benny or portfolio 2012

1. THE MEETING PLACE

2. THE NODE 3. A CHAIR FOR AI WEI WEI

4. THE CYCLOPS 5. BOUAZIZI MEMORIAL

8. STUDIOS ARCHITECTURE6. H.M.B.A 7. ATELIER PROPages 5 - 11

Pages 12 - 17 Pages 18 - 21Pages 22 - 27 Pages 28 - 35

Pages 38 - 43Pages 52 - 57Pages 44 - 51

2

1. THE MEETING PLACE

2. THE NODE 3. A CHAIR FOR AI WEI WEI

4. THE CYCLOPS 5. BOUAZIZI MEMORIAL

8. STUDIOS ARCHITECTURE6. H.M.B.A 7. ATELIER PROPages 5 - 11

Pages 12 - 17 Pages 18 - 21Pages 22 - 27 Pages 28 - 35

Pages 38 - 43Pages 52 - 57Pages 44 - 51

3

THE PROJECT WAS AN ATTEMPT TO EXPOSE AND REVERSE THE LACK OF COMMUNITY FOUND IN THE COLLEGE ST. AND SPADINA AVE. INTERSECTION OF DOWNTOWN TORONTO. THE BUILDING’S SIMPLE FORMS HEIGHTENS VISUAL IMPACT, TURNING DOWN THE CITY’S VISUAL NOISE AND INSTEAD LETTING THICKNESS AND VOLUME SPEAK.

THE MEETING PLACE

3A T

ERM

MIXED - USE URBAN BUILDING

6

LOBBY & DINING SERVICES AND STORAGE EXHIBITION & PERFORMANCEPARKING AND MECHANICAL

LOADING GARBAGE & HOLDINGELECTRICALVAULTRETAIL STORAGEADMIN OFFICESRESTAURANT KITCHEN EXHIBITION STORAGE

CAFETERIAAMPHITHEATRE

BOX OFFICE

LOBBY

PARKING MECHANICALGENERAL STORAGE

EXHIBITION HALLPERFORMANCE HALL

MARKET PLACE HOSTELOFFICES

RETAIL SRO & OFFICES

AM PMAM PM

COLLEGE ST.

SPAD

INA

AVE.

COLLEGE ST. COLLEGE ST.

SPAD

INA

AVE.

COLLEGE ST.

SPAD

INA

AVE.

SITE ANALYSIS: THE INTERSECTION SERVES AS A GATEWAY BETWEEN A SERIES OF COLLIDING COMMUNITIES. AFTER INTERVIEWING THE STOREOWNERS AND PRIMARY USERS OF THE SITE I WAS ABLE TO EXPOSE THE SOCIAL DISCONNECT BETWEEEN THE USER GROUPS.

7




BOX OFFICE

LOBBY




RETAIL SRO & OFFICES

SPAD

INA

AVE.

COLLEGE ST.

MORPHOLOGY DIAGRAM




BOX OFFICE

LOBBY




RETAIL SRO & OFFICESPROGRAMMATIC DIAGRAM

IT WAS IMPORTANT FOR ME TO KEEP GRADE AS TRANSPARENT AS POSSIBLE.

THE PUBLIC AND PRIVATE PROGRAM IS HOUSED WITHIN A COMPOSITION OF GEOMETRIC VOLUMES.

SITE PLAN:

3A T

ERM

8

INSPIRED BY MADISON SQUARE PARK’S SHAKE SHACK, THE MEETING PLACE IS A PLACE OF GATHERING. THE TRANSPARENT LOBBY SERVES AS A BACKDROP FOR THE URBAN ENVIRONMENT, HIGHLIGHTING THEIR PROGRAMMTIC DIFFERENCES.

MA

IN F

LOO

R PL

AN

ALTERNATE SCENE LAYOUT

9

REN

DER

S

SEC

TIO

N

HOSTEL INTERIOR

3A T

ERM

10

THE BUILDING STRIVES TO PROPOGATE A SENSE OF IMPERMANENCE, CHANGING CONSTANTLY TO SUPPLY FOR A COMMUNITY’S EVER CHANGING DEMANDS. THE MEETING PLACE IS ABOUT THE CREATION AND EVOLUTION OF URBAN SCENES THROUGH INHABITATION.

11

I believe that good design should challenge and inspire the human mind. Architecture serves people and it’s only through service that it ensures its own longevity.

12

I’M FASCINATED BY THE IDEA OF CONGESTION AND THE INIFINITE

POSSIBILITIES OF THE SKYSCRAPER CITY. THIS PROJECT WAS AN INVESTIGATION ON URBAN

PLANNING TYPOLOGIES AND HOW A BUILDING POSITIONS ITSELF WITHIN

ITS FRAMEWORK. THE CENTRAL ATRIUM SERVES AS A WHIRLPOOL

OF CIRCULATION THAT TURNS THE TRAINING ACTVITIES INTO A

THEATRICAL PERFORMANCE.

OLYMPIC DIVING TRAINING FACILITY

THE NODE

2B T

ERM

14

MASTERPLAN

REDEVELOPING THE MASSIVE QUARRY SITE, MY PARTNER AND I DECIDED EMBRACE THE SCALE. THE SITE WAS DEVELOPED INTO CANADA’S LARGEST OLYMPIC TRAINING FACILITY WHERE BANDS OF SPORTS FIELDS WOULD SPAN ACROSS THE QUARRY. THEY LAYERING OF INFRASTRUCTURE BECAME A CIRCULATION NETWORK OF CATWALKS WHERE YOU COULD SPECTATE UPON THE EVENTS HAPPENING BELOW.

1. WATER RESERVOIR 2. SPORTS FIELDS

+ +

3. CIRCULATION NETWORK

15

ATHLETES RESIDENCE

WEIGHT AND FITNESS

PUBLIC PARK

SPORTS RETAIL

RESTAURANTS

MECHANICAL

OLYMPIC POOLS

WATER PARKING

WATER RESERVOIR

THE PROJECT’S SITE IS AT THE NODE WHERE THE VARIOUS LEVELS OF INFRASTRUCTURE MEET.

MORPHOLOGY

2B T

ERM

16

EXPERIENTIAL ATRIUM RENDER

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I’m interested in the human scale and the invisible dialogue between the object and the subject.

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IT’S LEGS SPRAWL OUT FROM UNDER THE SEAT DEMANDING ATTENTION. HELD TOGETHER BY IT’S OWN MASS AND FORM, THIS CHAIR IS DECONSTRUCTABLE AND ADJUSTABLE IN HEIGHT. INSPIRED BY AI WEI WEI’S MINIMALIST STYLE AND POLITICAL IDEALS, THIS CHAIR IS A MINIMAL EXPRESSION OF THE POWER OF THE COLLECTIVE.

DESIGN AND CONSTRUCTED BY BENNY OR & ERIC LEE

A CHAIR

3A T

ERM

PART

NER

: ERI

C LE

E

No one is willing to speak out. What are they waiting for?

Ai Wei Wei

“ ”

20

I AM UTTERLY 100% HEAD OVER HEELS IN LOVE WITH THEATRE.

I MUST CONFESS . . .

22

THE CYCLOPS

IN 2010, I WAS NOMINATED AND ELECTED BY MY PEERS TO DIRECT THE PROJECT OF MY DREAMS. AS A CLASS

WE COMPLETELY DESIGNED, PRODUCED AND PEFORMED A THEATRICAL

PRODUCTION OF EURIPEDES’ SATYR PLAY “THE CYCLOPS” IN 12 WEEKS’ TIME. THIS

ADVENTURE TURNED OUT TO BE ONE OF THE MOST CHALLENGING AND DEFINING

PERIODS OF MY LIFE.

DIRECTOR

2B T

ERM

24

CONCEPTIN COMPLETE DARKNESS, WHAT ONE SEES BECOMES REALITY. BY UNDERSTANDING HOW LIGHT BEHAVED IN DARKNESS, WE WERE ABLE TO CONTROL PERCEPTION BY SELECTIVELY REVEALING AND CONCEALING ENVIRONMENTS THROUGH ILLUMINATION. DARK-NESS THEN BECAME THE STAGE CURTAIN WHERE PERFORMERS ENTERED AND EXITED SEAMLESSLY IN AND OUT OF SIGHT.

25

DANCE CHOREOGRAPHY

SET & PROPS DESIGN COSTUMES AND MAKE UP

2B T

ERM

AFTER A JOURNEY OF IMPROVISATION AND COLLABORATION, THE CYCLOPS WAS A TRULY HOMOGENEOUS BODY OF WORK FORGED FROM THE IMAGINATIONS OF 80 ESTEEMING YOUNG ARCHITECTS.

ACTING & DIRECTION MUSIC COMPOSITION

26

SUZAN IBRAHIMARTISTIC DIRECTOR

BENJAMIN V. NOSTRANDSCENIC DESIGNER

CARMEN VODA

LEAD CHOREOGRAPHER

DUSTY PARKESMUSICAL DIRECTOR

AURELIA ADAMS

HEAD COSTUME DESIGNER

JENNIFER TU-ANH PHANASSISTANT DIRECTOR

ANTON FREUNDORFERSTAGE MANAGER

DIRECTION DREAM TEAM NONE OF THIS WOULD HAVE BEEN POSSIBLE WITHOUT THE FULL SUPPORT OF MY BRILLIANT PEERS AND FRIENDS. THEY MADE MY DREAMS COME TRUE.

LAURA PELLOWHAIR AND MAKE UP DESIGNER

28

CIRC

ULA

TIO

N

3B T

ERM

BOUAZIZI MEMORIALARAB SPRING

Just as fire devours itself to survive, losing everything to gain everything, the quest for democracy in the Middle East comes with heavy sacrifices. The Bouazizi Memorial does not attempt to recreate or represent the physical manifestations of the revolutions but strives to capture and evoke the contrasting sensations of optimism and violence embodied within the hearts of the men and women of the arab spring.

30

33

“The success of a revolution resides only in itself,

precisely in the vibrations, clinches, and openings it gave to men and women at the moment of it’s making. The monument does not need to actualize the virtual event but incorporates or embodies it. it gives it a body, a life, a universe.

Gilles Deleuze“

31

3B T

ERM

Using a film clip of an oil fire in Kuwait as inspiration, I took on the formal challenge of physically capturing the dynamism of the flames. After a long materials investigation, I settled upon carved and blowtorched styrofoam as my method and medium of choice.

Once I learned how to communicate through form and material, the variable of time was added. By arching a light source over the physical models in complete darkness, we were able to simulate the positioning of the sun over the span of a day.

PROCESS

32

INTERIOR MODEL

SUNRISE NOON SUNSET

Light became the animating element of the piece and the challenge to control it’s movement through form and it’s qualities through material was frustratingly inspiring.

33

CIRC

ULA

TIO

N

3B T

ERM PRAYER HALL AT NOON ( 2012 )

CLAY, PLEXI-GLASS, SPRAYPAINT, WOODEN DOWELS

34

MORNING CORRIDOR ( 2012 )

CLAY, PLEXI-GLASS, SPRAYPAINT, WOODEN DOWELS

35

3B T

ERM

36

AN EXPERIENTIAL SECTION THROUGH SPACE AND TIME.

37

IN THE SPRING OF 2010, I PACKED UP MY BAGS, HOPPED ON A BUS AND MOVED TO NEW YORK CITY.

38

AT HOLZMAN MOSS BOTTINO ARCHITECTURE MY WORK WAS

PRIMARILY FOCUSED ON BUILDING A VARIETY OF MODELS RANGING FROM

ROUGH DECONSTRUCTABLE AND RECYCLABLE WORKING MODELS TO

DETAILED LARGE SCALE INTERIOR PRESENTATION MODELS.

FEBR

UA

RY -

APR

IL 2

011

NEW

YO

RK C

ITY,

USA

40

WESTERN CONNECTICUT STATE UNIVERSITY FINE AND PERFORMING ARTS

CENTER

41

THEATRE INTERIOR STUDY MODELSCALE: 3 / 8”

FEBR

UA

RY -

APR

IL 2

011

NEW

YO

RK C

ITY,

USA

42

CONCERT HALL ROOF AND FACADE STUDYSCALE: 3 / 8”

43

IN NYC, I LEARNED “TO GO”.

1. Solomon R. Guggenheim Museum2. Metropolitan Art Museum3. Museum of Modern Art4. Museum of Natural History5. United Nations Tour6. New York Public Library Card7. Highline walk8. South Pacific - Vivian Beaumont Theatre9. Mass at St. Patrick’s Cathedral10. Go to Mcgees for lunch11. Top of the Empire State Building12. Concert at the Barge13. Best pizza in little Italy (Grimaldi’s and Lombardis)14. Hard Rock Cafe15. Ranger vs. Leafes game - Madison Square Garden16. Stomp17. West Side Story18. Billy Elliot19. Blue Man Group20. Top of the Rock

21. Central Park22. NY Times Building23. New Museum of Contemporary Art24. Scary Kids Scaring Kids25. Scratch Dj Acadamy classes26. Wicked27. Alice in Wonderland28. Coney Island29. Chicago30. Museum of American Folk Art31. Kid Crises32. Hockey Nights at Van Diemens33. Blue Smoke34. Momo Fuku Noodle Bar35. Staten Island Ferry36. Museum of Art and Design37. Bridge Cafe38. Brooklyn Museum39. Carnegie Hall40. Frick Collection

41.Walking tour of Grand Central42. Intrepid Tour43. The Campbell Apartment44. Lupe Fiasco Concert45. Phosphorescent Concert - Hoboken, NJ46. SPOON Concert - Radio City Music Hall47. Oyster Bar48. Momofuku Milk Bar49. God of Carnage50. Phantom of the Opera - Majestic Theatre51. Madama Butterfly - David H. Koch Theatre53. Shake Shack for Lunch54. Knaan Concert55. Ryan McGinley Opening56. Momofuku Saam Bar57. MoMa PS158. Avery Fischer Hall59. Carlos’ Bakery - Hoboken, NJ60. Hamlet - Metropolitan Opera

TO D

O L

IST:

IT DIDN’T MATTER WHERE, AS LONG AS I WAS LEARNING.

44

AT ATELIER PRO ARCHITEKTEN I WORKED ON PRESENTATION DRAWINGS, PHYSICAL MODELS AND DESIGN AND TECHINICAL

DRAWINGS.

SEPT

EMBE

R - D

ECEM

BER

2011

THE

HAG

UE,

NL

46

NIEUWHORNE SPORTS COMPLEX COMPETITION RENDER

47

GOESE LYCEUM COMPETITION

GOESE, THE NETHERLANDS

RENDERINGS TO SHOW THE BUILDING’S CHANGING GEOMETRY

SEPT

EMBE

R - D

ECEM

BER

2011

THE

HAG

UE,

NL

48

INFORMATION AND ADMINISTRATIVE SERVICE RENOVATION COMPETITION

GRONINGEN, THE NETHERLANDS

CONCEPT, SCHEMATIC DESIGN, DRAWINGS AND RENDERINGS

49

IN HOLLAND, I TOOK EVERY OPPORTUNITY TO TRAVEL AND SEE THE REST OF EUROPE. BETWEEN THE LONG FLIGHTS AND TRAIN RIDES, I WOULD ILLUSTRATE FOR MY GRAPHIC DESIGN BLOG THAT I USED TO KEEP IN TOUCH WITH MY FRIENDS AT HOME.

SEPT

EMBE

R - D

ECEM

BER

2011

THE

HAG

UE,

NL

50

13.11.10

VENICE BIENNALE

THE MYSTERIOUS CAMEL

22.10.10

51

IN THE SUMMER OF 2011. I FELL IN IN LOVE WITHSAN FRANCISCO

52

PROJECT DATAOFFICE NAME: STUDIOS ARCHITECTURE

WORK DESCRIPTION

AT STUDIOS ARCHITECTURE, I WAS IN CHARGE OF MODELING THE EXISTING BUILDING CONDITIONS OF LOGITECH’S NEW HEADQUARTERS RENOVATION PROJECT AS WELL AS HELPING PRODUCE PERMIT AND CONSTRUCTION DRAWINGS TO ENSURE THAT THE NEW BATHROOMS WERE A.D.A. APPROVED.

OTHER TASKS INCLUDE PHYSICAL MODEL BUILDING AND PREPARING PRESENTATION DIAGRAMS AND GRAPHICS.

13.06.11 - 02.09.11

INTERNSHIP LOGITECH HEADQUARTERS

JUN

E - S

EPTE

MBE

R 20

11SA

N F

RAN

CISC

O, U

SA

54

Los Angeles New York Paris San Francisco Washington, DC

October 20, 2011 RE: Benny Or Recommendation

To Whom it May Concern: I am writing to recommend Benny Or for his next internship while with the University of Waterloo. Benny worked for me as an intern at Studios from June 2011 through August 2011. He assisted me with the compilation of the Construction Documents for a two building renovation project where we were representing the landlord’s scope of work in preparation for a new tenant to lease the buildings. Benny worked his way from purely support-oriented tasks to more value-added more involved activities such as setting up the drawing set in Revit using examples I had given him. He was my sole help for the duration of the project, not only building the entire Revit model but also annotating all partition, finish, and reflected ceiling plans based upon redlines I gave him, in preparation for submittal to the city for building permits. Benny's main strengths are his amazingly positive attitude and willingness to take on all tasks given to him, no matter how boring or mundane. Benny played an integral role in our being able to submit drawings on time and within the client’s fast track schedule, pulling together all the information I requested into the drawing set. As a result of his desire to take on more work, Benny gained full exposure to how a set of construction drawings is put together as well as what needs to be in the set and why it needs to be there. As Benny continues to develop his skills, he should focus on learning the differences in working in an office versus school environment. Mastering the skills necessary to be successful in a professional environment such as double checking all work prior to submittal and improved note taking and task orientation will further help Benny as he continues along towards a career in architecture. As Benny gains more experience and exposure to professional work environments, he will be able to make a very positive contribution to wherever he ends up. Sincerely,Meaghan Strahorn, Assoc. AIA, LEED AP BD+C

Associate

405 Howard Street, Suite 588 San Francisco, CA 94105 415 398 7575 415 398 3829 fax www.studiosarchitecture.com

55

LOGITECH HEADQUARTERS

8-148-5 8-6 8-7 8-8 8-9 8-10 8-11 8-12 8-13

8-1 8-2 8-3 350B

8-A

8-B

8-C

8-D

8-E

8-F

8-G

8-H

8-J

8-K

8-L

8-A2.1113

8-A2.111

ELEC.8.1.390

(E) MAINELEC

8.1.400

WOMENSTOILETS8.1.110

MENSTOILETS8.1.111

JANITOR8.1.200

MENSSHOWER

8.1.121

WOMENSSHOWER

8.1.120 (E) ELEC8.1.160

STAIR #28.1.430

UNISEXTOILET8.1.271

STAIR #18.1.070

( E )ELEV.

MACHINEROOM8.1.273

OPENOFFICE8.1.350

OPENOFFICE8.1.140

8-A5.019

( E )LOBBY8.1.270

TELE/DATA8.1.161

1-4302a

CRC

1-350B2a

CRC

1-270A2

CRCC

1-270B2

CRCC

1-1402a

CRC

1-1722a

CRC

8-A2.113

1

1

1

1

1

1

3

14

14

8-A2.1115

NEW PARTITION

EXISTING PARTITION

PARTITION LEGEND

NEW DOOR

NEW 2-HOUR RATED PARTITION

NEW SMOKE-RATED PARTITION

PARTITION PLAN GENERAL NOTES1. GENERAL CONTRACTOR TO BE RESPONSIBLE FOR ADEQUATELY FRAMING, BRACING, AND STRUCTURINGALL WALLS AND OTHER GYPSUM BOARD CONSTRUCTION IN ACCORDANCE WITH APPLICABLE TYPICALDETAILS CONTAINED IN THESE DRAWINGS. WHETHER OR NOT SPECIFICALLY REFERENCED ON THESEPLANS, ALL PARTITIONS SHALL BE BRACED IN ACCORDANCE WITH SEISMIC CODE REQUIREMENTS.

2. ALL PARTITIONS ARE DIMENSIONED FROM FACE OF FINISH TO FACE OF FINISH, U.O.N.

3. ALL INTERIOR DOOR HINGE-SIDE JAMBS ARE 4" FROM FACE OF ADJACENT PARTITION, U.O.N.

4. SEE SHEET A10.00 FOR PARTITION TYPES AND DETAILS.

5. FOR ABBREVIATIONS USED ON THESE SHEETS SEE SHEET G0.00 - "ARCHITECTURAL ABBREVIATIONS."

6. FOR SYMBOLS USED ON THESE SHEETS SEE SHEET G0.00 - "ARCHITECTURAL SYMBOLS."

7. SEE A3.00 FOR REFLECTED CEILING PLAN GENERAL NOTES AND LEGEND.

8. SEE A5.00 FOR FINISH PLAN GENERAL NOTES AND LEGEND.

9. INSTALL BACKING AS REQUIRED FOR ALL MILLWORK, MARKERBOARDS, EQUIPMENT, FURNITURE,PROJECTION SCREENS, HANDRAILS, AND GAURDRAILS.

10. SEE FINISH SCHEDULE FOR FINISHES AND LOCATIONS, U.O.N.

11. PATCH (E) WALLS AS REQUIRED AND PREPARE TO RECEIVE PAINT OR WALLCOVERINGS.

12. (E) LIFE SAFETY DEVICES TO BE RELOCATED WHERE REQUIRED BY NEW CONSTRUCTION.CONTRACTOR TO VERIFY CONDITIONS IN FIELD.

13. FOR TYPICAL MOUNTING HEIGHTS SEE 4/G1.00.

14. ALL (N) DOORS TO BE HARDWARE GROUP 1, U.O.N.

15. FOR TYPICAL DOOR DISABLED ACCESS REQUIREMENTS, SEE 5/G1.00.

16. FLOOR TOLERANCE: FINISHED FLOOR TO BE LEVELED TO A TOLERANCE OF 1/4" SLOPE IN 10 FEET.GENERAL CONTRACTOR TO IMMEDIATELY VERIFY SLOPE AND REPORT AND DEVIATIONS FROM THE ABOVESTATED TOLERANCE TO STUDIOS PRIOR TO COMMENCING WORK. ALIGNMENT OF DOOR HEADS ANDOTHER CRITICAL HORIZONTAL ELEMENTS SHALL BE MAINTAINED AT A CONSTANT LEVEL AND SHALL NOTFOLLOW VARIATIONS IN FLOOR PLANES.

17. PARTITION SHOWN TO ALIGN WITH FACE OF EXISTING CONSTRUCTION OR NEW PARTITIONS SHOULDALIGN FINISH FACE TO FINISH FACE

18. ALL NEW AND EXISTING WALLS ARE TO BE LEVEL 4 GYPSUM BOARD FINISH U.O.N. ALL NEW ANDEXISTING WALLS WITH WALL WASHER TYPE LIGHTS SHOULD BE LEVEL 5 FINISH, TYP.

19. PATCH FIREPROOFING AT STRUCTURAL COLUMNS, DECKING, AND FRAMING AS REQUIRED TOMAINTAIN FIRE RATINGS.

20. (E) LIFE SAFETY DEVICES TO BE RELOCATED WHERE REQUIRED BY NEW CONSTRUCTION.CONTRACTOR TO VERIFY CONDITIONS IN FIELD. FOR TYPICAL MOUNTING HEIGHTS SEE 11/G1.10.CONTRACTOR TO VERIFY FINAL LOCATION W/ ARCHITECT PRIOR TO INSTALLING.

21. WATER CLOSETS & TOILET PARTITIONS ARE TO BE RE-INSTALLED AT EXISTING LOCATIONS U.O.N.DIMENSIONS SHOWN ARE TO ILLUSTRATE ADA COMPLAINCE ONLY U.O.N

22.ALL RESTROOM WALLS ARE EXISITING U.O.N. DIMENSIONS SHOWN FOR EXISTING WALLS ARE TOILLUSTRATE ADA COMPLAINCE ONLY.

23. FOR TYPICAL MOUNTING HEIGHTS AND KEYNOTE SPECIFICATIONS SEE 4 & 12 / 8 - A0.11

8

9

(LOGITECH B2)

(LOGITECH B1)

405 HOWARD STREET, SUITE 588 ~ SAN FRANCISCO, CA 94105 ~ 415.398.7575

DAVID SABALVARO LICENSE NO. C-015925

TLIC

DE

CHNSE AR

ITEC

STAT E

O F C A L IF O

RN

IAREN.

ORAVLABAS

DAV ID

NO. C15925

3-31-13

B8NORTH

P R O J E C T N O.

DATE:ISSUED FOR:

C O P Y R I G H T © 2 0 1 1 b y S T U D I O S a r c h i t e c t u r e

TRUENORTH

8/26/2011 2:53:46 PMC

:\Users\m

s trahorn \Docum

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ser Files\P RC

8&

9-C

ENTR

AL_ mstraho rn.rvt

7600 & 7700Gateway Blvd.

Newark, CA 94560

8-A2.01

PARTITION PLAN -FLOOR 1

11542.01

PacificR

esearchC

enter-Bldg.8&

911542.01

BIOMED REALTYTRUST, INC.

Pacific ResearchCenter - Bldg. 8 & 9

SCALE: 1/16" = 1'-0"

1 8 - PARTITION PLAN - FLOOR 1

SHEET NOTE LEGEND - PARTITION PLANNOTE NO. COMMENT

1 (N) STOREFRONT DOOR TO MATCH (E), SEE DOOR SCHED. FOR ADDL. INFO.2 CORE (E) FLOOR SLAB & PROVIDE CONDUIT RUNS W/ RING & STRING UP FROM

MPOE/ELEC. CLOSET FOR FUTURE TENANT USE. COORDINATE FINAL LOCATION &ORGIN OF PULL W/ ARCHITECT PRIOR TO PROCEEDING W/ WORK.

3 (E) UNDERSIDE OF STAIRS TO REMAIN. PAINT P1 TO UNDERSIDE AND STRINGERSOF STAIRS

4 UNSEALED CONCRETE FLOOR WITH LEVEL 3 GYP. BD. FINISH. INSTALL PLYWOODBACKBOARD FOR FUTURE TENANT USE

5 UNSEALED CONC. FLOOR W/ LEVEL 3 GYP. BD. FINISH6 PATCH AS REQUIRED FOR NEW TILE AND BASE, SEE FINISH PLANS & ELEVS. FOR

ADDL. INFO.7 INSTALL (N) ADA COMPLIANT GRAB BARS - SEE ELEV. FOR ADDL. INFO.8 REINSTALL (E) TOILET PAPER DISPENSER. SEE ELEVS. FOR ADDL. INFO.9 NEW CANTILEVER COUNTERTOP (SEE A9.10), REUSE (E) STEEL FOR NEW

COUNTER.10 INSTALL (N) PF-7 FLOOR DRAINS @ ALL (E) FLOOR DRAIN LOCATIONS11 GC TO VERIFY (E) SLOPE OF SHOWER FLOOR, INCL. (N) PORTION, & MODIFY AS

REQ. TO MAINTAIN CODE COMPLIANCE12 (E) CLG & LIGHTING TO REMAIN, SEE FINISH PLANS FOR ADDL. INFO.13 INSTALL (N) LENS COVER @ (E) LIGHT FIXTURES - ALP LIGHTING CLEAR

ACRYLIC-MICRO LINEAR DIFFUSER. CUT TO SIT IN LIGHT FIXTURE LENS FRAME14 LOCATION OF FUTURE TENANT 1-HR RATED WALL ENCLOSURE15 LOWER (E) SANITARY NAPKIN DISPENSER AS REQ. FOR C.L. OF OPERATING

MECHANISM TO BE 40" ABV. FIN. FLR. MAX.16 INSTALL (N) ADA COMPLIANT U-HANDLE ON OUTSIDE OF DOOR

75% CONSTRUCTION DOCUMENTS 08.23.11

ISSUE FOR PERMIT 08.29.11

ALIG

N

ALIGN

8-7 8-8 8-9

8-J

8-K

WOMENSTOILETS8.1.110

WOMENSSHOWER

8.1.120

MENSSHOWER

8.1.121

MENSTOILETS8.1.111

JANITOR8.1.200

8-A9.01

3b

3c

3d

3a

8-A9.01

1b

1d

1c1a

8-A9.01 2b

8-A9.01 4c

2c

2a

2d

4d

4b

4a

6 9

6 91213

12

12

12

13

7

11

11

7

PF-7

PF-7

10

10

8 N4

8 N4

10

10

4' - 4" (E)

60" X 54" CLR.

60" X 54" CLR.

30" X 48"CLR.

30" X 48"CLR.

4' -

4 5/

8" (E

)

F.O. FIN.

5' - 0" MIN. TO1/2" MAX. THRESHOLD

4' -

0" (E

)5'

- 4

1/2"

(E)

7' - 8 5/8" (E)

27" MAX.

4' -

2" (E

)

5' - 0" (E)

6' -

3" (E

)

4" MAX.

3' - 0" (E)

24" M

IN.

2' - 10" (E)

1' - 6" (E)

MAX

.

12"

27" MAX.

5' -

4" (E

)4'

- 0"

(E)

F.O. FIN.

5' - 0" MIN. TO

7' - 8 5/8" (E)

2' - 10" (E)

24" M

IN.

4' -

1" (E

) 4" MAX.

4' -

4" (E

)

MAX

.

12"

3' - 0" (E)

4' - 4" (E)

30" X 48"CLR.

CLR. R

ADIUS2'

- 6"

CLR.

2' - 10" (E)

CLR. R

ADIUS2'

- 6"

CLR.

2' - 10" (E)

6'-2

"(E)

NOTE: SEE 8-A2.01 FOR PARTITION PLAN GENERAL NOTES, LEGEND & SHEET NOTES

6'-9

"(E)

6'-9

"(E)

15

16

17"M

IN.

19"M

AX.

(18" MIN.)

4' - 0"

(18" MIN.)

4' - 0"

17"M

IN.

19"M

AX.

16

1'-2

"(E)

1/2" MAX. THRESHOLD

60" X 54" CLR.

60" X 54" CLR.

5

8-A10.20

8-3 350B

8-D

ELEC.8.1.390

2 14

2 14

2 14

1-3901

KLAA

5'-6

"

51-350A

2CRCC

1

NOTE: SEE 8-A2.01 FOR PARTITION PLANGENERAL NOTES, LEGEND & SHEET NOTES

8-12 8-13

8-J

8-K

6' - 7"

2'-0

"

2 14

2 142 1

4

(E) ELEC8.1.160

TELE/DATA8.1.161

4

2

NOTE: SEE 8-A2.01 FOR PARTITION PLAN GENERALNOTE, LEGEND & SHEET NOTES

8-2

8-H

UNISEXTOILET8.1.271

( E )ELEV.

MACHINEROOM8.1.273

7

1'-6

"(E)

24" MIN.

1'-6

"(E)

CLR. RADIUS

2' - 6"60" X 54" CLR.

30" X 48" CLR.

4' - 2 1/2" (E)

54" MIN.

8

9

(LOGITECH B2)

(LOGITECH B1)

405 HOWARD STREET, SUITE 588 ~ SAN FRANCISCO, CA 94105 ~ 415.398.7575

DAVID SABALVARO LICENSE NO. C-015925

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STAT E

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IAREN.

ORAVLABAS

DAV ID

NO. C15925

3-31-13

B8NORTH

P R O J E C T N O.

DATE:ISSUED FOR:

C O P Y R I G H T © 2 0 1 1 b y S T U D I O S a r c h i t e c t u r e

TRUENORTH

8/26/2011 2:54:08 PMC

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7600 & 7700Gateway Blvd.

Newark, CA 94560

8-A2.11

ENLARGED PARTITIONPLANS

11542.01

PacificR

esearchC

enter-Bldg.8&

911542.01

BIOMED REALTYTRUST, INC.

Pacific ResearchCenter - Bldg. 8 & 9

SCALE: 1/4" = 1'-0"

13 8 - ENLARGED PLAN - FLOOR 1 - RESTROOMSSCALE: 1/4" = 1'-0"

1 8 - ENLARGED PLAN - FLOOR 1 - SOUTH ELEC. CLOSET

SCALE: 1/4" = 1'-0"

3 8 - ENLARGED PLAN - FLOOR 1 - EAST TELE/DATA CLOSET

75% CONSTRUCTION DOCUMENTS 08.23.11

ISSUE FOR PERMIT 08.29.11

SCALE: 1/4" = 1'-0"

15 8 - ENLARGED PLAN - FLOOR 1 - UNISEX RESTROOM

PARTITION PLAN

JUN

E - S

EPTE

MBE

R 20

11SA

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CISC

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ENLARGED PARTITION PLAN

56

MY, HOW ACCESSIBLE THESE BATHROOMS ARE!

57

LOOK WHAT I CAN DO!TECHNICAL SKILLS

• AUTOCAD2011• REVIT2011• ADOBECREATIVESUITE5• GOOGLESKETCHUP• RHINO• V-RAY• MAXWELLRENDERS• MODELMAKING• LASERCUTTING• HANDDRAFTING• HANDRENDERING

INTERNSHIPS HOBBIES• SINGINGMYHEARTOUT• THEATRE• MUSICCOMPOSITION• PHOTOGRAPHY• GRAPHICDESIGN• PAINTINGANDSCULPTING

UWSA CLASS OF 2013

SIR JOHN A MACDONALD S.S. PRODUCTION

OTHER SHENANIGANS

SEPTEMBER - DECEMBER 2010

FEBRUARY - MAY 2010

ATELIER PRO ARCHITEKTEN B.V. - THE HAGUE, NETHERLANDS

HOLZMAN MOSS BOTTINO ARCHITECTURE - NEW YORK CITY, USA

JUNE - SEPTEMBER 2011STUDIOS ARCHITECTURE - SAN FRANCISCO, USA

“BIG, THE MUSICAL” - JOSH BASKINS (MAIN LEAD) (2006)

“THE CYCLOPS”- DIRECTOR (2010)

FREELANCE DESIGNLUCKY PRODUCTIONS (2011 - CURRENT)

T : +1 ( 519 ) 500 - 3400 E : [email protected] M : 832 BRANDENBURG BLVD, WATERLOO, ONTARIO, N25 2X3 CANADACONTACT INFO:

59

benny or portfolio 2012

Documents

place of gathering

meeting place2

urban environment

transparent lobby serves

evolution of urban scenes

urban planning typologies

site plan

site analysis