bl877 come, ye sons of art *m/three-part mixed come, ye...

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BriLee Music the Voice of Choral Music BL877 COME, YE SONS OF ART *M/THREE-PART MIXED COME, YE SONS OF ART from the Birthday Ode to Queen Mary - April 30, 1694 3-part Mixed (opt baritone) accompanied Henry Purcell Arranged by Russell Robinson Range: Language: English Use: General/Festival Time: Approx. 1:52 *Difficulty: Moderate For Preview Only

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Page 1: BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD Come, Ye ...listeninglab.stantons.com/scores/B/L/8/7/7/cfn-bl877.pdf · Although the Part III solo is in the ... and festivals throughout

Bri

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BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD

Come, Ye SonS of Art

from the Birthday ode to Queen mary - April 30, 1694

3-part Mixed (opt baritone) accompanied

Henry PurcellArranged by Russell Robinson

Range:

Language: EnglishUse: General/FestivalTime: Approx. 1:52*Difficulty: Moderate

For Prev

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Page 2: BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD Come, Ye ...listeninglab.stantons.com/scores/B/L/8/7/7/cfn-bl877.pdf · Although the Part III solo is in the ... and festivals throughout

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BL877

Performance Notes

Henry Purcell, considered by many to be “the finest composer of his day,” is one of the Baroque period’s greatest composers. Born in 1659 in London, he only lived to be 36 years old. He was the organist at Westminster Abbey for many years. This piece, written for the birthday of Queen Mary in 1694, is from the multi-movement work Birthday Ode for Queen Mary. The work includes other well-known odes, such as “Sound the Trumpet” and “Strike the Viol.”

Purcell wrote Come Ye Songs of Art in the key of D major for four voices with orchestra. My arrangement for three-part mixed choir (Part III with limited six-note range) with an optional baritone part is set in the “rich” key of A≤ major. Feel free to use the optional baritone part as it best suits the needs of your ensemble.

Additionally, the melody, originally heard in the alto part, is sung by Part I. The piano accompaniment has been arranged to accommodate a competent pianist of any age or experience. I have also provided two solo sections that are “answered” by the other voices. Although the Part III solo is in the limited range, it may be sung in the full range by singing the cue sized notes.

I believe this arrangement offers an authentic version of the Purcell original, while offering choirs more accessibility to this wonderful piece.

Russell Robinson

About the Arranger

Dr. Russell L. Robinson is a prolific composer, arranger, and author with over 250 publications including choral music, DVDs and books. He is Professor of Music and Area Head for Music Education at the University of Florida, where he has been on the faculty since 1984. He holds a Ph.D. and Masters degrees in music from the University of Miami and a Bachelor of music degree from Drury University in Springfield, Missouri. He is frequently in demand, has been a clinician, adjudicator, and conductor for workshops, all-state choirs, honor choirs, and festivals throughout the United States, Canada, Europe, Africa, Australia and the Far East.

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Page 3: BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD Come, Ye ...listeninglab.stantons.com/scores/B/L/8/7/7/cfn-bl877.pdf · Although the Part III solo is in the ... and festivals throughout

Majestic (q = 120)

Majestic (q = 120)

(from the Birthday Ode to Queen Mary, April 30, 1694)for Three-Part Mixed Voices/Opt. Baritone with Piano

HENRY PURCELL (1659–1695)Arranged by Russell Robinson

Come, Ye Sons of Art

Part I

Part II

Part III(Opt. Bar.)

Piano

7

Copyright © 2015 BLP Choral Music (ASCAP)International Copyright Secured.

All rights reserved, including performance rights.Printed in the U.S.A.

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come, ye Sons of Art, come, come a way,

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come, ye Sons of Art, come, come a way,

BL877

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Page 4: BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD Come, Ye ...listeninglab.stantons.com/scores/B/L/8/7/7/cfn-bl877.pdf · Although the Part III solo is in the ... and festivals throughout

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come, ye Sons of Art, come, come a way, Tune

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all your voi ces and

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come, ye Sons of Art, come, come a way, Tune

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all your voi ces and

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all your voi ces and

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phantday,

day,

BL877

4

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Page 5: BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD Come, Ye ...listeninglab.stantons.com/scores/B/L/8/7/7/cfn-bl877.pdf · Although the Part III solo is in the ... and festivals throughout

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Tune

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all your voi ces and in stru ments play, to

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phantday.

day.

BL877

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Page 6: BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD Come, Ye ...listeninglab.stantons.com/scores/B/L/8/7/7/cfn-bl877.pdf · Although the Part III solo is in the ... and festivals throughout

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Come,

All Voices

come, ye Sons of Art,

Come, come, ye Sons of Art,

Come,

Optional Solo/Small Ensemble

come,

*

ye Sons of Art, come, come a way, Come,

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ye Sons of Art, come, come a way,

*Sing “cue-sized” notes, if possible.BL877

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Page 7: BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD Come, Ye ...listeninglab.stantons.com/scores/B/L/8/7/7/cfn-bl877.pdf · Although the Part III solo is in the ... and festivals throughout

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55

Come,

All Voices

come, ye Sons of Art, come, come a way, Tune

Optional Solo/Small Ensemble

all your voi ces and

Come, come, ye Sons of Art, come, come a way,

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p

come, ye Sons of Art,

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come,

come

come a

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in stru ments play, to

All Voices

ce le brate, to ce le brate this tri um phantday,

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toto ce le brate, to ce le brate this

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tri

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um phant

phantday,

day,

BL877

7

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Page 8: BL877 Come, Ye SonS of Art *m/tHree-PArt mIXeD Come, Ye ...listeninglab.stantons.com/scores/B/L/8/7/7/cfn-bl877.pdf · Although the Part III solo is in the ... and festivals throughout

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67 rit.

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Tune

Optional Solo/Small Ensemble

all your voi ces and in stru ments play, to

All Voices

ce le brate, to ce le brate this

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day, to

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day,

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BL877

8

UP

C

BL877

Exclusively Distributed by

www.carlfischer.com

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