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SFA COLLEGE OF FINE ARTS
SCHOOL OF MUSIC, SCHOOL OF THEATRE
AND UNIVERSITY SERIES PRESENT
,~ pe~ltOl,e
C3 J~cQues Of"f"ercc~ctz.
}IQJApril 6-8, 2006
7:30 p.m.W.M. Turner Auditorium
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The University Series2005-2006 The Hottest Ticket in Town!
The Art Center and Gliffith Gallery are open Tuesday through Sunday, 12:30-5 p.m.All performances at 7:30 p.m.
September 9 - October 16 SFA Faculty ExllibitiollThe A1t Center
September 16 - October 16 BarryAllderson: Epic Escapism & SuspensionGliffith GaUery and School of A1t Gallely
October 15 Stars and Stripes Forever: A Patriotic ReviewfealUling the SFAA Cappella Choir W. M. Tumer AuditOlium
October 27 Betty Buckley: Deep in the Hearlw. M. Tumer Auditorium
November 15 -19 The Tempest by William Shakespearean SFA School of Theatt-e Production W. M. TUl11er Auditorium
November 29 The Salwurg Mariollettespresenting The Magic Flute by W. A. Mozrut W. M. Tul11er AuditOlium
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February 8 - March 26 In the Path oJtlle Blaue ReiterGennan Expressionist POltfolios, Print and Books Griffith GaJlelY
Febntary 21 - 2S The Night oJthe Iguana by Tennes ee Williaman SFA School of Theatre Production W. M. Tumer Auditolium
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March 23 Los Hombres CalientesW. M. Tumer Auditorium
April 6 - 8 SFA Opera - La Nricholean SFA School of Music and School of Theao'e Production W. M. TUl11er Auditorium
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La PericholeComic Opera in Three Acts, sung in English
Music by Jacques OffenbachLibretto by Henri Meilhac and Ludovic Halevy
English translation and performing version by Donald PippinFirst Produced by Pocket Opera, San Francisco
Orchestration by Julius BurgerBy Permission of Boosey & Hawkes, Inc., Publishers
CASTNarrator
La Perichole, a street singer
Piquillo, a street singer
Don Andres de Ribeira,Vice-roi ofPeru
Don Pedro de Hinoyosa,Governor ofLima
Panatellas, First Gentlemanof the Bedchamber
Guadalena, 1st cousin
Berginella, 2nd cousin
Mastrilla, 3rd cousin
Manuelita, Lady of the Court
Frasquinella, Lady of the Court
Brambilla, Lady of the Court
Ninetta, Lady of the Court
1st Notary
2nd Notary
Old Prisoner
Rick Jones"
Bonnie Bolinger (Th/Sat)Kathryn Haney (Fri)
Adolfo Gonzalez (Th/Sat)John Green (Fri)
Steven McDonald (Th/Sat)Garry Wickliffe (Fri)
Klint Jordan (Th/Sat)Brandon Rives (Fri)
Christopher Hoffman (Fri)Eric Lacy (Th/Sat)
TJifanny Hamilton
Shannon Morrison
Jacquelyn Silva
Amanda Johnson
Monica Lancaster
Carissa Deane
Ashley Holsinger
Colin Powell (Fri)Robert Williams (Th/Sat)
Brad Lassiter (Th/Sat)Christian Teague (Fri)
Joel Bourdier
*dmotes SFA Faculty
Citizens of Lima, Members of the Court,assorted gentry and other semi-respectables:
April Bayer, James Blackwell, Joel Bourdier, Brice Campbell, Nicole Carollo,Amy Collins, Geoffrey Daenen, Carissa Deane, Miguel Douglas,Ashley Gonzales, Christopher Hoffman, Amanda Holbrook, Ashley Holsinger,Amanda Johnson, Eric Lacy, Monica Lancaster, Brad Lassiter, Susan Martin,Brandon Nichols, Andrew Ozbun, Colin Powell, Johanna Smith, Kelly Talley,Christian Teague, Miles Ward, Lindsey Welch, Danielle Whittle,La Porshia Williams, Robert Williams, Patrick Wright, Adam Zufiiga
Can Can Dancers:
Arianna Bermudez, Ishah Floyd, Izchel Hernandez, Tierra Lafontaine,Star Munoz, Cassandra Rios, Stephanie Rhoades (Understudy)
PRODUCTION STAFF AND CREW
Musical Director Ronald AndersonStage Director Deborah DaltonConductor Jeff JacobsenScenic Designer Tomy MatthysCostume Designer Angela BacarisseLighting Designer CC ConnAssistant Director/Stage Manager Nita HudsonAssistant Costume Designer/Shop Supervisor Barbara BlackwellTechnical Director Steve ShireyChoreographer Juanita FinkenbergRehearsal Accompanists Ron Petti, James Pitts, Christine SilverAdditional Orchestrations Garry WickliffeAssistant Stage Manager Kali LittleAssistant Choreographer Darrell GrantHair Designer Kristi AgeeMakeup Designer Alana AnthonyWardrobe Master Jessica FindellCostume Construction THR 150, 350, 231Wardrobe Crew Shea Cooper, Nashanna Gates, Julie Glover,
Katie Jones, Tim Olivares, Josh Real,Kevin Scholtes, Savannah Seilheimer
Master Electrician Robert BillsFollow Spot Operators Joshua Nanninga, Xzavien HollinsLight Board Operator Weston WetzelSound Operator Ryan AngellLight Hang Crew Sarah Blake, Elizabeth Davis, Clint Hanna,
Sara Jones, Jose Marez, Brandon Polanco,Charlie Seekings, THR 242
Fly Rail Operators Chad McElveen, Adam LeMaireSet Construction THR 150, 350Load-in Crew Jason Harris, Mark McManus,
Philip Miatech, Zane Whitney, Ryan WilliamsPaint Crew : Lauren Glass, Sarah McKinney, Courtney Parker,
Chris Penny, Cassandra Rios,Bethann Werbb, Stephanie Wicker
Props Jennifer Lewis, Samantha Pisarski, Whitney Rickman
· PROGRAM NOTES
Die Fledermaus, The Pirates of Penzance, The Merry Widow, Naughty Marietta,Oklahoma!, My Fair Lady, Phantom of the Opera and Rent all have something incommon. They are all artistic descendants of French operetta. Operetta can bedefined as a type of light opera with a frivolous, sentimental story, often employingparody and satire and containing both spoken dialogue and much light, pleasantmusic.
Jacques Offenbach created the operetta genre in the mid-nineteenth centurywhen the opera comique offerings became more like their grand opera cousins.Offenbach expressly gave his most important works the title "opera-bouffe" toemphasize both their musical ambitions and their satirical side. This is the casewith La Perichole. Offenbach was joined in his efforts by the widely renownedlibrettists, Henri Meilhac and Ludovic Halevy. La Perichole contains some caricature,as in the character of the viceroy. It also contains parody, which is musical in nature,with undisguised allusions (recognizable to all at the time) to Donizetti's La Favorite,and in the famous "letter-song" to Massenet's Manon. In contrast, the atmosphereof La Perichole is tinged with seriousness (since the heroes are poor, misunderstoodstreet singers dying of hunger), and with tenderness (for they adore each other, anamorous couple in times of trial). So, is it an opera-bouffe? It's much more. It's astep towards Offenbach's final masterpiece, The Tales ofHoffmann. - So writes MichelParouty in his compact disc notes.
Altogether, Offenbach eventually composed over 100 operettas. Translated intovarious languages and produced all over Europe and America, these works offereda rich vein of political satire and catchy melodies that delighted people of everyclass. They also made Offenbach a global celebrity. When he toured Britain andthe United States, he was greeted as a popular hero by people of all classes.
The French operettas of Offenbach and his contemporaries were the mostfrequently performed musicals from the 1850s to the early 1880s. Aside fromtriumphant receptions in London, these musicals were frequently revived onBroadway, some a dozen times or more. Through the 1870s, French operettaaccounted for up to half of the offerings in a typical New York theatre season. Sothe effect of French operetta on the taste and artistic expectations of Viennese,British and American audiences was tremendous. Viennese audiences embracedthe works of Offenbach with extraordinary enthusiasm, and it wasn't long beforetheir native composers began writing opera bouffes of their own.
Johann Strauss II was the most popular musician of his time; his waltzes andpolkas were heard everywhere from Moscow to Boston. He admired Offenbach'soperettas and made no secret of his desire to write one of his own. WhenOffenbach's librettists Meilhac and Halevy brought Strauss a script, he set to work.The result was Die Fledermaus. It would not be until the early twentieth centurythat Vienna would give the world another mega-hit with Franz Lehar's Die lustigeWitwe (The Merry Widow).
In England, the influence of French and Viennese operetta appeared in the comicoperas of Gilbert and Sullivan as well as in American operettas by Victor Herbert,John Phillip Sousa and others at the end of the nineteenth century. In the 1920s,operettas began to be replaced by the musical comedy.
OPERA ORCHESTRA
Piccolo Trombone ViolaNicolle Sartain Zach Thornton Sarah Garcia
Ben Bynum Kacey PhillipsFlute Chris Tieldemann Nick CastroMichelle Sellers Elizabeth LopezBrittany May Percussion
Harrell Hodges CelloOboe David Laclair Kourtney NewtonJason Paschall KeithZuech Shawna WolfRyan Jackson Kelli Houston
Violin I Everardo ZavalaClarinet Jennifer Dalmas",Andrea Mitchell Concertmaster BassLauren Poirier Megan Mcintire Joshua High
Michael Della-ealce Jessica TisdaleBassoon FahadAwanSally Driver Monica HernandezNicki Chappel
Violin IIHorn Dean RaskinBen Brown Lacie CarpenterAndrea Slate Drew NelsonHillary Stracener Sharareh BoolooriJillian Baaklini Miranda Cantwell Orchestra Librarians
Shane AlmendarezTrumpet Dianna NorwoodJarrod BeardTishGomez "Denotes SFA Faculty
ACKNOWLEDGEMENTS
College of Fine Arts - Richard Berry, DeanSchool of Music - Ronald Anderson, DirectorSchool of Theatre - Clarence Bahs, Director
SFA Vocal/Choral Faculty
Debbie Berry, Richard Berry, Deborah Dalton, Michael Dean,Nita Hudson, David W. Jones (deceased), Tim King, Scott LaGraff
Others
Sylvia Bierschenk, Barbara Blackwell, Lisa Dean, Missy Devine,Diane Flynn, Juanita Finkenberg, Nelda Hartley, Rick Jones, Steve Shirey
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SustalnerElaine Burgess AshcroftJoe and Sylvia BierschenkMrs. Elisabeth BiJanDr. Louise BinghamDr. Mary CulUnanFern FaullrnerMel and Juanil'a
FinkenbergDurward and Mary HenryAdele HyncikBob and Joan LawsonMr. and Mrs. Dale UuonMrs. Theresa ReevesLTC Ben J. Sultenfuss
SupporterJohn F. Anderson and Ann
Doyle-AndersonAoonymousDr. and Mrs. StewartBarron
Philip and MitziBlackburn
Mr. and Mrs. Jack A.Burnell
Dr. Sue BUllSMrs. Kent CastleJohn and Doris DanielDr. and Mrs. John P.Decker
George and Patrici:J. FilChGeorge and Deanne
FranksMs. Deborah K. GarreuMs. Jayne GarrisonDr. and Mrs. MalcolmGraham
Mildred HancockMr. and Mrs. Alvin J. HejlDr. June IrwinDrs. Gary Konrad andCatherine Albers
Drs. Ted and Janice LedetMs. Jeanelle MilsteadRoland and JeanMuckleroy
Dr. and Mrs. Jack NelsonJimmy and Peggy PartinCarolyn M. PricePeggy PriceMs. Unda RenfroeDon RichterDr. Palricia Read RussellMs. Mary Grace SimmsRussell and Trish SmithSue and Leon SmithDr. and Mrs. Jack StanlyJodie Stone in memory of
Charlene ManleyBoh and Shirley SzafranGerard and Carrie VenluraDr. and Mrs. Arthur C.Watson. Jr.
COM ING TO TOWN IN 2006-2007
The John Jorgenson QUi et~, 'V}
". ~nquila Theatre's/~(~J;:~)~/~omeo andJluhel~ ~ .
. Sanlord Syluan,,~ ~ baritone
AND MORE TO BE ARRANGED!
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SFA COLLEGE OF FINE ARTS
Children's Performing~$ Series
'-..(/.~
f~ aJ one's Web~~.,
~ t:- / n Christmas CarolJunie B. Jones rr--, "
,.~~Harry~Dirty Dog
EI Secreto de Lagartija
SFA COLLEGE OF FINE ARTS
Uniuersity SeriesINCLUDING
WATCH FOR MORE PARTICULARS!
GOUND CHEVROLETMARK OF EXCELLENCE AWARD WINNER
Serving Nacogdoches since 1953
Our Commitment:'Togive our customers the 6est in
Safes anaService
UNIVERSITY SERIESDean, College of Fine Arts Richard BerryProgramming and Development John W. GoodallSPA Gallery Shannon BaileyArts Information Sylvia BierschenkBox Office and Audience Services Diane J. FlynnFacilities Manager Steven ShireyHouse Manager Joshua Alan SpenceUshers Phi Mu Alpha Sinfonia
FOR YOUR INFORMATION
TICketsCharge tickets conveniently by phone. Visa,Mastercard. American Express and Discover areaccepted. Nonnal box office hours are weekdays 8 amto 5 pm. On performance dates. the Box Office isopen8 am to performance time on weekdays and one hourprior to perfOlTDance time on Saturdays and Sundays.The Box Office is located in Room 211 B in theGriffith FineArts Building.Programson the UniversitySeries are not recommended for children under fiveyears ofage. Each member of the audience must havea ticket regardless of age.
Late seatingIn fairness to those already seated. patrons who havethe misfortune to arrive late will beseated near the rearof the auditorium during an appropriate break in theperformance.
ParkingParking in front of the Griffith Fine Arts Building isavailable to those patrons who join the FRIENDS OF 1llE
ARTS UNIVERSOY SERIES at the Supl'OI<'rn<Level. Parkingin other campus areas is available. We recommendVista Dr., the parking garage off Griffith Blvd. southof the University Center. the 101 behind the UniversityPolice Department offof East College 51. and the loton the corner of North 51. and Wenermark. PleaseaUow ample time for your arrival.
Persons with disabilitiesPersons with disabilities are requested to reserve seatsas soon as possible to request special assistance oraccommodations needed for participation in events.Parking is provided in front of the Griffith Fme ArtsBuilding on Alumni Drive. The elevator is located intheEastTower(carnpusside).Localionsforwheelchairseating are available on the first floor of the W. M.Turner Auditorium. Program booklets in large typeare available for visually impaired persons. Please callthe Box Office at least two days in advance of theevent and a copy will be held for you.
Rest RoomsRest rooms and drinking fountains are located in thelobby adjacent to the auditorium on the first level andin the hallway outside the balcony.
TelephoneA public telephone is located in the East Tower. mainlevel. next to the elevator.
Food, beverages and smokingPlease do not take food or drinks into the auditorium.The use of tobacco products is nOl permitted in theGriffith Fine Arts Building.
Cameras, paging devices, ceIJ phones and otherelectronic devicesPlease deactivate aU electronicdevices before enteringthe auditorium. Patrons may also check them with ourushers prior to entering the auditorium so they may beguarded by the House Manager. Patrons who expectto be on call while attending a perfOlTDaDCe arerequested to leave theirnarnes and seat locations withthe House Manager. You will be contactedimmediately and discreetly when called. Cameras andrecording devices are not permined in the auditorium.
Ticket Exchange PoliciesSeason Ticket patrons may exchange tickets until twobusiness days prior to the evenl. We regret there canbe no refunds. All sales are fmal.View our complete ticket exchange policy online atWww finearts sCasu edu or stop by the Box Office toreceive a printed copy.
MailingtmsTo receive information about future attractions in theCollege of Fine Arts, please complete a mailing listcard available at the Box Office or caU 468-6407.
Lost and roundPatrons who lose articles while anending an eventmay make inquiries with the House Manager or callthe Box Office during regular office hours.
To contact us, call:
Dean, College of Fine Arts 468-280I
Programming and Development 468-1303
Arts Information 468-5820
Box Office 468-6407or toll free (888) 240-ARTS
Stephen F. Austin State University
Free checking Full-service Saturday banking
Home and auto loans Online banking
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Ashley Risner, 0.0.Therapeutic Optometrist
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NACOGDOCHES EYE ASSOCIATESSince 1925
Eyecare for those who know the difference3208 N. University Drive, Suites B & C
.Nacogdoches564-7661 or 564-EYES
Mark Lanier, 0.0.Therapeutic Optometrist
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THE CA T(In order of appearance)
The Mom MomThe Dad DadDocrors Dr. Sheila Hill
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2005-2006College ofFine ArtsSeason Sponsor
~ROLEX
OYSTER PERPETUAL DATEJUST AND LADY-DATEJUST
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(936) 564-7671, Fax (936) 564-2650