avenged 7x - waking the fallen
TRANSCRIPT
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Intro
Slowly q = 82
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
And All Things Will End
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Double time (q = 164)
Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (clean)
*
w/ fingers
Dm
mp
let ring
C
let ring
Bb6
let ring
Aaddb9
let ring
*Chord symbols reflect implied harmony.
Gtr. 3 (dist.)
Gtr. 1 tacet
D5
f P.M.
µ D5
P.M.
µ D5
P.M.
Gtr. 2 (dist.)
f P.M.
P.M.
P.M.
52 3
2 03
532 0
20
32
0 2 02
32
0
12 3
0 2 03
0
02
32
0232
00
0 0 0 0 0 0
5
0 0 0
6 5
00
0 0 0 0 0 0 0 0
5
0
6 5
00
0 0 0 0 0 0
00
0 0 0 0 0 0
6
0 0 0
7 6
00
0 0 0 0 0 0
6
0 0 0
7 6
00
0 0 0 0 0 0
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Gtr. 4 (dist.)
µ
f
D5
3 3 3 3 3 3
Gtr. 3
P.M.
Gtr. 2
P.M.
Gtr. 5 (dist.)
Gtr. 4 tacet
f
µ D5
µ D5
Gtr. 3
Riff A1
P.M.
P.M.
P.M.
Gtr. 2
Riff A
P.M.
P.M.
P.M.
58 5 8 5 6 5
58 5 8 5 6 5
58 5 8 5 6 5
58 5 8 5 6 5
58 5 8 5 6 5
58 5 8 5 6 5
5
5
0 0 0
6 55 7 5
85
8 7 58
5 7 85
6 5
00
6
0 0 0
7 67 8 7 5 7 5
8 7 5 7 85 7
7 6
00
5 6 5 5 6 5
00
0 0 0 0 0 0 0 0
5
0
6 5
00
0 0 0 0 0 0 0 0
5
0
6 5
00
0 0 0 0 0 0
00
0 0 0 0 0 0
6
0 0 0
7 6
00
0 0 0 0 0 0
6
0 0 0
7 6
00
0 0 0 0 0 0
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Gtr. 4
µ
grad. bend
D5
Gtr. 5 tacet
µ
3 3
1
Gtr. 5
Riff B
End Riff B
Gtr. 3
P.M.
End Riff A1
Gtr. 2
P.M.
End Riff A
Verse
1st time, Gtr. 4 tacet
D5
2. When
Lived
I
1. through
see
you,
you,
F5
safe
I
with
can
how
read
we
it
lived
in
our
your
lives,
eyes,
G5
Gtrs. 2 & 3
P.M. P.M.
58 8 5 6 5
58 5 8 5 6 5
58 5 8 5 6 5
58 5 8 5 6 5
58 5 8 5 6
58 5 8 5 6 5
58 8
0
5 6 5 5 6 58
58 6 5
75 6 8
5 6 5
5
0 0 0
6 55 7 5
85
8 7 58
5 7 85
6 5
00
00
6
0 0 0
7 67 8 7 5 7 5
8 7 5 7 85 7
7 6
00
00
00
0 0 0 0 0 0 0 0 0 0 0 0 0 33
3 3 3 3 3 3 3 3 3 3 3 3 3 55
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1C To oda
with
Ab5
how
fate
it
mis
all
un-
G5
turned
der
Ab5
-
out.
stood.
D5
Screamed:
Screamed:
-
(But
(But
things
things
are
are
bound
bound
to
to
change!)
change!)
F5 G5 D5
P.M. P.M. P.M.
Un
Swal
cov
lowed
-
-
ered
the
- lies,
lies,
F5
sur
can’t
faced
blame
- through
you
out,
for
G5
-
P.M. P.M.
will
Ab5
make
think
you
ing-
change
with
G5
your
your
Ab5
mind.
heart.
D5 F5 G5 A5
Some
Some -
Bb5
-
Gtr. 4
Fill 1
*w/ wah-wah
End Fill 1
*As filter
Gtrs. 2 & 3
P.M. P.M. P.M.
55
5 5 5 5 5 66
6 6 55
66
00
0 0 0 0 0 0 0 0 0 0 33
55
00
00
0 0 0 0 0 0 0 0 0 0 0 0 0 33
3 3 3 3 3 3 3 3 3 3 3 3 3 55
10 15
55
5 5 5 5 5 66
6 6 55
66
00
0 0 0 0 0 0 0 0 0 0 33
55
77
88
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Chorus
- times
F5
life is
G5
al
D5
tered.-
8va loco
1/2
1/2 1/2 1/2
P.M. P.M.
Won’t turn
Bb5
out right.
F5Gtr. 4 tacet
µ
Can’t turn
F5
out
G5
right.
D5
(Whoa.)
Voc. Fig. 1 End Voc. Fig. 1
8va
1/2
1/2
P.M.
Interlude
Gtrs. 2 & 3: w/ Riffs A & A1
µ D5
µ D5
1010
18
15
1515
17 1718
17 1414 15
17 1714
1814
17 1714
88
88
88
88
33
33
33
55
0 00
0 0 0 0 0 0
1814
17 1710
1715
1010
18
15
1515
17 17
17
0 0 0 0 0 0 013 13 13
33
33
55
00
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D.S. al Coda 1
1 Coda
Gtr. 5: w/ Riff B
µ
D5
µ
-
Chorus
times
F5
life is
G5
al
D5
tered.- Break
Bb5
Gtr. 4
8va loco
1/21/2 1/2 1/2
Gtrs. 2 & 3
P.M.
from the ropes,
F5
2nd time, Gtr. 4: w/ Fill 2
your hands
G5
are tied.
D5
Un eas
Bb5
- -
8va loco
1/21/2 1/2 1/2
P.M.
1010
18
15
1515
17 1718
17 14
14 15
17 15 1714
1814
17 1714
1814
17 1710
1715
88
88
88
88
33
33
33
55
00
0 0 0 0 0 0 0 0 0 0 0 0 013
1010
18
15
1515
17 17 1817 15
14 15
17 18 1714
1814
17 1714
1814
17 1710
1715
13
13
13
33
33
33
55
XX
00
0 0 0 0 0 0 0 0 0 0 0 0 013
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2C To oda
Tempo I
- y
F5
with con
G5
fron- ta
D5
- tion.-
Bkgd. Voc.: w/ Voc. Fig. 1
Won’t turn
Bb5
8va loco
Fill 2 End Fill 2
1/21/2 1/2 1/2
P.M.
out right.
F5
Gtr. 4 tacet
µ
Can’t turn
F5
out
G5
right.
D5
8va
1/2
dim.
Gtr. 1
Interlude
Riff C
Dm
let ring
C
let ring
Gtrs. 2 & 3 tacet
A7b9/E
let ring
Dm[add9]
let ring
Gtrs. 2 & 3
1010
18
15
1515
17 17 1817 14
14 15
17
15
1714
1814
17 1714
1814
17 1710
1715
13
13
13
33
33
33
55
XX
00
0 0 0 0 0 0 0 0 0 0 0 0 013
10
1018
15
1515
17 17
17
13
13
13
33
33
55
00
52 3
2 03
532 0
32
0 2
5
02
32
75
35
25
2
5
6
7
5
75
8 5
5
6
7
6 6
00
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Gtr. 1
Bbadd9
let ring
G5addb9 Aaddb9
let ring let ring let ring
End Riff C
I
Bridge
Gtr. 1: w/ Riff C (2 times)
Dm
see
C
my world crum
A7b9/E
ble- and fall
Dm[add9]
be fore- my
*Gtr. 6 (clean)
w/ fingers
Riff D
mp
let ring
let ring let ring let ring
*Two gtrs. arr. for one.
eyes.
Bbadd9
I know,
G5addb9
I know.
Aaddb9
let ring let ring let ring let ring
End Riff D
Dark
Gtr. 6: w/ Riff D (1st 4 meas.)
Dm
will turn
C
to light.
A7b9/E
In time,
Dm[add9]
I’ll be al -
10
31
3
30
10
55
5 5 67
6 55
2
02
2 3 22
02
02
2 3
0232
75 6
58 6
765
8
109
8 10
12
89
109
1412
1112
1012
14
1412
12
13
14
12
14 1214 12
14
13 13
87
6
8
6
78
7
1012
12 12 13
10
13 1212
14
1214
14 15 1414
1214
1214
14 15
12141514
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right.
Bbadd9
I know,
G5addb9
I know.
Aaddb9
Gtr. 6
let ring let ring let ring let ring
Whispered:
I never imagined my life could turn out this way.
Gtr. 1: w/ *Riff CGtr. 6: w/ *Riff D
Guitar Solo
Dm C A7b9/E
So cold,
Dm[add9]
so black, so alone.
Gtr. 7 (dist.)
mf
Gtr. 8 (dist.)
mf
*Last chord of both riffs held for two beats.
Bbadd9 G5addb9 Aaddb9
13
3 1
8
3 3 3
1012
12 12 13
10
13 1212
14
1214
14 15 1414
1214
1214
14 15
12141514
6 8 85 8 12 12 13 83
85 55 6 8 6 6 6 8 6 5
8 10 108 10 13 13 15 1010
1012 912 10 9
12
10 10 11 10 8
8
10 8
10 10 8 6 36 5 67
9 9 12
10 11 1011 11 10 84
86 7
8 10 10 14
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1.
2.
Tempo II
Gtr. 5
Interlude
Gtrs. 7 & 8 tacet
Riff E1
f
µ
End Riff E1
Gtrs. 2 & 3
Riff E
f
End Riff E
Gtr. 9 (dist.)
*w/ wah-wah
Gtrs. 2 & 3: w/ Riff E (2 times)Gtr. 5: w/ Riff E1 (2 times)
mf
grad. bend
8va
*As filter
1/2 1/2 1 1/2
Gtr. 10 (dist.)
**w/ wah-wah mf
grad. bend
8va
**As filter
1/2
1/2 1/2 1/2
Gtr. 3
Gtrs. 9 & 10 tacet
D5
P.M.
µ
Gtr. 2
10
0 0
1211
0
12
0
1411
0
12
0
151012 12 13
1412
1414
15 18
3
0 05
6 05
07
6 05
08
37 7 67
57
78 11
18 17 1417 13 1413 14 1420
15 1215 14 814 10 9 89 1013 1615
00
0 0 0 0 0 0
6
0 0 0
7 6 5 7 58
58 7 5
85 7 8
56 5
0
7 8 7 5 7 58 7 5 7 8
5 77 6
0
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D.S.S. al Coda 2
Liv
Screamed:
Bridge
Dm
ing- goes
F
by fast;
C
catch your breath
Bb
and it will pass
A
you
Riff F1 End Riff F1
Riff F End Riff F
by.
Gtrs. 2 & 3: w/ Riffs F & F1
Dm
And it
F
won’t last
C
to sulk
Bb
with the mem
A
o- ries- you
hold!
D5 µGtr. 4: w/ Fill 1
Some
Bb5
-
Gtr. 3
P.M. P.M.
Gtr. 2
P.M. P.M.
8 5 8 5 7 5 6 5 7 8 7 5 5 7 4 5
5 7 5 7
8 7 5 7
3 5 3 2
1 3
0 2
0 0 0 0 00
0
5
0
7 58 7 5
788
0 0 0 0 00
0
7
0
8 7 58 7 4
88
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2 Coda
µ
Can’t turn
F5
out
G5
right.
D5
Some
Bb5
-
8va loco
grad. bend
grad. bend
1/2
1
1/2
P.M.
- times
F5
life is
G5
al
D5
tered.- Break
Bb5
8va loco
1/21/2 1/2 1/2
Rhy. Fig. 1 End Rhy. Fig. 1
from
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
the ropes,
F5
your hands
G5
are tied.
D5
Yeah. Un eas
Bb5
- -
Gtr. 4
8va loco
1/21/2 1/2 1/2
17 1717 17
17 17 10 15
33
55
00
0 0 0 0 0 0 0 0 0 0 0 0 013
1010
18
15
1515
17 1718
17 1414 15
17 13 1714
1814
17 1714
1814
17 1710
1715
13
13
13
33
33
33
33
55
00
00
00
00
00
00
00
00 1
3
1010
18
15
1515
17 1718
17 14
12 15
17
15
1714
1814
17 1714
1814
17 1710
1715
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Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)Gtrs. 7 & 8: w/ Riffs G & G1 (3 times)
G5
Bb5 F5
Eb5
1 1 1/2
D5
36
G5
Bb5 F5
Eb5
8va
1/2
loco
1
D5
8va
6 3 9
5 7 5 7 10 710 10 7 10 7 1212 12 1212 10 12 10
12 612 6 11 1210 11 10
1210 11 10 10 11 13
10 11 13 14 1113 10 11 10
1110
1212 10 12 10
1310
13 12
10
13 13
1210 11 13 15 1115 15
1815
1713
1716
2016
18 17 17 17 1518
18 18 10 18 1515 14
1715 14
1210
11 1212
10 11 1210 11 10
1210 11 13 17
15 1714 15 17 15 17
15 16 18 15 16 1815 17
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G5
Bb5
F5
8va
loco
Eb5
6
1 1 1/2 1/2
6
6 6
6
D5
6 6 6
3
Gtrs. 2 & 3: w/ Rhy. Fig. 2Gtrs. 7 & 8: w/ Riffs G & G1
G5
Bb5 F5
Eb5
6
8va
1/2
grad. bend
grad. bend
grad. bend
D5
semi-P.H.
8va
1/2 1/2 1/2 1/2 1/2
Pitch and tempo gradually decrease while the previous four-measure chord progression repeats and fades.To approximate the sound of the Master Tape being slowed down, continue shredding while using aDigiTech Whammy Pedal (set to sweep two octaves below), and gradually depress the treadle while the tempo slows.
1 min.-20 sec.
18 1815
20
1818
1817 17
1210
10 1113
20 15
17
15 13
15
13
15
13 11
12
11
12 15
13
15
13 16 18 16 1517 15
17
17 14
15
14 10
11
10
11 11 11
10 1410 11
11 1211 11 13
12 1311 12
11 14
1215
18
1715
17
2015
2017
17 17 17 18 1718
17
15
14 15 15
17 17 21 19 19 22 21 2118
17 1715
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Intro
Moderately q = 96
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Chapter Four
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Drop D tuning:(low to high) D-A-D-G-B-E
Gtrs.1 & 2 (dist.)
Rhy. Fig. 1
D5
f
E5 F5 D5 A5 Bb5End Rhy. Fig. 1 Rhy. Fig. 2
D5
P.M. P.M.
Gtr. 3 (dist.)
* pp
*Vol. swell
Gtr. 4 (dist.)
** pp
**Vol. swell
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 2
P.M.
Gtr. 3
Gtrs. 1 & 2: w/ Rhy. Fig. 2
fdbk.
Gtr. 4
00
22
33
00
77
88
00
0 0 0 00
0 0 0 0 0
8
5
00
0 0 0 00
0 0 0 0 0 00
0 0 0 00
0 0 0 0 0 00
0 0 0 00
0 0 0 0 0
8 8
5
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Double-time feel
1.
End double-time feel
2.
Gtr. 3
Riff A
f
D5 C5 Bb5
Gtr. 4
f
Riff A1
Gtrs. 1 & 2
Rhy. Fig. 3
C5 C5
Con1., 2. ceived
Gtrs. 3 & 4 tacet
Verse
D5
- and
(Give me your
End Riff A
End Riff A1
End Rhy. Fig. 3 Rhy. Fig. 4
P.M. P.M. P.M.
85 77 8 7
65
7
58 7 8 2
53 5
22 3 25
52 33 5 3 2 5
37 5 3 5 5 7
52 33 5 3 2
5
7
3
5
1
3
3 55
57
75
37
55
57
75 7
12
13
32 3
12 3
32 3
13
35
13
35
00
0 0 0 00
0 0 0 00
0 0
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Half-time feel
End half-time feel
born
F5
was one
C/E
of light.
Bb5 F5
C/E
hand, blood is spilled and man will fol low.-
Gtrs. 1 & 2
P.M. P.M. P.M.
End Rhy. Fig. 4
Rain
Gtrs. 1 & 2: w/ Rhy. Fig. 4
D5
and dark, the oth
F5
er- born
C/E
black night.
Bb5 F5
C/E
In fer- nal- man, pun ish- ment- too great to bear.)
Raise
D5
your head
Bb5
and taste
F5
the cour
C/E
age.- (The one of
Gtrs. 1 & 2
light.)
Fall
D5
from grace,
Bb5
un ho
F5
- ly- night.
A/C#
33
33
33
00
23
23 1
31 1 1 1
31 1 1 1
3
0 0 33
33
33
00
23
23
00
00
000
00 1
313
13
13
13
13
13
13
333
333
333
333
333
333
333
333
23
23
23
23
00
00
000
00 1
313
13
13
13
13
333
333
333
333
333
333
333
333
422
422
422
422
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Double-time feel
I’ve
Dm
come here to kill
C
you, won’t leave
Bb5
un til- you’ve died.
C
Mur
Dm
der- born of ven
C
geance,- I
Gtrs. 3 & 4
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M.
close
Bb5
my broth er’s- eyes
C
to night.
A5
-
Gtr. 4
Gtr. 3
Gtrs. 1 & 2
P.M. P.M. P.M.
X12
14X12
14X12
14X12
14X10
12
7X9
7X9
X8
10X8
10X8
10X8
10X10
12X12
14X13
15X12
14X12
14X12
14X12
14X12
14X10
12
7X9
7X9
53
53
5 53
5 32
32
32
32
13
13
1 13
1 32
32
32
32
53
53
5 53
5 32
32
32
X8
10X8
10X8
10X8
10X10
12
7X9
7X9
4X6 6
565
65
4
X8
10X8
10X8
10X8
10X10
12
7X9
7X9
4X6
4 5 7 4
13
13
1 13
1 32
32
32
02
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 022
022
022
022
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C To oda 3rd time,
1.
2.
End double-time feel
D.S. al Coda
Interlude
D5 C5 Bb5 C5 D5 C5 Bb5
3
3
C5 D5
C5 Bb5 C5
Con2. -
5 76
58 6 5 6
56
76
5 6 5 3 5 35
56
76
5
58 6 5
7
5 77
6 57 5 7
57
77
6 8 6 5 6 55
57
77
6
7
57 5
8
57
57
57
57
35
35
35
0 13
13
13
13
13
35
35
35
35
35
57
57
57
57
35
35
35
13
776
5
98 10 10
56
76
5
58 6 5
7 76
5
98 10 10
3
87
65
5 6 6
57
77
6
7
57 5
837
65
5 6 6
13
13
13
35
35
35
35
35
57
57
57
57
35
35
35
13
13
13
35
35
35
35
35
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Coda
D5
C5 Bb5 C5
It’s
cold
Pre-Chorus
Gtrs. 3 & 4 tacet
D5
to night- as the clouds turn grey and from my hands to my broth er’s- grave. You
Gtr. 2
Riff B1
P.M. P.M. P.M. P.M.
End Riff B1
3 36
3 36
Gtr. 1
Riff B
P.M.
P.M.
P.M.
P.M.
End Riff B
3 3
6
3 3
6
took
Gtrs. 1 & 2: w/ Riffs B & B1
his side, you took his gift. Feel the pow er- of a fall en- man,
56
76
5
58 6 5
7 76
5
98 10 10
57
77
6
7
57 5
837
65
5 6 6
57
57
57
57
57
35
35
35
35
13
13
13
13
35
35
35
35
35
10 11 10 0 0 0 0 10 11 10 0 0 0 0 10 11 10 9 10 9 10 11 10 0 0 0 0 10 11 10 0 0 0 0 10 11 10 9 10 9
7 8 7 0 0 0 0 7 8 7 0 0 0 0 7 8 7 6 7 6 7 8 7 0 0 0 0 7 8 7 0 0 0 0 7 8 7 6 7 6
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End double-time feel
e = e
e = e
Double-time feel
End double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
D5 E5 F5
D5 A5 Bb5
crest fall- en- man.
D5 E5 F5 D5 A5 Bb5
Far
Chorus
D5
a way
A5
- in this land I
G5
must
A5
go,
Bb5
out
Dm/F
of the site
A/E
of the
Gtrs. 1 & 2
Rhy. Fig. 5 End Rhy. Fig. 5
One.
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times)
D5
A pun
A5
ish- ment- sent from
G5
his
A5
hands,
Bb5
a hard
Dm/F
ship- that no
A/E
one should
know,
D5 A5 G5
no,
A5 Bb5
no. Out
Dm/F
of the site
A/E
of the
One,
D5 A5 G5 A5 Bb5
a way
Dm/F
- in this land
A/E
you must
go.
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtrs. 3 & 4: w/ Riffs A & A1
D5 C5
Bb5
C5
D5
C5
Bb5
C5
00
00
00
00
77
77
77
77
55
77
88
88
88
88
88
0 35
35
35
24
24
24
0
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(Ah.)
D5 µ
Bridge
D5
Where has he gone? What have you done?
F5
Gtr. 5 (dist.)
f
1
Gtrs. 1 & 2
Rhy. Fig. 6
P.M. P.M. P.M. P.M.
Bb5
A voice com mands- from high
F5
a bove
C/E
- this
3
1/2 1/21/2
P.M. P.M. P.M. P.M.
End Rhy. Fig. 6
earth.
Gtrs. 1 & 2: w/ Rhy. Fig. 6
D5
From the soil his blood cries out
F5
to me.
Gtr. 5
1
12 1515 17
14 17 21 17 1414 15 14
14 1717
19
20 20 1717
1917
17
00
0 0 0 0 0 00
0 0 00
3 3 3 3 3 33
3 3 33
18 1515 17
17 17 17 1315
14 15 1414 15
1317 13 17 13
1415
1213
13 15 13 1213
12 1214
1 1 1 1 1 13
1 1 13
3 3 3 3 3 33
2 2 2 2 2 23
15 15
12 1515 17
14 17 21 17 1414 15 14
14 1717
19
20 20 1717
1917
17
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e = e
Mur
Bb5
der,- li ar,- ven
F5
geance,- de ceit!
C/E
-
3
1/2 1/2
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
D5
A5 G5 A5 Bb5
Dm/F
A/E
Gtr. 5
1 hold bend1
Gtrs. 3 & 4
Riff C
Gtrs. 3 & 4
Gtr. 5 tacet
D5 A5 G5 A5 Bb5 Dm/F A/EEnd Riff C
Gtrs. 3 & 4: w/ Riff C
D5
A5
G5 A5 Bb5
Dm/F
A/E
D5
A5
G5 A5 Bb5
Dm/F
A/E
18 1515 17
17 17 17 1315
14 15 1414 15
1317 13
1415
1213
13 15 13 1213
15 1217 13
1717
15
17 17
1517 17 15 15
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10
7X9
7X9
7X9
7X9
7X9
7X9
5X7
7X9
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X12
14X12
14X12
14X12
14X12
14X10
12X12
14X13
15
X12
14X12
14X12
14X12
14X12
14X12
14X10
12X8
10
7X9
7X9
7X9
7X9
7X9
7X9
5X7
7X9
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
X8
10X8
10X8
10X8
10X8
10X10
12X10
12X10
12X10
12
8
10
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Begin fade
Fade out
Segue to “Remenissions”
Far
Outro-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 5 (till fade)
D5
a way
A5
- in this land I
G5
must
A5
go,
Bb5
out
Dm/F
of the site
A/E
of the
Gtrs. 3 & 4
One.
D5
A pun
A5
ish- ment- sent from
G5
his
A5
hands,
Bb5
a hard
Dm/F
ship- that no
A/E
one should
know,
D5 A5 G5
no,
A5 Bb5
no. Out
Dm/F
of the site
A/E
of the
One,
D5 A5 G5 A5 Bb5
a way
Dm/F
- in this land
A/E
you must...
X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14 X10
13X10
13X10
13X10
13X10
13X10
13X10
13X10
13X12
15
X13
15X13
15X13
15X13
15X13
15X13
15X12
14X10
12X12
14X10
12X8
10X10
12X8
10
7X9
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
1X3
1X3
1X3
1X3
1X3
1X3
1X3
1X3
1X3
1X3
3X5
3X5
3X5
3X5
3X5
4X6
4X6
4X6
4X6
4X6
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
7X9
7X9
7X9
7X9
7X9
7X9
5X7
7X9
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12
X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17X17
19X17
19X17
19X17
19X17
19X17
19X17
19X17
19X17
19 X15
18X15
18X15
18X15
18X15
18X14
17X14
17X14
17X14
17X14
17
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Intro
Slowly q = 71
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Clairvoyant Disease
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Gtrs. 1, 2 & 5–11: Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (dist.)
µ
mf
Gtr. 2 (dist.)
mf
Gtrs. 1 & 2 tacet
Verse
*Dm[add9]
Dust1. be gins- to fall
Bbmaj13#11
to the ground.
w/ choruslet ring throughout
**Gtr. 4 (clean)
Riff B
mp
**Standard tuning
***Gtr. 3 (clean)
w/ fingerslet ring throughout
Riff A
mp
*Chord symbols reflect implied harmony.
***Standard tuning
7 75 7 8 7 5 7 7 3 2 3 3 7 75 7 8 7 5 7 7
8 87 8 10 8 7 8 8 5 4 5 5 8 87 8 10 8 7 8 8
3 5 517
1917
1917
1917
19
18
1719
17
18
1719
17
5 7 7 57
96
97
5
5
5
69
75
6
57
57
5
6
5
6
57
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Dm[add9]
Whispered: And you sit there and do nothing.
The air is cold and thin.
Bbmaj13#11
You’re content with doing nothing.
Dm[add9]
Thoughts are haunt ing- me
Bbmaj13#11
In my life, I wanted more.
as I look a round.-
End Riff A
1719
2119
1719
2119
18
1719
17
18
1719
17
57
96
97
5
5
5
69
75
6
57
57
5
6
5
6
57
5
1719
2119
1719
2119
18
1719
18
1719
17
57
96
97
5
5
5
69
75
6
57
57
5
6
5
6
57
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Dm[add9]
This will nev er- end
Bbmaj13#11
So I’ll never end.
when I bleed for ev- er.-
3
End Riff B
Gtrs. 3 & 4 tacet
Chorus
D5
Don’t ac knowl- edge-
Em/D
right,
D5
just dwell on
F/D
wrong.
Bb5/D Bb[#4]/D E/D A5/D
*Gtrs. 5 & 6 (dist.)
**w/ wah-wah
f
*Composite arrangement
**As filter
Gtrs. 1 & 2
Rhy. Fig. 1
f P.M. P.M. P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 1
P.M.
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
D5
This spot in
Em/D
hell’s
D5
where I be
F/D
long.-
Bb5/D Bb[#4]/D E/D A5/D
Gtrs. 5 & 6
1719
2119
1719
2119
18
1719
17
57
96
97
5
5
5
69
75
6
57
57
5
6
755
15 15 15 15
0 0 00
0 075
0 0 00
0 087
0 0 88
0 0 87
0 0 67
0 0 77
15 15 15 15 15 15 15 15 13 13 15 15
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(Ah,
Gtrs. 5 & 6 tacet
D5
I’veScreamed: come so
Em/D
far,
D5
it’sah.
been so
F/D
long!
Gtr. 7 tacet
Bb5/D Bb[#4]/D E/D A5/D
Gtr. 7 (dist.)
*w/ wah-wah
mf
Gtr. 5
Gtr. 6divisi
*As filter
1/2 1/2
(Ah,
Gtrs. 5 & 6 tacet
D5
Don’t know why it
Em/D
start ed
D5
- or where
ah.)
it came
F/D
from!
Gtr. 7 tacet
Bb5/D Bb[#4]/D E/D A5/D
Gtr. 7
Gtr. 5
Gtr. 6divisi
1/2 1/2
VerseGtr. 4: w/ Riff BGtrs. 5 & 6 tacet
Dm[add9]
Out2. side- shell is strong,
Whispered: There’s nowhere to run and hide.
Bb6
con fi- dent-
Gtr. 8 (slight dist.)
Riff C
mp P.M.
End Riff C
Gtr. 8: w/ Riff C (3 times)
Dm[add9]
but slow ly- eats a way.
Stuck alone inside your head,
-
Bb6 Dm[add9]
Like a man plagued with dis ease,-
11
16
1315 13 13
1615
13
1613
15
131215 151215 15
1114 141114 14
1213 131213 13
14 1414 14
11
16
1315 13 13
1615
13
1613
15
13
1215 151215 15
1114 141114 14
1213 131213 13
14 1414 14
00
2 3 32 3 5 3 2 31
33
1 1 3 3
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so better off dead.
Bb6
I try to fight.
Dm[add9]
Through my pores, it seems to seep
When I’m bleeding, ah...
Bb6
when I bleed for ev- er.-
3
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
D5
Don’t ac knowl- edge-
Em/D
right,
D5
just dwell on
F/D
wrong.
Bb5/D Bb[#4]/D E/D A5/D
*Gtrs. 5 & 6
*Composite arrangement
D5
This spot in
Em/D
hell’s
D5
where I be
F/D
long.-
Bb5/D Bb[#4]/D E/D A5/D
(Ah,
D5
I’veScreamed: come so
Em/D
far,
D5
it’s
ah.
been so
F/D
long!
Bb5/D Bb[#4]/D E/D A5/D
Gtr. 5
Riff D End Riff D
1/2 1/2
Gtr. 6
1/2 1/2
15 15 15 15 15 15 15
15 15 15 15 15 15 15 15 15 15
11
16
1315
131316 15
13
16 1316 1215 15 1114 14 1213 13 14 14
11
16
1315
1313
1615
13
16
13
16
1215 15 1114 14 1213 13 14 14
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Double time (q = 142)
(Ah,
Gtr. 5: w/ Riff D
D5
Don’t know why it
Em/D
start ed
D5
- or where
ah.)
it came
F/D
from!
Bb5/D Bb[#4]/D E/D A5/D
Gtr. 6
Riff E End Riff E
1/2 1/2
Interlude
Gtr. 6 tacet
D5
Bb5
D5
Bb5
AndScreamed: you
Gtr. 7
Gtrs. 1 & 2
P.M. P.M. P.M. P.M.
sit
C/E
there and do noth
F5
ing!-
G5
D5 A/C# Em D5
P.M. P.M. P.M.
11
16
1315 13 13
1615
13
16
13
16
1215 15 1114 14 1213 13 14 14
5 77
75 6 5 6 5
77 8
8 10 8 55 7
77
5 6 5 6 57
7 8
8 10 8 57
00
0 00
00
00
00 1
31 1 1 1 1 1
00
0 00
00
00
00 1
31 1 1 1 1 1
5 6 5
8 6 55
6 85
8 6 57
5 6 8 6 57 6
598
5 77
75 6 5 6 5
77
23
2 23
23
0 23
33
3 33
33
33
33
55
55
55
00 4
275
00
0 00
00
00
00
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Bb5
D5
Bb5
You’re con tent
C/E
- with do ing-
P.M. P.M. P.M. P.M.
noth
F5
ing!-
G5 D5 A/C# Em Dm
Gtr. 7 tacet
P.M. P.M.
8
8 10 8 55 7 7
5 6 5 6 57
7 8
8 10 85
57
6 58 6 5
56 8
13
1 1 1 1 1 1 1 1 1 1 1 100
0 00
00
00
00 1
31 1 1 1 1 1 1 1 1 1 1 1
23
2 23
23
0 23
58 6 5
75 6 8 6 5
7 65
98
76
76
33
3 33
33
33
33
55
55
55
00 4
275
53
5 5 5 5 5 5 5 53
53
53
53
53
53
0
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Gtr. 11(dist.)
Guitar Solo
**w/ wah-wah
Bb5
f
C5
3
**As filter
*Gtrs. 9 & 10 (dist.)
Riff F
f
*Composite arrangement
Gtrs. 1 & 2
Rhy. Fig. 2
grad. bend
F5 C/E D5
1
End Rhy. Fig. 2
10 11 11 11 11 10 11 1012 10 9 9 10 9
10 10 1210
8X10
13
15X13
15X13
15X13
15X13
15X13
15X13
15X13
15X13
15X12
14X12
14X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12
13
13
13
13
13
13
13
13
13
13
13
35
35
35
35
35
35
35
35
35
35
35
12 12 7 9 10 91010 12 12 12 12 10 12 12 10 10 8
X12
14X12
14X12
14X12
14X12
14X10
12X10
12X10
12
7X9
7X9
7X9
8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10
33
33
33
33
33
33
23
23
23
23
23
23
00
00
00
00
00
00
00
00
00
00
00
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Gtr. 11
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Bb5
steady gliss.
3
C5
Gtrs. 9 & 10
F5
C/E
D5
1 1
End Riff F
There’s
Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 9 & 10: w/ Riff F
Bridge
Bb5
no where- to run
Gtr. 11 tacet
C5
and hide when you’re
Gtr. 11
liv
F5
ing
C/E
- to die.
D5
8 8 7 8 10 10 12 10 109 10 10 9 10 12 9 9 5 10
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
13 11 1012 10 12
13 12 1010 1313 10 13 13 13 13
X8
10X8
10X8
10X8
10X8
10
7
9
7X9
7X9
7X9
7X9
7X9
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10
11
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Stuck
Bb5
a lone- in side- your head,
C5
Gtrs. 1 & 2
bet
D5
ter- off
C/E
dead.
F5
The
phone
G5
would ring in the emp
C5
ty- house.
Gtrs. 9 & 10
Gtrs. 1 & 2
13
13
13
13
13
13
13
13
13
13
13
35
35
35
35
35
35
35
35
35
35
35
57
57
57
57
57
23
23
23
23
23
33
33
33
33
33
33
33
33
33
33
33
8X10
13
15X13
15X13
15X13
15X13
15X13
15X13
15X13
15X13
15X13
15X13
15
12
14X12
14
10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12
55
55
55
55
55
55
55
55
55 3
535
35
35
35
35
35
35
35
35
35
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Tempo I
No
D5
one’s
C/E
a round.-
F5
P.M.
*P.M.
*Gradually lift P.M.
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)Gtrs. 9 & 10 tacet
D5
Don’t ac knowl- edge-
Em/D
right,
D5
just dwell on
F/D
wrong.
Bb5/D Bb[#4]/D E/D A5/D
**Gtrs. 5 & 6
**Composite arrangement
1/2
D5
This spot in
Em/D
hell’s
D5
where I be
F/D
long.-
Bb5/D Bb[#4]/D E/D A5/D
1/2 1/2
X12
14X12
14X12
14X12
14
10
12X10
12X10
12
7X9
7X9
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10
57
57
57
57
57
00
23
23
23
23
23
23
23
23
33
33
33
33
33
33
33
33
33
33
33
33
33
33
33
33
15 15 18 1018 11 9 9
15 15 17 1017 11 9 9
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(Ah,
Gtr. 5: w/ Riff D (2 times)Gtr. 6: w/ Riff E (2 times)
D5
I’veScreamed: come so
Em/D
far,
D5
it’s
ah.
been so
F/D
long!
Bb5/D Bb[#4]/D E/D A5/D
Ah,
D5
Don’t know why it
Em/D
start ed
D5
- or whereah.)
it came
F/D
from!
Bb5/D Bb[#4]/D E/D A5/D
But,
Screamed:
Outro
Dsus2
in my
Dm
life,
D5
I
Dsus2
want ed
Dm
- more!
D5
I
Dsus2
need ed
Dm
- more!
D5
Gtrs. 9 & 10
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M.
I taste more!
Gtrs. 9 & 10 tacet
grad. release
let ring 1 11
P.M. P.M.
7X9
X8
10
5X7
7X9
X8
10
5X7
7X9
X8
10
5X7
5
7
0 0 0 0 07
0 0 0 0 00
0 0 0 0 07
0 0 0 0 00
0 0 0 0 07
0 0 0 0 00
1512
16 1313 10
13
0 0 0 0 00
00
00
0 0 0 0 0 00
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Gtr. 3: w/ Riff A
Dm[add9] Bbmaj13#11
Gtrs. 1 & 2 tacet
Dm[add9]
Bbmaj13#11
Gtrs. 1 & 2
(Oo.
Gtr. 8: w/ Riff C
Dm[add9] Bbmaj13#11
Oo.)
Dm[add9] Bbmaj13#11
Gtr. 3
Gtr. 8
P.M.
00
57
96
97
5
5
5
69
75
6
57
57
5
6
755
00
2 3 32 3 5 3 2 31
33
1 1 3
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Intro
Moderately q = 95
Half-time feel
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Desecrate Through Reverence
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
End half-time feel
Double-time feel
Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 3 (dist.)
*
f
Riff A1
D5 E5 F5 Bb5 A5 G#5 A5 F5 G5 E5 Bb5End Riff A1
A5
Gtrs. 1 & 2 (dist.)
Riff A
f
End Riff A
*Chord symbols reflect implied harmony.
Gtr. 4 (dist.)
Gtrs. 1, 2 & 3: w/ Riffs A & A1 (2 times)
mf
D5 E5 F5 Bb5 A5 G#5 A5 F5 G5 E5 Bb5 A5
Gtr. 4
D5Gtr. 4 tacet
Gtr. 3
µ D5
Gtrs. 1, 2 & 3
(Gtr. 3, cont. on upper staff)
Gtrs. 1 & 2
P.M. P.M.
0 0 2 3 8 7 6 7 3 5 5 2 2 8 7
0 0 2 3 8 7 6 7 3 5 5 2 2 8 7
76 33 35 35 36 36 8
6
8
6
6
5
6
5
5
3
5
3
6
5
6
5
76 76 33 35 35 36 36 05 05 76 76 98 98
76
8 08
7 05
7 7 5 8 7
000
00
00
00
00
00
00
00
00
00
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1.
2.
Gtrs. 1 & 2 tacet
µ
(Oh,
Gtr. 3 tacet
Dm Em F Em
oh.)
Gm F
Gtr. 3 Gtrs. 1 & 2
P.M.
Ulh!
µ Dm Em F Em µ
P.M. P.M. P.M. P.M. P.M.
Gtr. 3
P.S.
D5
Gtr. 4 P.S.
Gtrs. 1 & 2
P.M. P.M. P.M.
8 08
7 03
5 7 57
7 8
78
5 6
0 053
53 2
020
32
32
20
20
20
53
53
32
32
0 0 0 0 3 3 0 0 0 0 3 0 6 0 6 7 0 053
53 2
020
32
32
20
20
20
52 3 2
3
3 2
2
X X X X X X X
X X X X
0 0 0 0 3 3 0 0 0 0 6 6 0 0 0 6 7 00
00
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End double-time feel
P.S.
Gtr. 4 tacet
D5 µ D5
P.M. P.M.
Hard
Pre
1.2.
Gtr. 3 tacet
Verse
E5
news,
sence-
won’t
tak
be
F5
en
ig
- hard
nored,-
E5
er,- don’t
no,
look
not
F5
to
to
me.
day.-
Gtrs. 1 & 2
Rhy. Fig. 1
D5
Dis
Don’t
ap- point- -
End Rhy. Fig. 1
P.M.
X X X X X X X X8 0
87 0
57
75 8 7
X X X X X X X X
00
00
00
00
00
00
00
00
22
22
22
22
22
22
33
22
22
22
22
22
22
22
22
33
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
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walk
Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
ed,- we
in
don’t
my
F5
a
di
gree,
rec
-
-
E5
- tion;
I
turn
don’t
the
need
oth
F5
your
er-
praise.
way.
D5
(Don’t look my way for help, from the be gin
- ning- you came to me.)
Ask ing- ques -
Nev
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st meas., 2 times)
E5
- tions,er- asked
pre de-youter-
F5
tomined-
likean
E5
me,swers,-
Iyou
don’twon’t
needfind
F5
yourthem
Gtr. 6 (dist.)
f
Gtr. 5 (dist.)
f
praise.here.
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (last 2 meas.)Gtrs. 5 & 6 tacet
D5
(We don’t(Won’t
wantplay
youryour
o pingames.)
- - ion.)
And I don’tLook
want
down
E5
you,
on me,
I won’t
spit
let
in
F5
you
my
think.
face.
E5
Com
You’re
pro- mise
noth
-
ing
F5
-
is
to
near,
me,
D5
Gtrs. 1 & 2
18
16
22
22
22
22
22
22
33
22
22
22
22
22
22
22
22
33
00
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Double-time feel
’cause
µ
it’s
not
not
to
near.
me.
D5
P.M. P.M. P.M.
µ
P.M.
P.M.
P.M.
Dark
Chorus
Dm/F
ened- eyes
A/E
you’ll
Dm/F
see,
D5
there is
Gm/Bb
no
Bb5
hope,
C
no sav ior- in
Csus4
me.
D5
Rhy. Fig. 2 End Rhy. Fig. 2
(Don’t look this way, don’t breathe this way, don’t stare this way
an y- more.)
-
Riff B
P.M. P.M. P.M. P.M.
End Riff B
0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
0 3 0 5 6 7 00
0 0 0 0 0 0 0
000
0 0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
8 7 5 6 7 0
35
35
35
35
35
35
24
24
24
35
00
00
00
00
00
00
8108
8108
8108
888
888
00
107
107
107
107
107
107
107
107
108
00
0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
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End double-time feel1.
2.
Learned
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Dm/F
from years
A/E
gone
Dm/F
by,
D5
no one
Gm/Bb
will
Bb5
care
C
what hap pens- to
Csus4
me.
D5
(Don’t look this way, don’t breathe this way, don’t stare this way
an y- more.)
-
Gtrs. 1 & 2
P.M. P.M. P.M.
Gtrs. 1 & 2: w/ Riff B
(Don’t look this way, don’t breathe this way, don’t stare this way
an y- more.)
-
Gtr. 5
Guitar Solo
Dm/F A/E
Dm/F D5
Gm/Bb Bb5
C
Csus4 D5
Gtr. 6
Gtrs. 1 & 2
0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
00
00
00
10 6 8 10 8 8 5 6 6 8 6 106 10 11 10 8 8 8 8 10 11 10
67
5 6 5 5 1 3 3 5 3 66 8 6 5 5 5 6 8 6
35
35
35
35
35
35
24
24
24
35
00
00
00
00
00
00
8108
8108
8108
888
888
00
107
107
107
107
107
107
107
107
107
108
00
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2nd time, End double-time feel
Half-time feel
End half-time feel
Bb5 C5
I’m
Bridge
Gtrs. 5 & 6 tacet
Dm
a lone- in here. No more feel
Gtrs. 1 & 2: w/ Riffs C & C1 (3 times)
ings,-
killed my
Gtr. 1
Riff C
P.M. P.M. P.M.
End Riff C
Gtr. 2 Riff C1
P.M. P.M. P.M.
End Riff C1
fears. Don’t ask, you’ll nev er- know. You’re
left be hind,- I’ll be ex posed.-
10 10 6 8 10 11 10 8 8
6 6 3 3 5 6 8 6 5 5
00
00
00
00
00
00
00
00
00
00
00
00 1
313
13
13
13
35
35
35
35
35
0 0
7 5
0 0
8 7 5 7
0 0
7 75 8 7 5 7 2
0 08 7
0 010 8 7 8
0 08 87 10 8 7 8 3
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Double-time feel
Far
Outro
D5
a
C5
way,
Eb5
- you keep
F5
on try
A5
in’.
A/C#
-
Gtrs. 1 & 2
P.M.
Hold
D5
in’- me down
C/E
and break
C5
in’- a way,
D5
-
Gtr. 4
Riff D
Gtrs. 1 & 2
Rhy. Fig. 3
try in’- to dis
C5
tance- my life.
F5 A/C#
Not
End Riff D
End Rhy. Fig. 3
57
35
11
33
33
33
33
33
33
33 0
202
02
02
42
42
42
42
X8
10X8
10X8
10X8
10X8
10X8
10X8
10
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
5X7
5X7
5X7
5X7
5X7
5X7
5X7
057
057
057
057
057
057
23
23
23
23
23
23 3
535
35
35
35
0 00
00
00
00
00
00
X8
10X8
10X8
10X8
10X8
10X8
10X8
10
7X9
7X9
7X9
7X9
7X9
7X9
7X9
3X5
3X5
3X5
3X5
3X5
3X5
3X5
4X6
4X6
4X6
4X6
4X6
4X6
4X6
57
57
57
57
57
57
35
35
35
35
35
00
33
33
33
33
33
33 4
242
42
42
42
42
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one
Gtrs. 1 & 2: w Rhy. Fig. 3Gtr. 4: w/ Riff D
D5
in the crowd,
C/E
one
C5
with the an
D5
swer,-
one that could change
C5
your mind.
F5 A/C#
It’s not
true,
D5
I don’t need you.
C5
Don’t waste your
Gtr. 4
Gtrs. 1 & 2
time,
Bb5
and don’t waste mine.
F5 A/C#
I’m not your
5X7
7X9
7X9
00 3
5
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10
3X5
3X5
3X5
3X5
4X6
4X6
4X6
4X6
13
13
13
13
13
13
13
13
33
33
33
33 4
242
42
42
42
42
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friend,
D5
won’t soothe your soul.
C5
And in the
end,
Bb5
you’re all
F5
dead
A5
to
A/C#
me.
D5
Gtr. 4 tacet
Gtrs. 1 & 2
P.M. P.M. P.M.
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
00
00
00
00
00
00
00
00
00
00 3
535
35
35
35
35
35
35
35
35
35
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10
3X5
3X5
3X5
3X5
3X5
02
02
02
02
42
42
42
00
13
13
13
13
13
13
13
13
13
13
13
0 33
33
33
33
33
33 0
202
02
02
42
42
42
00
0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
0 0 0 0 0 0 0 00
00
00
00
00
Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Intro-Guitar Solo
Very fast q = 192
Double-time feel
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Eternal Rest
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (elec.)
*
w/ dist.
C5
f
D5
1
Dm
D5
Eb5
Harm.
F5 Eb58va
w/ bar
F5
string noise
loco
Eb5
-6
+1
-1
Gtrs. 2 & 3 (elec.)
w/ dist.
Rhy. Fig. 1
f P.M.
*Chord symbols reflect implied harmony.
C5 D5 Eb5 F5 Gb5 F5 3
P.M.
End Rhy. Fig. 1
P.M.
Gtr. 1
Gtrs. 2 & 3: w/ Rhy. Fig. 1
C5 D5 Eb5 F5 Eb5 F5 Eb5
3
57
57
5 5 5X
355
3 3 3 3 355
355
0 1 3 3 1 3 1
6 8 9 108 10
8 8
6 8 9 10 118 15 13 16 16
355
3 3 3 3 355
355
0 1 1 1 1 3 3 3 3 4 4 4 4 3 3 1
13 1113 11 13 11
14 12 14 12 11 1010
12 11 12 11 12 11 1013
10 12 1310 10 0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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C5 D5 Eb5 F5 Gb5 F5
3
Gtr. 1
D5 F5 G5
P.H.
F5 G5 8va
F5
36
3 3
1/2
Pitch: F#
1/2
Gtrs. 2 & 3
Rhy. Fig. 2
P.M.
loco
D5 F5 G5 Ab5 G5 F5
P.M.
End Rhy. Fig. 2
P.M.
Gtr. 1
Gtrs. 2 & 3: w/ Rhy. Fig. 2
D5
F5 G5 F5 G5 F5
8 10 11 11 10 810
810 9 8 9 8
109 8
108 8 8 8
10 9 7 7 0
129 10 12 13 12 10 9
129 10 12 13 12 10 9
129 10 12 12 12 12
577
577
5 5 5 577
577
0 3 5 5 3 5 3
129 10
9 10 910
912
10 1112
1415 14 17 13 17 13
13 15 15 13 15 1314
1314
13 15 1314 13
577
577
5 5 5 577
577
0 3 3 3 3 5 5 5 5 6 6 6 6 5 5 3 3
1313
1013
13810 13
12 15 13 12 910 13
1013
810 15
1315
15 13 1317
1212 15 17 15 13 15 17 15
Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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D5 F5 G5 Ab5
8va
loco
G5 F5
3 3
Black,1.
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
Verse
C5
en chant- ing- eyes
D5 Eb5
cut
F5
through my heart
Eb5
with
F5
no re
Eb5
gret
C5
- or sign of life.
D5
Harm.
*
8va
3
1
Pitch: CG
*Harmonic located three-fourths the distance between the 2nd & 3rd frets.
2.752.75
Eb5
They tear
F5
a part-
Gb5
my pride
F5
and cold
C5
runs through my veins.
D5 Eb5
I
F5
feel their stare
Eb5
from
F5
mi les,
Eb5
-
8va
fdbk.
loco
Harm.w/ bar
15ma
/2.752.75 0 /
+2
2.752.75 0
+1
/2.752.75 0 2.25
2.25
haunt
C5
ing- ev ’ry- step, and they
D5
won’t
Eb5
Gtr. 1 tacet
stop
F5
hunt
Gb5
ing- me
F5
down.
For
get
Gtr. 2: w/ Rhy. Fig. 2 (2 times)Gtr. 3: w/ Rhy. Fig. 2 (1 3/4 times)
D5
- the time will come
w/ bar
15ma
/
-1
2.252.25 0
-2 1/2
13 1513 15 13 1213 13 13 15
1517 15
20 15 1815
18 1815
17 1813 15 17 15 16 15 15 17 20 17 0
14 15 17 17 15
2019
1717
20 20 15 2019
17 5
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End double-time feel Slower q = 118
F5
when
G5
all a round
F5
- me’s
G5
burned and
F5
you’ll
D5
still see me there, ask
F5
ing- where
G5
you went
Ab5
to and
G5
what
F5
per
D5
son- brought you here......and why
F5
you
G5
left the burn
F5
ing
G5
- chil dren
F5
- cold,
D5
out in the night......and
F5 G5 Ab5 G5 F5
Gtr. 2
Interlude
* D5
call ing- for you all a lone.-
Gtr. 3
P.M.
Rhy. Fig. 3
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
(cont. in notation)
End Rhy. Fig. 3
Oh.
Gtr. 3: w/ Rhy. Fig. 3 (3 times)
F5 D5
F5 D5 F5
D5 F5 D5 Ab5 F5
D5 F5 D5
Gtr. 2
P.M.
3 3 3 3 5 5 5 5 6 6 6 6 5 5 3 3 000
2
2
33
00
00
2
2
00
33
00
22
33
00
22
00
55
22
33
00
66
66
33
00
00
22
22
00
33
00
33
00
22
00
55
33
00
66
66
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
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iq = q e K
C To oda
F5 D5
P.M.
F5
D5 Ab5
P.S.
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
F5
D5 F5 D5 F5
D5 F5 D5 Ab5
F5
D5 F5 D5 F5
D5 F5 D5 Ab5
Ah!
F5 D5 F5 D5
F5 D5 F5 D5 Ab5 F5 D5 F5 D5 F5 D5 F5 D5 Ab5
Dark 2., 4.
Verse
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
D5
in their hearts, I can feel it burn in side
G5
- of
D5
me.
F5 D5 F5 G53 3 3
Gtrs. 2 & 3
Rhy. Fig. 4
P.M.
P.M.
P.M.
P.M. P.M.
End Rhy. Fig. 4
3
3 3
3 3
Tor
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (3 times)
D5
ment- ed- young with no souls, haunt
G5 D5
ing
F5
-
D5
me.
F53
G5
Pain
D5
in their lives, all they
3 3 3 3
know is
3
mis
G5
er
D5
- y.
F5
-
D5 F5 G5
Take
D5
these chains a way- that are hold
G5 D5
ing-
F5
me
D5 F5 G53
Voc. Fig. 1
00
00
00
X X X X 0
00
00
00
00
00
00
00
0 0 5 0 3 0 3 5
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Half-time feel
End half-time feel
down,
D5
hold ing- me
Gtr. 4 (elec.)
w/ dist.
f
3 3
3
Gtr. 5 (elec.)
w/ dist.
f
3 3
3
Gtrs. 2 & 3
P.M. P.M. P.M.
3
3 3 3
down.
Gtrs. 5 & 6 tacet
3 3
3
3 3 3
3
P.M. P.M. P.M.
3
3 3 33 3 3 3
5 8 12
10 9
5
9
8 12
10 12 712 10 12 14 12 12
3 5 8
7 6
3
6 7
5 8
7 9 59 7 9 10 9 9
00
00
00
00
00
00
00
00
00
00
00
00
00
5 8 12
10 9
5
9
8 12
10 12 512 7 9 10 6 6
3 5 8
7 6
3
6 7
5 8
7 95
9
45 8
6 7 2
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Double-time feel
Verse
D5
They’ll3. find you a lone,
Eº
-
D5/A
your des
A5
p’rate- and vil lain- ous-
3 3 3
Gtrs. 2 & 3
Riff A
P.M.
P.M.
3 3
33 3 3 3
ways.
A/E
Turn
Dm/F
ing- their hearts
Dº/Ab
in to- stone,
Eadd#9/G#
they seek more than
3 3 3
P.M. P.M.
End Riff A3 3
3 3
3 3 3
venge
Gtrs. 2 & 3: w/ Riff A
D5
ance.-
3
Look
Eº
in their eyes,
D5/A
your pain
A5
is their sat is-
3 3
-
fac
A/E
tion.-
3
Look
Dm/F
in their eyes
Dº/Ab
and see
Eadd#9/G#
the dark ness- take
3 3
hold.
D5
I’m
Chorus
Dm/F
con trolled
A7/E
- by fate.
C#m/E
(Wait ing- for,
Gtrs. 2 & 3
3 3 3 3 3
0 0 0 0 0 00
0 0 0 0 2 3 57
8
75
77
77 8 7 4
2 2 2 2 2 24
2 2 2 2 3 5 35
355 8
687
610 8 7
000
353
353
353
353
353
353
245
245
245
245
245
245
242
242
242
242
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End double-time feel
Tired
Dm/F
of your
Eadd4/G#
pa rade.
D5
- No
Dm/F
sign of
A7/E
venge -
wait ing- for, wait ing-
3 3 3 3
3 3 3 3
ance.
C#m/E
Burn
Dm Eadd4/G#
for the rest of time.
µ3 3
for, wait ing...)-
Gtr. 3
3
Riff B
3 3 3
3
3
3
3
Gtr. 2
3
Riff B1
3 3 33
3 3
3
353
353
353
353
353
353
677
677
677
677
677
677
000
353
353
353
353
353
353
245
245
245
245
245
245
242
242
242
242
353
353
353
353
353
353
677
677
677
5 6 5
8 7 5
5 6 5
8 7 5
242
242
242
242
353
353
353
353
353
353
677
677
677 7 8 7
10 8 77 8 7
10 8 7
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iq = iq
Half-time feel
iq = q e K
Ah!
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)
Interlude
F5 D5 F5 D5
End Riff B
3 3
3
3 3 3
End Riff B1
3 3 3
3
3 3
F5
D5 F5 D5 Ab5 F5
D5 F5 D5 F5
D5 F5 D5 Ab5
Ah!
F5 D5 F5 D5 F5 D5 F5 D5 Ab5 F5 D5 F5 D5
F5 D5 F5 D5 Ab5
Chorus
D5
Hear
D/F#
the haunt
ing-
Gtrs. 2 & 3
Rhy. Figs. 5 & 5A
3 3
5 6 58
58 7 8 7
5
5 57 6 7
6 5 6 10 8 10 14 14
7 8 710
710 8 10 8
7
7 78 7 8
7 6 7 10 9 10 14 14
22
33
00
22
00
55
33
00
66
66
000
000
000
000
000
000
454
454
454
454
454
454
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words,
G5
lost
3
chil
A
dren- with
3
no heart are
3
cry
D5
ing,
-
E5
Whispered: (They’ll find you a lone.- Turn ing- their hearts to
3 3 3
F
and you’re the lost
Bb5
moth er- they’re call ing.-
Bb
A C#m Dm
stone.
GoScreamed: now, run and hide!
Gtr. 3
End Rhy. Fig. 5A
3 3
6 6 6 6
Gtr. 2
End Rhy. Fig. 5
3 3
6 6 6 6
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A
D5
I hear
D/F#
them cry ing- at
3
night,
G5
out
3
side
A
- when the
3
plan ets- are
3
YourWhispered: pain is their sat is- fac- tion.-
555
555
555
555
555
000
74
74
74
74
74
00
000
000
000
000
222
3332
3332
3332
3332
00
133
133
133
133
133
00 0 0 0 0 0
4 4 4 4 4 42 2 2 2 2 2 3 3 3 3 3 3
3332
3332
3332
3332
00
133
133
133
133
133
0 1 1 1 1 1 1 0 0 0 0 0 0 4 4 4 4 4 4 5 5 5 5 5 5
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End half-time feel
D.S. al Coda
Coda
Half-time feel
fall
D5
ing.-
E5 F
They want to feel
Bb5
and know you hear them.
Bb
A C#m Dm
For the rest of time. Go now, run and hide.)
down.
Interlude
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (4 times)
D5
HoldWhispered:
G5 D5
ing-
F5
me
D5 F5 G5
Gtr. 6 (elec.)
w/ dist.
f 3 3 3 3 3 3 3 3
down.
D5 G5 D5 F5 D5 F5 G5
HoldScreamed:
D5
ing,-
3 3 3 3
3 3
3 3
3 3 3 3
hold
G5 D5
ing-
F5
me
D5 F5
down.
G5 D5 G5 D5 F5 D5 F5 G5
3 3 3 3
3 3 3 33 3
3 3
X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X13
15X13
15X13
15X13
15X13
15X13
15X15
17X15
17X15
17X15
17X15
17X15
17
X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X8
10X8
10X8
10X8
10X8
10X8
10
7X9
7X9
7X9
7X9
7X9
7X9
X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14
X13
15X13
15X13
15X13
15X13
15X13
15X16
18X16
18X16
18X16
18X16
18X16
18X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X8
10X8
10X8
10X8
10X8
10X8
10
7X9
7X9
7X9
7X9
7X9
7X9
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Half-time feel
iq = iq
Gtr. 2: w/ Riff BGtr. 3: w/ Riff B1Gtr. 6 tacet
µ
Gtr. 7 (acous.)
Outro
Riff C2
Dm
mp
Gm7 Eº A7End Riff C2
Gtr. 2
Riff C End Riff C
Gtr. 3
Riff C1 End Riff C1
Riff D2
µ F Eº A7End Riff D2
Riff D
P.M.
End Riff D
Riff D1
P.M.
End Riff D1
56
77
87
76
68
78
88
78
68
98
6 9 98
58
7 67 8
6
03
05 3 1 0 1 0
4 5 54 5 4 5 5 7
0 50 8 7 5 5 3 5 3 0 2 2 8 7 8 8 11
8
75 6 8 10 6
8 6 5
7 7
5 8 68
98
6 9 98
58
7 67 8
6
57 8 5 7 3 5 2 3 3 8 7 5
4
55 4 5 5 7 7
8 10 12 8 10 7 8 5 7 7 12 10 8 58 8 7 7 8 8 11
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Dm
Gtrs. 2, 3 & 7: w/ Riffs C, C1 & C2 (3 times)
Gm7
Eº
A7
E
Dm
ter
Gm7
- nal- rest,
Eº A7
in
time.
Dm Gm7 Eº A7
E
Gtrs. 2, 3 & 7: w/ Riffs D, D1 & D2
µ
ter
F
- nal- rest,
Eº A7
in
Gtr. 2: w/ Riff C
Dm Gm7 Eº A7
Gtr. 2
Dm
time.
Gtr. 7
Gtr. 3
56
77
87
7
66
8
78
88
7
86
8
98
6 9 9
85
8
7 67 8
6 7 7 7
0 50 8 7 5 5 3 5 3 0 2 2 8 7 8 8 11 000
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Intro
Fast q = 215
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
I Won’t See You Tonight (Part II)
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Half-time feel
Ah!
Drop D tuning:(low to high) D-A-D-G-B-E
**D5Gtr. 2: w/ Riff A (3 times)
Gtr. 1 (dist.)
***w/ DigiTech Whammy Pedal
f
15ma
***Set for one octave above when depressed (toe down).
+6 +6
*Gtr. 2 (dist.) Riff A
P.M. P.M.
End Riff A
P.M.
*Doubled throughout
**Chord symbols reflect implied harmony.
Come1.
Gtr. 1
†fdbk.
22ma
P.H.grad. release
15ma
+6
†Microphonic fdbk.; not caused by string vibration.
+6
back
Gtr. 1 tacetGtr. 2: w/ Riff A (4 times)
Verse
D5
to me, this is in con- ceiv- a- ble,- break ing- a part- the ones you love.
1819
1516
1819
1516
00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
X 19X 191920
1920
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End half-time feel
Quarter-time feel
End quarter-time feel
Hate runs deep for what you’ve done to us, left a lone- through su i- -
cide.
Eb5
-
Bb5 A5 D5
F5
Su
G5
i- -
Gtr. 3 (dist.)
mf
mf
Gtr. 4 (dist.)divisi
Gtr. 2
cide.
Eb5 Bb5 A5 D5 A5 A/C#
I2.
VerseGtr. 2: w/ Riff A (8 times)Gtrs. 3 & 4 tacet
D5
just wan na- die. Take a way- my
6 7 6 78
5 6 5 67 7 6 7
6 5 6 67 6 7
56 5 6
6 7 6 77
5 6 5 66
45
77 6 766 5 6
56 5 667 6 7
111
111
888
777
777
000
333
555
555
6 7 6 78
5 6 5 67 7 6 7
6 5 6 67 6 7
56 5 6
6 7 6 77
5 6 5 66
76 3 7
5 7 77 7 9
9 11 119
111
111
888
777
777
000
022
42
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Half-time feel
End half-time feel
Interlude
Slower q = 134
Half-time feel
life, lay by your side. Please come
back to me, this is in con- ceiv- a- ble,- break ing- a part- the ones you love.
Hate runs deep for what you’ve done to us, left a lone- through su i- -
cide.
D5
-
Ebmaj7b5 D5
Ebmaj7b5
Gtr.5 tacet
D5
Ebmaj7b5 D5
Gtr. 5 (dist.)
mp P.M. P.M.
Gtr. 2
P.M. P.M.
Ebmaj7b5 D5
Look 3., 4.
Verse
2nd time, Lead & Bkgd. Voc.: w/ Voc. Fill 1
D5
at my face,
Ebmaj7b5 D5
you pierce with a blank
Ebmaj7b5 D5
stare.
Ebmaj7b5 D5
P.M.
Rhy. Fig. 1
P.M. P.M. P.M. P.M.
Voc. Fill 1
00
00
00
81010
00
00
00
00
81010
81010
00
00
00
81010
00
00
00
00
00
81010
81010
0 0 00
00
00
0 0 0
81010
0 0 00
00
00
0 0 00
00
00
81010
0 0
81010
0 0
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End half-time feel
Half-time feel
No dream could pre
Ebmaj7b5 D5
pare- a heart for a life
Ebmaj7b5 D5
less
Ebmaj7b5
-
D5
friend.
Gtr. 2: w/ Rhy. Fig. 1
He’s gone,
Ebmaj7b5 D5
P.M. P.M. P.M.
End Rhy. Fig. 1
P.M.
noth ing- will take
Ebmaj7b5 D5
back
Ebmaj7b5
time.
D5
I need him back
Ebmaj7b5 D5
but noth ing- will take
Ebmaj7b5 D5
back
Ebmaj7b5
time.
D5
Interlude
D5 G5 D5
G5 D5
G5
Gtr. 2
*w/ wah-wah
*As filter
D5
G5
I
Chorus
D5 Ab5 D5
can see just
Gm
fine
F D5
with you in my
F
life
E
grad. bend wah-wah off
Rhy. Fil l 1 End Rhy. Fi ll 1 Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M.1
00
00
00
0 0 0
81010
0 0 00
00
00
0 0 00
00
00
81010
0 0
81010
0 0
12 0 0 11 0 0 10 0 8 0 6 0 5 5 12 0 0 11 0 0 10 0 8 0 6 0 5 5 12 0 0 11 0 0 10 0 8 0 6 0 5 5
12 0 0 11 0 0 10 0 5 000
444
000
666
666
000
00
00
000
00 10
800
87
00
00
00
000
00 8
700
76
Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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1st time, End half-time feel
C To oda
D5
and there by my
Em
side
Dm D5
as it starts
Dm
to
A/C# D5 Eb5
fade. I
D5 µ Ab5
P.M.
P.M. P.M. P.M.
P.M.
End Rhy. Fig. 2
P.M.
Rhy. Fig. 3
steady gliss. P.M.
End Rhy. Fig. 3
know
Gtr. 2: w/ Rhy. Fig. 2
D5
this can’t be
Gm
right,
F D5
stuck in a
F
dream,
E D5
a night mare
Em
- full
Dm D5
of sor
Dm
row.
A/C#
-
D5
Eb5
Night
Bridge
D5
mare-
Eb5 G5 Ab5
full
Eb5
of
F5
Gtr. 2
steady gliss.
Rhy. Fig. 4
P.M. P.M. P.M.
pain.
D5 Eb5
F5 G5 A5
Night
Gtr. 2: w/ Rhy. Fig. 4 (3 times)
D5
mare-
Eb5
P.M. P.M. P.M. P.M.
End Rhy. Fig. 4
00
00
00
000
00 7
50 5
3
00
00
00 5
30 4
2
00
00
111
111
1212
666
666
111
111
0 0 0 0 121212
0 0 121212
10 10 10 12 131313
555
666
666
111
333
0 0 0 0 121212
0 0 121212
10 10 10 12 131313
00
111
333
555
777
Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Half-time feel
End half-time feel
Half-time feel
G5 Ab5
full
Eb5
of
F5
pain.
D5 Eb5 F5 G5 A5 D5
I look back and see
Eb5
G5
the twist
Ab5
ed
Eb5
-
F5
road.
D5 Eb5 F5 G5 A5 D5
Best friends and de
Eb5
-
spair
G5
took
Ab5
its
Eb5 F5
toll.
D5 Eb5 F5 G5 A5
Rah,
D5 C#5 D5 C 5 B 5 Bb5 A5 D5 A 5 Ab5 D5
take
G5 F5
a way.
D5
-
C#5 D5 C5 B5 Bb5 A5 D5 A5 Ab5 D5
Take
G5 F5
a -
Gtr. 2
Rhy. Fig. 5 End Rhy. Fig. 5
(Ah.)way.
Gtr. 2: w/ Rhy. Fig. 5 (1 1/2 times)
D5 C#5 D5 C5 B5 Bb5 A5 D5 A5 Ab5 D5
Take
G5 F5
a way.
D5
-
C#5 D5 C5 B5 Bb5 A5
D5 A5 Ab5 D5
Take
G5 F5
a way.
Interlude
D5
-
Gtr. 2 Rhy. Fig. 6
P.M. P.M.
00
1212
1111
00
1010
99
88
77
00
77
66
00
55
33
00
1212
1111
00
1010
99
88
77
00
77
66
00
55
33
00
77
66
00
55
33
00
00
00
00
00
00
00
00
00
00
00
00
00
Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Double-time feel
P.M. P.M.
End Rhy. Fig. 6
Gtr. 2: w/ Rhy. Fig. 6
Gtr. 6 (dist.)
f
Gtr. 2: w/ Rhy. Fig. 6 (2 times)Guitar Solo
D5
grad. bend
3 3
1
8va loco
31
Gtr. 7 (dist.)
Ab5 G5
loco
F58va
G5Gtr. 6 tacet
D5 Eb5 F5
Gtr. 6
grad. bend
1
Gtr. 2
Rhy. Fig. 7
P.M. P.M.
P.M. P.M.
End Rhy. Fig. 7
P.M.
00
00
00
00
00
00
00
00
00
00
00
00
00
1113 10
12 10 11 1210 13 10 13
11 1113 10
12 10 1210 12 13
13 1313 10 12
1617
1617 17 17 17 11
11 10 1110 11 10
11 1011
1111
1111 10 11
1011 10 11
1311 10 11
1011 10
13
19 2018
17 20 1817
20171920
171920 191517
15 161715
15171515171517
141413 1210
1010 11
10 1110
1010
101210
13 121013
121013
13
000
0 0 0 666
555
0 0 3 5 0 0 0 000
000
111
0 0 333
0 0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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End double-time feel
Gtr. 7
Gtr. 2: w/ Rhy. Fig. 7 (3 times)
D5 Ab5 G5 F5 G5
D5
*w/ Whammy Pedal
Eb5 F58va
9 10
910
*Set for one octave above when depressed (toe down).
+6
D5 Ab5 G5 F5 G58va
12 12 12 12
+6
loco
D58va
Eb5 F5 D5 Ab5 G5 F5 G5
7 7
5 56
6
+6
D5 Eb5 F5
7
8 13 11 1414 15
15 12 15 12 1010
10
10 13 13 15 14 15 14 14 12 10
10
10 14 12 14
1215 12 13
1513
12
14 12 12 151615
17 18 1416 12 15 12
1516
1216
1516 16
1216
1216
1216
12 12 1416 12 16
15 14
12 16
X12 16
1214
1416 14
15
14 16
1412
1412
1412
1412
1413 15 15
1415
1415
15
1412
15 1615
1412 15
15 1612 15
15 1612
14
1215 12
14
1212
14 1210 12
10 11 1311 10
11 10 13 11 1011
11 1012 10 11 12
11 13 1110 12 10
1010 12 10
12 10 1110
12 1010
10 12 10 12 10 1113
12 1010 13 10
11 1313
1113
13 11 10 13 12 10 13 11 10 1110 11 10
11 10 12 10 1310 13
13 11 13 10 11 13
Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Half-time feel
Sor
Chorus
G5
row,- sank deep
Eb5
in side- my blood.
Gtr. 7
1
Gtr. 2
Rhy. Fig. 8
All
Bb5
the ones a round- me I cared
Gtr. 7 tacet
F5
for and, most
Gb5
of all, I loved.
End Rhy. Fig. 8
Gtr. 2: w/ Rhy. Fig. 8
G5
But I can’t see
Eb5
my self - that way. Please don’t for get-
13 13
55
57
55
57
55
57
55
57
55
57
55
57
55
57
55
57
55
57
55
57
55
57
55
57
55
57
55
57
55
57
11
13
11
13
11
13
11
13
11
13
11
13
11
13
11
13
11
13
11
13
11
13
11
13
11
13
11
13
11
13
XX
XX
13
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
XXX
XXX
3335
3335
3335
3335
3335
3335
3335
3335
4446
4446
4446
4446
4446
4446
4446
4446
Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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D.S. al Coda
Coda
End half-time feel
Tempo I
Bb5
me or cry
F5
while I’m
Gb5
a
(A
way.
way.)
-
-
I
Gtr. 2: w/ Rhy. Fill 1
D5 Ab5
Gtr. 2: w/ Rhy. Fig. 2
D5
can see just
Gm
fine
F D5
with you in my
F
life
E
D5
and there by my
Em
side
Dm D5
as it starts
Dm
to
A/C# D5
Gtr. 2: w/ Rhy. Fig. 3
Eb5
fade. I
D5 µ Ab5
know
Gtr. 2: w/ Rhy. Fig. 2
D5
this can’t be
Gm
right,
F D5
stuck in a
F
dream,
E D5
a night mare
Em
- full
Dm D5
of sor
Dm
row.
A/C#
-
D5
Eb5
Ah!
Gtr. 2: w/ Riff A (2 1/2 times)
Outro
D5
Gtr. 2
Gtr. 7
*w/ Whammy Pedal & delay
15ma
+6
*Whammy Pedal set for one octave above when depressed (toe down).
+6 +6
Gtr. 1
**w/ Whammy Pedal
15ma
+6
**Set for one octave above when depressed (toe down).
11
1
24 2424
24
2424
24
18
19
1819
Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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15ma
+5 1/2+4 +4 1/2
+6
15ma
let ring+6 +6
µ
Gtr. 7
15ma
+6+2 1/2
+6
Gtr. 1
let ring
15ma
+6
Gtr. 2
P.M. P.M. P.M.
2424
2424
24 21 21
1516
171516
1819
2424
2424
24
19181919
1819
00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
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Intro
Moderately slow q = 65
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
I Won’t See You Tonight (Part I)
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
(Piano)
Drop D tuning:(low to high) D-A-D-G-B-E
*Gm
F Eb
type2
Gtr. 1 (dist.)D7
**fdbk.
f
8va
*Chords played by piano, next 3 meas.
5fr
1113
G5
1113
Eb5
1113
F5
3
D5
13 4
Bb55fr
11 1
G5
**Microphonic fdbk.; not caused by string vibration.
***Gtr. 2 (dist.)
†
Rhy. Fig. 1
f
G5 Eb5
loco
3
***Doubled throughout
†See top of page for chord diagrams pertaining to rhythm slashes.
1 1/2 1/2
F5 D5
1/2 1/21/2
Eb5 Bb5 F5
fdbk.
1/2 1/2
X
6 6 35 5 5
3 6 6 4 3
5 5 53 6 6 6 4 3
5 5 7 5 7
3 3 3 56 6
6 5 5 56
5 36 8
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G5 Eb5
3
F5 D5 Eb5End Rhy. Fig. 1
F5
1
1/2
1
1/2 1/21
type2G5 **
Gtr. 2 tacet
F/A
Gtr. 3 (dist.)
mf
8va
Gtr. 1
fdbk.
8va
*Gtr. 4 (clean)
w/ fingerslet ring throughout
Riff A
mf
*Doubled throughout **Chord symbols reflect implied harmony.
8 863 5 6 8 6 6
5 5 53 4 64 6 66 86
15 1215 15
15 1815
15 1817
1518 15
1515
14 15 17
18
19
17
1720
1718
1720
17
8 8 8
63
35
53
35
33
35
53
3 10
12
1110
1012
1010
1012
1210
12
1210
1210
12
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Eb/G
Gtr. 1 tacet
D/F#
loco
D7/A8va
Gm
8va
End Riff A
Cry
Verse
Gtr. 3 tacetGtr. 4: w/ Riff A (1 1/2 times)
1.
Gm
a lone,- I’ve gone a way.
F/A
- No
Eb/G
more nights,
no
D/F#
more pain.
D7/A
I’ve gone
Gm
a lone,- took all my strength.
F/A
I’ve
made
Eb/G
the change, I won’t
D/F#
see you to night.-
D7/C
Gtr. 4
Riff B
End Riff B
15 1215 1518
15
15
15
18
15
17
15
15
15
14
11
14
14
14
1416
14 150
140 16
12 13 13
8
10
118
810
108
810
88
810
108
810 9
107
79
77
79
87
7 012
1311
10 10
13
87
11
10
118
810
108
810
88
810
108
810 9
107
79
77
79
87
7 0 101113
101113
Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Sor
Chorus
Gtr. 4 tacet
G5
row- sank deep
Eb5
in side- my blood.
Gtr. 2
All
Bb5
the ones a round- me I cared
F5
for and loved.
Gb5
It’s2.
build
Verse
Gtr. 2 tacetGtr. 4: w/ Riff A (1 1/2 times)
Gm
ing- up in side- of me,
F/A
a
place
Eb/G
of dark so cold I had
D/F#
to set me free.
D7/A
Don’t
mourn
Gm
for me, you’re not the one
F/A
to place the blame. As
bot
Gtr. 4: w/ Riff B
Eb/G
tles- call my name, I won’t
D/F#
see you to night.-
D7/C
5557
5557
5557
5557
5557
5557
5557
5557
1113
1113
1113
1113
1113
1113
1113
1113
1113
00
133
133
133
133
133
133
133
133
133
XXX
3335
4446
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Sor
Chorus
G5
row- sank deep
Eb5
in side- my blood.
Gtr. 2
Rhy. Fig. 2
All
Bb5
the ones a round- me I cared
F5
for and, most
Gb5
of all, I loved.
End Rhy. Fig. 2
Gtr. 2: w/ Rhy. Fig. 2
G5
But I can’t see
Eb5
my self - that way. Please don’t for get-
Bb5
me or cry
F5
while I’m
Gb5
a way.-
Gtr. 2: w/ Rhy. Fig. 1
Guitar Solo
G5 Eb5
Gtr. 1 8va
1 1 1 1 1 1/2
5557
5557
5557
5557
5557
5557
5557
5557
1113
1113
1113
1113
1113
1113
1113
1113
1113
00
133
133
133
133
133
133
133
133
133
133
XXX
3335
3335
3335
3335
4446
4446
4446
4446
18 1818 18 15 18 20 20 20 20 20 18 20 20 18 15
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F5
D5
8va
1 1/2 1/2 1/21
Eb5
Bb5 F5
8va
3
1 1 1
G5
Eb5
8va
3 3
1
F5
8valocoD5
Eb5 F5
let ring 3 3
1 hold bend1
17 1716
1715 16 16 16 1616 14 15 14 15 1015 15
1715
17 18
18 15 15 2015 17 18 2020
18 2020 1820 18 15 1818 15
18 18 15 1518 17
1518
1817
1518
15 18 1518 17
1518 17
1518
15
16 16 1518 17
15 18 1515 14
17 16 160
14
0
15
0
17 17 1718 18
1517
15
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Cry3.
Verse
G5
a lone,- I’ve gone a way.
F5
-
Gtr. 1
fdbk.
1
Gtr. 2
Rhy. Fig. 3
No
Gtr. 1 tacet
Eb5
more nights, no
D5
more pain.
Eb5 F5
I’ve
Gtr. 2
End Rhy. Fig. 3
gone
Gtr. 2: w/ Rhy. Fig. 3
G5
a lone,- took all my strength.
F5
But I’ve
made
Eb5
the change, I won’t
D5
see you to night.-
Eb5 F5
18 18
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
0002
0002
0002
0002
0002
0002
0002
0002
0002
1113
1113
1113
1113
3335
3335
3335
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(So
Bridge
Gtr. 2: w/ Rhy. Fig. 1
G5
far
Eb5
a way,-
F5
I’m
Gtr. 3
3
1 1
gone.
D5
Please
Eb5
don’t
3
1
fol
Bb5
low- me
F5
to night.-
G5
And while I’m gone,
Eb5
8va
1/2 1/2
F5
ev
D5
’ry- thing- will be
Eb5
al
F5
-
8va
loco 3 3
1/2 1/2
1 3 3 5 6 6 6 6 55 3 6 5
65 5 2
5
3 5 8 10 10 5 6 8 6 5 6 6
1515 17
15
1512
1515
1518 1318 15
18 1715
17 17
1820 20
15 18 1718
17 14 714 11 1110
11 1113 11 10
13 11
12
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right.)
Interlude
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
G5 F5
Gtr. 3
1 1 1
Gtr. 5 (dist.)
Gtr. 6 (dist.)divisi
f
f
Eb5
Gtr. 3 tacet
D5
Eb5 F5
Gtr. 5
G5
Gtr. 6
F5
13 13 13 13
7 8 7 810
5 7 5 78
35
108 7 887 5 7
10 8 7 88 7 5 7
7 8 7 88
5 7 5 77
35
88 7 877 5 7 8 7 5 7
10 8 7 8
11 11
7 8 7 810
5 7 5 78
35
108 7 887 5 7
10 8 7 88 7 5 7
55 7 5 7
77 8 7 8 77 7
99 988 81010 10
10 1012 12
35 7 8 7 8
10
5 7 5 78
35
108 7 887 5 7
10 8 7 88 7 5 7
7 8 7 88
5 7 5 77
35
88 7 877 5 7 8 7 5 7
10 8 7 8
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Play 8 times
Eb5
D5
Eb5
F5
Gtr. 2
G5
(cont. in notation)
Gtr. 5
grad. bend fdbk.*fdbk.
8va
1
*Microphonic fdbk.; not caused by string vibration.
Gtr. 6
grad. bend fdbk.1/2
Pitch: F
Gtr. 2
Gtrs. 5 & 6 tacet
G5(Piano)
Gtr. 2 tacet
Gtr. 2
G5
P.M.
Rhy. Fig. 4
G5 F5 Eb5 F5End Rhy. Fig. 4
No
Bridge
Gtr. 2: w/ Rhy. Fig. 4 (2 times)
G5
more breath
F5
in
Eb5
side.-
F5
Es
G5
sence- left
F5
my heart
Eb5
to night.-
F5
7 8 7 810
5 7 5 78
3
5
108 7 887 5 7
10 8 7 88 7 5 7
7 8 7 85 7 5 7
77 799 9
88 81010 10
10 1012 12
8 10 10 X
10 12 12
5557
55
55
55
55
55
55
55
55
55
55
55
55
5557
5557
5557
5557
5557
5557
3335
3335
3335
3335
3335
3335
1113
1113
1113
1113
1113
1113
3335
3335
3335
3335
3335
3335
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Begin fade Repeat and fade
Outro
G5
Whoa, whoa,
Bb5
yeah,
F5
yeah.
Voc. Fig. 1
(Whoa, whoa, whoa, whoa.)
Gtr. 2
Rhy. Fig. 5
Eb5
Bkgd. Voc.: w/ Voc. Fig. 1 (till fade)Gtr. 2: w/ Rhy. Fig. 5 (till fade)
G5
Whoa,
Bb5
yeah.
End Voc. Fig. 1
End Rhy. Fig. 5
F5 Eb5 G5
Yeah,
Bb5
yeah, yeah,
3
F5
whoa.
Eb5 G5
3
Yeah,
Bb5
yeah.
F5 Eb5
*
*Signal distortion increases as track fades out.
G5
Whoa, whoa,
Bb5
yeah,
F5
whoa.
Eb5
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
133
133
133
133
133
133
133
133
133
133
133
133
133
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
3335
5557
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
1113
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Intro
Moderately fast q = 125
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Radiant Eclipse
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Half-time feel
Play 3 times
Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D
Gtr. 1 (dist.)
*
Riff A
D5
f
D5
D5add#11End Riff A
let ring
*Chord symbols reflect implied harmony.
Gtrs. 2 & 3 (dist.)
Gtr. 1: w/ Riff A (7 times)
Rhy. Fig. 1
D5
f P.M.
D5add#11
P.M. P.M.
End Rhy. Fig. 1
Eb5
D5
P.M.
D5add#11
P.M.
P.M.
Eb5
Gtrs. 2 & 3: w/ Rhy. Fig. 1
D5
D5add#11
Eb5
Gtrs. 2 & 3
D5 Eb5 D5add#11 Eb5
P.M.
53
23
53
2
5 43
23
43
23
00
00
00
00
00
00
00
00
00
1113
00
00
00
000
00
00
00
00
00
00
1113
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1
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Gtr. 1
D5 Eb5 D5add#11 Eb5
let ring
Gtrs. 2 & 3
P.M.
Gtrs. 4 & 5 (dist.)
Gtr. 1 tacet
D5
f
Eb5 D5
fdbk.
Eb5
Pitch: E
Gtrs. 2 & 3
Riff B
P.M. P.M. P.M. P.M.
End Riff B
P.M.
Gtrs. 4 & 5
Gtrs. 2 & 3: w/ Riff B
D5 Eb5 D5
fdbk.
Eb5
Pitch: E
53
23
53
2
5 43
23
43
2
4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0 0 0 0 0 00
00
00
00
00
00
00
00
1 1 1 1 1 1 1 1
X12
14
12X
14
12
14
10X12
12
14
13
15X12
14
10X
12
12
14X10
12
12
14 14
12X
14
12
14
10X12
12
14
13
15X12
14X12
14
0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1
7X9
7
9
8
10X8
10
12X14
8
10
10
12X
12
14
13
15X12
14
10X12
12
14X10
12
12
14 14
12X14
12
14
10X12
12
14
13
15X12
14X12
14
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End half-time feel
Half-time feel
Gtrs. 4 & 5 tacet
D5
Two1.
Verse
D5
nights
F5
a
D5
go
G5
- I
G#5
was
A5
shot,
D5
a
Gtrs. 2 & 3
P.M. P.M.
Rhy. Fig. 2
P.M. P.M.
bul let
F5
- sunk
D5
straight
G5
through
G#5
the
A5
skull.
D5
A friend
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 3/4 times)
pulled
F5
the
D5
trig
G5
ger-
G#5
that
A5
P.M.
End Rhy. Fig. 2
P.M.
si
D5
lenced- me. No pain
F5
as
D5
I
G5
a woke
G#5
- but
A5
dead.
D5
See ing
F5
- the
D5
face
G5
of
G#5
the
A5
man,
D5
the time that
F5
he
D5
layed
G5
down
G#5
his
A5
gun.
D5
I
knew this
F5
was
D5
go
G5
ing
G#5
- to
A5
take
D5
place. White si lence,
F5
- so
D5
peace
G5
ful,
G#5
- so
A5
000
0 0 0 0 0 0 0 0 000
333
000
555
666
777
000
0 0 0 0 0 0 0 0
000
333
000
555
666
777
000
0 0 0 0 0 0 0 0
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End half-time feel
numb.
Pre-Chorus
D5
No one
*C/E
knows
C
the
Dm
time
Bb
they’re
**A/C#
chang
Dm
ing.
C/E
-
Gtr. 2
Gtr. 3
*Bass plays E. **Bass plays C#.
No
D5
one
C/E
will
C
see
Dm
through...
Bb A/C# Dm C/E
000
000
000 X
10
12X10
12X10
12X10
12X10
12
7X9
7X9
7X9
X8
10X8
10X8
10X8
10X8
10
5X7
5X7
5X7
7X9
7X9
7X9
7X9
7X9
X8
10X8
10X8
10X10
12X10
12X10
12X10
12X10
12
000
000
000
7X9
7X9
7X9
7X9
7X9
3X5
3X5
3X5
5X7
5X7
5X7
5X7
5X7
1X3
1X3
1X3
4X6
4X6
4X6
4X6
4X6
5X7
5X7
5X7
7X9
7X9
7X9
7X9
7X9
000
000
000 X10
12
X10
12
X10
12
X10
12
X10
12
7X
9
7X
9
7X
9
X8
10
X8
10
X8
10
X8
10
X8
10
5X
7
5X
7
5X
7
7X
9
7X
9
X8
10
7X
9
7X
9
X8
10
X8
10
X8
10
X10
12
X10
12
X10
12
X10
12
0 0
000
000
000
7X9
7X9
7X9
7X9
7X9
3X5
3X5
3X5
5X7
5X7
5X7
5X7
5X7
1X3
1X3
1X3
4X6
4X6
4X6
4X6
4X6
5X7
5X7
5X7
7X9
7X9
7X9
7X9
0 0
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Double-time feel
1C To oda
You’re
Verse
F5
2., 4. all
D5
gone to me.
µ
(Gone to me.)
I’ve
D5
been pulled
F5
out to
G5
watch from
Ab5
Gtrs. 2 & 3
Rhy. Fig. 3
P.M. P.M. P.M. P.M.
End Rhy. Fig. 3
my
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (3 times)
F5
e
D5
ter- nal- sleep.
µ D5
In tu-
F5
i- tion-
G5
and a
Ab5
warn
F5
ing
D5
- to be lieve.-
µ
(Will be -
lieve.)Some
D5
thing- went
F5
wrong and
G5
though I
Ab5
felt
F5
I
D5
had to stay,
µ D5
mov ing-
F5
on seemed
G5
to be
End double-time feel
Ab5
som
F5 D5
ber- bliss...
...with out-
F5
one
G5
good
Ab5
bye.
F5
-
D5
Gtrs. 2 & 3
Rhy. Fig. 4
P.M. P.M. P.M.
...I watch my
F5
moth er
G5
- shed
Ab5
tears.
D5
F5 D5 G5 G#5 A5
P.M.
End Rhy. Fig. 4
P.M.
333
0 0 0 000
0 0 0 0 0 333
0 0 555
0 55
66
333
0 0 0 000
0 0 0 0 333
555
55
66
333
0 0 0 000
000
0 0 0 0 333
555
55
66
00
00
00
00
00
00
00
00
00
00
000
333
000
555
666
777
Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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No!
D5
This3. gun
Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1 1/2 times)
D5
has
F5
stopped
D5
time
G5
in
G#5
its
A5
tracks,
D5
has
P.M. P.M.
al tered
F5
- the
D5
course
G5
of
G#5
my
A5
fate.
D5
Des ti- ny
F5
- is
D5
shat
G5
tered
G#5
- and
A5
time
D5
less.- Closed
eyes feel
F5
the
D5
cold
G5
wind’s
G#5
em
A5
brace.
cries.
Pre-Chorus
Bb
-
Dm C/E A5 Bb5
I’ll watch you call,
Gtrs. 4 & 5
Gtrs. 2 & 3
000
0 0 0 0 0 0 0 0
X13
15X12
14
12
14X10
12
10X12
12
14
12
14X8
10
8
10
000
333
000
555
666
777
5X7
X8
10
7X9
777
888
88
00
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Bb Dm C/E A5 Bb5
call ing- for me.
Bb Dm C/E A5 Bb5
You can’t bring back time.
Bb Dm C/E A5 Bb5
X13
15X12
14
12
14X10
12
10X12
12
14
12
14X8
10
8
10X13
15X12
14
12
14X10
12
10X12
12
14
12
14X8
10
5X7
X8
10
7X9
777
888
88
00 5
X7
X8
10
7X9
777
888
8
10
8
10X13
15X12
14
12
14X10
12
10
12X12
14
12X14
15
17X15
17X15
17X15
17X15
17X15
17X15
17X15
17
888
88
00 5
X7
X8
10
7X9
777
888
888
888
888
888
888
888
888
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Half-time feel
Close
Chorus
D
your eyes
*Gadd9
and look
C5
a way.-
Gsus2 G% Gsus2
Gtr. 1
Riff C End Riff C
Gtrs. 4 & 5
Riffs D & D1
Gtrs. 2 & 3
Rhy. Fig. 5 End Rhy. Fig. 5
*Bass plays G.
Fate
Gtr. 1: w/ Riff C (3 times)Gtrs. 2 & 3: w/ Rhy. Fig. 5 (3 times)
D
ex posed,
Gadd9
- won’t let
C5
me stay.
Gadd9 G% Gsus2
Gtr. 4 End Riff D
Gtr. 5
End Riff D1
7 8 7 8 10 8 7 8 77
10 8 710
8 79
7 8 77 9 9 7
9 10 9 710 9
X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14
09
09
09
09
09
09
09
09
009
0012
0012
0012
0012
00
12
00
12
00
12
101010
101010
101010
101010
101010
101010
101010
101010
557
557
557
577
577
557
557
00
X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X14
16X14
16X14
16X15
17X14
16X12
14X10
12X9
11
X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X10
12X12
14X12
14
12
14X10
12X9
11
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2C To oda
Hope
Gtrs. 4 & 5: w/ Riffs D & D1
D
will fall
Gadd9
to night-
C5
with bro ken
Gsus2
- wings...
G% Gsus2
...de -
scend
D
ing- en
Gadd9
ti- ty
C5
- in me.
Gadd9
*Key signature remains D major (2 sharps) at Coda 2.
G%*
Gsus2
Gtrs. 2,3 & 5
Interlude**D5
(Gtrs. 2 & 3, cont. in notation)
Gtr. 4
**See top of first page of song for chord diagram pertaining to rhythm slashes.
Gtrs. 4 & 5 tacet
D5
G5 F5 D5 E5 F5 D5 A5 Ab5
D5 G5 F5 D5 F5 Eb5
Ah,
D5 G5 F5 D5 E5 F5 D5 A5
Gtrs. 2 & 3
P.M.
Ab5 D5 G5 F5 D5 F5
my
Eb5
voice
Bridge
D5 G5 F5 D5 E5 F5 D5 A5 Ab5
has
D5
been
G5 F5
tak
D5
en
F5
- from
Eb5
Rhy. Fig. 6 End Rhy. Fig. 6
me.
Gtrs. 2 & 3: w/ Rhy. Fig. 6 (3 times)
D5 G5 F5 D5 E5 F5 D5 A5 Ab5 D5 G5
The
F5
more
D5 F5
I
Eb5
lis
D5 G5
ten,
F5
-
D5 E5 F5 D5 A5
10X
12
12
14
00
55
33
00
22
33
00
77
66
00
55
33
00
33
11
00
55
33
00
22
33
00
77
66
00
555
333
000
333
111
000
555
333
000
222
333
000
777
666
000
555
333
000
333
111
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End half-time feel
D.S. al Coda 1
1 Coda
D.S.S. al Coda 2
2 Coda
poco rit.
poco rit.
Ab5
the
D5
more
G5
I
F5
have
D5 F5
to
Eb5
say.
D5 G5 F5 D5 E5 F5 D5 A5 Ab5 D5 G5 F5 D5 F5 Eb5
tears
Gtrs. 2 & 3: w/ Rhy. Fig. 4
F5 D5
and taste the
F5
blood that
G5
she
Ab5
cries,
F5 D5
and taste the
F5
blood that
G5
she
Ab5
Whoa,
Gtrs. 2 & 3: w/ Rhy. Fig. 5 (2 times)
Outro-Guitar Solo
D Gadd9
yeah,
C5
whoa.
Gsus2 G% Gsus2
Gtr. 6 (dist.)
*w/ wah-wah
f
*As filter
1
Yeah,
D
whoa,
Gadd9
yeah.
C5 Gsus2 G% Gsus2
D
Gtrs. 2, 3 & 6
fdbk.
910
91010
1210
9 1110
9
3 78
7
10 8
9 9
8
10 10
10
12
12
10
10
9
8 5
7 11
1010
11
10 1010 12
1110
1211 12 12
X12
14
14
12
12
11
10
5 98
9
8
98
8
5
8
9
8
10X10
12
12
10
10
7
097
0
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Intro
Moderately q = 91
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Remenissions
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Quadruple-time feel
Gtr. 2 (elec.)
Drop D tuning:(low to high) D-A-D-G-B-E
(Drums)
w/ dist.
D5
f
µ
P.M. P.M. let ring
D5 µ
P.S.
Gtr. 1 (elec.)
w/ dist.
f P.M.
Ulh!
*Dm A7
Gtrs. 1 & 2
Riff A
*Chord symbols reflect implied harmony.
(Ulh!)
Bb A7
End Riff A
00
3 00
0
0
11
00
5 3 2 00
3 00
01
X
00
00
00
00
00
00
0 0 0 0 2 2 2 2 3 3 3 32 2 2 2
5 5 5 5 3 3 3 3 2 2 2 2 0 0 0 04 4 4 4
0 0 0 0 2 2 2 2 5 5 5 54 4 4 4 0 0 0 0
2
1 1 1 10 0 0 0 3 3 3 3
3 3 3 33 3 3 3 0 0 0 0
1 1 1 10 0 0 0
0 0 0 0 4 4 4 42 2 2 2
4 4 4 4
0
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End quadruple-time feel
Gtr. 2
Gtr. 1: w/ Riff A
Dm A7
Bb A7
Gtrs. 1 & 2
D5
P.M.
Dsus2 D5
P.M.
Bb/D D5
P.M.
C#º/D A5addb2
With1.
Verse
D5
this ink
F5
in
E5
my
D5
skin, we’ve sealed
F5 E5
our
D5
fate,
Bb
and the axe comes
Rhy. Fig. 1
P.M. P.M. P.M.
P.M.
ear
C
ly.-
(On ly- nat ’ral- ly.)-
So,
Bb5
what
G5
does that
C5
mat
A5
ter?-
P.M. P.M. P.M. P.M.
End Rhy. Fig. 1
2 2 2 2 0 0 0 0 2 2 2 2 5 5 5 5 3 3 3 3 2 2 2 25 5 5 5 3 3 3 3 2 2 2 2 3 3 3 3 5 5 5 5
3 3 3 32 2 2 2
4 4 4 4 4
0 0 0 0 3 3 3 33 3 3 3
3 3 3 33 3 3 3
3 3 3 3 0 0 0 0 3 3 3 34 4 4 4
2 2 2 2 5 5 5 54 4 4 4
2
00
00
00
230
00
00
0
033
00
00
0
032
355
00
0 0 33
22
0 00
0 0 0 33
22
00 1
30 0 0 0 5 0 1
31 0 0 0 5 0
32
3 3
03 2 0 2
3 0 0 13
0 0 55 3
5
0 002
02
02
02
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There’s
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 3 meas.)
D5
a bed
F5
of
E5 D5
skel e- tons- wait
F5
in’
E5
- for
D5
me
Bb
on the oth er- side.
C
They’re
Bb5
wait
G5
ing- for
C5
my
A5
next move.
D5
(Next fa tal- breath.)Hu
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
man- lives,
F5 E5
to
D5
me, seem so
F5 E5
un
D5
-
Gtrs. 1 & 2
P.M. P.M.
real.
Bb
You can’t see through the fog,
C
(Noth ing- past a grey wall.)
see
Bb5
past
G5
the ster
C5
e
A5
- o- type.
D5
- Be lief,
F5
-
E5 D5
struc ture- built
F5
up
E5
in
D5
you.
Bb
I’ll tear you down
C
and the one
Bb5
who
G5
cre
C5
at
A5
- ed-
you.
Interlude
µ D5 µ
D5
Gtrs. 1 & 2
P.M. P.M.
13
0 0 55 3
5
0 002
02
02
02
00
00
00
00
12
1511
1612
00
00
00
00
00
00
00
00
00
1511
1612
00
00
00
00
00
00
00
00
00
00
00
00
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µ D5
P.M.
µ D5
P.M.
If
Pre-Chorus
D5
they did n’t- have One, how would they act?
Bb5
(Whoa,
Rhy. Fig. 2 End Rhy. Fig. 2
If
G5
we did n’t- have hope, how would we be have?
C5
- Would they
still
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D5
feel re morse- if they slaught ered- in no- cent- be
Bb5
ings?- Or is
whoa.)
1511
1612
00
00
00
00
00
00
00
00
00
1511
1612
00
00
00
00
00
00
00
00
00
00 1
3
55 3
5
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hope
G5
the on ly- thing that keeps you sane?
C5
A good
Chorus
Dm
friend once told
Gtr. 3 (nylon-str. acous.)
mp
Riff B
*Gtr. 4 (steel-str. acous.)
w/ fingers
Riff C
mp
let ring
*Doubled throughout
Gtrs. 1 & 2
P.M.
me
Gtrs. 1 & 2 tacet
Gm
you are a mem o- ry,
Cadd9
- with out
Fadd9
- them we e
A7
qual- noth -
Gtr. 3
Gtr. 4
let ring let ring let ring
End Riff C
let ring
10 10
10 1210
02
3 1
0
32
0
0 32
0
1 32
0
55 3
5
00
111210 10 11 5 6 8 5
5 76 5
5 5 7 7
12 12
9 10 912
9 1012
1112
53
33
5
33
5
53
35
33
3
0 32
03
3
02
3
0
3
30
23
03
21
3
3
12
0 20
23
2
20
0
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ing.
Gtr. 4: w/ Riff C
Dm
All I can see
Gm
is a place I wan na- be.
Gtr. 3
let ring
w/ pick & fingers
let ring w/ pick & fingers
Cadd9
Sud
Fadd9
den- ly,- my life
A7
was so
w/ pick & fingers
free.
D5
Leaves at my feet,
Gtr. 3 tacet
G5
they’re blown to the ground.
C5
Their
Gtr. 3
End Riff B
Gtrs. 1 & 2
P.M. P.M. P.M.
7 9 9 1012
10
10
12
12
14
131110
11
0
10
12
12
14
13
12
12
1012 1 0 12
9 1012
9 10 1210
1012
119 10 9 12
109 10
10 911
12 12
00
0 0 0 0 0 0 0 0 0 0 0 0 0 0 55
5 5 5 5 5 5 5 5 5 5 5 5 5 535
3 3 3 3 3 3 3 3 3 3 3 3 3 3
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Quadruple-time feel
ech
F5
oes- are reach
A5
ing- my ears.
D5
Night’s com in’-
Gtrs. 1 & 2
P.M. P.M. P.M.
fast,
G5
the sun’s go in’- down,
C5
but
P.M. P.M.
keep
Bb5
a way
C5
- from me.
D5
Keep
Bb5
a way
C5
- from
P.M. P.M. P.M. P.M.
me,
Dm Bb5
C5
keep
F5
a way
C/E
- from
(Oh, it’s hard to keep me in this
33
3 3 3 3 3 302
0 0 0 0 0 000
0 0 0 0 0 0 0 0 0 0 0 0 0 0
55
5 5 5 5 5 5 5 5 5 5 5 5 5 535
3 3 3 3 3 3 3 3 3 3 3 3 3 3
13
13
35
35
57
57
0 0 0 057
57
0 0 0 057
57
0 0 0 057
57
0 0 0 013
13
35
35
05 5 7 8 7 5 0 1
313
13
13
13
13
35
35
35
35
35
033
33
0 23
23
0
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me,
Dm Bb5 C5
keep
F5
a way
C5
- from
place.
me,
Dm Bb5 C5
keep
F5
a way
C/E
- from
Keep a way- from me.
me.
Dm Bb5 C5
A5 C5 D5 µ
Ulh!)
3
05 5 7 8 7 5 0 1
313
13
13
13
13
35
35
35
35
35
00 3
535
00
35
35
35
05 5 7 8 7 5 0 1
313
13
13
13
13
35
35
35
35
35
0 33
33
0 23
23
0
05 5 7 8 7 5 0 1
313
13
13
13
13
35
35
35
35
02
35
57
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End quadruple-time feel
We
Bridge
D5
may have
C
cre at
Bb5
- ed- the
A5
be gin
Bb
- ning,
- men
A
tal- ly.-
Gtr. 2
Riff D1 End Riff D1
Gtr. 1
Riff D End Riff D
We
Gtrs. 1 & 2: w/ Riffs D & D1
D5
may have
C
cre at
Bb5
- ed- the
A5
be gin
Bb
- ning,
- phys
A
i- c’ly.
- To the
end
C5
of our hu man
Bb5
- ex ist
A5
- ence.-
A/C#
Gtr. 2
Gtr. 1
Gtrs. 1 & 2
Rhy. Fig. 3
Interlude
D5
P.M. P.M.
End Rhy. Fig. 3
5X7
5X7
7X9
7X9
X8
10X8
10
7X9
7X9
1X3
1X3
5X7
5X7
X8
10X8
10X13
15X13
15
02
5X7
5X7
3X5
3X5
1X3
1X3
0X2
0X2
1X3
1X3
1X3
1X3
1X3
1X3
1X3
1X3
0X2
2X4
4X6
4X6
7X9
X12
14
12
14
7X9
X8
10
5X7
7X9
4X6
35
13
02
42
00
00
00
00
00
00
00
00
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Half-time feel
End half-time feel
Ulh!
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Gtr. 5 (elec.)
w/ dist. mf
I
Bridge
Gtrs. 1 & 2: w/ Rhy. Fig. 3
D5
see through you, the fear that’s in your eyes,
Gtr. 6 (elec.)
w/ dist.
mf
Gtr. 5
whoa.
Gtrs. 5 & 6 tacet
Eb5 E5 F5 D5
Eb5 E5 F5 D5
Eb5 E5 F5 D5
Eb5 E5 F5
Gtrs. 1 & 2
78 7
78 7
78 7
78 7
1012 11
1012 11
1012 11
1012 11
77
8 77
8 77
8 77
8 7
00
11
22
33
00
11
22
33
00
11
22
33
00
11
22
33
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Gtr. 5
Guitar Solo
D5
f
Bb5
Gtr. 6
f
Gtrs. 1 & 2
Rhy. Fig. 4
P.M. P.M. P.M.
C5 F5 C/E
3 3 3 3
3 3 3 3
P.M.
End Rhy. Fig. 4
P.M.
10 10 810
8 1010 10
11 11 1012
10 1112
6 6 57
5 67 7
8 8 6 5 6 8 5
00
00
00
00
0 0 0 0 0 01 1 1 1 1
31 1 1 1 1 1 1 1
1213 13 11 10 11 13 10 10 13 11 10 11 10 8 10 8
108
10 9
5 10 10 8
10
8 10
10 10
10 8
10
8 6 5 6 5
7
5
7 5
3 3 3 3 35
3 3 3 3 3 3 3 333
33
33
33
33
33
33
33
23
23
23
23
23
23
23
23
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Gtr. 5
Gtrs. 1 & 2: w/ Rhy. Fig. 4
D5 Bb5 C5
Gtr. 6
F5 C/E
A good
Chorus
Gtr. 3: w/ Riff B
D5
friend once told me
Gtrs. 5 & 6 tacet
G5
we are a mem o- -
Gtrs. 5 & 6
3 3 3 3
(cont. on upper staff)
Gtrs. 1 & 2
Rhy. Fig 5
3 3 3 3
ry,
C5
with out
F5
- them we e
A5
qual-
A/C#
noth ing.
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (2 1/2 times)
D5
- All I can
End Rhy. Fig 5
710 10 8
108 10
10 1011 11 10
1210 11
12 1213 13 11 10 11 13 10 10
76 6 5
75 6
7 78 8 6 5 6 8 5 10 10 8
108 10
10 10
13 11 10 11 10 8 10 810
810 9 7 7
10 810
8 6 5 6 57
57 5
00
55
55
55
55
55
55
55 0
0
35
35
35
35
35
35
35
35
35
35
33
33
33
33
002
42
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see
G5
is a place I wan na- be.
C5
Time
F5
less,- my life
A5
was
A/C#
so
free.
D5
Leaves at my feet,
G5
blown to the ground,
C5
their
Gtr. 5
ech
F5
oes- are reach
A5
ing-
A/C#
my ears.
D5
Night’s com in’- fast,
G5
sun’s go in’-
down,
C5
con fused.
A5
- I
Gtr. 5 tacet
Eb5
don’t know the
Gtr. 5
Gtrs. 1 & 2
P.M.
X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14
12X14
15
17X15
17X15
17X15
17
13
15X13
15X13
15X13
15
12
14X12
14
10
12X10
12X10
12X10
12
8
10X8
10X8
10
8
10X
10
12X10
12X10
12X10
12
8
10X8
10
7
9
7X9
7X9
7
9X
5
7
5X7
3X5
3X5
4X6
4X6
X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14X12
14
12
14X
15
17X15
17X15
17X15
17
13
15X13
15X13
15X13
15X12
14X12
14X10
12X10
12X10
12X10
12X10
12
8
10X8
10X8
10
4
6
8
10X
10
12X10
12X10
12X10
12
8
10X8
10
7
9
7X9
7X9
7
9X
5
7
5X7
4X6
35
35
35
35
35
35
35
35
35
35
02
02
02
02
02
02
02
11
11
11
11
11
11
11
11
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rit.
Half-time feelFaster q = 130
Begin fade Play 4 times & fade
an
F5
swers,- but neith er- do you.
D5
Gtrs. 1 & 2
rit.
Ulh!
Outro
D5
Riff E End Riff E
P.M.
(Ulh.)
Gtrs. 1 & 2: w/ Riff E (3 times)
Yeah!
Gtrs. 1 & 2
P.M.
33
33
33
33
33
33
33
33
00
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
012
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Intro
Very fast q = 257
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Second Heartbeat
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Gtrs. 1-7: Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (dist.)
*C5
f
13 4
C5
13 4
Bb5
11 1
F55fr
11 1
G56fr
11 1
Ab58fr
11 1
Bb5
11 1
Eb5VIII
P.M.
Gtr. 2 (dist.)
f P.M.
*Chord symbols reflect implied harmony.
Gtrs. 1 & 2
P.M.
Gtr. 3 (dist.)
Riff A
3 3 3
Bb5
3
Ab5
3
3
Gtrs. 1 & 2
Rhy. Fig. 1
3
P.M.
10 10 1 0 10 1 0 10 10 1 0 10 1 0 10 1 0 10 1 0 10 10 10 1 0 10 10 1 0 10 1 0 10 10 1 0 10 10 1 0 10 1 0 10
10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
5
5
5 7
5
7 8
5
8 7 5
8 6
5 7 8 7 5
8
101010
1010
88
666
666
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F5
3
G5End Riff A
3
Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3: w/ Riff A
Gtr. 4 (dist.)
f
C5
3 3 3
End Rhy. Fig. 1
Bb5
3
Ab5
3 3
F5
3
G5
3
Gtr. 4
Riff B1
C5
Gtr. 3
Riff B
Gtrs. 1 & 2
P.M.
65
6 8 68 7 8
108 10
1010 12
1012
333
555
10 812 10
8 10 12 10 812 10
89 11 9 8
10
810
8 1010
10 1210
12 10 812
55
5 75
7 85
8 7 58
10 10 1010
10 10 1 0 1010
10 10 10 1010
10 10 1 0 1010
10 10 10 1010
10 10 1 0 1010
10 10 10 1010
10 10 1 0 1010
10
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1.
2.Slower q = 185
Ab5 F5 G5 End Riff B1
End Riff B
P.M.
Gtr. 4
F5 G5 C5
Gtr. 3
Gtr. 1
P.M.
Gtr. 2
P.M.
108 10 12 10 8 7
108
9 11 9 810
65 7 8 7 5
8 65
6 8 68 7
6 6 66
6 6 6 66
6 6 6 66
6 6 6 66
6 3 3 33
3 3 3 33
3 5 5 55
5 5 5 55
5
10
89 11 9 8
108 8 4
65
6 8 68 7 8 8 5
3 3 33
3 3 3 33
3 5 5 55
5 5 5 5 5355
3 3 33
3 3 3 33
3 5 5 55
5 5 5355
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Double-time feel
We1.
Verse
Gtrs. 3 & 4 tacet
C5
keep writ
Bb/D
ing,- talk
Eb
ing,-
Eb/G
and plan
Ab5
ning-
G5
Gtrs. 5 & 6 (dist.)
Riff C
f
End Riff C
Gtrs. 1 & 2
Rhy. Fig. 2 End Rhy. Fig. 2
Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 5 & 6: w/ Riff C
C5
Bb/D Eb
but ev
Eb/G
’ry- thing’s- chang
Ab5
ing.-
G5
We
C5
all know
Bb/D
what to do
Eb
but no
Eb/G
one does
Ab
it.
G
Gtrs. 5 & 6
P.M. P.M. P.M. P.M. P.S.
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.S.
X10
12X10
12X10
12
5X7
5X7
5X7
6X8
6X8
6X8
1X3
1X3
1X3
3X5
3X5
3X5
3X5
3X5
3X5
2X4
2X4
2X4
2X4
2X4
2X4
3
55
3
55
3
55
5
3
5
3
5
3
6
5
6
5
6
5
56
5
56
5
56
5
66
6
66
6
66
6
66
6
66
6
66
6
55
5
55
5
55
5
55
5
55
5
55
5
3 3 3 3 35
5 5 5 5 53
6 6 6 6 65
10 10 10 10 108
3X5
3X5
3X5
3X5
3X5
3X5
2X4
2X4
2X4
XX
XX
3 3 3 3 35
5 5 5 5 53
6 6 6 6 65
10 10 10 10 108
666
666
666
666
666
666
555
555
555
XX
XX
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End double-time feel Half-time feel
Now
Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 5 & 6: w/ Riff C
C5
this time
Bb/D
has past
Eb
and full
Eb/G
of re
Ab5
gret.-
G5
Eb5
Gtrs. 5 & 6 tacet
D5
Two
Bridge
C5
in my heart
Ab5
have
(Two in my heart have
Gtrs. 5 & 6
Gtr. 1
P.M. P.H.
Gtrs. 1 & 2
(Gtr. 1, cont. on upper staff)
Gtr. 2
P.M.
Riff D
left
Eb5
me a while.
Bb5
- I
Gtr. 2: w/ Riff D
C5
stand a lone.
Ab5
-
left me a while.- I stand a lone.-
End Riff D
X10
12X10
12X10
12X10
12X10
12X10
12
00
00
00
00 5 3
X5
3
5
5
7X
5
7
6
8X
6X8
11
13X11
13
111
111
111
111
111
111
00
00
00
00 3
X5
3
5
5
7X
5
7
6
8X
6X8
11
13X11
13
6X8
6
8
8
10X
8
10X10
12
10
X12
13
15X15
17
15
17X13
15
13
15X10
12
10
X12
11
13
11
13
6X8
6
8
8
10X
8
10X10
12
10X12
13
15
13
15
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End half-time feel
Eb5
When they get back,
Bb5
it won’t be the same.
Interlude
C5
Ab5
When they get back, it won’t be the same.)
Gtr. 6
Gtr. 1 Gtrs. 1 & 2
Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M.
Eb5 Bb5
Gtrs. 1 & 2: w/ Rhy. Fig. 3
C5 Ab5
P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 3
P.M.
X18
20X17
19
17
19X13
15
13X15
15
17X15
17X15
17X15
17
13
15
6X8
6
8
8
10X
8
10X10
12
10X12
13
15
13
15
355
35
35
355
335
355
XXX
XXX
0 666
XXX
0 666
0 666
666
X
13
15X
13
15X
13
15
13
15
10
12X
10
12
10
12X
8
10X
8
10
8
10X
10
12X
10
12X
10
12
10
12
8
10X
8
10
8
10
6
X8
6
X8
6
X8
11
1 1 11
111
XXX
11
111
13
13
133
03
03
133
13
133
13
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Half-time feel
Eb5 Bb5Gtrs.1 & 2
*C5
It won’t be the same!
Gtr. 5
Gtr. 6
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
(cont. in notation)
Verse
Gtrs. 5 & 6 tacet
C5
My2. life,
Gtrs. 1 & 2
P.M.
Rhy. Fig. 4
P.M.
X10
12
10
12X11
13
11
13X8
10
8
10
5X7
5
7
3X5
3
5
7X9
6X8
6
8
8
10X
8
10
5X7
5
7
1X3
1
3
3
5X
3
5
7
9
7
9
X10
12
10
12
0 3 3 3 3 3 355
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you’ve al ways- been there.
Ab5
F5
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 4
Now
Gtrs. 1 & 2: w/ Rhy. Fig. 4
C5
you’re gone and my head’s spin ning.-
Ab5 F5
Left
C5
the child hood,- left the mem o- ries,- left the good times...
Gtrs. 1 & 2
P.M.
...in
Ab5
the past.
F5
Mov
Gtrs. 1 & 2: w/ Rhy. Fig. 4
C5
ing- on, your time has
P.M. P.M.
3 3 3 3 3 3 3 3 355
355
35
355
3 3 3 3 355
355
66
666
33
333
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
66
666
33
333
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End half-time feel
run out.
Ab5
F5 Cm
G7
Gtr. 3
Gtr. 4
Wish
Bridge
Gtrs. 3 & 4 tacet
Cm
ing- the clock
Bb5
would stand still,
Ab5
the world
Bb5
can wait.
(Whoa.
Whoa.
Gtrs. 1 & 2
Rhy. Fig. 5 End Rhy. Fig. 5
Wast
Gtrs. 1 & 2: w/ Rhy. Fig. 5
Cm
ing- a way-
Bb5
once a gain,-
Ab5
once
Bb5
lived as
Whoa.
Whoa.)
3 5 36
36 5 3
5 36 5
3 3 6 6
5 6 5 35 3
6 56 5 3
6
4 4 7 7
3554
3554
3554 4
3554
355
133
133
133
133
133
133
333
666
666
666
666
0 0133
133
133
133
133
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friends.
InterludeGtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
Cm Bb5
Ab5
Bb5
Gtr. 4
Riff E
1
Cm Bb5 Ab5 Bb5
End Riff E
Gtr. 3
Riff F
Gtr. 4: w/ Riff E
Cm Bb5 Ab5 Bb5
1
Cm
Bb5
Ab5
Bb5
As
End Riff F
810
8 78
7 7 810
10 10 8 78
7 810
8 78
7
8 1110
8 7 89 11
6 88
8 67
6 6 88
9 9 8 67
6 88
8 67
6
8 108
810
810
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time
Chorus
C5
pass es- by,...
Gtrs. 3 & 4 tacet
Bb5
...re -
Gtr. 4
divisi
Gtr. 3
Gtrs. 1 & 2
Rhy. Fig. 6
grets
Eb5
for the rest
Bb5
of my life.
C5
The
Gtrs. 1 & 2 End Rhy. Fig. 6
ones
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (3 times)
who I con fide
Bb5
- were
gone
Eb5
in the black
Bb5
of the night.
C5
10 1111 13 13
11
355
355
355
355
355
355
355
355
355
355
355
355
133
133
133
133
133
133
133
133
133
133
111
111
111
111
111
XXX
XXX
133
133
133
133
133
133
133
355
355
355
355
355
355
355
355
355
355
355
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C To oda
Half-time feel
Whoa.
Bb5 Eb5
Bb5 C5
Whoa.
Bb5
Whoa.
Eb5 Bb5
C5
Gtrs.1 & 2
Interlude
C5 Bb5
Gtr. 5
Gtr. 6
F5 G5 Ab5 Bb5
(cont. in notation)
Ah,3.
VIII
Gtrs. 5 & 6
3X5
3
5
10
12X
10
12X8
10
8
10
3X5
3
5
6
8X
6
8
5X7
5
7
3X5
3
5
5
7X
6
8X
6
8
10
12X X
10
12X8
10
8
10X13
15
13
15
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End half-time feel
nev
Verse
C5
er- will
D5
I
Gtrs. 5 & 6 tacet
Eb5
for
D5
get-
Eb5
you
F5 G5
and all the mem
Bb5
o- ries- past.
G/B
So
Gtrs. 5 & 6
Gtrs. 1 & 2
Rhy. Fig. 7 End Rhy. Fig. 7
rare
Gtrs. 1 & 2: w/ Rhy. Fig. 7 (3 times)
C5
ly- I
D5
get
Eb5
to
D5
see
Eb5
your
F5
face.
G5
Bb5
G/B
Grow
C5
ing,- I
D5
looked
Eb5
to
D5
you
Eb5
in
F5
guid
G5
ance.-We knew
Bb5
that time
G/B
would kill
C5
us......but you’re
D5
still
Eb5
so
D5
close
Eb5
to
F5
me.
G5 Bb5 G/B
To
X15
17
15
17
101010
101010
XXX
000
111
000
111
333
555
555
XXX
888
888
XXX
9109
9109
XXX
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Quarter-time feel
me,
D5
you were
Eb5 D5
my
Eb5 D5
life. To
*Gtrs. 5 & 6
Riff G End Riff G
*Composite arrangement
1/4
Gtrs. 1 & 2
Rhy. Fig. 8
P.M.
me,
Gtrs. 5 & 6: w/ Riff G ( 2 times)
you were
Eb5 D5
my
Eb5 D5
soul com pan
F5
- ion.
E5
-
Gtrs. 1 & 2End Rhy. Fig. 8
P.M.
Now,
Gtrs. 1 & 2: w/ Rhy. Fig. 8
D5
you are
Eb5
so
D5
far
Eb5
a
D5
way.-
Gtr. 7 (dist.)
f
grad. bend
let ring 1/4
1310
1310
00
0
00
0
11
1
00
0
11
1
00
0
00
0
00
0
00 00 00 00 00 00 00 00 00 00 00 00
000
000
111
000
111
000
000
000
00
00
00
00
00
00
00
00
22
22
22
22
1317
1317
1317 17 17 17
13
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End quarter-time feel
Half-time feel
Noth ing- can take
Eb5
a
D5
way
Eb5
- the
D5
times and the mem
F5
’ries- we’ve
E5
Gtr. 7
grad. bendlet ring
8va
1/2 1/2 1/2 1/2
Gtrs. 5 & 6
let ring
1/4
had.
D5
Bb5
G/B
Gtr. 7
loco
1
Gtr. 5
Gtr. 6divisi
Gtrs. 1 & 2
(cont. in slashes)
1720 20 20 19 19
1310
1010
1010
10
131010
X17
19
17
19 10 15 14
5
7
5
7
7
5
87 7
587
87
54
000
0 2 30 1
33
254
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End half-time feel
Gtrs.1 & 2
Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)Gtrs. 5 & 6 tacet
Interlude
C5
Gtr. 7
1
Gtrs. 1 & 2 tacet
Ab5
F5
Gtr. 7 tacet
G5
Come4.
back
VerseGtrs. 3 & 4: w/ Riffs B & B1 (2 times)
C5
to the days when we were
Gtrs. 1 & 2
Rhy. Fig. 9 End Rhy. Fig. 9
P.M.
young.
Ab5
F5
G5
Come
P.M.
15
15
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
1010
66
66
66
66
66
66
66
66
66
66
66
66
66
66
66
66
66
33
33
33
33
33
33
33
33
55
55
55
55
55
55
55
55
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back
Gtrs. 1 & 2: w/ Rhy. Fig. 9
C5
to the days when noth ing-
mat
Ab5
tered,-
F5
to the days
G5
when noth ing-
Gtrs. 1 & 2
(cont. in slashes)
P.M.
Gtrs.1 & 2
C5
Gtrs. 1– 4 tacet
µ
mat - tered. I feel
Gtr. 3
Gtr. 4divisi
time
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (2 times)
Chorus
C5
pass es- by,
Bb5
re -
grets
Eb5
for the rest
Bb5
of my life.
C5
The
66
66
66
66
66
66
66
66
66
66
66
66
66
66
66
66
66
33
33
33
33
33
33
33
33
55
55
55
55
55
55
55
0
88
88
54
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D.S. al Coda
Coda
ones who I con fide
Bb5
- were
gone
Eb5
in the black
Bb5
of the night.
C5
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)Gtr. 3: w/ Riff F (1 3/4 times)Gtr. 4: w/ Riff E (1 3/4 times)
Interlude
Cm Ab5
Bb5
As
Gtr. 3
Gtr. 4
*Gtr. 8 (dist.)
Outro-Guitar Solo
C5
f fdbk.
Bb5
*Standard tuning
Gtrs. 1 & 2
Rhy. Fig. 10
P.M.
End Rhy. Fig. 10
P.M.
8 10 8 107 8 7 8 10
810
8 9 11 9 1110
10 11 10 118 10 8 10 7 8 7 8 10
8
10
8 11
9 1312 12
13
12
15
13 12 13
13 1515
15 15 13 1515
16 18
355
35
35
35
35
35
35
35
35
35
35
35
35
35
35
133
13
13
13
13
13
13
13
13
13
13
13
13
13
13
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Eb5 Bb5 C5
P.M. P.M. P.M.
Gtr. 8
Gtrs. 1 & 2: w/ Rhy. Fig. 10
Bb5
3 3
Gtr. 8
Eb5
Bb5
8va
loco
C5
1 1/2
Gtrs. 1 & 2
P.M. P.M. P.M. (cont. in slashes)
Gtrs.1 & 2
C5 Bb5
Gtr. 8
5 5
3
6
3
3 31 1
18 20 20 18 16 16 13 13 15 1315 15 17 12
1212
13 1210
12 1013 1013 13 14 15
111
11
11
11
11
11
11 1
33
13
13
13
13
13
13
355
35
35
35
35
35
35
35
35
35
35
35
35
35
35
1312
13 12
15
13 12 13
13 1515
15
17
1515 17
15 16 18
15
18 16 17
11 18 16 15
16 17 17 17 17 15 15 0
111
11
11
11
11
11
11 1
33
13
13
13
13
13
13
355
35
35
35
35
35
35
35
35
35
35
35
35
35
35
15 15 1716 18 17 16
15 15 1716 19 16
1518 17
15 15 17 1817
16
1518 17
1518
1516 15
18 1715 1518
1715
18 1715
151815
15
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Eb5 Bb5
8valoco
5 55
3 6 5
C5
3
8va
5 1/2
Bb5 Eb5
(cont. in notation)
8va
loco
3 5 5 5 55
1/2
Gtr. 8
Bb5
C58va
6 5 3
Gtrs. 1 & 2
fdbk.
Pitch: G
18 16 15 16 1715
15 1815 16 15
1716
X 15
18 16 161518
171615181615
20 20 19 17 15 1513 12 151513 12131215 15 13 12 15 12
15 13 121215 13 12
15 15 6 15 12 13
15 12 1315 15
1720
2020
20 2020
17 1720
2020
2020
17 1720
20 2020
2020
17 1720 20
2020
202016
1716
22 22 2019
202019
2019
22 22 22
19
18 20 22 22 22
19
18 2019
20 22 22 22
1920
1920 22 22 22 22
1920
19 19
22
12 13 15 1512 13 14 15
12 13 15
16 15 1317
16 15 18 15 15 1617 17
15 16 18 15 16 18 20
133
355
5
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Intro
Fast q = 180
Unholy ConfessionsWords and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Double-time feel1., 2., 3.
Drop D tuning:
(low to high) D-A-D-G-B-E
Gtr. 1 (dist.)Riff A
*D5
f P.M.
Bb5
P.M.
A5
P.M.
End Riff A
3
Gtr. 2 (dist.)
f P.M.
*Chord symbols reflect basic harmony.
D5
P.M.
Bb5 µ A5 µ
3
P.M.
Gtr. 2
Riff B
Gtr. 1: w/ Riff AD5
P.M.
Bb5
P.M.
A5
P.M.
End Riff B 3
0 05 0 7 0 8 0 10 0 8 0 7 8 7
10 8 810 0 8 0 7
7 77 0 8 0
10
0 0
0 05 0 7 0 8 0 10 0 8 0 7 8 7
10 888
888
777
777
0 0 888
888
777
777
00
00 8 0
50
70
80
70
5 7 57
88
88
80
70
5
77
77
50
70 7
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4.
End double-time feel Half-time feel
Bb5
µ A5
“I’llScreamed: 1. try.”
Verse
D5
Gtr. 1
Gtr. 3 (dist.)
f
Gtr. 1
divisiRhy. Fig. 1
P.M.
Gtr. 2
Gtr. 4 (dist.)
f
Gtr. 2
divisi
P.M.
She said as he walked
Bb5
a way.
C5
- “Try not to lose
Riff C
P.M.
End Riff C
End Rhy. Fig. 1
Riff C1
P.M.
End Riff C1
Gtrs. 1 & 2: w/ Rhy. Fig. 1
D5
you.”
Gtrs. 3 & 4: w/ Riffs C & C1
Two vi brant- hearts
Bb5
could change.
C5
888
888
777
777 X
10
12X10
12
12
14
577
577
577
00
00
000X
12
14
8
10X8
10
7
9
888
888
777
777 X
7
9X7
9
8
10
577
577
577
00
00
000X
8
10
5
7
5X7
4
6
000
X10
13X10
13
8
11
888
888
888
88
88
101010
X8
11
7
10
5X8
7
10
X10
12X10
12
12
14X12
14
8
10X8
10
7
9
000 X
12
14X12
14
10
12
888
888
888
88
88
101010X
10
12
8
10X7
9
8
10X7
9X7
9
8
10X8
10
5
7
5X7
4
6
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Noth
D5
ing- tears the be ing- more than de cep- tion.- Un masked- fear.
Bb5 C5
Gtrs. 1 & 2
P.M. P.M. P.M. P.M.
“I’ll be here wait
D5
ing,”-
Gtrs. 3 & 4: w/ Riffs C & C1
P.M.
P.M.
P.M.
test
Bb5
ed- and se cure.
(Ah.)
C5
-
D5Interlude
µ D5
P.M.
Rhy. Fig. 2
P.M. P.M.
µ
P.M.
D5
P.M.
µ D5
P.M.
µEnd Rhy. Fig. 2
Gtrs. 1 & 2: w/ Rhy. Fig, 2
D5
µ D5
µ D5
µ D5
µ
57
57
57
57
577
00
00
00
00
00
0 2 30 1
313
13
13
133
133
35
35
35
35
355
35
35
355
355
577
577
577
00
00
000
888
888
888
88
88
101010
00
00
0 0 0 0
00
00
00
0 0 0 0 00
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Noth
Pre-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
D5
ing- hurts my world, just af fects- the ones a round- me.
Ab5
When
Gtrs. 3 & 4
Riff D
P.M. P.M. P.M. P.M. P.M. P.M.
P.M. P.H.
End Riff D 8va
sin’s
Gtrs. 3 & 4: w/ Riff D
D5
deep in my blood, you’ll be the one to fall!
Ab5
“I
wish
Chorus
D5
I could be the
E5 F5
one,
C5
the
Gtrs. 1 & 2
Rhy. Fig. 3
3
one
F5
who won’t care
Bb5
at all. But
End Rhy. Fig. 3
0 07 0 8
0 07 0 8
0 05
04
0 07 0 8 0
7 0 8 0 7 0 6
577
577
XXX
000
22
33 3
55
355
355
355
2 3 2 3 25 3 0
333
333
333
333
00 1
33
133
133
133
133
133
133
133
133
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be
D5
in’- the one on
E5
the
F5
stand,
C5
I know the way
F5
to go, no one’s guid
G5
in’- me.
Dm/F
When
time
Gtrs. 1 & 2: w/ Rhy. Fig. 3
D5
soaked with blood turns
E5
its
F5
back
C5
I
F5
know it’s hard
Bb5
to fall. Con -
fid
D5
ed- in me was
E5
your
F5
heart.
C5
Gtrs. 1 & 2
577
577
XXX
000
22
33 3
55
355
355
355
355
355
355
355
355
355
333
333
XXX
333
333
333
333
555
555
XXX
353
XXX
XXX
577
577
XXX
000
22
33 3
55
355
355
355
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C To oda
I know it’s hurt
F5
in’- you, but it’s
kill
G5
in’- me.”
Dm/FInterlude
Dm
Gtr. 1
Gtr. 2
A7 Bb Db C Bb
355
355
355
355
355
355
355
333
333
XXX
333
333
333
555
555
XXX
353 5 7 5 7 7
5 8 7 8 82 5 7
555
555
XXX
353
5 8 7 8 8 3 5 4 5 5 7 8
5 55 7 6 7 7 2 4 5 8 7 7 5
7 7 2 4 3 4 4 0 1 2 4 3 3 1
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1.
2.
End half-time feel
Double-time feel
End double-time feel
A Aaddb13 Aaddb13
Gtr. 2
Gtr. 1: w/ Riff A (1 1/2 times)
D5 Bb5 A5
D5
P.M.
Gtrs. 1 & 2Bb5 µ A5 µ
NothScreamed:
Bridge
Gtrs. 1 & 2: w/ Riffs A & B (4 times)
D5
ing- will last in this life,
Bb5
our time is spent
A5
con struct- ing.-
D5
Now you’re per fect- ing- a world
Bb5
meant to sin.
A5
D5
Con strict- your hands a round- me,
Bb5
squeeze till I can
A5
not- breathe.
D5
This air tastes dead in side- me.
Bb5
Con tri- bute- to
A5
our
4 4 1 8 7 83 7 5
8 8
0 2 4 3 4 4 8 7 4 4
000
0
0
0
0
8
88
8
88
7
77
7
77
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Half-time feel
Break
plague.
D5
all your prom
is- es,...-
...tear down this stead
fast- wall.
Gtrs. 1 & 2
Rhy. Fig. 4 End Rhy. Fig. 4
P.M.
Re
Gtrs. 1 & 2: w/ Rhy. Fig. 4
straints- are use
less- here.
Tast ing- sal va- tion’s- near.
InterludeD5 C#5 D5
C5 B5 Bb5
D5 A5 D5
Ab5 G5
*Gtrs. 1 & 2
*Composite arrangement
D5 C#5 D5 C5
P.M.
B5 Bb5 D5 A5 D5 Ab5 G5
Ah.
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
D5
Noth
Pre-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
Gtrs. 3 & 4: w/ Riff D (2 times)
D5
ing- hurts my world, just af fects- the ones a round- me.
Ab5
When
00
00
00
00
00
00
00
00
00
00
00
00
00
1212
1111
00
1010
99
88
00
55
77
00
66
55
00
1010
1212
1111
00
88
1010
99
88
00
77
00
66
55
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D.S. al Coda
Coda
Play 3 times
sin’s
D5
deep in my blood, you’ll be the one to fall!
Ab5
*Gtrs. 3 & 4
Interlude
Riff E
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D5
grad. bend
G5 D5
grad. bend
G5End Riff E
*Composite arrangement
1 1 1 1 1 1/2 1 1 1 1 1 1/2
D5
G5 A5 D5 G5
A5 D5 G5
D5 F5 D5 Em A
I
Gtrs. 1–4 Gtrs. 2 & 4
Gtrs. 1 & 3
divisi
1 1/2 1 1/2
kill
G5
in’- me.”
Dm/F
Gtrs. 1 & 2
Ah.
OutroGtrs. 1 & 2: w/ Rhy. Fig. 2
Gtrs. 3 & 4: w/ Riff E (4 times)
D5
G5 D5
G5
Gtrs. 1 & 2
D5
P.M. P.M.
G5 D5
P.M. P.M.
G5Gtrs. 1–4D5
P.M.
µ
0 11 0 10 0 8 60 0 5 0 11 0 10 0 8 60 0 5
0 5 0 5 0 5 0 3 0 57
57
24
555
555
XXX
353
00
00
0 0 0 0 00
00
00
0 0 0 0 00
00
00
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Intro
Moderately q = 95
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Waking the Fallen (Intro)
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Drop D tuning:
(low to high) D-A-D-G-B-E
Gtr. 2 (dist.)
**
w/ fingers
fdbk.
F#5
pp
**Fade in
*Gtr. 1 (dist.)
***
P.M. throughout
pp
*Doubled throughout
***Fade in
mp
mf
(Ah.)
Gtr. 2 tacet
Gtr. 1
Rhy. Fig. 1 End Rhy. Fig. 1
0
6
44 44 44 44 44 44 44 44 44 44 44 44 44 44 44 44 44 44
0
6
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
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Gtr. 1: w/ Rhy. Fig. 1
Rah!
w/ echo repeats & heavy reverb
Wake
Verse
Gtr. 1: w/ Rhy. Fig. 1 (4 1/2 times)
F#5
the ones and rise to night.-
Fall en- souls, we shine so bright.