byrd charlie - jazz 'n' samba for guitar_the music of jobim chitarra

8/4/2019 BYRD Charlie - Jazz 'n' Samba for Guitar_The Music of Jobim Chitarra

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< vFOI A NOlTE (It Was Night) 10

j YIT WAS NIGHT (Foi A Noitet 10' i JAZZ 'N' SAMBA(So Danco Samba) 8

,~ t/NO MORE BLUES (Cllega D e S au da de ) 26.j ,

'j /0QUE E QUE VAl SE~ DE MIM 16

iJ/POR CAUSA DE VOCE (Don't Ever Go Away) 12

;,·,~·;.c·,c·~ vSE TODOS FOSSEM IGUAIS A VOCE (Someone To Light Up My Life) .. 21

. : · ' 1 yS~IGHTLY OUT OF TUN:,U::esafinado) 5

1 vSO DANc;O SAMBA ilaz: N Samba) : 8

.. } v-SOMEONE TO LIGHT UP MY LIFE (Se Todos Fossem lguais A Voce) 21

: 4 v'THA T LOOK YOU WEAR (Este Seu Olhar) 18

' . ' l vVEM VIVER A MEU LADO 14

~ i ; J i ; ' : { i ; ; ' 1f;~~~:l~~o~/~,•• ;;;:;:::;;::;;;;;;;;;;:::~~" ~ r l ~,v"'THOSE WERE THE DAYS 32 ,;.: (c.;<t v H~.

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:;~;~:~~~~:::t~~:~.;~~~\;;~ . : . : : ~ i ; : : i ~ : ? c The RICHMOND ORGANIZATION

Interpretation of the Bossa Nova.

Playing R/lythm Guitar in the Bossa Nova 2

Some Typical Bossa Nova Rilythm Patterns '. . . 4

t/CHEGA DE SAUDADE (N o More B luest " 26

vDESAFINADO (Slightly Out Of Tune) 5

t-: DON'T EVER GO AWAY tPor Causa D e Voce) '.' 12

~SPERANSA PERDIDA 24

vESTE SEU OLHAR (That Look You Wear) 18



INTERPRETATION OF THE BOSSA NOVA

The bossa nova should almost play itself. There is no feeling of "push" as

in a jazz piece. Just ride along easily with everythingratherunderstated--much

more subtle than, say ,the mambo or cha-cha-cha.

The melody must be given prime consideration. Not only must the melody

be played louder than its surrounding notes, but it must also be phrased with a

certain amount of freedom. Much of the beauty and excitement of the bossa nova

lies in the contrast between the melody, phrased rather freely, and the rhythm

section which is rather tight sounding and very even. This is well illustrated by

the music of Villa-Lobos. This greatest of Brazilian composers wrote many

highly rhythmic pieces for the guitar, but did not hesitate to employ ritards, ral-

lentandos, accelerandos and other breaks in tempo in order to enhance the mel-

ody,.

HOW TO PRACTICE THESE ARRANGEMENTS

Some of the arrangements in this folio will be a challenge f?r the average

player. I would like to suggest a method of practice that may be helpful. Use a

metronome or other method of keeping a slow, steady tempo. Keep the eighth note

in mind as the basic rhythmic unit, not the quarter note. Practice very slowly un-

til you have the co-ordination of the various parts under the hand as well as in

your bar. Only then should you attempt to bring the piece up to proper tempo.

PLAYING RHYTHM GUITAR IN THE BOSSA NOVA

I think a few words might be appropriate here on the subject of playing

J

rhythm guitar in the bossa nova. For example, when backing up a vocalist or so-

loist:'/

Just adding even eighth notes to the rhythm section is a help:

etc.

@ f ~ . ~ ~ ~ ~ ~ ~ ~ I ~ j j j ~~j~j~



Editor's note: In the bossa nova,and other Latin American music as well,

the eighth note is interpreted as it is in classical music,that is, exactly evenly,

Note the difference between this and the jazz interpretation which makes eighth

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notes sound more like J . ~ J , j or ~ . P ~ . PTo the basic eighth note pattern may be added bass notes. These may be

or dotted quarters followed by eighth notes:

The underlying accentuation of the bossa nova is derived from the old Spanish

rhythm: ~ (' ~? ( In the most typical bossa nova beat, this rhythm

is combined with its mirror image: (' ~ ( ( I ( ( - c ( .Editor's note: Except for the 1st quarter note of the 2nd bar, this cor-

responds exactly to the clave beat as used in the bossa nova. Anyone interested

in the construction of Latin music should realize that the clave beat is its whole

foundation: rhythmic, melodic and harmonic.

Compare the traditional clave beat (used in the cha-cha-cha,bolero,be-

guine, etc ..)with the bossa nova clave.

Traditional clave Bossa nova clave

(.~?( I ~ ( ( I I I ( . 4 ? ( I ~ ( ~ . ( . I I

Notice especially the subtle shift in accent in the second bar.

Although it is impossible to give exact rules for rhythm playing, a hint may

be in order here. If the drummer is playing even eighth notes, the guitarist

should play with a great deal of freedom. But if the drummer is accenting, the

guitarist should try to avoid conflicting too much with these accents. That is, he

must play "in clave," 'A comparison between the rhythmic figures on page' 4

and the bossa nova clave beat will show you what this means.



SOME TYPICAL BOSSA NOVA RHYTHM PATTERNS

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IMPORTANT

The chord diagrams which are found with each arrangement are meant as

an aid to players whose sight reading is not all it should be. They should not be

used for the rhythm guitar part.



DESAFINADOEnglish Lyric by

JON HENDRICKS and

JESSIE CAVANAUGH

(Slightly Out Of Tune)Original text by

NEWTON MENDONCAMusic by

ANTONIO CARLOS JOBIM

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English Lyric by

NORMAN GIMBEL

. JAZZ 'N ' SAMBA(So Dance Samba)

frum the f'lm "Cor~CARANA PALACE"

Turie lowest string to D.

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ANTONIO CARLOS JOBIM and

VINIGIUS DE MORAES

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IT WAS NIGHT(Foi A Noite)

Sarnba-Cancao

English Lyric by

GENE LEES Original Text and Music by

ANTONIO CA RLOS JOBlM andNEWTON MENDONCA

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DON /T EVER GO AWAY~

(Por Causa De Voce)

Samba-Cancao

English lyric by RAY GILBERT Original text by DOLORES DURAN

Music by ANTONIO CARLOS ]OBIM

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14VEM VIVER A MEU LADO

Samba -cancaoOriginal Text and Music by

ANTONIO CARLOS JOBIM andALCIDES FERNANDES

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o QUE E QUE VAl SER DE MIMSamba

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Or igina 1Text and Music by JANTONIO CARLOS JOBlM .:

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THAT LOOK YOU WEAR/I

(Este Seu Olhar)

English Lyric byGENE LEES

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Original Text and Music byANTONIO CARLOS JOBIM

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SOMEONE TO LIGHT UP MY LIFE(Se Todos Fossem Igua is A Voce)

Samba-Cancao

Original Text by VINICIUS DE MORAES

"'I Music by ANTONIO CARLOS JOBIM

English Lyric by

GENE LEES

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ESPERAN <;A PERD IDA

_. Qriginal Text and Music by

ANTONIO CARLOS JOBIM and BILLY BLANCO

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26 NO MORE BLUES(Chega De Saudade)

English Lyric byON HENDRICKS and'

ESSIE, CAVANAUGH

Original Text and Music by.ANTONIO CARLOS ]OBIM and

VINIC IUS DE MORAES

Bossa nova tempo_..- . . . . . . . . . ,

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All Rights Reserved Including Public Performance For Profit



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FLYME TO THE MOON(In Other Words)

Slowly

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Words and Music by

BART HOWARD

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byrd charlie - jazz 'n' samba for guitar_the music of jobim chitarra

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