the reader. Fokkema argues that in modern times utopianism in China and in the West developed in opposite directions, each appropriating attitudes originally considered alien from the other culture.

douwe fokkema was professor emeritus of comparative literature at Utrecht University.

isbn 978 90 8964 369 8 • e-isbn 978 90 4851 515 8 • paperback • 170 x 240 mm

312 pages • december • €32.50 / £29.95

isbn 978 90 8964 350 6 • e-isbn 978 90 4851 486 1 • paperback • 160 x 240 mm

448 pages • august 2011 • €39.50 / £32.50

Utopian Fiction in China and the West

This is the first attempt by a major European scholar to include rich Chinese materials in a remarkably innovative study of utopia as a literary genre. zhang longxi, Chair of Comparative Literature and Translation, City University of Hong Kong

... a scholarly tour de force, splendidly accomplished by one of the great comparatists of our time. With his customary clarity, deploying his profound expertise in both European and Chinese writing, Douwe Fokkema champions the significance of utopian fiction as a major genre of world literature.michel hockx, School of Oriental and African Studies, University of London


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RAAAAAAA RRRINRINRINRINRINRININRINRINRINRINRIIRIIHHHHHHHHAHAHAHAHAHHHAHAHAHAHHHHHHHHH RHARHARHAHAHARHAHAAAAAAAAAAHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARRINRINRINRINRINRINRINRINRINRINRINRINRINRINRINRINRINRINRINRIRRRINRINRINNNNSSSSSSSHHHHSSSSSSSSSSSSSSSHAHAHAHAHAAAHAHAHAHAAAAAHAHAHAHAAAAHAHAHAAAASSSSSSSHHHHHHHHHHHHHHH ARARRRAARARRRAAINGINGNNGGNGHARINHARINHARINHARINHARINNHARINNHARINHARINGG

INININARARARAR HARHARNGGNGNGGNG

NNNNNGNGNGNARINARINARINARINSHASHASHASHASHASHASHA SHASHAINGINGINGINGNGNGNGNGNGNGNGNGNGRINRINRININRINRII SSSSGGGGGGGSSGGGGGHHHGGGGGGGG

AAAAAAAAAAAA

ININININNNNNARRARRARARRAAAAAAAAHHHHHHHHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAAAHAAAHAHAAAAAAAAAAAAANNNSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSSSSSSSSSSSSSSSSSSSSSSSSSSSSHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAAAAAAAAHHHHHHHHHHHHH

HHHHHHHARHARHARHAHARHARHARHAHARHARHARHARHARHARHARAAAAAA

SSGGGGNNSSSSGGGGGGGGGSSGGNNNNSSSSSSSGGGGGGGGGGGGGGINNNNNNNSSSSSSSSGGGGGGGGGGGGGGGSHSHSSSSAAHHHHSHASHASHASHAHARIHARIARARHARIARARINGINGGGSSSSSSSSSSSSSSSHHHH

SSSSSSSGGINGNGINGNGGGSSSSINGNGINGNGINGINGNGNGINGNGNG

GGGGSSSSSSS

HANGNGRINGRINGNGNGNGNGHAHAHAHANGNGNGNGNGNGNGNGNGNGGHHHHHHHNGNGNGNGNGNGNGNGNGGG

SHHSHHHHHNGNGNGNGNGNGNGNGNGNGNGNGNGGNGNGNGNGNGNGNGGSSSSSSSSSSSSSSS

AARIAARINGNGNGNGSSHASSHSSHASSHSHARISHARNGNGNGNGGGGGGGGGGGGGGG

ININININGNGNGNGARARARARARARAR SHSHSHSNGNGNGNGGGG

HARINGNGNGRINGRINGNGNGNGNGNGNGNGNGNGNGNGNGNGNGNGAARIARINGNGNGNGSSSHSHSHSHSSS SSSHARSHARARARARARNGNGNGNGGGGGGGG

ARARARARARARANGNGNGNGSHASHASHASHASHASHASHASHASHASHASHASHASHSHSHASHASHASHASHASHASHSH SSSSRIRIRIRIRIRRRIIRIIRIRIIRIRIRR

ININ RIRIINGINGINGINGRIRIINGINGINGINGGGGGINGINGINGINGINGINGINRIRIININININHAHHAH

IIIIIIIIGGGGGGGHAHANGNGNGNGRIRIRIRINGNGNGNGNGNGNG

NNNNNNNNNNNGNGNGNGNGNGNGAAAAAAAAAAAAAAAAA

SHASHASHASHAINGINGINGGINGINGGSHASHSHASHGGGGGGG

AAINININININIINNNNGGGGGGGGGGGGGGGGGGGGGGARRRRARRRARRRRARRRR

SHASHASHASHASHASHASHAHAHAHAHAHAHAHAAASHSHSHSHSHSHSHSSSSSSSSNNNSHSHSHSHSHSHHSHSHSHSHSHHSHHSSSSSSHAHAHAHAHAHAHAHAHAHAHAHHHHSHSSHSSHSHSSHSSHSSHSSHSSHSSHSSSHSSSSSSS

ARRINHAARHAAR

NRRSSRRRR

AASHHASHHASHSHSHSHAASHSHSHSHSSSSSHSHSHSSHSHSNNNNNNAAAAAAAAAA

SSSNNSSSNNSSHHHHNNNNSSSHHHHHHHGGGGG

SSSSNNNSSHHHSHHHHHHHHHHHHHHSHSHSHSHSHSHSHHHHSHSHSHSHSHSHSHHHHHHHHHHHHHHHHHHHHHHHHSSSSSS

SHASHARINRINGGININARINGARINGSHARSHARSHARSHARAAAASSSSSSS

ARIARIARIAR HHHHHHHHHHHHHSSSSHHHHHHHSSSSSSHHHHHHHHHHHHHGGGGSSSSSSSINGNGINGNGINGINGNGSSSSSSSSSSSSSSSGGSSSSSSSSSSSHHHH

ARRINGRINGRINGNNGNNGHARHARHARHAR

IIARARARARARARRRAAAAAAAAAAAAAA NNNNGGGIIIINGGGGGGGRARARRRRRRNNNNNNNNNNNNNNNRIRIRIRIRIRIIRIRIRIRIIIIIARARRRARRRARARRRARARRRRRRRRRRRRRRRRAAAAAAAAAAAAAAARIRIRIRIRIRIIRIRIRIRIRIIRIIRIRIRRIRIRRII NNNNNNNGGGGGGGGGGGGGGG GGGGGGGNNNNNNNGGGGGGGGGGGGGGAASHSHSHSHSHSHSHAAAAAAAASHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSH

HHHHHHHHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAAAAAAAAHHHHHHHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHSHHARHARARARARARARHARHARARARARRARRHAHAAAAAAHAAAAHARHARARARARARARARHARHARARARRRRRHAHAAAAAAAHAHAAA ARARARARARARAR

NINGINGGGGGNGNG

INGINGINGINGINGINGINGING

RINNINNGGGG

ARRAGGGG GNNIINNNN

ARARAAAAAAAAAAAAARRRRRRRRRRRININN

ARARARARGGGGAAAAAAAARIARIARIARIGGGGGGG ARARNNGNNGNNGNNG

SHHARINSHHARINHARINHARINARIARIARIARI

A INRINGGNGNGNGNGNGNGNGNGAARINRI GGAARINRI GGNNNNNGNGNGNGNGNGNGNGNGNGNG NGNGNGGGGARINNGGARINGGARINNGGARINGGNGGNGGNGNGGGGGGGNGNGNGNGNGNGNGNGNGNGNGNGGGG

NGNGGG GGSSGGGGNGNGNGNGNNNNGNGNGGNGNGGNGNGNGGNGNGNGGHAHAGGGG AASHAASHAASHAASHAAGGGGGNGNGNGNGGGGGG GGSSSSGGGGGGGGGGGGGGGGGGGGGGGGGG

GGGGGGGGGGGGGGGGHARHARHARHARSHAASHASHAASHASHAASHAAHA

GGRINRINRINRINININNRINGRINGRINGRINGRINGRINGRINGRINRINRINRINRINRINRINRINNGNGNGGNGNGGNGGNGGNGGNGGNGNGNGGNGNGGNGNGGNGGGRINRINININRINININRINNIRINNI GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG

HARHARHARHARHARGGGGGGGGGGGGGNNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGNGNGNGNGNGNGNGNGNNGNNGNNNRINRINININRINININININININININININRINRINININRINININININININININNNNNNNNNNNNNNNNNNNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGNNNNNNNGGGGGGGGGGGGGG

SHASHASHASHASSSSSSSSHAASHAASHAAHAASHAASHAAHAASSSSSSSSSSSSSSS

SHARINGNGNGNGNGNGNGSHARINGSHARINGGGGARARRRGGGGGGG

HARINRINGRINR GGRINGRRRRRRSHAHARINSHARINHARHARHARHARGGGGHARHARHARHARHARH RH RGGGG

RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRHAHAHAHAHAHAHARRRRRRRRRRRRRRRGGGGGGGGRRRRHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHARRRRRRRRRRRRRRRRRRRRRRRRRRRRRARARARARARAAARARARARARAAARRRRRRRRRRRRRRRRARRARRARARRARRARRAAARRARRRARRARARRA

ININININIIIIRRRRRRRRRRRRRR NNNNNNNNNNNNNNNGNGNGNGGGGGGGGGGGGGGGGGGGNGNGNGGNGNGGGGGGGGGGNNNNNNNGGGGGGGGGGGGGGGGGGGGINININNININNHAHAHAHHAHHHAHAHAHHAHAHHRRRRRRRRRRRRRRR NGNGNGNGNGNGNGGGGGGGGG

AAAAAAAAAAAARRRRRRRRRRRRRRRRRGGGGGGGGGGGGGGGGGGGGGGGGGGGG

ARRRRARRRARRRRARRRRARRRRRRRARRRARRRRRRRRRRRHAHAAHAHAHAAHAHHAHAHAHAHAHAHHHAHAHAHAHAHHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAARARARARARARARARARARARAAAARRRRRRRRRRRRRRRRRRRRRRARRARRARARRARRARRARRARRARARAAAARRRRRRRRRRRRRRRRRRRRRRRRRRRRR RRRRGGGGGGGNNNNNNNGGGGGGGGGGGGGININNNGGGGGGGRRRRRRRGGGGGGGGGGGGGGG

ARARRRARRRGGGGGGGGGGGGGGGRINGINGRINGINGINGINGINGINGINGINGINGINGI GI GI GRINGRINGINGNGRINGINGNGINGINGINGNGINGNGINGNGINGNGINGNGNGINGGINGI GGINGNGGRINGRINRINGRINRINGRINGRINRINGRINRINGRINRINGRINRINGRINRINGINGRININRINGRININRINGINGRININRINGINGRININRINGINGRINIINGRIIRINGRINIRI GI GIHAHAHAHAHAHAHAHAHAHAHAHAHAHAHARINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINRINRINRINGRINRINRINGRINRININGINGININAAAAGGGGSHARSHARSHARSHARSHARSHARSHARSHARGGGG INININIGGGGGGGSSSSSSSSSSSSSSS

SHARSHARSHARSHARSHARSHARSHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARGGGGGGGGGGGHHHHHHHHHHHHHHAAAASHASHASHASHASHASHASHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHSHSHSHSHSHSHSHSHSHSSSHSHSSHHHHHH RRRRRRRRRRRRRRRRRRRRRRRRRRRRHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHAHAHAHAHAHAHASHSHSHSHSHSHSHSHSHSHSHSHSSSSHSHSHSHSSSSHSHSHSSSHHHHHH RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHHHHHHHHHHHHHHHHHH RRNGNGNGNG

GGGGGGGINININININNNNGNGNGNGNGNGGNGNNN

ARRARRRRRRRRRRRRRINRINININRINININRININININRINININININININININININININININININ GGGGGGGGGGGRRRRRGGGGGGGGGGGGGGGNNNNNNNNNNNNNGGGGGGGGGGGGGGGGGGGGGGGGG

GGGGGGGGGGGGGGGNGNGNGNGNGNGNGNGNGGGNGNGNGNGNGNGNNGNGNGNGNNNNNGGGGGNGGGNRINGRINGINGNGRINGINGNGRINGRINGINGNGRINGRINGINGGINGINGINGNGNGINGNGINGINGGINGNGGINGNGINGNGINGNGINGGINGNGINGNGINGNGINGGINGNGINGGINGNGINGGINNIINNINGNGNNNGNNNGGNNGNGNNNNNGRININRININRINRININRININRININRIIRIIRININRINININRININRIRIIRIIIRININININRINININRININININRININININRINININININININRIIIRIIIRININININRININININRININININRININININRIIIIRIIIIRIIIIRIIIIRININNRININNINININIININNININNIIIIININININININIIIIIIIIRINRINININRINININRINRINININRINRIIIRINININININININRIIIRIIIRINRINININRINRINIIRINRINININRINRIIIRIIIIRIIIIRIIIIRIIIIRINRIRIRI

ININIISSSARRRRARRRRARRRRARRRR HARIHARIAAAARINRIRINIRININI

NGNGNGNNNNNNNNSSSSSSS HARHARHAHAARIARIARARARARRNGNGGGNGGGHAHAHAHAHAHAHAHAAHAAAAAANNNNNHHHHHHHHHHHHHHHHARHARHARHARHARHARHAR

ININININARRRRARRRRARRARRRR HARHARHARHAHHHHHHSHASHASHASHASHSHSHHARHARARARHARARARHARHARARARHARHARARAR

NGNGNGNGNGNGNG RIRRIRRIRRRRIRRININNNNNNNNNN

HHARHHARHHARHHARSHSHSHSHSHSHHINININIINIIGGGGGGGGGGGGGGARRRRARRRARRARRRRRRRRRRRRRRRR SSSSSSSSHSHSHSHSSSSHSSHSNGNGNGGGGGNGNGNGGG HANGNG

GGINGINGINGINGGGGGGGG

INNINININGGGGGGGGG

NNGNGNNGGNNGGNGGRINGRINGRINGRINGRINGRINGR G GGSSNGNGNGGRINGRINGRINGINGRINGINGGRINRINRINRINRINININRINRINRINRINRIIA INGA INGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGNGNNGGNNGGNGGNGGNGGGRINGRINGRINGRINGRINGRINGRINGRINGRINGRINGGRINGNGRINGG GGINIIINGNGNGNG

RINRINRINRINRINRINRINARIARIARIARIARARAR SSHARSSHARSHARSHAR

GGGGGGGNNGNNGNNGNNGNGNGNG

SSSSSSSSSSSGGGGGGGGGGSSSSSSSSNNGGNNGGNGGGGG GGSSSSSNGNGNGNGNGGGNGNGNGNGNGNGGNGNGNGNGNGGNGGNGNGNGNGNNNNGNGGGNGNGNGGNGNGGNGNGNGGNGNGNGGNGNGNGGNGNGGNGNGGNGNGG SSSSSSSSSSSSSSSSSSSSSSSSSSSSSHSHGGGGGRIRRIRIRIGGGGGGGGGGGRRRRRRRRSSSSSGGGGGGGGG

GRIRIRINRIRINRIRINRIN GGNNNNNNNNNNNNNNNNNNNN RINRINRININGNGINGGNGGNGNGNGNGNGNGN A NRINA NRINARINARINNGNGNGGNGNGGININGGNNGGININGGNNGGINGINGNGNNGGNNGGNNGGNNGGNNGGGGGGNGNGGGNGNGGGARINNARINARINNARINARINARINARINNGGNGGNGNGGNGGNGGNGGNGHARINGHARINGHAHARINGHAHARINGRINRINRINRINRINRINRINARINGARINARINGARINRINRINGGRINRINGGRRINNGNGNGNGNGNGGNGNGNGNGNGGNGG

HAHAHAHAHHHHNGNGNGNGHAHAHAHAHAHAHANNNNHHHHHHHHAHAHAHAHAHAAHHHHHAAGGGGGGGNGNGNGNGNGNGNGNNNNNNNNGNGNGNGNGNGNGNGNGNGNGNGNGNGNGARINARINRINRIAAAAAAAARIARIARIARARINRINRINRINRINRIRIGGGGGGGAAAAAAAAAAAAAAAARINARINARINARINARINARINRINAAAAAAAAAAAAAAAAAAAGGGGGGGGGGG HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHNGNGNGNGNGNGGSSSSSSSSSSSSSSS

NNNNNNNSSSSSSSSSSSSSSSNGNGNGNGNGNGNGNGNGNGNNGNGNGNSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSNGNGNGNGNGNGNNGNGNGNGNGNNGNSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSHHHHHHHHHHHHHHHHHHHHHHSSINGNGNGNGINGNGNGNGNGNNGNNSSSSSSSSSSSSSSSSHHHHHHHHHHHHHHHSSNGNGNNGNNGNGGSSSSSSSSSSSSSAAAAAASHSHSHSHSHSHSHSHSHSHHSHSHHHARARARARARARARARARARARARARARARSSSSSSSSSSSSSSSSSSSSSSSSSSSSARIARIARIARIARIARIARSHASHSHASHSHASHASHSHSHSHSHSHSHSHSHAAAASHSHSHSHSHSHSSHSHSHSHSHSHSHSHHHSHHSHHHSHSHNNNNNNNNNNNNNNNSSSSSSSSSSSSSSSSSSSSSSSSSSSS

AAAAAAAAAAAAAAAAAAAAAAAAAAAASSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSHSHHHSHHHSHSHHHSHSHHHSSSSSSSSSSSSSSSSSSSSSSSSSHHHHHHHHHHHHHHHHHHHHHHHHHHHHSHSHSSSHSSSHSHSSHHSHSHSSSHSSSHSSHHSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSIIIIIIIIIIIIIIIHHHHHHHHHHHHHHHHHHHHHHHHHHHHRRRRRRRRRRRRRRRRRRRRRRRRRSHSHSHSHSHHHHSHHHSHSHSHSHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHSHSHSSHHHHHSHHSHHHHSHSHSSHSHHHHHSHHSHHHHHHSHSHSHSHSHHHHHHHHHHHSHHHHSHHHHHHHHHHHHSHSHSHSHHHHHHHHHHSHHHHSHHHHHHHHHH

GGHARINGHARINGHARINGARINGRINRRINRRINRISHASHASHASHASHASHASHA GGGGHARINGHARINGHARINGHARINGARINGARINGARINGHAAHAAHAHAAHAAHAAAAAANNGGGG

ARARARARRINGRINGRINGRINGARINGARINGARINGRINGARINGRINGNGSHARSHARSHARSHARSHARSHARSHARNGNGNGNGNGNGNGHAHAHAHAHAHAHAHAHAHAHAHAHAHAHARRINRRINRINRINRINRRINRRINRINRINHHSHASHASHASHASHASHNGNGNGGNGGGRRRRSHASHASHASHASHASHASHASHASHSSSHNGNGNGNGNGGGNGNGGGGGGG GGGNGNGNGNGNGNGNGNGGNGGNGGNGGHHHHHHARHARHARHARHARHARHARARARARARARARARAR GGGGGGGGGGGGGGGGGGGGGGGSSSSSHSHSHSHSSRRRRRRRSHSSHSSHSHSSHSSHSSHSSHSSSSSSSSSHSHSHSHSHSHSHSSSSSSSS

RINGRINGRINGRINGRINGRINGRINRINRINGRINRINNGNGNGNGNGNGGNGNGNGNGGGGGGG

GGNNGGGGINGINGINGINGRINGRINGRINGRINGRINGRINGRINGININNNRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRHHHHSHARSHARSHARSHARSHARSHARSHARHARHARHARHARHARHARHARHARHARHARHAHARHARHARHARINRINRININRINRININRINRINNNRINRINNNRINRINRINININRINININHARIHARIHARIHARIHARIHARIHARIHARHARHARHARHARHARHARHARHARHARHARHARHARHARHARHHHHHHHARIHARIHARIRRRRRRRRRHAHAAAHAAAAAAAAAAAHAHAAAHAAAAAAAAAAAHAHAHAHAAAAHAAHAAAAAAAAAAAAAAAAAAARRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRSHSHSHSHSHSHHSHSHSHSHSHHSHHHAHAHAHAHAHAHAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHRRRRRRRRRRRRRRRRRRHAHAHAHAAAAAAAAAAARRRRRRRRRRRR NGNNGGGGGGGGNGNNGGGGGGGGGGGGGGGGGGNGNGNNNGNNNGNGNNNGNGNNNGNGNGNGNGNGGNGGNGGGGGGNGNGNGNGNGNGGNGNGGGGGRINGRINGINGNGRINGNGGINGINGNGNGNGNGGGIIRINGRINGINGINGRINGNGNGRINGRINGINGINGRINGRINGGGINNINNNNNNNNNNRINGRINGRINGRINGINGINGINGRINGRINGRINRINNGNGNNRINGRINGRINGRINGINGINGINGRINGRINRINNGNGNINGINGINGINGINGINGINGINGINNINNNNNINGINGINGINGINGINGINGINGNNNRINRINRINRINININININNINNINNINNINIINIIIIIIIINIINIINIIIIIIIINIINIINIIIIIIIRINRINRINRININININNNNNNNNINIINIINIIIINIIINIIINIINIINIIIRRRRRHAHAAAHAAAAAAAAAARRRRRRRRRRRR NNNNNGGGGGGGGGRINGRINGINGNGRINGNGGINGINGNGNGNGNGGGIII HHGGGGGGGGGGGNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGG

GGGGGGGGGGGGGGGGGGNNNNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG

GGGGHARINGHARINGHARINGHARINGGGGGGGGHARINGHARINGHARINHARINHARINGHARINHARINNNGGGGHARINGHARINGARINGARINGGGGGGGGHARINGHARINGHARINGHARINGHARINGHARINGHARINGGGGGGGGGGGGGGGGARINARINNNGGGGGGHHGGGGGGGGGGGGGGHHHGGGGGGGGSHSHSHHSHS

HAHAHAHAAAAAAAAAAGGGGGGGGGGGGGGGHARINHARINHARINHARINHARINHARINHARINHARINHARINHARINHARINHARINHARINHARINHARINRINGRINGRINGRINGRINGRINGINGRINGRINGRINGRINGRINGRINGRINGINGRINGRINGRINGINGINGRINGINGRINGRINGINGRINGINGINGHAHAAAHAAAAAAAAAAAHAHAAAHAAAAAAAAAAAHAHAHAHAAAAHAAHAAAAAAAAAAAAAAAAAAARRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR GGGGGGGGGGGGGNNNNNNGGGGGGGGGGGGGGGNNNNNNGGGGGGGGGGGGGGGGGGGGGGGGGGGGNNNNNNNNNNNNNNNNNNNNNNNNNRINGRINGRINGRINGINGINGINGINGINGINGINGINGINGINGINGINGI GINGI GI GINGI GINGINGI GI GI GI GINGINGINGI GINGINGINGI GINGI GINGI GI GI GI GI GINGI GINGI GINGI GINGI GINGI GINGI GI GI GI GI GRINGRINGINGNGRINGNGGRINGRINGINGNGRINGRINGNGGINGINGNGNGNGGGINGGGNGNGGIIIIIIRINGRINGINGINGRINGNGNGRINGRINGINGINGRINGRINGNGGRINGRINGINGINGRINGGGRINGINGINGRINGRINGGINNINNINNNNINNININNNNNNNNNRINGRINGRINGRINGINGINGINGRINGRINGRINRINNGNGNNRINGRINGRINGRINGINGINGINGRINGRINRINNGNGNRINGRINGRINGRINGINGINGINGINGRINGRINGRINRINNGNGNNRINGRINGRINGRINGINGINGINGINGRINGRINGRINRINNGNGNNINGINGINGINGINGINGINNINNNNNINGINGINGINGINGI GINNNNNNINGINGINGINGINGINGINGI GNNNINGI GINGI GINGI GINGI GHAHAAAHAAAAAAAAAARRRRRRRRRRRR NNNNNNNNNNNNGGGGGGGGGGGGGGGGGRINGRINGINGNGRINGNGGRINGRINGINGNGRINGRINGNGGINGINGNGNGNGGGINGGGNGNGGIIIII GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG


— Philippe Aigrain


with the contribution of Suzanne Aigrain

SHARINGSharing starts from a radically different view-point that the non-market sharing of digital works is both legitimate and useful. It supports this premise with empirical research based on publicly available data, demonstrating that non-market sharing leads to more diversity in the attention given to various works. It engages in an in-depth exploration of how various media

are transformed in our digital world. Taking stock of what we have learnt about the cultural economy in recent years, Sharing sets out the conditions necessary for valuable cultural functions to remain sustainable in this context. philippe aigran is the CEO of Sopinspace, Society for Public Information Spaces and one of the founders of La Quadrature.

Philippe Aigrain, with the contribution of Suzanne Aigrain



November 2011 • €29.00 / £25.00

Sebastian Bersick and Paul van der Velde (eds)

The Asia-Europe Meeting: Contributing to a New Global Governance Architecture

The Asia-Europe Meeting (ASEM) process was designed in 1996 to affect a rapproachement between Asia and Europe. This important collection brings together the discussions from the eighth ASEM Summit held in October 2010 in Brussels. It presents a multifaceted perspective of Asia-Europe convergences and disparities,

shedding new light on the interregional political dialogue. sebastian bersick is lecturer at the Department of Government at the National University of Ireland.paul van der velde works at the International Institute for Asian Studies, Leiden/Amsterdam.

icas publications series • isbn 978 90 8964 343 8 • e-isbn 978 90 4851 474 8 • paperback

156 x 234 mm • 264 pages • may 2011 • €39.95 / £34.95

Nienke E. Hornstra, George Groenewold and Laurence Lessard-Phillips

The Turkish and Moroccan Second Generation and their Comparison Group Peers in Amsterdam and Rotterdam

Technical Report and Codebook

TIES 2006-2007 - The Netherlands

This important study offers detailed information obtained by interviewing 1505 Dutch respondents, all second-generation Turkish or Moroccan, alongside members of a native Dutch comparison group. The book describes the strategies deployed to select and interview respondents, including an account of problems and adopted solutions.

nienke hornstra, george groenewold

and laurence lessard-phillips all work as researchers at the Netherlands Interdisciplinary Demographic Institute in The Hague.

dans data guide • isbn 978 90 8555 054 9 • e-isbn 978 90 4851 503 5 • paperback

170 x 245 mm • 384 pages • november 2011 • €47.50 / £37.50

The Eighth ASEM Summit in Brussels (2010)

The Asia-EurContributing

Edited by Sebastian Bersick and Paul van der Velde

The Asia-Europe Meeting: Contributing to a New Global Governance Architecture

The Eighth ASEM Summit in Brussels (2010)

This book clearly demonstrates that Asia and Europe play a key role in the configuration of new global governance architecture. w.a.l. stokhof, Chairman of the Board of Governors, Asia-Europe Foundation


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Meine Pieter van Dijk and Jacques Trienekens (eds)

Global Value Chains

Julia Hoffmann and André Nollkaemper (eds)

Responsibility to Protect

Linking Local Producers from Developing Countries to International Markets

This important volume presents seven case studies of global value chains alongside two theoretical chapters concerning these chains. The contributors explore a wide range of issues relevant to value chains: the impact of global value chains on local upgrading strategies, the role of governance structures shaping global value chains, the role of buyers in creating, monitoring and enforcing commodity specifi cations and of international standards in shaping the patterns of chain governance. They also consider the role of donors, governmental organisations, and civil society in infl uencing value chains and the importance of partnerships as mechanisms for value chain upgrading.

The tragic events in the 1990s in Rwanda, Srebrenica and Kosovo, and the crisis in Libya in 2011 have triggered a fundamental rethinking of the role and responsibility of the international community. It is now accepted that while individual states continue to bear the primary responsibility to protect their populations against genocide, ethnic cleansing, crimes against humanity and war crimes within their boundaries, the international community should step in when the state is unable or unwilling to provide such protection. The principle of the Responsibility to Protect, or RtoP, refl ects this recognition, and provides the normative basis for

meine pieter van dijk is professor of water services management at UNESCO-IHE Institute for Water Education in Delft, professor of entrepreneurship at the Maastricht School of Management, and professor of urban management at the Institute of Social Studies and at the Institute of Housing and Urban Development of the Erasmus University Rotterdam.jacques trienekens is associate professor of management studies at Wageningen University and Research Centre, and at the Maastricht School of Management.

involvement of the international community in cases of mass atrocities.This thoughtful work is a major contribution towards clarifying what RtoP can offer, moving from principle to practice, and spanning the disciplines of international law, international relations, and moral philosophy.

julia hoffmann is assistant professor of media, confl ict and peace at the University for Peace in Costa Rica.andré nollkaemper is professor of public international law at the Faculty of Law of the University of Amsterdam.

eadi • isbn 978 90 8964 360 5 • e-isbn 978 90 4851 499 1 • paperback • 156 x 234 mm

288 pages • december 2011 • €39.95 / £29.50


november 2011 • €47.50 / £39.50

From Principle to Practice


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Death at the opposite ends

of the Eurasian continent

Mortality trends in Taiwan

and the Netherlands

1850-1945 • edited by

Theo Engelen, John R.

Shepherd & Yang Wen-shan

Life at the Extremes Volume 1v

AIDS, Intimacy and Care in Rural KwaZulu-Natal

care &welfare

A U P

Patricia C. Henderson

A Kinship of Bones

Theo Engelen, John R. Shepherd and Wen-Shan Yang (eds)

Death at the Opposite Ends of the Eurasian Continent

Historical demographers since Thomas Malthus have characterised the West-European and Chinese demographic regimes as systems under low and high pressure, respectively. This volume examines the operation of the positive check at the two ends of the Eurasian continent by taking the Netherlands and Taiwan as representatives of the West-European and Chinese mortality regimes. The volume opens with a cluster of chapters dealing with long term trends in mortality and the accompanying changes in causes of death. The book also analyses factors affecting

maternal and infant mortality, as well as the accuracy of Taiwan’s censuses and death reporting.

theo engelen is professor of historical demography at the Radboud University Nijmegen. john r. shepherd is associate professor of anthropology at the University of Virginia. yang wen-shan is programme director of historical demography at the Academia Sinica in Taiwan.

life at the extremes • isbn 978 90 5260 379 7 • e-isbn 978 90 4851 468 7

paperback • 170 x 240 mm • 400 pages • march 2011 • €29.90 / £25.00

Mortality Trends in Taiwan and the Netherlands 1850-1945

Patricia C. Henderson

AIDS, Intimacy and Care in Rural KwaZulu-Natal

A Kinship of Bones

In 2003-2006, Patricia Henderson lived in the South African province of KwaZulu-Natal where she recorded the experiences of people living with HIV/AIDS. In this illuminating study, she recounts the concerns of rural people and explores local repertoires through which illness was folded into everyday life. The book spans a period when antiretroviral medication was not available, and moves on to a time when the treatment became accessible. Hope gradually became manifest in the recovery of a number of people through

antiretroviral therapies and ‘the return’ of bodies they could recognise as their own. This research implies that protracted interaction with people over time, offers insights into the unfolding textures of everyday life, in particular in its focus on suffering, social and structural inequality, illness, violence, mourning, sensibility, care and intimacy.

patricia c. henderson is lecturer in the Department of Social Anthropology at the University of Cape Town.

care & welfare • isbn 978 90 8964 359 9 • e-isbn 978 90 4851 497 7 • paperback • 156 x 234 mm

256 pages • november 2011 • €37.50 / £32.50


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Afonso

A m s t e r d a m U n i v e r s i t y P r e s s

Alexandre Afonso

Social Concertation in Times of Austerity

Romke van der Veen, Mara Yerkes and Peter Achterberg (eds)

The Transformation of Solidarity

The Politics of Unemployment and Labour Mobility in Austria and Switzerland

Why do governments still negotiate with trade unions and employers in the design of labour market and welfare reforms despite the steady decline of trade union membership almost everywhere in Europe? Social Concertation in Times of Austerity investigates the political underpinnings of social concertation in this new context with a focus on the regulation of labour mobility and unemployment protection in Austria and Switzerland. It shows that the involvement

This study investigates the consequences of processes of social individualisation and economic globalisation for welfare state solidarity. Solidarity is defi ned as the willingness to share risks. The institutions of the welfare state, such as social security or health care insurance, are founded on the willingness of citizens to share risks and organize solidarity between the young and the old, between the healthy and the sick, between the working and the unemployed. Processes of individualisation and globalisation affect these risks and in this study the authors investigate how and to what extent these changes infl uence the

of organised interests in policymaking is a strategy of compromise-building used by governments when they are faced with party-political divisions, or when unpopular reforms are likely to have risky electoral consequences.

alexandre afonso is a researcher at the Max Planck Institute for the Study of Societies in Cologne, Germany.

way risks are perceived by the public, what this means for the willingness to share risks and how this is translated in risk management strategies in fi rms, unions and adminstrative agencies.

romke van der veen is professor of sociology at the Erasmus University Rotterdam; mara yerkes is research fellow at the Erasmus University Rotterdam; peter achterberg is assistant professor, all at the Erasmus University Rotterdam.

changing welfare states • isbn 978 90 8964 395 7 • e-isbn 978 90 4851 299 7 • 156 x 234 mm

paperback • 156 x 234 mm • 312 pages • may • €37.95 / £33.50

changing welfare states • isbn 978 90 8964 384 1 • e-isbn 978 90 4851 531 8

paperback • 156 x 234 mm • 224 pages • november 2011 • €39.95 / £32.95

Changing Risks and the Future of the Welfare State


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RESEARCHIMISCOE

Foggy Social StructuresIrregular Migration, European Labour Markets and the Welfare State

giuseppe sciortino & michael bommes (eds.)


Michael Bommes and Giuseppe Sciortino

Foggy Social Structures

Julie Vullnetari

Albania on the Move

Bram Lancee

Immigrant Performance in the Labour Market

Irregular Migration, European Labour Markets and the Welfare State

Bonding and Bridging Social Capital

Links between Internal and International Migration

European countries are currently involved in several irregular migration systems, resulting in undocumented populations estimated at several millions. Drawing on empirical studies carried out in a variety of settings, the authors of this illuminating study analyse the ways in which such irregular migration systems developed over

This remarkable work by an Albanian-born scholar is an academic and personal journey into the country’s post-communist society, examining the links between internal and international migration in one of Europe’s poorest countries. Migrants’ lives, experiences and feelings are captured through 150 in-depth

This defi nitive study offers an in-depth analysis of the role of social capital in Western labour markets. To address the vital question of how migrants take advantage of social relations between indigenous people and their own ethnic group, Lancee surveys the impact of various forms of social capital on the integration of immigrants into their new labour

time, interacting with changes in European labour markets, welfare regimes and immigration policies.

michael bommes was professor of sociology at the University of Osnabrück, Germany. giuseppe sciortino is professor of sociology at the Università di Trento, Italy.

interviews, discussions and ethnographic observations, demonstrating how the links between internal and international migration affect the lives of migrants, their families, their communities of origin and the host country.

julie vullnetari is postdoctoral research fellow at the Sussex Centre for Migration Research at the University of Sussex.

markets in Germany and the Netherlands, producing an important data comparison for those two bordering countries. bram lancee is Humboldt Research Fellow at the Social Science Research Center Berlin and postdoctoral researcher at the University of Amsterdam.

imiscoe research • isbn 978 90 8964 341 4 • e-isbn 978 90 4851 472 4 • paperback • 156 x 234 mm

236 pages • august 2011 • €39.95 / £29.50

imiscoe research • isbn 978 90 8964 355 1 • e-isbn 978 90 4851 493 9 • paperback

156 x 234 mm • 336 pages • january • €44.50 / £39.50


208 pages • february • €34.50 / £27.50

RESEARCHIMISCOE

Albania on the MoveLinks between Internal and International Migration

julie vullnetari


Lancee provides an excellent analysis of the role of social networks in the labour market integration of ethnic minorities. A valuable contribution to the theoretical and methodological debate.anthony heath, University of Oxford


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Giovanna Zincone, Rinus Penninx and Maren Borkert (eds)

Migration Policymaking in Europe

Veit Bader, Marcel Maussen and Annelies Moors (eds)

Colonial and Post-Colonial Governance of Islam

The Dynamics of Actors and Contexts in Past and Present

This important work analyses immigration and immigrant inclusion policies in ten European countries, examining how such policies are formed and subsequently implemented. The study singles out the important role of usually overlooked factors and actors that signifi cantly affect policymaking alongside the formal legal framework. It also identifi es similarities and diversities in European immigration policies.

The contributors analyse the mutual impact of colonial and postcolonial governance on the development, organisation and mobilisation of Islam paying special attention to the ongoing battles over the codifi cation of Islamic education, religious authority, law and practice while outlining the similarities and differences, the continuities and ruptures in British, French and Portuguese colonial rule in Islamic regions. Using a shared conceptual framework they examine the nature of regulation and its outcomes in different historical periods in selected African, Middle Eastern, Asian and European countries.

giovanna zincone is advisor to the President of the Italian Republic in matters of social cohesion and founder and president of the Forum of International and European Research on Migration in Turin.rinus penninx is coordinator of the IMISCOE Research Network and founder of the Institute for Migration and Ethnic Studies at the University of Amsterdam, where he is also a professor.maren borkert is a postdoctoral university assistant in the Department of Development Studies at the University of Vienna.

veit bader is emeritus professor in social and political philosophy and in sociology at the University of Amsterdam.marcel maussen is assistant professor in political science at the University of Amsterdam.annelies moors is professor of contemporary Muslim societies at the University of Amsterdam.


452 pages • september 2011 • €54.50 / £49.50

imiscoe research • isbn 978 90 8964 356 8 • e-isbn 978 90 4851 494 6 • paperback

156 x 234 mm • 280 pages • december • €42.50 / £29.50

Continuities and Ruptures

This well-researched volume illuminates the ways in which European countries make policies on the often controversial issues raised by immigration. Useful for both academics and policymakers.susan f. martin, Donald G. Herzberg Chair in International Migration, Georgetown University


RESEARCHIMISCOE

Migration Policymaking in EuropeThe Dynamics of Actors and Contexts in Past and Present

giovanna zincone, rinus penninx & maren borkert (eds.)


RESEARCHIMISCOE

Colonial and Post-Colonial Governance of IslamContinuities and Ruptures

marcel maussen, veit bader & annelies moors (eds.)


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JDJJLLDDJournal of Dutch Literature

Volu me 2N u mber 1

2011

JOURNAL

ARCHAEOLOGY

LOW COUNTRIES

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NUMBER 1 MAY 2011


Journal of Dutch Literature

The Dutch Research Agenda

Journal of Archaeology in the Low Countries

Journal of Dutch Literature is the fi rst English-language periodical dedicated to the study of Dutch and Flemish literature from the Middle Ages to present day.

The Dutch Research Agenda summarises 49 key academic questions and themes to which Dutch researchers can make a major contribution. It describes what the Dutch research community believes it should be concentrating on in the years ahead, and is the only one that concerns questions of all aspects of the academic fi eld.

The Journal of Archaeology in the Low Countries (JALC) covers the full archaeological timescale, from the earliest Palaeolithic to investigations of subrecent times.

A Semiotic Perspective on Conversion in an Evangelical Seeker Church and a Pentecostal Church in the Netherlands

Changes and Choices in the Ethno-Party Scene in Urban Nightlife

issn 2211-0879 • 2 issues per year (march and november) • open access online

www.journalofdutchliterature.nl • paper copies available as pod

isbn 978 90 6984 635 4 • paperback • 160 x 240mm • 132 pages • 2011 • €12.50 / £11.00

issn 1877-7015 • 2 issues per year (may and october) • open access online www.jalc.nl

paper copies available as pod at €50,00

pallas dissertations • isbn 978 90 8555 047 1 paperback • 156 x 234 mm • 460 pages • 2011 €49.50 / £42.50

uva dissertations • isbn 978 90 5629 669 8 paperback • 156 x 234 mm • 224 pages • 2011 €30.00 / £25.00

Amsterdam University Press supports the Open Access (OA) publication model for academic monographs, edited volumes and journals in the humanities and social sciences (HSS). The overall objective of Open Access is to improve accessibility and impact of scholarly research through the promotion of Open Access; creation and promotion of digital formats for the dissemination of scholarship; and the creation and aggregation of freely available scholarly publications within a worldwide online library. For more information, please contact [email protected]

dissertations

journals

the dutch research agenda

open access publishing

Miranda Klaver

This Is My Desire

Simone Boogaarts-de Bruin

Something for Everyone?


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