nballier.free.frnballier.free.fr/biblicetas.pdf · c656 b bbc shakespeare plays : henry viii c765 t...

C656 bBBC Shakespeare plays : Henry VIII

C765T

Etudes sur le théatre de la RestaurationIn

P1/1945/I-II-IIIPublications of the Modern Language Association of America n°60

1945

P1/1945/IVPublications of the Modern Language Association of America n°60

1945

A523Musique de Scène de la troupe de Shakespeare : The King' s Men Sous le règne de Jacques Ier

1959

B555Shakespeare Survey N°13

1960

A729Tragic Drama in Aeschylus, Sophocles, and Shakespeare : An essay

1965

A189/2Albion, Knight

1966

Early English Dramatists: Six Anonimous Plays(Second Series)In

A189/4Appius and Virginia

1966

Early English Dramatists: Six Anonimous Plays(Fourth Series)In

A189/1Calisto and Melebaea

1966

Early English Dramatists: Six Anonimous Plays(First Series)In

P1/1932/IIComment and Criticism: 1) Shakespeare, Hayward, and Essex Again;2)Reply to Ray Heffner'sShakespeare, Hayward, and Essex Again; 3)"A South Sea of Dicovery" (As You Like It, III, ii,

1966

Publications of the Modern Language Association of America n°47In

A189/4Common Condition

1966


A189/1Every Man

1966


A189/1Four Elements

1966


A189/3Gammer Gurton's Nedle

1966

Early English Dramatists: Six Anonimous Plays(Third Series)In

A189/2Godly Queen Hester

1966


A189/4Grim the Collier of Croydon

1966


A189/1Hickscorner

1966


A463/1International News

1966

Shakespeare Survey, 2: an annual study of Shakespearian study & production, NicollAllardyce (editor)

In

A463/2International News

1966


In

A189/3Jack Jugler

1966


A189/2Jacob and Esau

1966


A189/3King Darius

1966


A189/2Misogonus

1966


A189/3New Custom

1966


A463/2Shakespeare's Deposition in the Belott-Mountjoy Suit

1966


In

A189/4The Marriage of Wit and Science

1966


A189/4The Marriage of Wit and Wisdom

1966


A463/1The 'Shakespearian 'Additions in The Booke of Sir Thomas More

1966


In

A189/1The World and the Child

1966


A189/1Thersites

1966


A189/2Tom Tyler and his Wife

1966


A189/3Trial of Treasure

1966


A189/2Youth

1966


B868Julius Caesar : A Concordance to the text of the first Folio

1971

B948Animadversions on Mr. Congreves's Late Answer to Mr. Collier

1972

P5/1Cahiers Elisabéthains n° 12

1977

P5/2Cahiers Elisabéthains n° 13

1978

P5/3Cahiers Elisabéthains N° 14

1978

P5/4Cahiers Elisabéthains n°15

1979


1979

C656aShakespeare on Film Newsletter, volume 3, n°2

1979

C656bShakespeare on Film Newsletter, volume 4, n°1

1979


1980


1980

C656cShakespeare on Film Newsletter, volume 5, n°1

1980


1981


1981

C656dShakespeare on Film Newsletter, volume 5, n°2

1981


1982


1982

C656eShakespeare on Film Newsletter, volume 6, n°1

1982


1983


1983


1984

P5/15Cahiers Elizabéthains n°26

1984

C606Caliban N° XXI : aspects du théâtre anglais, hommage à Fernand Lagarde

1984

C656fShakespeare on Film Newsletter, volume 8, n°2

1984

C656gShakespeare on Film Newsletter, volume 9, n°1

1984


1985


1985


1985


1986


1987


1987

P5/23' Cahiers Elizabéthains n°34

1988


1989


1989


1990


1990


1991


1991


1992


1992


1993


1993


1994


1994


1995


1995


1996


1996


1997


1997


1998


1998

D235An Act against Conjuration, Witchcraft, and Dealng with Evil and Wicked Spirits

1999

Macbeth: Texts and Contexts ed. William C. Carroll. Shakespeare WilliamIn


1999


1999


1999

D235From An Act against Fond and Fantastical Prophecies

1999


D235From An Homily against Disobedience and Willful Rebellion

1999


D235From Succession Act

1999


D235From "The Story of Macbeth", in A Collection of Divers and Remarkable Stories

1999


D235News from Scotland

1999


P5/22' Cahiers Elizabéthains' n°33

Avril 1988

D256A Midsummer night's dream : Comedy as apotrope of myth

A.D. Nuttal 2000

Shakespeare survey 53In

D200Double Falsehood and the Verbal Parallels with Shelton's Don Quixote

A. Luis PUJANTE 1998

Shakespeare in the Eighteenth Century, Shakespeare Survey n°51In

Z16/1Athenae Oxonienses, vol I

A WOOD, Anthony 1969

Z16/2Athenae Oxonienses, vol II


Z16/3Athenae Oxonienses, vol III


Z16/4Athenae Oxonienses, vol IV


P5/8Elizabeth I and Negroes

ABANIME, Emeka 1981

Cahiers Elisabéthains n° 19In

A629La fureur poétique et l'humanisme florentin

Abbé MARCEL Raymond 1956

Mélanges, Georges Jamati: création et vie intérieure, recherches sur les sciences et les arts.In

A764A Shakespearian Grammar: An Attempt to Illustrate some of the Differences between Elizabethanand Modern English

ABBOTT E.A.

A599Form and Disorder in The Tempest

ABDELNOUR ZIMBARDO Rose 1968

Shakespeare : The Tempest

D013Directing Doctor Faustus

ABEL Douglas 1990

The Elizabethan Theatre XIIn

D071La Crise du personnage dans le théâtre moderne

ABIRACHED, Robert 1994

C606Hamlet, marginal "par nature" ou "par accident"

ABITEBOUL Maurice 1984

Caliban n° XXIIn

C694La temporalité dans Macbeth


Aspects du théâtre anglaisIn

D225Pour une définition du héros tragique dans Richard III de Shakespeare


Bulletin de la société d'études anglo-américaines des XVII et XVIII siècles. Leduc Guyonne(rédactrice en chef)

In

P5/17Hamlet, Rosencrantz et Guildenstern ou la fin d'une amitié: un minidrame dans La Tragédied'Hamlet

ABITEBOUL Maurice A. 1985

Cahiers Elizabéthains n°28In

B568Five Types of Lycidas

ABRAMS M.H. 1961

Milton's Lycidas, The Tradition and the Poem. Patrides, C.A.In

B788Mechanical and Organic Psychologies of Literary Invention

ABRAMS M.H. 1971

English Literature and British PhilosophyIn

A126Torrent of Portyngale

ADAM E. 1887

C765Études sur le Théâtre de la Restauration (1660-1707)

ADAM Michel

D002Lucius ou l'évolution de la revendication féministe dans l'oeuvre de Mary Manley

ADAM Michel 1981

Aspects du théâtre Anglo-saxonIn

C694L'héroïne tragique dans le Téâtre de Catherine Trotter

ADAM Michel 1987


C932Femmes-dramaturges et actrices en Angleterre 1660-1706

ADAM Michel 1993

MD01bisMarlowe et la Subversion des codes du Théâtre des moralités

ADAMS, Béatrice 1991

C379/2Shakespeare and tragedy, 1729

ADAMS George 1974

Shakespeare : the critical heritage volume II 1693-1733In

A463/3The Shakespeare Collection in the Library of Trinity College, Cambridge

ADAMS H.M. 1952

Shakespeare Survey, 5: an annual study of Shakespearian study & productionIn

A751English Domestic Or, Homiletic Tragedy (1575-1642)

ADAMS Henry Hitch 1965

A459Chief Pre-Shakespearean Dramas: A Selection of Plays Illustrating the History of the EnglishDrama from its Origin down to Shakespeare

ADAMS Joseph Quincy(editor) 1952

P1/1964/III""Ocular Proof" in Othello and Its Source

ADAMS, Maurianne S. 1964


B568The Archetypal Pattern of Death and Rebirth in Lycidas

ADAMS Richard P. 1961


P1/1949/IThe Archetypal Pattern of Death and Rebirth in Milton's Lycidas

ADAMS, Richard P. 1970


A644Taste and Bad Taste in Metaphysical Poetry : Richard Crashaw and Dylan Thomas

ADAMS Robert M. 1968

Seventeenth -Century English Poetry : Modern Essays in CriticismIn

B737Contra Hartman: Possible and Impossible Structures of Miltonic Imagery

ADAMS Robert M. 1971

Seventeenth Century Imagery: Essays on Uses of Figurative Language from Donne toFarquhar. Earl Miner (editor)

In

C276The Mood of the Church in A Tale of a Tub

ADAMS, Robert M. 1972

England in the Restoration and Early Eighteenth CenturyIn

D226Chivalry and Political Culture in Caroline England

ADAMSON, J.S.A. 1994

Culture and Politics in Early Stuart England. Sharpe, Kevin and Lake, Peter (editors)In

C860Troilus and Cressida

ADAMSON Jane 1987

B558Six Spectator Papers on Paradise Lost

ADDISON Joseph 1951

Milton Criticism, THORPE, James ed.In

A264Cato

ADDISON Joseph 1964

Eighteenth Century Plays, selected with an introduction by John HampdenIn

C379/2On Shakespeare, 1711-14

ADDISON Joseph 1974


A282Cato

ADDISON Joseph(1672-1719) 1966

Five Restauration Tragedies, ed. with an Intro. by DOBREE BonamyIn

C393The common liar : an essay on Antony and Cleopatra

ADELMAN Janet 1973

C494"Anger's my meat" : feeding, dependency, and agression in Coriolanus

ADELMAN Janet 1978

Shakespeare : pattern of excelling natureIn

C949“Born of Woman”: Fantaisie of Maternal Power in Macbeth

ADELMAN Janet 1987

Cannibals, Witches, and DivorceIn

C966'Anger's my meat': Feeding, Dependency and Agression in Coriolanus

ADELMAN Janet 1992

Shakespearean TragedyIn

D012'Born of woman' : Fantaisies of Maternal Power in Macbeth

ADELMAN Janet 1992

MacbethIn

C913Suffocating Mothers : Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to TheTempest

ADELMAN Janet 1992

C927Man and Wife Is One Flesh: Hamlet and the Confrontation with the material body

ADELMAN Janet 1993

Shakespeare’s Middle TragediesIn

D256The shadow of Lear's "Houseless" in Dickens

Adrian Poole 2000


C285Marie Lloyd

AGATE, James 1970

Specimens of English Dramatic Criticism 17th - 20th CenturiesIn

C285The Way of the World

AGATE, James 1970


B872The Amazing Theatre

AGATE James 1972

Jonson: Volpone, A Casebook. Barish Jonas A. (editor)In

T37Activité ou passivité du spectateur

AGEL Henri 1953

L'univers filmiqueIn

T37Finalité poétique du cinéma

AGEL Henri 1953


C950Worlds Apart : the market and the theater in Anglo-American thought, 1550-1750

AGNEW Jean-Christophe 1986

C793A Tudor House: Hardwick Hall

AIRS Malcolm 1989

The Cambridge Guide to the Arts in Britain Vol.3 : Renaissance and ReformationIn

C793Architecture

AIRS Malcolm 1989


A899/7An English Garner: Later Stuart Tracts

AITKEN George A. 1964

B104Le Théâtre français

AKAKIA-VIALA 1965

Histoire des Spectacles. Dumur GuyIn

C379/3Shakespeare attacks Francopholia, 1749

AKENSIDE Mark 1975

Shakespeare : the critical heritage volumme III 1733-1752In

C379/3Shakespeare weighed and measured, december 1746

AKENSIDE Mark 1975


A533Eugène Schwarz

AKIMOV Nicolas 1967

Le Théâtre Moderne II depuis la Deuxième Guerre Mondiale JACQUOT Jean (editeur)In

B542Jacobean ¨Pageant

AKRIGG, G.P.V. 1962

B471Henry V : The Epic Hero as Dramatic Protagonist

AKRIGG G.P.V. 1969

Manner and Meaning in Shakespeare. Jackson B.A.W. (editor)In

A629Prébaroquisme chez Titien

ALAZARD Jean 1956


D280The Shakespeare Film and the Americanization of Culture

ALBANESE, Denise. 2001

Marxist ShakespearesIn

A528Etude du Théâtre Populaire, Centre de l'Ensemble Culturel de la Défense

ALBERT Edouard 1969

Le Lieu Théâtral dans la Société Moderne. BABLET Denis et JACQUOT Jean (editeurs)In

P1/1927/IShakespeare's Richard II and the Essex Conspiracy

ALBRIGHT Evelyn May 1966


P1/1931/IIShakespeare's Richard II, Hayward's History and Henry IV and the Essex Conspiracy



P1/1928/IIThe Folio Version of Henry V in Relation to Shakespeare's Times



A899/4Philoparthen's Loving Folly, 1595

ALCILIA J.C. 1964

An English Garner: Some Longer Elizabethan PoemsIn

D258Woman defamed and woman defended : an anthology of medieval texts.

Alcuin Blamires 2001

D197/1Escaping the Matrix: The construction of Masculinity in Coriolanus

ALDEMAN JANET 1998

Shakespeare's TragediesIn

B821Religion in England

ALEXANDER H.G. 1968

A463/12Critical Disagreement about OEdipus and Hamlet

ALEXANDER Nigel 1967

Shakespeare Survey, 20 an annual study of Shakespearian study & productionIn

B017Elizabethan Narrative Verse


B320/66Shakespeare


The Year's Work in English Studies(1966)In

A463/13Thomas Rymer and 'Othello'



B320/67Shakespeare



B686Poison, Play, and Duel

ALEXANDER, Nigel 1971

B886Shakespeare's Life, Times, and Stage


Shakespeare Survey n°25: An Annual Survey of Shakespearian Study and Production.Muir Kenneth (editor)

In

D011Poison, Play, and Duel


HamletIn

B375'Under Which King, Bezonian?'

ALEXANDER Peter 1959

Elizabethan and Jacobean Studies, presented to Frank Percy WilsonIn

A915'Under which King, Bezonian?'


Elizabethan and Jacobean StudiesIn

B175Hamlet Father and Son


A292Restoring Sakespeare

ALEXANDER Peter(b.1893) 1963

Shakespeare CriticismIn

D248La réécriture des mythes dans le théâtre de Tom Murphy

Alexandra Poulain 2000

Colloques : RéécrituresIn

C345Opposing absolutes conviction and convention in John Ford's plays

ALI Florence 1974

B818Medieval Versions of Aristotle, De Caelo, and of the Commentary of Simplicius

ALLAN D.J. 1969

Medieval and Renaissance Studies. Hunt, Richard, Klibansky, RaymondIn

A973Somewhat in a New Dimension

ALLARDYCE Nicoll 1968

Contemporary TheatreIn

B569The Harmonious Vision

ALLEN, Don Cameron 1954

B375On Venus and Adonis

ALLEN Don Cameron 1959


B450Marlowe's Dido and the Traditon


Essays on Shakespeare and Elizabethan Drama. Hosley RichardIn

A644Richard Lovelace : "The Grasse-Hopper"



A915On Venus and Adonis



B891Milton as a Latin Poet


Stuart and Georgian Moments. Miner EarlIn

A209A history of Political Thought in the Sixteenth Century

ALLEN J.W. 1967

C531The effects of subsidy on Western European theatre in the 1970s

ALLEN John 1979

Drama and societyIn

C472Shakespeare's man descending a staircase : Sonnets 126 to 154

ALLEN Michael J.B. 1978

Shakespeare Survey 31In

A463/13The Two Parts of 'Othello'

ALLEN Ned.B. 1968


B764/5Utopia and European Humanism: the Function of the Prefatory Letters and Verses

ALLEN, Peter R. 1963

Studies in the Renaissance, volume X. Shaaber, M.a. (editor)In

A696Les scènes de plein air

ALLIO René 1957

La Mise en Scène des Oeuvres du PasséIn

A528Le Théâtre comme Instrument

ALLIO René 1969


B997Thomas Dekker (c.1572-1632): A Bibliographical Catalogue of the Early Editions (to the end of the17th century)

ALLISON A.F. 1972

M20Shakespeare's Eligible Young Ladies

ALOIN, Janine 1966

P5/14The Six Eclogue of Baptista Mantuan and the Elizabethan Poet Barnabe Googe

ALSOP, J.D. 1984


C956“To Reform & Make Fitt”: Henry VIII and the Making of “Bad” Shakespeare

ALTER Iska 1988

Bad Shakespeare : Revaluations of the Shakespeare CanonIn

B470Les Origines de la Satire Antibourgeoise en France II: L'Esprit Antibourgeois sous l' AncienRégime

ALTER Jean V. 1970

B980Symphonic Imagery in Richard II

ALTICK, Richard D. 1973

Shakespeare, Richard II, a CasebookIn

B991Symphonic Imagery in Richard II

ALTICK Richard D. 1973

Shakespeare: Richard II, A Casebook. Brooke Nicholas (editor)In

A635Marvell and the Poetry of Judgement

ALVAREZ A. 1969

Marvell (Modern Judgements). Wilding Michael (editor)In

B212The School of Done

ALVAREZ A. 1970

M83Poetics and Politics in Macbeth and Richard III

AMELINE, Hélène 1998

C379/2On cardinal Wolsey, november 1727

AMHURST Nicholas 1974


B512/3Le Dragon d'Eugène Schwartz

AMIARD-CHEVREL Claudine 1972

Les Voies de la Création Théâtrale, volume III. Bablet Denis & Jacquot Jean (editeurs)In

A629Observation et création dans la science juridique comparative

ANCEL Marc 1956


C306The entertainment of the stage

ANDERSON George 1974

Mr Law's Unlawfulness of the Stage Entertainment Examin'd, The Entertainment of theStage, and Some Few Hints, in Defence of Dramatical Entertainments

In

B699The Morality of Love's Labour's Lost

ANDERSON, J.J. 1971

Shakespeare Survey N°24In

D154'Brush Up Your Shakespeare', or Learning to Dance with the Bard: Angela Carter's Wise Children

ANDERSON Linda 1997

Shakespearean ContinuitiesIn

B745Book Indexing

ANDERSON M.D. 1971

D282Signifyin' on The Tempest in Gloria Naylor's Mama Day

ANDREAS, James.R. 1999

Shakespeare and AppropriationIn

C371"Ripeness is all" : sententiae and commonplace in King Lear

ANDRESEN Martha 1974

Some facets of King Lear : essays in prismatic criticismIn

D251Staging in Shakespeare's theatres

Andrew GURR and Mariko ICHIKAWA 2000

Oxford Shakespeare topicsIn

A717Edward Thomas

ANDREW John 1968

Studies in the Arts: Proceedings of the St. Peter's College Literary Society. Warner Francis(editor)

In

D248Arché-text & text : transposing the Gothic cathedral into the Gothic novel.

Andrew McKeown 2000

Colloques : Réécriturres.In

M86Les Conversions de Nom à Verbe chez Shakespeare

ANDRIEU, Philippe 1998

P1/1937/IILight on the Dark Lady: A Study of Some Elizabethan Libels

ANGELL, Pauline K. 1967


C415L'arbre de chevalerie et le perron dans les tournois

ANGLO Sidney 1975

Les fêtes de la Renaissance IIIIn

C583Le déclin du spectacle chevaleresque

ANGLO Sidney 1984

Arts du spectacle et histoire des idéesIn

A697/2Le Camp ddu Drap d' Or et les entrevues d' Henri VIII et de Charles Quint

ANGLO Sydney 1960

Les Fêtes de la Renaissance II : Fêtes et Cérémonies au Temps de Charles QuintIn

B795Spectacle Pageantry, and Early Tudor Policy

ANGLO Sydney 1969

B995More Machiavellian than Machiavel

ANGLO Sydney 1972

John Donne: Essays in Celebration. Smith A.J. (editor)In

D259Outsiders in Shakespeare's England

Ania Loomba 2001

The Cambridge companion to ShakespeareIn

B514John Stuart Mill

ANNAN Noel 1964

The English Mind. Davies Hugh Sykes and Watson George (editors)In

D259The London scene : city and court

Anne Barton 2001


D248L'auteur en quête de personnages ? La réécriture d'Ulysse dans le théâtre d'Accius.

Anne Logeay 2000

colloques : Réécritures.In

B872Volpone at the Festival Theatre, Cambridge

Anon. 1972


B872Volpone at the Malvern Festival

Anon. 1972


C067The Shipwreck

Anonymous 1780

A899/6Zepheria, 1594

Anonymous 1964

An English Garner: Elizabethan Sonnets(Vol II)In

A284Edward the Third

Anonymous 1965

Elizabethan History Plays, ed.with an Introduction and Glossary by ARMSTRONG WilliamA.

In

A286Edward The Third

Anonymous 1965

Elizabethan History Plays. Armstrong William A. (editor)In

A289The Merry Devil of Edmonton

Anonymous 1965

Five Elizabethan Comedies, ed. with an Introduction by McILLWRAITHIn

A284Woodstock

Anonymous 1965


In

A286Woodstock

Anonymous 1965


B017The Fable of Obid treting of Narcissus(1560)

Anonymous 1967

Elizabethan Narrative VerseIn

C221Zepheria

Anonymous 1967

Zepheria, Love & DelitesIn

C039Zepheria

Anonymous 1967


A288Arden of Feversham

Anonymous 1969

Five Elizabethan Tragedies, ed. with an Intoduction by McILWRAITH A.K.In

B721/1The Dramatic Censor or, Critical Companion, volume I

anonymous 1969

C054Antony and Cleopatra

Anonymous 1970

C050Bottom the Weaver

Anonymous 1970

C021Henry the Second , an Historical Drama

Anonymous 1971

Vortigern, Henry the Second and An Authentic Account of the Shaksperian Manuscripts, & c.In

C021Vortigern , an Historical Tragedy in Five Acts Represented at the Theatre Royal, Drury Lane

Anonymous 1971


B944The Stage Acquitted

Anonymous 1972

B970 Visits from the Shades

Anonymous 1972

B872Volpone in Sir Tyrone's Best Style

Anonymous 1972


C263Mr William Prynn : His Defence of Stage-Plays

Anonymous 1973

The English Stage. Attack and Defense 1577-1730In

C141The Conduct of the Stage Considered

Anonymous 1973

Heydegger's Letter to the Bishop of London, A Seasonable Apology for Mr H-g-r andThe Conduct of the Stage Considered

In

C311A letter to my lord on the present diversions of the town

Anonymous 1974

The Danger of Masquerades and Raree-Shows, The Dancing Devils, and A Letter to MyLord

In

C317A treatise of daunces

Anonymous 1974

A Treatise of Daunces and A Godly ExhortationIn

C311The dancing devils : or, the roaring dragon

Anonymous 1974


In

B046Praeludium for Thomas Goffe's The Careless Shepherdess (c. 1638)

Anonymous (BROME Richard?) 1968

The Seventeenth-Century Stage: A Collection of Critical Essays. Bentley Gerald Eades(editor)

In

A600Caesar's Stoic Pride

ANSON John 1969

Shakespeare : Julius CaesarIn

C140Essays, Moral and Divine

ANSTRUTHER, William 1973

D250The Shakespeare films of Laurence Olivier

Anthony Davies 2000

Shakespeare on filmIn

A694 Le Naturalisme d' Antione : Une légende

ANTOINE André-Paul 1967

Réalisme et Poesie au ThéâtreIn

A693L'expression du tragique dans "Partage de Midi"

ANTOINE Gérald 1965

Le Théâtre Tragique. Jacquot Jean (editeur)In

C946The Uncompleted Argument: Du Bois and the Illusion of Race

APPIAH Anthony 1986

Race, Writing and DifferenceIn

A978Icons of Justice: Iconography & Thematic Imagery in Book V of The Faerie Queene

APTEKAR Jane 1969

C922The Struggle for the Cultural Heritage: Christina Stead Refuctions Charles Dickens and Mark Twain

ARAC Jonathan 1989

The New HistoricismIn

C789Le nu couché dans la peinture de la Renaissance

ARASSE Daniel 1991

Shakespeare et le corp à la RenaissanceIn

A899/7An appendix to John Bull still in his Senses(1712)

ARBUTHNOT John 1964

An English Garner: Later Stuart TractsIn

A899/7John Bull in his Senses(1712)

ARBUTHNOT John 1964


A899/7John Bull still in his Senses(1712)

ARBUTHNOT John 1964


A899/7Law is a Bottomless Pit(1712)

ARBUTHNOT John 1964


A899/7Lewis Baboon turned honest, and John Bull politician(1712)

ARBUTHNOT John 1964


B482George Farquhar

ARCHER William

C285Arms and the Man

ARCHER, William 1970


C610Three Plays

ARDEN John 1984

Z10Sir Harington's translation of Orlando Furioso

ARIOSTO Lodovico 1962

A623The Dismemberment of Orpheus : Mythic Elements in shakespeare' s Romances

ARMITAGE David

Shakespeare Survey No 39In

C850Twisted Tales From Shakespeare

ARMOUR Richard 1957

A181Shakespeare's Imagination

ARMSTRONG Edward A. 1963

B162Shakespeare's Imagination: A study of the psychology of association and inspiration

ARMSTRONG Edward A. 1963

A468The Paradise Myth

ARMSTRONG John 1969

C379/4Shakespearian jottings, 1758

ARMSTRONG John 1976

Shakespeare : the critical heritage . Volume IV . 1753-1765In

C537Shakespeare and the Unities, 1770

ARMSTRONG John 1979

Shakespeare : the critical heritage . Volume 5, 1765-1774In

D206Watching Hamlet Watching : Lacan, Shakespeare and the Mirror/Stage

ARMSTRONG Philip 1996

Alternative Shakespeares, Vol IIIn

D121Watching Hamlet Watching : Lacan, Shakespeare and the Mirror/Stage

ARMSTRONG Philip 1996


D197/3Spheres of influences: Cartography and the Gaze in Shakespeare's Roman Plays

ARMSTRONG PHILIP 1998


D271Shakespeare in Psychoanalysis

ARMSTRONG, Philip. 2001

C531Synge's communities and dissenters

ARMSTRONG W. A. 1979

Drama and societyIn

B386The Elizabethan Private Theatres

ARMSTRONG William 1958

A463/10Actors and Theatres

ARMSTRONG William A. 1965


A441Ben Jonson and Jacobean Stagecraft


Jacobean Theatre. Stratford-Upon-Avon Studies IIn

A284Elizabethan History Plays


B048Shakespeare and the Acting of Edward Alleyn


Shakespeare Survey 7. Nicoll Allardyce (editor)In

B046The Audience of the Elizabethan Private Theaters (1959)



In

C551Torch, cauldron and taper : light and darkness in Macbeth


Poetry and drama 1570-1700In

A286Elizabethan History Plays

ARMSTRONG William A. (editor) 1965

B558Milton

ARNOLD Matthew 1951


C299The Soliloquies of Shakespeare : a Study in Technic

ARNOLD, Morris Leroy 1965

B731Theatre History

ARNOTT J.F. 1971

Drama and the Theatre with Radio, Film and Television: an outline for the student. BrownJohn Russell (editor)

In

B474English Theatrical Literature 1559-1900: A Bibliography

ARNOTT James Fullarton & ROBINSON John 1970

B935Psyche and Symbol in Shakespeare

ARONSON, Alex 1972

B025A Greek Theatre of Ideas

ARROWSMITH William 1965

Ideas in the Drama: selected papers from the English Institute. Gassner John (editor)In

B115Oeuvres Complètes(Tome IV): le théâtre et son double; le théâtre de Séraphin; les Cenci

ARTAUD Antonin 1967

B764/3Milton, Ficino and the Charmides

ARTHOS, John 1959

Studies in the Renaissance, volume VI. Shaaber, M.a. (editor)In

A673Milton and the Italian Cities

ARTHOS John 1968

B015Milton, Andreini, and Galileo: Some Considerations on the Manner and Form of Paradise Lost

ARTHOS John 1968

Approaches to Paradise LostIn

B890Shakespeare: the Early Writings

ARTHOS John 1972

C431Shakespeare's use of dream and vision

ARTHOS John 1977

B348From the Renaissance to Romanticism: Trends and Style in Art, Literature, and Music, 1300-1830

ARTZ Frederick B . 1962

P1/1933/IThe Ending of TheTwo Gentlemen of Verona

ASA SMALL, Samuel 1966


A256/1'Of Imitation': The Schoolmaster(Book II).1570

ASCHAM Roger 1967

Elizabethan Critical EssaysIn

B033The Scholemaster 1570

ASCHAM Roger 1967

B431English Works:Toxophilus; Report of the Affaires and State of Germany; The Scholemaster

ASCHAM Roger 1970

C703Playing Shakespeare

ASHCROFT Peggy 1990


A714Authorship and Evidence: A Study of Attribution and the Renaissance Drama Illustrated by theCase of George Peele (1556-1596)

ASHLEY Leonard R.N. 1968

C159Life in Stuart England

ASHLEY, Maurice 1967

A772The Golden Century: Europe 1598-1715

ASHLEY Maurice 1969

B695Charles II, the Man And The Statesman

ASHLEY, Maurice 1971

A746Elizabethan Fiction

ASHLEY Robert & MOSELEY Edwin M. 1966

A686Charles I and the City

ASHTON Robert 1961

Essays in the Economic and Social History of Tudor and Stuart England. Fisher F.J. (editor)In

A680James I by his contemporaries: An account of his carrer and character as seen by some of hiscontemporaries

ASHTON Robert 1969

B512/1Etude sur Le Cimetière des Voitures, un spectacle de Victor Garcia, à partir de quatre piècesd'Arrabal

ASLAN Odette 1970

Les Voies De La Création Théâtrale, Volume I. Jacquot Jean (editeur)In

B512/3Les Paravents de Jean Genet

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C416Les Bonnes, de J. Genet : l'interprétation des Bonnes

ASLAN Odette 1975

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C416Les pièces courtes et les pièces longues de S. Mrozek : Karol, Strip-Tease, En Pleine Mer,Tango

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B512/2Mort et Vie Séverine, de Joao Cabral de Melo Neto

ASLAN Odette et MEYER Marlyse 1970

Les Voies de la Création Théâtrale, volume II. Bablet Denis (editeur)In

C259A Study of Thomas Middleton's Tragicomedies

ASP, Caroline 1974

C984Malvolio and the Eunuchs : Text and Revels in Twelfth Night

ASTINGTON John 1994


C552Inigo Jones and the whitehall cockpit

ASTINGTON John H. 1980

The Elzabethan theatre VIIIn

C740Malvolio and the dark house



D013The London Stage in the 1580s



C795The Origins of the Roxana and Messalina Illustrations



D240The Globe, the Court and Measure for Measure


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D207Le Robert &Collins Senior: Dictionnaire Français-Anglais/ Anglais-Français

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ATKINS J.W.H. 1966

A416Englisn Literary Criticism: The Renascence

ATKINS J.W.H. 1968

D100The Intruder in Modern Drama

ATTAR,Samar 1981

C369Well-weighed syllables : Elizabethan verse in classical metres

ATTRIDGE Derek 1974

A393Shakespeare's Sources

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P5/1Elie Konigson, L'Espace théâtrale médiéval

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B512/1Etude sur Kaspariana, mise en scène par Eugenio Barba

AUBERT Christine et BOURBONNAUD Jean-Luc 1970


B104L'Inde

AUBOYER Jeannine 1965


A692La fortune du théâtre de Garcia Lorqua en Espagne et en France

AUBRUN Charles 1968

Le Theâtre Moderne, Hommes et Tendances. Jacquot Jean (editeur)In

A693Le Déterminisme naturel et la causalité surnaturelle chez Calderon

AUBRUN Charles-V 1965


A693"Régner après la mort" de Vélez de Guevara et la "Reine Morte" de Montherlant



A694Abstractions morales et réferences au réel dans la tragédie lyrique

AUBRUN Charles-V. 1967


A694La langue poétique de Calderon



A533Le Théâtre espagnol engagé: Buero Vallejo et Sastre



A515/1Nouveau public, nouvelle comédie à Madrid au XVIIe siècle


Dramaturgie et Société : XVIe et XVIIe sièclesIn

C266Notes on the Comic

AUDEN, W.H. 1965

Comedy : Meaning and FormIn

A917Brothers and Others

AUDEN W.H. 1967

Shakespeare's Comedies: an Anthology of Modern CriticismIn

A917The Atmosphere ofTwelfth NIght

AUDEN W.H. 1967


A599Caliban to the Audience

AUDEN W.H. 1968


A929Macbeth and Oedipus

AUDEN W.H. 1968

Shakespeare's Tragedies: An Anthology of Modern Criticism. Lerner Laurence (editor)In

A597 Brothers and Others

AUDEN W.H. 1969

Shakespeare : The Merchant of VeniceIn

B057The Prince's Dog

AUDEN W.H. 1970

Shakespeare: Henry IV (parts I & II)In

B961A Choice of Dryden's Verse

AUDEN, W.H. 1973

C927The Joker in The Park

AUDEN W.H. 1993


A292Music in Shakespeare

AUDEN W.H.(b.1907) 1963


A743An Elizabethan Song Book : Lute Songs, Madrigals and Rounds

AUDEN W.H., KALLMAN Chester, and 1968

A693La situation de l'héritier dans le théâtre de Sartre

AUDRY Colette 1965


B092Mimésis

AUERBACH Erich 1968

A515/1Etherege à l' école de Molière

AUFFRET Jean 1968


P5/35Shakespeare's The Merchant of Venice : from Tyre to London

AUFFRET Jean 1994

Cahiers Elisabethains N° 46 Octobre 1994In

P5/35Shakespeare's The Merchant of Venice: From Tyre to London

AUFFRET, Jean 1994


D286The English Renaisance

AUGHTERSON, Kate. 1998

D198Renaissance Woman, Construction of Feminity in England

AUGHTERSON Kate (editor) 1995

C389Les gueux dans la litérature française du XVIe siècle

AULOTTE R. 1976

Misère et gueuserie au temps de la RenaissanceIn

C591Griffith, le cadre, la figure

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C605L'espace et la matière

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C605La théorie du film : colloque de Lyon

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A012Two Fifteenth Century Cookery Books

AUSTIN T. 1848

P5/41Walking Upright: the Oak and The Hewel in Marvell's 'Upon Appleton House, to my Lord Fairfax'

AUTY, James 1997


A705The London Stage 1700-1729: A Critical Heritage

AVERY Emmett L. 1968


AVERY Emmett L. and SCOUTEN Arthur H. 1968

C999Images of the wilderness in some Elizabethan gardens

AVNER Jane 1995

Shakespeare . Le monde vert : rites et renouveauIn

A146The Fraternitye of Vacabondes

AWDELEY John 1898

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C432The Tudor masque and Elizabethan court drama

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English drama : forms and developmentIn

C432English drama : forms and development . Essays in honour of Muriel Clara Bradbrook

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D068Chaucer and the Idea of Theatrical Performance

AXTON, Richard 1996

'Divers Toyes Mengled'- Essays on Medieval and Renaissance Culture

C843The Plays of John Heywood

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P5/36Staging Modernity: Chapman, Jonson, and the Decline from the Golden Age

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P1/1958/VMedieval History, Moral Purpose, and the Structure of Lydgate's Siege of Thebes

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A686The Officers of the Exchequer, 1625-42

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C632The historical background

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The age of MiltonIn

D200Prejudice and Law in The Merchant of Venice

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B805The Moral Cosmos of Paradise Lost

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A766The Genesis of Shakespeare Idolatry 1766-1799: A Study in English Criticism of the LateEighteenth Century

BABCOCK Robert Witbeck 1964

P4/51Fools, Fowls and Perttaunt-like in Love's Labour's Lost

BABCOCK Weston 1951

Shakespeare Quarterly vol 2In

BABCOCK Weston 1967

D154Shakespeare Meets the Warner Brothers : Reinhardt and Dieterle's A Midsummer Night's Dream

BABINGTON Bruce 1997


A696Documentation et travail du décorateur

BABLET Denis 1957


A535Esthétique générale du décor de théâtre de1870 à 1914

BABLET Denis 1965

A528La Remise en Question du Lieu Théâtral au Vingtième Siècle

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B512/2L'Instruction , de P. Weiss

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C548L'Expressionisme à la Scène

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L'Expressionisme dans le Théâtre européenIn

C548L'expressionnisme à la scène

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C829Le Théâtre de la Mort

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B512/2Les Voies de la Création Théâtrale, volume II

BABLET Denis (editeur) 1970

C548L'expressionnisme dans le théâtre européen

BABLET Denis et JACQUOT Jean 1971

C416Les voies de la création théâtrale IV : Mort d'un Commis voyageur, Le Marchand de Glace estPassé, Les Bonnes, Le Retour, Karol, Strip-Tease, En Pleine Mer, Tango


C436Les voies de la création théâtrale V : Timon d'Athènes, 1793, L'Age d'Or, Le Dernier Adieud'Armstrong, Vous Vivrez Comme des Porcs, Fin de Partie


A528Le Lieu Théâtral dans la Société Moderne

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B512/3Les Voies de la Création Théâtrale, volume III

BABLET Denis & JACQUOT Jean (editeurs) 1972

C433Whatever happened to to prince Hal? : an essay on Henry V

BABULA William 1977


B189Plutarque et le Stoïcisme

BABUT Daniel 1969

B816Procopius and the Chronology of Clovis's Reign

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A419/1From the Advancement of Learning

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Critical Essays of theSeventeenth Century, vol 1 by Spingarn, J.E.In

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Seventeenth-Century : English ProseIn

D235From Of Prophecies

BACON Francis 1999


A701L'Imitation de Sénèque dans "Gorboduc" de Sackville et Norton

BACQUET Paul 1964

Les tragédies de Sénèque et le théâtre de la Renaissance. Jacquot Jean (editeur)In

C561Les pièces historiques de Shakespeare 1 : La première tétralogie et Le Roi Jean

BACQUET Paul 1978

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BACQUET Paul 1979

C602Les apparences et l'ironie dans Le Marchand de Venise

BACQUET Paul 1985

Le Marchand de Venise et Le Juif de MalteIn

B963Coleridge: Critic of Shakespeare

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P4/85/1The Sum of Something: Arithmetic in The Merchant of Venice

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C813Monuments Historiques : Architecture du Spectacle

BADY Jean-Pierre 1978

A697/2Les musiciens de la chapelle royale d' Henri VIII au Camp du Drap d' Or

BAILLIE Hugh 1960


C133The Lust Motif in the Plays of Thomas Middleton

BAINES, Barbara Joan 1973

C779From BM Harl. MS6848, 1593

BAINES Richard 1979

Marlowe : the Critical Heritage 1588-1896In

A503/1The Tragicall History of Christopher Marlowe, Vol I

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BAKELESS John 1964

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BAKELESS John 1970

C328/2The tragicall history of Christopher Marlowe volume II

BAKELESS John 1970

A463/9 Shakespeare in Ghana

BAKER D.S. 1966


A555/1Biographica Dramatica, A Companion to the Playhouse, volume I

BAKER David Erskine, REED Isaac, JONES 1966

A555/2Biographica Dramatica, A Companion to the Playhouse, volume II


A555/3Biographica Dramatica, A Companion to the Playhouse, volume III


B764/3The "Angel" of English Renaissance Literature

BAKER, Donald C. 1959


P1 1932 IHazlitt as a Shakespearean Critic

BAKER H.T. 1932

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P1/1932/IHazlitt as a Shakespearean Critic

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B580The Wars of Truth: Studies in the Decay of Christian Humanism in the Earlier Seventeenth Century

BAKER Herschel 1969

C946Caliban’s Triple Play

BAKER Houston A. Jr 1986

Race, Writing, and DifferenceIn

A621The Philosophy of Hamlet

BAKER Joseph E. 1967

The Parrot Presentation VolumeIn

C263Theatrum Redivivum or the Theatre Vindicated

BAKER, Richard 1973


B806Milton's Uncouth Swain

BAKER Stewart A. 1971

Milton Studies III. Simmonds James D. (editor)In

B995John Donne's Critique of True Religion

BAKER-SMITH Dominic 1972


C793Renaissance and Reformation

BAKER-SMITH Dominic 1989


B866La Poétique de Dostoievski

BAKHTINE, Mikhail 1970

T46L'esprit du cinéma

BALAZS Béla 1977

B730The Anatomy of Villainy

BALCHIN Nigel 1950

P1 1941 IShakespeare on the Stage in Restoration Dublin

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P4/52The Entrance to the Elizabethan Theatre

BALD, R.C. 1952

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A463/1The Booke of Sir Thomas More and its problem

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B592The Elizabethan Epic

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P4/50Commentary on Dr Pope's "Shakespeare on Hell"

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P 4/52Nature's Moulds

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Shakespeare Quarterly, vol 3In

B377On the Literary Genetics of Shakespeare's Plays 1592-1594

BALDWIN T.W. 1959

B450Three Homilies in The Comedy of Errors

BALDWIN T.W. 1962


A621A Note upon William Shakespeare ' s Use of Pliny

BALDWIN T.W. 1967


B224Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of ReanissanceTheories of Five-Act Structure from 1470

BALDWIN T.W. 1969

A286King John

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A284King John

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A581The Walking Dream : Coleridge and the Drama

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P4/52the Shakespeare Film as a Record

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A621Sir Giles Mompesson and Sir Giles Overreach

BALL Robert H. 1967


C879Grotesque farce in the Weimar Republic

BALME Christopher 1988

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D009History, Tragedy, Gender

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Shakespeare's History Plays : Richard II to Henry VIn

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English Renaissance studies presented to Dame Helen Gardner in honour of her seventiethbirthday

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D225Recréation du Sentimental Journey de Sterne: Une Suite récréative à but lucratif

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B922Shakespeare in West Africa

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Shakespeare in the New WorldIn

C599aBBC Television's dull Shakespeare

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Shakespeare's Wide and Universal Stage (COX C.B. & PALMER D.J. Editors)In

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P1/1940/IIThe Banquet Scene in Paradise Regained

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C922The Sense of the Past: Image, Text, and Object in the Formation of Historical Consciousness inNineteenth-Century Britain

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C436Timon d'Athènes de Shakespeare et sa mise en scène de Peter Brooks : l'écriture spatiale et samise en scène

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A693Tyrannie et liberté dans les tragédies d'Alfieri

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A694Le Théâtre de Pirandello

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D259The reproduction of Shakespeare's texts

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D256Inside Othello

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D250Critical junctures in Shakespeare screen history : the case of Richard III

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A634The Idea of Honour in the English Drama 1591-1700

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C028A Mask Presented at Ludlow Castle : the Masque as a Masque

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C028A Mask Presented at Ludlow Castle: the Masque as a Masque.

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C266The Saturnalian Pattern in Shakespeare's Comedy

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B309Shakespeare's Festive Comedy: a Study of Dramatic Form and its Relation to Social Custom

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A597 The Merchants and the Jew of Venice

BARBER C.L. 1969


A463/14'Thou that beget'st him that did thee beget' : Transformation in 'Pericles' and 'The Winter's Tale'

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B885From Ritual to Comedy: An Examination of Henry IV

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Shakespeare: Modern Essays in Criticism. Dean Leonard F.In

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B873Testing Courtesy and Humanity in Twelfth Night

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C580"May games and metamorphoses on a midsummer night"

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A759The Winter's Tale and Jacobean Society

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Shakespeare in a Changing WorldIn

A581Prince Hal, HenryV, and the Tudor Monarchy

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C246Certayne Egloge

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C246The Mirrour of Good Manners

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A376The Ship of Fools(1509)

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C537Johnson defended, 1766

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M34The Stucture of the Merchant of Venice

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A444The Spanish Tragedy or the Pleasure and Perils of Rhetoric

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P4/58"Service " in King lear

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Comedy from Shakespeare to SheridanIn

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P1/1958/IIIBaroque Prose in the Theatre: Ben Jonson

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A775The Double Plot in "Volpone"


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A422Ben Jonson and the Language of Prose Comedy


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New Historicism and Renaissance DramaIn

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P4/50The Merchant of Venice at the University of Kansas City

BARNETT, John Egger 1950


A899/4Cynthia

BARNFIELD Richard 1964


A899/4Poems: in Divers Humors, 1598



A899/4The Affectionate Shepheard



A899/4The Combat, betweene Conscience and Covetousnesse in the minde of Man, 1598



A899/4The Complaint of Poetry for the Death of Liberalitie, 1598



A899/4The Encomion of Lady Pecunia: or the Praise of Money, 1598



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P4/85/5Let's Kill all the Critics

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Shakespeare Quarterly vol 36 number 5In

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D280Shakespeare's Globe?

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D262(Names in Jonson's Comedies)

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B699 Shakespeare and the Limits of Language

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B883As You Like It and Twelfth Night: Shakespeare's Sense of an Ending

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C953Appendix: The Distinctive Voice of Massinger

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Philip Massinger : A Critical ReassessmentIn

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C980Shakespeare : His Tragedies

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C775The Names of Comedy

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C671Playing Shakespeare

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B886Directing Problem Plays: John Barton talks to Gareth Lloyd Evans

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Cahiers Elisabéthains, no 45, April 1994In

P5/34'Ten Little Fabulae': Ovidian Tales of Love and Metamorphosis in A Misummer Night's Dream

BARUZZO, Barbara 1994


P5/6More about the Anonymous Tragedy of the Cruell Warre and James Shirley's The Triumph ofPeace

BAS, Georges 1979


P5/26Revising a Biography: A New Interpretation of the Life of Elizabeth Jane Weston (Westonia),based on her autobiographical poem on the occasion of the death of her mother

BASSNETT Susan E. 1990


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M80Twinship in The Comedy of Errors and Twelfth Night

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P4/84/4the Cobler's Awl: Julius Ceasar I, i, 21-24

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C663Hal and the Regent

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C670Shakespeare and the English Romantic imagination

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C740Ovid and the mature tragedies: metamorphosis in Othello and King Lear

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C758Ovid and the Sonnets; or, did Shakespeare Feel the Anxiety of Influence

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C919/2The Performance of Revenge: Titus Andronicus and The Spanish Tragedy

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The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550-1642)In

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D287Love and Coutship

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B567Paradise Regained: A Dissident Appendix.

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A458English Comic Drama

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A340L.C. Knights and Restoration Comedy

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Restoration Drama (Modern Essays in Criticism)In

A176/4The Cambridge Bibliography of English Literature

BATESON F.W. 1966

A176/2The Cambridge Bibliography of English Literature (1660-1800)

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B797The Scholar-Critic: An Introduction to Literary Research

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BATESON F.W. and LEAVIS F.R. 1969


C875Steps to an Ecology of Mind

BATESON Gregory 1987

A142Geoge Ashby's Poems

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C409The relation of Henry V to Tamburlaine

BATTENHOUSE Roy 1974


C515Theme and structure in The Winter's Tale

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P1/1951/VIHamlet's Apostrophe on Man: Clue to Tragedy

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B450Henry V as Heroic Comedy

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A724Marlowe's Tamburlaine : A Study in Renaissance Moral Philosophy


A372Chapman and the Nature of Man


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B052Shakespearean Tragedy: Its Art and Its Christian Premises


B467Shakespearean Tragedy: Its Art and Its Christian Premises


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D260Richard III and Aristotelian Catharsis

BATTENHOUSE Roy.W 1999

Critical Essays on Shakespeare's Richard IIIIn

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D225Acte de lecture et idéologie de la culture selon Joseph Addison

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A699L' édition musicale italienne et les musiciens d' Outremonts au XVIè siècle (1501-1563)

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B808Machiavelli and Marlowe's Jew of Malta

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B393All the World's a Stage: Theatrical Portraits

BAX Clifford 1946

B715Of National Churches

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Restoration and Revolution. Myers William (editor)In

B715The Poor Husbandman's Advocate to Rich Racking Landlords

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A629De l'art primitif à l'art classique

BAYER Raymond 1956


B511Love and Identity: Othello

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Shakespeare: Othello, a CasebookIn

C558Shakespeare and tragedy

BAYLEY John 1981

A964Order, Grace and Courtesy in Spenser's World

BAYLEY P.C. 1966

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T020Qu'est-ce que le Cinéma?

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D050York Mystery Plays

BEADLE, R & KING, P (eds.) 1995

C934Crab’s pedigree

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C986The Cambridge Companion to Medieval English Theatre

BEADLE Richard 1994

C986The York cycle

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The Cambridge Companion to Medieval English TheatreIn

C787Acting in the Swan

BEALE Simon Russell 1989

The Golden Round : The RSC at the SwanIn

C787The Restoration Season

BEALE Simon Russell 1989


C354The limits of toleration in sixteenth-century France

BEAME E.M. 1966

Studies in the Renaissance volume XIIIIn

C575Comic structure and the humanizing of Kate in The Taming of the Shrew

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B852Restoration Comedy and Provok'd Criticic

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C779From 'The Theatre of Gods Judgements', 1597

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B371The Language of Literature (1958)

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Essays on the Language of Literature. Chatman Seymour and Levin Samuel R. (editors)In

C512Shakespearian tragedy, 1776

BEATTIE James 1981


A206The English Court in the Reign of George I

BEATTIE John M. 1967

B501/1Statutes of Christ's College, Cambridge

BEAUFORT, Margaret Countess of Richmond and 1954

The Thought and Culture of the English Renaissance vol 1In

B715The Narrative of the Persecution of Agnes Beaumont in 1674

BEAUMONT Agnes 1986


B477/4Monsieur Thomas

BEAUMONT and FLETCHER 1906

The Works of Francis Beaumont and John Fletcher vol 4, Waller, A.R. ed.In

B477/3 Rule a Wife and Have a Wife



B477/4The Bloody Brother



B477/5The Captain



B477/4 The Chances



B477/3The false One



B477/3The Laws of Candy



B477/3The Little French Lawyer



B477/5The Lovers Progress



B477/3The Loyal Subject



B477/3The Mad Lover



B477/5The Pilgrim



B477/5The Prophetess



B477/4The Tragedy of Valentinian



B477/4The Wild-Goose Chase



B477/5A Wife for a Month


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D134Rollo, Duke of Normandy


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D134The Dramatic Works (vol. 10)


D134The Fair Maid of the Inn



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D134The Laws of Candy



D134The Lover's Progress



D134The Spanish Curate




BEAUMONT and FLETCHER (ed. Norland Howard 1968

D104The Dramatic Works (vol. IV)

BEAUMONT & FLETCHER 1985

B176Salmacis and Hermaphroditus

BEAUMONT Francis 1963

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B017Salmacis and Hermaphroditus(1602)



A173The Masque of Flowers (1614)

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A Book of MasquesIn

A173The Masque of the Inner Temple and Gray's Inn (1613)


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Five Stuart Tragedies, ed. with an Introduction by McILLWRAITH A.K.In

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BEAUMONT, Francis 1974

The Frame Structure in Tudor and Stuart Drama, Young, S.C.In

A639Philaster; or, Love Lies A-Bleeding

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A170/1The Maid's Tragedy/ Philaster/ The Wild-Goose Chase/ Thierry and Theodoret/ The Knight of theBurning Pestle

BEAUMONT Francis & FLETCHER John 1887

The Best Plays of the Old Dramatists, Mermaid Series; Ed. by J.St. Loe StracheyIn

B481Love's Pilgrimage

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The Dramatic Works in the Beaumont and Fletcher CanonIn

C373The Noble Gentleman

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The dramatic works in the Beaumont and Fletcher . Volume IIIIn

A482The Captain

BEAURLINE L.A. (editor) 1966

The Dramatic Work in the Beaumont and Fletcher Canon, volume IIn

A899/8An English Garner: Voyages and Travels mainly during the 16th and 17th Centuries

BEAZLEY C.Raymond 1964

B327This Great Stage: Image and STructure in King Lear

BECHTOLD HEILMAN Robert 1967

C453Terence improved : the paradigm of the prodigal son in English Renaissance comedy

BECK Ervin 1973

Renaissance drama . New series VIIn

C354Economic change and the emerging Florentine territorial state

BECKER Marvin B. 1966


P4/85/5The Old Business of Play Reviewing

BECKERMAN, B. 1985


B167Shakespeare at the Globe 1599-1609

BECKERMAN Bernard 1967

B500/2a Shakespearean Experiment: the Dramaturgy of Measure for Measure

BECKERMAN, Bernard 1970

The Elizabethan Theatre part IIIn

B500A Shakespearean Experiment: The Drammaturgy of Measure for Measure

BECKERMAN Bernard 1970

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C512Notes on Shakespeare's text, 1787

BECKET Andrew 1981


C314A serious Remontrance

BEDFORD Arthur 1974

C313Serious reflections on the scandalous abuse and effects of the stage, A second advertisementconcerning the profaneness of the playhouse, and A sermon preached in the Paris-church of St.

BEDFORD Arthur 1974

C312The evil and danger of stage-plays

BEDFORD Arthur 1974

P5/16The Progress of Trickster in Ben Jonson's Volpone

BEECHER, D. 1985

Cahiers Elisabéthains N°27In

P5/1The Jew of Malta and The Ritual of the Inverted Moral Order

BEECHER Don 1977


P5/1The Jew of Malta and the Ritual of the Inverted Moral Order

BEECHER, Don 1977


P5/12The Courtier as Trickster in Massinger's The Duke of Milan

BEECHER, Don 1983


P5/12The Courtier as Trickster in Massinger's The Duke of Milan

BEECHER, Don 1983


P5/19Spenser's Redcross Knight and his Encounter with Despair: Some Aspects of the 'ElizabethanMalady'

BEECHER Don 1985


P5/16The Progress of Trickster in Ben Jonson's Volpone

BEECHER Don 1985


P5/33Determining Displacements in the Farewell to Military Profession of Barnabe Riche

BEECHER, Don 1993


P5/33Farewell to military

BEECHER, Don 1993


P5/40The Book of Wonders of Nicholas Monardes of Seville

BEECHER, Don 1997


C919/2The Sense of an Ending : John Marston and the Art of Closure

BEECHER Donald 1992


P5/4The Tudor Translation of Colonna's Hypnerotomachia

BEECHER, Donald A. 1979


C432'Coming Wonders' : uses of theatre in the Victorian novel

BEER Gillian 1977


C934Rhyming as comedy: body, ghost, and banquet

BEER Gillian 1994

English ComedyIn

B514Newman and the Romantic Sensibility

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C285Dan Leno

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A697Quelques Aspects des Jeux, Fêtes et Danses à Berne pendant la première moitié du XVIèsiècle

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Les Fêtes de la RenaissanceIn

A675The Dutch Lover ; The Wandring Beauty

BEHN Aphra 1957


A249The Coquette

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Wayside Poems o the Seventeenth CenturyIn

A225The Rover

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C211/3The Lucky Chance

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Restoration Comedy (vol. III)In

C211/2The Rover

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Restoration Comedy (vol.II)In

C878Images of women and the burden of myth: plagues on the houses of Gorky and O. Neill

BEHRENDT Patricia F. 1990

Drama and PhilosophyIn

A697Visions célestes et infernales dans le Théâtre du Moyen-Age et de la Renaissance

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A208Alexander Pope(1721-1744)

BELJAME Alexandre 1948

Men of Letters and the English Public in the Eighteen CenturyIn

A208John Dryden and Politics(1680-1688)



A208John Dryden and the Theatre(1660-1680)



A208Joseph Addison(1688-1721)



A208Men of Letters and the English Public in the Eighteen Century


B036Historical Essays 1600-1750 presented to David Ogg

BELL H.E. & OLLARD R.L. 1963

A873/1Bell's Edition of Shakespeare's Plays(1774) Vol I

BELL John 1969

A873/2Bell's Edition of Shakespeare's Plays(1774) Vol II

BELL John 1969

A873/3Bell's Edition of Shakespeare's Plays(1774) Vol III

BELL John 1969

A873/4Bell's Edition of Shakespeare's Plays(1774) Vol IV

BELL John 1969

A873/5Bell's Edition of Shakespeare's Plays(1774) Vol V

BELL John 1969

A873/6Bell's Edition of Shakespeare's Plays(1774) Vol VI

BELL John 1969

A873/7Bell's Edition of Shakespeare's Plays(1774) Vol VII

BELL John 1969

A873/8Bell's Edition of Shakespeare's Plays(1774) Vol VIII

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P1 1953 IVThe Fallacy of the fall in Paradise Lost

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A463/12Walter Whiter' s Notes on Shakespeare

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P1/1953/IVThe Fallacy of the Fall in Paradise Lost

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A802Dramatic Characters

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D226'Raylinge Rymes and Vaunting Verse': Libellous Politics in Early Stuart England, 1603-1628

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C389Pauvreté et misère dans la poésie française de la Renaissance

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C472Truth and utterance in The Winter's Tale

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C605A bâtons rompus

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C591Alterner / Raconter : The Lonedale Operator, D.W. Griffith



C592L'instant du code : sur les publicités Eastman-Kodak du Film Daily



C591Le cinéma américain : analyses de films . Tome I


C592Le cinéma américain : analyses de films . Tome II


C591Symboliques : The Mystery of the Wax Museum, Michael Curtiz; The Westerner, William Wyler



C453Senecan vacillation and Elizabethan deliberation : influence or confluence?

BELSEY Catherine 1973


C910Critical Practice


C721The subject of tragedy


C876A Future for Materialist Feminist Criticism?


The Matter of Difference : Materialist Feminist Criticism of ShakespeareIn

C924Alice Arden’s Crime



D039Desire's Excess and the English Renaissance Theatre : Edward II, Troilus and Cressida, Othello


Erotic Politics : Desire on the Renaissance StageIn

C938Disrupting Sexual Difference : Meaning and Gender in the Comedies



C966Finding a Place



C924Literature, History, Politics



D009Making Histories



D011Revenge in Hamlet


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D012Subjectivity and the Soliloquy


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D206Cleopatra' s Seduction



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D197/2The Name of the Rose in Romeo and juliet

BELSEY CATHERINE 1998


P4/58John Gregory's Shakespeare Bas-Reliefs

BELSKIE, A. 1958


C336George Chapman : action and contemplation in his tragedies

BEMENT Peter 1974

M46The First Part of Henry IV as a Study in Kingship

BENAYADA, Kamila

B104L'Islam

BENCHENEB Rachid 1965


B104La Fête religieuse et populaire dans l'Islam

BENCHENEB Rachid 1965


A463/5Hamlet at The Comédie Française : 1769-1896

BENCHETTRIT Paul 1966


B965Spencer and Literary Pictorialism

BENDER, John B. 1972

A698Principe d'édition des ouevres de clavier anciennes

BENEDETTI-MICHELANGELI Flavio 1960

La Musique Instrumentale de la Renaissance. Jacquot JeanIn

C173Celui qui croyait aux nuages

BENHAMOU, Anne Françoise 1987

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B764/3Fame, Poetry and the Order of History in the Literature of the English Renaissance

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A644The Love Poetry of John Donne : a Reply to Mr. C.S. Lewis

BENNET Joan 1968


C353John Morer's will : Thomas Linacre and prior Sellyng's Greek teaching

BENNET Josephine W. 1973

Studies in the Renaissance volume XVIn

B859Measure for Measure as Royal Entertainment

BENNET, Josephine Waters 1966

A964Gower's 'Honeste Love'

BENNETH J.A.W. 1966


B375A Select List of the Writings of F.P. Wilson

BENNETT H.S. 1959


B256English Books and Readers 1558 to 1603 (Being a Study in the History of the Book Trade in theReign of Elizabeth I

BENNETT H.S. 1965

B281English Books & Readers(1558-1603)

BENNETT H.S. 1965

A915A Select List of the Writtings of F.P. Wilson

BENNETT H.S. 1969


B545English Books and Readers 1603-1640

BENNETT, H. S. 1970

B918Langland, Piers Plowman

BENNETT, J.A.W. 1972

P1 1932 ISpencer's Garden of Adonis

BENNETT, J.W. 1932

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B764/2A Note on Religio Medici and some of its Critics

BENNETT, Joan 1956

Studies in the Renaissance, volume III. Shaaber, M.a. (editor)In

B265Five Metaphysical Poets

BENNETT Joan 1966

P4/53Characterisation in Polonius's Advice to Laertes

BENNETT, Josephine 1953

Shakespeare Quarterly Vol 4In

P1/1932/ISpencer's Garden of Adonis

BENNETT Josephine Waters 1966


C984Reconstructing The Winter's Tale

BENNETT Kenneth C. 1994


P4/57The Statistical Measurement of a Stylistic Trait in Julius Caesar and As You Like It

BENNETT, Paul E. 1957

Shakespeare Quarterly, Vol 8In

P5/2Prince Hal's Crisis of Timing in the Tavern Scene of Henry IV, Part I

BENNETT Robert B. 1978


P5/2Prince Hal's Crisis of Timing in the Tavern Scene of Henry IV part I

BENNETT, Robert B. 1978


C854/1Palimpsestes N°1 : Textes de référence

BENSIMON Paul, COUPAYE Didier et LECLERCQ

C854/2Palimpsestes N° 1 : Traduire le Dialogue Traduire les textes de théâtre

BENSIMON Paul, COUPAYE Didier et LECLERCQ 1987

B763The Idea of Tragedy

BENSON Carl and LITTLETON Taylor 1966

C266Farce

BENTLEY, Eric 1965


B200The Life of the Drama

BENTLEY Eric 1966

A613The Playwright As Thinker : A Study of Drama in Modern Times

BENTLEY Eric 1967

A929Shakespeare's Politics

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C926BENTLEY Eric 1993

B450Lenten Performances in the Jacobean and Caroline Theaters

BENTLEY G.E. 1962


C420Shakespeare and his theatre

BENTLEY Gerald Eades 1964

A298/1The Jacobean and Caroline Stage: Dramatic Companies and Players, volume I


A298/2The Jacobean and Caroline Stage: Dramatic Companies and Players, volume II


B231Shakespeare: A Biographical Handbook


A298/3The Jacobean and Caroline Stage: Plays and Playwrights, volume II


A298/4The Jacobean and Caroline Stage: Plays and Playwrights, volume IV


A298/5The Jacobean and Caroline Stage: Plays and Playwrights, volume V


A298/7The Jacobean and Caroline Stage: Appendix to Volume VI, General Index, volume VII


A298/6The Jacobean and Caroline Stage: Theatres, volume VI


B403The Seventeenth-Century Stage: a Collection of Critical Essays


B822Shakespeare and Jonson: Their Repuations in the Seventeenth Century Compared


B827The Profession of the Dramatist in Shakespeare's Time

BENTLEY, Gerald Eades 1971

B046The Seventeenth-Century Stage: A Collection of Critical Essays

BENTLEY Gerald Eades (editor) 1968

C956Text, Gender and Genre in The Taming of the Shrew

BERECK Peter 1988


P4/84/2"The Upstart Crow", Aesop's Crow, and Shakespeare as a Reviser

BEREK, P. 1984


A710Gossip of the Seventeenth and Eighteenth Centuries

BERESFORD John 1968

A686Habitation versus Improvement: The Debate on Enclosure by Agreement

BERESFORD Maurice 1961


T47Initiation à la sémiologie du récit en images

BERGALA Alain

A536Entretiens sur l'Art et la Psychanalyse

BERGE André, CLANCIER Anne, RICOEUR Paul 1968

B808The Horations and the Curiatians in the Dramatic and Political-Moralist Literature before Corneille

BERGEL Lienhard 1970


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C027A Secret Discipline : The Faerie Queene , book VI

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Form and Convention in the Poetry of Edmund SpenserIn

C672Psychoanalysing the Shakespeare text : the first three scenes of the Henriad

BERGER Harry Jr 1985

Shakespeare and the question of theoryIn

D030On the Continuity of the Henriad : a Critique of Some Literary and Theatrical Approaches

BERGER Harry Jr. 1991

Shakespeare Left and RightIn

C963Hydra and Rhizome

BERGER Harry Jr 1994

Shakespeare reread : The Texts in New ContextsIn

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C484The restoration of Hermione in The Winter's Tale

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Shakespeare's romances reconsideredIn

C594Come hell ro high water : Shakespearean romantic comedy

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C575The Woman's Part : Female Sexuality as Power in Shakespeare's Plays

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C266From Laughter

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P4/51Lincoln's Interest in Shakespeare

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C379/4On Marsh's adaptation of The Winter's Tale, march 1756

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C512Shakespeare defended from Voltaire, 1777

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P4/84/5Teaching Shakespeare to Today's College Students-Some Heresies

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C878Dialogue into drama: Socrates in eighteenth-century verse dramas

BERLAND K.J.H. 1990


B603Herder and the Enlightenment

BERLIN Isaiah 1965


A463/12Anarchy and Order in 'Richard III and 'King John'

BERMAN Ronald 1967


P5/12Blazoning in the Faerie Queene

BERMAN, Ruth 1983


P5/12Blazonings in the Faerie Queene

BERMAN, Ruth 1983


B361The Prosody of the Tudor: Interlude

BERNARD J.E. 1969

B104Le Sud-Est asiatique

BERNARD-THIERRY Solange 1965


A243The Drama of Sensibility: A Sketch of the History of English Sentimental Comedy and DomesticTragedy 1696-1780

BERNBAUM Ernest 1958

P4/58Another Globe Theatre

BERNHEIMER, R. 1958


C787Voice and the Swan

BERRY Cecil 1989


C711Twentieth-century Shakespeare criticism : The histories

BERRY Edward 1986

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C999"Very reverent sport" : hunting in Love's Labour's Lost

BERRY Edward 1995


D287Laughing at Others

BERRY, Edward. 2002


D045True Rites and Maimed Rites : Ritual and Anti-Ritual in Shakespeare and his Age

BERRY Edward and WOODBRIDGE Linda 1992

B690History and Rhetoric in Bacon's Henry VII

BERRY, Edward I. 1971

Seventeenth Century Prose, by FISH, Stanley E.In

C688The Shakespeare Inset : word and picture

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A971Word and Picture in the Final Plays

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A581G. Wilson Knight : Stage and Study

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A688The Playhouse in the Boar's Head Inn, Whitechapel

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B500The Playhouse in the Boar's Head Inn, Whitechapel

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C121The Boar's Head Again

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B196The English Works of Giles Fletcher, the Elder

BERRY Lloyd E. 1964

B870The Geneva Bible: A facsimile of the 1560 edition

BERRY Lloyd E. (introduction) 1969

P4/84/4Lear's System

BERRY, R. 1984


P4/85/5The Reviewer as Historian

BERRY, R. 1985


A463/14The Words of Mercury

BERRY Ralph 1969

C304Shakespeare's comedies : exploration in form

BERRY Ralph 1972

B901The Art of John Webster

BERRY, Ralph 1972

C398'To say one' : an essay on Hamlet

BERRY Ralph 1975


C397On directing Shakespeare : interviews with contemporary directors

BERRY Ralph 1977

C444The Shakespearean metaphor : studies in language and form

BERRY Ralph 1978

C552Masques and dumb shows in Webster's plays

BERRY Ralph 1980


C557Changing styles in Shakespeare

BERRY Ralph 1981

C539Twelfth Night : the experience of the audience

BERRY Ralph 1981


C584Komisarjevsky at Stratford-upon-Avon

BERRY Ralph 1983


C622Shakespeare and the awareness of the audience

BERRY Ralph 1985

C664The Imperial theme

BERRY Ralph 1986


C750Hamlet and the audience: the dynamic of a relationship

BERRY Ralph 1989

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D285Shakespeare, Psychoanalysis and the Colonial Encounter: The Case of Wulf Sach's Black Hamlet

BERTOLDI, Andreas. 1998

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P4/51The Date of the Two Noble Kinsmen

BERTRAM, P. 1951


D193Love as Trompe-l' Oeil: Taxonomies of Desire inVenus and Adonis (1995)

BESLEY Catherine 1997

Venus and Adonis. Critical EssaysIn

M71Pastoralism in As You Like It and The Winter's Tale

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M025The Forest-Theme in A Midsummer Night's Dream and As You Like It

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BIGSBY C.W.E. 1983

C642A Critical introduction to twentieth-century American drama : volume 1 . 1900-1940

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BIGSBY C.W.E. 1989

DONA Critical Introduction to Twentieth-Century American Drama : Volume 3 Beyond Broadway

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D015Directors Shakespeare Approaches to Twelfth Night

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C716Jane Howell's first tetralogy : Brechtian break out or just good television?

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B770Wild Civility

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B475/I,3A Shakespeare Biblioraphy: the Catalogue of the Birmingham Shakespeare Library(Vol III)


B475/II/4A Shakespeare Biblioraphy: the Catalogue of the Birmingham Shakespeare Library(Vol IV)


B475/II/5A Shakespeare Biblioraphy: the Catalogue of the Birmingham Shakespeare Library(Vol V)


B475/II/6A Shakespeare Biblioraphy: the Catalogue of the Birmingham Shakespeare Library(Vol VI)


B475/II/7A Shakespeare Biblioraphy: the Catalogue of the Birmingham Shakespeare Library(Vol VII)


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D068'Divers Toyes Mengled'- Essays on Medieval and Renaissance Culture

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C494Johnson, Shakespeare, and the Dyer's hand

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C581The unfolding of Measure for Measure

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C354Edmund Bolton's The Cabanet Royal ; A Belated Reply to Sydney's Apology for Poetry

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BLOMFIELD Reginald 1897

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BLOMFIELD Reginald 1897

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M022The Structure of Twelfth Night

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P5/6Baroque et Maniérisme dans la poésie d' Andrew Marvell

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P5/13Eve, once more



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B715Religio Laici, Written in a Letter to John Dryden Esq.

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B715The Miscellaneous Works

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A775Shakespeare's Contemporaries

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Studies in the Renaissance, volume VIIIIn

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A671Renaissance and Baroque Music : A Comprehensive Survey

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C277The Biography and Bibliography of Shakespeare

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D070Coup de Théâtre- Regards sur The Caretaker de Harold Pinter

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B323The Middle Ages(Vol I)

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B924Ben Jonson: Catiline

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B 064/2The Complete Works of John Lyly(Vol II)


B 064/3The Complete Works of John Lyly(Vol III)


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C591Morocco de Josef von Sternberg

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C204Shakespeare and the Toil of Grace

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BOOTH Michael, SPEAIGHT George and 1976

C455Theatre notebook : a quarterly journal of the history and technique of the British theatre . VolumeXXX . 1976 . Number 1

BOOTH Michael, SPEAIGHT George and 1976

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A793On the Value of Hamlet

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C451Shakespeare's Sonnets

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C645King Lear, Macbeth, indefinition, and tragedy

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D011On the Value of Hamlet

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C770Mises en scène récentes de Henry IV

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C923Mises en scène: La Tempête en France (1955-1990)

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D057La Nuit des Rois à Paris

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Twelfth Night : Le Language en FêteIn

D168/12Comme il vous plaira à Paris

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C590Panorama du film noir américain (1941-1953)

BORDE Raymond et CHAUMETON Étienne 1955

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BORGMANN Albert 1974

P5/18Randolph's Praeludium: An Edited Transcription, Comprising a Short Introductory Note

BORIAS Georges 1985


B049Shakespeare's Comic Prose

BORINSKI Ludwig 1968


P5/21Hobbes, Harrington, and the Concept of Liberty

BOROT Luc 1987


C918Le langage de la valeur dans Richard II . Lexique, rhétorique et légitimité

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D208Form is the Life of the Commonwealth

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A763The Restoration Court Stage (1660-1702), with a particular account of the production of Calisto

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C512Johnson on Shakespeare, 1791

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D123Gothic

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A682Every Man a Phoenix: Studies in seventeenth-century autobiography

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A644Herbert' s Craftsmanship

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C813Les théâtres des palais royaux

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Monuments Historiques : Architecture du SpectacleIn

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C380The braggart in Renaissance comedy : a study in comparative drama from Aristophanes toShakespeare

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C347La manière de bien penser dans les ouvrages d'esprit

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M18Appearance and Reality in Much Ado About Nothing and Twelfth Night

BOURGUIGNON, Claire 1976

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P5/32On Caliban's Nature

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A693Le Tragique dans le théâtre romantique polonais

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B173On Editing Shakespeare

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B221Textual & Literary Criticism

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B837The Dramatic Works in The Beaumont and Fletcher Canon


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B481The Dramatic Works in the Beaumont and Fletcher Canon

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C373Beggar's Bush

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C373The dramatic works in the Beaumont and Fletcher canon . Volume III

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C461The dramatic works in the Beaumont and Fletcher canon . Volume IV

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C461The Woman's Prize

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C533Shakespeare at work : the foul paper of All's Well That Ends Wells

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A659The Villain as a Hero in Elizabethan Tragedy

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C119The Rise of the Common Player : a Study of Actor and Society in Shakespeare's England

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B127The School of Night: a study in the literary relatioships of sir Walter Ralegh

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A395Elizabethan Stage Conditions: A study of Their Place in The Interpretation of Shakespeare' s Plays

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B048Fifty Years of the Criticism of Shakespeare's Style: A Retrospect

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A247A Discussion of Tamburlaine

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A597Moral Theme and Romantic Story

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A653Shakespeare the Craftsman ( the Clark Lectures)

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B458Shakespeare the Craftsman (The Clark Lectures 1968)

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B560Themes and Conventions of Elizabethan Tragedy


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C126The Growth and Structure of Elizabethan Comedy


B980Tragical-Historical: Richard II



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C400The living monument : Shakespeare and the theatre of his time

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C500Shakespeare's recollections of Marlowe

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C551The politic of pageantry : social implications in Jacobean London

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C597Thomas Heywood, Shakespeare's shadow, "a description is only a shadow, received by the Ear"(An apology for actors)

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A292The Fashioning of a Courtier

BRADBROOK M.C.(b.1909) 1963


B493Andrew Marvell

BRADBROOK M.C. & LLOYD THOMAS M.G. 1961

C534Marvell our contemporary

BRADBROOK Muriel 1979

Andrew Marvell : essays on the tercentenary of his deathIn

B450Marlowe's Doctor Faustus and the Eldritch Tradition

BRADBROOK Muriel C. 1962


A775Fate and Chance in "The Duchess of Malfi"



In

B046The Status Seekers: Society and the Common Player in the Reign of Elizabeth I (1961)



In

B471King Henry IV



C502Shakespeare : the poet in his world

BRADBROOK Muriel Clara 1978

B454Introduction: The State of Criticism Today

BRADBURY Malcolm 1970

Contemporary Criticism. Bradbury Malcolm & Palmer David (editors)In

B855/2Introduction: the State of Criticism Today

BRADBURY, Malcolm 1970

Contemporary CriticismIn

B855/2Contemporary Criticism

BRADBURY, Malcolm and PALMER, David 1970

B855/1Metaphysical Poetry

BRADBURY, Malcolm and PALMER, David 1970

B883Shakespearian Comedy

BRADBURY Malcolm and PALMER David (editors) 1972

Stratford-Upon-Avon Studies n°14In

B454Contemporary Criticism

BRADBURY Malcolm & PALMER David (editors) 1970

D124Stylistics

BRADFORD, Richard 1997

B789The Substance of Shakespearean Tragedy (1904)

BRADLEY, A.C. 1965

Shakespeare : The TragediesIn

A539Shakespearean Tragedy: Lectures on Hamlet, King Lear, Macbeth

BRADLEY A.C. 1967

A929Iago

BRADLEY A.C. 1968


A790Macbeth

BRADLEY A.C. 1968

Shakespeare Macbeth: A Casebook.Wain John (editor)In

A598Shakespeare' s Antony and Cleopatra

BRADLEY A.C. 1968

Shakespeare : Antony and CleopatraIn

A929The Atmosphere of Macbeth

BRADLEY A.C. 1968


A600Brutus and Hamlet

BRADLEY A.C. 1969


A601King Lear

BRADLEY A.C. 1969

Shakespeare King LearIn

A788King Lear

BRADLEY A.C. 1969

Shakespeare King Lear : A Casebook.Kermode Frank (editor)In

A600 The Quarrel Scene

BRADLEY A.C. 1969


A600The Style

BRADLEY A.C. 1969


B057An Essay on the Dramatic Character of Sir John Falstaff

BRADLEY A.C. 1970


B873Feste the Jester

BRADLEY A.C. 1972


C779From 'The English Poets, Selection', 1880

BRADLEY A.C. 1979


C874From Text to Performance in the Elizabethan Theatre : preparing the play for the stage

BRADLEY David 1992

A431A Middle-English Dictionary(containing words used by English writers from the twelfth to thefifteenth century)

BRADLEY Henry 1967

B764/2The Rise of Secular Drama in the Renaissance

BRADNER, Leicester 1956


B764/2The Rise of Secular Drama in the Renaissance

BRADNER, Leicester 1956


C728Shakespeare's scepticism

BRADSHAW Graham 1987

B450A Bibliography of the Writings of Hardin Craig from 1940 to 1961

BRAFFETT J.M. 1962


A515/1Les comédiens étrangers en Pologne aux XVIe et XVIIe siècles et la "Comédie des Ribauds"

BRAHMER Mieczyslaw 1968


C415La cour et la campagne dans les fêtes nuptiales en Pologne au XVIe siècle

BRAHMER Mieczyslaw 1975


B541The Levellers and the English Revolution

BRAILSFORD, H. N. 1961

A896Jacob's Well, an English Treatise on the Cleansing of Man's Conscience(Part I)

BRANDEIS Arthur

A973Realism and Parables: from Brecht to Arden

BRANDT G.W. 1968


B731Radio, film and Television

BRANDT George 1971


In

C946Victorians and Africans: The Genealogy of the Myths of the Dark Continent

BRANTLINGER Patrick 1986


C635Tom Stoppard and assessment

BRASSEL Tim 1985

C664The Lear of private life : interpretations of King Lear in the nineteenth century

BRATTON J.S. 1986


C713King Lear

BRATTON J.S. 1987

A606Les emprunts de Charles-Quint sur la place d'Anvers

BRAUDEL Fernand 1959


A946Civilisation Matérielle et Capitalisme (XVè-XVIIIè siècles), Tome I

BRAUDEL Fernand 1967

C750Editing the staging / Staging the editing

BRAUNMULLER A.R. 1989


D013"Second means": Agent and Accessory in Elizabethan Drama



C780The arts of the dramatist



C819Comedy from Shakespeare to Sheridan

BRAUNMULLER A.R. and BULMAN J.C. 1986

C780The Cambridge Companion to English Renaissance Drama

BRAUNMULLER A.R. AND HATTAWAY M. 1990

B806Comus and the Castlehaven Scandal

BREASTED Barbara 1971


D283The Resistible Rise of Arturo Ui

BRECHT, Bertolt. 2000

Adaptations of ShakespeareIn

A631The intellectual milieu of John Dryden: Studies in some aspects of seventeenth-century thought

BREDVOLD Louis I. 1956

A591The Invention of the Ethical Calculus

BREDVOLD Louis I. 1969

The Seventeenth Century : Studies in the History of English Thought and Literature fromBacon to Pope

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P5/42Edmund Spencer's Exile and the Politics and Poetics of Pastoral

BREEN, John 1998


P5/34The Carnival Body in Arden of Faversham

BREEN John M. 1994


P5/34The Carnival Body in Arden of Faversham

BREEN, John M. 1994


B764/1The Observationes in M.T. Ciceronem of Marius Nizolius

BREEN, Quirinus 1954

Studies in the Renaissance, volume I. Pery William (editor)In

B764/3The Antiparadoxon of Marcantonius Majoragius, or, A Humanist Becomes a Critic of Cicero as aPhilosopher

BREEN, Quirinus 1958

Studies in the Renaissance, volume V. Shaaber, M.a. (editor)In

C356Francesco Zambeccari : his translations and fabricated translations of Libanian letters

BREEN Quirinus 1964

Studies in the Renaissance volume XIIn

A515/1Le théâtre français à Stockholm aux XVIIe et XVIIIe siècles

BREITHOLTZ Lennart 1968


A752The entertainment at Elvetham, 1591

BRENECKE Ernest 1968

Music in English Renaissance DramaIn

C731Shakespeare's dramatic structures

BRENNAN Anthony 1986

C887Onstage and Offstage Worlds in Shakespeare’s Plays


C892Henry V


B577Shakespeare in Germany 1590-1700

BRENNECKE Ernest 1964

P1/1939/IShakespeare's Collaboration with Morley

BRENNECKE, Ernest Jr. 1967


P1/1939/IShakespeare's Musical Collaboration with Morley

BRENNECKE, Ernest Jr. 1967


A698Musique instrumentale d'après un manuscrit allemand (Ratisbonne, ms. A.R. 940/41)

BRENNECKE Wilfried 1960


A624Principles of Tragedy

BRERETON Geoffrey 1968

D208La république d'Océana est-elle une république platonicienne ?

BRETEAU J.-L 1998


D209La bonne santé des Utopiens

BRETEAU Jean-Louis 1999


A615A Pastorall of Philis and Coridon

BRETON N. 1962


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A615A Report Song in a Dreame, Betweene a Sheepheard and his Nimph

BRETON N. 1962


In

A615A Sheepheards Dreame

BRETON N. 1962


In

A615A Sweete Pastorall

BRETON N. 1962


In

A615Astrophell His Song of Phillida and Corridon

BRETON N. 1962


In

A615Coridons Supplication to phillis

BRETON N. 1962


In

A615Phillida and Coridon

BRETON N. 1962


In

A675Fantasticks : Serving for a Perpetuall Prognostication(The Twelve Months)

BRETON Nicholas 1957


B554Reason and Imagination

BRETT, R.L. 1960

B514Thomas Hobbes

BRETT R.L. 1964


B788Thomas Hobbes (1964)

BRETT, R.L. 1971


C534Andrew Marvell : essays on the tercentenary of his death

BRETT Raymond Laurence 1979

C162The Tudor Century 1485-1603

BRETT, S. Reed 1966

C163The Stuart Century 1603-1714

BRETT, S. Reed 1969

A340Sir George Etherege

BRETT-SMITH H.F.B. 1966


A964Courtesy and the Gawain-Poet

BREWER D.S. 1966


A578The Criticism of Chaucer in the Twentieth Century

BREWER D.S. 1969


B323Troilus and Criseyde

BREWER D.S. 1970


C156Vexed and Troubled Englishmen 1590-1642

BRIDENBAUGH, Carl 1968

A700La frottola et la transition de la frottola au madrigal

BRIDGAM Nanie 1954

Musique et Poésie au XVIè siècle. Jacquot Jean (editeur)In

A697/2La Participation musicale à l' entrée de Charles Quint à Cambrai, le 20 janvier 1540

BRIDGMAN Nanie 1960


A699Les échanges musicaux entre l' Espagne et les Pays-Bas au temps de Phlippe le Beau et deCharles-Quint

BRIDGMAN Nanie 1961


C583La vie régionale française dans un manuscrit danois du début du XVIème siècle

BRIDGMAN Nanie 1984


C090King Richard III

BRIDGMAN, T. 1820

A637The Anatomy of Puck: An Examination of Fairy Beliefs among Shakespeare's Contemporaries andSuccessors

BRIGGS K.M. 1959

A674Pale Hecate' s Team

BRIGGS K. M. 1962

A463/10The Folds of Folklore

BRIGGS Katharine M. 1965


A702Rythme et syntaxe

BRIK O. 1965

Théorie de la littérature (textes des formalistes russes réunis et traduits par Todorov Tzvetan)

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B086Rythme et syntaxe

BRIK O. 1965

Théorie de la LittératureIn

B049Of Stake and Stage

BRILEY John 1968


P5/31The Art of Marlowe's Prologues: Subtle Innovations Within Traditional Patterns

BRINKER, Ludger 1992


B966Shakespeare and the Bawdy Court of Stratforf

BRINKWORTH, E.R.C. 1972

A629Abstraction et vie intérieure

BRION Marcel 1956


A629Reflexion sur la signification de l'objet dans la création Cezannienne

BRION-GUERRY Liliane 1956


B922Shakespeare and Dance

BRISSENDEN, Alan 1972


P5/2The Dance in As You Like It and Twelfth Night

BRISSENDEN Alan 1978


P5/2The Dance in As You Like It and Twelfth Night

BRISSENDEN, Alan 1978


C974Shakespeare's Australian Travels

BRISSENDEN Alan 1994


C733Lenten butchery: legitimation crisis in Coriolanus

BRISTOL Michael D. 1987

Shakespeare reproduced : the text in history and ideologyIn

D113Carnival and Theater- Plebeian Culture and the Structure of Authority in Renaissance England

BRISTOL, Michael D. 1989

D030Where Does Ideology Hang Out?



D045Charivari and the Comedy of Abjection in Othello


True Rites and Maimed Rites : Ritual and Anti-Ritual in Shakespeare and his AgeIn

D120Big Time Shakespeare


D120Race and the Comedy of Abjection in Othello


Big Time ShakespeareIn

D120Social time in The Winter's tale


Big Time ShakespeareIn

D281How Many Children Did She Have?

BRISTOL, Michael.D. 2000

Philosophical ShakespearesIn

D277Introduction

BRISTOL, Michael. McLUSKIE, Kathleen. 2001

Shakespeare and Modern TheatreIn

D277Shakespeare and Modern Theatre

BRISTOL, Michael. McLUSKIE, Kathleen. 2001

D125Sexuality

BRISTOW, Joseph 1997

X1General Catalogue of Printed Books, Vol 1

British Museum 1964


British Museum 1964


British Museum 1964-65


British Museum 1965


British Museum 1965


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967


British Museum 1967

Xsupp 1General Catalogue of Printed Books, Vol 1

British Museum 1969


British Museum 1969


British Museum 1969


British Museum 1969


British Museum 1969

P1/1956/IVCoriolanus, Alceste, and Dramatic Genres

BRITTIN Norman A. 1956


B320/66Middle English, excluding Chaucer

BRITTON G.C. 1968



BRITTON G.C. 1969



BRITTON G.C. 1970


B320/69Middle English, Excluding Chaucer

BRITTON G.C. 1971


C779From 'Progress: A Monthly Magazine of Advanced Thought', 1886-7

BRITTON S. 1979


M70Representations of War in Shakespeare's First Tetralogy

BROADBENT, Alison 1996

B567The Nativity Ode

BROADBENT, J.B. 1960

The Living MiltonIn

B514Shafesbury's Horses of Instruction

BROADBENT J.B. 1964


A955Milton: Comus and Samson Agonistes

BROADBENT J.B. 1965

B015Milton's Moral Voice' and his 'Omnific Word'

BROADBENT J.B. 1968


B015'Whithin the Visible Diurnal Spheare': The Moving World of Paradise Lost

BROCKBANCK Philip 1968


A463/6History and Histrionics in Cymbeline

BROCKBANK J.P. 1958


A350MARLOWE: DR. Faustus

BROCKBANK J.P 1965

A463/9Shakespeare and the Fashion of these Times

BROCKBANK J.P. 1966


A603Damned Perpetually

BROCKBANK J.P. 1969

Marlowe, Doctor Faustus. Jump John (editor)In

B699Pericles and the Dream of Immortality

BROCKBANK, J.P. 1971


A971The Tempest: Conventions of Art and Empire

BROCKBANK Philip 1966

Later ShakespeareIn

B872From Introduction to Volpone (1968)



C443Coriolanus


C367Coriolanus


C433Hamlet the bonesetter



C584Blood and wine : tragic ritual from Aeschilus to Soyinka



C640Introduction : abstracts and brief chronicles



C640Players of Shakespeare : essays in Shakespearean performance by twelve players with theRoyal Shakespeare Company


C980Shakespeare : His Histories,English and Roman



D047History of the Theatre

BROCKETT, Oscar G. 1995

B896Elizabethan Love Tragedy 1587-1625

BRODWIN Leonora Leet 1972

B587The English Mummers and their Plays: traces of ancient mystery

BRODY Alan 1970

A515/1Esthétique et société chez Molière

BRODY Jules 1968


B025Sartre and the Drama of Ensnarement

BROMBERT Victor 1965


A721/1The Dramatic Works of Richard Brome Containing Fifteen Comedies now First Collected in ThreeVolumes (VOL I)

BROME Richard 1966

A721/2The Dramatic Works of Richard Brome Containing Fifteen Comedies now First Collected in ThreeVolumes (VOL II)

BROME Richard 1966

A721/3The Dramatic Works of Richard Brome Containing Fifteen Comedies now First Collected in ThreeVolumes (VOL III)

BROME Richard 1966

A220The Antipodes

BROME Richard 1967

A400A Jovial Crew

BROME Richard 1968

A283A mad Couple Well Matched and The Antipodes

BROME Richard(c.1590-1652 or 1653) 1962

Six Caroline Plays,ed. with an Introduction by KNOWLAND A.S.In

A340The Beggar's Opera

BRONSON Bertrand H. 1966


B891Some Aspects of Music and Literature in the Eighteenth Century

BRONSON Bertrand H. 1972


C276The Through of the Wave

BRONSON, Bertrand H. 1972


C433All's Well that Ends Well

BROOK Nicholas 1977


A361The Empty Space

BROOK Peter 1969

C922The New Historicism and Other Old-fashioned Topics

BROOK Thomas 1989


A174ENGLISH DRAMA 1580-1642

BROOKE C.F. and PARADISE Nathaniel 1933

A255/1Edward III

BROOKE C.F. Tucker 1967

The Shakespeare Apocrypha(being a collection of fourteen plays which have beenascribed to Sakespeare)

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A255The Shakespeare Apocrypha(being a collection of fourteen plays which have been ascribed toSakespeare)

BROOKE C.F. Tucker 1967

C127The Works of Christopher Marlowe

BROOKE, C.F. Tucker 1969

C379/4On King Lear, march 1756

BROOKE Frances 1976



BROOKE, Henry 1778

C512Adaptation of Antony and Cleopatra, 1778

BROOKE Henry 1981


C204The Ending of King Lear

BROOKE, Nicholas 1964


B789The Tragic Spectacle in Titus Andronicus and Romeo and Juliet (1965)



A463/7Marlowe as Provocative Agent in Shakespeare' s Early Plays

BROOKE Nicholas 1966


A397Hamlet


Shakespeare' s Early TragediesIn

A397Julius Caesar



A397Richard II



A397Richard III



A397Romeo and Juliet



A397Shakespeare' s Early Tragedies


B417Shakespeare's Earlly Tragedies


A397Titus Andronicus



A603The Moral Tragedy of Doctor Faustus



A247The Moral Tragedy of Dr. Faustus



B980Divine Substitutes and Streams of Blood



B991Divine Substitutes and Streams of Blood



B980Shakespeare, Richard II


C494Myth and naturalism : Merchant to Macbeth



C500Language most shows a man ... ? Language and speaker in Macbeth



C581All's Well That Ends Well



C696What kind of play is Macbeth ?



D068Structural Experiments in English Classic Drama



D260Linguistic Contrasts in Richard III



B991Shakespeare: Richard II, A Casebook

BROOKE Nicholas (editor) 1973

A389John Webster & the Elizabethan Drama

BROOKE Rupert 1967

A335A Literary History of England, volume II: The Renaissance (1500-1660)

BROOKE Tucker & SHAABER Matthias 1967

B371From A Grammar of Metaphor (1958)

BROOKE-ROSE Christine 1967


A615An Epithalamium ; or a Nuptiall Song, Applied to the Ceremonies of Marriage

BROOKES Christopher 1962


In

P1/1951/VIMilton and Critical Re-Estimates

BROOKS, Cleanth 1951


A644A Note on the Limits of "History" and the Limits of "Criticism

BROOKS Cleanth 1968


A790'The Naked Babe' and the Cloak of Manliness

BROOKS Cleanth 1968


A635Marvell's 'Horatian Ode'

BROOKS Cleanth 1969


A603The Unity of Marlowe's Doctor Faustus

BROOKS Cleanth 1969


B568Essays in Analysis: Lycidas

BROOKS Cleanth and HARDY John Edward 1961


A292The Naked Babe and the Cloack of Manliness

BROOKS Cleanth(b.1906) 1963


A248Marlowe and Early Shakespeare

BROOKS Harold F. 1968

Christopher Marlowe (Mermaid Critical Commentaries)In

A576Marlowe and Early Shakespeare


Christopher MarloweIn

B852The Poetry of John Oldham

BROOKS, Harold F. 1972


C481A Midsummer Night's Dream




C498Richard III : antecedents of Clarence's dream



B391Understanding Drama: Twelve Plays

BROOKSCleanth & HEILMAN Robert B. 1948

D195Tempéraments baroques du mal

BROSSARD-DECONINCK Françoise 1997

Le Mal et ses masquesIn

D285'This Tunis, sir, was Carthage': Contesting Colonialism in The Tempest

BROTTON, Jerry. 1998


C779From the 'Gentleman's Magazine', 1830

BROUGHTON James 1979


B885The Tempest

BROWER Reuben 1970


A644An Allusion to Europe : Dryden and Tradition

BROWER Reuben A. 1968


A599The Miror of Analogy

BROWER Reuben A. 1968


B834Hero and Saint, Shakespeare and the Graeco-roman Heroic tradition

BROWER, Reuben A. 1971

B450Thomas Heywood's Dramatic Art

BROWN Arthur 1962


A977Shakespeare's Treatment f Comedy

BROWN Arthur 1964

Shakespeare's WorldIn

A441Citizen Comedy and Domestic Drama

BROWN Arthur 1965


B320/63Later Elizabethan and Early Stuart Drama

BROWN Arthur 1965


A463/10The Printing of Books

BROWN Arthur 1965


A463/7Studies in Elizabethan and Jacobean Drama since 1900

BROWN Arthur 1966


P1/1935/IIExemplum Material Underlying Macbeth

BROWN, Beatrice Daw 1966


P1/1925/IIPublications of the Modern Language Association of America n°40

BROWN Carleton (editor) 1966

P1/1925/IPublications of the Modern Language Association of America n°40






























B764/4Three Interpretations of the French Renaissance

BROWN, Harcourt. 1960

Studies in the Renaissance, volume VIIIn

B938Musicians in Mystères and Miracles

BROWN, Howard Mayer 1972

Medieval English DramaIn

B351How Shakespeare Spent the Day

BROWN Ivor 1963

B378Shakespeare and His World

BROWN Ivor 1967

C285Biblical (Tobias and the Angel )

BROWN, Ivor 1970


A463/9 Acting Shakespeare Today .A review of performances at the Royal Shakespeare Theatre, August1962

BROWN J.RUSSELL 1966


A972The Setting for Hamlet

BROWN John R. 1965

HamletIn

A485Shakespeare and his comedies

BROWN John Russel 1964

A598Shakespeare : Antony and Cleopatra


A597Love' s Wealth and the Judgement of The Merchant of Venice

BROWN John Russel. 1969


A247The Quality of Marlowe's verse



B699Free Shakespeare

BROWN, John Russel 1971


C419Free Shakespeare


C750The nature of speech in Shakespeare's plays



A971Laughter in the Last plays

BROWN John Russell 1966

Later ShakespeareIn

A970Shakespeare's Plays in Performance


A463/11The Royal Shakespeare Company 1965

BROWN John RUSSELL 1966


A917Directions forTwelfth NIght, or What You Will



A917The Merchant of Venice in the Theatre, II



B046On the Acting of Shakespeare's Plays (1953)



In

B049The Interpretation of Shakespeare's Comedies: 1900-1953



B471Shakespeare ProductionToday



B471Shakespeare Study Today



A793The Theatrical Element of Shakespeare Criticism



C412Shakespeare's dramatic style


B873Directions for Twelfth Night



B883The Presentation of Comedy: the First Ten Plays



In

B980Narrative and Focus: Richard II

BROWN, John Russell 1973


B991Narrative and Focus: Richard II



C487Free Shakespeare


C476English drama since 1945



D094Shakespeare, Theatre Production, and Cultural Politics

BROWN, John Russell 1995


A943Metaphysical Poetry

BROWN John Russell and HARRIS Bernard 1970

Stratford-Upon-Avon Studies 11In

B731Drama and the Theatre with Radio, Film and Television: an outline for the student

BROWN John Russell (editor) 1971

C171'Form and Cause Conjoin'd' : Hamlet and Shakespeare's Workshop

BROWN, Keith 1973


P5/9 Chimeras Dires? An Analysis of the 'Conflated' Lear Text

BROWN, Keith 1981


C715'This thing of darkness I acknowledge mine' : The Tempest and the discourse of colonialism

BROWN Paul 1985

Political ShakespeareIn

D268Arachne's Web: Intertextual Mythography and the Renaissance Actaeon

BROWN, Sarah. 2000

The Renaissance ComputerIn

C494The uses of Shakespeare i America : a study in class domination

BROWN Stephen J. 1978


C810Let's go to Graceland : the drama of Stewart Parker

BROWN Terence 1991

The Contemporary Irish TheatreIn

D033Who Dares to Speak? Ireland and the Great War

BROWN Terence 1993


A173The Masque of the Inner Temple(Ullyses and Circe) (1615)

BROWN William 1967

A Book of MasquesIn

B350Secret History of Macbeth(Vol I)

BROWNE J. 1768

A463/5English Hamlets of the Twentieth Century

BROWNE Martin 1966


C591Relire Young Mister Lincoln de John Ford : place du spectateur et formes symboliques

BROWNE Nick 1980


B484Religio Medici

BROWNE Thomas 1955

A675Religio Medici (extracts) & hydriotaphia, Urne-Burial

BROWNE Thomas 1957


B483Urne Buriall and the Garden of Cyrus

BROWNE Thomas 1967

A615Thirsis Praise of his Mistesse

BROWNE W. 1962


In

B254Everyman's Dictionary of Shakespeare Quotations

BROWNING D.C. 1961

B783Who'who in the New Testament

BROWNRIGG, Ronald 1971

C640Nurse in Romeo and Juliet

BRUCE Brenda 1985


A001Le Morte Arthur

BRUCE Douglas 1903

B270Letters of Queen Elizabeth and King James VI. of Scotland

BRUCE John 1968

B764/5Sorcery in Early Renaissance Florence

BRUCKER, Gene A. 1963


D067La nouvelle thèse en question: bilan et perspectives

BRUNET, LAB & ROSSIGNOL (ed.) 1995

B546The Monstrous regiment of Women

BRUSTEIN, Robert 1966


C907Drama and the market in the age of Shakespeare

BRUSTER Douglas 1992

D279Shakespeare and the End of History: Period as Brand Name

BRUSTER, Douglas. 2001

Shakespeare and ModernityIn

P5/37'I find myself un paradis'd': The Integrity of Daniel's Dalia

BRUZZI, Zara 1995


C995'The soil alters; Y'are in another country' : multiple perspectives and political resonances inMiddletons

BRUZZI Zara and BROMHAM A.A. 1993

Shakespeare's ItalyIn

A515/2Middleton et le public des "City comedies"

BRY André 1968


C155Restoration England

BRYANT, Arthur 1968

B991The Linked Analogies of Richard II

BRYANT J.A. 1973


B980The Linked Analogies of Richard II

BRYANT, J.A. Jr. 1973


C817Shakespeare and the Uses of Comedy

BRYANT J.A. Jr 1986

P1/1954/I-IIICatiline and the Nature of Jonson's Tragic Fable

BRYANT, Joseph Allen 1954


C470Catiline and the nature of Jonson's tragic fable

BRYANT Joseph Allen, Jr 1963


B872View-halloo Volpone

BRYDEN Ronald 1972


B507Europe and th Wider World to the Fifteenth Century

BRYER Anthony 1971


In

A647Arthurian Legend in the Seventeenth Century

BRYNKLEY Roberta Florence 1967

D235From A History of Scotland

BUCHANAN George 1999


D235From The Powers of the Crown in Scotland

BUCHANAN George 1999


A623Orson' s Welles' s Othello : A Study of Time in Shakespeare' s Tragedy

BUCHMAN Lorne M.


P1/1928/IICampion's Art of English Poesie and Middleton's Chaste Maid in Cheapside

BUCKINGHAM Elizabeth Lee 1966


B080The Mad Folk

BUCKNILL John Charles 1969

B433Shakespeare

BUEGESS Anthony 1970

B021Studies in the Baroque from Montaigne to Rotrou

BUFFUM Imbrie 1964

B764/1The Earliest Editions of Juvenal

BÜHLER, Curt F. 1954

Studies in the Renaissance, volume II. Shaaber M. A.(editor)In

B764/3"At thy golg first eut of the hous Ulysse the saynge thus"

BÜHLER, Curt F. 1959


P5/36'By The Mass, our Hearts are in the Trim' : Catholicism and British Identity in Oliver's Henry V

BUHLER, Stephen M. 1995


A140The Earliest Complete English Prose Psalter . Part I

BÜLDRING Karl D. 1891

A747Elizabethans

BULLEN A.H. 1962

A899/3An English Garner: Shorter Elizabethan Poems

BULLEN A.H. 1964

A899/4An English Garner: Some Longer Elizabethan Poems

BULLEN A.H. 1964

C324/8The works of Thomas Middleton volume the eighth

BULLEN A.H. 1964

C324/5The works of Thomas Middleton volume the fifth

BULLEN A.H. 1964

C324/1The works of Thomas Middleton volume the first

BULLEN A.H. 1964

C324/4The works of Thomas Middleton volume the fourth

BULLEN A.H. 1964

C324/2The works of Thomas Middleton volume the second

BULLEN A.H. 1964

C324/7The works of Thomas Middleton volume the seventh

BULLEN A.H. 1964

C324/6The works of Thomas Middleton volume the sixth

BULLEN A.H. 1964

C324/3The works of Thomas Middleton volume the third

BULLEN A.H. 1964

C779From 'The Works of Christopher Marlowe', 1885

BULLEN A.H. 1979


B604/1A Collection of Old English Plays, volume I

BULLEN A.H. (editor) 1964

B604/2A Collection of Old English Plays, volume III


B604/4The Works of Robert Davenport, volume III


B604/3The Works of Thomas Nabbes, volume I


C257/1The Works of John Marston (vol.I)

BULLEN, Arthur Henry 1970

C257/2The Works of John Marston ( vol.II)


C257/3The Works of John Marston (vol.III)


D033Coleridge and Early Italian Art

BULLEN J.B. 1993


A112Adialogue against the Feuer Pestilence

BULLEN Mark W. and A.H. 1888

A857The Cobler of Preston(1723)

BULLOCK Christopher 1969

P1/1927/IIThomas Middleton and the Fashion in Playmaking

BULLOCK Helene B. 1966


A295/1A Midsummer Night' s Dream

BULLOUGH Geoffrey 1964

Narrative and Dramatic Sources of Shakespeare(Vol I:Early Comedies, Poems, Romeoand Juliet)

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A295/5antony and Cleopatra


Narrative and Dramatic Sources of ShakespeareIn

A295/5Coronialus



A295/5Julius Caesar



A295/1Love' s Labour Lost



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A295/5Narrative and Dramatic Sources of Shakespeare


A295/1Narrative and Dramatic Sources of Shakespeare(Vol I:Early Comedies, Poems, Romeo and Juliet)


A295/1Romeo and Juliet



In

A701Sénèque, Geville et le jeune Shakespeare



A295/1The Comedy of Errors



In

A295/1The Merchant of Venice



In

A295/1The Rape of Lucrece



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A295/1The Taming of the Shrew



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A295/1The Two Gentlemen of Verona



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A977The Uses of History



A295/1Venus and Adonis



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A295/4Henry IV



A295/4Henry V



A295/4Henry VIII



A295/3HenryVI



A295/4King John









A295/6Pericles, Prince of Tyre



B546Polygamy among the Reformers

BULLOUGH, Geoffrey 1966


A295/3Richard Ii



A295/3Richard III



A295/6Timon of Athens



A295/6Titus Andronicus



A295/6Troilus and Cressida



A295/2All's Well That Ends Well



A295/2As you Like It



A295/2Measure for Measure



A295/2Much Ado About Nothing



A295/2Narrative and Dramatic Sources of Shakespeare: The Comedies, volume 2


A295/2The Merry Wives of Windsor



A295/2Twelffh Night



A600Attitudes to Caesar before Shakespeare



B320/68Shakespeare



A295/7Hamlet



A295/7king Lear



A295/7Macbeth





A295/7Othello



A295/8Cymbeline





A295/8The Tempest



A295/8the Winter's Tale



D260The Literary Background of Richard III



C500The defence of paradox

BULLOUGH Jeoffrey 1980


C716"AsYou Like It" and the perils of pastoral

BULMAN J.C. 1988


C716The BBC Shakespeare and "House Style"

BULMAN J.C. 1988


C716Reviewing Shakespeare : An introduction

BULMAN J.C. & COURSEN H.R. 1988


C780Caroline drama

BULMAN James 1990


C409The date and production of Timon reconsidered

BULMAN James C. 1974


C399Shakespeare's use of the Timon comedy



C663Shakespeare's georgic histories



C689The heroïc idiom of Shakespearean tragedy


C800Shakespeare in Performance :The Merchant of Venice


C716Shakespeare on television : An anthology of essays and reviews

BULMAN James C. & COURSEN Herbert R. 1988

A675The Pilgrims Progress : in the Similitude of a Dream

BUNYAN John 1957


C591Porter ou l'ambivalence

BURCH Noel 1980


A917The Merchant of Venice: The Gentle Bond

BURCKHARDT Sigurd 1967


A597 The Merchant of Venice : The Gentle Bond

BURCKHARDT Sigurd 1969


B418Shakespearean Meanings

BURCKHART Sigurd 1968

C663Shakespeare History plays : 1952-1983

BURDEN Dennis H. 1985


B922Hamlet: World Première

BURGESS, Anthony 1972


C494Will and testament

BURGESS Anthony 1978


A404The Letters of John Gay

BURGESS C.F. 1966

B816The Libro del Cavallero Zifar and the Medieval Sermon

BURKE James F. 1970


B582 Coriolanus -and the Delights of Faction

BURKE Kenneth 1970

Twentieth Century Interpretations of Coriolanus. Phillips James E. (editor)In

A886The Renaissance of the Past

BURKE Peter 1969

D098The Arrival of Godot

BURKHAM, Katherine 1986

B471Why no Henry VII ? (with a postscript on Malvolio's Revenge)

BURN Michael 1969


D135Shakespeare's Life, Times, and Stage

BURNETT, Mark Thornton 1996


D068The Human and the Mortal in A Midsummer Night's Dream

BURNS, Edward 1996


P5/23Seeing is Believing: The Chester Play of the Nativity at Chester Cathedral, Summer 1987

BURNS, Edward octobre 1988


C946The Moor in the Text: Metaphor, Emblem, and Silence

BURSHATIN Israel 1986


D161Licensed by Authority.Ben Jonson and the Discourses of Censorship.

BURT, Richard 1993

D142The Love That Dare Not Speak Shakespeare's Name : New Shakesqueer Cinema

BURT, Richard 1997


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C180The Elizabethans at Home

BURTON, Elizabeth 1958

D285'A most wily bird': Leo Africanus, Othello and the Trafficking in Difference

BURTON, Jonathan. 1998


A339Restoration Literature

BURTON K. M. P. 1965

A675The Anatomy of Melancholy (extracts)

BURTON Robert 1957


A268/2The Anatomy of Melancholy, volume II

BURTON Robert 1964

A268/3The Anatomy of Melancholy, volume III

BURTON Robert 1964

A268/1The Anatomy of Melancholy, volume I

BURTON Robert 1968

B558Milton

BUSH Douglas 1951


B375Classical Myth in Shakespeare's Plays

BUSH Douglas 1959


P1/1929/IINotes on Marlowe's Hero and Leander

BUSH Douglas 1966


A915Classical Myth in Shakespeare's Plays

BUSH Douglas 1969


A635Marvell's 'Horatian Ode'

BUSH Douglas 1969


B174Mythology and the Romantic Tradition in English Poetry

BUSH Douglas 1969

D193Venus and Adonis and Mythology(1932)

BUSH Douglas 1997


P1/1932/IINatural Supernaturalism in The Tempest

BUSHNELL Nelson S. 1966


C204Time Beguiling Sport : Number Symbolism in Shakespeare's Venus and Adonis

BUTLER, Christophe & FOWLER, Alaister 1964


D190Interpretation, Deconstruction, and Ideolody

BUTLER, Christopher 1984

D193Time-Beguiling Sport: Number Symbolism in Shakespeare's Venus and Adonis (1964)

BUTLER Christopher and FOWLER Alastair 1997


P5/34The Mirror of a King : the Earl of Orrery and Shakespeare on King Henry V

BUTLER John 1994


P5/34The Mirror of a King: The Earl of Orrery and Shakespeare on King Henry V

BUTLER, John 1994


C737Theatre and crisis, 1632-1642

BUTLER Martin 1984

C953Romans in Britain: The Roman Actor and the Early Stuart Classical Play

BUTLER Martin 1985


C724Love's Sacrifice : Ford's Metatheatrical Tragedy

BUTLER Martin 1988

John Ford : Critical Re-VisionsIn

C862The Selected Plays of Ben Jonson . Volume 2

BUTLER Martin 1989

C780Private and occasional drama

BUTLER Martin 1990


C933Late Jonson

BUTLER Martin 1992

The Politics of TragicomedyIn

C934A New Way To Pay Old Debts : Massinger’s grim comedy

BUTLER Martin 1994

English ComedyIn

D226Ben Jonson and the Limits of Courtly Panegyric

BUTLER, Martin 1994


A675A Modern Politician

BUTLER Samuel 1957


B514Basil Willey: A Tribute

BUTTERFIELD Herbert 1964


A986Sir Philip Sydney and the English Renaissance

BUXTON John 1966

C533Two dead birds : a note on The Phoenix and Turtle

BUXTON John 1980


In

C184/2Cesalpino and Harvey on the Portal Circulation

BYLEBYL, Jerome J. 1972

Science, Medicine and Society in the Renaissance (vol. II)In

A610The Elizabethan Home Dicovered in Two Dialogues by Claudius Hollyband and Peter Erondell

BYRNE Clare (editor) 1949

C773Shakespeare : Troilus and Cressida

C.E.R.A.N. 1990


C.E.R.R.A. Université Paul-Valéry, Montpellier III 1999

C583Arts du spectacle et histoire des idées

C.E.S.R. 1984

A606Charles-Quint et son Temps

C.N.R.S. 1959

C311The danger of masquerades and raree-shows

C. R. 1974


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P5/1Agnes Latham, ed., As You Like It (Arden Shakespeare)

C.W.W. 1977


B818Spinoza and a Quaker Document of 1657

CADBURY H.J. 1969


A333The Political Journal of George Bubb Dodington

CAESWELL John and DRALLE Lewis Arnold 1965

A693La Tragédie et le principe de la personnalité

CAILLOIS Roland 1965


D154'Comparisons and wounding flouts' : Love's Labour s Lost and the Tradition of Personal Satire

CAIN Tom 1997


C787The Director in the Swan

CAIRD John 1989


D282Remembering King Lear in Jane Smiley's A Thousand Acres

CAKEBREAD, Caroline. 1999


B646Shakespearean Metadrama

CALDERWOOD, James L. 1971

C516Metadrama in Shakespeare's Henriad : Richard II to Henry V

CALDERWOOD James L. 1979

C576To be and not to be : negation and metadrama in Hamlet


C893A Midsummer Night’s Dream

CALDERWOOD James L 1992

D009Richard II : Metadrama and the Fall of Speech



D011Verbal Presence : Conceptual Absence


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C927Signs, Speech, and Self



C872Woman and Gender in Renaissance Tragedy

CALLAGHAN Dympna 1989

D206'Othello Was A White Man' : Properties of Race on Shakespeare' s Stage



D121'Othello Was A White Man' : Properties of Race on Shakespeare' s Stage



D280Looking Well to Linens: Women and Cultural Production in Othello and Shakespeare's England

CALLAGHAN, Dympna. 2001


B818Philip the Chancellor and the De Anima Ascribed to Robert Grosseteste

CALLUS D.A. 1969


B814The History of the Most Renowned and Victorious Princess Elizabeth, Late Queen of England

CAMDEN William

P5/1A Note on Shakespeare's Cleopatra and Milton's Dalila

CAMÉ J.F. 1977


P5/3The World Picture in Milton's Samson Agonistes

CAME, Jean-François 1978


P5/6Marvell's Platonism in The Garden



P5/7Imagery in Browne's Religio Medici



P5/11Les Eléments du merveilleux dans Comus et Paradise Lost



P1/1932/IIOthello, Quarter I, Reconsidered

CAMERON Kenneth Walter 1966


P1/1934/IIThe Text of Othello: an Analysis

CAMERON, Kenneth Walter 1966


C551The future of Dryden bibliography

CAMERON W.J. 1981


B852John Dryden's Jacobinism

CAMERON, William J. 1972


P1/1958/IVA New Troilus Fragment

CAMPBELL Jackson J. 1958


P1/1952/IIDoctor Faustus: A Case of Conscience

CAMPBELL, Lily B. 1952


A407Divine Poetry and Drama in Sixteenth-Century England

CAMPBELL Lily B. 1961

A602Shakespeare's Tragic Heroes


A413Shakespeare' s "Histories": Mirrors of Elizabethan Policy


B521The Mirror for Magistrates


A502A Shakespeare Encyclopaedia

CAMPBELL Oscar and QUINN Edward 1966

C513Comicall satyre and Shakespeare's Troilus and Cressida

CAMPBELL Oscar James 1970

B885Coriolanus



B582Shakespeare's Satire: Coriolanus



C136Shakespeare's Satire

CAMPBELL, Oscar James 1971

A899/8The English Trade to Scio, 1539-70

CAMPION Jasper 1964

An English Garner: Voyages and Travels mainly during the 16th and 17th CenturiesIn

A256/2Observations in the Art of English Poesie.1602

CAMPION Thomas 1967

Elizabethan Critical Essays, volume IIIn

A173The Lords' Masque (1613)

CAMPION Thomas 1967

A Book of MasquesIn

A629Adaptation des théâtres antiques aux problèmes d'acoustique intéressant l'acteur et le spectateur

CANAC François 1956


A528Acoustique des Théâtres

CANAC François 1969


P5/12Fashioning Henry VIII: what Shakespeare saw in When You See Me, You Know Me

CANDIDO, Joseph 1983


D062Cultural Readings of Restoration and Eighteenth-Century English Theater

CANFIELD, D. & PAYNE, D. 1995

C821A Warning for Fair Women : A Critical Edition

CANNON Charles Dale 1975

C952Afterword: From Identity to Independence

CaNNY N. and PAGDEN A. 1987

Colonial Identity in the Atlantic World, 1500-1800In

C952Identity Formation in Ireland: The Emergence of the Anglo-Irish

CANNY Nicholas 1987


C952Colonial Identity in the Atlantic World, 1500-1800

CANNY Nicholas & PAGDEN Anthony 1987

A606L'influence du manifeste de Charles-Quint contre Clément VII (1526) et de quelques documentssimilaires de la littérature philoprotestante et anticuriale d'Italie

CANTIMORI Delio 1959


C736Shakespeare, Hamlet

CANTOR Paul Arthur 1989

A698A propos d'enregistrements de danses du Moyen Age et de la Renaissance

CAPE Safford 1960


C537Introduction to Shakespeare, 1768

CAPELL Edward 1979


C537Notes on Shakespeare, 1774

CAPELL Edward 1979



CAPELL Edward 1981


P5/13The Misadventures of Julius Caesar

CAPELLE, Alex 1983


D193Almeida: Venus and Lucrece (1988)

CAPLAN Betty 1997


C266"It's hideously true"

CAPP, Al 1965


C266The Comedy of Charlie Chaplin

CAPP, Al 1965


B905The Fifth Monarchy Men

CAPP, B.S. 1972

A606Carlos V: viajes, cartas y deudas

CARANDE Ramòn 1959


C946“On the Threshold of Woman’s Era”: Lynching, Empire, and Sexuality in Black Feminist Theory

CARBY Hazel V. 1986


A998The Contemporary Jew in the Elizabethan Drama

CARDOZO Jacob LOPES 1925

P5/20Shakespeare's Titus Andronicus : An Experiment in Expression

CARDUCCI Jane S. 1987


A256/2The Excellency of the English Tongue. ? 1595-6

CAREW Richard 1967


B930Milton

CAREY, John 1969

B260Sixteenth and Seventeenth Century Prose

CAREY John 1970

English Poetry and Prose(1540-1674)In

C533Donne and coins

CAREY John 1980


In

C533English Renaissance studies presented to Dame Helen Gardner in honour of her seventiethbirthday

CAREY John 1980

C456Two notes on Helen Faucit

CARLISLE Carol J.

Theatre notebook . Volume XXX . Numbers 2 &3In

A948Shakespeare from the Greenroom

CARLISLE Carol Jones 1969


CARLISLE John 1989


D250Looking at Shakespeare's women on film

Carol Chillington Rutter 2000


C927“The Base Shall Top Th’Legitimate”: The Beldam Beggar and The Role of Edgar in King Lear

CAROLL William C. 1993


M07Mock-Heroic and Burlesque in Beaumont and Fletcher's The Knight of the Burning Pestle

CAROLY, Marie-Antoinette 1972

A752Music in the English Mystery Plays

CARPENTER Nan Cooke 1968


B938Music in the Secunda Pastorum

CARPENTER, Nan Cooke 1972


C415Les fêtes équestres dans Les Guerres Civiles de Grenade de Pérez de Hita

CARRASCO URGOÏTI Soledad 1975


A433Le Théatre de Thomas KYD: Contribution à l' Étude du Drame Élizabethain

CARRÈRE Félix 1951

D201Humanism and English literature in the fifteenth and sixteenth centuries

CARROLL Claire 1997


C983Greene's groatsworth of wit : bought with a million of repentance(1592) / attributed to HenryChettle and Robert Greene

CARROLL Daniel Allen 1994

C594The ending of Twelfth Night and the tradition of metamorphosis

CARROLL William C. 1980


D045"The Form of Law" : Ritual and Succession in Richard III



C984The Virgin Not : Language and Sexuality in Shakespeare



C664Macready's production of Cymbeline

CARSLILE Carol J. 1986


C455The Elizabethan soliloquy - Direct address or monologue

CARSON Neil

Theatre notebook . Volume XXX . Number 1In

C399The staircases of the frame : new light on the structure of the globe

CARSON Neil 1976


A600The Ides of March

CARSON R.A.G. 1969


C733Prospero in Africa: The Tempest as colonialist text and pretext

CARTELLI Thomas 1987


D284Repositioning Shakespeare

CARTELLI, Thomas. 1999

D250Franco Zefirelli and Shakespeare

CARTMELL Deborah 2000


C991Shakespearean tragedy and its double : the rythms of audience response

CARTWRIGHT Kent 1991

C605Le texte du film

CASETTI Francesco 1980


B764/5A Manuscript of Landino's Xandra in South Africa

CASSON, L.F. 1963


C606Du Cat Goddeu à Birnam Wood

CASTAY Marie Thérèse 1984

Caliban n° XXIIn

C531German social drama in the 1960s

CASTEIN Hanne 1979

Drama and societyIn

C184/2The Problem of Generation in Bonnet and in Buffon : a Critical Comparison

CASTELLANI, Carlo 1972


C879Plautus versus Komoidia : popular farce at Rome

CASTELLANI Victor 1988

FarceIn

C878Drama and Aristotle

CASTELLANI Victor 1990


D200Shakespeare and the Eighteenth Century: Criticism and Research

Catherine M.S. ALEXANDER 1998


M05Foolery and Wisdom in As You Like It and Twelfth Night

CAUDROIT SACHSE, Claudine 1971

A482The Coxcomb

CAUTHEN Irby B. (editor) 1966


C672"Who does the wolf love?" : Coriolanus and the interpretations of politics

CAVELL Stanley 1985


C723Disowning knowledge : in six plays of Shakespeare

CAVELL Stanley 1987

C927The Avoidance of Love: A Reading of King Lear

CAVELL Stanley 1993


C379/1On Shakespeare's wit, 1662

CAVENDISH Margaret 1974

Shakespeare : the critical heritage volume I 1623-1692In

A373The Wakefield Pageants in the Towneley Cycle

CAWLEY A.C. 1968

A581A Yorkshire Tragedy and Two Most Vnnaturall and Bloody Murthers

CAWLEY A.C. 1969


A578Chaucer' s Mind and Art

CAWLEY A.C. 1969

A578Chaucer' s Valentine : The Parlement of Foules

CAWLEY A.C. 1969


C469Everyman and medieval miracle plays

CAWLEY A.C. 1974

P1/1926/IIShakspere's Use of the Voyagers in The Tempest

CAWLEY Robert Ralston 1966


A579Unpathed Waters : Studies in the Influence of the Voyagers on Elizabethan Literature

CAWLEY Robert Ralston 1967

A725English Ritual Drama

CAWTE E.C., HELM Alex & PEACOCK N. 1967

A014Dialogues in French and English

CAXTON W. 1900

A004The Right Pleasaunt and Goodly Historie of the Foure Sonnes of Aymon

CAXTON William 1885

A038The History of Jason

CAXTON William 1913

D281Shakespeare's Monster of Nothing

CAYGILL, Howard. 2000


B303Poets and Story-Tellers

CECIL David 1968

P5/45 Identifying 'GlareanusVadianus' as John Sanford

CENTERWALL, Brandon S. Avril 1999


A992A Bold Stroke for a Wife

CENTLIVRE Susanna 1969

P5/44Cahiers Elizabéthains n° 54

Centre d'Etudes et de Recherches sur la 1998


Centre d'Etudes et de Recherches sur la 1999

C389Misère et gueuserie au temps de la Renaissance

Centre de recherches sur la Renaissance 1976

P3Bulletin signalétique 523: Histoire et science de la littérature (table des auteurs) volume XXV

Centre National de la Recherche Scientifique 1971

P3/1Bulletin signalétique 523: Histoire et science de la littérature, volume XXV, n°1








C985Tamburlaine and Edward Alleyn's Ring

CERASANO S.P. 1994


D077Renaissance Drama by Women- Texts & Documents

CERASANO & WYNNE-DAVIES (eds) 1996

B764/2Alessandro Piccolomini's Commentary on the Poetics of Aristotle

CERRETA, Florindo V. 1957


D002Aspects du théatre Anglo-saxon

CETAS 1981

C946Three Women’s Texts and a Critique of Imperialism

CHACRAVORTY SPIVAK Gayatri 1986


C662Symbolism

CHADWICK Charles 1971

B776The Critical Idiom vol 14 : Symbolism

CHADWICK, Charles 1971

A700Esprit et technique du chromatisme de la Renaissance

CHAILLEY Jacques 1954


A629La notion d'échelle d'observation appliquée à l'analyse musicale

CHAILLEY Jacques 1956


A699Les musiciens du Nord à la Cour de Louis XII

CHAILLON Paule 1961


B320/64The Eighteenth Century

CHALKER John 1964


C026A Supplemental Apology for the Believers in the Shakespeare-papers Being a Reply to Mr.Malone's Answer

CHALMERS, George 1971

C025An Apology for the Believers in the Shakespeare-Papers which were Exhibited in Norfolk Street

CHALMERS, George 1971

B715Angliae Notitia, or, The Present State of England

CHAMBERLAYNE Edward 1986


B764/4'I was but an inverted tree': Notes Toward the History of an Idea

CHAMBERS, A.B. 1961


C348The works of John Dryden volume IV Poems 1693-1696

CHAMBERS A.B. & FROST William 1974

A756shakespeare : A Survey

CHAMBERS E.K. 1925

A495/1William Shakespeare: AStudy of Facts and Problems, volume I

CHAMBERS E.K. 1966

A495/2William Shakespeare: AStudy of Facts and Problems, volume II

CHAMBERS E.K. 1966

A296/1The Elizabethan Stage, volume I

CHAMBERS E. K. 1967

A296/2The Elizabethan Stage, volume II

CHAMBERS E. K. 1967

A296/3The Elizabethan Stage, volume III

CHAMBERS E. K. 1967

A296/4The Elizabethan Stage, volume IV

CHAMBERS E. K. 1967

A297/1TheMedieval Stage, volume I

CHAMBERS E. K. 1967

A297/2TheMedieval Stage, volume II

CHAMBERS E. K. 1967

A292Measure for Measure

CHAMBERS R.W.(1874-1942) 1963


A629Esthétique et chimie

CHAMPETIER Georges 1956


A913Ben Jonson' s 'Dotages': a Reconsideration of the Late Plays

CHAMPION Larry S. 1967

B438Ben Jonson's 'Dotages': a Reconsideratioon of the Late Plays


C449Shakespeare's tragic perspective : the development of his dramatic technique


C805The Essential Shakespeare : An annotated bibliography of major modern studies


A174Bussy d'Ambois

CHAPMAN George 1933


A639Bussy D'Ambois

CHAPMAN George 1939


In

A261/1All Fools

CHAPMAN George 1961

The Comedies Volume I. The Plays of George Chapman, edited with introductions andnotes by Thomas Marc Parrot

In

A261/1An Humourous Day's Mirth

CHAPMAN George 1961


In

A260/1Bussy D'Ambois

CHAPMAN George 1961

The Tragedies Volume I. The Plays of George Chapman, edited with introductions andnotes by Thomas Marc Parrot.

In

A261/2Eastward Ho

CHAPMAN George 1961

The Comedies Volume II. The Plays of George Chapman, edited with introductions andnotes by Thomas Marc Parrot

In

A261/1May Day

CHAPMAN George 1961


In

A261/1Monsieur D'Olive

CHAPMAN George 1961


In

A260/2Revenge for Honour

CHAPMAN George 1961

The Tragedies Volume II. The Plays of George Chapman, edited with introductions andnotes by Thomas Marc Parrot.

In

A261/2Sir Giles Goosecap

CHAPMAN George 1961


In

A261/2The Ball

CHAPMAN George 1961


In

A261/1The Blind Beggar of Alexandria

CHAPMAN George 1961


In

A261/1The Comedies Volume I

CHAPMAN George 1961

The Plays of George Chapman, edited with introductions and notes by Thomas Marc ParrotIn

A261/2The Comedies Volume II

CHAPMAN George 1961


A260/1The Cospiracy and Tragedy of Charles Duke of Byron

CHAPMAN George 1961


In

A261/1The Gentleman Usher

CHAPMAN George 1961


In

A261/2The Masque of the Middle Temple and Lincoln's Inn

CHAPMAN George 1961


In

A260/1The Revenge of Bussy D'Ambois

CHAPMAN George 1961


In

A260/1The Tragedies Volume I

CHAPMAN George 1961


A260/2The Tragedies Volume II

CHAPMAN George 1961


A260/2The Tragedy of Alphonsus Emperor of Germany

CHAPMAN George 1961


In

A260/2The Tragedy of Caesar and Pompey

CHAPMAN George 1961


In

A260/1The Tragedy of Chabot Admiral of France

CHAPMAN George 1961


In

A261/1The Widow's Tears

CHAPMAN George 1961


In

B176Ovids Banquet of Sense

CHAPMAN George 1963


B176The Divine Poem of Musoeus: Hero and Leander

CHAPMAN George 1963


A231Bussy D'Ambois

CHAPMAN George 1964

A462Bussy D'Ambois

CHAPMAN George 1964

B017Hero and Leander(1598)

CHAPMAN George 1967


A256/2I. Preface to Seavev Bookes of the Iliades of Homere. 1598/ II. Dedication, &c. of Achilles Shield.1598

CHAPMAN George 1967


B017Ovids Banquet of Sence(1595)

CHAPMAN George 1967


B435The Widow' s Tears

CHAPMAN George 1967

A229All Fools

CHAPMAN George 1968

A290Bussy D' Ambois

CHAPMAN George 1969


B496All Fools

CHAPMAN George 1970

The Plays: The Comedies (ed. Holaday Allan)In

B496An Humourous Day's Mirth

CHAPMAN George 1970


B496May Day

CHAPMAN George 1970


B496Monsieur D'Olive

CHAPMAN George 1970


B496The Blind Beggar of Alexandria

CHAPMAN George 1970


A463The Gentleman Usher

CHAPMAN George 1970

B496The Gentleman Usher

CHAPMAN George 1970


B496The Memorable Masque

CHAPMAN George 1970


B496The Plays: The Comedies (ed. Holaday Allan)

CHAPMAN George 1970

B496The Window's Tears

CHAPMAN George 1970


C779From 'Hero and Leander', theThird Sestyad

CHAPMAN George 1979


C779From the dedication to 'Hero and Leander' : Begun by Christopher Marlowe; and finished byGeorge Chapman, 1598

CHAPMAN George 1979


A174Eastward Ho!

CHAPMAN, JONSON, MARSTON 1933


B962Linguistics and Literature

CHAPMAN, Raymond 1973

C813Le cirque dépisté

CHAPPAZ Frédéric 1978


D057Twelfth Night : Le Language en Fête

CHARDIN, Jean-jacques (ed.) 1996

A699Note sur Adrien du Hecquet et son oeuvre poétique

CHARLIER Gustave 1961


A537Shakespearian Comedy

CHARLTON H.B. 1966

A917Shakespearian Comedy: the Consummation

CHARLTON H.B. 1967


B057Shakespeare, Politics, and Politicians

CHARLTON H.B. 1970


B663Shakespearian Tragedy

CHARLTON, H.B. 1971

B873Shakespeare's Heroines and the Art of Happiness

CHARLTON H.B. 1972


C632The educationnal background

CHARLTON Kenneth 1980

The age of MiltonIn

C742Hamlet ou ledésir de stratégie

CHARNAY Jean-Paul 1990

Shakespeare et la guerreIn

D260The Monstrous Body in King Richard III

CHARNES Linda 1999


D281We Were Never Early Modern

CHARNES, Linda. 2000


D279The Hamlet Formely Known as Prince

CHARNES, Linda. 2001


A457Shakespeare's Roman Plays: The Function of Imagery in the Drama

CHARNEY Maurice 1968

A598The Imagery of Antony and Cleopatra



A989Style in Hamlet


B808Elizabethan Theatre, ed. David Galloway



In

B582The Dramatic Use of Imagery in Shakespeare's Coriolanus



C203Coriolanus and Timon of Athens

CHARNEY, Maurice 1973

Shakespeare : Select Bibliographical GuidesIn

C371"Weput fresh garments on him" : nakedness and clothes in King Lear



C598aTV and Film : Shakespearean Anglophilia : The BBC-TV series and American audiences


Shakespeare Quaterly . Volume 31 . N°2 . Summer 1980In

C594Comic villainy in Shakespeare and Middleton



C594Shakespearean comedy


C956“Bad” Shakespeare : Revaluations of the Shakespeare Canon


C732Hamlet's fictions


C750Asides, soliloquies, and offstage speech in Hamlet : implication for staging



D068"Be that you are / That is a woman" : The 'Prenzie' Angelo and the 'Enskied' Isabella



D106Brutus's Dog-Eared Book in Julius Caesar


Variations sur la lettre, le mètre et la mesure - ShakespeareIn

A003The Curial

CHARRETIER ALAIN 1888

A697Le Lieu de la Fête( résumé de Communication)

CHASTEL André 1956


A697/2Les Entrées de Charles Quint en Italie

CHASTEL André 1960


C605Le rôle de l'analyse textuelle dans la théorie

CHÂTEAU Dominique 1980


A629La leçon des nombres

CHATELET Albert 1956


B371Comparing Metrical Styles (1960)

CHATMAN Seymour 1967


B371Essays on the Language of Literature

CHATMAN Seymour and LEVIN Samuel R. 1967

D282Moor or Less? The Surveillance of Othello, Calcutta 1848

CHATTERJEE, Sudipto. SINGH, Jyotsna.G. 1999

Shakesperae and AppropriationIn

C647Infirm glory

CHAUDHURI Suzanta 1981

C974Shakespeare and the Ethnic Question

CHAUDHURY Sukanta 1994


D211Le Labyrinthe et les Nuées: les espaces aberrants de Kurosawa

CHAUVIN Serge 1998

Shakespeare et le CinémaIn

A944Le Temps d'Elizabeth

CHAUVIRÉ Roger 1960

C878‘His legs bestrid the ocean’ as a ‘form of life’

CHEADLE Brian 1990


A950Spencer's Image of Nature: Wild Man and Shepherd in "The Faerie Queene"

CHENEY Donald 1966

M67The Construction of Kingship From Henry IV to Henry V

CHERON, Delphine 1995

B764/1The " New Learning": A Semantic Note

CHESTER, Allan G. 1954


C100Kind-Harts Dreame

CHETTLE, Henry 1973

A Mirrour of Monsters, Preface to Robert Greene's Menaphon , Kin-Harts DreameIn

C779From 'Kind-Harts Dreame', 1592

CHETTLE Henry 1979


M66Deception and Self-Deception in Much Ado About Nothing

CHEVALIER, Isabelle 1995

C813La Comédie-Française

CHEVALLEY S. , BLANCHET L., LAPLACE R. 1978


B104Le Théâtre romain

CHEVALLIER Raymond 1965


B104Les Jeux du cirque romain

CHEVALLIER Raymond 1965


C917The Poetics of Imperialism : Translation and Colonization from The Tempest to Tarzan

CHEYFITZ Eric 1991

C717The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan

CHEYFITZ Eric 1991

D225Mary Wollstonecraft, féministe néo-classique

CHÉZAUD Patrick 1999


In

C706'To that secure fix'd state' : The function of the Caroline masque form

CHIBNALL Jennifer 1984

The court masqueIn

A393Shakespeare in the Theatre from the Restoration to the Present Time

CHILD Harold 1966


In

A899/8Travels in Mexico, 1568-85

CHILTON John 1964


A702L'art comme procédé

CHKLOVSKI V. 1965


In

B086L'art comme procédé

CHKLOVSKI V. 1965


A702La construction de la nouvelle et du roman

CHKLOVSKI V. 1965


In

B086La construction de la nouvelle et du roman

CHKLOVSKI V. 1965


M81Much Ado About Nothing , From Page, to Stage, to Screen

CHONEZ, Jennifer 1998

A697Les Feux d' Artifices en France de 1606à 1628. Esquisse historique et ethétique

CHRISTOUT Marie-Françoise 1956


C640Polonius in Hamlet

CHURCH Tony 1985



CHURCH Tony 1989


C379/4Shakespeare and Garrick supreme, 1761

CHURCHILL Charles 1976


C236The Worthines of Wales

CHURCHYARD, Thomas 1967

B314Stories from Shakespeare

CHUTE Marchette 1966

A807The Tragical History of King Richard III

CIBBER C. 1969

A222The Careless Husband

CIBBER Colley 1967

A888British Theatre Vol II(1696-1702): Eighteenth-Centuty English Drama

CIBBER Colley 1969

A889British Theatre Vol III(1707-1721): Eighteenth-Centuty English Drama

CIBBER Colley 1969

A890British Theatre Vol IV(1761-1801): Eighteenth-Centuty English Drama

CIBBER Colley 1969

A891British Theatre Vol V(1789-1798): Eighteenth-Centuty English Drama

CIBBER Colley 1969

A892British Theatre Vol X(1701-1722): Eighteenth-Centuty English Drama

CIBBER Colley 1969

A833Papal Tyranny in The Reign Of King John(1745)

CIBBER Colley 1969

A855The Tragical History of King Richard III(1718)

CIBBER Colley 1969

C211/3Love's Last Shift

CIBBER, Colley 1974


C211/4The Careless Husband

CIBBER, Colley 1974

Restoration Comedy (vol. IV)In

C379/3Adaptation of King John, 1745

CIBBER Colley 1975


C379/3Shakespeare in thetheatre, 1740

CIBBER Colley 1975


C779From 'The Lives of the Poets', 1753

CIBBER Teophile 1979


A822King Henry VI

CIBBER Theophilus 1969

A865Romeo and Juliet A Tragedy(1748)


C379/4Garrick's Shakespeare, 1756



B922'My crown, Mine own ambition and my Queen' (on playing Claudius)

CICERI, Leo 1972


B922Notes on Acting Mercutio

CICERI, Leo 1972


C604Kubrick

CIMENT Michel 1980

B806Tasso's Il Mondo Creato : Providence and the Created Universe

CIRILLO Albert R. 1971


C770Henry the Fourth . Milton, gay . Pouvoir et musique

CIRPA 1990

C575As We Like It : how a girl can be smart and still popular

CLAIRBONE PARK Clara 1980

The woman's partIn

B206The Later Stuarts(1660-1714)

CLARCK George 1965

A418/1Shakeapeare' s England(Vol. I)

Clarendon Press 1966

A418/2Shakeapeare' s England(Vol. II)

Clarendon Press 1966

P5/46Bruegel and King Lear

CLARET, Jean-Louis and SAHEL, Pierre 1999


P5/46Bruegel et King Lear

CLARET, Jean-Louis, SAHEL, Pierre 1999

Cahiers Elizabéthains n°56. C.E.R.R.A. Université Paul-Valéry, Montpellier IIIIn

A103The English Register of Godstow Nunnery . Part I & II

CLARK Andrew 1905

A566Thomas Heywood: Playwright and Miscellanist

CLARK Arthur Melville 1967

P1/1939/IShelley and Shakespeare

CLARK, David Lee 1967


B132Ralegh and Marlowe: a study in Elizabethan Fustian

CLARK Eleanor Grace 1965

B056The Sevententh Century

CLARK George 1966

C957The Plays of Beaumont and Fletcher : Sexual Themes and Dramatic Representation

CLARK Sandra 1994

A730The Shakespeare Key : A Comprehensive guide to all Features of Shakespeare's Style, DramaticConstruction, and Expression

CLARKE Charles and Mary COWDEN

C388William Shakespeare

CLARKE David Waldo 1976

B515The Growth and Nature of Drama

CLARKE R.F. 1965

C322The role of anxiety in English tragedy : 1580-1642

CLAY Charlotte N. 1974

C750"Balancing at work": (R)evoking the script in performance and criticism

CLAYTON Thomas 1989


C984'That's She that was Myself' : Not so Famous Last Words and Some Ends of Othello

CLAYTON Thomas 1994


B885The Imagery of Hamlet

CLEMEN W.H. 1970


B789 The Development of Imagery in Shakespeare's Great Tragedies (1951)

CLEMEN, Wofgang H. 1965


A775The Uses of Rhetoric

CLEMEN Wolfang 1965


In

A354A Complaint to His Lady

CLEMEN Wolfgang 1957

Chaucer' s Early PoetryIn

A354An ABC



A354Anelida and Arcite



A354Chaucer' s Early Poetry


A354The Book of the Duchess



A354The Complaint of Mars



A354The Complaint unto Pity



A354The House of Fame



A354The Parliament of Fowls



B180Shakespeare's Soliloquies


A383English Tragedy Before Shakespeare: The Development of Dramatic Speech


A383Gordobuc


English Tragedy Before Shakespeare: The Development of Dramatic SpeechIn

A383Locrine



A383Selimus and The Wounds of Civil War



A463/9Shakespeare an the Modern World



A383Tamburlaine



B234A Commentary on Shakespeare's Richard III


B838Shakespeare's Dramatic Art

CLEMEN, Wolfgang 1972

C427The development of Shakespeare's imagery


C500Some aspects of style in the Henry VI plays



A336The Development of Shakespeare's Imagery

CLEMEN Wolfgang H. 1967

A789The Imagery of Hamlet

CLEMEN Wolfgang H. 1968

Shakespeare Hamlet: A Casebook.Jump John (editor)In

D260Richard III: Act I, Scene one

CLEMEN Wolfgang.H 1999


A947The Mystical Poetry of Thomas Traherne

CLEMENTS A.L. 1969

B513Rythm and Cosmic Order in Old English Christian Literature

CLEMOES Peter 1970

M19Shakespeare et le Théâtre Elisabéthain: Hal's Progress in Henry IV (1 and 2) and Henry V

CLEPOINT, Véronique 1977

A700L'Espagne du XVIè siècle, source d'inspiration du génie héroïque de Monteverdi

CLERCX Suzanne 1954


A698La toccata, principe du style symphonique

CLERCX Suzanne 1960

La musique instrumentale de la Renaissance. Jacquot JeanIn

A696La mise en scène du théâtre médiéval

CLERMONT René 1957


A556The Yorkshire Gentry from the Reformation to the Civil War

CLIFFE J.T. 1969

C186Fear of Popery

CLIFTON, Robin 1973

The Origins of the English Civil WarIn

D235FromThe Countess of Lincoln's Nursery

CLINTON Elizabeth 1999


B894Ben Jonson's Art: Elizabethan Life and Literature as Reflected Therein

CLOUDMAN DUNN Esther 1925

A162Supplements to the Wright's Chaste Wife

CLOUSTON W.A. 1886

D235From A Right Fruitful and Approved Treatise

CLOWES William 1999


C594Shakespeare's comedy and late cinquecento mixed genres

CLUBB Louise George 1980


D287Italaian Stories on the Stage

CLUBB, Louise George. 2002


D246Théâtre aujourd'hui n°6 : Shakespeare, la scène et ses miroirs.

CNDP 1998

C472'The choice of Hercules' in Antony and Cleopatra

COATES John 1978


C379/2Shakespeare's artless tragedies, 1700

COBB Samuel 1974


B603The Enlightenment and the French Revolution

COBBAN Alfred 1965


B764/3Francis Bacon and the Architect of Fortune

COCHRANE, Rexmond C. 1958


A138Merlin, a Metrical Version . Part I

COCK Ernst A. 1904

A015St Juliana

COCKAÏNE Oswald 1872

A072Seinte Marherete The Meiden ant Martyr

COCKAYNE Oswald 1866

A028Hali Meidenhad

COCKAYNE Oswald 1896

A533Le théâtre italien en mouvement

CODIGNOLA Luciano 1967


A246The Landscape of the Mind: Pastoralism and Platonic Theory in Tasso's Aminta andShakespeare's Early Comedies

CODY Richard 1969

C300Shakespeare's Villains

COE, Charles Norton 1972

A916John Donne and the New Philosophy

COFFIN Charles Monroe 1958

A964Love and 'Foul Delight': some contrasted attitudes

COGHILL N.K. 1966


A463/6Six Points of Stage-Craft in The Winter' s Tale

COGHILL Nevill 1958


B375Shakespeare's Reading in Chaucer

COGHILL Nevill 1959


B857Shakespeare's Professional Skills

COGHILL, Nevill 1965

B049Comic Form in Measure for Measure

COGHILL Nevill 1968


A915Shakespeare's Reading in Chaucer

COGHILL Nevill 1969


A292The Basis of Shakespearian Comedy

COGHILL Nevill(b.1899) 1963


C663The rite of violence in 1Henry IV

COHEN Derek 1985


D009Henry IV part I : Rituals of Violence

COHEN Derek 1992


C184/2Newton and Keplerian Inertia : an Echo of Newton's Controversy with Leibniz

COHEN, I. Bernard 1972


A665Structure du Langage poétique

COHEN Jean 1966

B806Milton's God in Council and War

COHEN Kitty 1971


D279(Post)Modern Elizabeth: Gender, Politics and the Emergence of Modern Subjectivity

COHEN, Stephen. 2001


C733Political criticism of Shakespeare

COHEN Walter 1987


C966Aristocratic Failure

COHEN Walter 1992


C933Prerevolutionary Drama

COHEN Walter 1992


The Undiscovered Country: Shakespeare and Mercantile Geography

COHEN, Walter. 2001


D280The Undiscovered country: Shakespeare and Mercantile Geography

COHEN, Walter. 2001


C266A Comic Complex and a Complex Comic

COHN, Ruby 1965


D089Retreats from Realism in Recent English Drama

COHN, Ruby 1991

D188Beckett : Waiting for Godot (Casebook)

COHN, Ruby (Ed.) 1987

B305The Doubling of Parts in Shakespeare's Plays

COLBY SPRAGUE Arthur 1966

C986The non-cycle plays and the East Anglian tradition

COLDEWEY John C. 1994


B820Suffering and Evil in the Plays of Christopher Marlowe

COLE, Douglas 1972

A698L'anthologie de madrigaux et de musique instrumentale pour ensembles de Francis Tregian

COLE Elizabeth 1960


C551A list of the published writings and the recordings of Harold F. Brooks

COLEMAN Antony 1981


D001The Provoked Wife

COLEMAN, Antony 1982

C551Poetry and drama 1570-1700 : essays in honour of Harold F. Brooks

COLEMAN Antony and HAMMOND Antony 1981

A686Sir John Banks, Financier: an Essay on Government Borrowing under the Later Stuarts

COLEMAN D.C. 1961


C577English literature in history 1350-1400 : medieval Readers and writers

COLEMAN Janet 1981

B789Hamlet

COLERIDGE,S.T. 1965


A599An Analysis of Act I

Coleridge S.T. 1968


A790Marginalia on Macbeth

COLERIDGE S.T. 1968


A599'The moved and sympathetic imagination&

Coleridge S.T. 1968


B558Milton

COLERIDGE Samuel Taylor 1951


C371Reason and need : King Lear and the "crisis" of the aristocracy

COLIE Rosalie L. 1974


C371The energies of endurance : biblical echo in King Lear

COLIE Rosalie L. 1974


C371Some facets of King Lear : essays in prismatic criticism

COLIE Rosalie L. and FLAHIFF F.T. 1974

C370Shakespeare's living art

COLIE Rosalie Littell 1974

C605La dislocation

COLIN Michel 1980


T49Langue, film, discurs: prolégomènes à une sémiologie générative du film

COLIN Michel 1985

T44Auteur

COLLET Jean 1980

Lectures du film. Collet Jean, Marie Michel, Percheron Daniel et alIn

T44Caméra

COLLET Jean 1980


T44Lectures du film

COLLET Jean, MARIE Michel, PERCHERON 1980

C260John Marton's Theatrical Drama

COLLEY, John Scott 1974

D260Colley Cibber's Richard III

COLLEY Scott 1999


B395Shakespeare Society of London;Publications-Vol. 8(No 1 & 18): Henslowe & Alleyn

COLLIER J.P. 1966

C779From the 'Edinburgh Review', 1820

COLLIER J.P. 1979


A609A Short View of the Profaneness and Immorality of the English Stage (1730)

COLLIER Jeremy 1969

B973A Defence of the Short View of the Profaneness and Immorality of the English Stage

COLLIER, Jeremy 1972

B975 A Second Defence of the Short View of the Profanenessand Immoralityof the English Stage


B974A Short View of the Immorality and Profaneness of the English Stage


C379/2From A Short View of the Immorality, and Profaneness of the English Stage, 1698

COLLIER Jeremy 1974


B347/1The Works of Edmund Spenser(Vol I)

COLLIER Payne J. 1862

B347/2The Works of Edmund Spenser(Vol II)


B347/3The Works of Edmund Spenser(Vol III)


B347/4The Works of Edmund Spenser(Vol IV)


B347/5The Works of Edmund Spenser(Vol V)


A899/1An English Garner: Critical Essays and Literary Fragments

COLLINS Churton 1964

C379/3A panegyric to Shakespeare, 1743

COLLINS William 1975


B199The Elizabethan Puritan Movement

COLLISON Patrick 1967

C209The Dramatic Use of Bawdy in Shakespeare

COLMAN, E.A.M. 1974

C379/4On Shakespeare and the Elizabethan dramatists, 1761

COLMAN George 1976


C379/4Shakespeare's self criticism, 1753

COLMAN George 1976


C537Farmer criticized, 1768

COLMAN George 1979


C537Johnson's edition reviewed, 1765

COLMAN George 1979


C537King Lear partly restored, 1768

COLMAN George 1979


A264The Clandestine Marriage

COLMAN George and GARRICK David 1964


A280The Iron Chest

COLMAN THE YOUNGER George 1965

Eighteenth Century Tragedy, ed. with an intro by Michael R. BOOTHIn

B782Who'who in the Old Testament

COMAY, Joan 1971

C995Merchants and madcaps : Dekker's Honest Whore plays and the commedia dell'arte

COMENSOLI Viviana 1993


C416Les Bonnes, de J. Genet : Les Bonnes dans la réalisation espagnole de Victor Garcia

COMPTE Carmen 1975


B764/3Vicente Espinel as a Musician

CONANT, Isabel Pope 1958


C353'Mansus' and the panegyric tradition

CONDEE Ralph W. 1973


C878Theatre as temple in the ‘New Movement’ in American theatre

CONDEE William F. 1990


A712Words into music: The composer's approach to the text

CONE Edward T. 1963

Sound and Poetry. Frye Northrop (editor)In

C596Shakespeare aesthetic scheme (extrait)

CONEJERO M.A. 1982

Théâtre et idéologies : Marlowe, ShakespeareIn

A168The Old Bachelor/ The Double-Dealer/ Love for Love/ The Way of the World/ The MourningBride

CONGREVE William

The Best Plays of Old Dramatists, Mermaid Series; Ed. by A.C. EwaldIn

A263Love for Love

CONGREVE William 1961

The Complete Plays, ed. by Alexander Charles EwaldIn

A263The Complete Plays, ed. by Alexander Charles Ewald


A263The Double-Dealer



A263The Mourning Bride



A263The Old Bachelor



A263The Way of the World



A227The Way of the World


A226Love for Love


A652Love for Love


B946Amendments of Mr. Collier's False and Imperfect Citations

CONGREVE, William 1972

C211/3Love for Love



C211/4The Way of the World



B367A History of Hamlet criticism

CONKLIN Paul S. 1957

B030The First English Translators of the Classics

CONLEY C.H. 1967

A785Thomas Dekker: An Analysis of Dramatic Structure

CONOVER James H. 1969

P1/1926/IIHamlet's Delay- A Restatement of the Problem

CONRAD Bernard R. 1966


A899/6Diana, or, The excellent conceitful Sonnets of H.C. Augmented with divers Quatorzains ofhonourable and learned personages

CONSTABLE Henry 1964


D235From A Discovery of a Conterfeit Conference

CONSTABLE Henry 1999


C742Henry VI, première partie, la guerre de Cent ans, Jeanne d'Arc

CONTAMINE Philippe 1990


C529The privileged playgoers of Shakespeare's London, 1576-1642

COOK Ann Jennalie 1981

C750Bernard Beckerman, 1921-1985: a memorial tribute



D013The Transformation of Stage Courtship



D030Straw Women and Whipping Girls : the (Sexual) Politics of Critical Self-Fashioning

COOK Carol 1991


A463/9Timon of Athens

COOK David 1966


C551'The very temple of delight' : the twin plots of Much Ado About Nothing

COOK David 1981


C285Ellen Terry

COOK, Dutton 1970


C285Irving in Shakespeare

COOK, Dutton 1970


C706'Death proves them all but toyes' : Nashe's unidealising show

COOK Elizabeth 1984

The court masqueIn

C716Two Lears for television : An exploration of televisual strategies

COOK Hardy M. 1988


A463/13William Hervey and Shakespeare' s Sonnets

COOK I.R.W. 1968


C776Women in Shakespeare

COOK Judith 1980

C494Shakespeare in America

COOKE Alistair 1978


B882A.C. Bradley and his influence in Twentieth-Century Shakespeare Criticism

COOKE Katharine 1972

C379/2On the morality of Tate's King Lear, 1731

COOKE Thomas 1974


C379/3A panegyric to Shakespeare, 1743

COOKE Thomas 1975


C512Shakespeare's language, 1775

COOKE William 1981


C510Pastoral : Mediaeval into Renaissance

COOPER Helen 1977

C706Location and meaning in masque, morality, and royal entertainment

COOPER Helen 1984

The court masqueIn

C379/4The tomb of Shakespeare. A poetical vision, 1755

COOPER John Gilbert 1976


C385The poetics of Aristotle : its meaning and its influence

COOPRE Lane 1972

B090Roger Planchon

COPFERMANN Émile 1969

C244A Fig for Fortune

COPLEY, Anthonie 1967

Fig for Fortune and Respublica AnglicanaIn

P5/14The Name Antonio in English Renaissance Drama

CORBALLIS, R.P. 1984


P5/15Some Variations on a Theme in Chapman's Homer

CORBALLIS Richard 1984


A697/2L' entrée du Prince Philippe à Anvers en 1549

CORBET A. 1960


B320/69Shakespeare

CORBIN Peter 1971


C934English comedy

CORDNER M. & HOLLAND P. & KERRIGAN J. 1994

C934Etherege’s She Would if She Could : comedy, complaisance and anti-climax

CORDNER Michael 1994

English ComedyIn

MD02Les Femmes Dramaturges et les Actrices en Angleterre de 1700 à 1760

CORDONNIER, Carole 1991

C186Economic Issues and Ideologies

CORFIELD, Penelope 1973


A848Love Betray' D ; or the Agreable Difapointment(1703)

Cormarket 1969

A847The Comic Masque of Pyramus and Thisbe(1716)

Cormarket 1969

C567The function of the masque in jacobean tragedy and tragicomedy

CORNELIA Marie 1978

A837The Fairy Queen, an Opera(1692)

Cornmarket Press 1969

A844The Half-Play Officers(1720)

Cornmarket Press 1969

D268The Early Modern Search Engine: Indices, Title Pages, Marginalia and Contents

CORNS, Thomas.N. 2000


C084Henry IV Part 2

Coronation Production 1821

C458Italian renaissance comedy and its critics : a survey of recent studies

CORRIGAN Beatrice 1972


B764/3Il Capriccio: an Unpublished Italian Renaissance Comedy and its Analogues

CORRIGAN, Beatrice M. 1958


C266Aristophanic Comedy : the Conscience of a Conservative

CORRIGAN, Robert W. 1965


C266Comedy and the Comic Spirit



C266Comedy : Meaning and Form


C606La dame de coeur : étude de quatre portraits d'Elizabeth I

COSTA DE BEAUREGARD Raphaëlle 1984

Caliban n° XXIIn

C696L'ombre de Banquo dans Juno and the Paycock

Costa de Beauregard Raphaëlle 1987


C741Sacralisation du temps et du lieu : étude du "Rainbow Portrait" de Hatfield House


Lieu et tempsIn

C742Ombres de la guerre et guerre des ombres : remarques à propos de Jules César



C773Remarques à propos de l'utilisation de l'art de la miniature dans Troilus et Cressida



P5/28Interpreting The Merchant of Venice



C824"Knotting" et "Je ne sais quoi" Two readings of "Nothing" in Much Ado About Nothing



C823Rhétorique du rouge et de la lumière dans 1Henry IV

COSTA de BEAUREGARD Raphaëlle 1992

Shakespeare : Rhétoriques du texte et du spectacleIn

C898Three burlesque birds of a feather flocking together for a single caricature


CERCLES : Le Grotesque au ThéatreIn

C897Métamorphoses et anamorphoses de la mort



C923Les figures de la Providence dans La Tempête



D168/9The semiotics of Elizabethan "changelings" or the status of the sign in As You Like It



D211Twelfth Night ou les noces de la nuit et de la fête: du théatre à l'écran



D 247Silent Elizabethans


The Language of Colour in the Miniatures of Nicholas Hilliard and Isaac OliverIn

D 247SILENT ELIZABETHANS : The Language of Colour in the miniatures of Nicholas Hilliard and IsaacOliver


D247The language of colour in the miniatures of Nicholas Hilliard and Isaac Oliver


Silent elizabethansIn

D211De La Tempète à Prospero's Books: vertige des sens et fragmentatin du sens

COSTANTINI-CORNÈDE Anne-Marie 1998


D195Machiavel et Antéchrist. Quelques réflexions sur les représentations du mal pendant la guerre civileanglaise et le Commonwealth(1642-1660)

COTTEGNIES Line 1997


A475The Triumph of English 1350-1400

COTTLE Basil 1969

P1/1961/IVAntony and Cleopatra and the Subjective Convention

COUCHMAN Gordon W. 1961


C844An Introduction To Discourse Analysis

COULTHARD Malcolm 1977, 1985

C113When Honour's at the Stake : Ideas of Honour in Shakespeare's Plays

COUNCIL, Norman 1973

D131Myth

COUPE, Laurence 1997

M35Foolery and Wisdom in As You Like It and Twelfth Night

COURAGE BLONDEL, Marie-Aude 1980

M74Hamlet and Othello, Tragedies of Errors

COUREAU, Marc 1997

C656 dThe Shakespeare plays on TV : Hamlet

COURSEN H.R.

C716Anachronism and papp's "Much Ado"

COURSEN H.R. 1988


C716The Bard and the Tube

COURSEN H.R 1988


C716Three televised Hamlets

COURSEN H.R. 1988


C716Why "Measure for Measure"?

COURSEN H.R. 1988


P5/29Lear and Cordelia

COURSEN, H.R. 1991


D114Shakespeare in Production - Whose History ?

COURSEN, H.R. 1996

C936Watching Shakespeare on television

COURSEN Herbert 1993

C987Shakespearean performances as interpretation

COURSEN Herbert R. 1992

C779From 'A History of English Poetry', 1895

COURTHOPE W.J. 1979


D211Richard III de Raoul Ruiz: entre difformité et déformations

COUSSEMENT Laeticia 1998


B068Corneilles et la Fronde: Théâtre et Politique il y a trois siecles

COUTON Georges 1951

P5/26The Anatomy of Absurditie, Portrait of the Artist as a Compiler

COUTON Marie 1990


C267Thomas Middleton's Comedies

COVATTA, Anthony 1973

A675Several Discources by Way of Essays, in Verse and Prose

COWLEY Abraham 1957


A046The Times’ Whistle

COWPER 1871

A044The Select Works of Robert Crowlen

COWPER 1905


COX Brian 1989


C498The stage representation of the 'kill Claudio' sequence in Much Ado About Nothing

COX J.F. 1979


C757Shakespeare and the dramaturgy of power

COX John D. 1989

D275The Devil and the Sacred in English Drama, 1350-1642

COX, John.D. 2000

D169Much Ado About Nothing

COX, John F. (Ed.) 1997

C270Figurative Design in Hamlet : the Significance of the Dumb Show

COX, Lee Sheridan 1973

D011Hamlet

COYLE Martin 1992

C655How to study a Shakespeare play

COYLE Martin and PECK John 1985

A759Love and Society: Measure for Measure and our own time

CRAIG David 1964


B112De l'Art du Théâtre

CRAIG Edward Gordon 1950

A135Two Coventry Corpus Christi Plays

CRAIG Hardin 1902

P1/1952/I'Shakespeare and the Here and Now'

CRAIG, Hardin 1952


B937English Religious Drama of the Middle Ages

CRAIG, Hardin 1955

B384A New Look at Shakespeare's Quartos

CRAIG Hardin 1961

C204Shakespeare and the Trivium

CRAIG, Hardin 1964


A775Renaissance Psychology in "A Woman Killed with Kindness'

CRAIG Hardin 1965


In

A338The Enchanted Glass: The Elizabethan Mind in Literature

CRAIG Hardin 1966

A463/1Trend of Shakespeare Scholarship

CRAIG Hardin 1966


In

A621Ethics in the Jacobean Drama : The Case of Chapman

CRAIG Hardin 1967


A621The Parrot Presentation Volume

CRAIG Hardin 1967

B476Motivation in Shakespeare's Choice

CRAIG Hardin 1968


B346Shakespeare's Bad Poetry

CRAIG Hardin 1970

Shakespeare Survey(1)In

A292Motivation in Shakespeare's Choice of Materials

CRAIG Harding(b.1875) 1963


P5/34Mirrours More Then One : Marriage and the Body Politic in The Faerie Queene

CRAIG Joanne 1994


P5/34Mirrours More then One: Marriage and the Body Politic in The Faerie Queene

CRAIG, Joanne 1994


B934The Tudor Interlude

CRAIK, T.W. 1967

C476Tudor and early Elizabethan drama

CRAIK T.W. 1975


C651The companies and the repertory

CRAIK T.W. 1980

The Revels history of drama in English volume II 1500-1576In

C651The Revels history of drama in English volume II 1500-1576

CRAIK T.W. 1980

C551Congreve as a Shakespearean

CRAIK T.W. 1981


D154The Further Forunes of Falstaff

CRAIK T.W. 1997


C168A Handbook of the Theatre

CRAMPTON, Esmé 1973

B523Shakespeare's Prose

CRANE Milton 1968

C169Shakespeare's Art : Seven Essays

CRANE, Milton 1973

A929Tragic Structure

CRANE R.S. 1968


C184/2On the Stupidity of the Boeotians and the Batavians

CRANEFIELD, Paul F. 1972


Z12/3The Marlowe Concordance: fifth part, Lake to Paul

CRAWFORD Charles 1929

Z12/6The Marlowe Concordance: sixth part, Paul to Stabbed

CRAWFORD Charles 1929

C592La soeur volée : ouverture du Faucon Maltais, John Huston

CRAWFORD Lawrence 1980


C341Character in relation to action in the tragedies of George Chapman

CRAWLEY Derek 1974

B995Hermetic Elements in Donne's Poetic Vision

CRAWSHAW Eluned 1972


C706'The present aid of this occasion' : The setting of Comus

CREASER John 1984

The court masqueIn

C934Enigmatic Ben Jonson

CREASER John 1994

English ComedyIn

D287Forms of Confusion

CREASER, John. 2002


B070Francis Bacon: sa Vie, son Oeuvre,sa philosophie

CRESSON André 1956

C539The unity of Romeo and Juliet

CRIBB T.J. 1981


C531The political in Britain's two national theatres

CRICK Bernard 1979

Drama and societyIn

B043from Ariosto, Shakespeare and Corneille: Tragedy of the Will; Justice and Indulgence

CROCE Benedetto 1963


A737Ariosto, Shakespeare and Corneille

CROCE Benedetto 1966

P1/1954/I-IIIHamlet, Don Quijote, La Vida es Sueno: The Quest for Values

CROCKER, Lester G. 1954


C457Checklist of scene painters working in Great Britain and Ireland in the 18th century

CROFT-MURRAY Edward and ROSENFELD Sybil

Theatre notebook . Volume XIX 1964-1965In

P1/1933/IThomas Chaucer, One man or Two?

CROLL BAUGH, Albert 1966


B371The Baroque Style in Prose (1929)

CROLL Morris 1967


D268The Daughters of Memory: Thomas Heywood's Gunaikeion and the Female Computer

CROOK, Nonna. RHODES, Neil. 2000


D235From Microcosmographia: A Description of the Body of Man

CROOKE Helkiah 1999


A742The Royal Supremacy in the Elizabethan Church

CROSS Claire 1969

B323The Old English Period

CROSS J.E. 1970


B375Some Jacobean Catch-Phrases and some light on Thomas Bretnor

CROW John 1959


A915Some Jacobean Catch-Phrases and some Light on Thomas Bretnor

CROW John 1969


C656 cThe Shakespeare plays on TV : Henry IV, part one

CROWL Samuel

C740'Hid indeed within the centre': The hall / Finney Hamlet

CROWL Samuel 1989


C958A world elsewhere: the Roman plays on film and television

CROWL Samuel 1994

Shakespeare and the Moving ImageIn


CROWLEY Bob 1989


A823Henry The Sixth, The First Part

CROWN John 1969

A836The Misery of Civil War(1680)

CROWN John 1969

A281The Destruction of Jerusalem, part II

CROWNE John 1960


A214City Politiques

CROWNE John 1967

A572/1The Dramatic Works of John Crowne( Vol I)

CROWNE John 1967

A572/2The Dramatic Works of John Crowne( Vol II)

CROWNE John 1967

A572/3The Dramatic Works of John Crowne( Vol III)

CROWNE John 1967

A572/4The Dramatic Works of John Crowne( Vol IV)

CROWNE John 1967

C211/2Sir Courtly Nice

CROWNE, John 1974


B818Abbot Laurence of Westminster and Hugh of St Victor

CROYDON F.E. 1969


C415Vision et organisation de l'espace dans les fêtes romaines

CRUCIANI Fabrizio 1975


C664The popular audience for Shakespeare in nineteenth century Leicester

CRUMP Jeremy 1986


P5/4Myth and Imagination in Milton's Images of Water

CRUNELLE, Anny 1979


P5/32Macbeth: Oedipus Transposed

CRUNELLE-VANRIGH, Anny 1993


C897“Too hot, too hot” La foudre et le sablier: Poétique de l’instant

CRUNELLE-VANRIGH Anny 1993


C923 “Unmixed with baser ‘mater’”: Le monstre et la matrice

CRUNELLE-VANRIGH Anny 1994


D058An Account of Terry Hands' Production of Hamlet



P5/38'O trespass sweetly urged': The Sexe of Space in Romeo and Juliet



P5/43Subduing Bess Bridges: Ideological Shift in the Two Parts of The Fair Maid of the West

CRUPI Charles 1998

Cahiers Elizabéthains n° 54. Centre d'Etudes et de Recherches sur la RenaissanceAnglaise, Université Paul Valéry, Montpellier III

In

P5/44Subduing Bess Bridges: Ideological Shift in the Two Parts of The Fair Maid Of the West

CRUPÏ, Charles 1998


A789The Morality of Hamlet -'Sweet Prince' or 'Arrant Knave'?

CRUTTWELL Parick 1968


A348The Shakespearean Moment and its place in the poetry of the 17th century

CRUTTWELL Patrick 1960

A972The Morality of Hamlet -' Sweet Prince' or 'Arrant Knave' ,


HamletIn

B760The English Sonnet


A943The Love Poetry of John Donne: Pedantique Weedes or Fresh Invention?


Metaphysical Poetry. Brown John Russell and Harris Bernard (general editors).Stratford-Upon-Avon Studies 11

In

B855/1The Love Poetry of John Donne: Pedantique Weedes or Fresh Inventions?

CRUTTWELL, Patrick 1970

Metaphysical PoetryIn

C656 cThe Shakespeare plays on TV : Henry V

CUBETA Paul M.

B016'A Sermon preached before the House of Commons'

CUDWORTH Ralph 1969

The Cambridge PlatonistsIn

B016'The Digression cocerning the Plasrick Life of Nature, or an Artificial, Orderly and Methodical Nature'

CUDWORTH Ralph 1969


B104L'Indonésie

CUISINIER Jeanne 1965


B864Spencer, Marvell and Renaissance Pastoral

CULLEN, Patrick 1970

A066Caxton’s Eneydos

CULLEY 1890

C060Kingn Lear

CUMBERLAND (Ed.) 1970

A264The West Indian

CUMBERLAND Richard 1964


C537Adaptation of Timon of Athens, 1771



C512Essays on Shakespeare, 1786



A621For Shakespeare' s Hamlet

CUMMINGS Hubertis 1967


C199Early English Classical Tragedies

CUNLIFFE, JOHN W. 1970

C470The Jonsonian masque as a literary form

CUNNINGHAM Dolora 1963


C956Conflicting Images of the Comic Heroine

CUNNINGHAM Dolora 1988


C472Tamburlaine the Great re-discovered

CUNNINGHAM J.S. and WARREN Roger 1978


A635Logic and Lyric: 'To his Coy Mistress'

CUNNINGHAM J.V. 1969


B169Woe or Wonder: The Emotional Effect of Shakespearean Tragedy

CUNNINGHAM J.V. 1969

A342Literature in Perspective: Restoration Drama

CUNNINGHAM John E. 1966

B215Elizabethan and Early Stuart Drama

CUNNINGHAM John E. 1970

C548Le théâtre lyrique expressionniste et sa mise en scène. Aspects et problèmes

CURJEL Hans 1971


A918Shakespeare's Philosophical Patterns

CURRY Walter Clyde 1968

C771Traduction et sous-titrage

CURTIS Jean-Louis 1987

Shakespeare à la télévisionIn

C455A theatrical contract of 1773-1774

CURTIS Julia


A463/10Education and Apprenticeship

CURTIS M.H. 1965


B764/3Library Catalogues and Tudor Oxford and Cambridge

CURTIS, Mark H. 1958


C105Oxford and Cambridge in Transition 1558-1642 : an Essay on Changing Relations Between theEnglish Universities and English Society

CURTIS, Mark H. 1965

A480European Literature and the Latin Middle Ages (translated by Willard R. Trask)

CURTIUS Ersnt Robert 1953

B507China

CURWEN C.A. 1971


In

B456Shakespeare and the Tune of the Time

CUSACK Bridget 1970

Shakespeare Survey 23: An Annual Survey of Shakespearian Study & Production. MuirKenneth (editor)

In

C640Portia in The Merchant of Venice

CUSACK Sinead 1985


B977The Devil and The Vice in the English Dramatic Literature Before Shakespeare

CUSHMAN, L.W. 1970

D280Shakespeare beyond Shakespeare

CUTLER-SHERSHOW, Scott. 2001


A697Le Role de la Musique dans les Masques de Ben Jonson

CUTTS John P. 1956


B764/3Peele's Hunting of Cupid

CUTTS, John P. 1958


B764/4Music and the Mad Lover

CUTTS, John P. 1961


A463/11New Findings with regard to the 1964 Protection List

CUTTS John P. 1966


A599Music and the Supernatural inThe Tempest

CUTTS John P. 1968


C857La Musique de Scène de la Troupe de Shakespeare : The King's Men sous le Règne de JacquesIer

CUTTS John P. 1971

C547La musique de scène de la troupe de Shakespeare : The King's Men sous le règne de Jacques 1er

CUTTS John P. 1971

C389Réalisme et mythe de la confrèrie des filous dans Martin Marshall de S[amuel] R[id]

CUVELIER E. 1976


P5/8 Horror and Cruelty in the Works of Three Elizabethan Novelists

CUVELIER, Eliane 1981


P5/12"Perspective" in The Winter's Tale

CUVELIER, Eliane 1983


C773Troilus and Cressida : Stratégies de manipulation

CUVELIER Eliane 1990


C285Thomas Betterton

CYBBER, Colley 1970


C379/2From his adaptation of Richard III, 1700

CYBBER Colley 1974


D256Shakespeare, crossing the Rubicon

Cynthia Marshall 2000


D197/11'Funeral bak'd meats': Carnival and the Carnivalesque in Hamlet

D.BRISTOL MICHAEL 1998


B964Introduction to these Paintings

D.H. Lawrence 1973

Lawrence on Hardy and PaintingIn

B964Study of Thomas Hardy

D.H. Lawrence 1973

Lawrence on Hardy and PaintingIn

D195De l'éthique en représentation à une esthétique du divertissemnt. Les figures du mal et de la peurdans les opérats de Purcell

D.KHOURY Marielle 1997


B816Some Neglected Composers in the Florentine Chapels, ca. 1475-1525

D'ACCONE Frank A. 1970


B104Le Théâtre italien

D'AMICO Sandro 1965


A101Melusine . Part I

D'ARRAS Jean 1895

C379/1From his adaptation of Macbeth, november 1664

D'AVENANT Sir William 1974


C379/1From his adaptation of Measure for Measure with Much Ado, february 1662

D'AVENANT Sir William 1974


C379/1From their adaptation of The Tempest, november 1667

D'AVENANT Sir William and DRYDEN John 1974


D033Bruges Group or Common Market? Realism, Postmodernism and Postwar British Fiction

D'HAEN Theo 1993


C813Les rotondes de l'illusion

d'HELFT Brigitte et VERLIEFDEN Michel 1978


C047The Injured Princess

D'URFEY, Thomas 1970

C379/1From his adaptation of Cymbeline, spring 1682

D'URFEY Thomas 1974


A697Survivance de la Tradition Médiévale dans les Fêtes françaises de la Renaissance. A propos dequelques costumes déssinés par Francesco Primaticcio

DAHLBAECK Bengt 1956


B567The Opening of Paradise Lost

DAICHES, David 1960

The Living MiltonIn

B568from A Study of Literature

DAICHES David 1961


B791Literary Essays

DAICHES, David 1966

A929Guilt and Innocence in Julius Caesa

DAICHES David 1968


B790More Literary Essays

DAICHES, David 1968

P5/23The Tyrant Duke of As You like It: Envious Malice Confronts Honor, Pity, Friendship.

DALEY, Arthur Stuart octobre 1988


C898Le Cadavre dans le placard,réflexion sur le fonctionnement du grotesque dans Loot de Joe Orton

DALLEZ Gérard 1992


D193Undermain's Venus and Shines Brightly(1991)

DAM Julie 1997


B104Le Music-hall

DAMASE Jacques 1965


M39Distance and Identification in Macbeth and King Richard III

DAMOIS, Christine 1984

P1/1927/IIMilton and Marston

DAMON S.Foster 1966


A327Shakespeare's Doctrine of Nature: A Study of King Lear

DANBY John F. 1949

A341Elizabethan and Jacobean Poets: Studies in Sidney, Shakespeare, Beaumont & Fletcher

DANBY John F. 1965

B885The Fool and Handy-Dandy

DANBY John F. 1970


A515/2Le public des théâtres londoniens à l' époque de la Restauration d' après les prologues et lesépilogues

DANCHIN Pierre 1968


C438The prologues and epilogues of the Restoration : a tentative check-list

DANCHIN Pierre 1978

C587The prologues and epilogues of the Restoration 1660-1700 . Part one : 1660-1676 .The SecondVolume

DANCHIN Pierre 1981

C586The prologues and epilogues of the Restoration 1660-1700 . Part one : 1660-1676 .The FirstVolume

DANCHIN Pierre 1981

P5/11A Late Seventeenth-Century Miscellany- a Facsimile Edition of a Manuscript Collection of Poems,Largely by John Wilmot, Earl of Rochester

DANCHIN, Pierre 1982


C583Prologues et épilogues du Théâtre anglais de la Restaurtion ( 1660-1700 ) : A propos d'uneédition

DANCHIN Pierre 1984


C589The prologues and epilogues of the Restoration 1660-1700 . Part two : 1677-1690 .The FourthVolume

DANCHIN Pierre 1984

C588The prologues and epilogues of the Restoration 1660-1700 . Part two : 1677-1690 .The ThirdVolume

DANCHIN Pierre 1984

C701 IIThe prologues and epilogues of the Restoration 1660-1700. Part three: 1691-1700. The sixthvolume

DANCHIN Pierre 1985

C701 IThe prologues and epilogues of the Restoration 1660-1700. Part three: 1691-1700. The fifthvolume

DANCHIN Pierre 1985

C822Le Songe d'une Nuit d'Été sur la scène anglaise, entre 1660 et 1800

DANCHIN Pierre 1989


C718Le Songe d'une Nuit d'Été sur la scène anglaise, entre 1660 et 1800

DANCHIN Pierre 1989


A899/6Delia, 1594

DANIEL Samuel 1964


A256/2A Defence of Ryme. ?1603

DANIEL Samuel 1967


B017The Complaint of Rosamond(1592)

DANIEL Samuel 1967


A173The Vision of the Twelves Goddess (1604)

DANIEL Samuel 1967

A Book of MasquesIn

B502The Tragedy of Philotas

DANIEL Samuel 1970

C531Opening up the text: Shakespeare's Henry VI plays in performance

DANIELL David 1979

Drama and societyIn

C639The good marriage of Katherine and Petruchio

DANIELL David 1984


C711Shakespeare and the traditions of comedy

DANIELL David 1986


D248Réécriture chez John McGahern : les dettes à régler avec le(s) père(s).

Danielle Wargny 2000

Colloques : Réécritures.In

P5/29Words read-words said. "so, so." The Winter's Tale II.3. 129

DANIELS, Maurice 1991


C767The Cambridge Companion to Milton

DANIELSON Dennis 1989

B764/1The Renaissance Humanists and the Knowledge of Arabic

DANNENFELDT, Karl H. 1954


B764/2The Pseudo- Zoroastrian Oracles in the Renaissance



B764/3Egypt and Egyptian Antiquities in the Renaissance



C448Tragic alphabet : Shakespeare's drama of language

DANSON Lawrence 1974

C711Twentieth-century Shakespeare criticism : The comedies



D030Commentary : "In the Destructive Element Immersed"



C925Gazing at Hamlet or the Danish Cabaret



C984'The Catastrophe isq a Nuptial' : The Space of Masculine Desire in Othello, Cymbeline, and TheWinter's Tale



C389Présentation du Lazarillo de Tormes : le gueux hors de la cité

DARBORD M. 1976


C411Reflets de Tolède dans la littérature espagnole du siècle d'or (XVIe - XVIIe siècles)

DARBORD M. 1977


C813Gaspard André et le théâtre des Célestins à Lyon

DARGENT Georgette 1978


C285The Tragic Actress ( Sybil Thorndike)

DARLINGTON, W.A. 1970


C822The Woman's Part in Question : The Duchess of Malfi

DARRAGI Rafik 1989


C718The Woman's Part in Question : The Duchess of Malfi

DARRAGI Rafik 1989


C770La violence d'État chez Shakespeare

DARRAGI Rafik 1990


C772Violence, théâtre et politique dans Richard III

DARRAGI Rafik 1990

Le tyran : Shakespeare contre Richard IIIIn

C923The Ivy and the Princely Trunk: Violence and Patriarchy in The Tempest

DARRAGI Rafik 1994


C173Othello , une tragédie?

DARRAS, Jacques 1987

Autour d' OthelloIn

D003William Shakespeare s'endormant dans le sommeil d'Arthur

DARRAS Jacques 1994

Shakespeare : cosmopolitisme et insularitéIn

A700Rôle de la danse dans l'"ayre" anglais

DART Thurston 1954


A698Le manuscrit pour le virginal de Trinity College, Dublin

DART Thurston 1960


A698Origines et sources de la musique de chambre en Angleterre (1500-1530)

DART Thurston 1960


A463/7Milton on Shakespeare

DAS GUPTA R.K. 1966


C575A penchant for Perdita on the eighteenth- cebtury stage

DASH Irene G. 1980

The woman's partIn

C531The Italian futurist theatre

DASHWOOD Julie R. 1979

Drama and societyIn

C703Allegory and irony in Othello

DAUBER Antoinette B. 1990


C064The Law Against Lovers

DAVENANT, Sir William 1673

C076The Rivals

DAVENANT, William 1668

A912The poems of Joseph Hall(bishop;of Exeter and Norwich

DAVENPORT Arnold 1969

B164The Poems of John Marston

DAVENPORT Arnold (editor) 1961

A286King John and Matilda

DAVENPORT Robert 1965


A284King John and Matilda

DAVENPORT Robert(fl.1624-40) 1965


In

D255The major cmedies

David Bevington 2000

The Cambridge Companion to Ben JonsonIn

D256Plutarch, insurrection and death

David George 2000


GENDERS

David Glover and Cora Kaplan 2000

D245Genders

David Glover and Cora Kaplan 2000

A463/5The Tragic Curve : A Review of two Productions of Macbeth

DAVID Richard 1966


B049Plays Pleasant and Plays Unpleasant

DAVID Richard 1968


B476Shakespeare's Comedies and the Modern Stage

DAVID Richard 1968


B455Actors and Scholars: A View of Shakespeare in the Modern Theatre

DAVID Richard 1969

Shakespeare Survey 12: An Annual Survey of Shakespearian Study & Production. NicollAllardyce (editor)

In

B050Drams of Eale, A Review of Recent Productions

DAVID Richard 1969


B605Measure for Measure on the Modern Stage

DAVID Richard 1971

Shakespeare Measure for Measure, A Casebook. Stead C.K. (editor)In

B886Of An Age and for All Time: Shakespeare at Stratford

DAVID Richard 1972


In

C485Shakespeare in the theatre

DAVID Richard 1978

C581All's Well That Ends Well (1953)

DAVID Richard 1982


C581Measure for Measure (1950)

DAVID Richard 1982


C581Troilus and Cressida (1956)

DAVID Richard 1982


C716Shakespeare in minature : The BBC "Antony and Cleopatra"

DAVID Richard 1988


D259Shakespeare and English history

David Scott Kastan 2001


P5/16Renaissance Dramatic Forms, Comic Perspective, and Alienation

DAVIDSON Clifford 1985


C882Meaning,’Seeing’, Printing

DAVIDSON Donald 1987

Shakespeare, Meaning & MetaphoreIn

A599The Tempest : An Interpretation

DAVIDSON Frank 1968


B567Syntax and Music in Paradise Lost

DAVIE, Donald 1960

The Living MiltonIn

B514Berkeley and the Style of Dialogue

DAVIE Donald 1964


B788Yeats, Berkeley, and Romanticism (1955)

DAVIE, Donald 1971


A623Shakespeare and the Media of Film, Radio and Television : A Retrospect

DAVIES Anthony


C762Filming Shakespeare's plays : the adaptations of Laurence Olivier, Orson Welles, Peter Brook andAkira Kurosawa

DAVIES Anthony 1988

C958Filming Othello

DAVIES Anthony 1994


C958Shakespeare on Film and Television: a retrospect

DAVIES Anthony 1994


D135The Film Versions of Romeo and Julet

DAVIES, Anthony 1996


C958Shakespeare and the Moving Image : the plays on film and television

DAVIES Anthony and WELLS Stanley 1994

B375Hume's History of the Reign of James I

DAVIES Godfrey 1959


B047The Early Stuarts 1603-1660

DAVIES Godfrey 1967

B207The Early Stuarts(1603-1660)

DAVIES Godfrey 1967

A915Hume's History of the Reign of james I

DAVIES Godfrey 1969


C476Davenant, Dryden, Lee, and Otway

DAVIES H. Neville 1975


P5/9Spenser's Shepheardes Calender: the Importance of November

DAVIES, H. Neville 1981


P5/25All for Love: Text and Contexts

DAVIES H.Neville 1989


B710Worship and Theology in England

DAVIES, Horton 1970

B514Wordsworth and the Empirical

DAVIES Hugh Sykes 1964


B514The English Mind

DAVIES Hugh Sykes and WATSON George 1964

A899/4Hymns of Aestrae, in acrostic Verse, 1599

DAVIES John 1964


A899/4Nosce Teipsum

DAVIES John 1964


A899/4Orchestra, or a Poem of Dancing, 1596A

DAVIES John 1964


D201Humanism in script and print in the fifteenth century

DAVIES Martin 1997


P5/3Lycidas: Poem and Pattern

DAVIES, Neville 1978


A964The Worshipful Way in Malory

DAVIES R.T. 1966


B907The Corpus Christi Play of the English Middle Ages

DAVIES, R.T. 1972

B195Sidney's Arcadia

DAVIES R. Walter & LANHMAN Richard A. 1965

B922Ben Jonson and Alchemy

DAVIES, Robertson 1972


C475Renaissance views of man

DAVIES Stevie 1978

C719The Idea of Woman in Renaissance Literature : the Feminine Reclaimed

DAVIES Stevie 1986

C285Garrick's First Performance in London

DAVIES, Thomas 1970


C038/1Memoirs of the Life of David Garrick (1780) (Vol. I)

DAVIES, Thomas 1972

C038/2Memoirs of the Life of David Garrick (1780) (Vol. II)

DAVIES, Thomas 1972

C512Shakespeare in the theatre, 1784

DAVIES Thomas 1981


D126Humanism

DAVIES, Tony 1997

C184/2The Circulation of the Blood and Chemical Anatomy

DAVIS, Audrey B. 1972


B320/64The Renaissance

DAVIS B.E.C. 1964



DAVIS B.E.C. 1965



DAVIS B.E.C. 1968



DAVIS B.E.C. 1969



DAVIS B.E.C. 1970


B320/69The Earlier Sixteenth Century

DAVIS B.E.C. 1971


A591The Conversation of the Augustans

DAVIS Herbert 1969


In

B891Swift's Use of Irony

DAVIS Herbert 1972


D208Equality in an Equal Commonwealth: James Harrington's Republicanism and the Meaning ofEquality

DAVIS J.C. 1998


D209New World/Old World : The Theatre of Interests and sir Thomas More's Utopia

DAVIS J.Colin 1999


B964Lawrence on Hardy and Painting

DAVIS, J.V. (editor) 1973

C879His own triumphantly comi self: self and self consciousness in nineteenth-century English farce

DAVIS Jim 1988

FarceIn

D135'Death-marked love" : Desire and Presence inRomeo and Juliet

DAVIS, Lloyd 1996


B764/2Holbein's Pictures of Death and the Reformation at Lyons

DAVIS, Natalie Zemon 1956


C356Peletier and Beza part company

DAVIS Natalie Zemon 1964


D135Nineteenth-Century Juliet

DAVIS, Philip 1996


A686England and the Mediterranean, 1570-1670

DAVIS Ralph 1961


B690The Imagery of Bacon's Late Work

DAVIS, Walter A. 1971

Seventeenth Century Prose by FISH, StanleyIn

B428Idea and Act in Elizabethan Fiction

DAVIS Walter R. 1969

A515/2La dramaturgie en Angleterre à la veille de la Guerre Civile : John Ford et la comédie

DAVISON Peter 1968


B500Marry, Sweet Wag

DAVISON Peter 1970


D011The Comedy of Hamlet

DAVISON Peter 1992

HamletIn

A548Le Drame de John Ford

DAVRIL Robert 1954

B104Evoution de la liturgie chrétienne

DAVY Marie-Madeleine 1965


P1/1939/IMarlowe, Faustus and Simon Magus

DAW BROWN, Beatrice 1967


P5/36Truth and Decay in Shakespeare's Sonnets

DAWES, James 1995


C956Tempest in a Teapot: Critics, Evaluation, Ideology

DAWSON Anthony B. 1988


D240The Arithmetic of Memory: Shakespeare's Theatre and the National Past

DAWSON Anthony B. 1999


A425Elizabethan Handwritting(1500-1650): A Guide to the Reading of Docoments and Manuscripts

DAWSON Giles E. and KENNEDY-SKIPTON 1966

C758Shakespeare's Handwriting

DAWSON Gilles E. 1990


B775The Critical Idiom vol11: Drama and the Dramatic

DAWSON, S.W. 1970

C937Seventeenth-century english poetry

DAWSON Terence & DUPREE Robert S. 1994

D127Romanticism

DAY, Aydan 1996

A463/12 Shakespeare in Brazil

de ALMEIDA Barbara Heliodora C. 1967


A629Solitude et communion chez Kierkegaard et chez Kafka

De BOISDEFFRE Pierre 1956


B043from Sketches of English Literature: Striking Beauties of Shakespeare; Shakespeare's FemaleCharacters

DE CHATEAUBRIAND François René 1963


A515/2Allégorie et actualité sur les travaux des Jésuites

de DAINVILLE François 1968


D005Shakespeare Verbatim : the Reproduction of Authenticity and the 1790 Apparatus

DE GRAZIA Margreta 1991

C984The Scandal of Shakespeare's Sonnets



D121Imprints : Shakespeare, Gutenburg and Descartes



D206Imprints : Shakespeare, Gutenburg Descartes



D197/12The Ideology of Superfluous Things: King Lear as Period Piece

de GRAZIA MARGRETA 1998


C28The Shakespeares and "The Old Faith"

DE GROOT, John Henry 1968

A463/3Shakespeare on the Flemish Stage of Belgium, 1876-1951

De GRUYTER and HAYWARD Wayne 1952


C415Fêtes et représentations au collège anglais de Rome 1612-1614

DE KISCH Marie-Anne 1975


D033The Ideological Roots of Cultural Studies in England

DE LA RUELLE Marc 1993


C549Le Roi Lear de Shakespeare, dans une mise en scène de Giorgio Strehler

de LANNOY Stéphan 1978


A514Jonson' s Romish plot : A Study of Catiline and its Historical Context

de Luna B.N. 1967

A959The Queen Declined: An Interpretation of Willobie His Avisa

DE LUNA B.N. 1970

A463/4On Translating Hamlet

de MADARIAGA Salvador 1953


B043from On Hamlet: Introduction

DE MADARIAGA Salvador 1963


B294On Hamlet

DE MADARIAGA Salvador 1964

A606Un aspect de la question vespuccienne: l'auteur du Mundus Novus

De MATOS Luis 1959


A463/13 'Othello' : a Tragedy Built on a Comic Structure

de MENDONCA Barbara H.C. 1968


D235From Prognostications

De MONTAIGNE Michel 1999


A698Le livre de tablature de luth de Domenico Bianchini (1546)

de MORCOURT R. 1960


B979Metaphysical Baroque and Précieux Poetry

de MOURGUES, Odette 1953

A630Conformisme de la jeune poésie

De OBALDIA René 1956

Visages et perspectives de l'art moderne: peinture, poésie, musique. Etudes du C.N.R.S.réunies par JACQUOT Jean

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A790On the Knocking on the Gate in Macbeth

DE QUINCEY Thomas 1968


A693Ombres sacrées dans le théâtre d'Eschylle

de ROMILLY Jacqueline 1965


A630Remise en question

De SCHLOEZER Boris 1956


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A463/2Othello in Paris and Brussels

DE SMET Robert (translated by Sir Barry Jackson) 1966


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B032Enthusiast in Wit: A Portrait of John Wilmot Earl of Rochester 1647-1680

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B085MÉditations sur les Psaumes

DE SPONDE Jean 1954

P5/2Shakespeare's Influence on Moby Dick or, Where There's a Will, There's a Whale

DEAN, John 1978


P5/2Shakespeare's Influence on Moby-Dick or, Where There's a Will, There's a Whale

DEAN John 1978


P1/1952/IIRichard II : the State and The Image of The Theatre

DEAN, Leonard F. 1952


B885From Richard II to Henry V: A Closer View

DEAN Leonard F. 1970


B885Shakespeare: Modern Essays in Criticism

DEAN Leonard F. 1970

P5/25Shakespeare's Causes

DEAN Paul 1989


B818Unnoticed Commentaries on the Dissuasio Valerii of Walter Map

DEAN R.J. 1969


A463/13Verdi' s 'Othello' : a Shakespearian Masterpiece

DEAN Winton 1968


A337Dramatic Theory and the Rhymed Heroic Play

DEANE Cecil V. 1967

D168As You Like It Essais critiques

DEBAX J-P et PEYRE Yves 1998

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C741"God Give You Tyme and Space" : essai de définition de l'espace des interludes


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C898Les Interludes anglais de la Renaissance et la tradition de la satire Ménippée



C919/1Vices and Doubledeckers. Birth and Survival of the Vice Drama Pattern



D003Moralité anglaise et moralité européenne



D055"God Gyve You Tyme and Space": Towards a Definition of Theatrical Space in the TudorInterludes

DEBAX, Jean-PAul 1995

French Essays on Shakespeare and His ContemporariesIn

D068Les voyages du vice

DEBAX, Jean-Paul 1996

''Divers Toyes Mengled'- Essays on Medieval and Renaissance Culture

D168/11As You Like It, Acte 1, scène 2, 183-204: pastorale ou anti-pastorale?



C696Miroirs de l'Être : Macbeth, The Man of Mode

DEBAX Jean-Paul et PEYRÉ Yves 1987

C184/1Guintherius, Libavius, and Sennert : the Chemical Compromise in Early Modern Medicine

DEBUS, Allen G. 1972

Science, Medicine and Society in the Renaissance (vol I)In

C184/2Science, Medicine and Society in the Renaissance : Essays to Honor Walter Pagel (vol. II)

DEBUS, Allen G. 1972

C415Les fêtes du mariage de Cosme III avec Marguerite Louise d' Orléans à Florence, 1661

DECROISETTE Françoise 1975


C550Aspects et significations de la "Scena regia" dans le drame en musique italien de la deuxièmemoitié du XVIIe siècle


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C583Un exemple d'administration des théâtres au XVIIème siècle : Le Théâtre de la Pergola à Florence( 1652-1662 )



P1/1937/IIJean de Meun et Chaucer, traducteurs de la Consolation de Boèce

DEDECK-HERY, V.L. 1967


B003/1Dante en Angleterre(Moyen-Age - Renaissance)

DÉDÉYAN Charles 1961

B003/2Dante en Angleterre(Classicisme)

DÉDÉYAN Charles 1966

P5/4Annabella's Unborn Baby: The Heart in the Womb in 'Tis Pity she's a Whore

DEFAYE, Claudine 1979


C602Antonio ou le Marchand malgré lui

DEFAYE Claudine 1985


A899/7A Hymn to the Pillory(1703)

DEFOE Daniel 1964


A899/7An Appeal to Honour and Justice(1715)

DEFOE Daniel 1964


A899/7Legion's Memorial(1701)

DEFOE Daniel 1964


A899/7Papers from the Review(1704)

DEFOE Daniel 1964


A899/7The Education of Women(1697)

DEFOE Daniel 1964


A899/7The History of the Kentish Petition(1701)

DEFOE Daniel 1964


A899/7The Review(1704-12)

DEFOE Daniel 1964


A899/7The Revolution of 1688(1710)

DEFOE Daniel 1964


A899/7The Shortest Way with the Dissenters(1702)

DEFOE Daniel 1964


A899/7The True-Born Englishman(1701)

DEFOE Daniel 1964


M44Disguise in The Two Gentlemen of Verona and Twelfth Night

DEFONTAINE, N. 1987

A123The Chester Plays . Part I

DEIMLING Hermann 1892

A174The Shoemaker's Holiday

DEKKER Thomas 1933


A639The Honest Whore, part one

DEKKER Thomas 1939


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A639The Honest Whore, part two

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A262/4Britannia's Honour

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A262/4London's Tempe

DEKKER Thomas 1961


A262/4Lust's Dominion

DEKKER Thomas 1961


A262/4The Dramatic Works, Volume IV

DEKKER Thomas 1961

The Dramatics Work of Thomas Dekker, edited by Fredson BowersIn

A262/4The Noble Spanish Soldier

DEKKER Thomas 1961


A262/4The Sun's Darling

DEKKER Thomas 1961


A262/4The Welsh Embassador

DEKKER Thomas 1961


A262/1Old Fortunate

DEKKER Thomas 1962

The Dramatics Work of Thomas Dekker, edited by Fredson Bowers, Volume I.

A262/1Patient Grissil (with Chettle and Haughton)

DEKKER Thomas 1962


A262/1Satiromastix

DEKKER Thomas 1962


A262/1Sir John Wyatt (with John Webster)

DEKKER Thomas 1962


A262/1The Dramatic Works, Volume I

DEKKER Thomas 1962


A262/1The Shoemaker's Holiday

DEKKER Thomas 1962


A262/2Northward Ho (with John Webster)

DEKKER Thomas 1964

The Dramatics Work of Thomas Dekker, edited by Fredson Bowers, Volume IIIn

A262/2The Dramatic Works, Volume II

DEKKER Thomas 1964


A262/2The Honest Whore, Parts I & II

DEKKER Thomas 1964


A262/2The Magnificent Entertainment given to King James

DEKKER Thomas 1964


A262/2The Whore of Babylon

DEKKER Thomas 1964


A262/2Westward Ho (with John Webster)

DEKKER Thomas 1964


A289The Shoemakers' Holiday

DEKKER Thomas 1965


A262/3If This be not a Good Play, the Devil is in it

DEKKER Thomas 1966

The Dramatics Work of Thomas Dekker, edited by Fredson Bowers, Volume IIIIn

A262/3Match me in London

DEKKER Thomas 1966


A262/3The Dramatic Works, Volume III

DEKKER Thomas 1966


A262/3The Roaring Girl

DEKKER Thomas 1966


A262/3The Virgin Martyr

DEKKER Thomas 1966


A262/3The Witch of Edmonton

DEKKER Thomas 1966


A262/3The Wonder of a Kingdom

DEKKER Thomas 1966


A262/3Troia-Nova Triumphans

DEKKER Thomas 1966


B046The Gull's Hornbook (1609)

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DEKKER Thomas (edited by E.D. Pendry) 1967

A577British Autobiography in the Seventeenth Century

DELANY Paul 1969

B005Les Chansons Elizabéthaines

DELATRE F. & CHEMIN C. 1948

B098Tragiques Grecs: Euripide

DELCOURT-CURVERS Marie 1962

A693Euripide et l'actualité de son temps

DELEBECQUE Edouard 1965


B091Différence et répétition

DELEUZE Gilles 1968

B764/5Tasso's Experience of Petrarch

DELLA TERZA, Dante 1963


A629Des éloges de Fontenelle et de la psychologie des savants

DELORME Suzanne 1956


B105La Civilisation de la Renaissance

DELUMEAU Jean 1967

A515/2Un témoin : Thomas Nashe

DEMADRE Antoine 1968


A693La Crise du dialogue dramatique chez Kleist et Büchner

DEMANGE Camille 1965


A533Le Théâtre allemand et la deuxième guerre mondiale



A692L'expressionnisme allemand et le mouvement révolutionnaire



C548La jeune génération et les pièces-programmes de l'expressionnisme allemand



C548La situation de Georg Kaiser par rapport à la génération expressionniste



C187Erasmus

DEMOLEN, Richard L. 1973

P5/2 Adieu à l' amour by John Donne

DENIS Y. 1978


P5/2Adieu à l'amour by John Donne

DENIS, Y. 1978


B558The Passion of Byblis, the Grounds of Criticism in Poetry, Letters on Milton and Wycherley

DENNIS John 1951


A838The Comical Gallant(1702)

DENNIS John 1969

A863The Invader of His Coutry or the Fatal Resentment(1720)

DENNIS John 1969

B949The Usefulness of the Stage

DENNIS, John 1972

C144The Impartial Critick

DENNIS, John 1973

The Impartial Critick and Miscellaneous Letters and EssaysIn

C139The Stage Defended

DENNIS, John 1973

The Absolute Unlawfulness of the Stage-Entertainment Fully Demonstrated , The StageDefended and Law Outlaw'd

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C379/2From his adaptation of Coriolanus, 1719

DENNIS John 1974


C379/2From his adaptation of The Merry Wives of Windsor, 1702

DENNIS John 1974


C379/2Letters on Shakespeare, 1719

DENNIS John 1974


C379/2On Rymer, 1693

DENNIS John 1974


C379/2On Shakespeare's genius and morality, 1711

DENNIS John 1974


C379/2On Shakespeare's morals, 1701

DENNIS John 1974


C379/2Shakespeare and the Rules, 1720

DENNIS John 1974


C379/2Shakespeare defended, 1698

DENNIS John 1974


D259Shakespeare worldwide

Dennis Kennedy 2001


B373La Personnalité de Sir Thomas Browne

DENONAIN Jean-Jacques 1959

C285As You Like It at the Old Vic

DENT, Alan 1970


B649World of Shakespeare: Plants

DENT, Alan 1971

C207World of Shakespeare : Sports and Pastimes

DENT, Alan 1973

A393Shakespeare and Music

DENT Edward J. 1966


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A477John Webster's Borrowing

DENT R. W. 1960

C802Shakespeare's proverbial language : an index

DENT Robert William 1981

C184/1Science, Medicine and Society in the Renaissance : Essays to Honor Walter Pagel (vol. I)

DENUS, Allen G. 1972

D055Word and Action

DEPRAT, Jean-Michel 1995


C597Le mot et le geste

DEPRATS J.M. 1983


D003Rencontre avec Jorge Lavelli, metteur en scène de Macbeth d' E. Ionesco

DÉPRATS J.-M. 1994


D003Rencontre avec Serge Noyelle, metteur en scène de Macbeth (Théâtre de Chatillon sousBagneux)

DÉPRATS J.-M. 1994


C854/2Traduire Shakespeare pour le théâtre ?

DEPRATS J-M. 1987

Palimpsestes N° 1 : Traduire le Dialogue Traduire les Textes de ThéatreIn

C896Traduire pour le théâtre

DEPRATS J-M. 1992

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C173Traduire Othello

DEPRATS, Jean Michel 1987

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C789Rencontre autour de Comme il vous plaira, avec Lluis Pasqual, metteur en scène à la ComédieFrançaise

DÉPRATS Jean-Michel 1991


C789Rencontre avec Daniel Mesguich, traducteur et metteur en scène de Titus Andronicus



D211Cacodémon cinéaste(à propos de Looking for Richard)



D277Translation at the Intersections of history

DEPRATS, Jean-Michel. 2001


C742Entretien autour de Hamlet

DEPRATS Jean-Michel et DESARTHE Gérard 1990


C779From 'Poems; Moral and Descriptive', 1800

DERMODY Thomas 1979


C946Racism’s Last Word

DERRIDA Jacques 1986


D225Les Sermons de Sterne, ou l'Ecriture recréée

DESCARGUES Madeleine 1999


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D282Introduction

DESMET, Christy. 1999


D282Shakespeare and Appropriation

DESMET, Christy. SAWYER, Robert. 1999

D200Eighteenth-Century Performances of Shakespeare Recorded in the Theatrical Portraits of theGarrick Club

Desmond SHAWE-TAYLOR 1998


C453Renaissance drama . New series VI : essays on dramatic antecedents

DESSEN Alan C. 1973

C584Shakespeare's scripts and the modern director

DESSEN Alan C. 1983


C693Elizabethan stage conventions and modern interpreters

DESSEN Alan C. 1984

C711Shakespeare and the theatrical conventions of his time

DESSEN Alan C. 1986


C750Much virtue in As : Elizabethan stage locales and modern interpretation

DESSEN Alan C. 1989


C458Renaissance drama . New series V : essays principally on comedy

DESSEN Alan C. and SCHOENBAUM S. 1972

D229A Dictionary of Stage Directions in English Drama, 1580-1642

DESSEN, Alan C.and THOMPSON, Leslie 1999

C770Analyse de modaux significatifs dans Henry IV

DESURMONT Christopher 1990


B307Textes et Documents d'Histoire Moderne

DEVÈSE Michel & MARX Roland 1967

A697/2Folklore et politique au ChâteauTénébreux

DEVOTO Daniel 1960


A621Early Sentimental Comedy

DEWITT C. Croissant 1967


P5/35Ovid, Pettie, and the Mythic Foundation of Cymbeline

Di BIASE Carmine 1994


P5/35Ovid, Pettie, and The Mythic Foundation of Cymbeline

Di BIASE, Carmine 1994


C919/1The Taming of the Shrew : Frame and Mirror

DI MICELI, Caroline 1992


C789Le corps éclayé : Antoine etCléopâtre, Corolian et Othello

DI MICELLI Caroline 1991


C897Poison and counterpoison in Romeo and Juliet

DI MICELLI Caroline 1993



DI TREVIS 1989


D090Pinter's Comic Play

DIAMOND, Elin 1985

A615Sireno a Sheepheard, Having a Lock of his Faire Nimphs Haire, Wrapt About with Greene Silke,Mournes thus in a Love-Dittie

Diana of Montmaior 1962


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C333Shakespeare : his tragic world . Psychological explorations

DIAS Walter

C195The English Reformation

DICKENS, A.G. 1968

C164The Reformation in England to the Accession of Elizabeth I

DICKENS, A.G. & CARR, Dorothy 1969

A598The Elizabethans' s Antony and Cleopatra

DICKEY Franklin M. 1968


P1/1940/IICritical Activity of the Poetic Mind: John Milton

DIEKHOFF, John S. 1967


D259Shakespeare reference books

Dieter Mehl 2001


A515/1Le livret d' opéra et ses aspects sociaux à la cour de Léopold Ier

DIETRICH Margret 1968


D204The Homoerotics of Early Modern Drama

DIGANGI Mario 1997

C379/1Commendatory verses, 1640

DIGGES Leonard 1974


D277Lice in Fur: the Aesthetics of Cheek and Shakespearean Production Strategy

DIJK Van, Maarten. 2001


B938The Craftsmanship of the Wakefield Master

DILLER, Hans-jürgen 1972


D287Elizabethan Comedy

DILLON, Janet. 2002


B781The Critical Idiom vol 12 : Plot

DIPPLE, Elizabeth 1970

C456Thomas Arne to David Garrick : an unrecorded letter

DIRCKS P.T.


A463/10London' s Prisons

DOBB Clifford 1965


A421English Literature in the Early Eighteenth Century(1700-1740)

DOBRÉE Bonamy 1964

A340Congreve

DOBREE Bonamy 1966


A734Restoration Tragedy (1660-1720)

DOBRÉE Bonamy 1966

A393Shakespeare and the Drama of his Time

DOBREE Bonamy 1966


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A581How to Edit Shakespeare

DOBRÉE Bonamy 1969


A435/1The Complete works of Sir John Vanbrugh, volume I

DOBREE Bonamy and WEBB Geoffrey (editors) 1967

A435/2The Complete works of Sir John Vanbrugh, volume II


A435/3The Complete works of Sir John Vanbrugh, volume III


A435/4The Complete works of Sir John Vanbrugh, volume IV


A282Five Restauration Tragedies

DOBREE Bonamy (Ed. and Intro.) ) 1966

C879The dawn of farce: Aristophanes

DOBROV Gregory 1988

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C795'Remember/First to Possess his Books'The Appropriation of The Tempest 1700-1800

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C908The Making of the National Poet : Shakespeare, Adaptation and Autorship, 1660-1769

DOBSON Michael 1992

C984Bowdler and Britannia : Shakespeare and the National Libido

DOBSON Michael 1994


B712The Beauties of Shakespear regularly selected from each play with a general index, volume I

DODD William 1971

B713The Beauties of Shakespear regularly selected from each play with a general index, volume II

DODD William 1971

C009/2The Beauties of Shakespear Regurlaly Selected from Each Play (volume II)

DODD, William 1971

C009/1The Beauties of Shakespear Regurlaly Selected from Each Play (volume I)

DODD, William 1971

C379/3On Shakespeare, 1752

DODD William 1975


D033'So Full of Shapes is Fancy' : Gender and Point of View in Twelfth Night

DODD William 1993


C171Orlando : Athlete of Virtue

DOEBLER John 1973


D235From A Conference about the Next Succession to the Crown of England

DOLEMAN R. 1999


C938History and ideology : the instance of Henry V

DOLLIMORE J. & SINFIELD A. 1992


C715Introduction : Shakespeare, cultural materialism and the new historicism

DOLLIMORE Jonathan 1985


C715Transgression and surveillance in Measure for Measure



D095King Lear and Essential Humanism

DOLLIMORE, Jonathan 1989

Radical TragedyIn

D095Radical Tragedy


C966King Lear (c. 1605-6) and Essentialist Humanism



C924Shakespeare, Cultural Materialism and the New Historicism



C924The White Devil : Transgression Without Virtue



D012Tragedy and Literature


MacbethIn

D095Antony and Cleopatra : Virtus under Erasure


Radical TragedyIn

D095Coriolanus : The Charriot Wheel and its Dust


Radical TragedyIn

D285Shakespeare and Theory

DOLLIMORE, Jonathan. 1998


D009History and Ideology : Henry V

DOLLIMORE Jonathan and SINFIELD Alan 1992


C715Political Shakespeare : new essays in cultural materialism

DOLLIMORE Jonathan & SINFIELD Alan 1985

A533Le nouveau théâtre américain entre deux aliénations

DOMMERGUES Pierre 1967


A988The Star-Crossed Renaissance

Don ALLEN Cameron 1966

B023The Star-Crossed Renaissance: the Quarrel about Astrology and Its Influence in England

Don ALLEN Cameron 1966

B788Victorian Philosophical Prose: J.S. Mill and F.H. Bradley (1968)

DONAGAN, Alan 1971


A114/2The Destruction of Troy . Part II

DONALDSON David and PANTON Geo A. 1874

A114/1The Destruction of Troy . Part I

DONALDSON David and PANTON Geo A. 1879

B588The World Upside-Down: Comedy from Jonson to Fielding

DONALDSON Ian 1970

B762Drama from 1710 to 1780

DONALDSON Ian 1971


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B737Language, Noise, and Nonsense: The Alchemist

DONALDSON Ian 1971


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B872Jonson's Tortoise

DONALDSON Ian 1972


C679The Oxford authors : Ben Jonson

DONALDSON Ian 1985

C980Ben Jonson

DONALDSON Ian 1987


D223Jonson's Magic Houses

DONALDSON, Ian 1997

D262(Jonson's Magic House)

DONALDSON Ian 2000


D240'All which it inherit': Shakespeare, Globes and Global Media

DONALDSON Peter 1999


D142Shakespeare in the Age of Post-Mechanical Reproduction : Sexual and Electronic Magic inProspero's Book

DONALDSON, Peter S. 1997


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A701L'influence de Sénèque sur les tragédies de Giambattista Giraldi

DONDONI Lucia 1964


A675Devotions upon Emergent Occasions, and Severall Steps in My Sicknes

DONNE John 1957


A658Complete Poetry and Selected Prose

DONNE John 1967

A657Essays in Divinity

DONNE John 1967

D267Poésie

DONNE, John. 1993

B210The Elegies and The Songs and Sonnets

DONNE John (ed. by Helen Gardner) 1966

B211The Divine Poems

DONNE John (ed. by Helen Gardner) 1969

B213The Songs and Sonets

DONNE John (ed. Theodore Redpath) 1967

B349The Cypher: in the Plays and on the Tombstone;

DONNELLY Ignatius 1899

B176Elizabethan Minor Epics

DONNO Elizabeth Story 1963

P2Renaissance Quaterly, volume XX et XXI, n°1

DONNO Elizabeth Story (editor) 1967 et 1968

B503A Concordance to the Sonnet Sequences of Daniel, Drayton, Shakespeare, Sidney, and Spencer

DONOW Herbert S. 1969

D033Dialogical Reading and the Biblical-Creed Narrative Prayers in Chaucer's 'Man of Law's Tale'

DOR Juliette 1993


B450Pyramus and Thisbee Once More

DORAN Madeleine 1962


A186Endeavors of Art: A Study of form in Elizabethan drama


C169Command, Question, and Assertion in King Lear

DORAN, Madeleine 1973

Shakespeare's Art : Seven EssaysIn

C418Shakespeare's dramatic language


A917The Taming of the Shrew

DOREN Mark Van 1967


A644John Dryden : The Lyric Poet

DOREN Mark Van 1968


B320/64Literary History and Criticism: General Works

DORSCH T.S. 1964


B320/64Shakespeare

DORSCH T.S. 1964



DORSCH T.S. 1965


B320/63Shakespeare

DORSCH T.S. 1965



DORSCH T.S. 1968



DORSCH T.S. 1969



DORSCH T.S. 1970



DORSCH T.S. 1971


B320/64The Year's Work in English Studies(1964)

DORSCH T.S. & HARLOW C.G. 1964


DORSCH T.S. & HARLOW C.G. 1968

A533Jean Genet ou le combat avec le théâtre

DORT Bernard 1967


A694Le Réalisme épique de Brecht

DORT Bernard 1967


A528Le Théâtre, un Art de Masse?

DORT Bernard 1969


B512/3Lecture de Galilée, Etude comparée de trois états d'un texte dramatique de Brecht

DORT Bernard 1972


C827Théâtre en jeu : essais de critique 1970-1978

DORT Bernard 1979

C965La représentation théâtrale moderne(1880-1980) : Essai de bibliographie

DORT Bernard 1984

C823Rhétorique et représentation

DORVAL P. et MAGUIN J-M. 1992


P5/40Gazing through the Peephole of Rhetoric: Shakespearean Trompe-l'oeil Then and Now

DORVAL, Patricia 1997


D168/10As You Like It: Phénoménologie du pli

DORVAL Patricia 1998


D211Othello: "a pageant to keep us in false gaze" ou la part de l'invisible aperçu occultement



D211Shakespeare et le Cinéma


P5/42Shakespeare on Video

DORVAL, Patricia 1998


P5/31Playing on Things as well as Words: Antanaclasis on Screen and Stage

DORVAL, Patricia and MAGUIN, Jean-Marie 1992


C591Dix-sept plans : Fury, Fritz Lang

DOUCHET Jean 1980


B143/1The Manuscript of Shakespeare's Hamlet and the problems of its transmission(Vol I): an essay incritical bibiography

DOVER WILSON J. 1963

B143/2The Manuscript of Shakespeare's Hamlet and the problems of its transmission(Vol II): an essay incritical bibiography

DOVER WILSON J. 1963

A761Shakespeare, A Critical Study of His Mind and Art

DOWDEN Edward 1967

A599The Serenity of The Tempest

DOWDEN Edward 1968


C779From the 'Fornightly Review', 1870

DOWDEN Edward 1979


B304King Richard III

DOWNER Alan S. 1959

A340Nature to Advantage Dressed: Eighteenth-Century Acting

DOWNER Alan S. 1966


A929The Language of Props' in Macbeth

DOWNER Alan S. 1968


B885The Life of Our Design: The Function of Imagery in the Poetic Drama

DOWNER Alan S. 1970


C338Roscius anglicanus : or an historical review of the stage

DOWNES JOHN 1974

Historia Anglicanus and Roscius AnglicanusIn

C379/2Shakespeare on the Restoration stage, 1708

DOWNES John 1974


C597Deux mises en scène de Richard II

DRAGOVITCH V. 1983


C250Poems (part I)

DRAITON, Michaell

C251Poems (part II)

DRAITON, Michaell 1967

C938Alternative Shakespeares

DRAKAKIS John 1992

C966Shakespearean Tragedy

DRAKAKIS John 1992

D206Afterword : the Next Generation

DRAKAKIS John 1996


D121Afterword : the Next Generation

DRAKAKIS John 1996


D197/6"Fashion it thus": Julius Caesar and the politics of Theatrical Reprentation

DRAKAKIS JOHN 1998


D279Jew. Shylock is my name: Speech Prefixes in The Merchant of Venice as Symptoms of the EarlyModern

DRAKAKIS, John. 2001


D187Antony and Cleopatra (Casebook)

DRAKAKIS, John (Ed.) 1994

B947 The Antient and Modern Stages Survey'd

DRAKE, James 1972

C379/2Shakespeare defended, 1699

DRAKE James 1974


C512Shakespeare and Elizabethan poetry, 1798

DRAKE Nathan 1981


D260Shakespeare's Richard III and Milton's Satan

DRAKE Nathan 1999


C286The Tempo-Patterns of Shakespeare's Plays

DRAPER, John W. 1957

P1/1932/IClassical Coinage in The Faerie Queene

DRAPER John W. 1966


P1/1931/II"Honest Iago"

DRAPER John W. 1966


C208The Hamlet of Shakespeare's Audience

DRAPER, John W. 1966

A949The Hamlet of Shakespeare's Audience

DRAPER John W. 1966

C332SQtratford to Dogberry : studies in Shakespeare's earlier plays

DRAPER John W. 1970

C301The humors & Shakespeare's characters

DRAPER John W. 1970

C362The Twelfth Night of Shakespeare's audience

DRAPER John W. 1975

D189Tragedy : Developments in Criticism

DRAPER, R.P. (Ed.) 1980

C703The rationale of current bibliographical methods : printing house-studies, computer-aidedcompositor studies, and the use of statistical methods

DRAUDT Manfred 1990


C919/2Metadrama in Ben Jonson’s Volpone

DRAUDT Manfred 1992


P5/35Venus and Mars: The Relationship of Love and War in Shakespeare

DRAUDT Manfred 1994


P5/35Venus and Mars: the Relationship of Love and War in Shakespeare

DRAUDT, Manfred 1994


A615Rowlands Song in Praise of the Fairest Beta

DRAYTON M. 1962


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B176Endimion and Phoebe: Ideas Latmus

DRAYTON Michael 1963


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B017Rosamond to Henry / Henry to Rosamond: Englands Heroicall Epistles(1597)



C220The Muses Elizium

DRAYTON, Michael 1970

C215The Poly-Olbion : a Chorographicall Description of Great Britain (parts I, II & III)

DRAYTON, Michael 1970

C779From To my Most Dearely-Loved Friend Henry Reynolds, Esquire, of Poets and Poesie, 1627



A615A Roundelay Between Two Sheepheards

DRAYTON Michaell 1962


In

A615Rowlands Madrigall



In

A615The Sheepheards Antheme



In

A615The Sheepheards Daffadill



In

C219Poemes Lyrick and Pastorall

DRAYTON, Michaell 1967

A899/6Idea, in sixty-three Sonnets, 1594-1619

DRAYTON Michel 1964


A621Shakespeare' s "Troilus and Cressida", Yet Deeper in ItsTradition

DRAYTON W.B.H. 1967


A701Un commentaire des tragédies de Sénèque par Martin-Antoine Del Rio

DREANO M. 1964


C043Rhetoric in Ben Jonson's Middle Plays : a Study of Ethos, Character Portrayal, and Persuasion

DREW-BEAR, Annette 1973

B097Tragiques Grecs: Eschyle Sophocle

DREYFUS Raphaël 1967

B024The Sense of History in Greek and Shakespearean Drama

DRIVER Tom F. 1967

A599Two Scenes from The Tempest

DRYDEN & DAVENANT 1968


B558Epigram on Milton and Essay on Satire

DRYDEN John 1951


A552The Works, volume I: Poems 1649-1680

DRYDEN John 1956

A675The State of Innocence : The Author' s Apology for Heroick Poetry, and Poetick Licence

DRYDEN John 1957


A281Aureng-Zebe

DRYDEN John 1960


A553The Works, volume VIII: Plays (The Wild Gallant, The Rival Ladies, The Indian Queen)

DRYDEN John 1962

B789Preface Containing the Grounds of Criticism in Tragedy

DRYDEN, John 1965


A282All for Love

DRYDEN John 1966


B696Secret Love or the Maiden Queen

DRYDEN, John 1966

The Works of John DrydenIn

B696Sir Martin Mar-all, or the Feign'd Innocence

DRYDEN, John 1966


B696The Indian Emperour, or the Conquest of Mexico by the Spaniards

DRYDEN, John 1966


A999Four Comedies

DRYDEN John 1967

A599The Character of Caliban

DRYDEN john 1968


A810Troilus and Cressida or, Truth Found Too Late

DRYDEN John 1969

B697An Evening's Love, or the Mock-Astrologer

DRYDEN, John 1970


B697The Tempest , or the Enchanted Island

DRYDEN, John 1970


B697Tyrannick Love, or the Royal Martyr

DRYDEN, John 1970


B802The Works: Prose 1668-1691: An Essay of Dramatic Poesie and Shorter Works

DRYDEN John 1971

C033 All for Love

DRYDEN, John 1972

C379/1From All For Love, december 1677

DRYDEN John 1974


C379/1From An Essay of Dramatick Poesie, 1668

DRYDEN John 1974


C379/1From his adaptation of Troilus and Cressida, pre-april 1679

DRYDEN John 1974


C379/1Heads of an answer to Rymer, 1677

DRYDEN John 1974



DRYDEN John 1974


C379/2On Rymer, march 1694

DRYDEN John 1974


C379/1On the Jacobean dramatists, 1672

DRYDEN John 1974


C379/1Prologue to Julius Caesar, 1672

DRYDEN John ? 1974


C211/1Sir Martin Mar-All

DRYDEN, John 1974

Restoration Comedy (vol.1)In

C211/2The Kind Keeper

DRYDEN, John 1974


D054The Works of John Dryden ( Volume XI )

DRYDEN, John 1978

B715The History of the League... The Postscriptof the Translator

DRYDEN John 1986


D262Examen of The Silent Woman

DRYDEN John 2000


A697/2Les Triomphes en images de l' empereur Maximilien Ier

DU COLOMBIER Pierre 1960


D235From A Defense of Liberty against Tyrants

Du PLESSIS MORNAY Philippe 1999


D033Auden's Icarus and His Fall : Vision, Supervision and Revision

DUARTE João Ferreira 1993


C999Pâques lyriques : retour, renouveau, renaissance, resurrection dans la poésie lyrique françaisecontemporaine de Shakespeare

DUBOIS C.G. 1995


D225Les Cantates profanes de William Boyce, ou La (Con-)fusion des genres

DUBOIS Pierre 1999


In

D193 "Upon Misprision Growing": Venus and Adonis (1987)

DUBROW Heather 1997


C597De Leir à Lear : mise en texte et mise en scène d'une légende et d'une politique

DUBU Jean 1983


C696L'épisode anglais de Macbeth : légende, histoire et politique

DUBU Jean 1987


C173Shakespeare, Ambroise Paré et "la mumie"

DUBU, Jean 1987

Autour d' OthelloIn

C822La lyre du Songe

DUBU Jean 1989


C718La lyre du Songe

DUBU Jean 1989


C772Stanley, comte de Derby

DUBU Jean 1990


C773Troilus and Cressida Comedia seria, comedia buffa?

DUBU Jean 1990


C824Lyrisme et comédie dans Much Ado About Nothing

DUBU Jean 1992


C823Rhétoriques de la déchéance royale chez Marlowe et Shakespeare

DUBU Jean 1992


C897De Petrarque à Shakespeare: Le sonnet dans Roméo et Juliette

DUBU Jean 1993


D003Anthroponymie shakespearienne

DUBU Jean 1994


C923ARIEL, des métamorphoses de l’Esprit à l’esprit de la métamorphose

DUBU Jean 1994


D057Topaz/Parson, dédoublement de la satire dans La Nuit des Rois

DUBU, Jean 1996


A629Magie technique et civilisation technicienne dans le style de notre temps

DUCASSÉ Pierre 1956


B075Histoire du Monde(3): l'Age de Raison

DUCHÉ Jean 1963

A693Euripide et la religion traditionnelle

DUCHEMIN Jacqueline 1965


A752The Music for the Lyrics in Early Seventeenth-Century English Drama: A Bibliography of thePrimary Sources

DUCKLES Vincent 1968


B318/1The Complete Roman Drama: All the Comedies of Plautus and Terence, and the Tragedies ofSeneca, in a Variety of Translations(Vol I)

DUCKWORH George E. 1967

B318/2The Complete Roman Drama: All the Comedies of Plautus and Terence, and the Tragedies ofSeneca, in a Variety of Translations(Vol II)

DUCKWORH George E. 1967

A515/2La tragédie espagnole face à la critique élizabéthaine et jacobéenne

DUDRAP Claude 1968


C537Shakespeare's genius, 1770

DUFF William 1979


D235Epilogue to The Empress of Morocco

DUFFET Thomas 1999


A698Remarques sur le clavier (clavecin et orgue) dans la première moitié du XVIIè siècle

DUFOURCQ Norbert 1960


T17Phénoménologie de l'expérience esthétique: I) L'objet esthétique

DUFRENNE Mikel 1967

D225Présence de Wollstonecraft

DUHET Paule-Marie 1999


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B998/2McGraw-Hill Encyclopedia of World Drama: volume 2, E-K

DUKORE Bernard 1972

B998/3McGraw-Hill Encyclopedia of World Drama: volume 3, L-R

DUKORE Bernard 1972

B998/4McGraw-Hill Encyclopedia of World Drama: volume 4, S-Z

DUKORE Bernard 1972

B998/1McGraw-Hill Encyclopedia of World Drama: volume I, A-D

DUKORE Bernard 1972

B106Ce sont les dieux qu'il nous faut

DULLIN Charles 1969

B104Echecs et réussites du théâtre contemporrain

DUMUR Guy 1965


B104Histoire des Spectacles

DUMUR Guy 1965

C533Milton's admirer, Du Moulin of Nîmes

DUNCAN-JONES E. E. 1980


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C533Sidney and Titian

DUNCAN-JONES Katherine 1980


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D269Ungentle Shakespeare

DUNCAN-JONES, Katherine. 2001

D174Shakespeare's Sonnets

DUNCAN-JONES Katherine (Ed.) 1997

C356Allegory as a form of wit

DUNDAS Judith 1964


P1/1931/IIThe Authorship of The Revenger's Tragedy

DUNKEL Wilbur D. 1966


P1/1967/IThe Allegorical Interpretation of Renaissance Literature

DUNLAP, Rhodes 1967


A540The Poems of Thomas Carew with his Masque

DUNLAP Rhodes (editor) 1964

B764/2Lipius and the Art of Letter-Writing

DUNN, E. Catherine 1956


B764/4The Medieval 'Cycle' as History Play: an Approach to the Wakefield Plays



B938Voice Structure in the Liturgical Drama: Sepet Reconsidered



C813Les monuments ? Pour y faire du théâtre, oui. Pour en faire des théâtres, non

DUPAVILLON Christian 1978


C266Whatever Happened to Comedy?

DUPREY, Richard 1965


M17Imagery and Symbolism in King Lear

DURAND, Catherine 1973

C999Le printemps sacrifié

DURAND Gilbert 1995


C211/2Madam Fickle

DURFEY, Tom 1974


A629Pour une philosophie de la littérature

DURON Jacques 1956


B922Measure for Measure: A Comedy

DURRANT, Geoffrey 1972


B089Ecrits sur le Théâtre

DüRRENMATT Friedrich 1970

C584Troilus and Cressida and the definition of beauty

DUSINBERRE Juliet 1983


C758King John and Embarrassing Women



C984As Who Liked It



D155Shakespeare and the Nature of Women


D168/1Women and Boys Playing Shakespeare



A775The Dramatic Structure of Marlowe's "Tamburlaine the Great," Part I

DUTHIE G.I. 1965


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A463/11Antithesis in 'Macbeth'

DUTHIE G.I. 1966


B276Shakespeare

DUTHIE George Ian 1966

A623Shakespeare' s Life, Time, and Stage

DUTTON Richard


C740Hamlet, An Apology for Actors, and the sign of the globe

DUTTON Richard 1989


D159Ben Jonson : Authority : Criticism

DUTTON, Richard 1996

D186A Midsummer Night's Dream (Casebook)

DUTTON, Richard (Ed.) 1996

A463/12 Recent Shakespeare Performances in Romania

DUTU Alexandru 1967


D225Harris, John R. Industrial Espionage and Techology Transfer: Britain and France in the EighteenthCentury

DUVAL Gilles 1999


In

B108L'Acteur: esquisse d'une sociologie du comédien

DUVIGNAUD Jean 1965

B104La Fête civique

DUVIGNAUD Jean 1965


A694La Révolution, theâtre tragique

DUVIGNAUD Jean 1967


B071Sociologie de l'Art

DUVIGNAUD Jean 1967

A528Expérience du Drame, Expériences Sociales

DUVIGNAUD Jean 1969


C042A Study of Webster's Use of Renaissance Natural and Moral Philosophy

DWYER, William W.G. 1973

C779From 'The Works of Christopher Marlowe', 1850

DYCE Alexander 1979


C191The City of Worcester in the Sixteenth Century

DYER, Alan D. 1973

A615Coricon to his Phillis

DYER S.E. 1962


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C815Harley Granville Barker : A Preface to Modern Shakespeare

DYMKOWSKI Christine 1986

D256Shakespeare's self repetitions and King John

E.A.J. Honigmann 2000


A615A Pastorall to an Honourable Friend

E.B. 1962


In

A615The Sheepheards Song : A Carol or Himne for Christmas

E.B. 1962


In

A256/1Epistle Dedicatory to The Shepherds Calender 1579

'E.K.' 1967


B346Shakespeare and the Blackfriars

EADES BENTLEY Gerald 1970


A360Antony and Cleopatra

EAGLETON Terence 1967

Shakespeare and Society: Critical Studies in Shakespearean DramaIn

A360Corionalus



A360Hamlet



A360Macbeth






A360Shakespeare and Society: Critical Studies in Shakespearean Drama


A360The Tempest



A360The Winter' s Tale



A360Troilus and Cressida



D012'The witches are the heroines of the piece...'

EAGLETON Terry 1992

MacbethIn

C966Value: King Lear, Timon of Athens, Antony and Cleopatra

EAGLETON Terry 1992


D010Language and Value in King Lear

EAGLETON Terry 1993

King LearIn

B737Dryden's Eikon Basilike: To Sir Godfrey Kneller

Earl MINER 1971


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B737Seventeenth Century Imagery: Essays on Uses of Figurative Language from Donne to Farquhar

Earl MINER (editor) 1971

C379/4Shkespeare's irregularities defended, 1759

EARL OF ORRERY 1976


B499Shakespeare and the English Romantic Movement

Earl WASSERMAN R. 1964

The Persistence of Shakespeare Idolatry: Essyas in honor of Robert W. Babcock. SchuellerHerbert M. (editor)

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A675Micro-cosmographie or, a Peece of the World Discovered in Essayes and Characters

EARLE John 1957


A615The Sheepheards Commendation of his Nimph

EARLE of OXENFORD 1962


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B887The Life and Times of Henry V

EARLE Peter 1972

P1/1950/VIJohnson's Shakespeare and the Laity: a Textual Study

EASTMAN, Arthur M. 1950


C876Defacing the Feminine in Renaissance Tragedy

EATON Sara 1991

The matter of Difference : Materialist Feminist Criticism of ShakespeareIn

B724A Shakespeare Bibliography

EBISCH Walther and SHUCKING Levin L. 1968

B725Supplement for the Years 1930-1935 to A Shakespeare Bibliography

EBISCH Walther and SHUCKING Levin L. 1968

B810Shakespeare in Warwickshire

ECCLES Mark 1963

C483The conditioned imagination from Shakespeare to Conrad : studies in the exo-cultural stereotype

ECHERUO Michael Joseph Chukwudalu 1978

B125Mercantilism (Vol I)

ECKSCHER ELi F. 1962

B125/2Mercantilism (Vol II)

ECKSCHER ELi F. 1962

C831L'Oeuvre Ouverte

ECO Umberto 1965

C832La Structure Absente : Introduction à la Recherche Sémiotique

ECO Umberto 1972

T24A Theory of Semiotics

ECO Umberto 1979

A230The Concise Cambridge Bibliography of English Literature 600-1950

Ed. by George WATSON 1965

A247Critics on Marlowe (Reading in Literary Criticism)

Ed. by Judith O'Neill 1969

A248Christopher Marlowe (Mermaid Critical Commentaries)

Ed. by MORRIS Brian 1968

A281Five Heroic Plays

Ed. with an Intro. by DOBREE Bonamy 1960

A280Eighteenth Century Tragedy

Ed. with an Intro. by Michael R. BOOTH 1965

A279Eighteenth Century Comedy

Ed. with an Intro. by TAYLOR W.D. 1966

B764/5William Harrison (1535-1593)

EDELEN, Georges 1963

Studies in the Renaissance, volume IX. Shaaber, M.a. (editor)In

C758Shakespeare's 'Brawl Ridiculous'

EDELMAN Charles 1990


D240Which is the Jew that Shakespeare Knew? Shylock on the Elizabethan Stage

EDELMAN Charles 1999


B818St Thomas Aquinas and Vitruvius

EDEN W.A. 1969


B705Shakespeare, Medicine and Psychiatry

EDGAR, Irving I. 1971

A463/9Canada' s Achievement

EDINBOROUGH Arnold 1966


B471Julius Caesar

EDINBOROUGH Arnold 1969


D200Shakespeare in the Eighteenth Century, Shakespeare Survey n°51

Edited by.Stanley Wells 1998

C993Rare Sir William Davenant : poet laureate, playwright, Civil War general, Restoration theatremanager

EDMOND Mary 1987

C925Peter street 1553-1609 : builder of playhouses

EDMOND Mary 1993


D256Measured endings : how productions from 1720 to 1929 close Shakespeare's open silences onMeasure for measure

Edward L. Rocklin 2000


B507China and Japan

EDWARDES Michael 1973

The Making of the Modern World: volume II. Johnson Douglas (editor)In

B507India and Burma

EDWARDES Michael 1973


B922Shakespeare in the New World

EDWARDS, Murray D. 1972


A463/3An Approach to the Problem of Pericles

EDWARDS Philip 1952


B450Massinger the Censor

EDWARDS Philip 1962


A441The Danger not the Death: the art of John Fletcher

EDWARDS Philip 1965


A775The Theme and Structure of "The Spanish Tragedy"

EDWARDS Philip 1965


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A463/9Critical Studies reviewed

EDWARDS Philip 1966


A938Thomas Kyd and Early Elizabethan Tragedy

EDWARDS Philip 1966

A423/2Hamlet

EDWARDS Philip 1968

Shakespeare and the Confines of ArtIn

A423/2Love' s Labour' s Lost

EDWARDS Philip 1968



EDWARDS Philip 1968


A423/2Shakespeare and the Confines of Art

EDWARDS Philip 1968

C203The Late Comedies

EDWARDS, Philip 1973


C472Shakespeare and the healing power of deceit

EDWARDS Philip 1978


C500The declaration of love

EDWARDS Philip 1980


C584Tragic balance in Hamlet

EDWARDS Philip 1983


C953Massinger’s Men and Women

EDWARDS Philip 1985


C625Person and office in Shakespeare plays

EDWARDS Philip 1985


C819Philip Massinger : Comedy and Comical History

EDWARDS Philip 1986


C669Shakespeare : a writer's progress

EDWARDS Philip 1986

C905LAST VOYAGES : Cavendish, Hudson, Ralegh

EDWARDS Philip 1988

D013Thrusting Elysium into Hell: the Originality of The Spanish Tragedy

EDWARDS Philip 1990


D011Tragic Balance in Hamlet

EDWARDS Philip 1992

HamletIn

D074Tragic Form and the Voyager



D151Sea-Mark. The Metaphorical Voyage, Spenser to Milton


D154The Rapture of the Sea

EDWARDS Philip 1997


C383/1The plays and poems of Philip Massinger volume I

EDWARDS Philip and GIBSON Colin 1976

C383/2The plays and poems of Philip Massinger volume II


C383/3The plays and poems of Philip Massinger volume III


C383/4The plays and poems of Philip Massinger volume IV


C383/5The plays and poems of Philip Massinger volume V


C500Shakespeare's styles : essays in honour of Kenneth Muir

EDWARDS Philip, EWBANK Inga-Stina & HUNTER 1980

B176Cephalus and Procris

EDWARDS Thomas 1963


C007The Canon of Criticism and Glossary being a Supplement to Mr. Warburton's Edition ofShakespear

EDWARDS, Thomas 1970

C379/3Warburton exposed, 1750

EDWARDS Thomas 1975


C379/4On Warburton's Shakespeare, 1758

EDWARDS Thomas 1976


P5/42The Use of Booths in the Original Staging of Jonson's Bartholomew Fair

EGAN, Gabriel 1998


D240Reconstructions of the Globe: A Retrospective

EGAN Gabriel 1999


C524Drama within drama : Shakespeare's sense of his art in King Lear, The Winter's Tale and TheTempest

EGAN Robert 1975

C422Drama within drama : Shakespeare's sense of his art in King Lear, The Winter's Tale, and TheTempest

EGAN Robert 1975

D142Age Cannot Wither Him : Warren Beaty's Bugsy as Hollywood Cleopatra

EGGERT, Katherine 1997


In

B891Letters of Advice to Young Spinsters

EHRENPREIS Irvin 1972


A697Les Tapisseries des Valois du Musée des Offices à Florence

EHRMANN Jean 1956


C531British television drama and society in the 1970s

EIGNER Edwin 1979

Drama and societyIn

A702Comment est fait "le Manteau" de Gogol

EIKHENBAUM B. 1965


In

B086Comment est fait le "manteau" de Gogol

EIKHENBAUM B. 1965


A702La théorie de la "méthode formelle"

EIKHENBAUM B. 1965


In

B086La théorie de la "méthode formelle"

EIKHENBAUM B. 1965


A702Sur la théorie de la prose

EIKHENBAUM B. 1965


In

B086Sur la théorie de la prose

EIKHENBAUM B. 1965


B086Sur la théorie de la prose

EIKHENBAUM B. 1965


A157The Life of Saint Katherine

EINENKEL Eugen 1884

C592Six films produits par Val Lewton : Cat People, I Walk with a Zombie, The Leopard Man, TheSeventh Victim, The Ghost Ship, The Curse of the Cat People

EINSENSCHITZ Bernard 1980


B121The Italian Renaissance in England: Studies

EINSTEIN Lewis

C548Le cinéma expressionniste. De l'aube à minuit

EISNER Lotte H. 1971


C565The semiotics of theatre and drama

ELAM Keir 1980

C738Shakespeare's universe of discourse

ELAM Keir 1984

C823Inelocutio, Shakespeare and the rethoric of the passions

ELAM Keir 1992


D206'In What Chapter of his Bosom?' : Reading Shakespeare' s Bodies

ELAM Keir 1996


D121'In What Chapter of his Bosom?' : Reading Shakespeare' s Bodies

ELAM Keir 1996


C878Drama and philosophy: Professional Foul breaks the rules

ELDRIDGE Michael 1990


A374Elizabethan Dramatists

ELIOT T.S.

B558Milton

ELIOT T.S. 1951


C470Ben Jonson

ELIOT T.S. 1963


A929Shakespeare and the Stoicism of Seneca

ELIOT T.S. 1968


A644The Metaphysical Poets

ELIOT T.S. 1968


A789The Opening Scene of Hamlet

ELIOT T.S. 1968


A635Andrew Marvell I

ELIOT T.S. 1969


A635Andrew Marvell II

ELIOT T.S. 1969


B582 Coriolanus II: Difficulties of a Statesman

ELIOT T.S. 1970


A393Shakespearian Criticism

ELIOT T.S. and ISAACS J. 1966


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A917Weirdness in the Comedy of Errors

ELLIOT G.R. 1967


A578 Chaucer ' s Reading

ELLIOT R.W.V. 1969


B893Flaming Minister: A Study of Othello As Tragedy of Love and Hate

ELLIOTT G.R. 1965

B330Source and Minister: a Study of Hamlet

ELLIOTT G.R. 1965

C186England and Europe : a Common Malady?

ELLIOTT, J.H. 1973


C952Introduction: Colonial Identity in The Atlantic World

ELLIOTT John H. 1987


B938The Sacrifice of Isaac as Comedy and Tragedy

ELLIOTT, John R. Jr 1972


C266The Satirist and Society

ELLIOTT, R.C. 1965


A099/1Early English Pronunciation . Part I

ELLIS Alexander J. 1867

A099/2Early English Pronunciation . Part II


A099/3Early English Pronunciation . Part III


A099/4Early English Pronunciation . Part IV


A099/5Early English Pronunciation . Part V


C779From 'Christopher Marlowe', Mermaids Series,1887

ELLIS Havelock 1979


C625Shakespeare the dramatist

ELLIS-FERMOR U. 1985


A493Christopher Marlowe

ELLIS-FERMOR U.M. 1967

B334The Jacobean Drama: An Interpretation

ELLIS-FERMOR Una 1961

A775Thomas Dekker



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A463/1Critical Studies (reviewed)



In

A463/2Critical Studies (reviewed)



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A787Shakespeare's Portrait of the Statesman-King


Shakespeare Henry V : A Casebook. Quinn Michael (editor)In

B346Critical Studies



B992Shakespeare the Dramatist and Other Papers


C668Shakespeare's drama


C361Some recent research in Shakespeare's imagery

ELLIS-FERMOR Una Mary 1975

C063King Lear

ELLISTON, R.W. 1820

B260George Herbert and the Religious Lyric

ELLROD Robert 1970


C398Self-consciousness in Montaigne and Shakespeare

ELLRODT Robert 1975


C533Angels and the poetic imagination from Donne to Traherne

ELLRODT Robert 1980


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C711Shakespeare the non-dramatic poet

ELLRODT Robert 1986


C974The Inversion of Culrural Traditions in Shakespeare's Sonnets

ELLRODT Robert 1994


C748Is Shakespeare still our contemporary ?

ELSOM John 1989

A562The Tudor Revolution in Government: Administrative Changes in the Reign of Henry VIII

ELTON G.R. 1966

A593The New Cambridge Modern History( Vol II) : The Reformation : 1520-1559

ELTON G.R. 1968

A561The Tudor Constitution: Documents and Commentaries

ELTON G.R. 1968

A636England 1200-1640

ELTON G.R. 1969

A664England : 1200-1640

ELTON G.R. 1969

C223Introduction to Michael Drayton

ELTON, Oliver 1970

A601Double Plot in King Lear

ELTON W.R. 1969


A788Double Plot in King Lear

ELTON W.R. 1969


C711Shakespeare and the thought of his age

ELTON W. R. 1986


C542Shakespeare's world : Renaissance intellectual contexts . A selective, annotated guide, 1966-1971

ELTON William R. 1979

B 360Essays on Shakespeare

ELZE Karl 1874

C171Shakespeare and the Eye

EMDEN, Cecil S. 1973


B558Milton

EMERSON Ralph Waldo 1951


B581Language and Style in Milton: A Symposium in Honor of the Tercentenary of Paradise Lost

EMMA Ronald David and SHAWCROSS John T. 1967

A922Seven Types of Ambiguity

EMPSON William 1963

A775The Function of the Double Plot

EMPSON William 1965


In

A917'Tell me where is Fancy bred'

EMPSON William 1967


A929Honest in Othello

EMPSON William 1968


A635Marvell's 'Garden'

EMPSON William 1969


A247Two Proper Crimes

EMPSON William 1969


B057 Falstaff and Mr Dover Wilson

EMPSON William 1970


B605Sense in Measure for Measure

EMPSON William 1971


C534Natural magic and populism in Marvell's poetry

EMPSON William 1979


C666Essays on Shakespeare

EMPSON William 1986

A752Milton and Lawes : the Trinity MS Revisions

EMSLIE MacDonald 1968


B379Jonson and the comic truth

ENCK John J. 1966

B872From Jonson and the Comic Truth

ENCK John J. 1972


B025Ideas in the Plays of Eugene O'Neill

ENGEL Edwin A. 1965


C330Garrick's Jubilee

ENGLAND Martha Winburn 1964

D279Measure for Measure and Modernity: the Problem of the Sceptic's Authority

ENGLE, Lars. 2001


P5/33'Else My Project Fails': Applause and the Autority of Shakespeare's Texts

ENGLER, Balz 1993


B044Shakespeare and the Students

ENRIGHT D.J. 1970

C531Illusion and conflict : drama in Eastern European societies

EÖRSI Istvan 1979

Drama and societyIn

D200'Many a Civil Monster': Shakespeare's Idea of the Centaur

Eric C. BROWN 1998


C919/2Masque Elements in Doctor Faustus and The Tempest

ERICKSEN Roy 1992


C733The Order of the Garter, the cult of Elizabeth, and class-gender tension inThe Merry Wives ofWindsor

ERICKSON Peter 1987


P5/9Mnemonics and Giordano Bruno's Magical Art of Composition

ERIKSEN, R.T. 1981


P5/18Marlowe's Petrarch: In Morte di Madonna Laura

ERIKSEN Roy T. 1985


P5/25George Gascoigne's and Mary Sidney's Versions of Psalm 130

ERIKSEN Roy T. 1989


C472Structure, inversion, and game in Shakespeare's classical world

ERLICH Bruce 1978


C573Queenly shadows : on mediation in two comedies

ERLICH Bruce 1982


D259Shakespeare's life

Ernst Honigmann 2001


B762John Dryden

ERSKINE-HILL Howard 1971


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B995Courtiers out of Horace



C432The significance of Gay's drama



D176Poetry of Opposition and RevolutionDryden to Wordsworth

ERSKINE-HILL, Howard 1996

D195L'ambiguïté de l' enfer dans Doctor Faustus

ERTLE Antoine 1997


D228/1A Game at Chess de Thomas Middleton (1624): édition critique avec introduction, traduction etnotes

ERTLÉ Antoine 2000

D228/2A Game at Chess de Thomas Middleton (1624): édition critique avec introduction, traduction etnotes

ERTLÉ Antoine 2000

C285A Bill of Divorcement

ERVIN, St John 1970


B074Bacon

ESCAT Gérard 1968

A645Englsche Religiöse Lyrik des 17. Jahrhunderts : Studien zu Donne, Herbert, Crashaw, Vaughan

ESCH Arno 1955

B825Théâtre de l'Absurde

ESSLIN, Martin 1971

B826Théâtre de l'Absurde

ESSLIN, Martin 1971

C402An anatomy of drama

ESSLIN Martin 1976

P5/1Finding the Poet in the Narrator's Tale: The Lost Child in Book I of The Faerie Queene

ESTRIN Barbara L. 1977


P5/1Finding the Poet in the Narrator's Tale: The Lost Child in Book I of the Faerie Queene

ESTRIN, Barbara L. 1977


P5/5Death as the Mother of Beauty in Book VI of the Faerie Queene

ESTRIN, Barbara L. 1979


B955The Man of Mode

ETHEREGE, George 1973

C211/1She Would if She Could



C211/1The Man of Mode



A629Mélanges, Georges Jamati: création et vie intérieure, recherches sur les sciences et les arts.

Etudes du C.N.R.S. 1956

A630Visages et perspectives de l'art moderne: peinture, poésie, musique

Etudes du C.N.R.S. réunies par JACQUOT Jean 1956

P1/1950/VThe Brevity of Friar Laurence

EVANS, Bertrand 1950


A491Shakespeare's Comedies

EVANS Bertrand 1960

A917Awareness and Unawareness Much Ado About Nothing

EVANS Bertrand 1967


A917Much Ado About Nothing in the Theatre

EVANS Bertrand 1967


B873The Fruits of the Sport

EVANS Bertrand 1972


C503Shakespeare's tragic practice

EVANS Bertrand 1979

C884Romeo and Juliet

EVANS G. Blakemore 1984


EVANS G. Blakemore 1984

A463/12 Shakespeare, the Twentieth Century and 'Behaviourism'

EVANS Gareth LLOYD 1967


A463/13Shakespeare and the Actors : Notes towards Interpretations



B664Shakespeare I, 1564-1592

EVANS, Gareth Lloyd 1969

B665Shakespeare II, 1587-1598


A463/14The Reason Why : The Royal Shakespeare Season 1968


B456Interpretation or Experience? Shakespeare at Stratford

EVANS Gareth LLoyd 1970


In

B706Shakespeare III, 1599-1604


B863Shakespeare IV 1601-1605


B883Shakespeare's Fools: The Shadow and the Substance of Drama

EVANS Gareth Lloyd 1972


In

B990Shakespeare V, 1606-1616

EVANS Gareth Lloyd 1973

P5/9 Forms to His Conceit- Shakespearian Acting Today



B230The Language of Shakespeare's Plays

EVANS Ifor 1966

A977Shakespeare's World

EVANS Ivor 1964


C533Lycidas, Daphnis, and Gallus

EVANS J. Martin 1980


In

A575English Art : 1307-1461

EVANS Joan 1949

C735Signifying nothing : truth's true contents in Shakespeare's text

EVANS Malcolm 1986

C966Albion's Confusion

EVANS Malcolm 1992


C938Deconstructing Shalespeare’s comedies

Evans Malcolm 1992


D012Imperfect Speakers : the Tale Thickens

EVANS Malcolm 1992

MacbethIn

B280English Poetry in the Sixteenth Century

EVANS Maurice 1967

B486Spencer's Anatomy of Heroism: a Commentary on The Faerie Queene

EVANS Maurice 1970

C465Elizabethan sonnets

EVANS Maurice 1977

D262Thomas Sutton: Jonson's Volpone?

EVANS Robert.C 2000

Ben jonson's Plays and MasquesIn

C268The Osier Cage : Rhetorical Devices in Romeo & Juliet

EVANS, Robert O. 1966

A623Shakespeare on Radio

EVANS Stuart


A752Cartwright'sDebt to Lawes

EVANS Willa McClung 1968


A929The Elizabethan View of Tragedy

EVANTHIUS 1968


A675A Character of England , as It Was Lately Presented in a Letter, to a Nobleman of France

EVELYN John 1957


M29Shakespeare et le Théâtre Elisabéthain: Fate and Human Responsibility in Macbeth

EVENAT, Maryvonne 1979

C149Massinger's Imagery

EVENHUIS, Francis D. 1973

A601The New King Lear

EVERETT Barbara 1969


A788The New King Lear



C433Hamlet : a time to die



C534The shooting of the bears : poetry and politics in Andrew Marvell



C533The end of the big names : Milton's epic catalogues



In

C573'Spanish' Othello : the making of Shakespeare's moor



C885Young Hamlet : Essays on Shakespeare’s Tragedies


C934Much Ado About Nothing : The Unsociable Comedy

EVERETT, Barbara 1994

English ComedyIn

A578Some Reflexions on Chaucer' s "Art Poetical"

EVERETT Dorothy 1969


D154Shakespeare and Strindberg : Influence as Insemination

EWBANK I.S. 1997


B699'More Pregnantly than Words': Some Uses and Limitation of Visual Symbolism

EWBANK, Inga-Stigna 1971


A463/11The Fiend- Like Queen : A Note on 'Macbeth' and Seneca' s 'Medea'

EWBANK Inga-Stina 1966


A173"These pretty devises": AStudy of Masques in Plays


A Book of MasquesIn

A596The Triumph of Time


Shakespeare : The Winter' s TaleIn

A596The Triumph of Time



B883'Were man but constant, he were perfect': Constancy and Consistency in The Two Gentleman ofVerona



In

C476Webster, Tourneur, and Ford



C433Hamlet and the power of words



C494Shakespeare's portrayal of women : a 1970's view



C531Drama and society in Ibsen's Pillars of the Community


Drama and societyIn

C500'My name is Marina' : the language of recognition



C711Shakespeare and the arts of language



C750From narrative to dramatic language: The Winter's Tale and its source



C795The Tempest and After



C960Shakespeare's Liars


British Academy Shakespeare LecturesIn

C974Shakespeare, Isben, and Rome: A Study in cultural Transmission



D094Shakespeare Translation as Cultural Exchange

EWBANK, Inga-Stina 1995


C999Transmutations of the Green World



MD14Création du héros chez Soyinka dans The Strong Breed et dans A Dance of the Forests.

EWOUNDA, Denis 1993

C772On Directing Richard III

EYRE Richard 1990


P5/1Damini Salgado, The Elizabethan Underworld

F.L. 1977


C676Shakespeare's poetics

FAAS Ekbert 1986

C770Shakespeare et l'Opéra

FABRE Claude 1990


B163Shakespeare and the Sea

FALCONER Alexander Frederick 1964

B683Marlowe's "Agonists"

FANTA, Christopher G. 1970

D248Réécriture de l'Histoire : la trace de l'intertexte dans les romans de Nadine Gordimer, écrivainesud-africaine.

Farida Majdoub 2000


D135The "Bad" Quarto of Romeo and Juliet

FARLEY-HILLS, David 1996


C153Britain and the Stuarts

FARMER, D.L. 1971

A196/2A Ballad against Slander and Detraction

FARMER John S. 1966

The Proverbs, Epigrams, and Miscellanies of John HeywoodIn

A196/2A Ballad of the Green Willow

FARMER John S. 1966


A196/2A Ballad of the Marriage between our Sovereign Lord and our Sovereign Lady

FARMER John S. 1966


A196/2A Brief Ballet touching the Traitorous taking of Scarborough Castle

FARMER John S. 1966


A192A Comedy Concerning The Three Laws of Nature, Moses and The Christ

FARMER John S. 1966

Early English Dramatists: the Dramatic Writing of John Bale, Bishop of OssoryIn

A192A Comedy or Interlude concerning The Temptation of Our Lord

FARMER John S. 1966


A192A Comedy or Interlude of John Baptist's Preaching in the Wilderness

FARMER John S. 1966


A196/2A Description of a Most Noble Lady

FARMER John S. 1966


A196/3A Dialogue concerning Witty and Witless

FARMER John S. 1966

The Dramatic Writings of John HeywoodIn

A196/2A Dialogue of the Effectual Proverbs in the English Tongue concerning Marriages

FARMER John S. 1966


A196/3A Merry Play between John John The Husband, Tyb his Wife, and Sir John the Priest

FARMER John S. 1966


A196/3A Merry Play between the Pardoner and the Friar, the Curate and Neighbour Pratt

FARMER John S. 1966


A196/2A Sixth Hundred Epigrams

FARMER John S. 1966


A192A Tragedy of John, King of England

FARMER John S. 1966


A192A Tragedy or Interlude ManifestingThe Chief Promises of God unto Man

FARMER John S. 1966


A195An Interlude of Impatient Poverty

FARMER John S. 1966

Early English Dramatists: "Lost" Tudor Plays with Some OthersIn

A195An Interlude of Wealth and Health

FARMER John S. 1966


A194Disobedient Child

FARMER John S. 1966

Early English Dramatists: The Dramatic Writing of R. Wever and Thomas IngelendIn

A195Early English Dramatists: "Lost" Tudor Plays with Some Others

FARMER John S. 1966

A189/2Early English Dramatists: Six Anonimous Plays(Second Series)

FARMER John S. 1966

A189/3Early English Dramatists: Six Anonimous Plays(Third Series)

FARMER John S. 1966

A189/1Early English Dramatists: Six Anonymous Plays(First Series)

FARMER John S. 1966

A193Early English Dramatists: The Dramatic and Miscellaneous Writing of Ulpian Fulwell

FARMER John S. 1966

A192Early English Dramatists: the Dramatic Writing of John Bale, Bishop of Ossory

FARMER John S. 1966

A194Early English Dramatists: The Dramatic Writing of R. Wever and Thomas Ingelend

FARMER John S. 1966

A196/1Early English Dramatists: The Writings of John Heywood

FARMER John S. 1966

A196/1Gentleness and Nobility

FARMER John S. 1966

Early English Dramatists: The Writings of John HeywoodIn

A193Like Will to Like

FARMER John S. 1966

Early English Dramatists: The Dramatic and Miscellaneous Writing of Ulpian FulwellIn

A194Lusty Juventus

FARMER John S. 1966


A195Mankind

FARMER John S. 1966


A195Nature by Henry Medwall

FARMER John S. 1966


A194Nice Wanton

FARMER John S. 1966


A195Respublica

FARMER John S. 1966


A196/3The Dramatic Writings of John Heywood

FARMER John S. 1966

A196/2The Fifth Hundred Epigrams

FARMER John S. 1966


A196/2The First Hundred Epigrams

FARMER John S. 1966


A196/3The Four P.P.

FARMER John S. 1966


A195The Interlude o f John The Evangelist

FARMER John S. 1966


A196/3The Play of Love

FARMER John S. 1966


A196/3The Play of the Weather

FARMER John S. 1966


A195The Play of Wit and Science by Jonh Redford

FARMER John S. 1966


A196/2The Proverbs, Epigrams, and Miscellanies of John Heywood

FARMER John S. 1966

A196/1The Spider and The Fly

FARMER John S. 1966

Early English Dramatists: The Writings of John HeywoodIn

A196/2Three Hundred Epigrams upon Three Hundred Proverbs

FARMER John S. 1966


C537Shakespeare's lack of classical learning, 1767

FARMER Richard 1979


A191Damon and Pithias

FARMER S. 1966

Early English Dramatists: The Dramatic Writings of Edwards, Norton and SackevilleIn

A189/4Early English Dramatists: Six Anonymous Plays(Fourth Series)

FARMER S. 1966

A190Early English Dramatists: The Dramatic Writing of Nicholas Udall

FARMER S. 1966

A191Early English Dramatists: The Dramatic Writings of Edwards, Norton and Sackeville

FARMER S. 1966

A191The Tragedy of Ferrex and Porrex

FARMER S. 1966

Early English Dramatists: The Dramatic Writings of Edwards, Norton and SackevilleIn

A332The Medieval Heritage of Elizabethan Tragedy

FARNHAM Willard 1963

A775"Cambises"



In

B789Timon of Athens (1950)

FARNHAM, Willard 1965


A600High-minded Heroes



B582Shakespeare's Tragic Frontier: Coriolanus



B594The Shakespearean Grotesque: Its Genesis and Transformations


B885Troilus in Shapes of Infinite Desire

FARNHAM Williard 1970


M64Two Shrews For Two Medias: A Comparative Study of Zefirrelli's Film and the BBC Production

FAROULT, Vanessa 1994

A279The Beaux Stratagem

FARQUHAR George 1966

Eighteenth Century Comedy,ed. with an Intro. by TAYLOR W.D.In

A224The Recruiting Officer


C379/2On the Three Unities, 1702



C211/4The Beaux Stratagem

FARQUHAR, George 1974


C211/4The Constant Couple



C211/4The Recruiting Officer



C031Thomas Middleton and the Drama of Realism : a Study of Some Representative Plays

FARR, Dorothy M. 1973

B352On Some of Shakespeare's Female Characters

FAUCIT Helena and MARTIN Lady 1904

C145Collier Tracts 1703-1708

FEEMAN, Arthur (Ed.) 1973

A582Milton and the Miltonic Dryden

FEERY Anne Davidson 1968

C632Poetry and the entry of the fine arts into England : ut pictura poesis

FEHL Philipp P. 1980

The age of MiltonIn

C790A concordance to the Plays, Poems, and Translations of Christopher Marlowe

FEHRENBACH R.J., BOONE L.A. and DI CESARE 1982

A203A History of the Tory Party(1640-1714)

FEILING Keith 1924

C158England under the Tudors and Stuarts 1485-1688

FEILING, Keith 1963

P5/24Like Demie Gods the Apes Began to Move : The Ape in the English Theatrical Tradition

FEINBERG Anat 1989


D283Lear's Daughters

FEINSTEIN, Elaine and The Women's Theatre 2000


B449Shakespeare and Montaigne: an Endeavour to explain the Tendency of Hamlet from Allusions inContemporary Works

FEIS Jacob 1970

B525Shakespere and Montaigne: an endeavour to explain the tendency of 'Hamlet' from allusions incontemporary works

FEIS Jacob 1970

D096Literature and Psychoanalysis

FELMAN, Shoshama (ed.) 1993

C378Shakespearean Romance

FELPERIN Howard 1972

C484Romance and romanticism : some reflections on The Tempest and The Heart of Darkness, or,when is romance no longer romance?



C672"Tongue-tied our queen?": the deconstruction of presence in The Winter's Tale



D010Plays Within Plays


King LearIn

C379/2On Shakespeare's genius, 1709

FELTON Henry 1974


C512Shakespeare and the artist, 1787

FELTON Samuel 1981


A576Marlowe and the 'Comic Distance'

FENDER Stephen 1968


C512Shakespeare in the theatre, 1789

FENNELL James 1981


C379/2On Shakespeare, january 1711

FENTON Elijah 1974


D260The BBC Production of Richard III

FENWICK Henry 1999


D274A Dictionary of Literary Symbols

FERBER, Michael. 1999

B764/1The Problem of Counsel in Mum and the Sothsegger

FERGUSON, Arthur B. 1954


B764/3Fortscue and the Renaissance: a Study in Transition

FERGUSON, Arthur B. 1959


C354Reginald Pecock and the Renaissance sense of history

FERGUSON Arthur B. 1966


A917Two Comedies(the Comedy of Errors andMuch Ado )

FERGUSON Francis 1967


C672Hamlet : letters and spirits

FERGUSON Margaret W. 1985


D042Seventeenth-Century Quaker Women : Displacement, Colonialism, and Anti-Slavery Discourse

FERGUSON Moira 1995

Culture and Society in the Stuart RestorationIn

B764/4Recent Trends in the Economic Historiography of the Renaissance

FERGUSON, Wallace K. 1960


C446The play produced : an introduction to the technique of producing plays

FERNALD John

B731Acting

FERNALD John 1971


In

C331The composition of Shakespeare's plays : authorship chronology

FEUILLERAT Albert 1970

C515Antony and Cleopatra : 'the time of universal peace'

FICHTER Andrew 1980


C453An introduction to the theater of Angelo Beolco

FIDO Franco 1973


B931The Stranger in Shakespeare

FIEDLER, Leslie A. 1972

C317A godly exhortation

FIELD John 1974

A Treatise of Daunces and A Godly ExhortationIn

A264The Tragedy of Tragedies, or Tom Thumb the Great

FIELDING Henry 1964


A279The Tragedy of Tragedies; or the Life and Death of Tom Thumb the Great

FIELDING Henry 1966


A217The Author's Farce

FIELDING Henry 1967

A211The historical Register For the Year 1736 and Eurydice Hissed

FIELDING Henry 1968

A993The Grub-Street Opera

FIELDING Henry 1969

C285Mr Partridge Sees Garrick

FIELDING, Henry 1970


P1/1968/IIMilton and Self-Knowledge

FIELDS, Albert W. 1968


D193 Thematics of Value in Venus and Adonis (1989)

FIENBERG Nona 1997


C878The puzzle of Tadeusz Rozewicz’s White Marriage

FILIPOWICZ Halina 1990


B971A Defence of Plays

FILMER, Edward 1972

C672The turn of the Shrew

FINEMAN Joel 1985


C922The History of the Anecdote: Fiction and Fiction

FINEMAN, Joel 1989


A565John Marston of the Middle Temple: An Elizabethan Dramatist in His Social Setting

FINKELPEARL Philip J. 1969

D282Disney Cites Shakespeare: The Limits Of Appropriation

FINKELSTEIN, Richard. 1999


B338Morte Arthure

FINLAYSON John 1967

B764/3Music: a Book of Knowledge in Renaissance England

FINNEY, Gretchen Ludke 1959


A581Shakespeare and "The Theatre of the World"

Fisch Harold 1969


C409Shakespeare and the puritan dynamic

FISCH Harold 1974


D283Adaptations of Shakespeare

FISCHLIN, Daniel. FORTIER, Mark. 2000

B456'Antony and Cleopatra': the Limits of Mythology

FISH Harold 1970


In

B788Georgics of the Mind: Bacon's Philosophy and the Experience of his Essays (1971)

FISH, Staley 1971


B737Reasons That Imply Themselves: Imagery, Argument, and the Reader in Milton's Reason ofChurch Government

FISH Stanley 1971


In

C922Commentary: The Young and the Restless

FISH Stanley 1989


B690Seventeenth-Century Prose

FISH, Stanley E. 1971

B453Discovery as Form in Paradise Lost

FISH Stanley Eugene 1969

New Essays on Paradise Lost. Kranidas Thomas (editor)In

A686Tawney's Century

FISHER F.J. 1961


A686Essays in the Economic and Social History of Tudor and Stuart England

FISHER F.J. (editor) 1961

B507Colonial Latin America

FISHER John 1973



FISHER John Hurt (editor) 1964



P1/1964/IIIPublications of the Modern Language Association of America n°79




P1/1964/IVbisPublications of the Modern Language Association of America n°79


P1/1964/VPublications of the Modern Language Association of America n°79
























P1/1966/VIPublications of the Modern Language Association of America n°81


P1/1966/VIIPublications of the Modern Language Association of America n°81






























C294Defoe, Herman Moll, and the Geography of South America

FISHMAN, Burton J. 1973

The Huntington Library Quaterly (vol. XXXVI, No 3)In

D030A Tale of Two Branaghs : Henry V, Ideology, and the Mekong Agincourt

FITTER Chris 1991


P5/42Spencer's Nationalistic Images of Beauty: the Ideal and the Other in Relation to Protestant Englandand Catholic Ireland in The Faerie Queene Book 1

FITZPATRICK, Joan 1998


C379/4Garrick's speaking of Shakespeare, 1760

FITZPATRICK Thady 1976


A662The winter' s Tale : A Commentary on the Structure

FITZROY Pyle 1969

B453The Apocalypse within Paradise Lost

FIXLER Michael 1969


B104Les Jeux grecs

FLACELIÈRE Robert 1965


C371Edgar : once and future king

FLAHIFF F.T. 1974


P5/19Lear's Map

FLAHIFF Fredrick T. 1985


B824Hamlet's Father

FLATTER, Richard 1949

A668/1A Bibliographical Chronicle of the English Drama(1559-1642) Vol. I

FLEAY Frederick Gard

A668/2A Bibliographical Chronicle of the English Drama(1559-1642) Vol. II

FLEAY Frederick Gard

A693Les Conflits tragiques dans l'auto religieux précaldéronien

FLECHNIAKOSKA Jean-Louis 1965


C143Love's Kingdom : a Pastoral Trage-Comedy

FLECKNOE, Richard 1973

C379/1From A Short Discourse of the English Stage, 1664

FLECKNOE Richard 1974


A701L'horreur morale et l'horreur matérielle dans quelques tragédies espagnoles du XVIè siècle

FLECNIAKOSKA J.L. 1964


A515/1Comedias, autos sacramentales et entremeses dans les miscellanées

FLECNIAKOSKA JEAN-LOUIS 1968


A515/1La "LOA" comme source pour la connaissance des rapports troupe-public



A515/1Le Bâtard don juan d' autriche personnage de théâtre



C415Fêtes solennelles du transfert de la stature de la Vierge de la Fuencisla

FLECNIAKOSKA Jean-Louis 1975


C583Par monts et par vaux avec la troupe de Pedro de la Rosa ( 1636-1637 )

FLECNIAKOSKA Jean-Louis 1984


A105Lanfrank's Science of Cirurgie . Part I

FLEISCHHACKER Robert 1894

C409Love's Labour's Won and the occasion of Much Ado

FLEISSNER Robert F. 1974


C626Arts & ideas : 6th edition

FLEMING William 1980

C986The N-Town plays

FLETCHER Alan J. 1994


A174Beggars' bush

FLETCHER and MASSINGER 1933


B723The Prophetic Moment: an Essay on Spenser

FLETCHER Angus 1971

B877The Transcendental Masque: An Esay on Milton's Comus

FLETCHER Angus 1971

A899/6Licia, orPoems of Love in Honour of the admiral and singular virtues of his Lady. To the imitation ofthe best Latin Poets, and others, 1593

FLETCHER Giles 1964


B017Christs Victorie and Triumph(1610)

FLETCHER Giles 1967


B678Beaumont and Fletcher

FLETCHER, Ian 1967

C457Theatre notebook : a quarterly journal of the history and technique of the British theatre . Volume XIX. 1964-1965

FLETCHER Ifan Kyrle and ROSENFELD Sybil 1964-65

A174The Island Princess

FLETCHER John 1933


A639The Faithful Shepherdess

FLETCHER John 1939


In

A639The Wild-Goose Chase

FLETCHER John 1939


In


FLETCHER John 1969


B454The Criticism of Comparison: The Approach through Comparative Literature and Intellectual History

FLETCHER John 1970


B855/2The Criticism of Comparison: the Approach through Comparative Literature and Intellectual History

FLETCHER, John 1970


D283The Woman's Prize; or The Tamer Tamed

FLETCHER, John. 2000


B176Venus and Anchises: Brittain's Ida

FLETCHER Phineas 1963



FLEURDORGE C., et al 1977

A463/1Shakespeare in France: 1900-1948

FLICHERE Henri 1966


In

P5/32The Significance of Rime in Shakespeare's Plays: the Example of Macbeth

FLINT, Lorna 1993


B104Le Théâtre anglais

FLUCHÈRE Henri 1965


A463/3Suggestions for a New Approach to Shakespeare's Imagery

FOAKES R.A. 1952


C204Shakespeare's Later Tragedies

FOAKES, R.A. 1964


A972Character and Speech in Hamlet

FOAKES R.A. 1965

HamletIn

A463/5Hamlet and the Court of Elsinore

FOAKES R.A. 1966


A717Character and Dramatic Technique in Cymbeline and The Winter's Tale

FOAKES R.A. 1968


In

B455Shakespeare's Life, Times and Stage

FOAKES R.A. 1969


In

B050Shakespeare's Life, Times and Stage reviewed

FOAKES R.A. 1969


B456The Text of Coleridge's 1811-12 Shakespeare Lectures

FOAKES R.A. 1970


In

B500Tragedy of the Children's Theatres after 1600: A Challenge to the Adult Stage

FOAKES R.A. 1970


B651Coleridge on Shakespeare

FOAKES, R.A. 1971

B586Shakespeare: the dark comedies to the last plays: from satire to celebration

FOAKES R.A. 1971

B883The Owl and the Cuckoo: Voices of Maturity in Shakespeare's Comedies

FOAKES R.A. 1972


In

C203Macbeth

FOAKES, R.A. 1973


C171The art of Cruelty : Hamlet and Vindice

FOAKES, R.A. 1973


C500Poetic language and dramatic significance in Shakespeare

FOAKES R.A. 1980


C819Tragicomedy and Comic Form

FOAKES R.A. 1986


C750Stage images in Troilus and cressida

FOAKES R.A. 1989


C780Playhouses and players

FOAKES R.A. 1990


C795The Discovery of Rose Theatre: Some Implications

FOAKES R.A. 1990


C960'Forms to his Conceit': Shakespeare and the Uses of Stage Illusion

FOAKES R.A. 1993

British Academy ShakespeareLecturesIn

C967Hamlet versus Lear : Cultural Politics and Shakespeare's Art

FOAKES R.A. 1993

C925The Reception of Hamlet

FOAKES R.A. 1993


D135French Leave, or Lear and the King of France

FOAKES, R.A. 1996


D154On Finshing a Commentary on King Lear

FOAKES R.A. 1997


A479Henslowe's Diary

FOAKES R.A. and RICKERT R.T.(editors) 1961

B555An Elizabethan Stage Drawing?

FOAKES R.A. and RICKERT T. 1960


D231Les Comédies romanesques de Shakespeare.; du mécanique au vivant.

FOLCHER, Thierry 1995

C876Nostalgia and the ‘Rise of English’: Rhetorical Questions

FOLEY Stephen 1991


C255/1Catalog of the Shakespeare Collection (vol. 1) : Works, Works in Translation, Selections,Separate Plays

Folger Shakespeare library 1972

C255/2Catalog of the Shakespeare Collection (vol. 2 ) : Shakespeare as Subject

Folger Shakespeare library 1972

M12bisMacbeth 'Made Fitt': a Comparative Study of the Original and of Davenant's Adaptation

FOLLOPE, Chantal 1971

A207His Majesty's Opposition(1714-1830)

FOORD Archibald S. 1964

C379/3On the unities, 1747

FOOTE Samuel 1975


C379/3Shakespeare and the actors, 1747

FOOTE Samuel 1975


C793The Cambridge Guide to the Arts in Britain Vol.3 : Renaissance and Reformation

FORD Boris 1989

A174The Broken Heart

FORD John 1933



FORD John 1939


In

A286Perkin Warbeck

FORD John 1965



FORD John 1965

B241The Broken Heart

FORD John 1965

B436Perkin Warbeck

FORD John 1966

A212'Tis Pity She's a Whore

FORD John 1966

A242The Chronicle History of Perkin Warbeck: A strange Truth

FORD John 1968

A723The Chronicle History of Perkin Warbeck : A Strange Truth

FORD John 1968

A290'Tis Pity She's a Whore

FORD John 1969


D084Selected Plays (Gibson,ed.)

FORD, John 1986

A284Perkin Warbeck

FORD John(1586-c.1639) 1965


In

C593The music of the close : the final scenes of Shakespeare's tragedies

FOREMAN Walter C. 1978

C484Immediacy and remoteness in The Taming of the Shrew and The Winter's Tale

FORKER Charles R. 1978


D235From Book of Plays

FORMAN Simon 1999


A600Julius Caesar

FORSTER E.M. 1969


D211Shakespeare illusonniste

FORSYTH Neil 1998


C724'Tis Pity she's a Whore as City Tragedy

FOSTER Verna 1988


P5/32The 'Death' of Hermione: Tragicomic Dramaturgy in The Winter's Tale

FOSTER, Verna A. 1993


C664Charles Kean's King Richard III : a pre-Raphaelite drama

FOULKES Richard 1986


C664Shakespeare and the Victorian stage


C740Charles Calvert's Henry V



C985'A Fairly Average Sort of Place' : Shakespeare in Northampton, 1927-1987



B368Le Théâtre français avant la Renaissance 1450-1550: mystères, moralités et farces

FOURNIER Edouard 187?

B073Seigneurie et Féodalité au Moyen-Age

FOURQUIN Guy 1970

B402Triumphal forms: Structural patterns in Elizabethan Poetry

FOWLER Alastair 1970

C664David Scott's Queen Elizabeth vVewing the Performance of 'The Merry Wives of Windsor' in theGlobe Theatre (1840)

FOWLER James 1986


D135Picturing Romeo and Juliet

FOWLER, James 1996


B852Dryden and Literary Good Breeding

FOWLER, John 1972


B371Structural Metrics (1966)

FOWLER Roger 1967


B454The Structure of Criticism and The Language of Poetry: An Approach through Language

FOWLER Roger 1970


B855/2The Structure of Criticism and the Languages of Poetry: An Approach through Language

FOWLER, Roger 1970


B575The languages of literature: some linguistic contributions to criticism

FOWLER Roger 1971

B476An Early Copy of Shakespeare's Will

FOX Levi 1968


C922Literary Criticism and the Politics of the New Historicism

FOX-GENOVESE Elizabeth 1989


A697La Conception du Spectacle dans les Tapisseries des Valois au Musée des Offices à Florence

FRANCASTEL Pierre 1956


A528Le Théâtre est-il un Art Visuel?

FRANCASTEL Pierre 1969


A630La musique moderne et l'auditeur

FRANCÈS Robert 1956


In

C457St Vincent Troubridge, soldier and scholar, 1895-1964

FRANCIS Basil


A463/2The Shakespeare Collection in the British Museum

FRANCIS F.C. 1966


In

B371Syntax and Literary Interpretation (1962)

FRANCIS Nelson W. 1967


MD19Vania en Représentation, Essai d'analyse sémiotique.

FRANCISCI, Annie 1995

C379/4Shakespeare's tragedies supreme, 1760

FRANCKLIN Thomas 1976


C922The Nation as Imagined Community

FRANCO Jean 1989


B512/2Mère Courage de Bertolt Brecht

FRANçOIS Jean-Claude 1970


A606L'idée d'Empire en France à l'époque de Charles Quint

FRANCOIS Michel 1959


D248La réécriture du mythe biblique dans Cane de Toomer.

Françoise Clary 2000


B816Abelard as Imitator of the Christ

FRANK Donald K. 1970


B037The Beginnings of the English Newspapers 1620-1660

FRANK Joseph 1961

D154Magic and the Recluse in Arden : Shakespeare's Precursors in the Forest'

FRANKIS John 1997


B567Approaches to Lycidas

FRASER, G.S. 1960

The Living MiltonIn

B780The Critical Idiom vol 8: Metre, Rhyme and Free Verse

FRASER, G.S. 1970

B526Shakespeare's Poetics in relation to King Lear

FRASER Russell A. 1967

A256/1From The Arcadian Rhetorike. 1588

FRAUNCE Abraham 1967


A692Sean O'Casey: Un épisode de la vie du théâtre irlandais

FRÉCHET René 1968


A276Elizabethan Revenge Tragedy 1587-1642

Fredson Thayer BOWERS 1959

C594Errors in comedy : a psychoanalytic theory of farce

FREEDMAN Barbara 1980


A367Thomas Kyd: Facts and Problems

FREEMAN Arthur 1968

C100A Mirrour of Monsters, Preface to Robert Greene's Menaphon, Kin-Harts Dreame

FREEMAN, Arthur 1973

C317A Treatise of Daunces andA Godly Exhortation

FREEMAN Arthur 1974

C316Antitheatrical tracts, 1702-1704

FREEMAN Arthur 1974

C319Collier tracts, 1698

FREEMAN Arthur 1974

C338Historia Histrionica and Roscius Anglicanus

FREEMAN Arthur 1974

C306Mr Law's Unlawfulness of the Stage Entertainment Examin'd, The Entertainment of the Stage, andSome Few Hints, in Defence of Dramatical Entertainments

FREEMAN Arthur 1974

C311The Danger of Masquerades and Raree-Shows, The Dancing Devils, and A Letter to My Lord

FREEMAN Arthur 1974

C138A Reply to Gosson's Schoole of Abuse

FREEMAN, Arthur (Ed.) 1973

The Schoole of Abuse and A Reply to Gosson's Schoole of AbuseIn

C147An Apology for Actors and A Refutation of the Apology for Actors


C141Heydegger's Letter to the Bishop of London, A Seasonable Apology for Mr H-g-r and TheConduct of the Stage Considered


C139The Absolute Unlawfulness of the Stage-Entertainment Fully Demonstrated, The StageDefended and Law Outlaw'd


C263The English Stage. Attack and Defense 1577-1730


C144The Impartial Critick and Miscellaneous Letters and Essays


C138The Schoole of Abuse and A Reply to Gosson's Schoole of Abuse


C262Commonwealth Tracts 1625-1650


B680Edmund Spenser

FREEMAN, Rosemary 1962

A273English Emblem Books

FREEMAN Rosemary 1967

D279The Merchant of Venice: Modern Anti-Semitism and the Veil of Allegory

FREINKEL, Lisa. 2001


B846Shakespeare and the Critics

FRENCH, A.L. 1972

P1/1934/IIOthello among the Anthropophagi

FRENCH, J. Milton 1966


D011Chaste Constancy in Hamlet

FRENCH Marilyn 1992

HamletIn

D012Macbeth and Masculine Values

FRENCH Marilyn 1992

MacbethIn

C966The Late Tragedies

FRENCH Marilyn 1992


C266Jokes and the Comic

FREUD, Sigmund 1965


A917Portia's Verbal Slip

FREUD Sigmund 1967


A790From 'Some Character-types met with in Psycho-analytical Work'

FREUD Sigmund 1968


A597The Theme of the Three Caskets

FREUD Sigmund 1969


D012The Character of Lady Macbeth

FREUD Sigmund 1992

MacbethIn

C594Strategies of inconclusiveness in Henry IV, Part I

FREUND Elizabeth 1980


C672"Ariachne's broken woof" : the rhetoric of citation in Troilus and Cressida

FREUND Elizabeth 1985


C484Tragic structure in The Winter's Tale : the affective dimension

FREY Charles 1978


C575"O sacred, shadowy, cold, and constant queen" : Shakespeare's imperiled and chasteningdaughters of romance

FREY Charles 1980

The woman's partIn

B847Ben Jonson's Plays in Performance and the Jacobean Theatre

FRICKER, Franz 1972

C584'He shall live a man forbid' : Ingmar Bergman's Macbeth

FRIDÉN Ann 1983


B027Marvell's Pastoral Art

FRIEDMAN Donald M. 1970

B806Lycidas : The Swain's Paideia

FRIEDMAN Donald M. 1971


A417The Age of the Baroque(1610-1660)

FRIEDRICH Carl J. 1952

P1/1936/IIChaucer's Prioress' Tale: An Early Analogue

FRIEND, Albert C. 1967


B104La Fête populaire

FRIGOUT Arlette 1965


B277/1Shakespeare: Man and Artist(Vol I)

FRIPP Edgar I. 1964

B277/2Shakespeare: Man and Artist(Vol II)

FRIPP Edgar I. 1964

C602Marlowe et le puritanisme dans The Jew of Malta

FRISON-PRUDHOMME Danièle 1985


D193Shakespeare's Venus and the Venus of Classical Mythology

FROES Joao 1997


A698Sur quelques éditions de musique d'orgue ancienne

FROIDEBISE Pierre 1960


C946The Hegemonic Form of Othering; or, The Academic’s Burden

FROMM Harold 1986


P5/20The Curious Frame of Chapman's Ovids Banquet of Sence: 2 Samuel 11

FRONTAIN Raymond-Jean 1987


P5/25Ruddy and goodly to look at withal : Drayton, Cowley, and the Biblical Model for RenaissanceHom(m)osexuality

FRONTAIN Raymond-Jean 1989


A379The School of Shakespeare: The Influence of Shakespeare on English Drama(1600-42)

FROST David L. 1968

A380The School of Shakespeare: The Influence of Shakespeare on English Drama(1600-42)

FROST David L. 1968

C441The selected plays of Thomas Middleton : A Mad World, My Masters, A Chaste Maid inCheapside, Women Beware Women, The Changeling (with William Rowley)

FROST David L. 1978

B789Shakespeare's Rituals and the Opening of King Lear (1957-8)

FROST, William 1965


A929Shakespeare's Rituals and the Opening Scene of King Lear

FROST William 1968


B762Religious and Philosophical Themes in Eighteenth-Century Literature

FROST William 1971


In

B940Bunyan

FROUDE, James Anthony 1968

A463/3Letters to an Actor playing Hamlet

FRY Christopher 1952


C266Comedy

FRY, Christopher 1965


A961Shakespeare and Christian Doctrine

FRYE Mushat roland 1963

B568Literature as Context: Milton's Lycidas

FRYE Northrop 1961


B450Recognition in The Winter's Tale

FRYE Northrop 1962


C266The Mythos of Spring : Comedy

FRYE, Northrop 1965


A770A Natural Perspective: The Development of Shakespearean Comedy and Romance

FRYE Northrop 1967

A681Fools of Time: Studies in Shakespearean Tragedy

FRYE Northrop 1967

A917The Argument of Comedy

FRYE Northrop 1967


B794The Well -Tempered Critic

FRYE Northrop 1967

B119Anatomie de la Critique

FRYE Northrop 1969

A601King Lear: the tragedy of isolation

FRYE Northrop 1969


A788King Lear : the tragedy of isolation

FRYE Northrop 1969


A463/14Old and New Comedy

FRYE Northrop 1969

B885The Argument of Comedy

FRYE Northrop 1970


B788 Blake's Case against Locke (1947)

FRYE, Northrop 1971


C484Romance as masque

FRYE Northrop 1978


C578The myth of delivrance : reflections on Shakespeare's problem comedies

FRYE Northrop 1983

C806On Shakespeare

FRYE Northrop 1986

A712Sound and Poetry

FRYE Northrop (editor) 1963

A600'The Fault, dear Brutus...'

FRYE R.M. 1969


B764/1The Teachings of Classical Puritanism on Conjugal Love

FRYE, Roland Mushat 1954


Z7Shakespeare's Life and Times: a Pictorial Record

FRYE Roland Mushat 1967

C559Shakespeare : The art of the dramatist

FRYE Roland Mushat 1982

B764/2A Rhetorical Pattern in Renaissance and Baroque Poetry

FUCILLA, Joseph G. 1956


C423The Country Wife

FUJIMURA Thomas H. 1965

P1/1966/VIIMode and Structure in the Merchant of Venice

FUJIMURA, Thomas H. 1966


A929The Ides of March

FULLER Roy 1968


A675The Holy State, The Profane State, The Appeal of Iniured Innocence, The History of the Worthiesof England

FULLER Thomas 1957


A591Some Aspects of Medicine Reflected in Seventeenth-Century Literature with Special Referenceto the Plague of 1665

FULTON John F. 1969


In

C415Le Crispus et la Flavia du P. Bernardino Stefonio S.J. : contribution à l'histoire du théâtre auCollegio Romano (1597-1628)

FUMAROLI Marc 1975


B816Gesetz und Geschichte: Zur historisierenden Hermeneutik bei Moses Maimonides und ThomasVon Aquin

FUNKENSTEIN Amos 1970


C148A Critical Edition of Love's Hospital by George Wilde

FUNSTON, Jay Louis 1973

B459Reflections on the Word 'Image'

FURBANK P.N. 1970

B147Ben Jonson's Masques

FURNISS W. Todd 1969

Three Studies in the Renaissance: Sidney, Jonson, MiltonIn

A158Arthur

FURNIVALL Frederick J. 1864

A061/1Political, Religious, and Love Poems.


A061/2Political, Religious, and Love Poems.


A013The Book of Quinte Essence


A002Wright’s Chaste Wife


A115Education in Early England


A082Hymns to the Virgin and Christ, the Parliaments of Devils, and Others Religious Poems


A096The Stacions of Rome . The Pilgrims Sea-Voyage . Elene Maydenhod


A087The Babees Book


A127A Booke of Precedence


A144Introduction of Knowledge . A Dietary of Helth . Barnes in the Defence of the Berde


A107/1The Holy Grail . Parts I & II


A107/2The Holy Grail . Parts III & IV


A130Adam Davy's Dreams about Edward II


A071Fifty Earliest English Wills


A042Hoccleve’s Works. The Minor Poems


A026Caxton’s Book of Curtesye


A058The Three Kings’ Sons Part I


A154The Digby Plays


A119The English Conquest of Ireland


A077Child Marriages, Divorces, and Ratifications in the Diocese of Chester


A043Hoccleve’s Works. The Regement of Princes


A132/1The Pilgrimage of the Life of Man . Part I


A149Robert of Brune's "Handlyng synne"


A132/2The Pilgrimage of the Life of Man . Part II


A129The Macro Plays

FURNIVALL Frederick.J. and POLLARD Alfred W. 1904

C157Tudor History and the Historians

FUSSNER, F. Smith 1970

T18Cinéma et littérature

FUZELLIER Etienne 1964

P5/2Antony and Cleopatra's Three-Stage Tragic Structure: A Study in Development

FUZIER J. 1978


A515/2Carrière et popularité de la Tragédie espagnole en Angleterre

FUZIER Jean 1968


C595Le déni de justice dans The Spanish Tragedy : Hiéronimo, juge et justicier

FUZIER Jean 1981

Justice, juges, prisons dans le théâtre de Shakespeare et dans les oeuvres de sescontemporains

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C606Shakespeare et la jalousie : le cas de Léontès dans The Winter's Tale

FUZIER Jean 1984

Caliban n° XXIIn

C741Lieu et temps

FUZIER Jean 1989

C896La mise en scène élisabethaine de Roméo et Juliette

FUZIER Jean 1992


C896Le théâtre et les conditions de la scène au temps d’Elisabeth

FUZIER Jean 1992


C896 Roméo et Juliette dans l’oeuvre de Shakespeare

FUZIER Jean 1992


C896Shakespeare et ses sources

FUZIER Jean 1992


P5/8Archetypal Patterns of Horror and Cruelty in Elizabethan Revenge Tragedy

FUZIER, Jean and MAGUIN, Jean-Marie 1981


C653All's Well That Ends Well : nouvelles perspectives critiques

FUZIER Jean et LAROQUE François 1986

D193Venus and Adonis(1849)

G.G. Gervinus 1997


C461Monsieur Thomas

GABLER Hans Walter 1979

The dramatic works in the Beaumont and Fletcher canonIn

C545Women Pleased

GABLER Hans Walter 1982


C656 aCostume and Design in BBC-TV : Julius Caesar / As You Like It / Romeo and Juliet

GAERTNER Johannes A.

C656 cNotes on costume design : BBC plays Henry IV, part one and Henry the Fifth

GAERTNER Johannes A.

C415Le cycle annuel des fêtes à Rouen au milieu du XVe siècle

GAIGNEBET Claude 1975


D257The Body embarrassed : Drama and disciplines of shame in early modern England

Gail Kern Paster 2000

M82Foolery in Shakespeare's Richard III and Hamlet

GAILLARD, Antony 1998

C552Second Paul's: its theatre and personnel: its later repertoire and audience ( 1602-6 )

GAIR Reavley 1980


A515/2La Compagnie des Enfants de St. Paul, Londres(1599-1606)

GAIR W.R. 1968


C121The Politics of Scholarship : a Dramatic Comment on the Autocracy of Charles I

GAIR, W.R. 1973


C437Antonio's Revenge

GAIR W. Reavley 1978

M40Rational and Irrational in Othello

GALAND, Sylvie 1983

D287Theories of Comedy

GALBRAITH, David. 2002


B818John Seward and His Circle

GALBRAITH V.H. 1969


C922Marxism and the New Historicism

GALLAGHER, Catherine 1989


P5/14Baroque Sensibility in The Changeling

GALLENCA, Christiane 1984


P5/16Ritual and Folk Custom in The Merry Wives of Windsor

GALLENCA Christiane 1985


C770Falstaff's rhetoric and imagery

GALLET Liliane 1990


C121The Elizabethan Theatre III

GALLOWAY, David 1973

C552Records of early English drama in the provinces and what they may tell us about the Elizabethantheatre

GALLOWAY David 1980


B500/2The Elizabethan Theatre, part II

GALLOWAY, David (ed) 1970

A688The Elizabethan Theatre

GALLOWAY David (editor) 1969

B500The Elizabethan Theatre (Ist part)


B500The Elizabethan Theatre II


C107Sidney's Arcadian Poems

GALM, John A. 1973

D068Pearl, Lear, regards de pères

GAMAURY, Martine 1996


A731Poeti Metafisici e Cavalieri in Ingihlterra

GAMBERINI Spartago 1959

B104Hongrie

GARA Ladislas 1965


A515/1Les monologues, les acteurs et le public en France au XVIIe siècle

GARAPON Robert 1968


C594"Wild laughter in the throat of death" : Darker purposes in Shakespearean comedy

GARBER Marjorie 1980


C819The Education of Orlando



C949Cannibals, Witches, and Divorce


C949Shakespeare’s Ghost Writers



C730Shakespeare's ghost writers : literature as uncanny causality


C274Dream in Shakespeare : from Metaphor to Metamorphosis

GARBER, Marjorie B. 1974

C568Coming of age in Shakespeare

GARBER Marjorie B. 1981

D260Dream and Plot in Richard III

GARBER Marjorie.B 1999


D283The Public (El pùblico)

GARCÌA LORCA, Federico. 2000


C389Satire et gueuserie : Summers Last Will and Testament de Thomas Nashe

GARDETTE R. 1976


C411Shakespeare et la cité de Troie

GARDETTE R. 1977


C602Les amants de Venise, ou le second retour des Argonautes : du mythe à sa représentation

GARDETTE Raymond 1985


C653All's Well that Ends Well et la tradition courtoise


All's Well That Ends Well : nouvelles perspectives critiquesIn

C173L'univers onirique d'Othello

GARDETTE, Raymond 1987

Autour d' OthelloIn

C822Le décors mythique du Songe



C718Le décors mythique du Songe



C773Images d'espace dans Troilus and Cressida



C772Richard III , tyran



C789Corps de tyran, corps de roi : la dialectique de Body et de Cor(p)se dans le téâtre shakespearien



C824Un travail digne d'Hercule : le mariage des opposés



C897 “A thing like death”: Le masque d’amour et de mort



C923“Some vanity of mine art”: l’espace magique dans La Tempête



C923The Tempest : A Select Bibliography



D003Une fable humaniste : la conquête de l'île de nulle part, de More à Shakespeare



D055The Lovers of Venice, or the Argonauts' Second Return : From Myth to Dramatic Reresentation



D057Carnaval en Illyrie



D168/3O knowledge ill-inhabited! : le fou et le philosophe dans la forêt d'Ardennes.



P5/45'These are not the things men live by nowadays': Sir John Harington's Visit to the O' Neill, in 1599

GARDINER, David M. 1999


P5/45'These are not the things men live by nowadays': Sir John Harrington's visit to the O'Neill, in 1599.

GARDINER, David M. Avril 1999


B272Mysteries' End: an Investigation of the Last days of the Medieval Religious Stage

GARDINER Harlod C. 1967

C161The Constitutional Documents of the Puritan Revolution 1625-1660

GARDISON Samuel Rawson 1968

B375The Argument about 'The Ectasy'

GARDNER Helen 1959


A775The second part of "Tamburlaine the Great"

GARDNER Helen 1965


In

A917As you like it

GARDNER Helen 1967


B268The Metaphysical Poets

GARDNER Helen 1967

A790From The Business of Criticism

GARDNER Helen 1968


A463/13'Othello' : A Retrospect, 1900-67

GARDNER Helen 1968


A789The Historical Approach to Hamlet

GARDNER Helen 1968


A644The Metaphysical Poets

GARDNER Helen 1968


A915The Argument about 'The Ecstasy'

GARDNER Helen 1969


A247The Second Part of Tamburlaine the Great

GARDNER Helen 1969


A603TheTheme of Damnation in Doctor Faustus

GARDNER Helen 1969


B885Hamlet and the Tragedy of Revenge

GARDNER Helen 1970


B666Religion and Literature

GARDNER, Helen 1971

C494Tragic mysteries

GARDNER Helen 1978


C541In defence of the imagination : the Charles Eliot Norton lectures 1979-1980

GARDNER Helen 1982

C625The noble Moor

GARDNER Helen 1985


A292The Noble Moor

GARDNER Helen(b.1908) 1963


B103L'Éducation de l'homme moderne(1400-1600)

GARIN Eugenio 1968

C639Illustrations to A Midsummer Night's Dream before 1920

GARLICK Kenneth 1984


C956The Taming of the Shrew : Inside or Outside of the Joke?

GARNER Shirley Nelson 1988


C498The Tempest : language and society

GARNER Stanton B. 1979


D235From A Treatise of Equivocation

GARNET Henry 1999


P5/17The Mythematics of Infinity in the Poems and Centuries of T.Traherne: A Study of its ThematicArchetypes

GARNIER Marie-Dominique 1985


C923Splitting Heirs: Shakespeare’s Tempest and Leibnizian Folds

GARNIER Marie-Dominique 1994


C182The Marian Exiles : a Study in the Origins of Elizabethan Puritanism

GARRETT, Christina 1966

A840A Midsummer Nght's Dream(1763)

GARRICK David 1969

A811Florizel and Perdita

GARRICK David 1969

B719/1The Dramatic Works

GARRICK David 1969


GARRICK David 1969


GARRICK David 1969

A845The Fairies, An Opera(1755)

GARRICK David 1969

C059King Henry VIII

GARRICK, David 1970

C379/3Adaptation of Romeo and Juliet, 1748

GARRICK David 1975


C379/3From his presentation of Macbeth, 1744

GARRICK David 1975


C379/3From his presentation of Othello, 1745

GARRICK David 1975


C379/3How not to act Macbeth, 1744

GARRICK David 1975


C379/3On Shakespeare's temple, september 1750

GARRICK David 1975


C379/4From his adaptation of The Winter's Tale, 1756

GARRICK David 1976


C379/4From his musical adaptation of The Winter's Tale

GARRICK David 1976


C379/4In defence of Shakespeare musicals, 1755

GARRICK David 1976


C379/4In defence of Shakespeare musicals, 1756

GARRICK David 1976


C379/4The coronation procession in Henry VIII, 1762

GARRICK David 1976


C537Adaptation of Hamlet, 1772

GARRICK David 1979


C537Jubilee Ode to Shakespeare, 1769

GARRICK David 1979


A200/1The Letters , volume I

GARRICK David, ed. by LITTLE and KAHRL 1963

A200/2The Letters , volume II


A200/3The Letters , volume III


B104Le Théâtre en Allemagne et en Autriche

GARTEN Hugo F. 1965


B271A Prague School Reader: on Esthetics, Literary Structure, and Style

GARVIN Paul L. 1964

B471Will They Ridicule Our Shakespeare?

GASCOIGNE Bamber 1969


A285Supposes

GASCOIGNE George 1966

Five Pre-Shakespearean Comedies(Early Tudor Period), ed. with an Introduction byBOAS Frederick S.

In

A256/1Certayne Notes of Instruction.1575

GASCOIGNE George 1967


C799The Dragon and the Dove : The Plays of Thomas Dekker

GASPER Julia 1990

B025Shaw on Ibsen and the Drama of Ideas

GASSNER John 1965


B025Ideas in the Drama: selected papers from the English Institute

GASSNER John (editor) 1965

B406The Reader's Encyclopedia of World Drama

GASSNER John & QUINN Edward 1970

C946“Race, "Writing, and Difference

GATES Henry Louis 1986

C946Talkin’ That Talk

Gates Henry Louis Jr 1986


P5/20Heart and Blood: Nature and Culture in 'Tis Pity She's a Whore

GAUER Denis 1987


P5/31'Had the estate been fellow to his mind': Ironic Strategies in The Revenger's Tragedy

GAUNTLETT, Mark 1992


C985The Perishable Body of the Unpoetic : A.C. Bradley Performs Othello

GAUNTLETT Mark 1994


A632The logic of Leviathan: the moral and political theory of Thomas Hobbes

GAUTHIER David P. 1969

C435Un cycle du théâtre religieux Anglais du moyen âge : le jeu de la ville de "N"

GAUVIN Claude 1973

C415La Fête-Dieu et le théâtre en Angleterre au XVe siècle

GAUVIN Claude 1975


C583Sur quelques problèmes du théâtre médiéval anglais

GAUVIN Claude 1984


P1/1925/IIActors' Names in Basic Shakespearean Texts, with Special References to Romeo and Juliet andMuch Ado

GAW Allison 1966


P1/1935/IIIs Shakespeare's Much Ado a Revised Earlier Play?

GAW, Allison 1966


P1/1926/IIThe Evolution of The Comedy of Errors

GAW Allison 1966



GAY John 1966


B031The Beggar's Opera (edited by Edgar V. Roberts, music edited by Edward Smith)

GAY John 1969


GAYJohn 1964


C639The nature of Portia's victory: turning to men in The Merchant of Venice

GEARY Keith 1984


C560John Marston's drama

GECKLE George L. 1980

B811Prince of Publishers: A Study of the Work and Career of Jacob Tonson

GEDULD Harry M. 1969

B437Friar Bacon and Friar Bungay

GEENE Robert 1964

P5/5Sir William Davenant's the Law Against Lovers : Shakespeare's Problem Comedy and theRestoration Heroic Tradition

GELLERT, James 1979


B145/1Some Account on the English Stage from the Restoration in 1660 to 1830; Vol I

GENEST John 1832

B145/2Some Account on the English Stage from the Restoration in 1660 to 1830; Vol II

GENEST John 1832

B145/3Some Account on the English Stage from the Restoration in 1660 to 1830; Vol III

GENEST John 1832

B145/4Some Account on the English Stage from the Restoration in 1660 to 1830; Vol IV

GENEST John 1832

B145/5Some Account on the English Stage from the Restoration in 1660 to 1830; Vol V

GENEST John 1832

B145/6Some Account on the English Stage from the Restoration in 1660 to 1830; Vol VI

GENEST John 1832

B145/7Some Account on the English Stage from the Restoration in 1660 to 1830; Vol VII

GENEST John 1832

B145/8Some Account on the English Stage from the Restoration in 1660 to 1830; Vol VIII

GENEST John 1832

B145/9Some Account on the English Stage from the Restoration in 1660 to 1830; Vol IX

GENEST John 1832

B145/10Some Account on the English Stage from the Restoration in 1660 to 1830; Vol X

GENEST John 1832

C810The Contemporary Irish Theatre

GENET Jacqueline, HELLEGOUARC'H Elisabeth 1991

B084/1Figures

GENETTE Gérard 1966

B084/2Figures II

GENETTE Gérard 1969

P5/23'Madmen and Fools are a Staple Commodity': On Madness as a System in Elizabethan andJacobean Plays.

GENTILI, Vanna octobre 1988


B721/2The Dramatic Censor or, Critical Companion, volume II

GENTLEMAN, Francis 1969

C285The Beggar's Opera : 18th century

GENTLEMAN, Francis 1970


C537Shakespeare the dramatist, 1770

GENTLEMAN Francis 1979


C512Commentary on Shakespeare, 1774

GENTLEMAN Francis 1981


A515/1Quatre adaptations de Molière sur la scène anglaise, à l' époque de la Restauration

GEOFFRIN C., AUDUBERT M., BUGNET N., 1968


A997London Life in the Eighteenth Century

GEORGE Dorothy M. 1965

B050'Egregiously an Ass': The Dark Side of the Moor. A View of Othello's Mind

GERARD Albert 1969


C928Baroque Tragedies

GERARD Albert S. 1993

C379/4Shakespeare and enlightened taste, 1759

GERARD Alexander 1976


C512On Shakespeare's genius, 1774

GERARD Alexander 1981


D248De "Three players of a summer game" à "Cat on a hot tin roof" de Tennessee Williams

Gérard Dallez 2000


P5/21The Word as Actor: Chapman's Lemot

GERENDAY de Lynn Antonia 1987


T37La musique et le film

GERMAIN Jean 1953


C282The Economy of Action and Word in Shakespeare's Plays

GERSTNER-HIRZEL, Arthur 1972

D195Les agents du diable. Sorcellerie et dissidence pendant la Révolution anglaise (1640-1660)

GHEERAERT-GRAFFEUILLE Claire 1997


A700L'"aria di maggio" et le travestissement spirituel de la poésie profane en Italie

GHISI Federico 1954


A697Un aspect inédit des Intermèdes de1589 à la Cour médicéenne

GHISI Federico 1956


C463Hamlet, Prufrock and language

GHOSE Zulfikar 1978

C968Shakespeare's Mortal Knowledge : A Reading of theTragedies

GHOSE Zulfikar 1993

A711/1The Works of Thomas Otway, volume I

GHOSH J.C. (editor) 1968

A711/2The Works of Thomas Otway, volume II

GHOSH J.C. (editor) 1968

A623Critical Studies

GIBBONS Brian


A476Jacobean City Comedy: A Study of Satiric Plays by Jonson, Marston and Middleton

GIBBONS Brian 1968

A248'Unstable Proteus': The Tragedy of Dido Queen of Carthage

GIBBONS Brian 1968


A576'Unstable Proteus' : The Tragedy of Dido Queen of Carthage

GIBBONS Brian 1968


C571Jacobean City Comedy . (Second edition)

GIBBONS Brian 1980


GIBBONS, Brian 1980

C780Romance and the Heroic Play

GIBBONS Brian 1990


D166Shakespeare and Multiplicity

GIBBONS, Brian 1993

C897The Interplay of the Verbal and the Visual; or “O that deceit should dwell / In such a gorgeouspalace”

GIBBONS Brian 1993


P5/34The Tempest and Interruptions

GIBBONS Brian 1994


P5/34The Tempest and Interruptions

GIBBONS, Brian 1994


P5/39The Question of Place

GIBBONS,Brian 1996


D074The Wrong End of the Telescope

GIBBONS, Brian 1996


B339Middle English Romances

GIBBS A.C. 1966

A039The Romance of the Cheuelere Assigne

GIBBS Henryn H. 1898

A623The Living Dramatist and Shakespeare : A Study of Shakespeare' s Influence on Wole Soyinka

GIBBS James


P1/1951/IVMeasure for Measure and Pushkin's Angelo

GIBIAN, George 1951


C442The selected plays of Philip Massinger : The Duke of Milan, The Roman Actor, A New Way toPay Old Debts, The City Madam

GIBSON Colin 1978

C953Massinger’s Theatrical Language

GIBSON Colin 1985


C724'The Stage of My Mortality': Ford's Poetry of Death

GIBSON Colin 1988


B942The Shakespeare Claimants

GIBSON, H.N. 1962

D135"O, what learning is !" Pedagogy and the Afterlife of Romeo and Juliet

GIBSON, Rex 1996


B476Tradition, Style and the Theatre To-day

GIELGUD John 1968


B980King Richard The Second

GIELGUD, John 1973


B991King Richard the Second

GIELGUD John 1973


A587Political Theories of the Middle age

GIERKE Otto 1968

D235From A Dialogue Concernig Witches and Witchcrafts

GIFFORD George 1999


B986/1Plays of Philip Massinger, volume The First

GIFFORD, W. 1966

B986/4Plays of Philip Massinger, volume The Fourth

GIFFORD, W. 1966

B986/2Plays of Philip Massinger, volume The Second

GIFFORD, W. 1966

B986/3Plays of Philip Massinger, volume The Third

GIFFORD, W. 1966

B764/1Fr. Lodovico Melzo's Rules for Cavalry

GILBERT, Allan 1954


C297The Principles and Practice of Criticism : Othello, The Merry Wives, Hamlet

GILBERT, Allan 1972

B343The Symbolic Persons in th Masques of Ben Jonson

GILBERT Allan H. 1969

B764/1The Concept of Nationalism in Machiavelli's Prince

GILBERT, Felix 1954


B019Renaissance Concept of Method

GILBERT Neal W. 1963

B104Etats Unis

GILDER Robert 1965


C004The Life of Mr. Thomas Betterton, the Late Eminent Tragedian

GILDON, Charles 1970

C137A Comparison Between the Two Stages


C144Miscellaneous Letters and Essays


The Impartial Critick and Miscellaneous Letters and EssaysIn

C379/2From his adaptation of Measure for Measure, 1700

GILDON Charles 1974



GILDON Charles 1974


C379/2On Shakespeare's fault, 1721

GILDON Charles 1974


C337Remarks on Mr Rowe's tragedy of the Lady Jane Gray, and all his other plays

GILDON Charles 1974

C379/2Shakespeare the Rules, 1718

GILDON Charles 1974


C379/2Shakespeare's life and works, 1710

GILDON Charles 1974


C596The christian ideology of Doctor Faustus

GILL R. 1982


A248'Snakes Leape by Verse'

GILL Roma 1968


A576'Snakes Leape by Verse'

GILL Roma 1968


B995Musa Iocosa Mea: Thoughts on the Elegies

GILL Roma 1972


B104Le Spectacle sportif contemporain

GILLET Bernard 1965


A775"Arden of Feversham"

GILLET Louis 1965


In

A696A propos de quelques problèmes généraux sur la mise en scène de la Tragédie grecque

GILLIBERT Jean 1957


A692Les tragiques grecs au goût du jour: II.-L'Oedipodie

GILLIBERT Jean 1968


C935Shakespeare and the geography of difference

GILLIES John 1994

C946Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in LateNineteenth-Century Art, Medicine, and Literature

GILMAN Sander L. 1986


B764/2Freedom and Determinism in Renaissance Historians

GILMORE, Myron P. 1956


B764/2Freedom and Determinism in Renaissance Historians

Gilmore, Myron P. 1956


C672The politics of desire in Troilus and Cressida

GIRARD René 1985


C959A Theater of Envy : William Shakespeare

GIRARD René 1991

M55The Supernatural and its Functions in A Midsummer Night's Dream and in The Tempest

GIRODON, S. 1992

B315Shakespeare's Rival: a Study in Three Parts

GITTINGS Robert 1960

C793The Crafts and Decorative Arts

GLANVILLE Philippa 1989


A041Lydgate’s Minor Poems. The Two Nightingale Poems

GLAUNING Otto 1900

C795The New Function of Language in Shakespeare's Pericles : Oath Versus 'Holy Word'

GLAZOV-CORRIGAN Elena 1990


D030Julius Caesar, Allan Bloom, and Value of Pedagogical Pluralism

GLESS Darryl J. 1991


C813L'Opéra d'Aix-en-Provence

GLOTON Jean-Jacques 1978


D195L'héritage pamphlétaire: Les Diables de lithographie d' Eugène Le Poitevin. Aspect de la parodiesous Louis -Philippe

GOARZIN-BONAFOUS-MURAT Hélène 1997


A598Cleopatra' s Artifice

GODDARD Harold C. 1968


A597The Three Caskets



B228/1The Meaning of Shakespeare, volume I


B228/2The Meaning of Shakespeare, volume I


A696Sur une mise en ondes de "Bérénice"

GODEBERT Georges 1957


P5/6Henry V's Politics of Non-Responsibility

GODSHALK, W.L. 1979


C859Interaction Ritual : Essays on Face to Face Behaviour

GOFFMAN Erving 1967

C889Frame Analysis : An Essay on the Organization of Experience

GOFFMAN Erving 1986

C575"I wooed thee with my sword" : Shakespeare's tragic paradigms

GOHLKE Madelon 1980

The woman's partIn

C605Splendeurs et misères des classifications au cinéma

GOIMARD Jacques 1980


C184/1Paracelsus, Osiander and Theological Paracelsism in the Middle of the 16th Century

GOLDAMMER, Kurt 1972


C672Shakespearean inscriptions : the voicing of power

GOLDBERG Jonathan 1985


C733Speculations: Macbeth and source



D012Speculations : Macbeth and Source


MacbethIn

D010Perspectives : Dover Cliff and the Conditions of Representation


King LearIn

D197/7Perspectives: Dover Cliff and the Conditions of Representation

GOLDBERG JONATHAN 1998


B872Folly into Crime: The Catastrophee of Volpone

GOLDBERG S.L. 1972


C497An essay on King Lear

GOLDBERG S.L. 1974

B808Calderon's Tragedies of Honor: Topoi, Emblem, and Action in the Popular Theater of the Siglo deOro

GOLDEN Bruce 1970


In

B699Hamlet in France 200 Years ago

GOLDER, J.D. 1971


C387Shakespeare and the energies of drama

GOLDMAN Michael 1972

B936Shakespeare and the Energies of Drama

GOLDMAN, Michael 1972

C494Acting values and Shakespearean meaning : some suggestions



C539Characterizing Coriolanus



C750Performer and role in Marlowe and Shakespeare



A279She Stoops to Conquer

GOLDSMITH Oliver 1966


C379/4Shakespeare's absurdities and theatrical revivals, 1759

GOLDSMITH Oliver 1976


P5/1Some Suggestions on the Social Aspects of Changes in Dramatic Blank Verse in the Elizabethanand Post-Elizabethan Theatre

GOLDSTEIN Leonard 1977


A769Criminal Types in Shakespeare

GOLL August (translated by Weekes Charles) 1966

A159The Exeter Book . Part I . Poems I-VIII

GOLLANCZ Israel 1895

B362The Sources of Hamlet with an essay on the legend

GOLLANCZ Israel 1967

P5/1Some Suggestions on the Social Aspects of Changes in Dramatic Blank Verse in the Elizabethanand Post-Elizabethan Theatre.

GOLSTEIN, Leonard 1977


A698A la recherche de la forme dans la musique de la Renaissance: Francesco da Milano

GOMBOSI Otto 1960


A640English Democratic Ideas in the Seventeenth Century

GOOCH G.P. 1967

C878The Devils and its sources: modern perspectives on the Loudun

GOODALL Jane 1990


A872King Richard II(1772)

GOODHALL James 1969

C470Comic plots : The Alchemist

GOODMAN Paul 1963


A697Le "Masque Mémorable" de Chapman

GORDON D.J. 1956


A463/1Shakespeare's Life and Time (reviewed)

GORDON D.J. 1966


In

C410The Renaissance imagination

GORDON D.J. 1975

D053Name and Fame: Shakespeare's Coriolanus

GORDON, D.J. 1980

The Renaissance ImaginationIn

D053The Renaissance Imagination

GORDON, D.J. 1980

D262(The Imagery of The Masque of Blackness)

GORDON D.J 2000


A735Shakesperian Comedy and Other Studies

GORDON George 1965

A924The Double Sorrow of Troilus: A Study of Ambiguities in Troilus and Criseyde

GORDON Ida L. 1970

C172Integrity of Life : Allegorical Imagery in the Plays of John Webster

GOREAU, Eloise K. 1974

C399Puzzle and artifice : the riddle as a metapoetry in Pericles

GORFAIN Phyllis 1976


D045Riddling as Ritual Remedy in Measure for Measure

GORFAIN Phyllis 1992


D040Introduction to Early Modern English

GÖRLACH Manfred 1991

B972Plays Confuted in Five Actions

GOSSON, Stephen

B972Playes Confuted in Five Actions

GOSSON, Stephen 1972

C138The Schoole of Abuse

GOSSON, Stephen 1973

The Schoole of Abuse and A Reply to Gosson's Schoole of AbuseIn

C310The ephemerides of Phialo

GOSSON Stephen 1974

B365Early Renaissance Architecture in England: A historical & descriptive account of the Tudor,Elizabethan & Jacobean periods 1500-1625

GOTCH J.Alfred

B764/2Samuel Daniel's Method of Writing History

GOTTFRIED, Rudolf B. 1956


P1/1937/IISpencer's View and Essex

GOTTFRIED, Rudolf B. 1967


P5/7George Herbert Today: A Survey of Contemporary Research

GOTTLIEB, Sidney 1980


A629Intrigue et action

GOUHIER Henri 1956


A693Tragique et transcendance: Introduction à un débat général

GOUHIER Henri 1965


A787Irony and Satire in Henry V

GOULD Gerard 1969


C379/1From The Play-House. A Satyr, 1685

GOULD Robert 1974


C878The ancient quarrel between poetry and philosophy

GOULD Thomas 1990


C416Les Bonnes, de J. Genet : la perception du spectateur

GOURDON Anne-Marie 1975


C583La redondance au théâtre

GOURDON Anne-Marie 1984


B117Constantin Stanislaski

GOURFINKEL Nina 1955

A696Stanisvlaski et la mise enscène du " Mariage de Figaro"



B104Le Théâtre russe



A693Les Eléments d'une tragédie moderne dans les romans de Dostoïevski



A694Les Interprétations russes de Tchékhov



A533Les voies du théâtre soviétique russe: I. La Dramaturgie/ II. La mise en scène



A692La politique théâtrale russe et le réalisme



C548Les théâtres hébraïques et yiddish à Moscou



C596De Hall à Shakespeare : quelques glissements idéologiques opérés par la dramatisation dansHenry IV

GOY-BLANQUET D. 1982


C173Autour d' Othello

GOY-BLANQUET, D. & MARIENSTRAS, R. 1987

C550Images de la monarchie dans le théâtre historique de Shakespeare

GOY-BLANQUET Dominique 1980


A334Le Roi mis à nu: L'Histoire d'Henri VI de Hall à Shakespeare


C173Mariage à l'Italienne

GOY-BLANQUET, Dominique 1987

Autour d' OthelloIn

C822Cadavre exquis



C718Cadavre exquis



P5/27'Death or Liberty': The Fashion in Shrouds



C772L'enfant du siècle



D003Ion Omesco et sa mise en scène d'Othello



D055Sad Stories

GOY-BLANQUET, Dominique 1995


D106Variations sur la lettre, le mètre et la mesure - Shakespeare

Goy-Blanquet, Dominique 1996

C772Le tyran : Shakespeare contre Richard III

GOY-BLANQUET Dominique et MARIENSTRAS 1990

D033Space, Time and the Theory of Transformations

GRABES Herbert 1993


B999Ideas in Milton

GRACE William J. 1968

D111The Modernist Shakespeare- Critical Texts in a Material World.

GRADY, Hugh 1995

D281On the Need for a Differentiated Theory of (Early) Modern Subjects

GRADY, Hugh. 2000


D279Introduction: Shakespeare and Modernity

GRADY, Hugh. 2001


D277Modernity, Modernism and Postmodernism in the Twentieth Century's Shakespeare

GRADY, Hugh. 2001


D279Shakespeare and Modernity

GRADY, Hugh.(editor) 2001

P5/1Virginia Mason Carr ,The Drama of Propaganda: A Study of the Troublesome Reign of KingJohn

GRAF Claude 1977


C922Co-optaion

GRAFF Gerald 1989


D030Ordinary People and Academic Critics : a Response to Richard Levin

GRAFF Gerald 1991


D201The new science and the traditions of humanism

GRAFTON Anthony 1997


D277The Problem of Professionalism in Twentieth Century Stagings of Hamlet

GRAHAM, Catherine. 2001


B457Tudor Verse Satire

GRANSDEN K.W. 1970

A581Byron : The Pilgrim and Don Juan

GRANT Douglas 1969


B764/1European Vernacular Works in Latin Translation

GRANT, W. Leonard 1954


B764/2New Forms of Neo-Latin Pastoral



B764/3An Eclogue of Giovanni Quatrario



C986Saint's plays

GRANTLEY Darryll 1994


D103Christopher Marlowe and English Renaissance Culture

Grantley & Roberts (eds) 1996

C406Prefaces to Shakespeare volume VI

GRANVILLE BARKER Harley 1974

C379/2From his adaptation of The Merchant of Venice, 1701

GRANVILLE George 1974


A415/1Antony and Cleopatra

GRANVILLE-BARKER Harley 1964

Prefaces to Shakespeare(Vol I)In

A415/1Cymbeline



A415/1Hamlet



A415/1King Lear



A415/1Prefaces to Shakespeare(Vol I)


A415/1The Merchant of Venice



A415/2Corionalus


Prefaces to Shakespeare(Vol II)In

A415/2Julius Caesar



A415/2Love' s Labour's Lost



A415/2Othello



A415/2Prefaces to Shakespeare(Vol II)





A393Shakespeare's Dramatic Art



In

B876On Dramatic Method


A917Producing Love's Labour's Lost



A929The Construction of Antony and Cleopatra



A598The Play' s Construction



A600Mark Antony



A597Portia



A597Shakespeare' s Venice



B582Coriolanus : Introduction



B885The Merchant of Venice



A393A Companion to Shakespeare Studies

GRANVILLE-BARKER Harley and HARRISON G.B. 1966

A693Liberté et nécessité dans les tragédies de Schiller

GRAPPIN Pierre 1965


A744The Court and the London Theatres during the Reign of Elizabeth

GRAVES Thornton Shirley 1967

A696Mises en scène de Strindberg

GRAVIER Maurice 1957


A696Mises en scène récentes de " Peer Gynt"



A693Le Théâtre des Jesuites et la tragédie du salut



B104Le Théâtre scandinave



A693Le Thème de l'angoisse dans le théâtre suédois d'aujourd'hui



A693Le Tragique dans les drames modernes d'Ibsen et de Strindberg



A694Le Théâtre naturaliste de Strinberg



A533Le théâtre suédois depuis 1945



A692Le théâtre danois aujourd'hui



A515/1Les dialogues en langues étrangères dans les comédies de Ludwig Holberg



A692Les héros du drame expressionniste



C548L'expressionnisme dramatique en France entre les deux guerres

GRAVIER maurice 1971


P1/1928/IISome Observations on Christopher Marlowe, Government Agent

GRAY Austin K. 1966


B323Later Poetry: The Courtly Tradition

GRAY Douglas 1970


P1/1925/IIHeywood's Pericles revised by Shakespeare

GRAY Henry David 1966


P1/1927/IThomas Kyd and the First Quarto of Hamlet

GRAY Henry David 1966


C379/3Shakespeare's language, april 1742

GRAY Thomas 1975


C379/3The chorus rejected, december 1751

GRAY Thomas 1975


C247Palaemon's Prophetick Prayer

Great Assises 1967

B898John Bunyan

GREAVES Richard L. 1969

C548L'expressionnisme tchèque et les structures du dialogue dramatique

GREBENICKOVA Ruzena 1971


C966Othello : A Tragedy of Conversion : Black Magic and White Magic

GREEN André 1992


D003La scène, une île déserte

GREEN André 1994


C575Shakespeare's Cressida : "A kind of self"

GREEN Gayle 1980

The woman's partIn

B764/2On the Attitude toward the Vulgo in the Spanish Siglo de Oro

GREEN, Otis H. 1957


B648Medieval Civilization in Western Europe

GREEN, V.H.H. 1971

B152Shakespeare's Merry Wives of Windsor

GREEN William 1962

D197/5Shakespeare Bewitched

GREENBLAT STEPHEN 1998


D116The Norton Shakespeare

GREENBLATT

C942Renaissance Self-fashioning

GREENBLATT Stephen 1984

C715Invisible bullets : Renaissance authority and its subversioon, Henry IV and Henry V



C672Shakespeare and the exorcists



C791Shakespearean Negotiations : the Circulation of Social Energy in Renaissance England


C922Towards a Poetics of Culture

GREENBLATT, Stephen 1989


C924Invisible Bullets: Renaissance Authority and its Subversion, Henry IV and Henry V



C924Marlowe and the Will to Absolute Play



C947Marvelous Possessions


C966The Improvisation of Power



D010The Cultivation of Anxiety : King Lear and His Heirs


King LearIn

C974Shakespeare Bewitched



D146The Norton Shakespeare

GREENBLATT Stephen (ed.) 1997

C114Sir Walter Ralegh : the Renaissance Man and His Roles

GREENBLATT, Stephen J. 1973

C899Learning To Curse : Essays in Early Modern Culture

GREENBLATT Stephen Jay 1990

B764/5The Identity of the Emblematic Nemesis

GREENE, David M. 1963


C537Rhetoric in Shakespeare, 1770

GREENE Edward Burnaby 1979


D030The Myth of Neutrality, Again?

GREENE Gayle 1991


C952Changing Identity in the British Caribbean: Barbados as a Case Study

GREENE Jack P. 1987


A615Dorons Description of his Faire Sheepheardesse Samela

GREENE Ro. 1962


In

A615Melicertus Madrigale

GREENE Ro. 1962


In

A615Menaphon to Pesana

GREENE Ro. 1962


In

A615Menaphons Roundelay

GREENE Ro. 1962


In

A615Montanus his Madrigall

GREENE Ro. 1962


In

A615 The Sheepheard Dorons Jigge

GREENE Ro. 1962


In

A615The Sheepheard Eurymachus to his Faire Sheepheardesse Mirimida

GREENE Ro. 1962


In

A174Friar Bacon and Friar Bungay

GREENE Robert 1933


A639The Honourable History of Friar Bacon and Friar Bungay

GREENE Robert 1939


In

A289Friar Bacon and Friar bungay

GREENE Robert 1965


A270The Scottish History of James the Fourth

GREENE Robert 1967

B262The Scottish History of James the Fourth

GREENE Robert 1970

C779From 'A Groatsworth of Wit', 1592

GREENE Robert 1979


C779From 'Perimedes the Blacksmith', 1588

GREENE Robert 1979


A464The Arts and the Art of Criticism

GREENE Theodore MEYER 1965

B131The Arts and the Art of Criticism

GREENE Theodore Meyer 1965

C941The Vulnerable Text : essays on Renaissance literature

GREENE Thomas 1986

C672Pitiful thrivers : failed husbandry in the Sonnets

GREENE Thomas M. 1985


D171Design as Reconstruction / Reconstruction as Design

GREENFIELD, Jon 1997


D171Timber Framing, the Two Bays and After

GREENFIELD, Jon 1997


A205Order, Empirism and Politics

GREENLEAF W.H 1964

B320/64The Restoration Period

GREENSLADE B.D. 1964








P1/1938/IIThe Place of Henry VI in The York-Lancaster Tetralogy

GREER, C.A. 1967


C944Shakespeare

GREER Germaine 1986

C974The Offstage Mob: Shakespeare's Proletariat

GREER Germaine 1994


B375Two Notes: (i) When was Twelfth Night? (ii) Copyright in Unauthorised Texts

GREG W.W. 1959


A775The Damnation of Faustus

GREG W.W. 1965


In

B232The editorial Problem in Shakespeare: A Survey of the Foundations of the Text

GREG W.W. 1967

A560Dramatic Documents from the Elizabethan Playhouses: Stage Plots, Actors' Parts, Prompt Books

GREG W.W. 1969

Z2Dramatic Documents from the Elizabethan Playhouses: Stage Plots; Actors Parts; Prompt Books

GREG W.W. 1969

A603The Damnation of Faustus

GREG W.W. 1969


Z13/1A Bibliography of the English Printed Drama to the Restoration (vol. I)

GREG W.W. 1970

B172Marlowe's Doctor Faustus 1604-1616: parallel texts

GREG W.W. (editor) 1968

B454Criticism as an Individual Activity: The Approach through Reading

GREGOR Ian 1970


B855/2Criticism as an Individual Activity: The Approach through Reading

GREGOR, Ian 1970


C641Public and private man in Shakespeare

GREGSON J.M. 1983

C539Plays and playing in Twelfth Night

GREIF Karen 1981


C833Du Sens : Essais Sémiotiques

GREIMAS A.J. 1970

C834Sémiotique : Dictionnaire Raisonné de la Théorie du Langage . Tome 1

GREIMAS A.J. et COURTÉS J. 1979

C835Sémiotique : Dictionnaire Raisonné de la Théorie du Langage . Tome 2

GREIMAS A.J. et COURTÉS J. 1986

C285'Trelawny of the"Wells"'

GREIN, J.T. 1970


M01Eastward Ho by Marston, Chapman and Jonson

GREMOND, M.O.L.J. 1969

C354The rejection of learning in Mid-Cinquecento Italy

GRENDLER Paul F. 1966


C505Shakespeare, Jonson, Molière : the comic contract

GRENE Nicholas 1980

C810Truth and indeterminacy in Brian Friel

GRENE Nicholas 1991


C988Shakespeare's tragic imagination

GRENE Nicholas 1992

A629Les incertitudes de l'archéologie

GRENIER Albert 1956


A533Orphée sous les tropiques, ou les thèmes dans le théâtre récent de Tennesse Williams

GRESSET Michel 1967


C854/2La traduction du dialogue dans deux nouvelles de Hemingway

GRESSET Michel 1987


B050Shakespeare Festival, Toronto, Canada

GREY Earle 1969


C379/4Notes on Shakespeare, 1754

GREY Zachary and others 1976


A644Metaphysical Poetry

GRIERSON H.J.C. 1968


A648Milton & Wordsworth : Poets and Prophets (a study of their reactions to political events)

GRIERSON Herbert J.C. 1963

A408Cross Currents in English Literature of the XVIIth Century (or the world, the flesh and the spirit, theiractions and reactions

GRIERSON Herbert J.C. 1965

C131/1The Poems of John Donne (vol. I)

GRIERSON, Herbert J.C. 1968

C131/2The Poems of John Donne (vol. II)

GRIERSON, Herbert J.C. 1968

B209Metaphysical Poems of the Seventeenth Century (Donne to Butler)

GRIERSON Herbert J.C. (editor) 1966

A899/6fidessa, more chaste than kind, 1596

GRIFFIN Bartholomew 1964


C014The Morality of Shakespeare's Drama Illustrated

GRIFFITH, Elizabeth 1971

C512Shakespeare and domestic morality, 1775

GRIFFITH Elizabeth 1981


C285Hamlet in Modern Dress

GRIFFITH, Hubert 1970


C934Ludwig Wittgenstein and The Comedy of Errors

GRIFFITHS Eric 1994

English ComedyIn

C456Tradition and innovation in Harley Granville Barker's "A Midsummer Night's Dream "

GRIFFITHS Trevor


B043from Studies in English Literature : 1821; Measure for Measure, 1849; Othello, 1849

GRILLPARZER Franz 1963


A701Les Tragédies de Sénèque

GRIMAL Pierre 1964


C415Carnaval et société urbaine à la fin du XVe siècle

GRIMBERG Martine 1975


C828Shakespeare de A à Z ... ou presque

GRIVELET M., MARTINET M-M. et 1988

A650Thomas Heywood et le Drame Domestique Élizabéthain

GRIVELET Michel 1957

A463/9 Shakespeare as 'Corrupter of Words'



A463/7The Simplicity of Thomas Heywood



A694Heywood et le réalisme du drame domestique élizabethein

GRIVELET MIchel 1967


A463/14 Shakespeare, Molière, and the Comedy of Ambiguity


B456Shakespeare's 'War with Time': the Sonnets and 'Richard II'



In

C625A portrait of the artist as Proteus



C548L'expressionnisme allemand et son art graphique. A propos d'une exposition

GRODECKI Louis 1971


B737Milton on Ramist Similitude

GROSE Christopher 1971


In

B993Literature in Perspective: Shakespeare

GROSE Kenneth H. and OXLEY B.T. 1969

D041Shylock : Four Hundred Years in the life of a Legend

GROSS John 1992

C266Beyond Laughter : a Summing Up

GROTJAHN, Martin 1965


C518Mighty opposites : Shakespeare and Renaissance contrariety

GRUDIN Robert 1979

P5/9The Queene's Two Bodies: Britomart and Spencer's Faerie Queene, book III

GRUND, Gary R. 1981


C584Hamlet across space and time

GU-SUN Lu 1983


A629L'oeuvre et la réalité dans l'art plastique contemporrain

GUASTALLA Pierre 1956


B603Where the Statue Stood: Divergent Loyalties to Newton in the Eighteenth Century

GUERLAC Henry 1965


C184/1Guy de La Brosse and the French Paracelsians

GUERLAC, Henry 1972


M23Appearance and Reality in Measure for Measure and All's Well that Ends Well

GUETET, Pascale 1977

A630Paul Claudel et la langue poétique

GUIETTE Robert 1956


In

D044Shakespeare's Play Within play : Medieval Imagery and Scenic Form in Hamlet , Othello , andKing Lear

GUILFOYLE Cherrell 1990

B728Literature as System: Essays toward the Theory of Literary History

GUILLÉN Claudio 1971

D235FromChildbirth, Or the Happy Delivery of Women

GUILLIMEAU James 1999


T37La dimension sonore

GUILLOT de RODE François 1953


C741Rythme et temps musical dans le théâtre Tudor

GUINLE F. 1989

Lieu et tempsIn

P5/10 The Songs in A Sixteenth Century Manuscript Play: The Bugbears, by John Jeffere

GUINLE, Francis 1982


C597Du texte à l'interprétation des chansons sur la scène Elisabethaine

GUINLE Francis 1983


C173Chant du saule, chant du cygne


Autour d' OthelloIn

C822Ordre et désordres

GUINLE Francis 1989


C718Ordre et désordres

GUINLE Francis 1989


C770Gay's The Beggar's Opera : Paroles et Musiques

GUINLE Francis 1990


C772Les tyrans du théâtre pré-shakespearien : Crimes et châtiments

GUINLE Francis 1990


C773Troilus and Cressida : "Broken music", division et détournement

GUINLE Francis 1990


C919/2Rude Ditties to aPipe and Sonnets to a Lute

GUINLE Francis 1992


C825"The Queen is overstrong" la sexualité en question dans Edward II

GUINLE Francis 1992

Edward IIIn

C923“Noises, / Sounds and sweet airs”-Les chansons de La Tempête

GUINLE Francis 1994


D055From Text to Stage : The Interpetation of Songs on the Elizabethan Stage



D068Youth : les limites de la parodie et de la satire



D195Mal musique et dramaturgie dans le théatre pré-shakespearien

GUINLE Francis 1997


D168/7"Discord in the spheres": les chansons dans As You Like It

GUINTLE Françis 1998


C415La musique dans trois fêtes à la cour ducale de Wurtemberg en 1609, 1616, 1617

GUIOMAR Paule 1975


B465Essais de Stylistique

GUIRAUD Pierre 1969

B466La Stylistique: Lectures

GUIRAUD Pierre 1970

B681Webster:The White Devil

GUNBY, D.C. 1971

C852Language, Mind, and Knowledge

GUNDERSON Keith 1975

A463/9Who Strutted and Bellowed?

GURR A.J. 1966


B489The Shakespearian Stage: 1574-1642

GURR Andrew 1970

C398Coriolanus and the body politic

GURR Andrew 1975


C433Henry V and the bees' Commonwealth

GURR Andrew 1977


C777The Shakespearean Stage 1574-1642

GURR Andrew 1980

C714Playgoing in Shakespeare's London

GURR Andrew 1987

C724Singing Through the Chatter : Ford and the Contemporary Theatrical Fashion

GURR Andrew 1988


C740The Shakesperian stages, forty years on

GURR Andrew 1989


C750The "State" of Shakespeare's audiences

GURR Andrew 1989


C740The Tempest 's tempest at Blackfriars

GURR Andrew 1989


C985The Bare Island

GURR Andrew 1994


D074Industrious Ariel and Idle Caliban

GURR, Andrew 1996


D135The Date and the Expected Venue of Romeo and Juliet

GURR, Andrew 1996


D140The Shakespearian Playing Companies

GURR, Andrew 1996

D171Shakespeare's Globe : A History of Reconstruction and Some Reasons for Trying

GURR, Andrew 1997


D171Staging at the Globe

GURR, Andrew 1997


D240Maximal and Minimal Texts: Shakespeare v. the Globe

GURR Andrew 1999


A528Le Théâtre Réaliste et la Construction Théâtrale

GUSSMANN Hans 1969


B049Shakespeare at Statford, Ontario

GUTHRIE Tyrone 1968


C006An Essay upon English Tragedy

GUTHRIE, William 1971

An Essay upon English Tragedy and An AttempteIn

C379/3On Shakespearian tragedy, 1747

GUTHRIE William 1975


C537Farmer reviewed, 1767



C537Johnson reviewed, 1765-6



C273The Foreign Sources of Shakespeare's Works

GUTTMAN, Selma 1968

D195Les Enfers dans la tragédie lyrique française(1673-1733)

GUYON-LECOQ CAMILLE 1997


A615A Pastorall Song Betweene Phillis and Amarillis, Two Nimphes, Each Aunswering Other Line forLine

H.C. 1962


In

A615Damelus Song to his Diaphenia

H.C. 1962


In

A615The Sheepheards Song of Venus and Adonis

H.C. 1962


In

D250Filming Shakespeare's history : three films of Richard III

H.R. Coursen 2000


B104Grande-Bretagne

HABART Michel 1965


B104Irlande

HABART Michel 1965


D167Pastoral and the Poetics of Self-Contradiction

HABER, Judith 1994

D033The Poet and the Death Drive : a Reading of Dylan Thomas' "The Force That Through the GreenFuse Drives the Flower"

HABERER Adolphe 1993


A701Sénèque et le théâtre pré-shakespearien

HABICHT Werner 1964


C639How German is Shakespeare in Germany? Recent trends in criticism and performance in WestGermany

HABICHT Werner 1984


C919/2Traps of Illusion in Massinger’s The Roman Acto

HABICHT Werner 1992


D003National Insularity and the the Reception of Shakespeare

HABICHT Werner 1994


C974Romanticism, Antiromanticism, and the German Shakespeare Tradition

HABICHT Werner 1994


B456Shakespeare Studies in German: 1959-68

HABICHT Werner & GABLER Hans Walter 1970


In

M62Hero and Villain in Richard III and Tamburlaine the Great

HADDAD, Ferrougja 1993

D074'The naked and the dead' : Elizabethan Perceptions of Ireland

HADFIELD, Andrew 1996


D268National and International Knowledge: The Limits of the Histories of Nations

HADFIELD, Andrew. 2000


D036Strangers to that Land : British Perceptions of Ireland from the Reformation to the Famine

HADFIELD Andrew and McVEAGH John 1994

B229Critical Commentary on Shakespeare's 'Richard III'

HAEFFNER Paul 1966

C276Verbal and Visual Caricature in the Age of Dryden, Swift, and Pope

HAGSTRUM, Jean H. 1972


B380The History of Doctor Johann Faustus

HAILE H.G. 1965

B104Belgique

HAINAUX René 1965


B104Pays-Bas

HAINAUX René 1965


B358Shakespeare in France: Criticism, Voltaire to Victor Hugo

HAINES C.M. (editor) 1925

A179England and the Italian Renaissance

HALE J.R. 1954

B550The Poetry of grace

HALEWOOD, William H. 1970

A121William Meldrum

HALL F. 1868

B498Shakesperean Fly-Leaves and Jottings, a new and aenlarged edition

HALL H.T. 1970

C779From 'Virgidemiarum', 1597-8

HALL Joseph 1979


D285'These bastard signs of fair': Literary Whiteness in Shakespeare's Sonnets

HALL, Kim.F. 1998


B764/4An Aspect of the Renaissance in Gavin Douglas' Eneados

HALL, Louis Brewer 1960


A463/10Scientific Thought

HALL Marie Boas 1965


A893The Scientific Revolution(1500-1800): The Formation of the Modern Scientific Attitude

HALL Rupert 1967

A199The Rise of Puritanism

HALLER William 1965

P1/1927/IIBefore Aeropagitica

HALLER William 1966


B316Liberty and Reformation in the Puritan Revolution

HALLER William 1967

A591John Foxe and the Puritan Revolution

HALLER William 1969


In

C566The revenger's madness

HALLETT Charles A. and Elaine S. 1980

B507Africa in 1500

HALLETT Robin 1971


In

C548Le domaine scandinave

HALLEUX Pierre 1971


A925The Cult of Shakespeare

HALLIDAY F.E. 1957

B392Unfamiliar Shakespeare

HALLIDAY F.E. 1962

A355A Lover' s Complaint

HALLIDAY F.E. 1963

Shakespeare and his CriticsIn

A355A Midsummer Night' s Dream

HALLIDAY F.E. 1963


A355A Yorkshire Tragedy

HALLIDAY F.E. 1963


A355All' s Well that Ends Well

HALLIDAY F.E. 1963



HALLIDAY F.E. 1963


A355Arden of favershame, ect.

HALLIDAY F.E. 1963


A355As You Like It

HALLIDAY F.E. 1963


A355Cardenio

HALLIDAY F.E. 1963


A355Coriolanus

HALLIDAY F.E. 1963


A355Cymbeline

HALLIDAY F.E. 1963


A355Edward III

HALLIDAY F.E. 1963


A355Hamlet

HALLIDAY F.E. 1963


A355Henry IV

HALLIDAY F.E. 1963


A355Henry V

HALLIDAY F.E. 1963


A355Henry VI

HALLIDAY F.E. 1963


A355Henry VIII

HALLIDAY F.E. 1963


A355Julius Caesar

HALLIDAY F.E. 1963


A355King John

HALLIDAY F.E. 1963


A355King Lear

HALLIDAY F.E. 1963


A355Locrine

HALLIDAY F.E. 1963


A355Love' s Labour' s lost

HALLIDAY F.E. 1963


A355Macbeth

HALLIDAY F.E. 1963



HALLIDAY F.E. 1963


A355Much Ado About Nothing

HALLIDAY F.E. 1963


A355Othello

HALLIDAY F.E. 1963


A355Pericles

HALLIDAY F.E. 1963


A355Richard II

HALLIDAY F.E. 1963


A355Richard III

HALLIDAY F.E. 1963



HALLIDAY F.E. 1963


A355Shakespeare and his Critics

HALLIDAY F.E. 1963

A355Sir John Oldcastle

HALLIDAY F.E. 1963


A355Sir Thomas More

HALLIDAY F.E. 1963


A355The Birth of Merlin

HALLIDAY F.E. 1963


A355The Comedy of Errors

HALLIDAY F.E. 1963


A355The London Prodigal

HALLIDAY F.E. 1963


A355The Merchant of Venice

HALLIDAY F.E. 1963


A355The Merry Wives of Windsor

HALLIDAY F.E. 1963


A355The Passionate Pilgrim

HALLIDAY F.E. 1963


A355The Phoenix and Turtle

HALLIDAY F.E. 1963


A355The Puritan Widow

HALLIDAY F.E. 1963


A355The Rape of Lucrece

HALLIDAY F.E. 1963


A355The Sonnets

HALLIDAY F.E. 1963



HALLIDAY F.E. 1963


A355The Tempest

HALLIDAY F.E. 1963


A355The Troublesome Reign of King John

HALLIDAY F.E. 1963


A355The Two Gentlemen of Verona

HALLIDAY F.E. 1963


A355The Two Noble Kinsmen

HALLIDAY F.E. 1963



HALLIDAY F.E. 1963


A355Thomas Lord Cromwell

HALLIDAY F.E. 1963


A355Timon of Athens

HALLIDAY F.E. 1963



HALLIDAY F.E. 1963



HALLIDAY F.E. 1963


A355Twelfth Night

HALLIDAY F.E. 1963


A355Venus and Adonis

HALLIDAY F.E. 1963


A388Shakespeare in His Age

HALLIDAY F.E. 1964

B151The Poetry of Shakespeare's Plays

HALLIDAY F.E. 1964

A481A Shakespeare Companion

HALLIDAY F.E. 1968

A426Shakespeare: a pictorial biography

HALLIDAY F.E. 1969

B150Shakespeare: A Pictorial Biography

HALLIDAY F.E. 1969

B371The Linguistic Study of Literary Texts (1964)

HALLIDAY Michael A.K. 1967


C598bInterview : Jonathan Miller on the Shakespeare plays

HALLINAN Tim 1979


B764/5Ronsard and the Gallic Hercules Myth

HALLOWELL, Robert E. 1963


D065The Poetics of Primitive Accumulation

HALPERN, Richard 1991

D193"Pining Their Maws": Female Readers and the Erotic Ontology of the Text in Shakespeare'sVenus and Adonis

HALPERN Richard 1997


D280An Impure History of Ghosts: Derrida, Marx, Shakespeare

HALPERN, Richard. 2001


B891Ladies of Letters in the Eighteenth Century

HALSBAND Robert 1972


C703New concepts of staging A Midsummer Night's Dream

HAMBURGER Maik 1990


C974Hamlet at World's End: Heiner Müller's Production in East Berlin

HAMBURGER Maik 1994


B567The Sublime Art: Notes on Milton and Hölderlin

HAMBURGER, Michael 1960

The Living MiltonIn

C703Time in Richard III

HAMEL Guy 1990


C027The Visions of Piers Plowman and The Faerie Queene

HAMILTON, A.C. 1967


C496Sir Philip Sidney : a study of his life and works

HAMILTON A.C. 1977

D193Venus and Adonis (1961)

HAMILTON A.C. 1997


D201 Humanists and the Bible

HAMILTON Alastair 1997


C458Language as theme in The Dutch Courtesan

HAMILTON Donna B. 1972


C954Virgil and The Tempest

HAMILTON Donna B. 1990

B852Two Restoration Prose Writers: Burnet and Halifax

HAMILTON, K.G. 1972


D128Historicism

HAMILTON, Paul 1996


HAMMOND Antony 1981

C551The 'Greatest Action' : Lee's Lucius Junius Brutus

HAMMOND Antony 1981


B414The Oxford Classical Dictionary

HAMMOND N.G.L. & SCULLARD H.H. 1970

C706Dryden's Albion and Albanus : the apotheosis of Charles II

HAMMOND Paul 1984

The court masqueIn

MD07Salacrou ou le dysfonctionnement des normes du Théâtre bourgeois

HAMON, Patrice 1992

A264Eighteenth Century Plays

HAMPDEN John (selection and introduction) 1964

C787Towards the Future

HANDS Terry 1989


B568The Pastoral Elegy and Milton's Lycidas

HANFORD James H. 1961


B871John Milton, Englishman

HANFORD James Holly 1950

B558Milton and the Return to Humanism

HANFORD James Holly 1951


C585Richard III

HANKEY Julie 1981

C710Othello

HANKEY Julie 1987

D201 Humanism and the origins of modern political thought

HANKINS James 1997


P1/1956/IIIThe Pains of the Afterworld: Fire, Wind, and Ice in Milton and Shakespeare

HANKINS John E. 1956


C528Backgrounds of Shakespeare's thought

HANKINS John Erskine 1978

C379/3Preface to Shakespeare, 1744

HANMER Sir Thomas 1975


B507Africa south of the Sahara

HANNA A.J. 1973


A748The Later Renaissance

HANNAY David 1964

B851Source and Meaning in Spencer's Allegory

HANSKINS, John Erskine 1971

B476The Shakespeare Collection in the Bodleian Library

HANSON L.W. 1968


A519Government and the Press (1695-1763)

HANSON Laurence 1967

A606Le problème de la lutte contre l'invasion turque dans l'idée plitique de Charles Quint

HANTSCH Hugo 1959


A623Chimes at Midnight from Stage to Screen : The Art of Adaptation

HAPGOOD Robert


A463/12Shakepeare' s Thematic Modes of Speech : 'Richard II' to 'HenryV'

HAPGOOD Robert 1967


A793Shakespeare and the Included Spectator

HAPGOOD Robert 1969


B699Hearing Shakespeare: Sound and Meaning in Antony and Cleopatra

HAPGOOD, Robert 1971


C203Othello



C711Shakespeare on film and television

HAPGOOD Robert 1986

The Cambridge Companion to Shakespeare StudiesIn

D112Shakespeare the Theatre-Poet


C958Kurosawa's Shakespeare films: Throne of Blood, The Bad Sleep Well, and Ran

HAPGOOD Robert 1994


D142Popularizing Shakepeare : The Artistry of Franco Zeffirelli



In

C551'The Vice' and the popular theatre 1547-80

HAPPÉ Peter 1981


C986A guide to criticism of medieval english theatre

HAPPÉ Peter 1994


C989The devil is an ass

HAPPÉ Peter 1994

D068The Devil in the Morality Play: the Case of Wisdom

HAPPE, Peter 1996


P5/42Theatricality in Devils, Sinnekins, and the Vice

HAPPE, Peter 1998


A698Les musiciens de Mathias Corvin et de Béatrice d'Aragon

HARASZTI Emile 1960


A698Les musiciens de Mathias Corvin et de Béatrice d'Aragon

HARASZTI Emile 1960


A727As they Liked It : A Study of Shakespeare' s Moral Artistry

HARBAGE Alfred 1961

B450Intrigue in Elizabethan Tragedy

HARBAGE Alfred 1962


B166Annals of English Drama 975-1700: An analytical record of all plays, extant or lost, chronologicallyarranged and indexed by authors, titles, dramatic companies, &c.

HARBAGE Alfred 1964

A996cavalier Drama: a Historical and Critical supplemeny to the Study of the Elizabethan andRestoration Stage

HARBAGE Alfred 1964

A403Conceptions of Shakespeare

HARBAGE Alfred 1966

P1/1935/IElizabethan and Seventeenth-Century Play Manuscripts

HARBAGE, Alfred 1966


P1/1939/IIElizabethan Acting



A932Shakespeare and the Rival Traditions

HARBAGE Alfred 1968

B885Shakespeare's Audience: Modern Appraisals

HARBAGE Alfred 1970


B914Shakespeare Without Words


C169Shakespeare and the Professions



C271William Shakespeare : a Reader's Guide


A175Annals of English Drama(975-1700)

HARBAGE Alfred(revised by SCHOENBAUM) 1964

C353Toward a definition of the French Renaissance novel

HARDEE A. Maynor 1973


A964Dante and the Tradition of Courtly Love

HARDIE Colin 1966


C758Chronicles and mythmaking in Shakespeare's Joan of Arc

HARDIN Richard F. 1990


B995The Devotions Now

HARDING D.W. 1972


C280Shakespeare the Elizabethan

HARDING, Davis P. 1973

Shakespeare : of an Age and for all the TimeIn

C023Chalmeriana : or a Collection of Papers, Literary and Political

HARDINGE George 1971

Chalmeriana and Mr. Ireland's Vindication of his ConductIn

A698La composition des orgues que pouvaient toucher les musiciens parisiens aux alentours de 1600

HARDOUIN Pierre 1960


B995Thinking and Feeling in the Songs and Sonnets

HARDY Barbara 1972


B741Reinterpretations: Essays on Poems by Milton, Pope and Johnson

HARDY J.P. 1971

B762Samuel Johnson

HARDY John 1971


In

A635Andrew Marvell's 'The Coronet': the frame of curiosity

HARDY John E. 1969


C664Shakespeare in a victorian provincial stock company

HARE Arnold 1986


A352/1Nugae Antiquae(Vol.I)

HARINGTON John 1968

A352/2Nugae Antiquae(Vol.II)

HARINGTON John 1968

A352/3Nugae Antiquae(Vol.III)

HARINGTON John 1968


HARLOW Geoffrey & REDMOND James 1969


HARLOWE G., BRENNAN E. & REDMOND J. 1971


HARLOWE Geoffrey & REDMOND James 1970

D262Ben Jonson's Comic Apocalypse

HARP Richard 2000


D262Ben Jonson's Plays and Masques

HARP Richard (edited by) 2000

C353Studies in the Renaissance volume XV

HARRIER Richard 1973

C532Night's black agents : witchcraft and magic in seventeenth-century English drama

HARRIS Anthony 1980


HARRIS Bernard 1964


A463/10Dissent and Satire

HARRIS Bernard 1965



HARRIS Bernard 1966


A971'What's Past is Prologue': Cymbelyne and Henry VIII

HARRIS Bernard 1966

Later ShakespeareIn


HARRIS Bernard 1968


B015'That Soft educer, Love': Dryden's The State of Innocence and Fall of Man

HARRIS Bernard 1968



HARRIS Bernard 1969


B320/68English Drama 1580-1660, Excluding Shakespeare

HARRIS Bernard 1970


B320/69English Drama 1550-1660, Excluding Shakespeare

HARRIS Bernard 1971


C512Shakespeare and the rules of criticism, 1781

HARRIS James 1981


C911Medieval Theatre in Context

HARRIS John Wesley 1992

B816The Lion-Knight Legend in Iceland

HARRIS Richard L. 1970


A478A Jacobean Journal, being a record of those things most talked of during the years 1603-1606

HARRISON G.B. 1946

A424A Second Jacobean Journal: Being a Record of Those Things Most Talked of during the Years1607 to 1610

HARRISON G.B. 1958

A638Shakespeare at work 1592-1603

HARRISON G.B. 1963

A384/1The Elizabethan Journals(vol I): Being a Record of Those Things Most Talked of During the Years1591-1597

HARRISON G.B. 1965

A384/2The Elizabethan Journals(vol II): Being a Record of Those Things Most Talked of During the Years1598-1603

HARRISON G.B. 1965

A500Shakespeare's Tragedies

HARRISON G.B. 1966

A393The National Background

HARRISON G.B. 1966


In

A515/2Les comédiens et leur public en Angleterre de 1520 à 1640

HARRISON G. et COCHRANE B. 1968


B185Christian Rite and Christian Drama in the Middle Ages: essays in the Orrigin and Early History ofModern Drama

HARRISON O.B.Jr. 1965

P1 1926 IA Probabla Source of Beaumont and Fletcher's Philaster

HARRISON, T.P. 1926

B578The Pastoral Elegy: An Anthology

HARRISON Thomas Perrin (editor) & LEON Harry 1968

D235From The Description of Scotland

HARRISON William 1999


D250Shakespeare and movie genre : the case of Hamlet

Harry Keyishian 2000


A145Eadwines Canterbury Psalter

HARSLEY Fred 1899

P5/25Till forging Nature be condemned of treason : Representational Strife in Venus and Adonis

HART Jonathan 1989


P5/31Shakespeare's Henry V: Towards the Problem Play

HART, Jonathan 1992


P5/38Redeeming The Tempest : Romance and Politics

HART, Jonathan 1996


Z17English Life in Tudor Times

HART, Roger 1972

D193Shakespeare's Minor Poems(1850)

HART. S John 1997


C672Shakespeare's poetical character in Twelfth Night

HARTMAN Geoffrey H. 1985


C672Shakespeare and the question of theory

HARTMAN Geoffrey H. and PARKER Patricia 1985

P1/1931/IIPrince Hal's "Shew of Zeale"

HARTMAN Herbert 1966


P5/35Dangerous American Substances in Jacobean England

HARTMAN Janine 1994


P5/35Dangerous American Substances in Jacobean England

HARTMAN, Janine 1994


A465The Oxford Companion to the Theatre

HARTNOLL Phyllis 1967

P1/1966/IThe Complexity of Julius Caesar

HARTSOCK, Mildred E. 1966


C130Shakespeare's Tragicomic Vision

HARTWIG, Joan 1972

C484Cloten, Autolycus, and Caliban : bearers of parodic burdens

HARTWIG Joan 1978


P5/10 Adam's Dream and the Three Chester Plays

HARTY, Kevin J. 1982


A256/2From Foure Letters. 1592

HARVEY Gabriel 1967


A256/2I. From Pierce's Supererogation. 1593/ II. From A New Letter of Notable Contents. 1593

HARVEY Gabriel 1967


C779From 'A New Letter of Notable Contents', 1593

HARVEY Gabriel 1979


A152The Fire of Love and the Rule of Living

HARVEY Ralph 1896

P5/32Malvolio's Dark Concupiscence

HASSEL, Chris Jr. 1993


C204Is Hamlet a Hoax?

HASTINGS, William T. 1964


B912James II

HASWELL, Jock 1972

C302A book for Shakespeare plays and pageants

HATCHER Orie Latham 1970

D249 1/2Shakespeare au cinéma : esthétique et interprétation

Hatchuel Sarah 2000

Henry V et Hamlet de Kenneth BranaghIn

D211"I could a tale unfold", Icould a tale enlighten: Kenneth Branagh ou l'art de la clarté

HATCHUEL Sarah & BERTHOMIEU Pierre 1998


B813Tragedy, Myth, and Mystery

HATHORN Richmond Y. 1966

A248Marlowe and Brecht

HATTAWAY Michael 1968


A576Marlowe and Brecht



B808The Theology of Marlowe's Doctor Faustus



In

C637Elizabethan popular theatre


C781The New Inn


C780Drama and society



C919/2The Storyof Gloucester in King Lear , or, How Not to do It



C984Fleshing his Will in the Spoil of her Honour : Desire, Misoginy, and the Perils of Chivalry



D074'Seeing Things' : Amazons and Canibals

HATTAWAY, Michael 1996


P5/22Rebellion, Class Consciousness, and Shakespeare's 2 Henry VI

HATTAWAY, Michael Avril 1988


C770Shakespeare and Ceremony

HATTAWAY Michel 1990


A796Europe in the Age of Louis XIV

HATTON Ragnhild 1969

C597La traduction de l'intraduisible (Résumé de la communication)

HAUDRY C. 1983


C772Richard III , démythification du pouvoir royal

HAUDRY Christiane 1990


A052 English Charlemagne Romances Part III The End of The Noble And Ernsten Prynce Charles TheGrete

HAUSKNECHT 1880

A024The English Charlemagne Romance Part V The Romance of The Sowdone of Babylone

HAUSKNECHT 1891

A621Dryden' s "Tagged" Version of "Paradise Lost"

HAVENS P.S. 1967


A615Harpalus Complaynt on Phillidaes Love Bestowed on Corin, Who Loved Her Not, and DenyedHim that Loved Her

HAWARD L.T. 1962


In

D060Ideology

HAWKES, David 1996

A358Hamlet

HAWKES Terence 1968

Shakespeare and the Reason: a Study of the Tragedies and the Problem PlaysIn

A358King Lear

HAWKES Terence 1968


A358Macbeth

HAWKES Terence 1968


A358Othello

HAWKES Terence 1968


A358Shakespeare and the Reason: a Study of the Tragedies and the Problem Plays

HAWKES Terence 1968

A601'Love' in King Lear

HAWKES Terence 1969


A788'Love' in King Lear

HAWKES Terence 1969


A688Postcript: Theatre Against Shakespeare?

HAWKES Terence 1969


B500Postscript: Theatre against Shakespeare?

HAWKES Terence 1969


B699Shakespeare's Talking Animals

HAWKES, Terence 1971


C845Structuralism and Semiotics

HAWKES Terence 1977

C594Comedy, orality, and duplicity : A Midsummer Night's Dream and Twelfth Night

HAWKES Terence 1980


C672Telmah

HAWKES Terence 1985


C711Shakespeare and new critical approaches

HAWKES Terence 1986


C673That Shakespeherian rag : essays on a critical process

HAWKES Terence 1986

C956Wittgenstein ‘s Shakespeare

HAWKES Terence 1988

Bad Shakespeare : Revluations of the Shakespeare CanonIn

C703Take me to your Leda

HAWKES Terence 1990


C966A Sea Shell

HAWKES Terence 1992


C915Meaning by Shakespeare

HAWKES Terence 1992

C938Swisser-Swatter : making a man of english letters

HAWKES Terence 1992


C918Shakespeare and the general strike

HAWKES Terence 1993


D206Alternative Shakespeares, Vol II

HAWKES Terence 1996

D285Bryn Glas

HAWKES, Terence. 1998


D282Entry on Q

HAWKES, Terence. 1999


D121Alternative Shakespeare (vol. 2)

HAWKES, Terence (ed) 1996

B902Likeness of Truth in Elizabethan and Restoration Drama

HAWKINS, Harriett 1972

C401Poetic freedom and poetic truth : chaucer, Shakespeare, Marlowe, Milton

HAWKINS Harriett 1976

C472'The devils party' : virtues and vices in Measure for Measure



C533The morality of Elizabethan drama : some footnotes to Plato



In

C594What neoclassical criticism tells us about what Shakespeare does not do



C581'The Devil's Party' : virtues and vices in Measure for Measure



C956From King Lear to King Kong and Back: Shakespeare and Popular Modern Genre



C724Mortality, Morality, and Modernity in The Broken Heart : Some Dramatic and CriticalCounter-Arguments



C186The Government : its Role and its Aims

HAWKINS Michael 1973


C027Mutabilitie and the Cycle of the Months

HAWKINS, Sherman 1967


C537English drama before Shakespeare, 1773

HAWKINS Thomas 1979


C379/4From his adaptation of Cymbeline, 1759

HAWKINS William 1976


D154Shakespearean Sensibilities : Women Writers Reading Shakespeare, 1753-1808

HAWLEY Judith 1997


A685The Italian Renaissance in its Historical Background

HAY Denys 1961

C498Sexual disguise in As You Like It and Twelfth Night

HAYLES Nancy K. 1979


C810Self-denial and self-assertion in some plays of Thomas Kilroy : The Madame MacAdam TravellingTheatre

HAYLEY Barbara 1991


C909The Social Relations of Jonson’s Theater

HAYNES Jonathan 1992

C976The social relations of Jonson's theater

HAYNES Jonathan 1992

C575Those "soft and delicate desires" : Much Ado and the distrust of women

HAYS Janice 1980

The woman's partIn

C379/3On the adaptations of Romeo and Juliet, 1745

HAYWOOD Elizah 1975


P5/20A Magnificent Lord : Leceister, Kenilworth, and Transformations in the Idea of Magnificence

HAZARD Mary E. 1987


A741/1Old English Plays : Vol I & II

HAZLITT Carew W. 1964

A741/2Old English Plays : Vol III- IV


A741/3Old English Plays : Vol VI & VII


A741/4Old English Plays : Vol VIII & IX


A741/5Old English Plays : Vol X & XI


A741/6Old English Plays : Vol XII & XIII


A741/7Old English Plays : Vol XIV & XV


B558On Shakespeare and Milton

HAZLITT William 1951


A599Unity and Variety in Shakespeare' s Design



C285On Actors and Acting

HAZLITT, William 1970



HAZLITT, William 1970


C779From Lectures ... on the Dramatic Literature of the Age Of Elizabeth, 1820



D260The Character of Richard III



A675The English Rogue Described, in the Life of Meriton Latroon, a Witty Extravagant:Comprehending the Most Eminent Cheats of Both Sexes

HEAD Richard 1957


C690The Faerie Queene : a reader's guide

HEALE Elizabeth 1987

A897John Donne Ignatius His Conclave

HEALY T.S. 1969

C901New Latittudes : Theory and English Renaissance Literature

HEALY Thomas 1992

D019Christopher Marlowe

HEALY Thomas 1994

A698Les styles instrumentaux dans la musique de la Renaissance

HEARTZ Daniel 1960


A697/2Un Divertissement de palais pour Charles Quint à Binche

HEARTZ Daniel 1960


C583Goldoni, the "Drama giocoso" and "Don Giovanni"

HEARTZ Daniel 1984


C379/4On restoring Shakespeare's text, march 1765

HEATH Benjamin 1976


C592Droit de regard : Suspicion, Alfred Hitchcock

HEATH Stephen 1980


C592Système-récit : The Touch of Evil (La Soif du Mal ), Orson Welles

HEATH Stephen 1980


A547/4Poly-Olbion. The Works of Michael Drayton, volume IV

HEBEL J. William (editor) 1961

A547The Works of Michael Drayton, volume I


A547/2The Works of Michael Drayton, volume II


A547/3The Works of Michael Drayton, volume III


A547/5The Works of Michael Drayton, volume V


A698Influence de la musique instrumentale du XVIè siècle sur la rythmique moderne du XVIIè

HECKMANN Harald 1960


Z9Northumberland Families (volume I)

HEDLEY Percy W. 1968

C656 eThe Shakespeare plays on TV : The Winter's Tale

HEDRICK Donald K.

D142War is Mud : Branagh's Dirty Harry and the Types of Political Ambiguity

HEDRICK, Donald K. 1997


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A775Unifying Symbols in the Comedy of Ben Jonson

HEFFNER Ray L. 1965


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C470Unifying symbols in the comedy of Ben Jondon

HEFFNER Ray L., Jr 1963


B505Esthétique: textes choisis par Claude Khodoss

HEGEL 1970

B043from The Philosophy of Fine Art

HEGEL Georg Wilhelm Friedrich 1963


C141Heydegger's Letter to the Bishop of London

HEIDDEGER, John James 1973


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A463/11The Criminal as Tragic Hero : Dramatic Methods

HEILMAN R.B. 1966


A929Modes of Irony in Othello

HEILMAN R.B. 1968


C196Magic in the Web : Action and Language in Othello

HEILMAN, Robert B. 1956

C204Manliness in the Tragedies Dramatic Variations

HEILMAN, Robert B. 1964


A601The Unity of King Lear

HEILMAN Robert B. 1969


A788The Unity of King Lear



B885Wit and Witchcraft: An Approach toOthello



A776Tragedy and Melodrama: Versions of Experience

HEILMAN Robert Bechtold 1968

B043from Shakespeare's Maidens and Women: excerpt from Inroduction; Desdemona (Othello), Virgilia(Coriolanus)

HEINE Heinrich 1963


C499Puritanism and theatre : Thomas Middleton and opposition drama under the Early Stuarts

HEINEMANN Margot 1980

C715How Brecht read Shakespeare



C780Political drama



C933‘God Help The Poor: The Rich Can Shift’: The World Upside-Down and The Popular Tradition inthe Theatre



C550Cérémonies funèbres organisées par les Jésuites recevant le coeur d'Henri IV au collège de LaFlèche (4 juin 1610 et 4 juin 1611)

HELARD-COSNIER C. 1980


B555The Influence of Gorboduc on King Lear

HELIODORA, Barbara and de MENDONÇA, 1960


C555The English mummers' play

HELM Alex 1980

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HELM, James L. 1993


P5/28Thomas Middleton's Cleanthes and Renaisance Gerontology

HELM L. James 1991


C165England under the Yorkists and Tudors 1471-1603

HELM, P.J. 1972

D256Shakespeare's narremes

Helmut Bonheim 2000


D142A Shrew for the Times

HENDERSON, Diana E. 1997


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C810Tom Murphy : the artist as informer

HENDERSON Lynda 1991


B759Christopher Marlowe

HENDERSON Philip 1966

D285'Tis not the fashion to confess': 'Shakespeare-Post-Coloniality-Johannesburg, 1996'

HENDRICKS, Margo. 1998


B764/4Some Renaissance Versions of the Pythagorean Tetrad

HENINGER, S.K. jr 1961


B764/5The Implications of Form for The Shepheardes Calender.

HENINGER, S.K. jr 1963


C358Renaissance dramatic bawdy (exclusive of Shakespeare) : an annotated glossary and criticalessays volume 2

HENKE James T. 1974

C343Renaissance dramatic bawdy (exclusive of Shakespeare) : an annotated glossary and criticalessays volume 1

HENKE James T. 1974

C117The Harvest of Tragedy

HENN, T.R. 1966

A717Yeats and the Theatre

HENN T.R. 1968


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B850The Living Image

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HENNEQUIN Jacques 1968


A463/2Shakespeare and Denmark: 1900-1949

HENRIQUES Alf 1966


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HENRY, Franck 1993

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HENSMAN Bertha 1974

C258The Shares of Fletcher, Field and Massinger in Twelve Plays of the Beaumont and Fletcher Canon(vol. I)

HENSMAN, Bertha 1974

B591How to find out in history

HEPWORTH Philip 1969

D256The view of London from the north and the playhouses in Holywell

Herbert Berry 2000


C354Ambiguity in writings on humanistic education : text criticism and the concept of man :supplementary remarks

HERDING Otto 1966


C470Introduction to Every Man Out of His Humour

HERFORD C.H. 1963


A600Julius Caesar and Ben Jonson' s Sejanus

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B872Introduction to Volpone

HERFORD C.H. 1972


A775"The Alchemist"

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HERRICK Marvin T. 1962

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HERRICK Marvin T. 1962


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A023The English Charlemagne Romance Part I Sir Ferumbas

HERRTAGE S.J. 1903

A031Catholicon Anglicum

HERRTAGE Sidney J.H. 1881

A036The Taill of Rauf Coilyear


A076The Early English Versions of the Gesta Romanorum


A094England in the Reign of King Henry the Eighth . Part I & II . Starkey's Life and Letters

HERRTRAGE Sidney J. 1878

A064An Old English Matyrology

HERZFELD G. 1900

B050From Plutarch to Shakespeare: A Study of Coriolanus

HEUER Hermann 1969


P5/33Prophesy, Casuistry, and Epideictic in Marvell's 'Upon Appleton House'

HEUMANN, Mark 1993


A697/2Le Sacre de Charles Quint à la Aix-la-Chapelle

HEUSCH Hermann 1960


B764/2Seyssel, Machiavelli, and Polybius VI: the Mystery of the Missing Translation

HEXTER, J.H. 1956


B764/2Il Principe and Lo Stato

HEXTER, J.H. 1957


A288Thyestes, by L. Annaeus Seneca

HEYWOOD Jasper 1969


A285The Four PP.

HEYWOOD John 1966


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HEYWOOD Thomas 1961

B176Oenone and Paris

HEYWOOD Thomas 1963


B046An Apology for Actors (1612)

HEYWOOD Thomas 1968


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HEYWOOD Thomas 1968


HEYWOOD Thomas 1969


B442A Woman Killed with Kindness

HEYWOOD Thomas 1970

C202Troia Britanica : or, Great Britaines Troy

HEYWOOD, Thomas 1972

C147An Apology for Actors

HEYWOOD, Thomas 1973

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C779From 'The FamousTragedy of the Rich Jew of Malta', 1633

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HIAO-TSIUN Ma 1965


B161Thomas Nashe: A Critical Introduction

HIBBARD G.R. 1962

B546Crabbe and Shakespeare

HIBBARD, G.R. 1966


B546Renaissance and Modern essays

HIBBARD, G.R. 1966

A463/12George Chapman : Tragedy and the Provincial View of History

HIBBARD G.R. 1967


A463/13Critical Studies

HIBBARD G.R. 1968


A463/13 'Othello' and the Pattern of Shakespearian Tragedy

HIBBARD G.R. 1968


A463/14Critical Studies

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HIBBARD G.R. 1970


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C433Henry IV and Hamlet

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C472Adumbrations of The Tempest in A Midsummer Night's Dream

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C500Feliciter audax : Antony and Cleopatra, I, i, 1-24

HIBBARD G.R. 1980


C515King Lear : a retrospect, 1939-79

HIBBARD G. R. 1980


C552The Elizabethan theatre VII

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C582King Lear : A retrospect, 1939-79

HIBBARD G.R. 1982

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D013From "iygging vaines of riming mother wits" to "the spacious volubilitie of a drumming decasillabon"

HIBBARD G.R. 1990


B764/4The Education of a Prince: Lodovico il Moro and the Rise of Pandolfo Petrucci

HICKS, David L. 1961


D033The Female Body Politic : from Victimization to Empowerment

HIDALGO Pilar 1993


C027The Daughters of Horus : Order in the Stanzas of Epithalamion

HIEATT, A. Kent 1967


M09Man and God in Tamburlaine and Doctor Faustus

HIEAUX Marie-Lise 1970

C537Idolizing Shakespeare, 1770

HIFFERNAN Paul 1979


B952The Anatomy of Satire

HIGHET, Gilbert 1962

A006The Three Kings of Cologne

HILDESHEIM John of 1886

C985Playing Places for Shakespeare : The Maddermarket Theatre, Norwich

HILDY Franklin J. 1994


A821King Henry The Fifth

HILL Aaron 1969

C379/2From his adaptation of Henry V, 1723

HILL Aaron 1974


C379/3On King Lear and Hamlet, october 1735

HILL Aaron 1975


B371Poetry and Stylistics (1956)

HILL Archibald A. 1967


D042Reinterpreting the "Glorious Revolution" : Catharine Macaulay and Radical Response

HILL Bridget 1995


C181Who's Who in History (vol. III) . England 1603 to 1714

HILL, C.P. 1965

A686Protestantism and the Rise of Capitalism

HILL Christopher 1961


A429Intellectual Origins of the English Revolution


B034Society and Puritanism in Pre-Revolutionary England


B832Reformation to Industrial Revolution

HILL, Christopher 1967

A987The Century of Revolution: 1603-1714


A635Society and Andrew Marvell



B440God's Englishman: Oliver Cromwell and the English Revolution

Hill Christopher 1970

B688Antichrist in Seventeen-century England

HILL, Christopher 1971

B878The World Turned Upside Down: Radical Ideas during the English Revolution


C533George Wither and John Milton



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C634The experience of defeat


C720The collected essays of Christopher Hill . Vol. 2 : Religion and politics in 17th century England


P1/1946/IIJonson's Alchemist and The Literature of Alchemy

HILL DUNCAN, Edgar 1970


A441The World's Proportion: Jonson's dramatic poetry in Sejanus and Catiline

HILL Geoffrey 1965


A581'The True Conduct of Human judgement : Some observations on Cymbelyne

HILL Geoffrey 1969


D177The Oxford Guide to Film studies

HILL, J. & CHURCH GIBSON, P. (Eds.) 1998

C186County Government in Caroline England 1625-1640

HILL, L.M. 1973


B050The Composition of Titus Andronicus

HILL R.F. 1969


C398The Merchant of Venice and the pattern of romantic comedy

HILL R.F. 1975


C379/3Shakespeare and the actors, 1750

HILL Sir John 1975


C379/4On a revival of Antony and Cleopatra, 1759

HILL Sir John 1976


C563Poems of the Elizabethan age

HILLER Geoffrey G. 1977

P5/29'Where thou doost live, there let grace be': Images of the Renaissance Woman Patron in herHouse and Rural Domain

HILLER, Geoffrey G. 1991


P5/22Now let us Make Exchange of Mindes: Techniques of Verse Letter Characterisation in Drayton'sEnglands Heroicall Epistles

HILLER, Geoffrey G. Avril 1988


P1/1953/IVTouchstone: Critic in Motley

HILLIS GOLDSMITH, Robert 1953


C795Shakespeare's Romantic Innocents and the Misappropriation of the Romance Past:The Case ofThe Two Noble Kinsmen

HILLMAN Richard 1990


C854/2Le message second et ses termes révélateurs dans Hills like White Elephants et A clean,Well-Lighted Place : qu'en passe-t-il dans la traduction ?

HILY-MANE Geneviève 1987


P5/14Silex Scintillans: La Pétrification et le mort-vivant

HIMY, Armand 1984


D185Drama Criticism : Developments since Ibsen

HINCHLIFFE, Arnold P. (Ed.) 1979

B153/1The Printing and Proof-reading of the First Folio of Shakespeare, volume I

HINMAN Charlton 1963

B153/2The Printing and Proof-reading of the First Folio of Shakespeare, volume II


Z3The First Folio of Shakespeare


A943The Apotheosis of Faust: Poetry and New Philosophy in the Seventeenth Century

HINMAN Robert B. 1970


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B855/1The Apotheosis of Faust: Poetry and New Philosophy in the Seventeenth Century

HINMAN, Robert B. 1970


B764/3The Decoration of a 1486 Book Wrapper and its Reappearance in 1531

HIRSCH, Rudolf 1959


C652Edward Bond

HIRST David L.

C700Tragicomedy

HIRST David Lawrence 1984

C782Authority and Conflict : England 1603-1658

HIRST Derek 1986

P5/41Sovereignty: Crises of Desire and Faith in The Winter's Tale and Henry VIII

HISCOCK, Andrew 1997


D225Mary Wollstonecraft, la révolution française et A Vindication of the Rights of Woman

HIVET Christine 1999


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B060Behemoth or the Long Parliament

HOBBES Thomas 1969

B390The Elements of Law: Natural and Politic

Hobbes Thomas 1969

D042A woman's Best Setting Out is Silence : the Writings of Hannah Wolley

HOBBY Elaine 1995


A463/13Imagery and Irony in 'Henry V'

HOBDAY C.H. 1968


C171Shakespeare's Venus and Adonis Sonnets

HOBDAY, C.H. 1973


D129Metre, Rythm, and Verse Form

HOBSBAUM, Philip 1996

B815Full Circle: Shakespeare and Moral Development

HOBSON Alan 1972

A603All This and Helen, Too

HOBSON Harold 1969


B605Recent Productions of Measure for Measure

HOBSON Harold 1971


M56Julius Caesar: A Structural Approach

HOCHARD, Anne-Sophie 1992

A453Manierismus in der Literatur: Sprach-Alchimie und esoterische Kombinationskunst

HOCKE Gustave René 1959

B514Radical Pose in the late Eighteenth century

HODGART Matthew 1964


C963The Critic, the Poor Player, Prince Hamlet, and the Lady in the Dark

HODGDON Barbara 1994


D142Race-ing in Othello , Re-Engendering White-Out

HODGDON, Barbara 1997


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D287Sexual Disguise and the Theatre of Gender

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B249Shakespeare's Theatre

HODGES C. Walter 1966

A463/2Unworthy Scaffolds: A Theory for the Reconstruction of Elizabethan Playhouses



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A518The Globe Restored : A Study of the Elizabethan Theatre


C212Shakespeare's Second Globe : the Missing Monument

HODGES, C. Walter 1973

A619William Congreve : Letters & Documents

HODGES John C. 1964

B455The Lantern of Taste

HODGES Walter 1969


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D240William Shakespeare's Romeo+ Juliet : Everything's Nice in America ?

HODGON Barbara 1999


B769The Uses of Drama

HODGSON, John 1972

C371The artist exploring the primitive : King Lear

HOENIGER F.D. 1974


C399Shakespeare's romances since 1958 : a retrospect

HOENIGER F. David 1976


C995Italy staged in English Renaissance drama

HOENSELAARS A.J. 1993


C995'Under the dent of the English pen' : the language of Italy in English Renaissance drama

HOENSELAARS A.J. 1993


P5/36The Elizabethans and the Turks at Constantinople

HOENSELAARS, A.J. 1995


D003World Citizens in Henry V and The Merry Wives of Windsor

HOENSELAARS Ton 1994


D057Renaissance Identities in Shakespeare's Twelfth Night

HOENSELAARS, Ton 1996


B353The man who was Shakespeare

HOFFMAN Calvin 1955

B582An Interpretation of Shakespeare's Coriolanus

HOFLING Charles K. 1970


C456The Kemble family : a genealogical record, 1704-1925

HOGAN C.B.


A767Shakespeare in the Theatre 1701-1800

HOGAN Charles Beecher 1952


HOGAN Charles Beecher 1968

C819Plot, Character, and Comic Language in Sheridan

HOGAN Robert 1986


B454Contemporary Cultural Studies: An Approach to the Study of Literature and Society

HOGGART Richard 1970


B855/2Contemporary Cultural Studies: An Approach to the Study of Literature and Society

HOGGART, Richard 1970


A376Anti-Puritan Satire(1572-1642)

HOLDEN William P. 1968

A623Shakespeare on the Screen : A Selected Filmography

HOLDERNESS G. & McCULLOUGH C.


C715Radical potentiality and institutional closure: Shakespeare in film and television

HOLDERNESS Graham 1985


C716Boxig the Bard : Shakespeare and television (extract)



C716Radical potentiality and institutional closure : Shakespeare in film and television (extract)



D030"A Woman's War" : a Feminist Reading of Richard II



D009Henry IV : Carnival and History



D012Radical Potential : Macbeth on Film


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D009Shakespeare's History Plays : Richard II to Henry V


C925Shakespeare Rewound



C883The Tragicall Historie of Hamlet Prince of Denmarke

HOLDERNESS Graham & LOUGHREY Bryan 1992

C958Shakespeare on the Screen: a selective filmography

HOLDERNESSG. AND McCULLOUGH C. 1994


C498As You Like It adapted : Charles Johnson's Love In A Forest

HOLDING Edith 1979


C464Jonson : Every man in his Humour and The Alchemist

HOLDSWORTH Roger Victor 1978

C606A propos de trois vers d'Othello

HOLDT Marvin 1984

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C512An ironical (?) defence of Iago, 1796

HOLE Richard 1981


D235From The Chronicles of England, Scotland and Ireland

HOLINSHED Raphael 1999


B454The 'Unconscious' of Literature: The Psychoanalytic Approach

HOLLAND Norman 1970


B855/2The'Unconscious' of Literature: the Psychoanalytic Approach

HOLLAND, Norman 1970


P1/1960/IIIFreud on Shakespeare

HOLLAND Norman N. 1960


B812The Shakespearean Imagination


A340The Country Wife



A625The First Modern Comedies: the significance of Etherege, Wycherley and Congreve


C879Nahum Tate’s defence of farce

HOLLAND Peter 1988

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C822Dreaming the Dream

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C718Dreaming the Dream

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C740The resources of characterization in Othello

HOLLAND Peter 1989


C925Shakespeare performances in England 1990-1

HOLLAND Peter 1993


C934Noël Coward and comic geometry

HOLLAND Peter 1994

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C984Shakespeare Performances in England, 1992

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C985Shakespeare Performances in England, 1992-1993

HOLLAND Peter 1994


C985Stratford Stages : Interviews with Michael Reardon and Tim Furby, and Sam Mendes

HOLLAND Peter 1994


C985Theseus' Shadows in A Midsummer Night's Dream

HOLLAND Peter 1994


C958Two-dimensional Shakespeare: King Lear on film

HOLLAND Peter 1994


D094Shakespeare Performances in England, 1993-4

HOLLAND, Peter 1995


D135Shakespeare Performance in England, 1994-1995

HOLLAND, Peter 1996


D074'Travelling Hopefully' : The Dramatic Form of Journeys in English Renaissance drama

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D173English Shakespeares

HOLLAND, Peter 1997

D244English Shakespeares: Shakespeare on the English Stage in the 1990s

HOLLAND Peter 1997

A712Musica Mundana and Twelfth Night

HOLLANDER John 1963


B371The Metrical Emblem (1959)

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B995Donne and the Limits of Lyric

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B873The Role of Music in Twelfth Night

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C949Spenser’s Undersong

HOLLANDER John 1987


C035The Oxford Anthology of English Literature : the Literature of Renaissance England

HOLLANDER, John & KERMODE, Frank 1973

B514English and some Christian Traditions

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A357Corionalus

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A357Hamlet

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A357King Lear

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A357Macbeth

HOLLOWAY John 1965


A357Othello

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A357The Story of the Night

HOLLOWAY John 1965

A357Timon of Athens

HOLLOWAY John 1965


A789Hamlet

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A598The Action of Antony and Cleopatra

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A601 King Lear

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A788King Lear

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C548Strindberg et l'expressionnisme. Notes sur l'art dramatique du naturalisme et de l'expressionnisme

HOLM Ingvar 1971


D135The Poetics of Paradox : Shakespeare's versus Zeffirelli's Cultures of Violence

HOLMER, Joan Ozark 1996


B539The art of Thomas Middleton

HOLMES, David M. 1970

A732Aspects of Elizabethan Imagery

HOLMES Elizabeth 1966

A204British Politics in the Age of Anne

HOLMES Geoffrey 1967

A739Shakespeare' s Public : the touchstone of his Genius

HOLMES Martin 1964

B908Shakespeare and His Players

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C468Shakespeare and burbage : the sound of Shakespeare as devised to suit the voice and talents ofhis principal player

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C006An Attempte to Rescue that Auciente English Poet and Play-Wrighte Maister WilliaumeShakespere

HOLT, John 1971

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C379/3Remarks on The Tempest, 1749

HOLT John 1975


B499Dryden and the Beginnings of Shakespeare Criticism in the Augustan Age.

HOLT MONK Samuel 1964


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A155Vices and Virtues . Part I

HOLTHAUSEN Ferd. 1888

A604Outlines of Tudor and Stuart Plays 1497-1642

HOLZKNECHT Karl J. 1963

A775The Dramatic Structure of "The Changeling"

HOLZKNECHT Karl L. 1965


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C879Farce after Existentialism: Pirandello’s It Is So ! (If You Think So)

HOMAN Richard L. 1988

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A280Douglas

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D154Shakespeare the Man

HONAN Park 1997


A463/5The Date of Hamlet

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A463/13Shakespeare' s Life, Times and Stage



C399Re-enter the stage direction : shakespeare and some contemporaries



C460Shakespeare : seven tragedies . The dramatist's manipulation of response


C500Shakespeare's 'bombast'



C972John Weever : A Biography of a Literary Associate of Shakespeare and Jonson, Together with aPhotographic Facsimile of Weever's Epigrammes (1599)


C758The Play of Sir Thomas More and Some Contemporary Events

HONIGMANN E. A. J. 1990


C960British Academy Shakespeare Lectures 1980-89


C960Shakespeare's Mingled Yarn and Measure for Measure



C974Shakespeare's Will and Testamentary Traditions



A972The Politics in Hamlet and 'The World of the Play'

HONINGMANN E.A.J. 1965

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A974The Stability of Shakespeare's Text

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A201/1The Critical Works of John Dennis(1692-1711)

HOOKER Edward Niles 1939

A201/2The Critical Works of John Dennis(1711-1729)


A591Pope on Wit : The "Essay on Criticism"



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A983/2Of the Laws of Ecclesiastical Polity(VOL II)

HOOKER Richard 1968

A983/1Of the Laws of Ecclesiastical Polity

HOOKER Richard 1969

D201Artists and humanists

HOPE Charles and MCGRATH Elizabeth 1997


C696"A genteel Comedy" . Réactions critiques à The Man of Mode au début du XVIIIe siècle

HOPES Jeffrey 1987


B558Letters

HOPKINS Gerard Manley 1951


P5/37Acting the Self: John Ford's Perkin Warbeck and the Politics of Imposture

HOPKINS, Lisa 1995


P5/46Ladies' Trial: Women and the Law in Three Plays of John Ford

HOPKINS Lisa 1999


P5/46Ladies' Trials: Women and the Law in Three Plays of John Ford

HOPKINS, Lisa 1999


C964Pratiques et écritures théâtrales dans le cadre de la pédagogie du jeu

HOPPE HANS 1990


B381/67Annual Bibliography of English Language and Literature, volume 42, 1967

HORDEN John and MISENHEIMER James B. 1969









C856Les Traductions Françaises de Shakespeare

HORN-MONVAL M. 1963

A526Les Traductions Francaises de Shakespeare, à l'occasion du quatrième centenaire de sa naissance1564-1964

HORN-MONVAL M. 1963

A527Répertoire Bibliographique des Traductions et Adaptations Françaises du Théâtre étranger duXVéme siècle à nos jours, Tome V: 1. Théâtre Anglais, 2. Théâtre Américain

HORN-MONVAL M. 1963

T26Script into Performance: a Structuralist View of Play Production

HORNBY Richard 1977

A166Nero and Other Plays

HORNE Herbert P. 1888

B764/4Three Interpretations of the French Renaissance

HORNIK, Henry. 1960


B104La Mise en scène d'opéra et le ballet

HOROWICZ Bronislaw 1965


B104Le Théâtre lyrique et le ballet au XXè siècle



B104Naissance et évolution de l'opéra



A528Architecture et Théâtre Lyrique



A768Shakespeare, An Existential View

HOROWITZ David 1965

A025The Lives of Women Saints of our Contrie of England

HORSTMANN 1886

A111The Early South-English Legendary or Lives of Saints

HORSTMANN Carl 1887

A156The Life of Saint Werburge of Chester

HORSTMANN Carl 1887

A109Life of St. Katharine of Alexandria

HORSTMANN Carl 1893

A021The Minor Poems of The Vernon MS

HORTSMANN C. 1892

A463/10Provincial Life

HOSKINS W.G. 1965


B555Was there a Music-room in Shakespeare's Globe?

HOSLEY, Richard 1960


B450Essays on Shakespeare and Elizabethan Drama

HOSLEY Richard 1962

B450Hardin Craig

HOSLEY Richard 1962


B046The Discovery-Space in Shakespeare's Globe

HOSLEY Richard 1968


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A688A Reconstruction of the Second Blackfriars

HOSLEY Richard 1969


B500A reconstruction of the second Blackfriars

HOSLEY Richard 1969


B050Shakespeare's Use of a Gallery over the Stage

HOSLEY Richard 1969


B455The Discovery-space in Shakespeare's Globe

HOSLEY Richard 1969


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C375The playhouses

HOSLEY Richard 1975


C552A reconstruction of the fortune playhouse: part II

HOSLEY Richard 1980


B165Shakespeare's Wooden O

HOTSON Leslie 1960

A386The Commonwealth and Restoration Stage

HOTSON Leslie 1962

B295Mr W. H.

HOTSON Leslie 1964

A463/1The Projected Amphitheatre

HOTSON Leslie 1966


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C366Shakespeare's motley

HOTSON Leslie 1971

B873The Real Duke Orsino

HOTSON Leslie 1972


P5/28A Chaste Maid in Cheapside and Women Beware Women: Feminism, Anti-Feminism and theLimitations of Satire

HOTZ-DAVIES Ingrid 1991


B514Coleridge and the Victorians

HOUGH Graham 1964


A717Edgar Allan Poe

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B454Criticism as a Humanist Discipline

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B855/2Criticism as a Humanist Discipline

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A600Filming Julius Caesar

HOUSEMAN John 1969


A578 Chaucer the Man

HOWARD Donald R. 1969


C953Massinger’s Political Tragedies

HOWARD Douglas 1985


C953Philip Massinger : A Critical Reassessment

HOWARD Douglas 1985

D235From A Defensative against the Poison of Supposed Prophecies

HOWARD Henry 1999


C724'Effeminately Dolent' : Gender and Legitimacy in Ford's Perkin Warbeck

HOWARD, Jean 1988


C819The Difficulties of Closure: An Approach to the Problematic in Shakespearian Comedy

HOWARD Jean E. 1986


C733Renaissance Antitheatricality and the Politics of Gender and Rank in Much Ado About Nothing

HOWARD Jean E. 1987

Shakespeare Reproduced : the Text in History and IdeologyIn

C876Scripts and versus Playhouses: Ideological Production and the Renaissance Public Stage

HOWARD Jean E. 1991


D039Sex and Social Conflict : the Erotics of The Roaring Girl

HOWARD Jean E. 1992


C924The New Historicism in Renaissance Studies

HOWARD Jean E. 1992


C920The Stage and Social Struggle in Early Modern England

HOWARD Jean E. 1994

D122Engendering a Nation

HOWARD, Jean E. et RACKIN, Phyllis 1997

D122Henry V


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D122Henry VI, part I, part II, part III



D122King John



D122Richard III



D122The Henry IV Plays



D122Richard II

HOWARD, Jean E. & RACKIN, Phyllis 1997


D260A feminist Account of Richard III

HOWARD Jean.E & RACKIN Phyllis 1999


D280Introduction: Marxism Now, Shakespeare Now

HOWARD, Jean.E. SHERSHOW, Scott. 2001


D280Marxist Shakespeares

HOWARD, Jean.E. SHERSHOW, Scott. 2001

C733Shakespeare reproduced : the text in history and ideology

HOWARD Jean Elizabeth and O'CONNOR Marion F. 1987

A615The Complaint of Thestlis the Forsaken Sheepheard

HOWARD L.T. 1962


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B891The Puritans in Old New England

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C793Painting and Imagery

HOWARD M. AND LLEWELLYN N. 1989


D142When Peter Met Orson : The 1953 CBS King Lear

HOWARD, Tony 1997


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B711Shakespearian Bibliography and Textual Criticism: A Bibliography

HOWARD-HILL T.H. 1971

A463/7Shakespeare' s Gentleness

HOWARTH Herbert 1966


A979The Tiger's Heart: Eight Essays on Shakespeare

HOWARTH Herbert 1970

C879From Arlequin to Ubu : farce as anti-theatre

HOWARTH W.D. 1988

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C961The Oxford Companion To Classical Literature

HOWATSON M.C. 1989

B407Sir Philip Sidney.The Shepherd Knight

HOWELL Roger 1968

B126Logic and Rhetoric in England,1500-1700

HOWELL Samuel Wilbur 1956

D235From A Sermon Preached at St. Mary's in Oxford, the 17. Day of November, 1602

HOWSON John 1999


A941The Hyacinth Room: An Investigation Into the Nature of Comedy, Tragedy, & Tragicomedy

HOY Cyrus 1964

A917Navarre and His Bookmen

HOY Cyrus 1967


B481The Scornful Lady

HOY Cyrus 1970


C171Jacobean Tragedy and the Mannerist Style

HOY, Cyrus 1973


C373The Faithful Shepherdess

HOY Cyrus 1976


C484Fathers and daughters in Shakespeare's romances

HOY Cyrus 1978


C461Bonduca

HOY Cyrus 1979


C552Masques and the artifice of tragedy

HOY Cyrus 1980


C545The Humorous Lieutenant

HOY Cyrus 1982


C953Massinger as Collaborator: The Plays with Fletcher and Others

HOY Cyrus 1985


A482The Knight of the Burning Prestle

HOY Cyrus (editor) 1966


C281Lectures on Shakespeare

HUBBELL, Lindley Williams 1972

C184/1Paracelsits in Poland

HUBICKI, Wlodzimierz 1972


B410The Sense of Shakespeare's Sonnets

HUBLER Edward 1962

A621The Verse Lining of the First Quarto of "King Lear"

HUBLER Edward 1967


B885The Economy of the Closed Heart

HUBLER Edward 1970


A581Notes on a Production of Wilson Knight' s 'Ideal Macbeth '

HUDDLESTONE Linden 1969


C779From 'Shakespeare: His Life, Art, and Characters', 1872

HUDSON H.N. 1979


B456Shakespeare's Use of Colloquial Language

HUDSON Kenneth 1970


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C761The lady of pleasure

HUEBERT Ronald 1986

D259Shakespeare criticism

Hugh Grady 2001


C379/2On Othello, april 1713

HUGHES John 1974


A365A Century of English Farce

HUGHES Leo 1956

B771The Drama's Patrons

HUGHES, Leo 1971

B015Beyond Desobedience

HUGHES Merrit Y. 1968


P1/1960/VSome of Donne's 'Ectasies'

HUGHES Merritt Y. 1960


A591Milton' s Treatment of Reformation History in "The Tenure of Kings and Magistrates"

HUGHES Merritt Y. 1969


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A641Tudor Royal Proclamations (Vol. II) : The Later Tudors( 1553-1587)

HUGHES Paul L. & LARKIN James F. 1969

A642Tudor Royal Proclamations (Vol. III) : The Later Tudors( 1588-1603)

HUGHES Paul L. & LARKIN James F. 1969

A460The Reformation in England

HUGHES Philip 1963

A460Volume one: "The King's Proceedings"

HUGHES Philip 1963

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A460Volume three:"True Religion now Established"

HUGHES Philip 1963


A460Volume two: Religio Depopulata

HUGHES Philip 1963


B043from William Shakespeare: excerpt from Part II, Book II, Chapter 5-Shakespeare's Work; excerptfrom Part II, Book IV, Chapter 1-Criticism

HUGO Victor Marie 1963


B100Homo Ludens: essai sur la fonction social du jeu

HUIZINGA J. 1951

C079The Comedy of Errors

HULL, Thomas 1793

A977Shakespeare's Language

HULME Hilda 1964


B225Explorations in Shakespeare's Language: Some Problems of Lexical Meaning in the Dramatic Text

HULME Hilda M. 1965

C472'A piece of skilful painting' in Shakespeare's Lucrece

HULSE S.Clark 1978


D193 Shakespeare's Myth of Venus and Adonis (1978)

HULSE S.Clark 1997


C379/4Shakespeare and Jacobean taste, 1754

HUME David 1976


B751Dryden's Criticism

HUME Robert D. 1970

C404The development of English drama in the late seventeenth century

HUME Robert D. 1976

C551Securing a repertory : plays on the London stage 1660-5

HUME Robert D. 1981


C203The English History Plays

HUMPHREYS, A.R. 1973


C169Style and Expression in Hamlet

HUMPHREYS, Arthur R. 1973


C527Much Ado About Nothing

HUMPHREYS Arthur Raleigh 1981

C291Old Vic Prefaces : Shakespeare and the Producer

HUNT, Hugh 1973

D011A Thing of Nothing : the Catastrophic Body inHamlet

HUNT John 1992

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B883Grace, Art and theNeglect of Time in Love's Labour's Lost

HUNT John Dixon 1972


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C494The visual arts of Shakespeare's day

HUNT John Dixon 1978


C285Mrs Siddons

HUNT, Leigh 1970


C779From 'Imagination and Fancy', 1844

HUNT Leigh 1979


A720Thomas Dekker: A Study

HUNT Mary Leland 1964

B818Alberic of Monte Cassino and Reginald of Canterbury

HUNT R.W. 1969


B818Hugutio and Petrus Helias

HUNT R.W. 1969


B818Stephen of Antioch

HUNT R.W. 1969


B818Studies on Priscian in the Eleventh and Twelfth Centuries

HUNT R.W. 1969


B818Studies on Priscian in ther Twelfth Century-II: The School of Ralph Beauvais

HUNT R.W. 1969


B818Medieval and Renaissance Studies

HUNT, Richard, KLIBANSKY, Raymond 1969

A621The Scenes as Shakespeare Saw Them

HUNT Theodore B. 1967


A437John Lyly: The Humanist as Courtier

HUNTER G.K. 1962

A463/10Elizabethans and Foreigners

HUNTER G.K. 1965


A441English Folly and Italian Vice: the moral landscape of John Marston

HUNTER G. K. 1965


A972The Heroism of Hamlet

HUNTER G.K. 1965

HamletIn

A463/11'Macbeth' in the Twentieth Century

HUNTER G.K. 1966


A971The Last Tragic Heroes

HUNTER G.K. 1966

Later ShakespeareIn

A463/12Seneca and the Elizabethans : A Case-study in 'Influence'

HUNTER G.K. 1967


B677Lyly and Peele

HUNTER, G.K. 1968

B885A Midsummer Night's Dream

HUNTER G.K. 1970


B057Shakespeare: Henry IV (parts I & II)

HUNTER G.K. 1970

C453Italian tragicomedy on the English stage

HUNTER G.K. 1973


C409Shakespeare's earliest tragedies : Titus Andronicus and Romeo and Juliet

HUNTER G.K. 1974


C943Dramatic Identities and Cultural Tradition

HUNTER G. K. 1978

C494Shakespeare's tragic sense as it strikes us today

HUNTER G.K. 1978


C500Poem and context in Love's labour's lost

HUNTER G.K. 1980


C625Othelo and colour prejudice

HUNTER G. K. 1985


C819Comedy, Farce, Romance

HUNTER G.K. 1986


C711Shakespeare and the traditions of tragedy

HUNTER G. K. 1986


C716The BBC "All's Well that Ends Well"

HUNTER G.K. 1988


C758Truth and Art in History Plays

HUNTER G. K. 1990


C999Northrop Frye's 'Green World' : escapisme and transcendence

HUNTER G.K. 1995


D117English Drama 1586-1642The Age of Shakespeare

HUNTER, G.K. 1997

D154The Making of a Popular Repertory : Hollywood and the Elizabethans

HUNTER G.K. 1997


C413The Malcontent

HUNTER George K. 1975

B928The Metaphysical Poets

HUNTER, Jim 1965

A600Brutus and the Political Context

HUNTER Mark 1969


C494Shakespeare's comic sense as it strikes us today : Falstaff and the protestant ethic

HUNTER Robert G. 1978


A538Shakespeare and the Comedy of Forgiveness

HUNTER Robert Grams 1966

B015Before and After the Fall: Some Miltonic Patterns of Systasis

HUNTLEY Franck L. 1968


P1/1964/IVMacbeth and the Background of Jesuitical Equivocation

HUNTLEY, Frank L. 1964


A697Le Thème du Prince dans les Entrées parisiennes au XVIè siècle

HUON Antoinette 1956



HURD Richard 1975


C379/3On Shakespeare and ordinary life, 1749

HURD Richard 1975


C379/4On Shakespeare's language and learning, 1757

HURD Richard 1976


C379/4Shakespeare and gothic romance, 1765

HURD Richard 1976


C537Shakespeare's pastorals, 1766

HURD Richard 1979


A977The Elizabethan People in th e Age of Shakespeare

HURSTFIELD Joel 1964


C398The politics of corruption in Shakespeare's England



C494The search for the good society in Shakespeare's day and our own



B884Elizabethan People: State and Society

HURSTFIELD Joel and SMITH Alan G.R. 1972

D057Twelfth Night , or Shakespeare's Anatomy of Melancholy ?

HURWORTH, Angela 1996


D240Gulls, Cony-Catchers and Cozeners: Twelfth Night and the Elizabethan Underworld

HURWORTH Angela 1999


A621The Shipwreck

HUSE William 1967


B480Chaucer's World: a Pictoral Companion

HUSSEY Maurice 1967

B744The World of Shakespeare and his Contemporaries: A Visual Approach

HUSSEY Maurice 1971

B323The Minor Poems and the Prose

HUSSEY S.S. 1970


C570Shakespeare's comedies of play

HUSTON J. Dennis 1981

C640Lavatch in All's Well That Ends Well

HUTCHINGS Geoffrey 1985


C879Joe Orton’s Jacobean assimilations in What the Butler Saw

HUTCHINGS William 1988

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A543The Works of George Herbert

HUTCHINSON F.E. (editor) 1967

B764/4Erasmus and France: the Propaganda for Peace

HUTTON, James 1961


D158An Introduction to Shakespeare

HYLAND Peter 1996

P1/1958/VPolitics and Poetry in Andrew Marvell

HYMAN Lawrence W. 1958


B684Iago

HYMAN, Stanley Edgar 1970

B371Phonological Aspects of Style: Some English Sonnets (1960)

HYMES Dell 1967


A615Faire Phillis and her Sheepheard

I.G. 1962


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C147A Refutation of the Apology for Actors

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C514Possessed with greatness : the heroic tragedies of Chapman and Shakespeare

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A615A Nimphs Disdaine of Love

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A615An Heroical Poeme

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A615Dispraise of Love, and Lovers Follies

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A615Love the Only Price of Love

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A615Olde Melibeus Song, Courting his Nimph

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A615Phillidaes Love-Call to her Coridon, and his Replying

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A615The lovers Absence Kils Me, her Presence Kils Me

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A615The Nimphs Reply to the Shepheard

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A615The Sheepheard to the Flowers

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A615The Sheepheards Description of Love

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A615The Sheepheards Slumber

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A615The Sheepheards Sorrow for his Phaebes Disdaine

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A615The Unknowne Sheepheards Complaint

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A615Thirsis the Sheepheard, to his Pipe

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ILARDI, Vincent 1959


B764/5Fifteenth-Century Diplomatic Documents in Western European Archives and Libraries

ILARDI, Vincent 1963


A463/1Shakespeare in New York: 1947-1948

ILDER Rosamond (reviewed) 1966


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D042"Is he like other men?" The Meaning of the Principia Mathematica, and the Author as Idol

ILIFFE Robert 1995


C694Les jeux de l'échange (attitudes "marchandes" dans la comédie de 1660 à 1730)

IMBERT Anne-Marie 1987


MD13Le Rêve américain à travers All my Sons, Death of a Salesman, The Crucible, After the Fall, ThePrice, the American Clock, and the Last Yankee d'Arthur Miller

IMMOUNE, Olivier 1993

A755Elizabethan Lyrics : A Study in the Development of English Metres and their Relation to PoeticEffect

ING Catherine 1968

B929The Elizabethan Poets

INGLIS, Fred 1969

A065De Imitatione Christi

INGRAM 1893

A752Patterns of Music and Action in Fletcherian Drama

INGRAM R.W. 1968


C480The Shakespearean quality

INGRAM W.G. 1976

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B190Bachaumont: a Parisian Connoisseur of the Eighteen th Century

INGRAMS, Rosalind 1970

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D193The Poems of Shakespeare

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C024An Investigation of Mr. Malone's Claim to the Character of Scholar, or Critic, Being an Examinationof his Enqiry into the Authenticity of the Shakspeare Manuscripts

IRELAND, Samuel 1970

C021An Authentic Account of the Shaksperian Manuscripts, & c.

IRELAND, W.H. 1971


D200'A thousand Twangling Instruments': Music and The Tempest on the Eighteenth-Century LondonStage

Irena CHOLIJ 1998



IRONS Jeremy 1989


C457More drawing for Winston's Theatric Tourist

IRVIN Eric


C455Nineteenth century English dramatist in Australia

IRVIN Eric


A463/14Shakespeare in the Early Sydney Theatre

IRVIN Eric 1969

A393Shakespearian Scholarship

ISAACS J. 1966


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A701La question du prétendu "sénéquisme" espagnol

ISAR Herbert E. 1964


C653Virginité et ironie dans All's Well That Ends Well

ISELIN Pierre 1986


C173Les musiques d'Othello

ISELIN, Pierre 1987

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C773"Hark what discord follows" : Musique, médiatisation et disconvenance dans Troilus and Cressida

ISELIN Pierre 1990


C789De l'analogie à l'anamorphose : visios du corps musical dans le drame Shakespearien

ISELIN Pierre 1991


C919/2Music and Difference: Elizabethean Stage Music and Its Reception

ISELIN Pierre 1992


C898Thou hast damnable iteration! Anatomie de la citation dans Henry IV, part 1

ISELIN Pierre 1992


C897“What shall I swear by?”Langue et idolâtrie

ISELIN Pierre 1993


C923 “My music for nothing”: La Tempête comme comédie de l’air

ISELIN Pierre 1994


D055Music and Difference : Elizabethan Stage Music and Its Reception

ISELIN, Pierre 1995


D094'My music for nothing' : Musical Negotiations in The Tempest

ISELIN, Pierre 1995


D057Echo, ou la répétition dans Twelfth Night

ISELIN, Pierre 1996


D068Rhetoric and Attitudes to Language in Romeo and Juliet

ISELIN, Pierre 1996


D168/6"So quiet and so sweet a style"(2.1.20): le style de l'égloge et l'éloge du style"

ISELIN Pierre 1998


C822Le Songe d'une Nuit d'Été et La Duchesse de Malfi

ISELIN Pierre et MOREAU Jean-Pierre 1989

C718Le Songe d'une Nuit d'Été et La Duchesse de Malfi

ISELIN Pierre et MOREAU Jean-Pierre 1989

C741De Ducis à Copeau : le rôle du lieu et du temps dans le malentendu Shakespearien en France

ISRAEL F. 1989

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C772Richard III sur la scène française

ISRAEL Fortunato 1990


C772Langage musical et langage verbal dans Richardus Tertius de Thomas Legge

ISSERT Patrick 1990


A607The Mystical Element in the Metaphysical Poets of the Seventeenth Century

ITRAT-HUSAIN, M.A., PH.D. 1966

A533Friedrich Dürrenmatt ou les embarras de la comédie noire

IVERNEL Philippe 1967


A692Pédagogie et politique chez Berthold Brecht



C548L'abstraction et l'inflation tragiques dans le théâtre expressionniste allemand



B512/2Quatre mises en scène d'Arturo Ui

IVERNEL Phillippe 1970


B555Tom Skelton- A Seventeenth-Century Jester

IVES, E.W. 1960


A463/10The Law and the Lawyers

IVES E.W. 1965


C663Shakespeare and History : divergencies and agreements

IVES E.W. 1985


A615Titurus to his Faire Phillis

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P5/1J. van Dorsten, ed., Ten Studies in Anglo-Dutch Relations

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J.F. 1977


P5/1S. Schoenbaum, William Shakespeare: A Compact Documentary Life

J.F. 1977


P5/1Elizabeth Bourcier, Les Journaux Privés en Angleterre de 1600 à 1660

J.F.C. 1977


D250Hamlet, Macbeth and King Lear on film

J. Lawrence Guntner 2000


A615Sheepheard

J.M. 1962


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P5/1Dale B.J., Jonson's Gypsies Unmasked: Background and Theme of "The GypsiesMetamorphos'd"

J.M.M. 1977


P5/1P.J. Aldus, Mousetrap: Meaning and Structure in Hamlet

J.M.M. 1977


P5/1R.L. Smallwood, ed., King John (New Penguin Shakespeare)

J.M.M. 1977


A644Mock Heroic : MacFlecnoe

JACK Ian 1968


B762Laurence Sterne

JACK Ian 1971


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B485Shakespeare's Verbal Art in Th' Experience of Spirit

JACKOBSON Roman & JONES Lawrence G. 1970

C457The frontispiece to Eccle's Theatre Musick 1699

JACKSON Allan S.


B471Manner and Meaning in Shakespeare

JACKSON B.A.W. (editor) 1969

B922Shakespeare in the New World

JACKSON, B.A.W. (editor) 1972

A463/4On Producing Henry VI

JACKSON Barry 1953


B424Vision and Judgment in Ben Jonson's Drama

JACKSON Bernhard 1968

A387Vision and Judgement in Ben Jonson's Drama

JACKSON Gabriel Bernhard 1968

A585Method and Imagination in Coleridge' s Criticism

JACKSON J.R. de J. 1969

C711The transmission of Shakespeare's text

JACKSON MacD. P. 1986


A623Shakespeare' s Life, Time, and Stage

JACKSON MacDonald P.


C978Players of Shakespeare 3 : further essays in Shakespearian performance / by players with theRoyal Shakespeare Company

JACKSON R. and SMALLWOOD R. 1993

D211Shakespeare and the silver screen: Reinhardt's Dream, Branagh's Hamlet, and some persistentproblems

JACKSON Rusel 1998


C573Before the Shakespeare revolution : developments in the study of nineteenth-centuryShakespearian production

JACKSON Russel 1982


C742Shakespeare production in the British theatre : too much of a good thing ?

JACKSON Russel 1990


C919/1Two Films of “Henry V : Frames and Stories”

JACKSON Russel 1992


D003Two Radio Shakespeares : Staging and Text

JACKSON Russel 1994


C727Players of Shakespeare 2 : further essays in Shakespearean performance by players with theRoyal Shakespeare Company

JACKSON Russel and SMALLWOOD Robert 1988

C498'Perfect Types of Womanhood' : Rosalind, Beatrice and Viola in Victorian Criticism and Performance

JACKSON Russell 1979


C663Shakespeare in the theatrical criticism of Henry Morley



C711Shakespeare on the stage from 1660 to 1900



C958Shakespeare's comedies on film



C512Shakespeare and Jonson, 1783

JACKSON William 1981


A522Records of the Court of the Stationers' Company(1602-1640)

JACKSON William A. 1957

B720/1The Poetical Register or the Lives and Characters of All the English Poets with an Account of theirWritings. Volume I

JACOB 1969

B720/2The Poetical Register or the Lives and Characters of All the English Poets with an Account of theirWritings. Volume II

JACOB 1969

C664Sullivan and Shakespeare

JACOBS Arthur 1986


C484Shakespeare's romances reconsidered

JACOBS Henry E. & KAY Carol McGinnis 1978

C342The language of The Revenger's Tragedy

JACOBSON Daniel Jonathan 1974

B806Self-Knowledge in Paradise Lost : Conscience and Contemplation

JACOBUS Lee A. 1971


A629L'esthétique de Joyce

JACQUOT 1956


C596Marlowe, de quelques problèmes d'interprétation

JACQUOT J. 1982


A700Musique et sentiment tragique dans les madrigaux d'Orlondo Gibbons

JACQUOT Jean 1954


A630Joyce ou l'exil de l'artiste

JACQUOT Jean 1956


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A697Joyeuse et Triomphante Entrée

JACQUOT Jean 1956


A697Les Fêtes de la Renaissance

JACQUOT Jean 1956

A696Les études Shakespeariennes. Problèmes et méthodes : l' exemple de "Macbeth"

JACQUOT Jean 1957


A698La Musique Instrumentale de la Renaissance

JACQUOT Jean 1960

A697/2Les Fêtes de la Renaissance II : Fêtes et Cérémonies au Temps de Charles Quint

JACQUOT Jean 1960

A697/2Panorama des fêtes et cérémonies du règne

JACQUOT Jean 1960


A698Sur quelques formes de la musique de clavier élizabéthaine (d'après des oeuvres inédites deJohn Bull)

JACQUOT Jean 1960


A699Les lettres françaises en Angleterre à la fin du XVè siècle. Le rôle de Caxton et l' influence de laCour de Bourgogne

JACQUOT Jean 1961


A701Sénèque, la Renaissance et nous

JACQUOT Jean 1964


A693Histoire et Tragédie dans "Henri VI"

JACQUOT Jean 1965


B104La Fête princière

JACQUOT Jean 1965


A693La Tragédie et l'espoir

JACQUOT Jean 1965


A693Théâtre médiéval et tragédie élizabéthaine: Des "Corpus Christi Plays" au "Faust" de Marlowe

JACQUOT Jean 1965


A533La médiation la plus efficace

JACQUOT Jean 1967


A533Présentation de John Arden

JACQUOT Jean 1967


A694Réalisme et Poesie au Théâtre

JACQUOT Jean 1967

A694Réflexions sur un débat qui reste ouvert

JACQUOT Jean 1967


A515/2Le répertoire des compagnies d' enfants à Londres(1600-1610) : Essai d' interprétationsocio-dramatique

JACQUOT Jean 1968


A692Les tragiques grecs au goût du jour: I.-L'Orestie

JACQUOT Jean 1968


A528Le Lieu Théâtral et la Culture

JACQUOT Jean 1969


B512/1Etude sur The Living Theatre

JACQUOT Jean 1970


B512/1Etude sur The Serpent, création par l'Open Theatre Ensemble en collaboration avec Jean-Claudevan Itallie, sous la direction de Joseph Chaikin

JACQUOT Jean 1970


C548Les musiciens et l'expressionnisme. 1. Schoenberg et le "Blaue Reiter". 2."Lulu" : de Wedekind etKraus à Alban Berg

JACQUOT Jean 1971


B512/3Le Crime de Galilée

JACQUOT Jean 1972


C436Deux pièces de John Arden : Le Dernier Adieu d' Armstrong, mise en scène de Jacques Rosner;Vous Vivrez Comme des Porcs, mise en scène de Guy Rétoré

JACQUOT Jean 1977


C549La genèse du texte et la représentation de 1918

JACQUOT Jean 1978


C549Le Roi Lear . Lecture d'une mise en scène et relecture de l'oeuvre

JACQUOT Jean 1978


C549Les voies de la création théâtrale VI : Théâtre et musique . Mises en scène d'oeuvres anciennes

JACQUOT Jean 1978

A700Musique et Poésie au XVIè siècle

JACQUOT Jean (editeur) 1954

A701Les tragédies de Sénèque et le théâtre de la Renaissance


A693Le Théâtre Tragique


A533Le Théâtre Moderne II depuis la Deuxième Guerre Mondiale


A692Le Theâtre Moderne, Hommes et Tendances


B512/1Les Voies de la Création Théâtrale, volume I


C415Les fêtes de la Renaissance III

JACQUOT Jean et KONIGSON Elie 1975

C416Mort d'un Commis Voyageur, d'Arthur Miller, et ses réalisations à Broadway et au Théâtre de laCommune d'Aubervilliers

JACQUOT Jean et MOUNIER Catherine 1975


C415Notes sur quelques dessins du Louvre et un tournoi de Münich (1658)

JACQUOT Jean et SCHONE Günter 1975


C549Le Juif de Malte de Marlowe et la mise en scène de Bernard Sobel, Ensemble Théâtral deGenneviliers

JACQUOT Jean et VIGOUROUX Nicole 1978


A515/1Dramaturgie et Société : XVIe et XVIIe siècles

JACQUOT Jean, KONIGSON Elie et ODDON 1968

A515/2Dramaturgie et Société : XVIe et XVIIe siècles


A524Le Lieu Théâtral à la Renaissance


A696La Mise en Scène des Oeuvres du Passé

JACQUOT Jean & VEINSTEIN André 1957

A786A History of Neo-African Literature

JAHN Janheinz 1968

A702Du réalisme artistique

JAKOBSON R. 1965


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B086Du réalisme artitique

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B086Les problèmes des études littéraires et linguistiques

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B371Linguistics and Poetics

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B988Questions de Poétiques

JAKOBSON Roman 1973

D255Ben Jonson's Folio of 1616

James A. Riddell 2000


B555Keats and King Lear

JAMES, D.G. 1960


B286The Dream of Learning: an Essay on The Advancement of Learning Hamlet and King Lear

JAMES D.G. 1965

B789 The New Doubt (1951)

JAMES, D.G. 1965


A789Moral and Metaphysical Uncertainty in Hamlet

JAMES D.G. 1968


A599Introduction toThe Tempest

JAMES Henry 1968


B046Shakespeare's Celibate Stage (1964)

JAMIESON Michael 1968


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B886The Problem Plays, 1920-1970: A Retrospect



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C203Shakespeare in the Theatre

JAMIESON, Michael 1973


C581The problem plays, 1920-1970 : a retrospect



C813Les music-halls

JANDO Dominique 1978


C946The economy of Manichean Allegory: The Function of Racial Difference in Colonialist Literature

JANMOHAMMED Abdul R. 1986


P5/37Ludwig Tieck as the Champion of Shakespeare's Apocrypha in Germany

JANSOHN, Christa 1995


B010John knox(ca.1513-1572): L'Homme et l'Oeuvre

JANTON Pierre 1967

P5/24Sonship and Fatherhood in Macbeth

JANTON Pierre 1989


C184/1Roderigo de Fonseca and his Consultation on Dropsy of the Lung

JARCHO, Saul 1972


C778Still Harping on Daughters : Women and Drama in the Age of Shakespeare

JARDINE Lisa 1983

D039Twins and Travesties : Gender, Dependency and Sexual Availability in Twelfth Night

JARDINE Lisa 1992


P1/1959/VThe Subjcet of Milton's Ludlow Mask

JAYNE Sears 1959


D200Daddy's Girls: Shakespearian Daughters and Eighteenth-Century Ideology

Jean I. MARSDEN 1998


D248Le bourgeois misanthrope et son âne. L'âne de Timon par Carl Meisl (1820)

Jean-Marie Winckler 2000


D 248REECRITURES / Colloques du 15 mai 1997 et 6-7 novembre 1998

Jean-Pierre MAQUERLOT 2000

D248Réécritures

Jean-Pierre Maquerlot et al. 2000

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A581In One Person Many People : King Richard the Second

JEFFARES A. Norman 1969


C211/1Restoration Comedy (vol.I)

JEFFARES, A. Norman (Ed.) 1974

C211/2Restoration Comedy (vol. II)


C211/3Restoration Comedy (vol.III)


C211/4Restoration Comedy (vol. IV)


A340The Significance of Dryden's Heroic Plays

JEFFERSON D.W. 1966


A581Milton' s Austerity and Moral Disdain

JEFFERSON D.W. 1969


A911French Renaissance Comedy(1552-1630)

JEFFERY Brian 1969

A581The Morality of Art

JEFFESON D.W. 1969

C266On the Psychology of Comedy

JEKELS, Ludwig 1965


C861The Theatre of Tom Stoppard

JENKINS Anthony 1989

A775Peele's "Old Wive's Tale"

JENKINS Harold 1965


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A463/7The Tragedy of Revenge in Shakespeare and Webster

JENKINS Harold 1966


B049As You Like It

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JENKINS Harold 1968


B885As You Like It

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B057The Structural poem in Shakespeare's Henry IV

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C530Hamlet

JENKINS Harold 1982

C625Hamlet and Ophelia

JENKINS Harold 1985


P1/1932/ISpenser and the Clerkship in Munster

JENKINS Raymond 1966


P1/1938/ISpenser, The Uncertain Years1584-1589

JENKINS, Raymond 1967


C537On editing King Lear, 1770

JENNENS Charles 1979


D201The humanist reform of Latin and Latin teaching

JENSEN Kristian 1997


C298Ethical Aspects of Tragedy : a Comparison of Certain Tragedies by Aeschylus, Sophocles,Euripides, Seneca and Shakespeare

JEPSEN, Laura 1971

B371Notes on Meter (1900)

JESPERSEN Otto 1967


D256Echoes inhabit a garden : the narratives of Romeo and Juliet

Jill L. Levenson 2000


D240A Little Touch of Harry in the Light: Henry V at the New Globe

JIN KO Yu 1999


A699Le caractère de Jean Molinet

JODOGNE Omer 1961


D252Historical Dictionary of the Elizabethan World

John A. Wagner 2000

B203TheTwo Noble Kinsmen

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D259PLayhouses, players, and playgoers in Shakespeare 's time

John H. Astington 2001


D259Shakespeare's poems

John Kerrigan 2001


B764/4Rowland Whyte, Elizabethan Letter-writer

JOHN, Lisle C. 1961


D256Shakespearian margins in George Eliot's "working-day world"

John Lyon 2000


D255Jonson's classicism

John Mulryan 2000


D200Shakespeare's Intertional Currency

John Russel BROWN 1998


C946Thresholds of Difference: Structures of Adress in Zora Neale Hurston

JOHNSON Barbara 1986


A867Love in a Forest(1723)

JOHNSON C. 1969

A874The Cobler of Preston(1716)

JOHNSON Charles 1969

D285From the Colonial to thePost-Colonial: Shakespeare and Education in Africa

JOHNSON, David. 1998


D281Violence and Philosophy: Nathaniel Merriman, A.W. Schlegel and Jack Cade

JOHNSON, David. 2000


B507The Making of the Modern World: volume I, Europe Discovers the World.

JOHNSON Douglas (editor) 1971

B507The Making of the Modern World: volume II

JOHNSON Douglas (editor) 1973

B375The Complaint of Thomas Digges

JOHNSON Francis R. 1959


A915The complaint of Thomas Digges

JOHNSON Francis R. 1969


C276The Classics and John Bull, 1660-1714

JOHNSON, James William 1972


C344Images of women in the works of Thomas Heywood

JOHNSON Marilyn L. 1974

B450The Spanish Tragedy, or Babylon revisited

JOHNSON S.F. 1962


B558Milton

JOHNSON Samuel 1951


B568From The Life of Milton

JOHNSON Samuel 1961


A264Prologue

JOHNSON Samuel 1964


A280Irene

JOHNSON Samuel 1965


A599Caliban' s Language

JOHNSON Samuel 1968


A790Comments on Macbeth

JOHNSON Samuel 1968


B057A Note on Henry IV

JOHNSON Samuel 1970


C379/3On Macbeth, 1745

JOHNSON Samuel 1975


C379/3On Shakespeare, november 1750; september, october 1751

JOHNSON Samuel 1975


C379/4Proposals for an edition of Shakespeare, 1756

JOHNSON Samuel 1976


C537Edition of Shakespeare, 1765

JOHNSON Samuel 1979


C512On Shakespeare and his critics, 1781

JOHNSON Samuel 1981


B762Poetry and Criticism after 1740

JOHNSTON Arthur 1971


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C551Harold F. Brooks

JOHNSTON Arthur 1981


C550La Turandot de Carlo Gozzi. Récit, fantasmes, allégorie

JOLY Jacques 1980


C583Théâtre et sentiments dans "Les amants timides" de Goldoni

JOLY Jacques 1984


A473Robert Garnier and the Themes of Political Tragedy in the Sixteenth Century

JONDORF Gillian 1969

A973George Bernard Shaw

JONES A.R. 1968


P5/28The Confined World of The Changeling

JONES Edward 1991


B862Othello's Countrymen

JONES, Eldred 1965

A463/13 'Othello', 'Lepanto' and the Cyprus Wars

JONES Emrys 1968


B819Scenic Form in Shakespeare

JONES, Emrys 1971

C535The origins of Shakespeare

JONES Emrys 1977

C533Dryden's Sigismonda

JONES Emrys 1980


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C960The First West End Comedy

JONES Emrys 1993


D260Richard III and Queen Elizabeth

JONES Emrys 1999


A789Hamlet and Oedipus

JONES Ernest 1968


A929Hamlet Psychoanalysed

JONES Ernest 1968


P1/1930/IIEchoes of Shakespeare in Later Elizabeth Drama

JONES Fred L. 1966


P1/1932/IIAn Experiment with Massingre's Verse

JONES Frederick L. 1966


C472Henry V : the chorus and the audience

JONES G.P. 1978


P5/8You, Thou, He or She? The Master-Mistress in Shakespearian and Elizabethan andElizabethanSonnet Sequences

JONES, G.P. 1981


C640Hermione in The Winter's Tale

JONES Gemma 1985


C716Nahum Tate is alive and well : Elijah Moshinsky's BBC Shakespeare productions

JONES Gordon P. 1988


C779From the 'Nineteenth Century', 1885

JONES H.A. 1979


C583Thomas Hobbes and the Bible : A preliminary enquiry

JONES H.W. 1984


A173Salmacida Spolia (1640)

JONES Inigo and DAVENANT William 1967

A Book of MasquesIn

A581Keats and 'The Feel of not to Fel it'

JONES John 1969


C664Stage costume : historical verisimilitude and stage convention

JONES Marion 1986


C430Shakespeare : The Sonnets

JONES Peter 1977

P1/1927/IIMilton and the Epic Subject from British History

JONES Putnam Fennell 1966


B736A Literary History of Spain: the Golden Age, Prose and Poetry. The Sixteenth and SeventeenthCenturies

JONES R.O. 1971

A591The Seventeenth Century : Studies in the History of English Thought and Literature from Bacon toPope

JONES Richard Foster 1969

C453Dangerous sport : the audience's engagement with vice in moral interludes

JONES Robert C. 1973


C405Neo-classical dramatic criticism 1560-1770

JONES Thora Burnley and NICOL Bernard de Bear 1976

B461The Tudor Commonwealth 1529-1559

JONES Whitney R.D. 1970

A432/1Un Peintre de la Vie Londonienne: Thomas DEKKER(Vol. I)

JONES-DAVIES M.T. 1958

A432/2Un Peintre de la Vie Londonienne: Thomas DEKKEr(Vol.II)


A694Thomas Decker, dramaturge populaire et peintre réaliste de Londres



C389L'écrivain élizabethain, juge ou porte parole des gueux ?



C411La glorification de Londres, ou les triomphes de Troia-Nova



C411Les cités au temps de la renaissance 2


C595Justice, juges, prisons dans le théâtre de Shakespeare et de ses contemporains


C595Thomas Dekker et la prison pour dettes



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C596Le monde du "si" : idéologies incertaines dans Comme Il Vous Plaira



C596Théâtre et idéologies : Marlowe, Shakespeare


C597Du texte à la scène : langages du théâtre


C789Shakespeare et le corps à la Renaissance


C823Shakespeare : Rhétoriques du texte et du spectacle


C918Shakespeare et l’Argent


C974Shakespeare in the Humanist Tradition: Skeptical Doubts and Their Expression in Paradoxes



D083L'Histoire au temps de la Renaissance

JONES-DAVIES, M.T. 1995

D055Monsters in the Literature and the Spectacles of the English Renaissance : An Expression ofInsecurity

JONES-DAVIES, M.T. 1995

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C999Shakespeare . Le monde vert : rites et renouveau


C653Paroles intertextuelles : lecture intertextuelle de Parolles

JONES-DAVIES Margaret 1986


C742"The word of war" : vers une rhétorique de la guerre



C897The End of Motion - The Ethics of Romeo and Juliet : An intertextual Reading



C742Shakespeare et la guerre

JONES-DAVIES Marie-Thérèse 1990

C898L’Antimasque et le grotesque



D003Shakespeare : cosmopolitisme et insularité


A202/3A tale of a Tub

JONSON Ben 1925

Volume IIIIn

A202/3Every Man in His Humour

JONSON Ben 1925

Volume IIIIn

A202/3Every Man out of His Humour

JONSON Ben 1925

volume IIIIn

A202/3The Case is Altered

JONSON Ben 1925

Volume IIIIn

A202/1The Man and his Work

JONSON Ben 1925

A202/2The Man and his Work

JONSON Ben 1925

A202/3Volume lll

JONSON Ben 1927

A202/4Volume IV

JONSON Ben 1932

A174Epicoene, or The Silent Woman

JONSON Ben 1933


A174Every Man in his Humour

JONSON Ben 1933


A174The Alchemist

JONSON Ben 1933


A174The Gipsies Metamorphosed

JONSON Ben 1933


A174Volpone, or The Fox

JONSON Ben 1933


A202/6Bartholmew Fayre

JONSON Ben 1938

Volume VIIn

A202/6The Devil is an Ass

JONSON Ben 1938

Volume VIIn

A202/6The Magnetic Lady

JONSON Ben 1938

Volume VIIn

A202/6The New Inn

JONSON Ben 1938

Volume VIIn

A202/6The Staple of News

JONSON Ben 1938

Volume VIIn

A202/6Volume VI

JONSON Ben 1938

A639Every Man in his Humour

JONSON Ben 1939


In

A639Sejanus, His Fall

JONSON Ben 1939


In

A639The Alchemist

JONSON Ben 1939


In

A639Volpone; or, The Fox

JONSON Ben 1939


In

A202/7Masques and Entertainements

JONSON Ben 1941

Volume VIIIn

A202/7The Fall of Mortimer

JONSON Ben 1941

Volume VIIIn

A202/7The sad Shepherd

JONSON Ben 1941

Volume VIIIn

A202/7Volume VII

JONSON Ben 1941

D085The Best Plays of the Old Dramatists - Vol. 1

JONSON, Ben 1946

D086The Best Plays of the Old Dramatists - Vol.2

JONSON, Ben 1946

D087The Best Plays of the Old Dramatists - Vol.3

JONSON, Ben 1946

A202/8The Poems

JONSON Ben 1947

Volume VIIIIn

A202/8The Prose Works

JONSON Ben 1947

Volume VIIIIn

A202/8Volume VIII

JONSON Ben 1947

A202/9Volume IX

JONSON Ben 1950

A202/11Volume XI

JONSON Ben 1952

C097Volpone

JONSON, Ben 1962

B983Volpone, or the Fox

JONSON, Ben 1963

A464Bartholomew Fair

JONSON Ben 1964

A237Bartholomew Fair

JONSON Ben 1965

A202/5Catiline

JONSON Ben 1965

Volume VIn

A202/5Epicoene or the Silent Woman

JONSON Ben 1965

Volume VIn

A202/5The Alchemist

JONSON Ben 1965

Volume VIn

A202/5Volpone or the Fox

JONSON Ben 1965

Volume VIn

A202/5Volume V

JONSON Ben 1965

A917An Elizabethan View of Comedy

JONSON Ben 1967


B445Epicoene or the Silent Woman

JONSON Ben 1967

A173Love Freed from Ignorance and Folly (1613)

JONSON Ben 1967

A Book of MasquesIn

A173Lovers Made Men (1617)

JONSON Ben 1967

A Book of MasquesIn

A173Oberon, the Fairy Prince (1611)

JONSON Ben 1967

A Book of MasquesIn

A173Pleasure Reconciled to Virtue (1618)

JONSON Ben 1967

A Book of MasquesIn

A238The Alchemist

JONSON Ben 1967

A202/10Volume X

JONSON Ben 1967

B046Induction to Bartholomew Fair (1614)

JONSON Ben 1968


In


JONSON Ben 1974


C779From 'Timber', 1640

JONSON Ben 1979


D143A Critical Edition of the Major Works

JONSON, Ben 1985

D143Conversations with William Drummond of Hawthornden

JONSON, Ben 1985

Ben JONSONIn

D143Poems

JONSON, Ben 1985

Ben JonsonIn

D143The Alchemist

JONSON, Ben 1985

Ben JONSONIn

D143Timber , or , Discoveries

JONSON, Ben 1985

Ben JONSONIn

D143Volpone

JONSON, Ben 1985

Ben JONSONIn

B014Francis Bacon

JONSTON Arthur 1965

A973The Irish Theater-Retrospect and Premonition

JORDAN John 1968


P1/1949/IIThe Reporter of Henry VI part II

JORDAN, John E. 1970


B808Myth and Psychology in The Changeling

JORDAN Robert 1970


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B852The Extravagant Rake in Restoration Comedy

JORDAN, Robert 1972


B079/4The Development of Religious Toleration in England(Attainment of the Theory and Accomodationsin Thought and Institutions(1640-1660)

JORDAN W.K. 1965

B079/1The Development of Religious Toleration in England(from the Beginning of the English Reformationto the Death of Queen Elizabeth)

JORDAN W.K. 1965

B079/2The Development of Religious Toleration in England(from the Accession of James I to theConvention of the Long Parliament(1603-1640)

JORDAN W.K. 1965

B079/3The Development of Religious Toleration in England(from the Convention of the Long Parliamentto the Restoration,1640-1660)

JORDAN W.K. 1965

D235From A Brief Discourse of a Disease Called the Suffocation of the Mother

JORDEN Edward 1999


C599bTV and film : The BBC-TV Shakespeare series

JORGENS Jack 1979


C421Shakespeare on film

JORGENS Jack J. 1977

P1/1955/IVDivided Command in Shakespeare

JORGENSEN, Paul A. 1955


B740Lear's Self-Discovery

JORGENSEN Paul A. 1967

B816Foreign Sources for the Elizabethan Notion of the Spaniard



B057'Redeeming Time' in Shakespeare's Henry IV



B582Shakespeare's Coriolanus: Elizabethan Soldier



P1/1949/IShakespeare's Coriolanus: Elizabethan Soldier

JORGENSEN, Paul A. 1970


B743Our Naked Frailties: Sensational Art and Meaning in Macbeth


A259Elizabethan Acting

JOSEPH B. L. 1964

B124Elizabeth Acting

JOSEPH B.L. 1967

B735Shakespeare's Eden: the Commonwealth of England 1558-1629

JOSEPH B.L. 1971

B547The Tragic Actor

JOSEPH, Bertram 1959

B328Acting Shakespeare

JOSEPH Bertram 1969

C605Discours cinématographique, narration : deux façons d'envisager le problème de l'énonciation

JOST François 1980


B104Suisse

JOTTERAND Franck 1965


D281Philosophical Shakespeares: an Introduction

JOUGHIN, John.J. 2000


D279Shakespeare, Modernity ant the Aesthetics: Art, Truth and judgement in The Winter's Tale

JOUGHIN, John.J. 2001


D281Philosophical Shakespeares

JOUGHIN, John.J. (editor) 2000


JOWETT Jill 1989


C584New created creatures : Ralph Crane and the stage directions in The Tempest

JOWETT John 1983


D135Editions and Textual studies

JOWETT, John 1996


D154Credulous to False Prints : Shakespeare , Chettle , Harvey , Wolfe

JOWETT John 1997


B532The Elizabethan Underworld

JUDGES, A. V. 1965

P1/1932/ISpenser 's Theory of Courtesy

JUDSON Alexander Corbin 1966


B371From Review of Bruneau's L'époque réaliste (1954)

JUILLAND A.G. 1967


D256The magician in love

Julia Griffin 2000


B520Philosophies of Language in Eighteenth-Century France

JULIARD Pierre 1970

A694 La mise en scène de "La Vie est un songe"

JULIEN A.M. 1967


C203Hamlet

JUMP, John 1973


B773The Critical Idiom, vol 22: Burlesque

JUMP, John D. 1972

A789Shakespeare Hamlet: A Casebook.

JUMP John (editor) 1968

A603Marlowe, Doctor Faustus

JUMP John (editor) 1969

B357Shakespeare in France under the Ancien Régime

JUSSERAND J.J. 1899

C379/4Shakespeare and Milton compared, july 1763

K.L. 1976


B764/3Croatian Renaissance

KADIC, Ante 1959


C923Silence and Sleep in The Tempest

KAHAN Jeffrey 1994


C854/2Le point de vue d'un traducteur: réponses à des questions sur la traduction des textes dramatiques

KAHANE Éric 1987


C575Coming of age in Verona

KAHN Coppélia 1980

The woman's partIn

D009The Shadow of the Male

KAHN Coppélia 1992


D010The Absent Mother in King Lear

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King LearIn

D119Antony 's Wound

KAHN, Coppélia 1997

Roman ShakespeareIn

D119Cymbeline : Paying Tribute To Rome


Roman ShakespeareIn

D119Mettle and Melting Spirits in Julius Caesar


Roman ShakespeareIn

D119Mother of Battles : Volumnia and her Son in Coriolanus


Roman ShakespeareIn

D119Roman Shakespeare


D119The Daughter's Seduction in Titus Andronicus , or,Writing is the Best Revenge


Roman ShakespeareIn

D119The Sexual Politics of Subjectivity in Lucrece


Roman ShakespeareIn

D030MLA Response to Levin, Greene, and Bristol

KAHN Victoria 1991


C354The medieval origins of the sixteenth-century English Jest-books

KAHRL Stanley J. 1966


C453The civic religious drama of medieval England : a review of recent scholarship

KAHRL Stanley J. 1973


A059Twenty-Six Political and Other Poems

KAIL J. 1904

A331Praisers of Folly: Erasmus, Rabelais, Shakespeare

KAISER Walter 1964

C879On stage, off stage, and backstage with Alan Ayckbourn

KALSON Albert E. 1988

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B156Sidney's Poetry: Contexts and Interpretations

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B260Sir Philip Sidney

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A693Individu et norme dans Sophocle

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B753/1Elements of Criticism, volume I

KAMES 1967

B753/2Elements of Criticism, volume II

KAMES 1967

B753/3Elements of Criticism, volume III

KAMES 1967

C379/4Shakespeare's beauties and faults, 1762

KAMES Lord 1976


B788Gibbon and Hume (1967)

KAMPF, Louis 1971


D030Introduction : Ideology and its Discontents

KAMPS Ivo 1991


D282Alas, Poor Shakespeare! I Knew Him Well

KAMPS, Ivo. 1999


D030Shakespeare Left and Right

KAMPS Ivo (ed) 1991

A463/9An Approach to Shakespearian Tragedy : The 'Actor' Image in Macbeth

KANTAK V.Y. 1966


A463/14An Approach to Shakespearian Comedy

KANTAK V.Y. 1969

C829Le Théâtre de la Mort

KANTOR Tadeusz 1977

B818An 'Autobiography' of Guido Faba

KANTOROWICZ E. 1969


B980Fom The King's Two Bodies

KANTOROWICZ, E.H. 1973


B991From The King's Two Bodies

KANTOROWICZ E.H. 1973


B818An English Theologian's View of Roman Law: Pepo, Irnerius, Ralph Niger

KANTOROWICZ H. et SMALLEY B. 1969


B808Dramatic and Moral Energy in Ben Jonson's Bartholomew Fair

KAPLAN Joel H. 1970


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C458The medieval origins of Elizabethan comedy

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A160The Poems of Alexander Scott

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A697/2Remarques sur la musique et les musiciens de la chapelle de François Ier au Camp du Drap d' Or

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D030"The King Hath Many Marching in Coats", or, What Did You Do During the War, Daddy?

KASTAN David Scott 1991


A698Le "clavecin parfait" de Bartolomeo Jobernadi

KASTNER Santiago 1960


A698Rapports entre Schlick et Cabezon

KASTNER Santiago 1960


D200Early Georgian Politics and Shakespeare: The Black Act and Charles Johnson's Love in aForest(1723)

Katherine WEST SCHEIL 1998


C819The Shadow of the Burlador: Don Juan on the Continent and in England

KAUFMAN Anthony 1986


A372Elizabethan Drama: Modern Essays in Criticism

KAUFMANN R.J. 1968

A372The Revenger' s Tragedy

KAUFMANN R.J. 1968

Elizabethan Drama: Modern Essays in CriticismIn

A372The Spanish Tragedy

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B808Ford's "Waste Land": The Broken Heart

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B699Hamlet and the 'Sparing Discoverie'

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C938 Shakespeare in ideology

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B737Donne's Microcosm

KAWASAKI Toshihiko 1971


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KEAN, Charles 1856

C069The Tempest

KEAN, Charles 1857

C061King Lear (1858)

KEAN, Charles 1858

C085The Merchant of Venice

KEAN, Charles 1858

C086Hamlet

KEAN, Charles 1859

C075King Henry the Fifth

KEAN, Charles 1859

C055King Henry VIII

KEAN, Charles 1970

C058King Richard II

KEAN, Charles 1970

C046The Winter's Tale

KEAN, Charles 1970

C779Revival of 'The Jew of Malta ' in1818

KEAN Edmund 1979


B479Scholars and Gentlemen: Universities and Society in Pre-industrial Britain

KEARNY Hugh 1970

B558Letters

KEATS John 1951


A929On Sitting Down to Read King Lear Once Again

KEATS John 1968


D283King Stephen: A Dramatic Fragment

KEATS, John. 2000


A644Seventeenth -Century English Poetry : Modern Essays in Criticism

KEATS William R. 1968

D042Obedient Subjects? The Loyal Self in Some Later Seventeenth-Century Royalist Women'sMemoirs

KEEBLE N.H. 1995


C628Barbarians : a trilogy comprising Killing Time, Abide with Me and In the City

KEEFFE Barrie 1978

C627A Mad World, My Masters

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C657Gimme shelter

KEEFFE Barry 1977

C154Bibliography of British History : Stuart Period, 1603-1714

KEELER, Mary Frear 1970

C037England in the Middle Ages : a Political History

KEEN, M.H. 1973

D171The Iconography of the Bankside Globe

KEENAN, Siobhan & DAVIDSON, Peter 1997


C184/1Mathematical Technologies and the Growth of the Idea of Technical Progress in the SixteenthCentury

KELLER, A.G. 1972


B764/5Pace and Timing in Rabelais's Stories

KELLER, Abraham C. 1963


C354Legal humanism and the sense of history

KELLEY Donald R. 1966


P1/1955/VMilton's Annotations of Aratus

KELLEY, Maurice and ARKINS, Samuel D. 1955


A079Caxton's Blanchardyn and Eglantine

KELLNER Leon 1890

P1/1951/IIChaucer's Satire of the Pardoner

KELLOG, Alfred L. and HASELMAYER, Louis A. 1951


B816The Source and Meaning of Conjointure in Chrétien's Erec 14

KELLY Douglas 1970


C379/4Garrick's Shakespeare, 1761-2

KELLY Hugh 1976


C068Coriolanus

KEMBLE, J.P. 1789

C078Henry V

KEMBLE, J.P. 1789

C089The Tempest

KEMBLE, J.P. 1789

C092Macbeth

KEMBLE, J.P. 1794

C081Hamlet

KEMBLE, J.P. 1800


KEMBLE, J.P. 1810


KEMBLE, J.P. 1811

C072Twelfth Night

KEMBLE, J.P. 1811

C073Julius Caesar

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C056Coriolanus

KEMBLE, J.P. 1970

C049Measure for Measure

KEMBLE, J.P. 1970

C512In defence of Macbeth, 1786

KEMBLE J.P. 1981


C019Macbeth and King Richard the Third : an Essay in Answer to Remarks on some of The Charactersof Shakspeare

KEMBLE, John Philip 1970

A917The Taming of the Shrew in the Theatre

KEMP T.C. 1967


D045Ritual and Identity : the Edgar-Edmund Combat in King Lear

KENDALL Gillian Murray 1992


B186Richard the Third

KENDALL Paul MURRAY 1968

C231Flovvers of Epigrammes

KENDALL, Timothe 1967

A621Political Theory in the Plays of George Chapman

KENNEDY Charles W. 1967


C916Looking at Shakespeare : A Visual History of Twentieth-Century Performance

KENNEDY Dennis 1993

C985Shakespeare Played Small : Three Speculations about the Body

KENNEDY Dennis 1994


B764/4Some Unpublished Letters of the Italian Renaissance (from the collection of Harold C. Bodman)

KENNEDY, William H. 1960


C508Rhetorical norms in Renaissance literature

KENNEDY William J. 1978

C285That Dreadful Play

KENNY, P.D. 1970


A809Falstaff's Wedding

KENRICK W. 1969

C379/4On the adaptation of Cymbeline, may 1759

KENRICK William 1976


C537Johnson attacked, 1765






Z1Designs of Indigo Jones

KENT William 1967

A563The Stuart Constitution 1603-1688: Documents and Commentaries

KENYON J.P. 1966

C534Andrew Marvell : life and times

KENYON John 1979


B818Patrick Young's Catalogue of the Manuscripts of Lichfield Cathedral

KER N.R. 1969


A589Medieval English Literature

KER W.P. 1969

B764/5The Elizabethan Motet: a Study of Texts for Music

KERMAN, Joseph 1963


B567Adam Unparadised

KERMODE, Franck 1960

The Living MiltonIn

B567The Living Milton

KERMODE, Frank 1960

A599from his introduction to The Tempest

KERMODE Frank 1968


A644The Argument of Marvell' s "Garden"

KERMODE Frank 1968


A601Shakespeare King Lear

KERMODE Frank 1969

A635The Argument of Marvell's 'Garden'

KERMODE Frank 1969


B596Shakespeare, Spencer, Donne

KERMODE Frank 1971

D033The Future of the English Literary Canon

KERMODE Frank 1993


D272Shakespeare's Language

KERMODE, Frank. 2000

A788Shakespeare King Lear : A Casebook.

KERMODE Frank (editor) 1969

C375The plays and the playwrights

KERNAN Alvin 1975


B872From Introduction to Volpone

KERNAN Alvin B. 1972


C494Shakespeare and the abstraction of history



C504The playwright as magician : Shakespeare's image of the poet in the English public theater


C819Shakespearian Comedy and Its Courtly Audience



A697Des Arcs triomphaux aux Frontispices de livres

KERNODLE George R. 1956


Z4From Art to Theatre: Form and Convention in the Renaissance


B455The Open Stage: Elizabethan or Existentialist?



In

C121The Mannerist Stage of Comic Detachment

KERNODLE, George R. 1973


P5/30Titus Andronicus: Models of Textuality and Authorship

KERR, Heather B. 1991


A368Agrarian Problems ion the Sixteenth Century and After

KERRIDGE Eric 1969

C751The Sonnets and A Lover's Complaint

KERRIGAN John 1986

C980Shakespeare as Reviser

KERRIGAN John 1987


C740Keats and Lucrece

KERRIGAN John 1989


C934A complete history of comic noses

KERRIGAN John 1994

English ComedyIn

D073Revenge Tragedy Aeschylus to Armageddon

KERRIGAN, John 1996

A533Le Théâtre allemand après 1945, les hommes et les tendances

KESTING Marianne 1967


A759From Hamlet to Lear

KETTLE Arnold 1964


A759Shakespeare in a Changing World

KETTLE Arnold 1964

A581What is Kim ?

KETTLE Arnold 1969


D010The Humanity of King Lear

KETTLE Arnold 1993

King LearIn

B968A Bibliography of Dr. John Donne

KEYNES, Geoffrey 1973

C895Man’s Estate : Masculine Identity in Shakespeare

KHAN Coppélia 1981

D193 Self and Eros in Venus and Adonis (1976)

KHAN Coppélia 1997


A621The Influence of Shakespeare on Smollett

KHARL George M. 1967


D210'To grow unto himself was his desire'

KIERNAN Pauline 1999

William Shakespeare, Venus and Adonis : Nouvelles Perspectives CritiquesIn

A759Human Relationships in Shakespeare

KIERNAN V.G. 1964


C211/1The Parson's Wedding

KILLIGREW, Thomas 1974


A283The Parson's Wedding

KILLIGREW Thomas(1611/12-1682/3) 1962


C379/2Suggestions for adapting Julius Caesar, 1715

KILLIGREW Thomas the younger 1974


C656 aThe first season : As You Like It

KIMBROUGH R. Alan

C716Olivier's "Lear" and the limits of video

KIMBROUGH R. Alan 1988


P1/1962/IIThe Origins of Troilus and Cressida

KIMBROUGH Robert 1962


A515/1Rapports entre le baroque de cour et le baroque populaire dans la vie théâtrale du XVIIe siècle enAutriche

KINDERMANN Heinz 1968


C429Marvell's allegorical poetry

KING Bruce 1977

B852Thomas Traherne: Intellect and Felicity

KING, Francis 1972


D235From A Speech to Parliament

King James I 1999


D235From A Speech to the Lords and Commons of the Parliament at Whitehall

King James I 1999


D235From Basilikon Doron

King James I 1999


D235From Daemonology, In Form of a Dialogue

King James I 1999


D235From The True Law of Free Monarchies

King James I 1999


A256/1Ane Schort Treatise conteining some Reulis and Cautelis to be obseruit and eschewit in ScottisPoesie. 1584

King JAMES VI 1967


P1/1935/II1 and 2 Henry VI - Which Holinshed?

KING, Lucille 1966


P1/1936/IIText Sources of the Folio and Quarto Henry VI

KING, Lucille 1967


C878Faith, reason and the Prophets’ dialogue in the coventry Pageant of the Shearmen and Taylors

KING Pamela M. 1990


C986Morality plays

KING Pamela M. 1994


A623'Then Murder' s out of tune' : The Music and Structure of Othello

KING Rosalind


D154The Case for the Earlier Canon

KING Rosalind 1997


C457Staging of plays at the Phoenix in Drury Lane, 1617-42

KING T.J.


B692Shakespearean Staging, 1599-1642

KING, T.J. 1971

C121Shakespearian Staging, 1599-1642

KING, T.J. 1973


C973Casting Shakespeare's Plays : London actors and their roles, 1590-1642

KING Thomas James 1992

B927Mediaeval Drama

KINGHORN, A.M. 1968

B762Defoe and Richardson

KINHEAD-WEEKES Mark 1971


In

C594Forum reviews : recent books on Shakespearean comedy

KINIRY Malcolm 1980


C305Market of Bawdrie : the dramatic criticism of Stephen Gosson

KINNEY Arthur F. 1974

C515Some conjonctures on the composition of King Lear

Kinney Arthur F. 1980


C918Textual Signs and Economic Signals in The Merry Wives of Windsor

KINNEY Arthur F. 1993


C356Agrippa d'Aubigné and the apostasy of Henry IV

KINSER Samuel 1964


C740The passing of King Lear

KIRBY Ian J. 1989


B904The Dream Thought of Piers Plowman

KIRK, Elizabeth D. 1972

A621Jane Bell : Printer at the East End of Christ-Church

KIRK Rudolph 1967


A340The Significance of Dryden's Aureng-Zebe

KIRSCH Arthur C. 1966


C398The integrity of Measure for Measure

KIRSCH Arthur C. 1975


P1/1952/VThe Authorship of 1 Henry VI

KIRSCHBAUM, Leo 1952


B555Albany



A247Dr. Faustus: A Reconsideration

KIRSCHBAUM Leo 1969


A600Shakespeare's Stage Blood

KIRSCHBAUM Leo 1969


P1/1949/IShakespeare's Stage Blood and its Critical Significance



B764/4Humanistic Jurisprudence

KISCH, Guido 1961


C974"I Know Not What You Mean by That": Shakespeare in Different Cultural Contexts

KISHI Tetsuo 1994


C974Shakespeare and Cultural Traditions : The Selected Proceedings of the International ShakespeareAssociation World Congress, Tokyo, 1991

KISHI Tetsuo, PRINGLE Roger and WELLS 1994

C882Animal Metaphors in King Lear

KITTAY Eva & LEHRER Adrienne 1987


A693Le déclin de la tragédie à Athènes et en Angleterre

KITTO H.D.F. 1965


A936Form and Meaning in Drama: A Study of Six Greek Plays and of Hamlet

KITTO H.D.F. 1968

A789Hamlet as Religious Drama

KITTO H.D.F. 1968


A292Hamlet

KITTO H.D.F.(b.1897) 1963


B768Shakespere, An Address

KITTREDGE, George Lyman 1970

C922English Romanticism and Cultural Production

KLANCHER, Jon 1989


C456E.W. Godwin and the Bancrofts

KLEB William E.


C325The Elizabethan dramatist as critics

KLEIN David 1970

C498'What is't to leave betimes?' Proverbs and logic in Hamlet

KLEIN Joan Larsen 1979


C964Écriture/Théâtralité : poru une poïétique du palimpseste

KLEIN Marc 1990


B087La Forme et l'intelligible

KLEIN Robert 1970

D224LTI la langue du IIIème Reich

KLEMPERER Victor 1998

B818Leibniz's Unknown Correspondence with English Scholars and Men of Letters

KLIBANSKY R. 1969


B818Plato's Parmenides in the Middle Ages and the Renaissance

KLIBANSKY, R. 1969


B818The Rock of Parmenides

KLIBANSKY, R. 1969


C716The setting in early television : Maurice Evans' Shakespeare productions

KLIMAN Bernice W. 1988


D180Shakespeare in Performance : Macbeth

KLIMAN, Bernice W. 1995

C692Assays : critical approaches to Medieval and Renaissance texts

KNAPP Peggy A. 1983

C692Penance, irony, and chaucer's retraction

KNAPP Robert S. 1983


D009Shakespearean Authority

KNAPP Robert S. 1992


B507The Discoveries

KNECHT Robert 1971


In

A381Cymbeline

KNIGHT G. Wilson 1965

The Crown of Life: Essays and Interpretation of Shakespeare' s Final playsIn

A381Henry VIII



A775Lyly

KNIGHT G. WILSON 1965


In

B789Macbeth and Antony and Cleopatra

KNIGHT, G. Wilson 1965


A381Pericles



A381The Crown of Life: Essays and Interpretation of Shakespeare' s Final plays


A381The Tempest



A381The winter' s Tale



A510The Sovereign Flower : on Shakespeare as the Poet of Royalism Together with Related Essaysand Indexes to Earlier volumes


A512Shakespeare and Religion : Essays of Forty Years


A929King Lear and the Comedy of the Grotesque



A784The Imperial Theme

KNIGHT G.Wilson 1968

A790The Milk of Concord: An Essay on Life-themes in Macbeth



A599The Shakespearian Superman



A511The Shakespearian Tempest : with a Chart of Shakespeare' s Dramatic Universe








A597Tempest and Music



A600The Death of Cassius



B885"Great Creating Nature": An Essay on The Winter's Tale



B582The Royal Occupation: An Essay on Coriolanus



A382King Lear


The Wheel of FireIn

A382Macbeth


The Wheel of FireIn



The Wheel of FireIn

A382Othello


The Wheel of FireIn

A382The Wheel of Fire


A382Timon of Athens


The Wheel of FireIn



The Wheel of FireIn

C489The imperial theme : further interpretations of Shakespeare's tragedies including the roman plays


C500Caliban as a Red Man



A292The Shakespearian Integrity

KNIGHT G. Wilson(B.1897) 1963


C285Ellen Terry

KNIGHT, Joseph 1970


A292King Lear

KNIGHT L.C.(b.1906) 1963


C409Equity, The Merchant of Venice and William Lambarde

KNIGHT W. Nicholas 1974


A254The Christian Renaissance (with interpretations of Dante, Shakespeare and Goethe and newdiscussions of Oscar Wilde and the gospel of Thomas)

KNIGHT Wilson G. 1962

A600The Eroticism of Julius Caesar

KNIGHT WILSON G. 1969


B605Measure for Measure and the Gospels

KNIGHT Wilson G. 1971


A758Explorations : Essays in Criticism Mainly on the Literature of the Seventeenth Century

KNIGHTS L.C. 1963

C470Tradition and Ben Jonson

KNIGHTS L.C. 1963


C266Notes on Comedy

KNIGHTS, L.C. 1965


C266Restoration Comedy : the Reality and the Myth

KNIGHTS, L.C. 1965


A775Social Morality in "A New Way to Pay Old Debts"

KNIGHTS L.C. 1965


In

A340Restoration Comedy: The Reality and the Myth

KNIGHTS L. C. 1966


B830Drama and Society in the Age of Jonson

KNIGHTS, L.C. 1968

A789Hamlet and Death

KNIGHTS L.C. 1968


A790Some Contemporary Trends in Shakespeare Criticism

KNIGHTS L.C. 1968


A598The Realism of Antony and Cleopatra

KNIGHTS L.C. 1968


A600Personality and Politics in Julius Caesar

KNIGHTS L. C. 1969



KNIGHTS L.C. 1969


A603The Strange Case of Doctor Faustus

KNIGHTS L.C. 1969


B471The Teaching of Shakespeare

KNIGHTS L.C. 1969


A581Timon of Athens

KNIGHTS L.C. 1969


B984Further Explorations

KNIGHTS, L.C. 1970

B057Time's Subjects:the second Part of Henry IV

KNIGHTS L.C. 1970


B605The Ambiguity of Measure for Measure

KNIGHTS L.C. 1971


B872From Drama and Society in the Age of Jonson

KNIGHTS L.C. 1972


C494Shakespeare : the man in the work - Reflections on a reflection

KNIGHTS L.C. 1978


C492'Hamlet' and other Shakespearean essays

KNIGHTS L.C. 1979

C500Rhetoric and insincerity

KNIGHTS L.C. 1980


C625Shakespeare's politics : with some reflections on the nature of traditions

KNIGHTS L.C. 1985


A929Macbeth as a Dramatic Poem

KNIGHTSL.C. 1968


A649Ben Jonson' s Plays : An Introduction

KNOLL Robert E. 1964

B650Milton's pastoral Vision

KNOTT, John R. Jr 1971

A283Six Caroline Plays

KNOWLAND A.S. 1962

B764/3Thomas Shelton, Translator of Don Quixote

KNOWLES, Edwin B. 1958


D144A New Variorum Edition of Shakespeare : As You Like it

KNOWLES Richard (ed.) 1977

D135Carnival and Death in Romeo and Juliet : A Bakhtinian Reading

KNOWLES, Ronald 1996


B764/2The Scale of Man

KNOWLTON, Edgar C. 1956


P1/1936/IINature and Shakespeare

KNOWLTON, Edgar C. 1967


C974A Caliban in St. Mildred Poultry

KNUTSON Roslyn L. 1994


B450Francis Bacon on the Drama

KOCHER Paul H. 1962


A501Christopher Marlowe: A Study of his Thought, Learning, and Character

KOCHER Paul H. 1964

A775Humour in "Tamburlaine"

KOCHER Paul H. 1965


In

B219Science and Religion in Elizabethan England

KOCHER Paul H. 1969

A124Three Middle-English Versions of the Rule of St. Benet

KOCK Ernst A. 1902

B806Milton's Use of Color and Light

KOEHLER G. Stanley 1971


C266Comedy

KOESTLER, Arthur 1965


B263Shakespeare's Names: a Pronouncing Dictionary

KÖKERITZ Helge 1966

C280Shakespeare's Language

KÖKERITZ, Helge 1973


A528Le Nouvel Eclairage Scénique et sa Signification pour le Théâtre d'aujoud'hui

KOLBE Alfred 1969


A081The Romance of Sir Beues of Hamtoun

KÖLBING Eugen 1894

D193Venus and Adonis. Critical Essays

KOLIN Philip. C 1997

D193Venus and /or Adonis among the Critics

KOLIN Philip. C 1997


B856The Play Called Corpus Christi

KOLVE, V.A. 1966

B938Everyman and the Parable of the Talents

KOLVE, V.A. 1972


A606La legislacion sobre inmigracion de extranjeros en America durante el reinado de Carlos V

KONETZKE Richard 1959


Z6La Représentation d'un Mystère de la Passion à Valenciennes en 1547

KONIGSON Elie 1969

C414L'espace théâtral médiéval

KONIGSON Elie 1975

C415La cité et le prince : premières entrées de Charles VIII (1484-1486)

KONIGSON Elie 1975


C531Religious drama and urban society in France at the end of the Middle Ages

KONIGSON Elie 1979

Drama and societyIn

C550La place du Weinmarkt à Lucerne : remarques sur l'organisation d'un espace dramatisé

KONIGSON Elie 1980


C550Les voies de la création théâtrale VIII : recherches sur les textes dramatiques et les spectacles duXVe au XVIIIe siècle

KONIGSON Elie 1980

C583"La fille du roi de Hongrie" et le calendrier de "La Manekine"

KONIGSON Elie 1984


A125The Poems of William of Shoreham . Part I

KONRATH M. 1902

D280Judicious Oeillades: Supervising Maritel Property in The Merry Wives of Windsor

KORDA, Natasha. 2001


C294Robert Anderson's Life of Johnson

KORSHIN, Paul J. 1973


B546Marlowe's "Hero and Leander" and Chapman's

KOSTIC, Veselin 1966


D282Further Reading

KOSUSKO, Matt. 1999


P1/1967/VHamlet and Orestes

KOTT, Jan 1967


B987Shakespeare our Contemporary

KOTT, Jan 1967

A789Hamlet of the Mid-Century

KOTT Jan 1968


A599Prospero' s Staff

KOTT Jan 1968


A601King Lear, or Endgame

KOTT Jan 1969


A788King Lear , or Endgame

KOTT Jan 1969


A528La Cinétique Scénique

KOURIL Miroslav 1969


T19Littérature et spectacle

KOWZAN Tadeusz 1975

C549Le Tartuffe de Molière dans une mise en scène de Roger Planchon

KOWZAN Tadeusz 1978


C607King Lear : the space of tragedy . The diary of a film director

KOZINTZEV Grigori 1977

C399A danish actress and her conception of the part of Lady Macbeth

KRABBE Henning 1976


A629D'un art que l'esthétique ignore

KRAFFT Jacques G. 1956


B772The Continental Renaissance 1500-1600

Krailsheimer, A.J. (editor) 1971

B453New Essays on Paradise Lost

KRANIDAS Thomas (editor) 1969

A533Le théâtre tchèque: L'oeuvre de Joseph Topol

KRAUS Karel 1967


D201Philologists and philosophers

KRAYE Jill 1997


D201The Cambridge Companion to Renaissance Humanism

KRAYE Jill (editor) 1997

D240When All is True: Law, History and Problems of Knowledge in Henry VIII

KREPS Barbara 1999


A699Le mécénat de la Cour de Bruxelles (1430-1559)

KREPS Joseph 1961


C498Social relations and the social order in Much Ado About Nothing

KRIEGER Elliot 1979


P1/1951/VMeasure for Measure and Elizabethan Comedy

KRIEGER, Murray 1951


B341A Window to Criticism: Shakespeare's Sonnets and Modern Poetics

KRIEGER Murray 1964

D260The Dark Generations of Richard III

KRIEGER Murray 1999


C135/2Renaissance Thought : the Classic, Scholastic, and Humanist Strains

KRISTELLER, Paul Oskar 1961

B764/5Studies on Renaissance Humanism during the Last Twenty Years



C135/1Renaissance Thought II : Papers on Humanism and the Arts


B118Recherche pour une Sémanalyse: Essais

KRISTEVA Julia 1969

C966Romeo and Juliet : Love-hatred in the couple

KRISTEVA Julia 1992


A935Elements of Tragedy

KROOK Dorothea 1969

D033The Image of the Other in Eighteenth-Century English European Travel Literature

KUCZYNSKI Ingrid 1993


C184/1Some Interpretive Remarks on the Antisemitism of Paracelsus

KUDLIEN, Fridolf 1972


P1/1925/IIThe Authorship of The Taming of The Shrew

KUHL Ernest P. 1966


C795The Hand of John Fletcher in Double Falsehood

KUKOWSKI Stephan 1990


A533Le répertoire étranger sur la scène slovène

KUMBATOVIC Filip Kalan 1967


A692Trois précurseurs du théâtre contemporrain en Yougoslavie: Branislav Nusic, Ivan Cankar, MiroslavKrleza



A528Scène et Auditoire



C591Savoir, pouvoir, voir : The Most Dangerous Game (Les Chasses du comte Zaroff ), M. Cooper,R. Shoedsack

KUNTZEL Thierry 1980


C184/1A mexican Amulet Against Kidney Stones

KURZ, Otto 1972


B816The Function and Evolution of Byzantine Rhetoric

KUSTAS George L. 1970



KYD Thomas 1933


A639The Spanish Tragedy; or Hieronimo is mad again

KYD Thomas 1939


In

B426(The Spanish Comedy, or)The First Part of Hieronimo andThe Spanish Tragedy(or Hieronimo isMad Again)

KYD Thomas 1967


KYD Thomas 1969


C779From letters to the Lord Keeper (BM Harl. MS 6848, 6849), 1593

KYD Thomas 1979



KYLE Barry 1989


B076Shakespeare dans les Tarots et Autres Lieux (où tentative de divagation cohérente, à la foisthéorique et pratique, au travers du Songe d'Une Nuit D'Été)

L'HÔTE Jean-Marie 1967

A712Structure, sound, and meaning

LA DRIÈRE Craig 1963


C879The cruciform farce in Latin America: two plays

LABINGER Andrea G. 1988

FarceIn

B818A New Version of Scotus Eriugena's Commentary on Martianus Capella

LABOWSKY L. 1969


D096Desire and the Interpretation of Desire in Hamlet

LACAN, Jacques 1980

Literature and PsychoanalysisIn

B104Les Cultes spectaculaires de l'Antiquité classique

LACARRIÈRE Jacques 1965


P5/12Mundus Alter et Idem de Joseph Hall: Expérience sur le discours fictionnel

LACASSAGNE, Claude 1983


A804Sauny The Scott: or the Taming of the Shrew

LACEY J. 1969

B598Robert Earl of Essex, An Elizabethan Icarus

LACEY Robert 1971

M77The Supernatural in Macbeth and The Winter's Tale

LACHERAY, Delphine 1997

M25Shakespeare et le Théâtre Elisabéthain: the Structure of Macbeth

LACLAU, Annie 1976

D068Entre Angleterre et Languedoc: La Narcissa de Tedaldi-Fores (1818). Le Miroir de narcisse

LACROIX, Jean 1996



LACY, T.H. 1970

A694Federico Garcia Lorca : Le théâtre et la vie

LAFFRANQUE Marie 1967


M72Knowledge and Self-Knowledge in King Lear

LAFOSSE, Yann 1997

A692Frederico Garcia Lorqua: Expérience et conception de la condition du dramaturge

LAFRANQUE Marie 1968


P5/1Floyd Lowell Goodwyn, Jr., Image Pattern and Moral Vision in John Webster

LAGARDE F. 1977


A771/1John Webster

LAGARDE Fernand 1968

A771/2John Webster

LAGARDE Fernand 1968

P5/6Shakespearian Reminiscences in Serjeant Musgrave's Dance

LAGARDE, Fernand 1979


A697/2La Joyeuse entrée du Prince Philippe à Gand en 1549

LAGEIRSE Marcel 1960


C605Analyse d'un ensemble filmique extensible : les films français des années 30

LAGNY Michel, ROPARS Marie-Claire et SORLIN 1980


A715Nature redeemed: the imitation of order in three Renaissance poems

LAGUARDIA Eric 1966

C878‘A curious way of torturing’: language and ideological transformation in A King and No King

LAIRD David 1990


B104Le Théâtre slovaque

LAJCHA Ladislav 1965


C522The canon of Thomas Middleton's plays : internal evidence for the major problems of autorship

LAKE David J. 1975

D226Deeds against Nature: Cheap Print, Protestantism and Murder in Early Seventeenth CenturyEngland

LAKE, Peter 1994


C882Time Metaphors in Troilus and Cressida

LAKOFF George & JOHNSON Mark 1987


C285On the Artificial Comedy of the Last Century

LAMB, Charles 1970


C779From 'Specimens of English Dramatic Poets', 1808

LAMB Charles 1979


C088Timon of Athens

LAMB, Hon. George 1816

C594Ovid's metamorphose and Shakespeare's Twelfth Night

LAMB M.E. 1980


C663The nature of topicality in Love's Labour's Lost

LAMB Mary Ellen 1985


M14Deceit and Self-Delusion in Shakespeare's Othello

LAMBERT, Dominique 1972

M68The Sense of Death in Hamlet, by William Shakespeare and Waiting for Godot , by SamuelBeckett

LAMBERT, Renaud 1995

D208Quelques réfléxions sur la notion de propriété dans l'oeuvre de James Harrington

LAMOINE G. 1998


D154Shakespeare's Henry IV and 'the old song of Percy and Douglas'

LAMONT Claire 1997


B540Marginal Prynne 1600-1669

LAMONT, William M. 1963

B793Godly Rule: Politics and Religion 1603-60

LAMONT William M. 1969

D007German Classical Drama : Theatre, Humanity and Nation 1750-1870

LAMPORT Francis John 1990

C507The Second Maiden's Tragedy

LANCASHIRE Anne 1978

C809Two Tudor Interludes : Youth and Hick Scorner

LANCASHIRE Ian 1980

C459The Second Maiden's Tragedy

LANCSHIRE Anne 1978

B558Southey and Landor

LANDOR Walter Savage 1951


C480In defense of Shakespeare's Sonnets

LANDRY Hilton 1976


C480New essays on Shakespeare's Sonnets

LANDRY Hilton 1976

B346Four Lears

LANDSTONE Charles 1970


A719An Account of the English Dramatick Poets

LANGBAINE Gerard

C104An Account of the English Dramatick Poets

LANGBAINE, Gerard 1973

C264Momus Triumphans or, the Plagiaries of the English Stage and The Lives and Characters of theEnglish Dramatick Poets

LANGBAINE, Gerard 1973

C379/1From An Account of the English Dramatick Poets, 1691

LANGBAINE Gerard 1974


C779From 'An Account of the English Dramatics Poets', 1691

LANGBAINE Gerard 1979


C266The Comic Rhythm

LANGER, Susanne 1965


P5/14The Story Shall Be Changed: The Senecan Sources of A Misummer Night's Dream

LANGFORD, Larry 1984


C457A picture of the Salisbury court theatre

LANGHANS Edward A.


MD05Autobiographie et Catharsis dans les Comédies de Molière

LANGLOIS, Annie 1991

P1/1931/IIA Verse-Sentence Analysis of Shakespeare's Plays

LANGWORTHY Charles A. 1966


C927Superposed plays: Hamlet

LANHAM Richard A. 1993


C266Molière and Farce

LANSON, Gustave 1965


L'art de la guerre au temps de Charles Quint

LAPEYRE M.H. 1959


A630Le sens et le non-sens dans la peinture abstraite

LAPOUJADE Robert 1956


In

A701Racine est-il sénéquien

LAPP John 1964


B831The Esthetics of Negligence: La Fontaine's Contes

LAPP, John C. 1971

D225Leduc, Guyonne. L'éducation des Anglaises au XVIIIe siècle: La conception de Henry Fielding

LAPREVOTTE Guy 1999


In

P5/8Cannibalism in Shakespeare's Imagery

LAROQUE, François 1981


C596En marge de l'idéologie : antimasque et grotesque dans le Doctor Faustus et La Tempête

LAROQUE François 1982


P5/11Pagan Ritual, Christian Liturgy, and Folk Customs in The Winter's Tale



P5/14Ovidian Transformations and Forlk Festivities in A Midsummer Night's Dream, the Merry Wivesof Windsor, and As You Like It



C602Fête, folklore et mythe dans Le Marchand de Venise



C653Les mots et les choses dans All's Well That Ends Well



P5/21An Archeology of the Dramatic Text: Othello and Popular Traditions



C173Figures de la perversion dans Othello


Autour d' OthelloIn

C771Plaidoyer pour un Songe : aspects esthétiques et pédagogiques du Midsummer Night's Dreamd'Elijah Moshinsky



C702Shakespeare et la fête : Essai d'archéologie du spectacle dans l'Angleterre élisabethaine


P5/24Magic in Macbeth



C822Masque et antimasque dans A Midsummer Night's Dream



C718Masque et antimasque dans A Midsummer Night's Dream



C742"Bellona's bridegroom" : la fête de la guerre dans le théâtre de Shakespeare



C789Le corps dans Henry IV et dans The Merry Wives of Windsor : du carnavalesque au grotesque



C898Othello , The Tempest , and the Grotesque



C919/1The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550-1642)


C919/2The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550-1642)


C897‘Heads and Maidenheads’: Blasons et contre-blasons du corps



C923 “Or night kept chained below”: La Tempête ou le désir enchaîné



C974The Jack Cade Scenes Reconsidered: Popular Rebellion, Utopia, or Carnival?



C999La Tempête : monde vert ou monde à l'envers



D055Words and things in All's Well That Ends Well



D068Fête et pouvoir dans le théâtre de Shakespeare



D195Mythe, magie et représentation du mal: Macbeth



D168/5"Motley's the only wear": As you like It ou la bigarrure



D210Figures de l'inquiétude dansVenus and Adonis



D287Popular Festivity

LAROQUE, François. 2002


D057Twelfth Night : comédie festive ou comédie des erreurs

LAROQUE, François & OWENS, Anne 1996


C575Lady Macbeth : "Infirm of purpose"

LARSEN KLEIN Joan 1980

The woman's partIn

B504Shakespeare's Measure for Measure

LASCELLES Mary 1953

B375The Rider on the Winged Horse

LASCELLES Mary 1959


A915The Rider on the Winged horse

LASCELLES Mary 1969


C171King Lear and Doomsday

LASCELLES, Mary 1973


C582King Lear and Doomsday

LASCELLES Mary 1982


C741Temps et lieu dans le théâtre Tudor : deux traitements remarquables

LASCOMBES A. 1989

Lieu et tempsIn

C602L'actant réconciliation dans Le Marchand de Venise

LASCOMBES André 1985


C770Le corps théâtralisé dans Henry IV



C823Formes théâtrales du trope de syllepse



C919/1Theatrical Stratégies for Dramatic Inclusions



D055Time and Place in Tudor Theater : Two Remarkable Achievements - Fulgens and Lucrece andGorboduc

LASCOMBES, André 1995


B595The World we have lost

LASLETT Peter 1971

C364As You Like It

LATHAM Agnes 1975

B375Sir Walter Ralegh's Instructions to his son

LATHAM Agnes M.C. 1959


B320/63The Earlier Stuart and the Commonwealth Period, excluding Drama



A915Sir Walter Raleigh's Instructions to His Son



B028ThePoems of Sir Walter Ralegh

LATHAM Agnes M.C. (editor) 1962

C398The Tempest and King James's 'daemonologie'

LATHAM Jacqueline E.M. 1975



LATHAM M.C. 1964



LATHAM M.C. 1968



LATHAM M.C. 1969


C398Sight-lines in a conjectural reconstruction of an Elizabethan playhouse

LATTER D.A. 1975


A630La peinture moderne et le public

LAUDE Jean 1956


In

A696L' histoire, la peinture et la mide en scène d'évènements passés

LAUDE Jean 1957


A139Minor Poems

LAUDER William 1870

A698La fantaisie en France jusqu'au milieu du XVIIè siècle

LAUNAY Denise 1960


P5/15Dog, Fiend and Christian, or Shylock's Conversion

LAURENT Camille Pierre 1984


C602Un discours sans âme : la tirade de Shylock (III, i, 47-66)

LAURENT Camille-Pierre 1985


C824Inference and experience in Much Ado About Nothing

LAURENTCamille Pierre 1992


C772Mettre en scène Richard III

LAVAUDANT Georges 1990


B512/2Aimé Césaire et Jean-Marie Serreau. Un acte politique et poétique . La tragédie du roiChristophe et Une saison au Congo

LAVILLE Pierre 1970


B500The Elizabethan Theatre and the Inductive Method

LAVIN J.A. 1970


B922Measure for Measure

LAVIN, J.A. 1972


C121Shakespeare and the Second Blackfriars

LAVIN, J.A. 1973


C139The Absolute Unlawfulness of the Stage-Entertainment Fully Demonstrated

LAW, William 1973

The Absolute Unlawfulness of the Stage-Entertainment Fully Demonstrated , The StageDefended and Law Outlaw'd

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B383Apology for the Middle Class: The Dramatic Novels of Thomas Deloney

LAWLIS Merritt E. 1960

B148The Novels of Thomas Deloney

LAWLIS Merritt E. (editor) 1961

A964On Romanticism in the Confessio Amantis

LAWLOR John. 1966


A964Patterns of Love and Courtesy

LAWLOR John 1966

B342The Tragic Sense in Shakespeare

LAWLOR John 1969

C121Continuity and Innovation in Shakespeare

LAWLOR, John 1973


C511Jacobean and Caroline comedies

LAWRENCE Robert G. 1973

B605Real Life and Artifice

LAWRENCE W.W. 1971


P1/1944/IHamlet's Sea-Voyage

LAWRENCE, WILLIAM W. 1967


P1/1946/IIHamlet and Fortinbras

LAWRENCE, William W. 1970


A778Shakespeare's Problem Comedies

LAWRENCE William Witherle 1960

A697Ville Imaginaire , Décors théâtral et Fête, autour d' un receuil de Geofroy Tory

LAWRENSON T.E. 1956


C120Sidney's two Arcadias : Pattern and Proceeding

LAWRY, Jon S. 1972

A347Theory And Technique Of Playwriting(with a new introductory essay on the contemporary thetre

LAWSON John Howard 1967

M58Love in Love's Labour's Lost and Much Ado About Nothing

LE BOISSELIER, Hubert 1992

M04A Study of Sir John Falstaff as A Stage Character and a Film Character in 'Chimes at Midnight', O.Welles

LE FRANÇOIS DES COURTIS, Laurence 1971

C632The fair musick that all creatures made

LE HURAY Peter 1980

The age of MiltonIn

M43Le Country Squire dans la Comédie 1675-1775, Esquisse de Portrait-Robot.

LE TARGA, Agnès 1987

C476The court masque

LEA K.M. 1975


B375Harington's Folly

LEA Kathleen M. 1959


A915Harington's Folly



C533Shakespeare's inner stage



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C455Nineteenth century theatrical machinery in the theatre royal, bath

LEACROFT Richard


D255Jonson and the court

Leah S. Marcus 2000


C349Daniel's Cleopatra : a critical study

LEAVENWORTH Russell E. 1974

A644The Line of Wit

LEAVIS F.R. 1968


A292The Criticism of Shakespeare's Late Plays

LEAVIS F.R.(b.1895) 1963


A551/1A Selection from Scrutiny, volume I

LEAVIS F.R. (editor) 1968

A551/2A Selection from Scrutiny, volume II

LEAVIS F.R. (editor) 1968

A700Ronsard et la Musique

LEBÈGUE Raymond 1954


A629La poésie amoureuse de Ronsard et sa vie intérieure



A697Les Représentations Dramatiques à la Cour des Valois



A606Contacts français avec la littérature espagnole pendant la première moitié du XVIè siècle



A699L' évolution du théâtre dans les provinces du Nord



A701Christianisme et libertinage chez les imitateurs de Sénèque en France



A693Grâce et liberté dans les tragédies du temps de Louis XIII



A693Le problème du salut dans les mystères et dans les tragédies protestantes



A693Tragique et dénouement heureux dans l'ancien théâtre français



A693Tragique et dénouement heureux dans l'ancien théâtre français



A515/1Persistance, altération, disparition des traditions dramatico- religieuses en France



A908Le XVIIeme siècle

LEBRUN François 1967

C602Tubal : the resurection and fall of a/the Cipher

LECERCLE Ann 1985


C653Anatomy of a Fistula, Anomaly of a drama

LECERCLE Ann 1986


C696Mannerist Macbeth : between Medusa and Maccabee

LECERCLE Ann 1987


C173The "Unlacing" of the Name in Othello

LECERCLE, Ann 1987

Autour d' OthelloIn

C822Of Mazes, Merry-go-rounds and Immaculate Conception : The Dream Logic of A MidsummerNight's Dream

LECERCLE Ann 1989


C718Of Mazes, Merry-go-rounds and Immaculate Conception : The Dream Logic of A MidsummerNight's Dream

LECERCLE Ann 1989


C772Corps, regard, parole : Basilisk and Antichrist in Richard III

LECERCLE Ann 1990


C770Epics and Ethics in 1 Henry IV

LECERCLE Ann 1990


C742"Strange images of death" : the primacy of the signifier in Shakespeare's tragic representation of war

LECERCLE Ann 1990


C773Words, Wards, Watches : Going between in Troilus and Cressida

LECERCLE ANN 1990


C789Hommage à Laurence Olivier . L'art du funambule : le texte Shakespearien et le jeu d'Olivier

LECERCLE Ann 1991


C789The letter that killeth : the desacralizedand the diabolic body in Shakespeare

LECERCLE Ann 1991


C919/1Hamlet ’s Play Within The Play as Palimpsest

LECERCLE Ann 1992


C825Inversion, perversion, subversion : l'économie marlowienne de la tyrannie

LECERCLE Ann 1992

Edward IIIn

C918Démonétisation et Tyrannie dans Edward II

LECERCLE Ann 1993


C897Winking in Romeo and Juliet

LECERCLE Ann 1993


C923“Trash” dans La Tempête

LECERCLE Ann 1994


D055Epics and Ethics in 1 Henry IV

LECERCLE, Ann 1995


D068Religion and the Decline of Magic, or Ropes and Tropes in Shakespeare's The Tempest

LECERCLE, ANN 1996


D168/8Dissonance in As You Like It

LECERCLE Ann 1998


D210Ombres et Nombres : Venus and Adonis et le Parergon

LECERCLE Anne 1999


D033Diabolism and Angelism : Dialogue, Meaning and Nonsense

LECERCLE Jean-Jacques 1993


C596Conscience et méconnaisance dans Edward the Second de Marlowe

LECERCLE-SWEET A. 1982


A292The Unity of 2 Henry IV

LECH Clifford(b.1909) 1963


M10Shakespeare's Tragic Hero: a Comparative study of Richard III and Macbeth

LECHALUPE, Patrice 1971

B107Les Grandes Aventures du Théâtre

LECLERC Guy 1968

B104La Scène d'illusion et l'hégémonie du théâtre à l'italienne

LECLERC Hélène 1965


D057Why Box? Or the (Horti)cultural (H)edgework of Twelfth Night

LECLERLE, Ann 1996


A515/2Le théâtre de Blackfriars de 1596 à 1606

LECOCQ Louis 1968


A549La Satire en Angleterre de 1588 à 1603

LECOCQ Louis 1969

C415La salamandre royale dans les entrées de François Ier

LECOQ A.-M. 1975


D225Boucé, Paul-Gabriel, dir. Guerres et paix: La Grande-Bretagne au XVIIIè siècle

LEDUC Guyonne 1999


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D225Viviès, Jean. Le Récit de voyage en Angleterre au XVIIIe siècle. De l'inventaire à l'invention

LEDUC Guyonne 1999


In

D225Bulletin de la société d'études anglo-américaines des XVII et XVIII siècles

LEDUC Guyonne (rédactrice en chef) 1999

B320/68American Literature: the Twentieth Century

LEE Brian 1970


B320/69American Literature: the Twentieth Century

LEE Brian 1971


A281Sophonisha

LEE Nathaniel 1960


B041Lucius Junius Brutus

LEE Nathaniel 1968

B734The Rival Queens

LEE Nathaniel 1970

B687Shakespeare: Antony and Cleopatra

LEE, Robin 1971

B800Great Englishmen of the Sixteenth Century

LEE Sidney 1904

A899/5An English Garner: Elizabethan Sonnets(Vol I)

LEE Sydney 1964

A899/6An English Garner: Elizabethan Sonnets(Vol II)

LEE Sydney 1964

B332John Webster

LEECH Christopher 1966

A463/4The Unity of 2 Henry IV

LEECH Clifford 1953


B450Marlowe's Humour

LEECH Clifford 1962


A611The John Fletcher Plays

LEECH Clifford 1962

A351WEBSTER: The Duchess of Malfi

LEECH Clifford 1963

A693Le Dénouement par le suicide dans la tragédie élizabéthaine et jacobéenne

LEECH Clifford 1965


B789Shakespeare: the Tragedies

LEECH, Clifford 1965

A326Shakespeare's Tragedies and Other Studies in Seventeenth Century Drama

LEECH Clifford 1965

A775The Last Jacobean Tragedy

LEECH Clifford 1965


In

A340Congreve and the Century's End

LEECH Clifford 1966


A340Restoration Tragedy: A Reconsideration

LEECH Clifford 1966


A463/2Shakespeare's Life and Time (reviewed)

LEECH Clifford 1966


In

A463/5Studies in Hamlet, 1901-1955

LEECH Clifford 1966


A463/2The 'Meaning' of Measure for Measure

LEECH Clifford 1966


In

B048Critical Studies reviewed

LEECH Clifford 1968



LEECH Clifford 1968


B476Shakespeare's Life, Times and Stage

LEECH Clifford 1968


A929The Implications of Tragedy

LEECH Clifford 1968


A486Twelfth Night and Shakespearian Comedy

LEECH Clifford 1968

A973Two Romantics: Arnold Wesker and Harold Pinter

LEECH Clifford 1968



LEECH Clifford 1969


In

A247Edward II : Power and Suffering

LEECH Clifford 1969


A688The Function of Locality in the Plays of Shakespeare and His Contemporaries

LEECH Clifford 1969


B500The Function of Locality in the PLays of Shakespeare and his Contemporaries

LEECH Clifford 1969


A581The Hesitation of Pyrrhus

LEECH Clifford 1969


C425The Two Gentlemen of Verona

LEECH Clifford 1969

A791Tragedy

LEECH Clifford 1969

B346Shakespeare's Life and Times

LEECH Clifford 1970


B394The Dramatist's Experience

LEECH Clifford 1970

B605The 'Meaning' of Measure for Measure

LEECH Clifford 1971


C171Studies in Shakespearian and other Jacobean Tragedy, 1918-1972



C169The Invulnerability of Evil



C121Three Times Ho and a Brace of Widows : Some Plays for the Private Theatre



C484Masking and unmasking in the last plays

LEECH Clifford 1978


A630Essai sur les arts poétiques modernes

LEFEBVRE Henri 1956


In

C415Vie et mort du jeu de carnaval à Nüremberg, Neidhart et la violette, de Hans Sachs (1557)

LEFEBVRE Joë 1975

A701Lohenstein et Sénèque

LEFEBVRE Joël 1964


C583Hans Sachs "L'entremetteuse et le Chanoine"

LEFEBVRE Joël 1984


C434Trois masques à la cour de Charles Ier d'Angleterre : The Triumph of Peace, The Triumphs of thePrince d'Amour, Britannia Triumphans

LEFKOWITZ Murray 1970

C584Arden of Faversham

LEGATT Alexander 1983


C663Henry VIII and the ideal England



C863King Lear


C726King Lear


C974Shakespeare and Bearbaiting



D287The Cambridge Companion to Shakespearean Comedy

LEGATT, Alexander (editor) 2002

M65The Supernatural and its Function in A Midsummer Night's Dream by William Shakespeare

LEGENDRE, Frédérique 1995

MD03L'Anti-fête dans les grandes cmédies de W. Shakespeare

LEGER, Dominique 1991

C275Citizen Comedy in the Age of Shakespeare

LEGGATT, Alexander 1973

C372Shakespeare's comedy of love

LEGGATT Alexander 1973

C375The companies and actors



C572Ben Jonson : his vision and his art


D013Bohan and Oberon: the Internal Debate of Greene's James IV



D287Comedy and sex

LEGGATT, Alexander. 2002


B737Some Remars on Seventeenth Century Imagery: Definitions and Caveats

LEGOUIS Pierre 1971


In

C398Titus Andronicus, III, i, 298-9

LEGOUIS Pierre 1975


C266Comedy and Laughter

LEHMANN, Benjamin 1965


B764/2Sir Thomas More's Life of Pico Della Mirandola

LEHMBERG, Stanford E. 1956


C548Théâtre lyrique et expressionnisme

LEIBOWITZ René 1971


B130Music, History, and Ideas

LEICHTENTRITT Hugo 1966

B938The Doomsday Mystery Play: An Eschatological Morality

LEIGH, David J. 1972


C575The Miranda trap : Sexism and racism in Shakespeare's Tempest

LEININGER Lorie Jerrell 1980

The woman's partIn

B375Variations on a Theme in Shakespeare's Sonnets

LEISHMAN J.B. 1959


B388The Monarch of Wit: an Analitical and Comparative Study of the Potry of John Donne

Leishman J.B. 1967

A644Donne and Seventeenth-Century Poetry

LEISHMAN J.B. 1968


A635Some Themes and Variations in the Poetry of Andrew Marvell

LEISHMAN J.B. 1969


A915Variations on a Theme in Shakespeare's Sonnets

LEISHMAN J.B. 1969


P5/24The Historical Background of Robert Greene's The Scottish History of James IV, or Cross theFoe Before he Have Betrayed You (III.3.29)

LEKHAL Catherine 1989


C415Entrées royales à Nantes à l'époque de la Renaissance 1500-1551

LELIÈVRE Pierre 1975


B104L'Europe romantique et le théâtre

LELIÈVRE Renée 1965


C854/2Traduction et réplique (Macbeth )

LEMAHIEU Daniel 1987


C964Pour une nouvelle comédie

LEMAHIEU Daniel 1990


T37Fantastique et merveilleux

LEMAITRE Henri 1953


T37L'animation des tableaux et les problèmes du film sur l'art

LEMAITRE Henri 1953


M79The Treatment of Jealousy in Shakespeare's Much Ado About Nothing and Othello

LEMARE, Anne 1997

C819"Make odde discoveries!" Disguises, Masques, and Romance

LEMLYJohn 1986


M78Theatricality and Essays in Translation of Troilus and Cressida

LEMONNIER, Anne 1997

M41Loss and Recovery in The Tempest and the Winter's Tale

LEMONNIER, Stéphanie 1986

B500The Children of Paul's, 1551-1582

LENNAM Trevor 1970


C379/4Shakespeare's misuse of his sources, 1753-4

LENNOX Charlotte 1976


C922Foucault's Legacy: A New Historicism?

LENTRICCHIA Frank 1989


C575The Woman's Part : Feminist Criticism of Shakespeare

LENZ Carolyn Ruth Swift, GREEN Gayle and 1980

C575Women and men in Shakespeare : a selective bibliography

LENZ Carolyn Ruth Swift, GREEN Gayle and 1980

The woman's partIn

B104L'Univers de la fête chez les précolombiens

LÉON-PORTILLA Miguel 1965


D259What did Shakespeare read ?

Leonard Barkan 2001


C953Overreach at bay: Masinger’s A New Way to Pay Old Debts

LEONARD Nancy S. 1985


B069Machiavel le Politique

LEPAPE Marie-claire 1968

M42Romeo and Juliet, a Study in Genre

LEPILLER, Elisabeth 1986

C770À cheval sur la honte et l'honneur : un spartiate, plus qu'un "corinthien", Hal dans 1 Henry IV

LERAY Josette 1990


C824La "merry war" dans Much Ado About Nothing : la séduction et ses dangers

LERAY Josette 1992



LERMINIER Georges 1965


A692Engagement et disponibilité du critique dramatique

LERMINIER Georges 1968


A917Shakespeare's Comedies: an Anthology of Modern Criticism

LERNER Laurence 1967

D094Wilhelm S and Shylock

LERNER, Laurence 1995


D154Timon and Tragedy

LERNER Laurence 1997


A929Shakespeare's Tragedies: An Anthology of Modern Criticism

LERNER Laurence (editor) 1968

C184/2Paul de Sorbait (1624-1691), Anti-Paracelsian and Harveian

LESKY, Erna 1972


P5/19Naissance de la république hobbienne: les lieux de l'artifice

LESSAY Franck 1985


D209Le Prince d'Utopie : remarques sur une absence

LESSAY Franck 1999


A917The Aesthetic Experience: Comedy

LESSER Simon O. 1967


B043From Hamburg Dramaturgy: Number 5, 11, 15, 73

LESSING Gotthold Ephraim 1963


A699L' application du Concile de Trente à Aras, d' après l' épigraphie

LESTOCQUOY Jean 1961


A700Elements populaires dans la chanson française au début du XVIè siècle

LESURE François 1954


A699La Renaissance dans les Provinces du Nord


C583Propos sur la voix à la Renaissance



C591La Danse des fantômes (neuf westerns muets, 1922-1929)

LEUTRAT Jean-Louis 1980


C591Quia ego nominor Leo : sur les logotypes de firmes

LEVACO Ronald et GLASS Fred 1980


A629Un administrateur, un artiste

LÉVEILLÉ André 1956


M59The Artificial and the Genuine in Romeo and Juliet

LEVEL, Eloise 1993

C780Comedy

LEVENSON Jill 1990


C584Hamlet andante / Hamlet allegro : Tom Stoppard's two versions

LEVENSON Jill L. 1983


D135Shakespeare's Romeo and Juliet : The Places of invention

LEVENSON, Jill L. 1996


C876Patrimony and Patriarchy in The Merchant of Venice

LEVENTEN Carol 1991


B291The Elizabethan Love Sonnets

LEVER J.W. 1968

B576The Tragedy of State

LEVER J.W. 1971

C399Shakespeare and the ideas of his time

LEVER J.W. 1976


D011The Woman in Hamlet : an Interpersonal View

LEVERENZ David 1992

HamletIn

B346The Heritage of Shakespeare's Birthplace

LEVI Fox 1970


A509Christopher Marlowe : The Overreacher

LEVIN Harry 1961

C470An introduction to Ben Jonson

LEVIN Harry 1963


A775State Overturned

LEVIN Harry 1965


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A612Refractions : Essays in Comparative Literature

LEVIN Harry 1966

B296The Question of Hamlet

LEVIN Harry 1966

A789The Antic Disposition

LEVIN Harry 1968


A603Science without Conscience

LEVIN Harry 1969


A247The Jew of Malta: Poor Old Rich Man

LEVIN Harry 1969


A463/14Two Magian Comedies : 'The Tempest' and 'The Alchemist'

LEVIN Harry 1969

B490The Myth of the Golden Age in the Renaissance

LEVIN Harry 1970

B872Jonson's Metempsychosis

LEVIN Harry 1972


C171Shakespeare's Misanthrope

LEVIN, Harry 1973


C711Critical approaches to Shakespeare from 1660 to 1904

LEVIN Harry 1986


C995Shakespeare's Italians

LEVIN Harry 1993


C458Replication as dramatic strategy in the comedies of Ben Jonson

LEVIN Lawrence L. 1972


P1/1965/IIIThe Structure of Bartholomew Fair

LEVIN, Richard 1965


B573The Multiple Plot in English Renaissance Drama

LEVIN Richard 1971

C458The multiple plot in English Renaissance drama (Alan C. Dessen)

LEVIN Richard 1972


C494The delapsing of Shakespeare

LEVIN Richard 1978


C539The ironic reading of The Rape of Lucrece and the problem of external evidence

LEVIN Richard 1981


C956Shakespearean Defects & Shakespeareans’ Defenses

LEVIN Richard 1988


D030Ideological Criticism and Pluralism

LEVIN Richard 1991


D030Reply to Michael Bristol and Gayle Greene

LEVIN Richard 1991


C544New readings vs. old plays

LEVIN Richard Louis 1979

B371Poetry and Grammaticalness (1964)

LEVIN Samuel R. 1967


C379/2On the decline in theatrical taste, 1731

LEVIN William 1974


A583Henry Fielding and the Dry Mock

LEVINE George R. 1967

C185Tudor England 1485-1603

LEVINE, Mortimer 1968

A063Manipulus Vocabulorum

LEVINS Peter 1867

A700Vaudeville, vers mesurés et airs de Cour

LEVY K.J. 1954


C606Bond, ou la subversion

LÉVY Maurice 1984

Caliban n° XXIIn

P1/1959/IIIMilton: Political Beliefs and Polemical Methods, 1659-1660

LEWALSKI Barbara K. 1959


B737Donne's Poetry of Compliment: The Speaker's Stance and the Topoi of Praise

LEWALSKI Barbara K. 1971


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B453Innocence and Experience in Milton's Eden

LEWALSKI Barbara Kiefer 1969


A515/1Rapports de la dramaturgie avec le gôut et l' opinion du public d' après les pièces du théàtrepopulaire polonais du XVIe siècle et du XVIIe

LEWANSKI Julian 1968


C763The tragedy of state : a study of Jacobean drama

LEWER Julius Walter 1987

C779From 'The Life and Works of Goethe', 1864

LEWES G.H. 1979


C285On Natural Acting

LEWES, George Henry 1970


B043Shakespeare in Europe

LEWINTER Oswald 1963

Z18/1The Shakespeare Documents, vol I

LEWIS, B. Roland 1969

Z18/2The Shakespeare Documents, vol II

LEWIS, B. Roland 1969

C946The Crows of the Arabs

LEWIS Bernard 1986


B562The Allegory of Love

LEWIS, C.S. 1936

B558The Style of Secondary Epic and Defence of this Style

LEWIS C.S. 1951


B208Studies in Medieval and Renaissance Litterature

LEWIS C.S. 1966

B432Spenser's Images of Life

LEWIS C.S. 1967

B398Studies in Words

LEWIS C.S. 1967

A471The Discarded Image: An Introduction to Medieval and Renaissance Literature

LEWIS C.S. 1967

B308The Literary Impact of the Authorized Version

LEWIS C.S. 1967

A644Donne and Love Poetry in the Seventeenth Century

LEWIS C.S. 1968


A558English Literature in the Sixteenth Century excluding Drama

LEWIS C.S. 1968

B283English Literature in the Sixteenth Century excluding Drama

LEWIS C.S. 1968

A929Hamlet: The Prince or the Poem

LEWIS C.S. 1968


B427An Experiment in Criticism

LEWIS C.S. 1969

A247Hero and Leander

LEWIS C.S. 1969


B399Selected Literary Essays

LEWIS C.S. 1969

C625Hamlet : the prince or the poem?

LEWIS C.S. 1985


C476Medieval drama

LEYERLE John 1975


C962Milton and the Culture of Violence

LIEB Michael 1994

C597Doubling as a langage of transformation : the case of The Old Wives Tale

LIEBLEIN L. 1983


P5/34Hamlet’s Hobby-Horse

LIEBLER Naomi C. 1994


D045The Mockery King of Snow : Richard II and the Sacrifice of Ritual

LIEBLER Naomi Conn 1992


P5/34Hamlet's Hobby Horse

LIEBLER, Naomi Conn 1994


B450Italian Favole boscarecce and Jacobean Stage Pastoralism

LIEVSAY John Leon 1962


C703Learning by talking : conversation in As You Like It

LIFSON Maria Ronk 1990


C692The rethoric of consolation : Shakespeare's couplets

LIFSONMartha R. 1983


B306Le Protestantisme en France de 1598 à 1715

LIGOU Daniel 1968

A264The London Merchant, or George Barnwell

LILLO George 1964


A221The Antipodes

LILLO George 1965

A280The London Merchant

LILLO George 1965


A213Fatal Curiosity

LILLO George 1967

A862Marina(1738)

LILLO George 1969

P5/22Emendation of Shakespeare in the Eighteen Century: the Case of Johnson

LIM, C. S. Avril 1988


C498Pictorial evidence for a possible replica of the London fortune theatre in Gdanks

LIMON Jerzy 1979


D240From Liturgy to the Globe: the Changing Concept of Space

LIMON Jerzy 1999


A899/6Diella. Certain Sonnets, adjoined to the amorous poem of Dom Diego and Gyneura, 1596

LINCHE Richard 1964


C184/1The Sense of Vision and the Origins of Modern Science

LINDBERG, D. C. & STENECK, N. H. 1972


B104La Télévision

LINDEKENS René 1965


C371King Lear as pastoral tragedy

LINDHEIM Nancy R. 1974


C706Music, masque and meaning in The Tempest

LINDLEY David 1984

The court masqueIn

C706The court masque

LINDLEY David 1984

C923 “Sweet lord you play me false”: Shakespeare’s Disappointed Romance

LINDLEY David 1994


D135Critical Studies

LINDLEY, David 1996


A147Ane Satyre of the Thrie Estaits

LINDSAY David 1869

B899John Bunyan: Maker of Myths

LINDSAY Jack 1969

C480French translations of the Sonnets

LINDSAY Marshall 1976


D213The Three Estates

LINDSAY, Sir David 1998

A906Le Drame

LIOURDE Michel 1963

C254The Ordering of the Arts in Eighteenth-Century England

LIPKING, Lawrence 1970

M15The Conception of the Superman in Marlowe's Tamburlaine and Doctor Faustus

LIPPI, Marie-Françoise 1972

A775"The Revenger's Tragedy": A Study in Irony

LISCA Peter 1965


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A698La formation du style national dans la musique instrumentale polonaise de la Renaissance

LISSA Zofia 1960


C931La Scène futuriste

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A717Francis Oliver Finch

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LODGE Edmund 1969

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LODGE Edmund 1969

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C276The Limits of Historical Veracity in Neoclassical Drama

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A440Richard Steele's The Theatre 1720

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D285Introduction: Shakespeare and the Post-Colonial Question

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C394Twelth Night

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B852Restoration Literature

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C432Exotick but rational entertainments : the English dramatick operas

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C028Lycidas : the Poet in a Landscape

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B872Volpone revived

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A615Englands Helicon (edited with the edition of 1600 with additional poems from the edition of 1614)

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MACINTYRE Jean 1985


P5/28Shore's Wife and The Shoemaker's Holiday

MACINTYRE Jeanne 1991


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C028From Shadowy Types to Truth

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A644A Critique of Some Modern Theories of Metaphysical Poetry

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C692The Hem of Philosophy : free and bound motifs in the Franklin's Tale

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A097Respublica

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P5/1Bell, Book, and Candle in Macbeth: a note on I.5.61-2; II.1.5, 31-2, 62

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P5/2A Note on Shakespeare's Handling of Time and Space Data in Antony and Cleopatra

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C597Cacher, dire, montrer, taire – Régime de l'imaginaire Shakespearien

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P5/34Cahiers Elisabéthains, no 45, April 1994


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A247The Jew of Malta: A Contracted World

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A600Words and Names in Julius Caesar

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A943Something Understood: The Nature of Herbert's Wit

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C498Shakespeare's middle comedies : a generation of criticism

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C625Unbottled lines : Shakespeare at work

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D260Bit Parts in Richard III

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D262Pleasure and Virtue Reconciled

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D268The Silence of the Archive and the Noise of Cyberspace

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B293His Exits and His Entrances: the Story of Shakespeare's Reputation

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B471Viola and Other Transvestit Heroines in Shakespeare's Comedies

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D256Stepping out of narrative line : a bit of word, and horse, Play in Venus and Adonis

Margaret Tudeau - Clayton 2000


A448The Origins of English Tragedy

MARGESON J.M.R. 1967

C784The Conspirancy and Tragedy of Charles Duke of Byron

MARGESON John 1988

C990Monsters of the deep : social dissolution in Shakespeare's tragedies

MARGOLIES David 1992

C415Charivari et mariage ridicule au temps de la Renaissance

MARGOLIN Jean-Claude 1975


D259Shakespeare and the craft of language

Margreta de Grazia 2001


D259The Cambridge Companion to Shakespeare

Margreta de Grazia and Stanley Wells 2001

A693La Tragédie italienne au XVIè siècle: Théorie et pratique

MARGUERON Claude 1965


T44Analyse textuelle

MARIE Michel 1980


T44Comédie musicale

MARIE Michel 1980


T44Connotation

MARIE Michel 1980


C605De la première communion au mariage

MARIE Michel 1980


T44Découpage

MARIE Michel 1980


T44Direct

MARIE Michel 1980


T44Histoire du cinéma (problématique de l')

MARIE Michel 1980


T44Impression de réalité

MARIE Michel 1980


C592La séquence / Le film : Citizen Kane, Orson Welles

MARIE Michel 1980


T44Montage

MARIE Michel 1980


T44Muet

MARIE Michel 1980


T44Son

MARIE Michel 1980


C436Timon d'Athènes de Shakespeare et sa mise en scène de Peter Brooks : la représentation etl'interprétation du texe

MARIENSTRAS Richard 1977


C173Quelques aspects de la négation dans Othello

MARIENSTRAS, Richard 1987

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C772D' un corps monstrueux



C918Les prix des choses et des êtres dans quelques textes de Shakespeare



D055Of a Monstruous Body

MARIENSTRAS, Richard 1995


B739Pastoral

MARINELLI Peter V. 1971

B298Les Grands Dramaturges: Christopher Marlowe

MARION Denis 1955

D250Grigory Kozintsev's Hamlet and King Lear

Mark Sokolyansky 2000


B062The Pillars of the World: Anthony and Cleopatra in Shakespeare's Development

MARKELS Julian

B500Nature and Decorum in the Theory of Elizabethan Acting

MARKER Lise-Lone 1970


C825Edward II

MARLOWE 1992

A169Tamburlaine the Great Part I&II/ The Tragical History of Doctor Faustus/ The Jew of Malta/ Edwardthe Second

MARLOWE Christopher 1887

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A174Doctor Faustus



A174Edward II



A174Tamburlaine,Part 1



A174The Jew of Malta



A639Tamburlaine part I



In

A639The Jew of Malta



In

A639The Tragical History of Doctor Faustus



In

A639The Troublesome Reign and Lamentable Death of Edward the Second



In

A615The Passionate Sheepheard to his Love



In

B176Hero and Leander



A245The Works, ed. by C. F. Tucker Brooke





B421Tamburlaine the Great: Parts I & II


A234Dido Queen of Carthage and The Massacre at Paris


A235The Poems


A240The Tragical History of the Life and Death of Doctor Faustus


A241The Tragical History of the Life and Death of Doctor Faustus


B959/1Dido, Queene of Carthage

MARLOWE, Christopher 1973

The Complete Works vol1In

B959/2Doctor Faustus


The Complete Works vol 2In

B959/2Edward II



B959/2Hero and Leander



B959/2Miscellaneous Pieces



B959/2Ovid's Elegies



B959/1Tamburlaine part 1



B959/1Tamburlaine part 2



B959/1The Complete Works vol 1


B959/2The Complete Works vol 2


B959/2The First Book of LucanTranslated into English



B959/1The Jew of Malta



B959/1The Massacre at Paris



D048Doctor Faustus and Other Plays


B223The Jew of Malta

MARLOWE Christopher (ed. Richard W. Van 1965

B756A Fine Companion

MARMION Shackerley 1967


B756Holland's Leaguer



B756The Antiquary



B756The Dramatic Works


C415Structure de l'espace scénique dans les représentation théâtrales d'après les traités italiens du XVIe

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MAROTTI Ferruccio 1975


C703Reconstructing Shakespeare, or Harlotry in Bardolatry

MAROWITZ Charles 1990


D283Measure for Measure

MAROWITZ, Charles. 2000


C995'Of that fatal country' : Sicily and the rhetoric of topography in The Winter's Tale

MARRAPODI Michele 1993


P5/34Elizabethan Studies in Italy in 1991and 1992

MARRAPODI, Michele 1994


P5/43Elizabethan Studies in Italy from 1994-1996

MARRAPODI Michele 1998


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P5/45Elizabethan Studies in Italy from 1996-1997. Part 2

MARRAPODI, Michele Avril 1999


C995Shakespeare's Italy : functions of Italian locations in Renaissance drama

MARRAPODI Michele et al. 1993

A696L' esthétique théâtrale de Rafael Alberti

MARRAST Robert 1957


B104Espagne

MARRAST Robert 1965


B104L'Amérique latine de langue espagnole

MARRAST Robert 1965


B104Le Théâtre espagnol

MARRAST Robert 1965


A694Le Théâtre de Henry Monnier

MARRAST Robert 1967


A692Le théâtre à Madrid pendant la Guerre Civile: une expérience de théâtre politique

MARRAST Robert 1968


D195Parcours épistémologique du mot "bond". Le Marchand de Venise

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D195Parcours épistémologique du mot "bond". Le Marchand de Venise

MARRE Claire 1997


A533Les dramaturges français contemporains devant l'histoire

MARREY Jean-Claude 1967


A528DesThéâtres pour le Peuple

MARREY Jean-Claude 1969


P5/27A Play of Textual Inscriptions and Proper Pronouns

MARROUCHI Mustapha 1990


A697/2Entrées et fêtes espagnoles au XVIè siècle

MARSDEN C.A. 1960



MARSH, Charles 1756

A841Cymbelyne, King of Britain(1759)

MARSH Charles 1969

C379/4From his adaptation of The Winter's Tale, 1756

MARSH Charles 1976


C379/4From his adaptations of Cymbeline, may 1759

MARSH Charles 1976


B331The Recurring Miracle: a Study of Cymbeline and the Last Plays

MARSH D.R.C. 1962

C474Passion lends them power : a study of Shakespeare's love tragedies

MARsH Derick R.C. 1976

B049A Note on a production of Twelfth Night

MARSH Ngaio 1968


C986Modern productions of medieval English plays

MARSHALL John 1994


B938 Aesthetic Values of the Liturgical Drama

MARSHALL, Mary H. 1972


A174The Malcontent

MARSTON John 1933


B176The Metamorphosis of Pigmalions Image

MARSTON John 1963


B236Antonio and Mellida, The First Part

MARSTON John 1965

B239The Dutch Courtesan

MARSTON John 1965

B238The Fawn

MARSTON John 1965

B235The Malcontent

MARSTON John 1965

B237Antonio's Revenge: The Second Part of Antonio and Mellida,

MARSTON John 1966

A639The Malcontent

MARSTON John and WEBSTER John 1939


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D255Jonson's London and its theatres

Martin Butler 2000


A545The Poems, English, Latin and Greek of Richard Crashaw

MARTIN L.C. (editor) 1966

A543The Poetical Works of Robert Herrick


A544The Poetical Works of Robert Herrick


B906Shakespeare's Sonnets

MARTIN, Philip 1972

D200Shakespeare and Clarissa : 'General Nature', Genre and Sexuality

Martin SCOFIELD 1998


P1/1932/IThe Date and Purpose of Spenser's Venue

MARTIN William Cliff 1966


D031Shakespeare and the Uses of Antiquity : an Introductory Essay

MARTINDALE Charles and Michelle 1990

C659English humanism : Wyatt to Cowley

MARTINDALE Joanna 1985

C389Le colporteur et le monde renversé

MARTINET M.M. 1976


C411Les jeux de marionnettes et le burlesque citadin dans l'Angleterre de la Renaissance

MARTINET M.M. 1977


D195Les motifs tourbillonnants. Images du mal dans la peinture anglaise(19-20eme siecles)

MARTINET Marie-Madeleine 1997


A251The Poetry of Meditation: A Study in English Religious Literature of the Seventeenth Century byLouis L.Martz

MARTZ Louis 1962

B269The Poetry of Meditation: a Study in English Religious Literature of the Seventeenth Century

MARTZ Louis 1969

C533Shakespeare's humanist enterprise : The Winter's Tale

MARTZ Louis 1980


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C028The Rising Poet, 1645

MARTZ, Louis L. 1965


C027The Amoretti : "most goodly temperature"



A644John Donne in Meditation : the Anniversaries

MARTZ Louis L. 1968


A943The Action of the Self: Devotional Poetry in the Seventeenth Century

MARTZ Louis L. 1970


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B855/1The Action of the Self: Devotional Poetry in the Seventeenth Century



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MARVELL Andrew 1971

B823/1The Poems and Letters: voume I, Poems

MARVELL, Andrew 1971

B823/2The Poems and Letters: voume II, Letters

MARVELL, Andrew 1971

B717The Rehearsal Transpos'd, Parts I and II, London 1672 and 1673

MARVELL Andrew 1971

B715The Rehearsal Transpos'd

MARVELL Andrew 1986


D094Holy War in Henry V

MARX, Steven 1995


B292William Shakespeare

MASEFIELD John 1961

A790From A 'Macbeth' Production

MASEFIELD John 1968


P5/16Thomas Hoby: A Protestant Traveler to Circe's Court

MASELLO Steven J. 1985


B925Christopher Marlowe's Tragic Vision

MASINTON, Charles G. 1972

B285Humanism and Poetry in the Early Tudor Period

MASON H. A. 1959

A598 Antony and Cleopatra : Telling versus Showing

MASON H.A. 1968


B527Shakespeare's Tragedies of Love: an examination of the possibility of common readings ofRomeo and Juliet, Othello, King Lear, and Anthony and Cleopatra

MASON H.A. 1970

C681The tragic plane

MASON H.A. 1985

C879The fool and the clown: the ironic vision of George S. Kaufman

MASON Jeffrey D. 1988

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C512On editingShakespeare, 1785

MASON John Monck 1981


P5/41'Foul Wrinkled Witch': Superstition And Scepticism in Shaekespeare's Margaret of Anjou

MASON, Shirley Carr 1997


C379/3A proposal to revive the chorus, 1751

MASON William 1975


C415Le monde luso-brésilien dans la joyeuse entrée de Rouen

MASSA J.-M. 1975


A629La survie des héros iraniens

MASSÉ Henri 1956


A629Bi-centenaire de la naissance de Marie-Antoinette

MASSIGNON Louis 1956


A174A New Way to Pay Old Debts

MASSINGER Philip 1933


A639A New Way to Pay Old Debts



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A290The Roman Actor



C285The Search for the Masterpiece ( Shall We Join the Ladies? )

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D068La fête du roi : les débuts du théâtre politique

MASSIP, Francesc 1996


B371Thematic Analysis of Sounds in Poetry (1960)

MASSON David I. 1967


B371Vowel and Consonant Patterns in Poetry (1953)

MASSON David I. 1967


A463/14Some DramaticTechniques in 'The Winter' s Tale'

MATCHETT William H. 1969

D094Venitian Culture and the Politics of Othello

MATHESON, Mark 1995


D094Hamlet 's Last Words

Matheson, Tom 1995


B766The Jacobean Age

MATHEW, David 1938

A274The Social Stucture in Caroline England

MATHEW David 1967

A964Ideals of Friendship

MATHEW Gervase 1966


A515/1La Psyche de Thomas Shadwell d' après Molière

MATHIEU-ARTH Françoise 1968


D105Hamlet ou le texte en question

MATHIS, G. & SAHEL, P. (eds) 1997

C825Théâtralisé dans Edward II : la scène de la déposition, Marlowe et Aristote

MATHIS Gilles 1992

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D057Le prix de l'amour dans Twelfth Night

MATHIS, Gilles 1996


D225Looking for Rhyme and Prosodic Patterning in Richard III

MATHIS Gilles 1999


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B104Yougoslavie

MATKOVIC Marijan 1965


A104The English Works of Wyclif

MATTHEW F.D. 1880

A759Othello and the Dignity of Man

MATTHEWS G.M. 1964


A581Shelley' s Lyrics

MATTHEWS G.M. 1969


A957Character & Symbol in Shakespeare's Plays: a study of certain christian and pre-christian elementsin their structure and imagery

MATTHEWS Honor 1969

A787The Usurped Throne and the Ambiguous Hero

MATTHEWS Honor 1969


B816The Egyptians in Scotland: The Political History of a Myth

MATTHEWS William 1970


A660Translation : an Elizabethan Art

MATTHIESSEN F.O. 1965

P1/1933/IThe Date of Shakespeare's Sonnet CVII

MATTINGLY, Garrett 1966


M73Shakespeare's Mob in Julius Caesar and Coriolanus

MAURICE, Guillaume 1997

D030Transfer of Title in Love's Labor's Lost : Language, Individualism, Gender

MAUS Katharine Eisaman 1991


A392Studies in Beaumont, Fletcher, and Massinger

MAXWELL Baldwin 1966

C290Studies in the Shakespeare Apocrypha

MAXWELL, Baldwin 1969

A929Introduction to Timon of Athens

MAXWELL J.C. 1968


B050Shakespeare's Roman Plays: 1900-1956

MAXWELL J.C. 1969


A603The Sin of Faustus

MAXWELL J.C. 1969


C377Elizabethan and Jacobean drama : critical essays

MAXWELL J.C. 1974

B603The Influence of English Fiction on the French Mid-Eighteenth-Century Novel

MAY Georges 1965


C456Nineteenth century theatre music

MAYER David


C457Dandyism in the regency pantomime

MAYER III David


C923 Images de la Souveraineté dans La Tempête

MAYER Jean-Christophe 1994


C999Évolution et résonance du motif du jardin dans HenryVI, Richard II et Henry V



P5/40Pro Patria Mori - War and Power in the Henriad

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D210Le discours du pouvoir dansVenus and Adonis : entre héroisme et érotisme



P1/1949/IThe Orpheus Image in Lycidas

MAYERSON, Caroline W. 1970


A116The English Works of John Fisher . Part I

MAYOR John E.B. 1876

B114Shakespeare

MAYOUX Jean-Jacques 1966

A694Le Dialogue tragique et l' identité du personnage dans le théâtre shakespearien

MAYOUX Jean-Jacques 1967


C664The criminal as actor : H.B. Irving as criminologist and Shakespearean

MAZER Cary M. 1986


B660Transformations in the Renaissance English Lyric

MAZZARO, Jerome 1970

B538Reason and the Imagination

MAZZEO, J. A. 1962

A470Renaissance and Revolution: The Making of European Thought

MAZZEO Joseph Anthony 1969

B128Renaissance and Seventeenth-Century Studies

MAZZEO Joseph Antony 1964

C386Shakespeare's mature tragedies

MC ELROY Bernard 1973

C167Shakespeare and Decorum

McALIDON, T. 1973

P1/1966/IIIClassical Mythology and Christian Tradition in Marlowe's Doctor Faustus

McALINDON, T. 1966


D092Antony and Cleopatra

McALINDON, Thomas 1996

Shakespeare's Tragic CosmosIn

D092Hamlet



D092Julius Caesar



D092King Lear



D092Macbeth



D092Othello



D092Romeo and Juliet



D092Shakespeare's Tragic Cosmos


D094Pilgrims of Grace : Henry IV Historicized

McALINDON, Tom 1995


C415Essai de critique interne des livres d'entrées français au XVIe siècle

McALLISTER JOHNSON W. 1975


C354Paradox in donne

MCCANLES Mchael 1966


P1/1967/IThe Dialectic of Transcendence in Shakespeare's Coriolanus

McCANLES, Michael 1967


C294The Rebuilding of Stowe House

McCARTHY, Michael 1973


C946No Name Apart: The Separation of Word and History in Derrida’s “Le Dernier Mot du Racisme”

McCLINTOCK Anne and NIXON Rob 1986

Race,Writing, and DifferenceIn

P1/1937/IIMilton's Dialogue on Astronomy: The Principal Immediate Sources

McCOLLEY, Grant 1967


C409Hamlet and the Moriae Enconium

MCCOMBIE Frank 1974


C515Medium and message in As You Like It and King Lear

McCOMBIE Frank 1980


B897John Bunyan: The Immortal Dreamer

McCREARY W.Burgess 1970

C197The Rhetoric of Tragedy : Form in Stuart Drama

McDONAKD, Charles 1966

C539Sceptical visions : Shakespeare's tragedies and Jonson's comedies

McDONALD Russ 1981


C953High Seriousness and Popular Form:The Case of the Maid of Honour

McDONALD Russ 1985


C956Fear of Farce

MCDONALD Russ 1988


C795Reading The Tempest

McDonald Russ 1990


C984Late Shakespeare : Style and the Sexes

McDONALD Russ 1994


C963Shakespeare reread : The Texts in New Contexts

McDONALD Russ 1994

D156A Bedford Companion to Shakespeare

McDONALD Russ 1996

D265Shakespeare and the Arts of Language

MCDONALD Russ 2001

D270The Bedford Companion to Shakespeare

McDONALD, Russ. 2001

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McELDERRY Bruce Robert 1966


C823 Rhétorique et compétence ordinaire : le cas de l'inventio

McEVOY S.T. 1992


C918De l’usure à la chasteté: la métaphore requalifiante

McEVOY Sebastian T. 1993


B954Shakespeare's Pastoral Comedy

McFARLAND, Thomas 1972

A463/11 'Macbeth' and the Furies

McGEE Arthur R. 1966


C415Les jésuites à Avignon - Les fêtes religieuses au service de la propagande religieuse et politique

McGOWAN Margaret 1975


C583Une affaire de famille : les fêtes parisiennes en l'honneur d'Henri, duc d'Anjou, roi de Pologne

McGOWAN Margaret 1984


A695L' Art du Ballet de Cour en France (1581-1643)

McGOWAN Margaret M. 1963

B995'As Through a Looking-glass'

McGOWAN Margaret M. 1972


C415Le déclin d'Anvers et les décorations de Rubens pour l'entrée du prince Ferdinand en 1635

McGRATH Elizabeth 1975


A474Papists and Puritans Under Elizabeth I

McGRATH Patrick 1967

C810An Irishman's Theatre

McGUINNESS Frank 1991


C687Speechless dialect : Shakespeare's open silences

McGUIRE Philip C. 1985

C750Egeus and the implication of silence

McGUIRE Philip C. 1989


A289Five Elizabethan Comedies

McILLWRAITH 1965

A290Five Stuart Tragedies

McILLWRAITH A.K. 1969

A994The Political Works of James I

McILWAIN Charles Howard 1965

A288Five Elizabethan Tragedies

McILWRAITH A.K. 1969

P1/1925/IIThe Later Career of the Elizabethan Villain-Hero

McINTYRE Clara F. 1966


D008Theatre in Spain 1490-1700

McKENDRICK Melveena 1989

B808A Cambridge Playhouse of 1638

McKENZIE D.F. 1970


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B385Leavis F.R.: A Check-List. 1924-1964

McKENZIE D.F. and ALLUM M-P. 1966

D162Walking ShadowsShakespeare in the National Film and Television Archive

MCKERNAN, L. & TERRIS, O. (Eds.) 1994

B389Prolegomena for the Oxford Shakespeare

McKERROW Ronald B. 1969

C575Cousenls of Gall and Grace : intimitate conversations between women in Shakespeare's plays

McKEWIN Carole 1980

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B950Spencer's Shepheardes Calender

McLANE, Paul E. 1961

B659Shakespeare: Othello

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C409The Prince of Denmark and Claudius's court

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D201Humanism and Italian literature

MCLAUGHLIN M.L. 1997


C539No abuse : The Prince and Falstaff in the tavern scenes of Henry IV

McLAVERTY J. 1981


P5/1John Dale Ebbs,The Principle of Poetic Justice Illustrated in Restoration Tragedy

MCLOUGHLIN T.O. 1977


P5/1Michael M. Alssid, Dryden's Rhymed Heroic Tragedies: A Critical Study of the Plays and of theirPlace in Dryden's Poetry



P5/1Richard Leslie Larson, Studies in Dryden's Dramatic Technique: The Use of Scenes DepictingPersuasion and Accusation



D240Macbeth/ Umbatha : Global Shakespeare in a Post-Colonial Market

McLUSKIE Kate 1999


C715The Patriarchal Bard : Feminist Criticism and Shakespeare:King Lear and Measure for Measure

McLUSKIE Kathleen 1985


C724'Langage and Matter with a Fit of Mirth' : Dramatic Construction in the Plays of John Ford



C865Renaissance Dramatist


C933‘A Maidenhead, Amintor, At My Yeares’: Chastity and Tragicomedy in the Fletcher Plays



D039'Lawless Desires Well Tempered'



D010The Patriarchal Bard : Feminist Criticism and King Lear


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B346Textual Studies

McMANAWAY G. 1970


B346The Folger Shakespeare Library

McMANAWAY G. 1970


A463/9Textual Studies reviewed

McMANAWAY J.G. 1966


B375Elizabeth, Esex, and James

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A915Elizabeth, Essex, and James

McMANAWAY James 1969


C169All's Well with Lafew

McMANAWAY, James 1973


C457Unrecorded performances in London about 1700

McMANAWAY James C.


A463/2Recent Studies in Shakespeare's Chronology

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A463/7Textual Studies



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MCMANAWAY James G. 1968


B049Textual Studies reviewed



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McMILLIN Scott 1988


C280Producing Shakespeare

McMULLAN, Frank 1973


C933Introduction: The Politics of Tragicomedy 1610-50

McMULLAN Gordon & HOPE Johnathan 1992


C933The Politics of Tragicomedy : Shakespeare and After

McMULLAN Gordon & HOPE Johnathan 1992

P5/30The Integrated Design of Doctor Faustus: An Essay in Iconoclasm

McNEELY, Trevor 1991


B746Shakespeare's Julius Caesar: a tragedy without a hero

McNEIR Waldo F. 1971

A148/3Merlin III

MEAD William Edward 1899

C272Courtship in Shakespeare : its Relation to the Tradition of Courtly Love

MEADER, William G. 1971

C515Playing King Lear : Donald Sinden talks to J.D.W. Meadowcroft

MEADOWCROFT J.W.R. 1980


A018A Supplication For The Beggers And The Decaye of England

MEADOWS Cowper 1905

A161Henry Brinklow's Complaynt of Roderyck Mors

MEADOWS COWPER J. 1874

A158Meditations

MEADOWS COWPER J. 1875

A390Method and Meaning in Jonson's Masques

MEAGHER John C. 1966

B510Method and Meaning in Jonson's Masques

MEAGHER John C. 1966

A285Fulgens and Lucrece

MEDWALL Henry 1966


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C711Shakespeare reference books

MEHL Dieter 1986


C866Shakespeare’s Tragedies : an Introduction

MEHL Dieter 1986

C974King Lear at the Opera House

MEHL Dieter 1994


C810Irish poetic drama : Seamus Heaney's The Cure at Troy

MEIR Colin 1991


C284The Tightrope Walkers : Studies of Mannerism in Modern English Literature

MELCHIORI, Giorgio 1974

C407Shakespeare's dramatic meditations : an experiment in criticism

MELCHIORI Giorgio 1976

C539The rhetoric of character construction : Othello



C996The insatiate countess . Marston and others


C663Hand D in Sir Thomas More : an essay in misinterpretation



C919/1Pivot Scenes as Dramatic Inclusions in Shakespeare’s Plays



C995'In fair Verona' : commedia erudita into romantic comedy



C960The Corridors of History: Shakespeare the Re-maker




MELIA Joe 1989


C956Wormwood in the Wood Outside Athens:Timon and the Problem for the Audience

MELLAMPHY Ninia 1988


C594Pantaloons and Zanies : Shakespeare's "apprenticeship" to Italian professional comedy troupes

MELLAMPHY Ninian 1980


A700La mélancolie au début du XVIIIè siècle et le madrigal anglais

MELLERS Wilfried 1954


B248Revelation in Shakespeare: A study of the Supernatural, religious and spiritual elements in his art

MENDL R.W.S. 1964

C186Politics and Political Thought 1640-1642

MENDLE, M.J. 1973


A606Formacion del fundamental pensiamento politico de Carlos V

MENENDEZ PIDAL Ramòn 1959



MERCER Eric 1962

C793The Town of Shrewsbury

MERCER Eric 1989


A463/13Delacroix' s Tragedy of Desdemona

MERCHANT Christina 1968


C661Comedy

MERCHANT Moelvyn 1972

C664Artist and stage designers

MERCHANT Moelvyn W. 1986


B781bisThe Critical Idiom vol 16: The Epic

MERCHANT, Paul 1971

B050Classical Costume in Shakespearian Productions

MERCHANT W.M. 1969


A463/11'His Fiend- Like Queen'

MERCHANT W. Moelwyn 1966



MERCHANT W.Moelwyn 1966


A248Marlowe the Orthodox



A576Marlowe the Orthodox

MERCHANT W.Moelwyn 1968

Christopher MarloweChristopher MarloweIn

B995Donne's Sermon to the Virginia Company



B777The Critical Idiom vol 21: Comedy

MERCHANT, W. Moelwyn 1972

B025From Myths to Ideas -and back

MERCIER Vivian 1965


A692L'héroïne dans le théâtre de Giraudoux

MERCIER-CAMPICHE Marianne 1968


C266From An Essay on Comedy

MEREDITH, George 1965


A917An Essay on Comedy

MEREDITH George 1967


C986The Towneley cycle

MEREDITH Peter 1994


D068The Fifteenth-Century Audience of the York Corpus Christi Play : Records and Speculation

MEREDITH, Peter 1996


A256/2From Palladis Tamia.1598

MERES Francis 1967


C099Palladis Tamia ; Wits Treasury

MERES, Francis 1973

C779From 'Palladis Tamia, Wits Treasury', 1598

MERES Francis 1979


C082Richard Duke of York

MERIVALE, J.H. 1817

A629Le corpus international des vases antiques

MERLIN Alfred 1956


M85Love and the Law in Shakespeare's Measure for Measure

MERRANT, Charline 1998

D193"Lo, in This Hollow Cradle Take Thy Rest": Sexual Conflict and Resolution in Venus and Adonis

MERRIX Robert P. 1997


A532/1Harmonie Universelle contenant la théorie et la pratique de la musique

MERSENNE Marin 1965


MERSENNE Marin 1965


MERSENNE Marin 1965

B329Science, Technology & Society in Seventeenth Century England

MERTON Robert k. 1970

C823La figure et le poème dans Shakespeare à travers La Tempête

MESCHONNIC Henri 1992


A697/2L' Expérience politique de Charles Quint et les les enseignementsd' Erasme

MESNARD Pierre 1960


C354The pedagogy of Johann Sturm (1507-1589) and its evangelical inspiration

MESNARD Pierre 1966


T21Essais sémiotiques

METZ Christian 1977

T22Essais sur la signification au cinéma (tome I)

METZ Christian 1978

T23Essais sur la signification au cinéma (tome II)

METZ Christian 1981

T50Le signifiant imaginaire: Psychanalyse et cinéma

METZ Christian 1984

A698L'élément populaire dans les danses instrumentales allemandes jusqu'à la guerre de Trente Ans

MEYER Ernst H. 1960


B066Gilles Shakespeare ou Les Aventures de Jean Perrin

MEYER Jean 1964

C266Farce

MEYERHOLD, Vsevolod 1965


C837Écrits sur le théâtre . Tome I . 1891-1917

MEYERHOLD Vsevolod 1973

C838Écrits sur le Théâtre . Tome II . 1917-1929


C839Écrits sur le Théâtre . Tome III . 1930-1936


A629Temps poétique et mystique en Islam

MEYEROVITCH Eva 1956


A629Sur la spécificité de l'art et de ses objets

MEYERSON I. 1956


A606Sur un pasquin de Rome: Le Pasquillus novus de 1537

MEYLAN Henri 1959


C285Donkey Races

MEYNELL, Alice 1970


P5/15Sickness and Physic in Some Plays by Middleton and Webster

MICELI di Caroline 1984


D200Repeopling the Globe: The Opening Season at Shakespeare's Globe, London 1997

Michael CORDNER 1998


D256Vernacular criticism and the scenes Shakespeare never wrote

Michael D. Bristol 2000


D259Shakespeare on the page and the stage

Michael Dobson 2001


D250The comedies on film

Michael Hattaway 2000


A533Ionesco: de la dérision à l'anti-monde

MICHAUD Guy 1967


C411Rhétorique et poétique chez Campanella : la culture littéraire dans la Cité du Soleil

MICHEL A. 1977


B551The Thing contained

MICHEL, Laurence 1970

D250Video and its paradoxes

Michèle Willems 2000


A692Le théâtre d'Eugène O'Neill

MICHELSON Annette 1968


D002Genèse d'un chef-d'oeuvre : The Beggar's Opera

MICHON Jacques 1981


D212Ben Jonson's Antimasques

MICKEL, Lesley 1999

B888The Life and Times of Edward VII

MIDDLEMAS Keith 1972

A174The Challeging

MIDDLETON and ROWLEY 1933


A513Shakespeare

MIDDLETON Murry J. 1967

A599Shakespeare' s Dream

MIDDLETON MURRY J. 1968



MIDDLETON MURRY John 1968


B194Shakespeare

MIDDLETON MURRYJohn 1967

B423The Changeling

MIDDLETON T. & ROWLEY W. 1967

A174A Game at Chess

MIDDLETON Thomas 1933


A639A Trick to Catch the Old One



In

A218A Mad World, My Masters


A722A chaste Maid in Cheapside


D235From The Witch



A639The Changeling

MIDDLETON Thomas and ROWLEY William 1939


In

B451The Changeling

MIDDLETON Thomas and ROWLEY William 1986

A236The Changeling

MIDDLETON Thomas & ROWLEY William 1961

A597 The Merchant of Venice : A Reconsideration

MIDGLEY Graham 1969


B422Michaelmas Term

MIDLETON THomas 1967

A173The Inner Temple Masque , or Masque of Heroes (1619)

MIDLETONE Thomas 1967

A Book of MasquesIn

A528Influences Sociales et Economiques sur l'Architecture Théâtrale aux Etats-Unis

MIELZINER Jo 1969


A187The Age of Wit(1650-1750)

MILBURN Judson D. 1966

B568The Primary Language of Lycidas

MILES Josephine 1961


B371Eras in English Poetry (1955)



B371More Semantics of Poetry (1940)



C704Ben Jonson, his life and work

MILES Rosalind 1986

C797Ben Jonson : His craft and art

MILES Rosalind 1990

B371Against the Typology of Styles (1967)

MILIC Louis T. 1967


D287Matters of State

MILLER, Anthony. 2002


C747After the fall : a play in two acts / Final stage version

MILLER Arthur 1964

C754The Archbishop's Ceiling

MILLER Arthur 1984

C753Two-way mirror : a double-bill of Elegy for a Lady and Some Kind of Love Story

MILLER Arthur 1984

C746Danger: memory ! A double bill of Ican't remember anything and Clara

MILLER Arthur 1986

C744The Golden Years and The Man Who Had all the Luck

MILLER Arthur 1989

C946Theories of Africans: The Question of Literary Anthropology

MILLER Christopher L. 1986


A258The Professional Writer in Elizabethan England: A Study of Nondramatic Literature

MILLER Edwin Haviland 1959

P5/5Milton's Topothesias: Some Rhetorical Aspects of Description in Paradise Lost

MILLER, George 1979


A869The Universal Passion(1737)

MILLER James 1969

A019/1The Old English Version of Bede’s Ecclesastical History of The English People Part.I

MILLER Thomas 1890

A019/2The Old English Version of Bede’s Ecclesastical History of The English People Part. II

MILLER Thomas 1890

B764/5Double Translation in English Humanistic Education

MILLER, William E. 1963


C986The Chester cycle

MILLS David 1994


D141Discourse

MILLS, Sara 1997

C793Music

MILSOM John 1989


P1/1938/IMilton's Family Bible

MILTON FRENCH, J. 1967


A557/1The Complete Prose Works, volume I 1624-1642

MILTON John 1953

A675Aeropagitica; a speech of Mr. John Milton for the Liberty of Unlicenc' d Printing , to the parlamentof England

MILTON John 1957


A557/2The Complete Prose Works, volume II 1643-1648

MILTON John 1959

B572Poems

MILTON John 1968

C029Shakespeare's Religious Background

MILWARD, Peter 1973

A463/7Shakespeare and Lyly

MINCOFF Marco 1966


A463/2The Stuctural Pattern of Shakespeare's Tragedies

MINCOFF Marco 1966


In

A463/12Shakespeare, Fletcher and Baroque Tragedy

MINCOFF Marco 1967


A635The Death of Innocence in Marvell's 'Nymph complaining for the death of her Faun'

MINER Earl 1969


B891Stuart and Georgian Moments

MINER Earl 1972

C551The Restoration : age of faith, age of satire

MINER Earl 1981


B026The Works of John Dryden

MINER Earl (editor) 1969

C575"Neither mother, wife, nor England's queen": the roles of women in Richard III

MINER Madonne M. 1980

The woman's partIn

D260"Neither Mother, Wife, nor England's Queen" The Roles of Women in Richard III

MINER Madonne.M 1999

M52History Dramatized in Marlowe's Edward II and Shakespeare's Richard II

MINEUR, Brigitte 1991

B818The Genuine Text of Boethius' Translation of Aristotle's Categories

MINIO-PALUELLO, L. 1969


A629Création. Expression. Psychologie formelle

MINKOWSKI Eugène 1956


C779From 'Characteristics of English Poets', 1874

MINTO William 1979


A177The Hunting of Leviathan

MINTZ Samuel I. 1969

A178The Hunting of Leviathan


C632The motion of thought : intellectual and philosophical backgrounds


The age of MiltonIn

C703Shakespeare and his sources : observations on the critical history of Julius Caesar

MIOLA Robert S. 1990


D287Roman Comedy

MIOLA, Robert.S. 2002


B104Grèce

MIRAMBEL André 1965


C768The Pied Piper

MITCHELL Adrian 1988

C415Les intermèdes au service de l'État

MITCHELL Bonner 1975


A775The Tragedy of Marlowe's "Doctor Faustus"

MIZENER Arthur 1965


In

A247The Dualism in Dr. Faustus

MIZENER Arthur 1969


C582Costume in King Lear

MOELVYN MERCHANT W. 1982


B555Costume in King Lear

MOELWYN MERCHANT, W. 1960


C733"Which is the merchant here? and which the Jew?": subversion and recuperation inThe Merchantof Venice

MOISAN Thomas 1987


C266Preface to Tartuffe

MOLIÈRE 1965


D235Report to the Dodge and Senate

MOLIN Nicolo 1999


B455The Maddermarket Theatre and the Playing of Shakespeare

MONCK Nugent 1969


In

A463/4Othello' s "It is the cause..." : An Analysis

MONEY John 1953


A629Le romantisme des rapins à Grenoble. Diodore Rahoult, illustrareur du "Grenoblo Malhérou"

MONGLOND André 1956


A696Sur une mise en scène de "Hamlet"

MONNET Gabriel 1957


A528Installation d'un Centre Dramatique

MONNET Gabriel 1969


C964Écritures contemporaines et théâtralité

MONOD Richard 1990

P5/12Editing the Actor: Truth and Deception in The Alchemist

MONSARRAT, G.D. 1983


C012An Essay on the Writings and Genius of Shakespear, Compared with the Greek and FrenchDramatic Poets with some Remarks upon the Misrepresentations of Mons. de Voltaire

MONTAGU, Elizabeth 1970

C537Shakespeare's genius, 1769

MONTAGU Elizabeth 1979


C285F.R. Benson's Richard II

MONTAGUE, C.E. 1970


A269/1Essays, volume I

MONTAIGNE, trad. John Florio 1965

A269/2Essays, volume II


A269/3Essays, volume III


D042The Quest for Consensus : the Lord Mayor's Day Shows in the 1670s

MONTAÑO John Patrick 1995


A629Esthétique et mathématique

MONTEL Paul 1956


A629Présent et avenir de l'Egyptologie

MONTET Pierre 1956


A340The Challenge of Restoration Comedy

MONTGOMERY Guy 1966


B757Symmetry and Sense: the Poetry of Sir Philip Sidney

MONTGOMERY Robert 1969

C740The original staging of The First Part of the Contention (1594)

MONTGOMERY William 1989


MD12Eudora Welty, photographe du Sud américain

MONTIER, Laurence 1993

C924A Midsummer Night's Dream and the Shaping Fantasies of Elizabethean Culture : Gender, Power,Form

MONTROSE, Louis 1992


C922Professing the Renaissance: The Poetics and Politics of Culture

MONTROSE, Louis A. 1989


C985Writing for the Metropolis : Illegitimate Performances of Shakespeare in Early Nineteenth-CenturyLondon

MOODY Jane 1994


C663'Edgar I nothing am' : Figurenposition in King Lear

MOONEY Michael E. 1985


A280The Gamester

MOORE Edward 1965


B320/64American Literature

MOORE G.H. 1964



MOORE G.H. 1965



MOORE G.H. 1968



MOORE G.H. 1969


P1/1928/IContemporary Satire in Otway's Venice Preserved

MOORE Sir John Robert 1966


P1/1927/IThe Songs in Lyly's Plays

MOORE Sir John Robert 1966


B516College Plays performed in the University of Cambridge

MOORE SMITH G.C. 1923

B016An Antidote against Atheism, Books I-II

MORE Henry 1969


B016'The Purification of a Christian Man's Soul'

MORE Henry 1969


B568How to read Lycidas

MORE Paul Elmer 1961


C789Le corps politique au XVIe et XVIIe siècles : avatars d'une métaphore

MOREAU Jean-Pierre 1991


D003Le schisme anglais et l'essor du sentiment national

MOREAU Jean-Pierre 1994


A701l'"Hercule sur l'oeta" de Sénèque et les dramaturges français de l'époque de Louis XIII

MOREL Jacques 1964


A905La Tragédie

MOREL Jacques 1964


MOREL Jacques 1965


A693Les Criminels de Rotrou en face de leurs actes

MOREL Jacques 1965


D225La Marge et la norme dans The Tatler et dans The Spectator

MORÈRE Pierre 1999


In

C966The Great Eclipse: Tragic Form as the Deconsecration of Sovereignty

MORETTI Franco 1992


C096The Mind of Shakspeare as Exhibited in his Works

MORGAN, Aaron Augustus 1860

P1/1968/VIIPublications of the Modern Language Association of America: Indexn°79

MORGAN Bayard Quincy (editor) 1966

C476Shaw

MORGAN Margery M. 1975


A463/9'Our Will Shakespeare' and Lope de Vega : An Unrecorded Contemporary Document

MORGAN Paul 1966


B057An Essay on the Dramatic Character of Sir John Falstaff

MORGANN Maurice 1970


B869Shakespeare Criticism: 1) An essay on the dramatic character of Falstaff.2) Extensive revisions ofthe essay.3) A commentary on the Tempest.4) Miscellaneous comments


B853Shakespearian Criticism

MORGANN, Maurice 1972




C929Dictionnaire de poétique et de rhétorique

MORIER Henri 1989

M38Madness in Kyd's The Spanish Tragedy and Shakespeare's Hamlet

MORIN, C. 1982

C285Phelps at Sadler's Wells

MORLEY, Henry 1970


C457More on the minor theatre

MORLEY Malcolm


M30From Tragedy to Tragi-Comedy: Death and Rebirth in Macbeth and the Winter's Tale

MORO, Bernard 1979

P5/10Death and Rebirth in Macbeth and the Winter's Tale

MORO, Bernard and WILLEMS, Michèle 1982


A463/1The Individualization of Shakespeare's Characters through Imagery

MOROZOV Mikhail M. 1966


In

A056Speculum Gy De Warewyke

MORRIL Georgina Lea 1898


MORRIS Brian 1968

A248Comic Method in Hero and Leander

MORRIS Brian 1968


A576Comic Method in Hero and Leander

MORRIS Brian 1968


B015'Not without Song': Milton and the Composers

MORRIS Brian 1968


A943Satire from Donne to Marvell

MORRIS Brian 1970


In

B855/1Satire From Donne to Marvell

MORRIS, Brian 1970


C526The Taming of the Shrew

MORRIS Brian 1981

C980Elizabethan and Jacobean Drama

MORRIS Brian 1987


B038John Webster

MORRIS Brian (editor) 1970

A343Political Thought in England: Tyndale to Hooker

MORRIS Christopher 1965

C379/3Falstaff's humour, 1744

MORRIS Corbyn 1975


C665Romeo and Juliet by William Shakespeare

MORRIS Helen 1985

A463/7The Tragic Vision of Fulke Greville

MORRIS Ivor 1966


B858Shakespeare's God

MORRIS, Ivor 1972

A669Pax Britannica : The Climax of an Empire

MORRIS James 1968

A047Early English Alliterative Poems

MORRIS Richard

A133/1The Blickling Homilies . Part I

MORRIS Richard

A133/2The Blickling Homilies . Part II

MORRIS Richard

A083The Story of Genesis and Exodus, an Early English Song

MORRIS Richard 1865

A106Dan Michel's Ayenbite of Inwyt or, Remorse of Conscience

MORRIS Richard 1866

A131/1Old English Homilies and Homiletic Creatises . First Series

MORRIS Richard 1868

A141Legends of the Holy Rood

MORRIS Richard 1871

A084An old English Miscellany

MORRIS Richard 1872

A131/2Old English Homilies of the Twelfth Tentury . Second Series

MORRIS Richard 1873

A057/1Cursor Mundi I

MORRIS Richard 1874

A057/2Cursor Mundi II

MORRIS Richard 1874

A057/3Cursor Mundi III

MORRIS Richard 1874

A057/4Cursor Mundi IV

MORRIS Richard 1874

A057/5Cursor Mundi V

MORRIS Richard 1874

A057/6Cursor Mundi VI

MORRIS Richard 1874

A057/7Cursor Mundi VII

MORRIS Richard 1874

A133/3The Blickling Homilies

MORRIS Richard 1874

A008Chaucer’s Boethius’s De Consolation Philosophie

MORRIS Richard 1895

A163Sir Gawayne and the Green Knight

MORRIS Richard 1897

P5/41Lollardy in the Fifteenth Century- The Evidence from Some Orthodox Texts

MORRISON, Stephen 1997


B995Not, Siren-like, to tempt

MORRRIS Brian 1972


C320Swordplay and the Elizabethan and Jacobean stage

MORSBERGER Robert E. 1974

D057Ben Jonson and Twelfth Night

MORSE, Ruth 1996

Twelfth Night : le Language en FêteIn

D106Taking the Measure of The Tempest

MORSE, Ruth 1996


D168/4As You Like It: Fools, Madness and Melancholy

MORSE Ruth 1998


C878Shakespearian self-knowledge: the synthesizing imagination and the limits of reason

MORSE William R. 1990


P5/17Hythlodaeus and Persona More: The Narrative Voices in Utopia

MORTIMER Anthony R. 1985


C849Will Shakespeare : The Untold Story

MORTIMER John 1978

B707The World of the Ranters

MORTON, A.L. 1970

D225L'Indépendance dans A Vindication of the Rights of Woman de Mary Wollstonecraft

MORVAN Alain 1999


In

D235From An Itinerary

MORYSON Fynes 1999


D230Mannerism in the Works of Thomas Nashe

MOSLEY, Michael E. 1996

P1/1960/IVThe Concept of the Second Eve in Paradise Lost

Mother PECHEUX Mary Christopher 1960


C453Senecan tragedy : a critique of scholarly trends

MOTTO Anna Lydia and CLARK John R. 1973


A692La décentralisation dramatique en France

MOUDOUÈS Rose-Marie 1968


A738Shakespeare as a Dramatic Artist : a Popular Illustration of the Principles of Scientific Criticism

MOULTON Richard G. 1966

D195Le mythe comme parade au mal: Robert Graves

MOUNIC Anne 1997


C548Lexpressionnisme dans l'oeuvre d'Eugène O'Neill

MOUNIER Catherine 1971


C416Le Marchand de Glace Est Passé, de E. O'Neill, et la mise en scène de G. Garran au Théâtre de laCommune d'Aubervilliers



C416Les Bonnes, de J. Genet : les costumes et les mouvements



C436Deux créations collectives du Théâtre du Soleil : 1793, la cité révolutionnaire est de ce monde;L'Age d'Or, Première ébauche



C583A propos du conte et du théâtre



A528Intoduction au Congrès de l' A.I.T.T., Londres (1961): Les Salles à Destination Multiple

MOURIER Jean 1969


C411Les structures administratives, sociales, révolutionnaires de Paris au temps de la seconde Ligue(1584-1594)

MOUSNIER R. 1977


C974Nicholas Rowe and the Twentieth-Century Shakespeare Text

MOWAT Barbara 1994


C479Thge dramaturgy of Shakespeare's romances

MOWAT Barbara A. 1976

B817Letters upon several Occasions: Written by and Between Mr. Dryden, Mr. Congreve, Mr.Wycherly and Mr. Dennis, with a New Translation of Select Letters of Monsieur Voiture

Mr. DENNIS (editor) 1971

A285Gammer Gurton's Needle

'Mr.S. Mr. of Art' 1966


In

A713/1The Dramatic Works, with A New Account of Her Life, volume I

Mrs. CENTLIVRE 1872

A713/2The Dramatic Works, with A New Account of Her Life, volume II

Mrs. CENTLIVRE 1872

A713/3The Dramatic Works, with A New Account of Her Life, volume III

Mrs. CENTLIVRE 1872

C139Law Outlaw'd

Mrs S. O. 1973

The Absolute Unlawfulness of the Stage-Entertainment Fully Demonstrated, The StageDefended and Law Outlaw'd

In

D283uMabatha

MSOMI, Welcome. 2000


C789Le corps magique à la Renaissance

MUCHENBLED Robert 1991


B778The Critical Idiom vol 13: Irony

MUECKE, D.C. 1970

P1/1933/IJonsonian Elements in the Comic Underplot of Twelfth Night

MUESCHKE, Paul and FLEISHER, Jeannette 1966


A775"Royal Man": Notes on the Tragedies of George Chapman

MUIR Edwin 1965


In

B245Essays on Literature and Society

MUIR Edwin 1966

A463/4A Reconsideration of Edward III

MUIR Kenneth 1953


B561John Milton

MUIR, Kenneth 1955

A463/6Shakespeare' s Hand in The Two Noble Kinsmen

MUIR Kenneth 1958


A463/6Shakespeare' s Hand in The Two Noble Kinsmen

MUIR Kenneth 1958


B555Madness in King Lear

MUIR, Kenneth 1960


C287Shakespeare as Collaborator

MUIR, Kenneth 1960

B676Sir Philip Sydney

MUIR, Kenneth 1960

B450Robert Greene as Dramatist

MUIR Kenneth 1962


C204"A Lover's Complaint" a Reconsideration

MUIR, Kenneth 1964


A759Shakespeare and Politics

MUIR Kenneth 1964


B278Shakespeare's Sources: Comedies and Tragedies

MUIR Kenneth 1965

A463/11Image and Symbol in 'Macbeth'

MUIR Kenneth 1966


A308Macbeth

MUIR Kenneth 1966

B476Fifty Years of Shakespearian Criticism: 1900-1950

MUIR Kenneth 1968


A596Shakespeare : The Winter' s Tale

MUIR Kenneth 1968

B049Troilus and Cressida

MUIR Kenneth 1968


A973Verse and Prose

MUIR Kenneth 1968



MUIR Kenneth 1969


A581The Conclusion of The Winter' s Tale

MUIR Kenneth 1969


B456Shakespeare's Poets

MUIR Kenneth 1970


In

B731Plays

MUIR Kenneth 1971


In

B699Shakespeare Survey N°24

MUIR, Kenneth 1971

B699Shakespeare the Professional

MUIR, Kenneth 1971


B923Shakespeare's Tragic Sequence

MUIR, Kenneth 1972

C203King Lear

MUIR, Kenneth 1973


C171Shakespeare Survey 26

MUIR, Kenneth 1973

B910Shakespeare the Professional

MUIR, Kenneth 1973

C193Shakespeare the Professional and Related Studies

MUIR, Kenneth 1973

C409Shakespeare Survey : an annual survey of Shakespearian study and production 27

MUIR Kenneth 1974


MUIR Kenneth 1975


MUIR Kenneth 1976


MUIR Kenneth 1977

C473The singularity of Shakespeare and other essays

MUIR Kenneth 1977

C426The sources of Shakespeare's plays

MUIR Kenneth 1977


MUIR Kenneth 1978

C494The singularity of Shakespeare

MUIR Kenneth 1978



MUIR Kenneth 1979


MUIR Kenneth 1980

C539Shakespeare's open secret

MUIR Kenneth 1981


C551The role of Livia in Women Beware Women

MUIR Kenneth 1981


C582Madness in King Lear

MUIR Kenneth 1982



MUIR Kenneth 1982


C625Interpretations of Shakespeare : British Academy Shakespeare Lectures

MUIR Kenneth 1985

C819Comic Tradition and the European Context: The Testing of Love

MUIR Kenneth 1986


C711Twentieth-century Shakespeare criticism : The tragedies

MUIR Kenneth 1986


D261Shakespeare: Anthony and Cleopatra

MUIR Kenneth 1987

C925Freud’s Hamlet

MUIR Kenneth 1993


D074Lope de Vega and Shakespeare

MUIR, Kenneth 1996


D154Base Uses

MUIR Kenneth 1997


B530The Voyage to Illyria: A New Study of Shakespeare

MUIR Kenneth and O'LOUGHLIN Sean 1970

B557A New Companion to Shakespeare Studies

MUIR, Kenneth and SCHOENBAUM, S. 1971

B833Collected Poems of Sr Thomas Wyatt

MUIR, Kenneth and THOMSON, Patricia 1969

C582Aspects of King Lear : articles reprinted from Shakespeare Survey

MUIR Kenneth and WELLS Stanley 1982

C581Aspects of Shakespeare's 'problem plays' : articles reprinted from Shakespeare Survey

MUIR Kenneth and WELLS Stanley 1982

A292Pericles

MUIR Kenneth(b.1907) 1963


B456Shakespeare Survey 23: An Annual Survey of Shakespearian Study & Production

MUIR Kenneth (editor) 1970

B886Shakespeare Survey n°25: An Annual Survey of Shakespearian Study and Production

MUIR Kenneth (editor) 1972

B284Collected Poems of Sir Thomas Wyatt

MUIR Kenneth & THOMSON Patricia 1969

D035The Biblical Drama of Medieval Europe

MUIR Lynette R. 1995

B371From Standard Language and poetic language (1932)

MUKAROVSKY Jan 1967


D135"Lawful deed" : Consummation, Custom, and Law in All's Well That Ends Well

MUKHERJI, Subha 1996


D242Culture/ metaculture

MULHERN Francis 2000

C798The Roaring Girl

MULHOLLAND Paul 1987

C456The source of the "Fulgens" woodcut

MULLALLY Robert


C949Brothers and Others, or the Art of Alienation

MULLANEY Steven 1987


D012Lying Like Truth : Riddle, Representation, and Treason in Renaissance England


MacbethIn

D206After the New Historicism



D121After the New Historicism



D283Hamletmachine

MÛLLER, Heiner. 2000


C656 gThe BBC Macbeth

MULLIN Michael

C716Stage and screen : The Trevor Nunn "Macbeth"

MULLIN Michael 1988


C995Streets, squares and courts : Venice as a stage in Shakespeare and Ben Jonson

MULLINI Roberta 1993


D068The Book of Sir Thomas More and its Performance

MULLINI, Roberta 1996


D262Mythic Interpretations of Ideas in Jonson's Pleasure Reconciled to Virtue

MULRYAN John 2000


A441The White Devil and The Duchess of Malfi

MULRYNE J.R. 1965


C428Women Beware Women

MULRYNE J.R. 1975

C597Antony and Cleopatra : Penny Plain or Tuppence Coloured

MULRYNE J.R. 1983


C995History and myth in The Merchant of Venice

MULRYNE J.R. 1993


C985The Living Monument : Self and Stage in the Criticism and Scholarship of M.C. Bradbrook

MULRYNE J.R. 1994


D074Nationality and Language in Thomas Kyd's The Spanish Tragedy

MULRYNE, J.R. 1996


A248Marlowe and the Comic Distance

MULRYNE J.R. & FENDER Stephen 1968


D171The Once and Future Globe

MULRYNE, J.R. & SHEWRING, M. 1997


D171Shakespeare's Globe Rebuilt

MULRYNE, J.R. & SHEWRING, M. (Eds.) 1997

C789Speak hands for me : image and action in Julius Caesar

MULRYNE James Ronald 1991


C787The Repertoire of Swan

MULRYNE R. AND SHEWRING M. 1989


C787This Golden Round : The Royal Shakespeare Company at the Swan

MULRYNE R. AND SHEWRING M. 1989

C918“What’s aught but as ‘tis valued?” : Pericles, Sexuality and Trade

MULRYNE Ronnie 1993


D068The Space of Theatre : Stage and Ideology in Shakespeare's The Tempest

MULRYNE, Ronnie 1996


D171Selected Documents from the Elizabethan Playhouse

MULRYNE, Ronnie (Ed.) 1997


C184/2The Constitution of Saltpeter, According to Becher and Stahl

MULTHAUF, Robert P. 1972


A899/8Captivity of John Fox

MUNDAY Anthony 1964


C103A Second and Third Blast of Retrait from Plaies and Theaters

MUNDAY, Anthony 1973

D210Souffrance du corps, souffrance de l'âme dansVenus and Adonis

MUNOZ Marie-Christine 1999


A467Toward Science in Aesthetics : Selected Essays

MUNRO Thomas 1956

A692Les aboutissements du Grand-Guignol dans le théâtre d'essai en Espagne

MURCIA Juan Ignacio 1968


C986The cornish medieval drama

MURDOCH Brian O. 1994


C379/3On Romeo and Juliet, october 1750

MURPHY Arthur 1975


C379/3The chorus rejected, september 1752

MURPHY Arthur 1975


C379/4Essays on Shakespeare, 1753-4

MURPHY Arthur 1976


C379/4On Shakespeare's ghost-scenes, november 1754

MURPHY Arthur 1976


C379/4Shakespeare in the London theatres, 1757

MURPHY Arthur 1976


C379/4Shakespeare in the London theatres, 1758

MURPHY Arthur 1976


C512Garrick's Shakespeare, 1801

MURPHY Arthur 1981


D193Wriothesley's Resistance: Wardship Practices, and Ovidian Narratives in Shakespeare'sVenusand Adonis

MURPHY Patrick M. 1997


D137A Crucial Week in the Lifeof a Grocer's Assistant

MURPHY , Tom 1989

Plays : FourIn

D137A Whistle in the Dark

MURPHY , Tom 1989

Plays : FourIn

D137On the Inside

MURPHY , Tom 1989

Plays : FourIn

D137On the Outside

MURPHY , Tom 1989

Plays : FourIn

D137 Plays : Four

MURPHY , Tom 1989

D133A Thief of a Christmas

MURPHY , Tom 1993

Plays : TwoIn

D133Bailegangaire

MURPHY , Tom 1993

Plays : TwoIn

D133Conversations on a Homecoming

MURPHY , Tom 1993

Plays : TwoIn

D133Plays : Two

MURPHY , Tom 1993

D138Plays : Three

MURPHY , Tom 1994

D138The Gigli Concert

MURPHY, Tom 1994

Plays : ThreeIn

D138The Morning After Optimism

MURPHY, Tom 1994

Plays : ThreeIn

D138The Sanctuary Lamp

MURPHY, Tom 1994

Plays : ThreeIn

C664James Sheridan knowles : the Victorian Shakespeare

MURRAY Christopher 1986


C810Some themes in recent Irish drama

MURRAY Christopher 1991


C285Peer Gynt at the Old Vic

MURRAY, D.L. 1970


B755The Puritan Hope: A Study in Revival and the Interpretation of Prophecy

MURRAY Ian H. 1971

A120Sir David Lyndesay's works . Part V : the Minor Poems

MURRAY James A.H. 1871

A151The Complaynt of Scotlande


A153Thomas of Erceldoune


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MURRAY John Tucker 1963

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MURRAY John Tucker 1963

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MURRAY Patrick 1969

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A790Why was Duncan's Blood Golden?

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A917Amari Aliquid

MURRY J. Middleton 1967


A929The Style of Antony and Cleopatra

MURRY J. Middleton 1968


B253Keats and Shakespeare: A Study of Keats' Poetic Life from 1816 to 1820

MURRY John Middleton 1968

B582Coriolanus

MURRY John Middleton 1970


A600Portia, Calpurnia, and the Buffer Scenes

MUSGROVE S. 1969


B872King Lear and Volpone

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C295Shakespeare and Catholicism

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A171/1The Works, volume I; edited by Ronald B. McKerrow

NASHE Thomas 1966

A171/2The Works, volume II; edited by Ronald B. McKerrow

NASHE Thomas 1966

A171/3The Works, volume III; edited by Ronald B. McKerrow

NASHE Thomas 1966

A171/4The Works, volume IV; edited by Ronald B. McKerrow

NASHE Thomas 1966

A171/5The Works, volume V; edited by Ronald B. McKerrow

NASHE Thomas 1966

C100Preface to Robert Greene's Menaphon

NASHE, Thomas 1973


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NAUERT Charles G. 1996

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NAUERT, Charles G. jr 1959


B369Shakespeare and Music

NAYLOR Edward W. 1896

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C575Women and Men in Othello : "What should such a fool / Do with so good a woman"

NEELY Carol Thomas 1980

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Neil Forsyth 2000


D250National and racial stereotypes in Shakespeare films

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C927Unproper Beds: Race, Adultery, and the Hideous in Othello

NEILL Michael 1993


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NEILL, michael 1995


D266Issues of Death, Mortality and Identity in English Renaissance Tragedy

NEILL Michael 1997

D285Post-Colonial Shakespeare? Writing Away from the Centre

NEILL, Michael. 1998


C724John Ford : Critical Re-Visions

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NELSON, Alan H. 1972


B938The Temptation of Christ; or the Temptation of Satan

NELSON, Alan H. 1972


C376The Medieval English stage : corpus christi pageants and plays

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D013Cambridge University Drama in the 1580s

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B155The Poetry of Edmund Spenser: A Study

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NEUMANN, Joshua H. 1967


C971Magnificence

NEUSS Paula 1980

C521Comic transformations in Shakespeare

NEVO Ruth 1980

C594Shakespeare's comic remedies

NEVO Ruth 1980


C709Shakespeare's other language

NEVO Ruth 1987

C703Measure for Measure : Mirror for Mirror

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C974Mousetrap and Rat Man: an Uncanny Resemblance

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A546Michael Drayton and his Circle

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C956The Etiology of Horatio’s Inconsistencies

NEWELL Alex 1988


D226Inigo Jones and the Politics of Architecture

NEWMAN, J. 1994


C677Shakespeare's rhetoric of comic character : dramatic convention in classical and Renaissancecomedy

NEWMAN Karen 1985

C733"And wash the Ethiop white": feminity and the monstrous in Othello

NEWMAN Karen 1987


C249Seneca : Tenne Tragedies Translated in English (parts I & II)

NEWTON 1967

C922History as usual? Feminism and the "New Historicism"

NEWTON Judith Lowder 1989


A651The Poetry of Ben Jonson

NICHOLS J.G. 1969

A779Literary Anecdotes of the eighteenth Century

NICHOLS John (edited by Colin Clair) 1967

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B002The Works of Cyril Tourneur


A517The World of Harlequin : A Critical Study of the Commedia dell' Arte


B133A History of English Drama;1660-1900


A330/2A History of English Drama 1660-1900, volume II: Early Eighteenth Century Drama


A330/3A History of English Drama 1660-1900, volume VI: A Short -Title Alphabetical Catalogue Of Plays










A483The Theory of Drama


A330/1A History of English Drama 1660-1900, volume I: Restoration Drama 1660-1700




A586English Drama : A Modern Viewpoint




B476Shakespeare Survey (Vol 4)


B455'Passing over the Stage'



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B346Shakespeare Survey(1)


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NICOLL Allardyce(colleagues and pupils) 1967

A463/3Shakespeare Survey, 5: an annual study of Shakespearian study & production

NICOLL Allardyce (editor) 1952





B048Shakespeare Survey 7






B455Shakespeare Survey 12: An Annual Survey of Shakespearian Study & Production


A736Holished' s Chronicle as used in Shakespeare's Plays

NICOLL Allardyce & Josephine 1965


NICOLL Allaryce 1966

A591Richard Foster Jones

NICOLSON Marjorie 1969


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NIEBYL, Peter H. 1972


A929The Dionysiac Greek

NIETZSCHE Friedrich 1968


A696Garcia Lorca, metteur en scène : les Intermèdes de Cervantès

NIEVA Francisco 1957


A694Autour d' une crise de style



A692Vertus plastiques du théâtre de Valle-Inclan



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NILAN Mary M. 1972


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B381/59Annual Bibliography of English Language and Literature, volume XXXIV 1959

NILON Charles, RIGBY Marjory (editors) 1962

B381/60Annual Bibliography of English Language and Literature, volume XXXV 1960


B381/61Annual Bibliography of English Language and Literature, volume XXXVI 1961


B381/62Annual Bibliography of English Language and Literature, volume XXXVII 1962


B381/63Annual Bibliography of English Language and Literature, volume XXXVIII 1963


B381/64Annual Bibliography of English Language and Literature, volume XXXIX 1964


B381/65Annual Bibliography of English Language and Literature, volume XL 1965


B381/66Annual Bibliography of English Language and Literature, volume XLI 1966


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C933‘What Cares These Roarers for The Name of King? ’: Language and Utopia in The Tempest

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C605Fonction de l'analyse, analyse de fonction

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C706The Reformation of the masque

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NORLAND Howard B. 1995

C184/1Paracelsus - A Mannerist?

NORPOTH, Leo 1972


D097Deconstruction - Theory and Practice

NORRIS, Christopher 1991

C938Post-structuralist Shakespeare : text and ideology

NORRIS Christopher 1992


P1/1933/IChaucer's Pardoner's Tale and Flanders

NORRIS, Dorothy M. 1966


C432Waiting for Prospero

NORTHAM John 1977


C315A treatise

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A288Gorboduc

NORTON Thomas and SACKVILLE Thomas 1969


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NOSTBAKKEN, Faith M. 1995


A975Shakespeare's Occasional Plays: Their Origin and Transmission

NOSWORTHY J.M. 1965

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B891Defoe's Use of Irony

NOVAK Maximillian E. 1972


C276Fiction and Society in the Early Eighteenth Century

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C575Shakespeare's female characters as actors and audience

NOVY Marianne 1980

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B555Some Aspects of the Style of King Lear

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C582Some aspects of the style of King Lear

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B501/2The Thought and Culture of the English Renaissance: An Antology of Tudor Prose 1481-1555(volume II)

NUGENT Elizabeth M. 1969

C594Ancient theories of comedy : the treatises of Evanthius and Donatus

NUGENT S. Georgia 1980


B748A Dictionary of Actors and of Other Persons Associated with the Public Representation of Plays inEngland before 1642

NUNGEZER Edwin 1971

C787From conference Hall to Theatre

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C539Realistic convention and conventional realism in Shakespeare

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C960Hamlet : Conversations with the Dead

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C752Timon of Athens

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B883Two Unassimilable Men

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C925Revision by Excision: Rewriting Gertrude

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D287The Experiment of Romance

O'CONNELL, Michael. 2002


D240'Useful in the Year 1999': William Poel and Shakespeare's 'Build of Stage'

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O'CONNOR Marion F. 1987


B852John Dryden, Gavin Douglas, and Virgil

O'CONNOR, Mark 1972


B322A Chronological List of Prose Fiction in English Printed in England and Other Countries(1475-1640)

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C276The English Physician in the Earlier Eighteenth Century

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O'MEARA John 1989


B816Another Look at the Anatomia porci

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P1/1926/IIHamlet and Dr. Timothy Bright

O'SULLIVAN Mary Isabelle 1966


D132Tom Murphy : The Politics of Magic

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ODDON Marcel 1984


B198/1Shakespeare from Betterton to Irving(Vol I)

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B198/2Shakespeare from Betterton to Irving(Vol II)

ODELL George C. D. 1963

C605L'entrée du spectateur dans la fiction

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A533Les tragédies de la décolonisation: Aimé Césaire et Edouart Glissant

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OGBURN, Dorothy & Charlton 1972

B078/1England in the Reign of Charles II(Vol I)

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B078/2England in the Reign of Charles II(Vol II)

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B104La Corée

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B861Early London Theatres

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B257The Comedia dell'Arte

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C739The human stage: English theatre design, 1567-1640

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A410The Jonsonian Masque

ORGEL Stephen 1965

C902The Illusion of Power : Political Theater in the English Renaissance

ORGEL Stephen 1975

C949Shakespeare and The Cannibals

ORGEL Stephen 1987


C980The Masque

ORGEL Stephen 1987


C900The Tempest

ORGEL Stephen 1987

D039The Subtext in The Roaring Girl

ORGEL Stephen 1992


C934The comedian as the character C

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ORGEL Stephen 1996

D240Macbeth and the Antic Round

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D262(The Masque of Blackness)

ORGEL Stephen 2000


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ORGEL, Stephen, and STRONG, Roy 1973

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D285Possessing the Book and Peopling the Text

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B886Faith and Fashion in 'Much Ado About Nothing'

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ORNSTEIN Robert 1965

A971The Ethic of the Imagination: Love and Art in Antony and Cleopatra


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A603The Comic Synthesis in Doctor Faustus



B885The Ethic of Imagination: Love and Art in Antony and Cleopatra



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C433Inigo Jones at the cockpit

ORRELL John 1977


C515Peter Street at the fortune and the globe

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D171Designing the Globe . Reading the Documents

ORRELL, John 1997


C356Symonds and De Sanctis : a study in the historiography of the Renaissance

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C818Shakespeare's Comedies

ORSTEIN Robert 1986

C939The Complete plays

ORTON Joe 1994

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A601Lear, Tolstoy and the Fool

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A788Lear, Tolstoy and The Fool

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OSBORNE, Laurie 1996

D147The Trick of Singularity : Twelfth Night and the Performance Editions

OSBORNE Laurie E. 1996

D142Poetry in Motion : Animating Shakespeare

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B260The Lyric

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A282Venice Preserv'd

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A806The History and Fall of Caius Marius

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A794Venice Preserved

OTWAY Thomas 1969

C379/1From his adaptation of Romeo and Juliet, september/october 1679

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B512/1Etude sur Le Princce Constant, scénario et mise en scène par Jerzy Grotowsky

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A900The Art of the Play

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D056Metamorphoses

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C897“This sight of death is a bell”: La mort de Roméo et Juliette comme memento mori

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B932Literature and Pulpit in Medieval England

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Oxford Shakespeare Concordances 1969

B412The Comedy of Errors

OXFORD SHAKESPEARE CONCORDANCES 1969

B411The Merry Wives of Windsor

OXFORD SHAKESPEARE CONCORDANCES 1969

B446The Tempest


B434The Two Gentlemen of Verona




B662II Henry VI


B671King John


B673Love's Labour's Lost




B669Henry IV part I


B668Henry IV part II


B702Henry V


B703Henry VIII


B661III Henry VI


B841King Lear


B842Macbeth


B843Othello


B670Richard II


B667Richard III


B840Timon of Athens


B786Antony and Cleopatra


B845Coriolanus


C125Cymbeline : a Concordance to the Text of the First Folio

Oxford Shakespeare concordances 1972

B785Pericles


B844Romeo and Juliet


B787Titus Andronicus




C123Hamlet : a Concordance to the Text of the Second Quarto of 1604-5

Oxford Shakespeare concordances 1973

C594The doubling of parts in Shakespearean comedy : some questions of theory and practice

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C956What’s in a Good name?: The Case of Romeo and Juliet as a Bad Tragedy

OZ Avraham 1988


C995Dobbin and the Rialto : Venice and the division of identity

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C974"Which Is the Merchant Here? And Which the Jew?": Riddles of identity in The Merchant ofVenice

OZ Avraham 1994


D285Nation and Place in Shakespeare: The case of Jerusalem as a national Desire in Early ModernEnglish Drama

OZ, Avraham. 1998


C141 A Seasonable Apology for Mr H-g-r

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C201/1The Palace of Pleasure (vol. I)

PAINTER, William 1968

C201/2The Palace of Pleasure (vol. II)


C201/3The Palace of Pleasure (vol. III)


D033Periculosa et pestilens quaestio : Interrogative Discourse in Donne's Holy Sonnets

PALLOTTI Donatella 1993


D263Who's Who in Shakespeare's England

PALMER Alan & Veronica 2000

A576Marlowe' s Naturalism

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A248Marlowe's Naturalism

PALMER D.J. 1968


A599 Shakespeare : The Tempest

PALMER D.J. 1968

A603Magic and Poetry in Doctor Faustus

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A943The Verse Epistle

PALMER D.J. 1970


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B873Art and Nature in Twelfth Night

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B883The Merchant of Venice, or the Importance of Being Earnest

PALMER D.J. 1972


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C498Twelfth Night and the myth of of Echo and Narcissus

PALMER D.J. 1979


D183Comedy : Developments in Criticism (Casebook)

PALMER, D.J. (Ed.) 1984

B873Shakespeare: Twelfth Night, A Casebook

PALMER D.J. (editor) 1972

C122The Comedy of Manners

PALMER, John 1962

A456The Comedy of Manners

PALMER John 1962

B233Political and Comic Characters of Shakespeare

PALMER John 1965

A362Ben Jonson

PALMER John 1967

A917Shylock

PALMER John 1967


A929Coriolanus as Political Character

PALMER John 1968


A597Shylock

PALMER John 1969


A600The Character of Caesar

PALMER John 1969


B582Political Characters of Shakespeare

PALMER John 1970



PALMER Kenneth 1982

T46Béla Balazs, théoricien marxiste du cinéma

PALMIER Jean-Michel 1977

L'esprit du cinéma. Balazs BélaIn

D250 Orson Welles and filmed Shakespeare

Pamela Mason 2000


C952Nouvelle-France / Québec / Canada: A world of Limited Identities

PAQUET G. et WALLOT J-P. 1987


C392Ben Jonson : public poet and private man

PARFITT George 1976

C440The plays of Cyril Tourneur : The Revenger's Tragedy, The Atheist's Tragedy

PARFITT George 1978

A697Le Mariage d' Henri de Lorraine et de Marguerite de Gonzague-Mantoue 1606. Les Fêtes et letémoignage de Jacques de Bellange

PARISET François-Georges 1956


B754/1A Catalogue of the Royal and Noble Authors of England, Scotland, and Ireland; with lists of theirworks. Volume I

PARK Thomas 1971

B754/2A Catalogue of the Royal and Noble Authors of England, Scotland, and Ireland; with lists of theirworks. Volume II

PARK Thomas 1971

B754/3A Catalogue of the Royal and Noble Authors of England, Scotland, and Ireland; with lists of theirworks. Volume III

PARK Thomas 1971

B754/4A Catalogue of the Royal and Noble Authors of England, Scotland, and Ireland; with lists of theirworks. Volume IV

PARK Thomas 1971

B754/5A Catalogue of the Royal and Noble Authors of England, Scotland, and Ireland; with lists of theirworks. Volume V

PARK Thomas 1971

A622Literature and the Delinquent : the Picaresque Novel in Spain and Europe(1599-1753)

PARKER Alexander A. 1967

C749Johnson's Shakespeare

PARKER Graham Frederick 1989

C672Shakespeare and rhetoric : "dilation" and "delation" in Othello

PARKER Patricia 1985


C949Suspended Instruments: Lyric and Power in the Power of Bliss



C963Othello and Hamlet : Dilation, Spying, and the "Secret Place" of a Woman



D197/8Fantasies of 'Race' and 'Gender': Africa, Othello and bringing to Light

PARKER PATRICIA 1998


A441Middleton's Experiments with Comedy and Judgement

PARKER R.B. 1965


C639War and sex in All's Well That Ends Well

PARKER R.B. 1984


P1/1958/IIIThe Dates of Milton's Sonnets on Blindness

PARKER William R. 1958



PARKER William Riley (editor)


PARKER William Riley (editor) 1950























P1/1948/I-IIPublications of the Modern Language Association of America n°63


P1/1948/III-IVPublications of the Modern Language Association of America n°63


P1/1948/suppl.Publications of the Modern Language Association of America n°63



PARKER William Riley (editor) 197?



P1/1952/1Publications of the Modern Language Association of America n°67


















P1/1954/I-IIIPublications of the Modern Language Association of America n°69












P1/1950/I-IIIPublications of the Modern Language Association of America n°65


P1/1950/II-IVPublications of the Modern Language Association of America n°65




B854The Divine Order

PARKES, Henry Bamford 1970

B764/4The First Italianate Englishmen

PARKS, George B. 1961


P1/1962/VThe Genesis of Tudor Interest in Italian

PARKS, George B. 1962


A591Travel as Education

PARKS George B. 1969


In

A340The sentimental Mask

PARNELL Paul E. 1966


C785The Stapple of News

PARR Anthony 1988

D074Foreign Relations in Jacobean England : The Sherley Brothers and the 'Voyage to Persia'

PARR, Anthony 1996


P1/1962/VRobert Greene and His Classmates at Cambridge

PARR, Johnston 1962


P1/1944/IITamburlaine's Malady

PARR, Johnstone 1967


C512On Coriolanus and Othello , 1792

PARR, Wolstenholme 1981

Shakespeare : the Critical Heritage . Volume 6, 1774-1801In

B731Production

PARROTT Kenneth 1971


In

C279Shakespearean Comedy

PARROTT, Thomas Marc 1962

C472A new view of bankside

PARRY Graham 1978


C606A theological reading of Macbeth

PARRY Graham 1984

Caliban n° XXIIn

A981The Age of Renaissance

PARRY J.H. 1966

C758The Boyhood of Shakespeare's Heroines

PARRY P. H. 1990


B507The Middle East (1453-1574)

PARRY V.J. 1971


In

A463/9 Shakespeare and the Mask

PARSONS Philip 1966


B852Restoration Tragedy as Total Theatre

PARSONS, Philip 1972


D235From A Treatise Tending to Mitigation towards Catholic Subjects in England

PARSONS Robert 1999


B816Sir Thomas Elyot on Plato's Aesthetics

PARTEE Morriss Henry 1970


B325Studies in the Syntax of Ben Jonson's Plays

PARTRIDGE A.C. 1953

A969Orthography in shakespeare and Elizabethan Drama

PARTRIDGE A.C. 1964

B048Shakespeare's Orthography in Venus and Adonis and Some Early Quartos

PARTRIDGE A.C. 1968


A797Tudor to Augustan English: A Study in Syntax and Style from Caxton to Johnson

PARTRIDGE A.C. 1969

B704The Language of Renaissance Poetry

PARTRIDGE, A.C. Partridge 1971

C470Epicene

PARTRIDGE Edward B. 1963


A412Epicoene


The Broken Compass: A Study of the Major Comedies of Ben JonsonIn

A412The Alchemist



A412The Broken Compass: A Study of the Major Comedies of Ben Jonson


A412The magnetick Lady



A412The New Inne



A412The Staple of Newes



A412Volpone



B872From The Broken Compass



D262The Alchemist

PARTRIDGE Edward.B 2000


A760Shakespeare's Bawdy: A Literary & Psychological Essay and a Comprehensive Glossary

PARTRIDGE Eric 1968

M37The Fortunes of the Merchant of Venice

PASCAREL, Lydie 1982

C640Timon of Athens

PASCO Richard 1985


A701Un Chapitre d'histoire littéraire aux XIVè et XVè siècles, "Seneca Poeta tragicus"

PASRORE-STOCCHI Manlio 1964


B603The Malleability of Man in Eighteenth-Century Thought

PASSMORE J.A. 1965


C453The city in Plautus and Middleton

PASTER Gail Kern 1973


C819Quomodo, Sir Giles, and Triangular Desire: Social Aspiration in Middleton and Massinger

PASTER Gail Kern 1986


C648Shakespeare the director

PASTERNAK SLATER Ann 1982

C999La couleur verte au XVIe siècle : traditions et mutations

PASTOUREAU Michel 1995


D250The tragedies of love on film

Patricia Tatspaugh 2000


B048The Birmingham Shakespeare Memorial Library

PATRICK F.J. 1968


B679Francis Bacon

PATRICK, J. Max 1961

P1/1959/IMilton and the Protestant Theory of the Atonement

PATRIDES C.A. 1959


B568Milton's Lycidas, The Tradition and the Poem

PATRIDES, C.A. 1961

B764/5' The Bloody and Cruell Turke': The Backgroud of a Renaissance Commonplace

PATRIDES, C.A. 1963


B015Approaches to Paradise Lost

PATRIDES C.A. 1968

B016The Cambridge Platonists

PATRIDES C.A. 1969

B320/69The Earlier Seventeenth Century, Excluding Drama

PATRIDES.C.A. 1971


C632The experience of Otherness : theology as a means of life

PATRIDES C.A. 1980

The age of MiltonIn

B750The History of the World

PATRIDES C.A. (editor) 1971

C632The age of Milton

PATRIDES Constantinos A. and WADDINGTON 1980

D009Henry V : Text and History

PATTERSON Annabel 1992


C940Reading between the lines


D010The Popular Voice of King Lear


King LearIn

C974Framing The Taming



B892The Student's Milton

PATTERSON Frank Allen (editor) 1958

B606Music and Poetry of the English Renaissance

PATTISON Bruce 1971

C696Macbeth ou le vertige

PAULIN Bernard 1987


C694Théâtre et économie : quelques hommes d'affaires élisabéthains et jacobéens

PAULIN Bernard 1987


A568Henry Fielding : The Critical Heritage

PAULSON Ronald & LOCKWOOD Thomas 1969

C842Dictionnaire du Théâtre

PAVIS Patrice 1987

A683The Complete Gentleman, The Truth of Our Times, and The Art of Living in London

PEACHAM Henry 1962

A051Instructions for Parish Priests

PEACOCK E. 1868

C706The French element in Inigo Jones's masque designs

PEACOCK John 1984

The court masqueIn

D226The Politics of Portraiture

PEACOCK, John 1994


C381The art of drama

PEACOCK Ronald 1974

B762Poetry 1700-1740

PEAKE Charles 1971


In


PEAKE Charles H. 1965


C706Souding to present occasions : Jonson's masques of 1620-5

PEARL Sara 1984

The court masqueIn

C200London and the Outbreak of the Puritan Revolution : City Government and National Politics,1625-43

PEARL, Valerie 1961

C178London and the Outbreak of the Puritan Revolution : City Government and National Politics,1625-43

PEARL, Valerie 1961

A623Macbeth on Film : Politics

PEARLMAN E.


C958Macbeth on Film: politics

PEARLMAN E. 1994


P5/41Shakespeare at Work: Attributed Dialogue

PEARLMAN, E. 1997


B722The Correspondence of Sir Philip Sidney and Hubert Languet

PEARS Steuart A. 1971

B323The Canterbury Tales

PEARSALL D.A. 1970


C930The Canterbury Tales

PEARSALL Derek 1993

C553Tragedy and tragicomedy in the plays of John Webster

PEARSON Jacqueline 1980

A633Elizabethan Love Conventions

PEARSON Lu Emily 1966

D193Shakespeare's Philosophy of Love(1933)

PEARSON Lu Emily 1997



PEARSON, Norman Holmes 1973


C515'And that's true too' : King Lear and the tension of uncertainty

PEAT Derek 1980


C582'And that's true too' : King Lear and the tension of uncertainty

PEAT Derek 1982


C750Looking back to front: the view from the Lords' room

PEAT Derek 1989


P1/1965/IVAbraham, Adam, and the Theme of Exile in Paradise Lost

PECHEUX, Mother Mary Christopher, O.S.U. 1965


D030Against "Ideology"

PECHTER Edward 1991


D135"Have you not read of some such things?" Sex and Sexual Stories in Othello

PECHTER, Edward 1996


C922The Limits of Local Knowledge

PECORA Vincent P. 1989


M45Self-Knowledge in Hamlet

PECQUERET, Veronique 1988

A615ColinThe Enamoured Sheepheard, Singeth this Passion of Love

PEELE Geo. 1962


In

A615Coridon and Melampus Song

PEELE Geo. 1962


In

A615Oenones Complaint in Blanke Verse

PEELE Geo. 1962


In

A174The Arrangement of Paris

PEELE George 1933


A174The Old Wives Tale

PEELE George 1933


A639The Old Wives

PEELE George 1939


In

A289The Old Wives' Tale

PEELE George 1965


C779From 'The Honour of the Garter', 1593

PEELE George 1979


A463/10Symbols and Significances

PELLEGRINI G. 1965


D075The Cambridge Companion to Bacon

PELTONEN, Markku 1996

C741De Wittenberg à Wittenberg : le thème du retour dans Doctor Faustus

PELTRAULT C. 1989

Lieu et tempsIn

C822Le double dans A Midsummer Night's Dream

PELTRAULT Claude 1989


C718Le double dans A Midsummer Night's Dream



C824Nothus et bouts cousus : des formes de la bâtardise dans Much Ado About Nothing



C919/1(Para-) Dramatic Inclusions in 1Henry IV



C923Shakespeare - La Tempête : études critiques


A095Queen Elizabeth's Englishing : Boethius, Plutarch & Horace

PEMBERTON Caroline 1899

B747Dryden's Heroic Plays: A Study of the Origins

PENDLEBURY B.J. 1967

A686The Accounts of the Kingdom, 1642-49

PENNINGTON D.H. 1961


C640Hamlet

PENNINGTON Michael 1985


A675Diary

PEPYS SAMUEL 1957


C285London Theatres in the 1660's

PEPYS, Samuel 1970


C379/1On Shakespeare in the theatre, 160-9

PEPYS Samuel 1974


C684Such is my love : a study of Shakespeare's sonnets

PEQUIGNEY Joseph 1985

C708Such is my love : Astudy of Shakespeare's Sonnets

PEQUIGNEY Joseph 1985

T44Diégèse

PERCHERON Daniel 1980


T44Focalisation (du récit cinématographique)



T44Ponctuation



T44Séquence



T44Trucages



A541Campion's Works

PERCIVAL Vivian (editor) 1967

C379/4Shakespeare and the history play, 1765

PERCY Thomas 1976


A899/6Sonnets to the Fairest Coelia, 1594

PERCY William 1964


A606Actividad legislativa de Carlos V en orden a las Indias

PEREZ BUSTAMANTE Ciriaco 1959


D235From A Discourse of the Damned Art of Witchcraft

PERKINS William 1999


B104Le Théâtre au Moyen âge

PERNOUD Régine 1965


B104Tournois et jeux équestres

PERNOUD Régine 1965


C716Shakespeare and anti-semitism : Two television versions of "The Merchant of Venice"

PERRET Marion D. 1988


C173Othello ou les métamorphoses du monstre

PERRIN, Jean 1987

Autour d' OthelloIn

C822"The moon, methinks, looks with a watery eye", ou l'imaginaire du Songe d'une nuit d'été , unelecture anthropologique

PERRIN Jean 1989


C718"The moon, methinks, looks with a watery eye", ou l'imaginaire du Songe d'une nuit d'été , unelecture anthropologique

PERRIN Jean 1989


P5/27Macbeth, or the Symbolism of Ineluctability

PERRIN Jean 1990


C919/2Human Spectacle, Cosmic Spectacle

PERRIN Jean 1992


C897La poétique du regard

PERRIN Jean 1993


A080Morte Arthure

PERRY George G. 1865

A075Religious Pieces in Prose and Verse

PERRY George G. 1867

B764/2Studies in the Renaissance, volume III and IV

PERY, William, SHAABER, M.A. (editor) 1956

B764/1Studies in the Renaissance, volume I and II

PERY, William, SHAABER, M.A. (editorS) 1954

A623Remembering Hamlet Or, How it Feels to Go Like a Crab Backwards

PETCHER Edward


D154Othello , The Infamous Ripley and SHAKSPER

PETCHER Edward 1997


D256Shakespeare Survey 53 : Shakespeare and narrative

Peter Holland 2000

D259Shakespeare in the twentieth-century theatre

Peter Holland 2001


D256The erotics of narration in Venus and Adonis

Peter J. Smith 2000


B345Complaint and Satire in Early English Literature

PETER John 1956

D254As you like it

Peter Reynolds 1988

C533A select list of the published writings of Dame Helen Gardner

PETERS Helen 1980


In

C390Time tide and Tempest : a study of Shakespeare's romances

PETERSON Douglas L. 1973

C594The Tempest and ideal comedy

PETERSON Douglas L. 1980


C653Éléments de cohérence dans le dénouement d'All's Well That Ends Well

PETIT Jean-Pierre 1986


C771Deux King Lear mémorables



C771Note sur deux Othello




PETOWE Henry 1967


C854/2The hidden text : problems of translation in As You Like It

PETRONE-FRESCO Gaby 1987


B921Eastward Ho!

PETTER, C.G. 1973

A937Shakespeare and the Romance Tradition

PETTET E.C. 1949

B494Of Paradise and Light: a study of Vaughan's Silex Scintillans

PETTET E.C. 1960

A463/2Coriolanus and the Midlands Insurrection of 1607

PETTET E. C. 1966


In

A597The Merchant of Venice and the Problem of Usury

PETTET E.C. 1969


B471The Mood of Henry IV, Part 2

PETTIGREW John 1969


B381/55Annual Bibliography of English Language and Literature, volume XXX 1950-1952

PETTIT Henry, MACDONALD Angus, WHITE 1968

D068"Folk Allegory" in the Idiom of John Ball

PETTITT, Thomas 1996


A899/7Political Arithmetic(1690)

PETTY William 1964


P5/36Lines, Circles, Letters, and Characters: the Conjuration of Tragedy

PEYRE, Frédéric 1995


B499Shakespeare and Modern French Criticism

PEYRE Henri 1964


In

P5/8 Les "Masques" d'Ariel- Essai d'interprétation de leur symbolisme

PEYRE, Yves 1981


C606Le Conte d'Hiver : regards et miroirs

PEYRÉ Yves 1984

Caliban n° XXIIn

C823All's Well That Ends Well : la rhétorique, l'art et la vie

PEYRÉ Yves 1992


C919/2Massinger’s Plays-Within: Pygmalion or Medusa?

PEYRE Yves 1992


D055"Travels in the Clouds": Metamorphosis, Doubt, and Reason in the Renaissance

PEYRE, Yves 1995


D063Antony and Cleopatra et l'affirmation de l'humain

PEYRÉ, Yves 1996

La voix des mythes dans la tragédie élisabéthaineIn

D063Coriolanus et la négation de l'humain

PEYRÉ, Yves 1996


D063De la mère blessé à l'engendrement pernicieux: Richard III

PEYRÉ, Yves 1996


D063La forge de Vulcain et la naissance des monstres: Troilus and Cressida

PEYRÉ, Yves 1996


D063La forge de Vulcain et la naissances des monstres: Hamlet

PEYRÉ, Yves 1996

La voix des mythes dans la tragédie élisabethaineIn

D063La voix des mythes dans la tragédie élisabethaine

PEYRÉ, Yves 1996

D063Le texte tragique, Romeo and Juliet

PEYRÉ, Yves 1996


D063Le travail sur les mythes, Titus Andronicus

PEYRÉ, Yves 1996


D074Marlowe's Argonauts

PEYRE, Yves 1996


D063Mise en forme de l'histoire, Richard III

PEYRÉ, Yves 1996

La voix des mythes dans la tragédieIn

D063Ue monde stérile: Timon of Athens

PEYRÉ, Yves 1996


D063Un monde écartelé: Hamlet

PEYRÉ, Yves 1996


D063Un monde écartelé: Troilus and Cressida

PEYRÉ, Yves 1996

la voix des mythes dans la tragédie élisabéthaineIn

D063Un monde stérile: Troilus and Cressida

PEYRÉ, Yves 1996


P5/40Deciphering Classical Mythology in Renaissance Drama: Questions of Methodology

PEYRE, Yves 1997


D210Venus and Adonis , ou les jeux e Narcisse et de Pygmalion

PEYRÉ Yves 1999


B093Linguistique et Littérature

PEYTARD Jean 1968

C788The Theory and Analysis of Drama

PFISTER Manfred 1988

C995Shakespeare and Italy, or, the law of diminishing returns

PFISTER Manfred 1993


A693Brecht et l'anti-tragique

PFRIMMER Edouard 1965


A926Shakespeare's Romantic Comedies: The Development of Their Form and Meaning

PHIALAS Peter G. 1966

D200Shakespeare Survey: Beginnings and Continuities

Philip EDWARDS 1998


B986/3A New Way to Pay Old Debts

Philip Massinger 1966

Plays of Philip Massinger, volume The ThirdIn

B986/4A Very Woman or The Prince of Tarent


Plays of Philip Massinger, volume The FourthIn

B986/4The Bashful Lover



B986/2 The Bondman


Plays of Philip Massinger, volume The SecondIn

B986/4The City Madam



B986/1 The Duke of Milan


Plays of Philip Massinger, volume The FirstIn

B986/3 The Emperor of the East



B986/3 The Fatal Dowry



B986/2The Great Duke of Florence



B986/4The Guardian



B986/3The Maid of Honour



B986/4The Old Law



B986/2 The Parliament of Love



B986/3The Picture



B986/2The Renegado



B986/2The Roman Actor



B986/1The Unnatural Combat



B986/1The Virgin-Martyr



A630Electronique et technique compositionnelles

PHILIPPOT Michel 1956


In

A835Humfrey, Duke of Gloucester(1723)

PHILIPS Ambrose 1969

C779From 'Theatrum Poetarum Anglicanorum', 1675

PHILLIPS Edward 1979


A600Monarchic Principles

PHILLIPS J.E. 1969


B891Poetry and Music in the Seventeenth Century

PHILLIPS James E. 1972


B582Twentieth Century Interpretations of Coriolanus

PHILLIPS James E. (editor) 1970

B879Shakespeare and the Lawyers

PHILLIPS O. Hood 1972

C306Mr Law's unlawfulness of the stage entertainment examin'd

PHILOMUSUS S. 1974


In

A250The Literary Profession in the Elizabethan Age

PHOEBE Sheavyn 1967

D256In her father's library : Margaret Fuller and the making of the americam Miranda

Phyllis McBride 2000


B396Literature & Art in the Middle Ages

PICKERING F.P. 1970

B413Literature & Art in the Middle Ages

PICKERING F.P. 1970

D154Classical and Contemporary Sources of 'The Gloomy Woods' of Titus Andronicus

PICOMBE Michael 1997


B512/3Les Dix jours qui ébranlèrent le monde, au Théâtre de Taganka de Moscou

PICON-VALLIN Béatrice 1972


B655The Visionary Landscape

PIEHLER, Paul 1971

C293Shakespeare's History Plays : the Family and the State

PIERCE, Robert B. 1971

C663'Very like a whale' : scepticism and seeing in The Tempest

PIERCE Robert B. 1985


C984Shakespeare and the Ten Modes of Scepticism

PIERCE Robert B. 1994


C964Bada, capitaine, solaire, couronné tortureur

PIERRON Agnès 1990


A630Déclaration

PIGNON Edouard 1956


In

C480The beauty of truth : the dramatic character of Shakespeare's Sonnets

PIKHOFER Anton M. 1976


D241Shakespeare au cinéma

PILARD Philippe 2000

C958Zeffirelli's Shakespeare

PILKINGTON Ace G. 1994


A692La condition de l'auteur d'avant-garde

PILLEMENT Geoges 1968


C512On acting Hamlet, 1777

PILON Frederick 1981


C409Shakespeare, her Majesty's players, and Pembroke's men

PINCISS G.M. 1974


C472The old honor and the new courtesy : 1 Henry IV

PINCISSG.M. 1978


D042Republicanism, Absolutism and UniversalMonarchy : English Popular Sentiment During the Third Dutch War

PINCUS Steven C.A. 1995


B764/4Thomas More's Use of the Dialogue Form as a Weapon of Religious Controversy

PINEAS, Rainer 1960


B764/5John Bale's Nondramatic Works of Religious Controversy

PINEAS, Rainer 1963


A533Bilan de la comédie musicale américaine

PINI Richard 1967


C512Observations on Shakespeare, 1785

PINKERTON John 1981


C630Plays : one

PINTER Harold 1976

C620Plays : three

PINTER Harold 1978

C631Plays : four

PINTER Harold 1981

C619Plays : two

PINTER Harold 1983

C548Souvenirs des débuts de l'expressionnisme

PINTHUS Kurt 1971


A644John Wilmot, Earl of Rochester, and the Right Veine of Satire

PINTO Vivian de S. 1968


P5/7The Images of Woman in the Sonnets and Some Minor Poems of John Milton

PIRONON, J. 1980


P5/21"At Noon of Night": Intimism in Robert Herrick's Hesperides

PIRONON Jean 1987


P5/29The Baroque Image: A Close Analysis of the End of Milton's Comus

PIRONON, Jean H. 1991


A700Tragédie et comédie dans la Camerata fiorentina

PIRROTA Nino 1954


A528La Technique: Néssecité Artistique du Théâtre Moderne

PISCATOR Erwin 1969


B788Wittgenstein, Nonsense, and Lewis Carroll (1965)

PITCHER, George 1971


C706'In those figures which they seeme' : Samuel Daniel's Tethys' Festival

PITCHER John 1984

The court masqueIn

C379/4Garrick's Lear, 1758

PITTARD Joseph 1976


C188The Ascendancy of Taste : the Achievement of Joseph and Thomas Warton

PITTOCK, Joan 1973

C415La politique culturelle de Come Ier et les fêtes annuelles à Florence de 1541 à 1550

PLAISANCE Michel 1975


C550L'Exaltation de la Croix . Comédie religieuse de Giovanmaria Cecchi



C583Les premières éditions de "L'exaltation de la Croix" de Giovan Maria Cecchi



A629Propos sur la rédaction scientifique

PLANTEFOL Lucien 1956


A701Note sur Martin Opitz et les "Troyennes" de Sénèque

PLARD Henri 1964


A701Sénèque et la tragédie d'Andreas Gryphius

PLARD Henri 1964


A515/2Adaptations de la tragédie espagnole dans les Pays-Bas et en Allemagne(1595-1640)

PLARD Henri 1968


A904La Renaissance des Lettres en France

PLATTARD J. 1967

B764/5Wiliam Harvey and his Methods

PLOCHMANN, George Kimball 1963


A531Artistic self-expression in mental disease: the shattered image of schizophrenics

PLOKKER J.H. 1962

A530Le Créateur Schizophrène

PLOKKER J.H. 1962

C389Les gueux et la maladie : hôpitaux dans la France de la Renaissance

Plouin R. 1976


C411Cités françaises au XVIe siècle : créations et réorganisations

PLOUIN R. 1977


A917Money and The Merchant

PLOWMAN Max 1967


A597Money and The Merchant

PLOWMAN Max 1969


A197/1Sir Robert Walpole: The Making of a Stateman

PLUMB J.H. 1956

A197/2Sir Robert Walpole: The King's Minister

PLUMB J.H. 1960


POIRIER Michel 1968

C480Unequal friendship : Shakespeare's Sonnets 18-126

POISSON Rodney 1976


A528L'Image à 360° et l'Espace Scénique Nouveau

POLIERI Jacques 1969


B218Politique et Philosophie chez Thomas Hobbes

POLIN Raymond 1952

D033'The Written and the Unspoken'

POLITI Jina 1993


B603The Three of Knowledge and the Sin of Science: Vegetation Symbols in Goethe's Faust

POLITZER Heinz 1965


A062The Towneley Plays

POLLARD 1897

A393Shakespeare'S Text

POLLARD A.W. 1966


In

A899/2An English Garner: Fifteenth Century Prose and Verse

POLLARD Alfred 1964

B796Shakespeare's Fight with the Pirates and the Problems of the Transmission of the Text

POLLARD Alfred W. 1967

B779The Critical Idiom vol 7 : Satire

POLLARD, Arthur 1970

P5/14Immoral Morality: Combinations of Morality Type in All's Well That Ends Well and the DutchCourtesan

POLLARD, Carol W. 1984


B008John Skelton (C.1460-1529): Contribution à l'histoire de la Prérenaissance Anglaise

POLLET Maurice 1962

A629Michelet et la figure humaine

POMMIER Jean 1956


T37L'imagination filmique dans les rapports du décor et du costume

PONCET Marie-Thérèse 1953


D235From A Short Treatise of Politic Power

PONET John 1999


C868Coriolanus

POOLE Adrian 1988

C934Laughter, forgetting and Shakespeare

POOLE Adrian 1994

English ComedyIn

P5/6John and Mary Shakespeare and the Aston Cantlow Mortgage

POOLE, Eric 1979


B558Postscript to the Odyssey

POPE Alexander 1951


C379/2Edition of Shakespeare, 1725

POPE Alexander 1974


C379/3Conversations, 1736

POPE Alexander 1975


C581The Renaissance background of Measure for Measure

POPE Elizabeth 1982


A463/1The Renaissance Background of Measure for Measure

POPE Elizabeth M. 1966


In

A700La musique espagnole à la Cour de Naples dans la seconde moitié du XVè siècle

POPE Isabel 1954


C663Shakespeare's medical imagination

POPE Maurice 1985


C759The portrait in the Renaissance

POPE-HENNESSY John 1966

B104La Tauromachie

POPELIN Claude 1965


B872Black Comedy Still Has Too Much

POPKIN Henry 1972


B476Shakespeare in Post-War Yugoslavia

POPOVIC Vladeta 1968


C379/3On Polonius, may 1735

POPPLE William 1975


B535Puritanism in Tudor England

PORTER, H. C. 1970

C517The drama of speech acts : Shakespeare's lancastrian tetralogy

PORTER Joseph A. 1979

D030Character and Ideology in Shakespeare

PORTER Joseph A. 1991


C891Shakespeare’s Mercutio .His History and Drama

PORTER Joseph Ashby 1988

A592The New Cambridge Modern History( Vol I) : The Renaissance : 1493-1520

POTTER G.R. 1967

C537Shakespeare in the theatre, 1771-2

POTTER John 1979


B752A Preface to Milton

POTTER Lois 1971

C409The antic disposition of Richard II

POTTER Lois 1974


C651The plays and the playwrights

POTTER Lois 1980


C787The Restoration Season

POTTER Lois 1989


C758'Nobody's Perfect': Actors' Memories and Shakespeare's Plays of the 1590s

POTTER Lois 1990


C795Recycling the Early Histories: 'The War of the Roses' and 'The Plantagenets'

POTTER Lois 1990


C742"Scenes and acts of death" : Shakespeare and the theatrical image of war

POTTER Lois 1990


C772The Actor as Regicide : Recent versions of Richard III on the English stage

POTTER LOIS 1990


C919/2The Two Noble Kinsmen : Spectacle and Narrative

POTTER Lois 1992


C933Topicality or Politics? The Two Noble Kinsmen , 1613-34

POTTER Lois 1992


C974Fire in the Theater: A Cross-cultural code

POTTER Lois 1994


D074Pirates and 'Turning Turk' in Renaissance Drama

POTTER, Lois 1996


D211Emilia in Othello: the problem of the unfilmic Character

POTTER Lois 1998


C477The English morality play : origins, history and influence of a dramatic tradition

POTTER Robert 1975

C266The Subject Matter of Comedy

POTTS, L.J. 1965


C813Les théâtres dans les châteaux et résidences privées

POUGNAUD Pierre 1978


B764/3Jean Ferrault on the King's Privileges: A Study of the Medieval Sources of Renaissance PoliticalTheory in France

POUJOL, Jacques 1958


B067Les Métamorphoses du Cercle

POULET Georges 1961

C415Bouffons et commedia dell'arte dans la fête vénitienne au XVIe siècle

POVOLEDO Elena 1975


C531Communist kabuki : a contradiction in terms?

POWELL Brian 1979

Drama and societyIn

B883Theatrical Trompe l'oeil in Measure for Measure

POWELL Jocelyn 1972


In

C606Will nature prevail , Le théâtre dans Love Triumphant de John Dryden

POYET Albert 1984

Caliban n° XXIIn

A463/10Medicine and Public Health

POYNTER F.N.L. 1965


C184/1Nicholas Culpeper and the Paracelsians

POYNTER, F.N.L. 1972


A398The Puritan Revolution: A Documentary History

PRALL Stuart E. 1969

C946A Reply to Harold Fromm

PRATT Mary Louise 1986


C946Scratches on the Face of the Country; or, What Mr. Barrow Saw in the Land of the Bushmen

PRATT Mary Louise 1986


A506Studies in Seventeenth-Century Imagery

PRAZ Mario 1964

B048Shakespeare's Italy

PRAZ Mario 1968


B468Mnemosyne: The Parallel between Literature and the Visual Arts

PRAZ Mario 1970

M27The Romantic Element in All's Well that Ends Well and the Winter's Tale

PREDALI ROSS, Dominique 1978

A629Ampleur et limites de la création dans l'art et la science politique

PRELOT Marcel 1956


C353The reception of Du Bartas in England

PRESCOTT Anne Lake 1973


D268Pierre de la Primaudaye's French Academy: Growing Encyclopaedic

PRESCOTT LAKE, Anne. 2000


B375Elizabethan and Jacobean Studies

presented to Frank Percy WILSON 1959

B880The Inns of Court under Elizabeth I and the Early Stuarts 1590-1640

PREST Wilfrid R. 1972

D268In the Wilderness of Forms: Ideas and Things in Thomas Browne's Cabinets of Curiosity

PRESTON, Claire. 2000


B088Thomas More(1477-1535) et la crise de la pensée européenne

PRÉVOST André 1969

C580A Midsummer Night's Dream : a selection of critical essays

PRICE Antony 1983

C303/1The dramatic works of Richard Brinsley Sheridan volume I

PRICE Cecil 1973

C303/2The dramatic works of Richard Brinsley Sheridan volume II

PRICE Cecil 1973

B989Theatre in the Age of Garrick

PRICE Cecil 1973

C476Gay, Goldsmith, Sheridan, and other Eighteenth-century dramatists

PRICE Cecil 1975


C603Construction in Shakespeare

PRICE Hereward T. 1974

D193Function of Imagery in Venus and Adonis(1945)

PRICE Hereward .T 1997


B149The Unfortunate Comedy: A Study of All's Well That Ends Well and its Critics

PRICE Joseph G. 1968

C034The Oxford Anthology of English Literature : the Restoration and the Eighteenth Century

PRICE, Martin 1973


PRIESTLEY Joseph 1981


B568The Italian Element in Lycidas

PRINCE F.T. 1961


B015Milton and the Theatrical Sublime

PRINCE F.T. 1968


A185The Language of Tragedy

PRIOR Moody E. 1966

B886The Life of George Wilkins

PRIOR Roger 1972


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C399George Wilkins and the young Heir

PRIOR Roger 1976


P5/11Some Shakespearian Puns and their Implications

PRIOR, Roger 1982


A702Les transformations des contes fantastiques

PROPP V. 1965


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B086Les transformations des contes fantastiques

PROPP. V 1965


B874The Heroic Image in Five Shakespearean Tragedies

PROSER Matthew N. 1965

B798Hamlet and Revenge

PROSSER Eleanor 1971

C203Henry VIII, The Two Noble Kinsmen, and the Apocryphal Plays

PROUDFOOT, G.R. 1973


A971Shakespeare and the New Dramatists of the King's Men, 1606-1613

PROUDFOOT Richard 1966

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B456Textual Studies



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B886Textual Studies



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C399Verbal reminiscence and the two-part structure of The Winter's Tale



C980Shakespeare : His career and Development



C918Shakespeare‘s Coinage



C960The Reign Of King Edward the Third (1596) and Shakespeare



D240The 1998 Globe Season



A661Studies in The Elizabethan Theatre

PROUTY Charles T. 1961

C098The Sources of Much Ado About Nothing

PROUTY, Charles T. 1970





B471Twelfth Night

PROUTY Charles Tyler 1969


C280The Yale Shakespeare Festival

PROUTY, Charles Tyler 1973


C280Shakespeare : of an Age and for all the Time .The Yale Shakespeare Festival Lectures

PROUTY, Charles Tyler (Ed.) 1973

C596L'idéologie du Juif de Malte et du Marchand de Venise

PRUDHOMME D. 1982


P5/15The Reformation and the Decline of Anti-Judaism

PRUDHOMME Danièle 1984


C263The Vindication of William Prynne

PRYNNE, William 1973


C339Histriomastix

PRYNNE William 1974

C779From 'Histrio Mastix', 1633

PRYNNE William 1979


A698Les ressources instrumentales et leur rôle dans la musique pour vihuela et pour guitare au XVIèsiècle et au XVIIè

PUJOL Emilio 1960


B104Italie

PULLINI Giorgio 1965


B709The Elizabethan Privy Council in the Fifteen- Seventies

PULMAN, Michael Barraclough 1971

C964Le texte théâtral au Brésil : l'enseignement artistique et la dramaturgiepour enfants

PUPO TAVARES Marie Lucia de S.B. 1990


C415La décoration de la salle et les rapports entre la scène et le public dans les mascarades et lesintermèdes florentins, 1539-1608

PURKIS Helen 1975


C379/2Shakespeare and francophilia, 1717

PURNEY Thomas 1974


D058Using Shakespeare? The Appropriation of Coriolanus and King Henry V in John PhilipKemble's 1789's Productions.

PUSCHMANN-NALENZ, Barbara 1995


B043from Shylock, Angelo and Falstaff

PUSHKIN Aleksandr Sergeyevich 1963


B582Coriolanus and His Mother

PUTNEY Rufus 1970


D193Venus Agonistes(1953)

PUTNEY Rufus 1997


A256/2The Arte of English Poesie. 1589

PUTTENHAM 1967


B405The Arte of English Poesie

PUTTENHAM GEorge 1970

C166Who's who in Shakespeare

QUENNELL, Peter & JOHNSON, Hamish 1973

M33Man and Evil in Macbeth

QUERE, Olivier 1980

MD04Présentation de l'Art poétique de Ben Jonson dans ses dernières comédies

QUERE, Olivier 1991

D195Discours et corruption sociale: The Staples Of News de Ben Jonson

QUERE Olivier 1997


A700Importance historique et nationale de romance

QUEROL-GAVALDA Miguel 1954


A697Le Carnaval à Barcelone au début du XVIIè siècle

QUEROL-GAVALDA Miguel 1956


M51Regeneration in King Lear

QUIDU, Emmanuelle 1991

A463/10Sailors and the Sea

QUINN D.B. 1965


A787Shakespeare Henry V : A Casebook

QUINN Michael (editor) 1969

M26Shakespeare et le Théâtre Elisabéthain: the Structure of Othello

QUIVY LUQUET, Mireille 1976

C537Ode to Shakespeare, 1771

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D259Shakespeare criticism in the twentieth century

R. S. White 2001


D255Ben Jonson and learning

R.V. Young 2000


A980The English Face of Machiavelli

RAAB Felix 1965

C632Population, economy and society in Milton's England

RABB Theodore K. 1980

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C486Shakespeare and the common understanding

RABKIN Norman 1967

A600Structure, Convention, and Meaning in Julius Caesar

RABKIN Norman 1969


A793Reinterpretations of Elizabethan Drama

RABKIN Norman (editor) 1969

C340Sir Walter Ralegh as historian : an analysis of The History of the World

RACIN John 1974

B574The Birth of Modern Comedy in Renaissance Italy

RADCLIFF-UMSTEAD Douglas 1969

B015'Man as a Probationer of Immortality':Paradise Lost (XI-XII)

RADZINOWICZ Mary Ann 1968


C432Medicinable tragedy : the structure of Samson Agonistes and seventeenth-centurypsychopathology

RADZINOWICZ Mary ANN 1977


A463/2Shakespeare in the German Open-Air Theatre

RAECK Kurt 1966


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MD06L'Exposition dans les comédies et farces de Molière

RAECKELBOOM, Gérard 1991

A717David Gascoyne and the Prophetic Role

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M87Love and Marriage in The Comedy of Errors and The Taming of the Shrew

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B142Shakespeare

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A293A Midsummer-Night's Dream

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A293As You Like It

RALEIGH Walter 1968


A293Coriolanus

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A293Cymbeline

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A293Hamlet

RALEIGH Walter 1968


A293Henry III

RALEIGH Walter 1968


A293Henry V

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A293Henry VI (Part I)

RALEIGH Walter 1968


A293Henry VI (Part II)

RALEIGH Walter 1968


A293Henry VI (Part III)

RALEIGH Walter 1968


A293HenryIV (Part I)

RALEIGH Walter 1968


A293HenryIV (Part II)

RALEIGH Walter 1968


A293Johnson on Shakespeare: essays and notes selected and set forth with an introduction

RALEIGH Walter 1968

A293Julius Caesar

RALEIGH Walter 1968


A293King John

RALEIGH Walter 1968


A293King Lear

RALEIGH Walter 1968


A293Love's Labour's Lost

RALEIGH Walter 1968


A293Macbeth

RALEIGH Walter 1968



RALEIGH Walter 1968



RALEIGH Walter 1968


A293Othello

RALEIGH Walter 1968


A293Richard II

RALEIGH Walter 1968


A293Richard III

RALEIGH Walter 1968



RALEIGH Walter 1968



RALEIGH Walter 1968



RALEIGH Walter 1968


A293The Merry Wives of Windsor

RALEIGH Walter 1968



RALEIGH Walter 1968


A293The Tempest

RALEIGH Walter 1968



RALEIGH Walter 1968


A293The Winter's Tale

RALEIGH Walter 1968


A293Timon of Athens

RALEIGH Walter 1968



RALEIGH Walter 1968



RALEIGH Walter 1968


A293Twelfth Night

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A414/1A History of Shakespearian Criticism(Vol I)

RALLI Augustus 1965

A414/2A History of Shakespearian Criticism(Vol II)

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C146The Touch-Stone

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C741Lieu et temps dans les "inductions" de la Renaissance anglaise

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C770Henry IV et le théâtre dans le théâtre

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C813Architecture du spectacle et environnement urbain

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C306Some few hints, in defence of dramatical entertainments

RAMSAY Allan 1974


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C480The syllables of Shakespeare's Sonnets

RAMSEY Paul 1976


C478Jonson's gypsies unmasked : background and theme of The Gypsies Metamorpos'd

RANDALL Dale B.J. 1975

C100A Mirrour of Monsters

RANKINS, William 1973


C779From 'Seauen Satyres', 1598

RANKINS William 1979


B558A Poem Nearly Anonymous (Lycidas)

RANSOM John Crowe 1951


B568A Poem Nearly Anonymous

RANSOM John Crowe 1961


B682The World's Body

RANSOM, John Crowe 1968

B371From Wanted: An Ontological Critic (1941)

RANSOM JohnCrowe 1967


B994The Paradox of Tragedy

RAPHAEL D.D. 1961

C548La critique sociale dans les drames de Frank Wedekind

RASCH Wolfdietrich 1971


A693Le Tragique dans le théâtre romantique polonais

RASZEWSKI Zbigniew 1965


B104Pologne

RASZEWSKI Zbigniew 1965


B818Master Alberic of London, Mythographus Tertius Vaticanus

RATHBONE E. 1969


C740Professional Shakespeare productions in the British isles, january-december 1986

RATHBONE N. 1989


C795Professional Shakespeare Productions in the British Isles, January-December 1988

RATHBONE N. 1990


C758Professional Shakespeare Productions in the British Isles, January-December 1987

RATHBONE N. 1990


C925Professional Shakespeare productions in the British Isles , January-December 1990

RATHBONE Niky 1993


C984Professional Shakespeare Productions in The British Isles, January-December 1991

RATHBONE Niky 1994


C985Professional Shakespeare Productions in The British Isles, January-December 1992

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D135Professional Shakespeare Productions in the British Isles, January-December 1994

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D240Professional Shakespeare Productions in the British Isles, January-December 1997

RATHBONE Niky 1999


B246The Psalms of Sir Philip Sidney and the Countess of Pembroke

RATHMELL J.C.A. 1963

B320/69The Later Sixteenth Century, Excluding Drama

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C184/2Newton's Alchemical Studies

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C632The scientific background

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A849Titus Andronicus(1687)

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C379/1From his adaptation of Titus Andronicus, autumn 1678

RAVENSCROFT Edward 1974


C211/2The London Cuckolds

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C184/2Francis Bacon and the Reform of Philosophy

RAVETZ, J.R. 1972


A515/1Le dramaturge face à la société et au public dans le théâtre humaniste strasbourgeois(1538-1621)

RAVICOVITCH Boris 1968


B762Fielding and Smollett

RAWSON C.J. 1971


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C531Little tragedies : Russia's other drama

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C457Tom Taylor : manuscript plays

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P1/1927/IISome Marginalia on Shakespeare by T.S. Coleridge

RAYSOR Thomas M. 1966


C152Bibliography of British History : Tudor Period, 1485-1603

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B922THe Still and the Smile

READY, W.B. 1972


C787Designing the Swan Theatre

REARDON Michael 1989


B836The Life of Fulke Greville

REBHOLZ, Ronald A. 1971

P5/16Circle, Sword, and the Futile Quest: The Nightmare World of Webster's Duchess of Malfi

REBHORN Wayne A. 1985


C840La transparence et l'énonciation pour introduire à la pragmatique

RÉCANATI François 1979

B104Les Marionnettes

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A515/1Les allusions au théâtre et à la vie théâtrale dans le roman espagnol de la première moitié du XVIIesiècle

RECOULES Henri 1968


A463/10London and the Court

REDDAWAY T.F. 1965


B320/69The Twentieth Century

REDMOND James 1971


C531Drama and society

REDMOND James 1979

C879Farce

REDMOND James 1988

C878Drama and Philosophy

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B514John Locke and the Rhetoric of the Second Treatise

REDPATH Theodore 1964


C480The punctuation of Shakespeare's Sonnets

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REED Isaac 1981


B939Bedlam on the Jacobean Stage

REED, Robert Rentoul Jr. 1970

A420The Tragedies of George Chapman

REES Ennis 1954

A463/4An Elizabethan Eyewitness of Antony and Cleopatra ?

REES Joan 1953


B583Fulke Greville, Lord Brooke, 1554-1628: A Critical Biography

REES Joan 1971

B699Revenge, Retribution, and Reconciliation

REES, Joan 1971


C495Shakespeare and the story : aspect of creation

REES Joan 1978

C640Posthumus in Cymbeline

REES Roger 1985


B356Shakespeare: his world & his work

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A180The Cease of Majesty

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B408Elizabethan Verse Romances

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C175The Tudors and the Stuarts

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D201Classical Scholarship

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D033'The Dark Wood of the Larinx' : Heaney and Dante

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A533John Arden et le théâtre populaire en Angleterre

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B818The Liber Figurarum of Joachim of Fiore

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D150Harold PINTER : A Question of Timing

REGAL Martin S. 1995

A630Sous tant de ruptures, quelle rupture de l'homme avec soi?

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C458Hieronimo in decimosexto : a private-theater burlesque

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C371Theatrical emblems in King Lear

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C467The Lear world : a study of King Lear in its dramatic context

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D205Knowledge, Discovery and Imagination in Early Modern Europe : The Rise of AestheticRationalism

REISS Timothy J. 1997

D268From Trivium to Quadrivrium: Ramus, Method and Mathematical Technology

REISS, Timothy.J. 2000


P5/26The Narrative Strategies of Robert Greene's Cony-catching Pamphlets

RELIHAN Constance 1990


B104Le Mime

RÉMY Tristan 1965


P5/37A Precursor of Nonsense: John Taylor, the Water Poet(c. 1580-1653)

RENAUD, Emma 1995


C389Un précédent italien du Liber vagatorum

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A693Une Tragédie de la "Raison de Dieu": La "Iudit" de Frederico della Valle

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A515/1Sur La Feria de Michel- Ange Buonarroti le Jeune

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C415La place de la justice dans les fêtes et cérémonies du XVIe siècle

REULOS Michel 1975


C695Proverbs, proverbial sentences and phrases in Thomas Deloney's works

REUTER O.B. 1986

A608Folk-Lore of Shakespeare

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D256Narrative approaches to Shakespeare : active storytelling in schools

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C813L'espace théâtral urbain au Moyen-Age et à la Renaissance

REY-FLAUD Henri 1978


B764/1Latin Historiography: A Survey 1400-1600

REYNOLDS, Beatrice R. 1954


C083The Comedy of Errors

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REYNOLDS, Frederick 1970

A463/5Hamlet at the Globe

REYNOLDS George 1966


B450The Return of the Open Stage

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B476Was there 'Tarras' in Shakespeare's Globe?

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P1/1948/INovalis and Shakespeare

RHEDER, Helmut 1970


A113Defensor's Liber Scintillarum

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C536Elizabethan grotesque

RHODES Neil 1980

D268Articulate Networks: the Self, the Book and the World

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D268Introduction Paperworlds: Imagining the Renaissance Computer

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D268The Renaissance Computer

RHODES, Neil. SAWDAY, Jonathan.(eds) 2000

B061Seventeeth Century Science and the Arts

RHYS Howell Hedley(with TOULMIN, BUSH, 1961

C918Les enfants de l’usure ou la procréation pervertie

RIBEYROL Wendy 1993


B450Marlowe's 'Tragicke Glasse'

RIBNER Irving 1962


C204Shakespeare Criticism 1900-1964

RIBNER, Irving 1964


A775Marlowe's "Edward II" and the Tudor History Play

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A253The English History Play in the age of Shakespeare

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A328Patterns in Shakespearian Tragedy

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D260Richard III as an English History Play

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A606Pour une monographie de l'infant D. Luis de Portugal

RICARD Robert 1959


B764/5The Humanist Idea of Christian Antiquity: Lefèvre d'Etaples and his Circle

RICE, Eugene F. jr 1963


A595The Cambridge Economic History of Europe( Vol IV) : The Economy of Expanding Europe in theSixteenth and Seventeenth Centuries

RICH E.E. 1967

D255Jonson's satiric styles

Richard Dutton 2000

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D255Jonson's late plays

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D255The Cambridge Companion to Ben Jonson

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D195La musique du martyre. Theodora(1750)

RICHARD Joël 1997


A067English Prose Creatises

Richard Rolle de Hampole 1866

B529How to Read A Page: A Course in Effective Reading with an Introduction to a Hundred GreatWords

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B371Poetic Process and Literary Analysis (1960)

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P1/1933/IThe Meaning of Hamlet's Soliloquy

RICHARDS, Irving T. 1966


B764/3The Poems of Galeatius Ponticus Facinus

RICHARDS, J.F.C. 1959


B764/5The Elysium of Julius Caesar Bordonius

RICHARDS, J.F.C. 1963


C354Some early poems of Antonio Geraldini

RICHARDS J.F.C. 1966


C664Shakespeare and the Italian players in victorian London

RICHARDS Kenneth 1986


C280The Early Historical Plays

RICHARDSON III, Arleigh D. 1973


A578Hunter and Prey : Functional Imagery in "The Friar' s Tale"

RICHARDSON Janette 1969


B558Explanatory Notes and Remarks on Milton's Paradise Lost

RICHARDSON Jonathan 1951


B807Puritanism in north-west England: A regional study of the diocese of Chester to 1642

RICHARDSON R.C. 1972

C379/3On poetic justice, 1748

RICHARDSON Samuel 1975


B789Additional Observations on Shakespeare's Dramatic Character of Hamlet in a letter to a friend(1784)

RICHARDSON, William 1965


C512Essays on Shakespeare's characters, 1783

RICHARDSON William 1981


C512Further thoughts on Hamlet, 1798






C512On Richard III's wooing, 1779



C512On the morality of Macbeth and Hamlet, 1774



C596Les septs caractères et les quatres tempéraments dans Jules César de Shakespeare

RICHER J. 1982


C789Le corps microcosme, comme système de marquage zodiacal

RICHER Jean 1991


B104Le Cirque

RICHET Michèle 1965


C750Peter Quince directs Romeo and Juliet

RICHMOND Hugh M. 1989


D260Postmodern Renderings of Richard III

RICHMOND Hugh Macrae 1999


D260Critical Essays on Shakespeare's Richard III

RICHMOND Hugh Macrae (edited by) 1999

B764/4The Thought of Louis Le Roy according to his Early Pamphlets

RICHTER, Bodo L.O. 1961


B260English Poetry and Prose(1540-1674)

RICKS Christopher 1970

B260Paradise Recained and Samson Agonistes



B260 Poems(1645)



B260/3English Drama to 1710


C980The Penguin History of Literature : English Drama to 1710


C980The Tragedies of Webster, Tourneur and Middleton: Symbols, Imagery and Conventions



C411L'éloge de Nuremberg par Konrad Celtis

RIDÉ J. 1977


B764/2A Sixteenth-Century French Cosmic Voyage: Nouvelles des Régions de la Lune

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B764/5The Cosmic Voyage in French Sixtennth-Century Learned Poetry

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A292Shakespeare Criticism

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A291Shakespeare Criticism(1919-1935)

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B300Second Thoughts

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B969The Stage Condemn'd

RIDPATH, George 1972

B764/5Erasmus, Colet, and the Schoolboy Jesus

RIEGER, James Henry 1963


C184/2On Symbolic Thought in Cartesianism

RIESE, Walther 1972


B371Criteria for Style Analysis (1959)

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B371Stylistic Context (1960)



B799Essais de Stylistique Structurale


P5/11Mental Cruely in Fletcher'sThe Little French Lawyer

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C694Aspects du théâtre anglais (1594-1730)

RIGAUD Nadia 1987

C696Contribution au débat sur le vocabulaire religieux dans The Man of Mode

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C694The Man of Mode . Portrait d'une société

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C822Astrologie et Manièrisme : le rôle de l'horoscope dans The Duchess of Malfi

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C718Astrologie et Manièrisme : le rôle de l'horoscope dans The Duchess of Malfi

RIGAUX Nadia 1989


B761Shakespeare's Heroical Histories: Henry VI and Its Literary Tradition

RIGGS David 1971

C453"Plot" and "episode" in early neoclassical criticism

RIGGS David 1973


B514Francis Bacon

RIGHTER Anne 1964


A917Comic Deceit

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A917Shadows, Dream and Plays

RIGHTER Anne 1967


A600Acting and Play-acting

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C432The books and essays of Muriel C. Bradbrook and a selection of her book reviews

RIGNOLD Patricia 1977


B450Hamlet's Defense of the Players

RINGLER William A. 1962


B154The Poems of Sir Philip Sidney


B046The Number of Actors in Shakespeare's Early Plays



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T37L'impression de réalité au cinéma: les phénomènes de croyance

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T37La réversion du temps filmique

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C491Julius Caesar on stage in England and America, 1599-1973

RIPLEY John 1980

P5/45Religious Politics in Ben Jonson's 'the Irish Masque'

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C779From 'Observation on ... the History of English Poetry', 1782

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C512Shakespeare's editors corrected, 1783

RITSON Joseph 1981


C519Classical and christian ideas in English Renaissance poetry : a students' guide

RIVERS Isabel 1979

D255Jonson's critical heritage

Robert C. Evans 2000


P5/46Shakespeare's Fellows: Names and Collocations

ROBERT, David 1999


A693Exigences du public et ressorts de la tragédie chez les Grecs

ROBERT Fernand 1965


A693Les Origines de la tragédie grecque

ROBERT Fernand 1965


A515/1La clientèle aristocratique des comédiens et des musiciens dans le Midiméditerranéen(1610-1720)

ROBERT Jean 1968


D256Shakespearian utopias

Robert Shaughnessy 2000


D200Shakespeare Performances in England, 1997

Robert SMALLWOOD 1998


D256Shakespeare's performances in England, 1999

Robert Smallwood 2000


A554The Growth of Responsible Government in Stuart England

ROBERTS Clayton 1966

P5/46Shakespeare's Fellows: Names and Collocations

ROBERTS, David 1999


B886'The Merry Wives of Windsor' as a Hallowe'en Play

ROBERTS Jeanne Addison 1972


In

C594Animals as agent of revelation : the horizontalizing of the chain of being in Shakespeare's comedies



D045Shakespeare's Maimed Birth Rites



A697/2L' entrée de Charles Quint à Londres, en 1522

ROBERTSON Jean 1960


C512On Hamlet, 1788

ROBERTSON Thomas 1981


A533L'Esthétique du désordre dans le théâtre de Claudel

ROBICHEZ Jacques 1967


P1/1954/IVThe Chrystalline Sphere and the "Waters Above" in Paradise Lost

ROBINS, Harry F. 1954


A048Mary Magdelen

ROBINSON 1899

C221A Handefull of Pleasant Delites

ROBINSON, Clement 1967


C039A Handefull of Pleasant Delites

ROBINSON, Clement 1967


C194The Shape of Things Known : Sidney's Apology in its Philosophical Tradition

ROBINSON, Forest G. 1972

C879The stereotype betrayed: Tom Stoppard’s farce

ROBINSON Gabrielle 1988

FarceIn

B938The Art of the York Realist

ROBINSON, J.W. 1972


P1/1968/IIThe Ritual andRhetoric of A Midsummer Night's Dream

ROBINSON, James E. 1968


C878Bruno and Beckett : coincidence of contraries

ROBINSON James E. 1990


B567The Better Fortitude

ROBSON, W.W. 1960

The Living MiltonIn

B605Shakespeare and his Modern Editors

ROBSON W.W. 1971


B439Essays by Rosemond Tuve

ROCHE Thomas P. 1970

B260Shakespeare and the Sonnet Sequence

ROCHE Thomas P. 1970


C379/4Remarks on Shakespeare, 1758

RODERICK Richard 1976


C109Time in the Narrative of the Faerie Queene

RODGERS, Catherine 1973

B188La Morale Stoïcienne

RODIS-LEWIS G. 1970

C592Le circuit du désir : The Pirate, Vincente Minnelli

RODOWICK David 1980


A697/2Vasco Dias Tanco témoin et chroniqueur poétique du couronnement de Charles Quint

RODRIGUEZ-MONINO A. 1960


B454Generic Criticism: The Approach through Type, Mode and Kind

RODWAY Allan 1970


B855/2Generic Criticism: the Approach through Type, Mode and Kind

RODWAY, Allan 1970


D208Harrington, Locke and Aristotle: the Natural and the Unnatural in Commonwealth and Nature

ROGERS G.A.J. 1998


B302'Double Profit' in Macbeth

ROGERS H.L. 1964

M69The Way to Damnation: A Comparartive Study Between Two Usurpers, Claudius in Hamletand Richard III in Richard III

ROHAN, Edgar 1995

B043To My Best Friend-Shakespeare

ROLLAND Romain 1963


C583Quelques échos des opéras de Lully dans la musique de luth

ROLLIN Monique 1984


A462/1Tottel's Miscellany (1557-1587), volume I

ROLLINS Hyder Edward (editor) 1966

A462/2Tottel's Miscellany (1557-1587), volume II

ROLLINS Hyder Edward (editor) 1966

M48The Structure ofVolpone

ROMAIN, Isabelle 1990

A701Sénèque et le théâtre flammand

ROMBAUTS E. 1964


C356Towards a history of the Renaissance idea of wisdom

ROMUALDEZ Antonio V. 1964


D171The Interior Decoration Scheme of the Bankside Globe

RONAYNE, John 1997


C179The Great Rebellion 1642-1660

ROOTS, Ivan 1972

C592Narration et signification : Citizen Kane, Orson Welles

ROPARS Maire-Claire 1980


B737The Beaux 'Stratagem: Image and Action

ROPER Alan 1971


In

C938Sexuality in the reading of Shakespeare : Hamlet and Measure for Measure

ROSE Jacqueline 1992


B472Heroic Love: Studies in Sidney and Spenser

ROSE Mark 1968

B956Shakespearean Design

ROSE, Mark 1972

D045Conjuring Caesar : Ceremony, History, and Authority in 1599

ROSE Mark 1992


C927Hamlet and the shape Revenge

ROSE Mark 1993


B374The Historie of the Damnable Life and Reserved Death of Doctor John Faustus 1592

ROSE William 1963

P5/37King Lear and the Legacy of Dramatic Catastrophe

ROSEN, Alan 1995


P5/37King Lear and the Legacy of Dramatic Catastrophe

ROSEN, Alan 1995


B055Witchcraft

ROSEN Barbara 1969

B789Antony and Cleopatra (1960)

ROSEN, William 1965


B250Shakespeare and the Craft of Tragedy

ROSEN William 1967

C591Les trois textes de Greed : Les Rapaces, Eric von Stroheim

ROSENBAUM Jonathan 1980


B788The Philosophical Realism of Virginia Woolf ( 1971)

ROSENBAUM, S.P. 1971


B788English Literature and British Philosophy

ROSENBAUM, S.P. (editor) 1971

B788English Literature and British Philosophy

ROSENBAUM, S.P. (editor) 1971

P1/1954/IVElizabethan Actors: Men or Marionettes?

ROSENBERG, Marvin 1954


B046Elizabethan Actors: Men or Marionettes? (1954)

ROSENBERG Marvin 1968


In

B849The masks of Othello

ROSENBERG, Marvin 1971

C716Shakespeare on TV : An optimistic survey



C750Subtext in Shakespeare



C703Sign theory and Shakespeare



C927Lear ’s Theatre Poetry



C456A Lupino collection of costume designs

ROSENFELD Sybil


C457A transparency by Thomas Greenwood The Elder

ROSENFELD Sybil


A184The Theatre of the London Fairs in the 18th Century

ROSENFELD Sybil 1960

A463/12The Grieves Shakespearian Scene Designs

ROSENFELD Sybil 1967


B764/1The Study of the Hebrew Bible in Sixteenth-Century Italy

ROSENTHAL, Frank 1954


C882Making Sense in Sonnet 63

ROSS J.F. 1987


B764/4The Meaning of Strawberries in Shakespeare

ROSS, Lawrence J. 1960


B938Symbol and Structure in the Secunda Pastorum

ROSS, Lawrence J. 1972


B788The Mythology of Friendship: D.H. Lawrence, Bertrand Russel, and "the Blind Man" ( 1971)

ROSS, Michael L. 1971


C484Cymbeline 's debt to holinshed : the richness of III.i

ROSSI Joan Warchol 1978


B809Francis Bacon from Magic to Science

ROSSI Paolo 1968

C184/2Nobility of Man and Plurality of Worlds

ROSSI, Paolo 1972


C995Duelling in the Italian manner : the case of Romeo and Juliet

ROSSI Sergio 1993


D154Shakespeare in The Cenci :Tragedy and 'familiar imagery'

ROSSINGTON Michael 1997


B553Angel with Horns

ROSSITER, A. P. 1961

B789Coriolanus (1961)

ROSSITER, A.P. 1965



ROSSITER A.P. 1967


A910English Drama from Early Times to the Elizabethans: its Background, origins and developments

ROSSITER A.P. 1969

B582Coriolanus

ROSSITER A.P. 1970


B885The Problem Plays

ROSSITER A.P. 1970


B980Uncoformity in Richard II

ROSSITER, A.P. 1973


B991Unconformity inRichard II

ROSSITER A.P. 1973


D260"Angels with Horns": The Unity of Richard III

ROSSITER A.P 1999


B764/3Imagination in the English Renaissance: Psychology and Poetic

ROSSKY, William 1958


B895The Minority Press and the English Crown: a Study in Repression, 1558-1625

ROSTENBERG Leona 1971

C769Renaissance Perspectives in Literature and the Visual Arts

ROSTON Murray 1987

C981Changing perspectives in Literature and the Visual Arts, 1650-1820

ROSTON Murray 1990

A635'Upon Appleton House'

ROSTVIG Maren-Sofie 1969


B260Andrew Marvell and the Caroline Poets



B737Images of Perfection



In

B764/5Aventinus and the Defense of theEmpire against the Turks

ROTHENBERG, Gunther E. 1963


C184/2Cardiac Function, Blood Volume and the Circulation of Blood in Antiquity

ROTHSCHUH, Karl E. 1972


D046Shakespeare on Screen

ROTHWELL, K.S. & MELZER, A.H. 1990

A623Representing King Lear on Screen : From Metatheatre to 'Meta-cinema'

ROTHWELL Kenneth S.


C958Representing King Lear on screen: from metatheatre to 'metacinema'

ROTHWELL Kenneth S. 1994


D142In Search of Nothing : Mapping King Lear

ROTHWELL, Kenneth S. 1997


In

D238A History of Shakespeare on Screen: A Century of Film and Television

ROTHWELL Kenneth S. 1999

B455Was there a Typical Elizabethan Stage?

ROTHWELL W.F. 1969


In

C415Les fêtes dans les romans de chevalerie hispaniques

ROUBAUD Sylvia 1975


M50Paradox in King Lear

ROUGET, Michèle 1991

MD16Le Paradoxe dans les grandes tragédies de W. Shakespeare

ROUGET, Michèle 1994

D195Paradoxe et subversion dans Hamlet

ROUGET Michèle 1997


C236Thule or Vertues Historie

ROUS, Francis 1967

P1/1930/IIWas Heywood a Servant of the Earl of Southampton?

ROUSE Charles A. 1966


C595Du Richard III de More à celui de Shakespeare : deux regards sur Justice et pouvoir

ROUSSEAU M.C. 1981


In

A697L' Eau et les Tritons dans les Fêtes et Ballets de Cour (1580-1640)

ROUSSET Jean 1956


A684English Religious Dissent

ROUTLEY Erik 1960

D225Histoire et théâtre: Richard III, Thomas More , Shakespeare

ROUX Louis 1999


In

A515/2Cent ans d' expérience théâtrale dans les collèges de la compagnie de Jésus en Espagne :Deuxième moitié du XVIe siècle-Première moitié du XVIIe siècle

ROUX Lucette Elyane 1968


C415La fête du Saint Sacrement à Séville en 1594 : essai de définition d'une lecture des formes

ROUX Lucette Elyane 1975


C696Le jeu des regards dans The Man of Mode

ROUYER Marie-Claire 1987


A688The Cockpit-in-Court

ROWAN D.F. 1969


B500The Cockpit-in-Court

ROWAN D.F. 1969


B456A Neglected Jones/Webb Theatre Project: 'Barber-Surgeons' Hall Writ Large'

ROWAN D.F. 1970


In

B500A Neglected Jones/Webb Theatre Project, Part II: A Theatrical Missing Link

ROWAN D.F. 1970


C552Inigon Jones and the teatro olimpico

ROWAN D.F. 1980


C142Tragi-Comoedia

ROWE, George 1973

A264Jane Shore

ROWE Nicholas 1964


A210Tamberlaine, A Tragedy

ROWE Nicholas 1966

A599Solemn and Poetical Magic

ROWE Nicholas 1968


A984The Fair Penitent

ROWE Nicholas 1969

C379/2Shakespeare's life and works, 1709

ROWE Nicholas 1974


A282The Fair Penitent

ROWE Nicholas(1674-1718) 1966


C664Mercutio as Romeo : William Terriss in Romeo and Juliet

ROWELL George 1986


C934‘Thou teachest me humanitie’: Thomas Heywood’s The English Traveller

ROWLAND Richard 1994

English ComedyIn

B193William Shakespeare: a biography

ROWSE A.L. 1963

B252Christopher Marlowe: A Biography

ROWSE A.L. 1964

B192Shakespeare's Sonnets

ROWSE A.L. 1964

A777The England of Elizabeth: The Structure of Society

ROWSE A.L. 1964

B729The Elizabethan Renaissance: the Life of the Society

ROWSE A.L. 1971

C160The Expansion of Elizabethan England

ROWSE, A.L. 1971

B933The Elizabethan Renaissance

ROWSE, A.L. 1972

B958Shakespeare the Man

ROWSE, A.L. 1973

C554Shakespeare's globe : His intellectual and moral outlook

ROWSE A.L. 1981

C722Court and country : study in Tudor social history

ROWSE A.L. 1987

D068Le problème d'ars-metrike du Summoner's Tale

ROY, Bruno 1996


B109L'Amour du Théâtre

ROY Claude 1965

A515/1Acteurs et spectateurs à l' Hôtel de Bourgogne : vers une notation de la communication théâtrale

ROY Donald H. 1968


A515/1Acteurs et spectateurs à l' Hôtel de Bourgogne : vers une notation de la communication théâtrale

ROY Donald H. 1968


C811The Doctrine of Election and the Emergence of Elizabethean Tragedy

ROZETT Martha Tuck 1984

D160A Dictionary of Shakespeare's Sexual Punsand their Significance (second edition)

RUBINSTEIN, Frankie 1989

C795Henry VIII and the Deconstruction of History

RUDNYTSKY Peter L. 1990


A629Imitation et invention dans l'art d'eugène Delacroix et Rubens

RUDRAUF Lucien 1956


D276Violence in Early Modern Europe 1500-1800

RUFF, Julius.R. 2001

C877Semiotica del Testo l’Esempio Teatro

RUFFINI Franco 1978

A528Libération du Jeu par des Architectures Immatérielles

RUHNAU Werner 1969


P1/1948/IIBeaumont and Fletcher on the London Stage 1776-1833

RULFS, Donald J. 1970


A606Franceses y Espanoles en el Atlantico en tiempo del Emperador

RUMEU DE ARMAS Antonio 1959


B714Martin Luther

RUPP E.G.and DREWERY Benjamin (editors) 1970

C285At the Pantomine

RUSKIN, John 1970


D255Jonson and Shakespeare and the rhythm of verse

Russ Macdonald 2000


C596The romantics' Shakespeare

RUSSEL BROWN J. 1982


C633Discovering Shakespeare : a new guide to the plays

RUSSEL BROWN John 1981

C581All's Well That Ends Well (1959)






C956The Worst of Shakespeare in the Theater: Cuts in the Last Scene of King Lear



C803Shakespeare : Much Ado About Nothing and As You Like It


C974Shakespeare's Plays and Traditions of Playgoing



C186Parliament and the King's Finances

RUSSEL, Conrad 1973


C186The Origins of the English Civil War

RUSSEL, Conrad 1973

A463/7Three Directors : a Review of Recent Productions

RUSSELL BROWN John 1966


A463/5Hamlet Costumes from Garrick to Gielgud

RUSSELL D.A. 1966


D250From play-script to screenplay

Russell Jackson 2000


D250Shakespeare, films and the marketplace



D259Shakespeare and the cinema



D250Shakespeare on film

RUSSELL, Jackson. (editor) 2000

D256Monsters, magicians, movies : the Tempest and the final frontier

Ruth Morse 2000


A792The Conceit

RUTHVEN K.K. 1969

C734Shakespeare

RYAN Kiernan 1989

D010King Lear

RYAN Kiernan 1993

D010King Lear : the Subversive Imagination

RYAN Kiernan 1993

King LearIn

D280Measure for Measure: Marxism before Marx

RYAN, Kiernan. 2001


D171Playing the Globe : Artistic Policy and Practice

RYLANCE, Mark 1997


B197The Ages of Man: Shakespeare's Image of Man and Nature

RYLANDS George 1962

A393Shakespeare the Poet

RYLANDS George 1966


In

B048The Poet and the Player

RYLANDS George 1968


B346Startford Productions

RYLANDS George & BENNETT H.S. 1970


B346London Productions

RYLANDS George & ELLIS-FERMOR Una 1970


B788Jane Austen and the Moralists (1966)

RYLE, Gilbert 1971


B789Reflections on the Julius Caesar (1693)

RYMER, Thomas 1965


C001A Short View of Tragedy : its Original, Excellency, and Corruption

RYMER, Thomas 1971

C379/2 From A Short View of Tragedy, 1693

RYMER Thomas 1974


C379/1From The Tragedies of the Last Age, 1677

RYMER Thomas 1974


C365The tragedies of the last age consider'd and examined, and A short view of tragedy

RYMER Thomas 1974

C549Remarques sur la mise en scène de l'Histoire du Soldat

RYNGAERT Jean-Pierre 1978


C550L'antre et le palais dans le décors simultané selon Mahelot. Etude du fonctionnement de deuxespaces antagoniques



C583Pour une étude de l'objet théâtral dans le répertoire de l'Hôtel de Bourgogne vers 1630



C964Jouer le texte en éclats



B222Shakespearian Comedy

S.C. SEN GUPTA 1967

D197/4"Suche strange desygns": Madness, Subjectivity, and Treason in Hamlet and Elizabethan Culture

S.CODDON KARIN 1998


A615Montanus Sonnet

S.E.D. 1962


In

A615Montanus Sonnet in the Woods

S.E.D.. 1962


In

A615The Sheepheard Dumpe

S.E.D. 1962


In

A615The Sheepheards Conceite of Prometheus

S.E.D. 1962


In

A615To Phillis the Faire Sheepheardesse

S.E.D. 1962


In

A615Astrophels Love is Dead

S. SIDNEY Philip 1962


In

A615Astrophels the sheep- Heard, his complaint to his flocke



In

A615The sheepheard to this Chosen Nimph



In

B764/3Two Songs with Accompaniment for an Elizabethan Choirboy Play

SABOL, Andrew J. 1958


C656 eThe Shakespeare plays on TV : Henry the Fourth, part two

SACCIO Peter

B429The Court of John Lyly: a Study in Allegorical Dramaturgy

SACCIO Peter 1969

C639Shrewd and kindly farce

SACCIO Peter 1984


C716The historicity of the BBC history plays

SACCIO Peter 1988


D260Richard III: The Last Plantagenet

SACCIO Peter 1999


A359Rhetoric as a Dramatic Language in Ben Jonson

SACKTON Alexander H. 1967

B420Gorboduc or Ferrec and Porrex

SACKVILLE Thomas & NORTON Thomas 1970

C476The Irish school

SADDLEMEYER Ann 1975


D235From The Sick Woman's Private Looking Glass

SADLER John 1999


B104Le Cinéma

SADOUL Georges 1965


C654Theodicy in baroque literature

SAEZ Richard 1985

C595Les prisons politiques chez Marlowe et Shakespeare

SAHEL P. 1981


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P5/3Machiavélisme Vulgaire et Machiavélisme authentique dans Macbeth

SAHEL, Pierre 1978


C663The strangeness of a dramatic style : rumour in Henry VIII

SAHEL Pierre 1985


C897Les clans de Vérone

SAHEL Pierre 1993


C946An Ideology of Difference

SAID Edward W. 1986


A605/1A History of Criticism and Literary Taste in Europe from the earliest texts to the present day, vol. I:Classical and Medieval Criticism

SAINTSBURY George 1961

A605/2A History of Criticism and Literary Taste in Europe, vol. II: From the Renaissance to the Decline ofEighteenth Century Orthodoxy


A605/3A History of Criticism and Literary Taste in Europe, vol. III: Modern Criticism


C779From 'A History of Elizabethan Literature', 1887



C583De la collaboration au décloisennement des arts et du spectacle

SAISON Maryvonne 1984


D033Feminist Heterologies : Contemporary British Women Playwrights and the Rewrite of Myth andHistory

SAKELLARIDOU Elizabeth 1993


C470Introduction to Every Man In His Humour

SALE Arthur 1963


B111La révolution théâtrale actulle en Angleterre

SALEM Daniel 1969

C416Le Retour, de H. Pinter : du texte à la mise en scène

SALEM Daniel 1975


D004Christopher Marlowe

SALES Roger 1991

B886'Time's Deformed Hand': Sequence, Consequence, and Inconsequence in 'The Comedy of Errors'

SALGADO Gamini 1972


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C203The Middle Comedies

SALGADO, Gamini 1973


C471The Elizabethan underworld

SALGÀDO Gàmini 1977

C980Christopher Marlowe

SALGADO Gamini 1987


B129Time and Art in Shakespeare's Romances

SALINGAR L.G. 1966

Renaissance Drama IXIn

C374Shakespeare and the Traditions of Comedy

SALINGAR Leo 1974

C432Comic form in Ben Jonson : Volpone and the philosopher's stone

SALINGAR Leo 1977


C594Falstaff and the life of shadows

SALINGAR Leo 1980


C539Shakespeare and the ventriloquists

SALINGAR Leo 1981


C583"Wit" in Jacobean Comedy

SALINGAR Leo 1984


C602Is The Merchant of Venice a problem play ?

SALINGAR Leo 1985


C675Dramatic form in Shakespeare and the Jacobeans : essays

SALINGAR Leo 1986

C960Jacobean Playwrights and 'Judicious' Spectators

SALINGAR Leo 1993


C995The idea of Venice in Shakespeare and Ben Jonson

SALINGAR Leo 1993


P5/34Memory in Shakespeare

SALINGAR Leo 1994


P5/34Memory in Shakespeare

SALINGAR, Leo 1994


D074The NewWorld in The Tempest

SALINGAR, Leo 1996


P5/45Use of Rhetoric: Antony and Cleopatra

SALINGAR, Leo G. 1999


P5/45Use of Rhetoric: Antony and Cleopatra.

SALINGAR, Leo G. Avril 1999


C998Madness and drama in the age of Shakespeare

SALKELD Duncan 1993

B456Some Functions of Shakespearian Word-formation

SALMON Vivian 1970


In

C458Visual and aural signs in the performed English Renaissance play

SALOMON Brownell 1972


C350Thomas Heywood's The Fair Maid of the West part I : a critical edition

SALOMON Brownell 1974

A515/1Sur quelques problèmes de sociologie théâtrale psés par La Humildad y la Soberbia, "comedia"de Lope de vega

SALOMON Noël 1968


C411Filarete et la cité de Sforzinda

SALQUES M.F. 1977


B337Piers Plowman

SALTER E. & PEARSALL D. 1967

A964Troilus and Criseyde: a Reconsideratin

SALTER Elizabeth 1966


A956Chaucer: The Knight's Tale and the Clerk's Tale

SALTER Elizabeth 1967

A954Thomas Traherne: Mystic and Poet

SALTER K.W. 1964

A463/9Our Closeness to Shakespeare

SAMARIN R.M. 1966


P1/1931/IIThe Text of Peele's David and Bethsabe

SAMPLEY Arthur M. 1966


P1/1936/IIPlot Structure in Peele's Plays as a Test of Authorship

SAMPLEY, Arthur M. 1967


D250Flamboyant realist : Kenneth Branagh

Samuel Crowl 2000


P1/1957/IVThe Dialogue in Heaven: Reconsideration of Paradise Lost, III 1-417

SAMUEL Irene 1957


B015Paradise Lost as Mimesis

SAMUEL Irene 1968


P1/1949/IMilton on Learning and Wisdom

SAMUEL, Irene 1970


D033Virginia Woolf and the Appropriation of the Masculine

SANDBACH-DAHLSTRÖM Catherine 1993


C808The Revels History of Drama in English volume II 1500-1576

SANDERS N., SOUTHERN R., CRAIK T.W. & 1980


SANDERS Norman 1966


A463/9Shakespeare' s Life, Times and Stage reviewed

SANDERS Norman 1966


A463/9The Popularity of Shakespeare : An Examination of the Royal Shakespeare Theatre' s repertory

SANDERS Norman 1966



SANDERS Norman 1967



SANDERS Norman 1972


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C203Shakespeare's Text

SANDERS, Norman 1973


C433The true prince and the false thief : Prince Hal and the shift of identity

SANDERS Norman 1977


C484An overview of critical approaches to the romances

SANDERS Norman 1978


C651The Social and historical context

SANDERS Norman 1980


A899/8The Unfortunate voyage of the Jesus to Tripoli, in 1584

SANDERS Thomas 1964


A899/8The Unfortunate voyage of the Jesus to Tripoli, in 1584

SANDERS Thomas 1964


B694The Dramatist and the Received Idea

SANDERS, Wilbur 1968

A790The 'Strong Pessimism' of Macbeth

SANDERS Wilbur 1968


B685John Donne's Poetry

SANDERS, Wilbur 1971

C869The Winter’s Tale

SANDERS Wilbur 1987

M84Playing Within the Play in The Taming of the Shrew , A Midsummer Night's Dream and Love'sLabour's Lost

SANDRE, Julie 1998

C457The rehearsal of an opera

SANDS Mollie


B816The Contemporary Armenian Elegies on the Fall of Constantinople, 1453

SANJIAN Avedis K. 1970


C266The Comic Mask and Carnival

SANTAYANA, George 1965


A696"La Famille Arlequin"

SANTELLI Claude 1957


D255True relation : the life and career of Ben Jonson

Sara van den Berg 2000


D248"Now I am alone" : la réécriture du soliloque shakespearien au cinéma

Sarah Hatchuel 2000


C787Co-ordinating the Project

SARGANT James 1989


P1/1950/VISir Thomas Elyot and the Integrity of The Two Gentlemen of Verona

SARGENT, Ralph M. 1950


A698Une pratique des musiciens lombards (1582-1639), l'hommage des chansons instrumentales auxfamilles d'une ville

SARTORI Claude 1960


C974Tragedy and Emotion: Shakespeare and Chikamatsu

SASAYAMA Takashi 1994


C363Studies in Elizabethan literature

SASTRI P.S. 1972

A700Maurice Scève et la Musique

SAULNIER V.L. 1954


A697L' Entrée de Henry II à Paris et la Révolution Poétique de 1550

SAULNIER V.L. 1956


A699Rabelais et les provinces du Nord

SAULNIER V.L. 1961


B046Staging at the Globe, 1599-1613 (1960)

SAUNDERS J.W. 1968


In

B048Vaulting the Rails

SAUNDERS J.W. 1968


A943The Social Situation of Seventeenth-Century Poetry

SAUNDERS J.W. 1970


In

B855/1The Social Situation of Seventeenth-Century Poetry

SAUNDERS, J.W. 1970


C623Next time i'll sing to you

SAUNDERS James 1965

D033Ford Madox Ford and European Culture

SAUNDERS Max 1993


B558Faith, Philosophy, and Poetry in Milton's Work

SAURAT Denis 1951


C379/2On The Rape of Lucrece, may 1725

SAVAGE Richard 1974


A675The Lady' s New-Year' s-Gift : or, Advice to a Daughter

SAVILE George 1957


D130The Body EmblazonedDissection and the Human Body in Renaissance Culture

SAWDAY, Jonathan 1995

D268Towards the Renaissance Computer

SAWDAY, Jonathan. 2000


B381/56Annual Bibliography of English Language and Literature, volume XXXI 1953-1954

SAWIN Lewis, MACDONALD Angus, WHITE 1968

D282The Shakespeareanzination of Robert Browning

SAWYER, Robert. 1999


C456Waxworks as a source of theatrical iconography : madame Tussaud's and the nineteenth-centuryBritish stage

SAXON A.H.


B764/4The Humanist as Scholar and Politian's Conception of the Grammaticus

SCAGLIONE, Aldo 1961


P5/1Pre-Elizabethan Prose Romances in English

SCANLON, Paul .A 1977


P5/1Pre-Elizabethan Prose Romances in English

SCANLON, Paul A. 1977


P5/3Whetstone's "Rinaldo and Giletta": The First Elizabethan Prose Romance

SCANLON Paul A. 1978


P5/3Whetstone's Rinaldo and Giletta: the First Elizabethan Prose Romance



P5/7Munday's Zelauto : Form and Function



P5/13The Later Prose Romances of Robert Greene



B220An Elizabethan Sonnet Problem: Shakespeare's Sonnets, Daniel's Delia, and their LiteraryBackground

SCHAAR Claes 1960

C206Elizabethan Sonnet Themes and the Dating of Shakespeare's Sonnets

SCHAAR, Claes 1973

C974Political Shakespeare: West Germany, 1970-1990

SCHABERT Ina 1994


C922The Use and Misuse of Giambattista Vico: Rhetoric, Orality, and Theories of Discourse

SCHAEFFER John D. 1989


B104Rituel et pré-théâtre

SCHAEFFNER André 1965


C583Correspondances baudelairiennes

SCHAEFFNER André 1984


B555The Marriage-Contracts in Measure for Measure

SCHANZER, Ernest 1960


A952The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antonyand Cleopatra

SCHANZER Ernest 1965

A596The Structural Pattern



A600The Tragedy of Brutus



B605Justice and King James in Measure for Measure



C398Shakespeare and the doctrine of the unity time



B938On The Imitation of Life's Pilgrimage in the Castle of Perseverance

SCHELL, Edgar 1972


P5/26Conflicting Paradigms and the Progress of Persuasion in Richard III

SCHELLENBERG Betty A. 1990


A726/1Elizabethan Drama (1558-1642) Vol I: A History of the Drama in England from the Accession ofQueen Elizabeth to the Closing of the Theaters, to which is prefixed a Résumé of the Earlier Drama

SCHELLING FELIX E. 1959

A726/2Elizabethan Drama (1558-1642) Vol II: A History of the Drama in England from the Accession ofQueen Elizabeth to the Closing of the Theaters, to which is prefixed a Résumé of the Earlier Drama

SCHELLING FELIX E. 1959

B146/1Elizabethan Drama 1558-1642, volume I

SCHELLING Felix E. 1959

B146/2Elizabethan Drama 1558-1642, volume II

SCHELLING Felix E. 1959

A696Aspects des mises en scènes de "Bajazet" et de "Tartuffe"

SCHÉRER Jacques 1957


A693La Liberté du personnage racinien

SCHERER Jacques 1965


A533Le théâtre en Afrique noire francophone



A515/1Pour une sociologie des obstacles au mariage dans le théâtre français au XVIIe siècle



D208La nouvelle science politique dans l'Angleterre du XVIIe siècle : James Harrrington

SCHIAVONE Giuseppe 1998


A007Lydgate’s Temple of Glas

SCHICK J. 1891

D193Shakespeare's Venus and Adonis: A Lacanian Tragicomedy of Desire

SCHIFFER James 1997


B104Cérémonial religieux en Extrême-Orient

SCHIPPER Kristofer M. 1965


P1/1952/VIIChaucer's Colloquial English: Its Structural Traits

SCHLAUCH, Margaret 1952


B160Antecedents of the English Novel 1400-1600 (from Chaucer to Deloney)

SCHLAUCH Margaret 1965

D260Richard III as Climax to Henry VI

SCHLEGEL Augustus William 1999


C691A.J. Greimas and the nature of meaning : linguistics, semiotics and discourse theory

SCHLEIFER Ronald 1987

C548Le cas Ivan Goll

SCHLOCKER Georges 1971


C716Trivial pursuit : The casket plot in the Miller/Olivier "Merchant"

SCHLUETER June 1988


B096Poètes du XVIe siècle

SCHMIDT Albert-André 1953

A630Les poètes retrouvent la parole perdue

SCHMIDT Albert-Marie 1956


In

B082Études sur le le XVIè Siècle

SCHMIDT Albert-Marie 1967

B319/1Shakespeare-Lexicon: a Complete Dictionary of All the English Words, Phrases and Constructionsin the Works of the Poet(Vol I)

SCHMIDT Alexander 1962

B319/2Shakespeare-Lexicon: a Complete Dictionary of All the English Words, Phrases and Constructionsin the Works of the Poet(Vol II)

SCHMIDT Alexander 1962

C184/2Marco Aurelio Serverino and his Relationship to William Harvey : Some Preliminary Considerations

SCHMITT, C. B. & WEBSTER, C. 1972


C356Who read Gianfrancesco Pico della Mirandola ?

SCHMITT Charles B. 1964


B938Was There a Medieval Theater in the Round? A Re-examination of the Evidence

SCHMITT, Natalie Crohn 1972


B788Moral Problems and Moral Philosophy in the Victorian Period (1965)

SCHNEEWIND, Jerome B. 1971


C548La théorie du drame expressionniste et sa mise en oeuvre chez Paul Kornfeld

SCHNEIDER Karl Ludwig 1971


C184/1Chemiatry and Iatrochemistry

SCHNEIDER, Wolfgang 1972


B764/3Early Anglo-Saxon Studies and Legal Scholarship in the renaissance

SCHOECK, R.J. 1958


D068Le théâtre historique du XVème siècle

SCHOELL, Konrad 1996


A515/2Peut-on parler d' une "décadence" du théâtre au temps des premiers Stuarts?

SCHOENBAUM E. 1968


A399Internal Evidence and Elizabethan Dramatic Authorship: An Essay in Literary History and Method

SCHOENBAUM S. 1966

B522Annals of English Drama 975-1700

SCHOENBAUM S. 1970

B500Shakespeare and Jonson

SCHOENBAUM S. 1970


B488Shakespeare's Lives

SCHOENBAUM S. 1970

C476Marston, Middleton, and Massinger

SCHOENBAUM S. 1975


C398Richard II and the realities of power

SCHOENBAUM S. 1975


Z19William Shakespeare, A Documentary Life

SCHOENBAUM, S. 1975

C500Shakespeare's Dark Lady : a question of identity

SCHOENBAUM S. 1980


C711The life of Shakespeare

SCHOENBAUM S. 1986


B808Renaissance Drama III: Essays principally on Drama in Its Intellectual Context

SCHOENBAUM S. (editor) 1970

P1/1952/VIIThe Precarious Balance of John Marston

SCHOENBAUM, Samuel 1952


C523Middleton's tragedies : a critical study

SCHOENBAUM Samuel 1970

C498A hebrew source for The Merchant of Venice

SCHÖNFELD S.J. 1979


A700L'"Edipo Tiranno" d'Andrea Gabrieli et la Renaissance de la tragédie grecque

SCHRADE Leo 1954


A697Les Fêtes du Mariage de Francesco dei Medici et de Bianca Cappello

SCHRADE Leo 1956


A525La Représentation D'Edipo Tiranno au Teatro Olimpico

SCHRADE Leo 1960

C694Olivia ou l'artifice féminin dans The Plain-Dealer de Wicherley

SCHRICKE Gilbert 1987


C093Shakespeare's Early Contemporaries : the Background of the Harvey-Nashe Polemic and Love'sLabour's Lost

SCHRICKX, W. 1972

C399Pericles in a book-list of 1619 from the English jesuit mission and some of the play's specialproblems

SCHRICKX Willem 1976


C515English actors at the court of Wolfenbüttel, Brussels and Graz during the life time of Shakespeare

SCHRICKX Willem 1980


D088The Meaning of Hamlet

SCHÜCKING, Levin 1937

B789Character and Action: King Lear (1922)

SCHÜCKING, Levin L. 1965


B499The Persistence of Shakespeare Idolatry: Essyas in honor of Robert W. Babcock

SCHUELLER Herbert M 1964

B072Pour Connaitre la Pensée de Bacon

SCHUHL Pierre-maxime 1949

B099Les Stoïciens

SCHUHL Pierre-Maxime 1962

B101L' imagination et le merveilleux; la pensée et l' action

SCHUHL Pierre-Maxime 1969

A929Gold Morning, Sweet Prince

SCHWARTZ Delmore 1968


C692Anger, wounds, and the forms of theater in King Richard II: notes for a psychoanalytic interpretation

SCHWARTZ Murray M. 1983


C952The Formation of a Colonial Identity in Brazil

SCHWARTZ Stuart B. 1987


C584'Pickleherring' and English actors in Germany

SCHYRICKX Willem 1983


C969A Woman Killed with Kindness

SCOBIE Brian 1985

C466William Shakespeare : a compact documentary life

SCOENBAUM S. 1977

C795Poetry's Sea-Changes: Eliot and The Tempest

SCOFIELD Martin 1990


C741The undiscover'd country : theatrical space without in Hamlet

SCOLNICOV H. 1989

Lieu et tempsIn

P5/18To Understand a Parable : The Mimetic Mode of The Marriage of Wit and Wisdom

SCOLNICOV Hanna 1985


C919/1Here is the place appointed for the wrestling

SCOLNICOV Hanna 1992


D068Romeo and Juliet and the Scenic Convention of the Piazza

SCOLNICOV, Hanna 1996


A899/4Daiphantus, or the Passions of Love , by An. Sc. whereunto is added the Passionate Man'sPilgrimage, 1604

SCOLOKER Antony 1964


D235From The Discovery of Witchcraft

SCOT Reginald 1999



SCOT Reginald 1999



SCOT Reginald 1999


C285Ghosts

SCOTT, Clement 1970


D078Harold Pinter: The Birthday Party, The Caretaker & The Homecoming - a casebook

SCOTT, Michael 1986

D079Shakespeare and the Modern Dramatist

SCOTT, Michael 1993

C266The Bias of Comedy and the Narrow Escape into Faith

SCOTT, Nathan A. 1965


C878Self-undoing paradox, scepticism, and Lear’s abdication

SCOTT William O. 1990


C703The speculative eye : problematic self-knowledge in Julius Caesar

SCOTT William O. 1990


C309Shakespeare's heraldry

SCOTT-GILES C.W. 1950


SCOUTEN Arthur H. 1968

A463/13 Iago-Vice or Devil?

SCRAGG Leah 1968



SCRAGG Leah 1969

B456Shakespeare's Life, Times, and Stage

SCRAGG Leah 1970


In

C171Macbeth on Horseback

SCRAGG, Leah 1973


C433Shakespeare, Lyly, and Ovid : the influence of Gallathea on A Midsummer Night's Dream

SCRAGG Leah 1977


A990The Puritan Family: a Social Study from the Literary Sources

SCÛCKING Levin L. 1969

B804The Moral Paradox of Paradise Lost

SEAMAN John E. 1971

D283Harlem Duet

SEARS, Djanet. 2000


B375Marlowe's Light Reading

SEATON Ethel 1959


A915Marlowe's Light Reading

SEATON Ethel 1969


B473The Puritan Lectureships: The Politics of Religious Dissent 1560-1662

SEAVER Paul S. 1970

A515/2La question de la monarchie au théâtre sous le reigne de Charles Ier : La cour, le dramaturge et lecenseur

SEDGE Douglas 1968


B301Of Irony Especially in Drama

SEDGEWICK G.G. 1967

C211/1The Mulberry Garden

SEDLEY, Charles 1974


B077Corneille and the Spanish Drama

SEGALL J.B. 1969

C847Semiotics and Literary Criticism

SEGRE Cesare 1973

C134The Revenge Motive in Websterean Tragedy

SEIDEN, Melvin 1973

C667The making of A Midsummer Night's Dream : an eye-witness account of Peter Brook's productionfrom first rehearsal to first night

SELBOURNE David 1982

C551Oldham's versions of the classics

SELDEN Raman 1981


C854/2La traduction interprétative

SELESKOVITCH Danica 1987


A971The Staging of the Last Plays

SELTZER Daniel 1966

Later ShakespeareIn

A793Shakespeare's Texts and Modern Productions

SELTZER Daniel 1969


C433Prince Hal and tragic style

SELTZER Daniel 1977


A920Shakespeare's Historical Plays

SEN GUPTA S.C. 1969

C111Aspects of Shakespearian Tragedy

SEN GUPTA, S.C. 1972

A591Milton and the Attempted Whig Revolution

SENSABAUGH George F. 1969


In

A515/1Quelques remarques à propos des classes sociales urbaines de Séville dans la "comedia"lopesque

SENTAURENS Jean 1968


C938 Reading the signs : towards a semiotics of shakespearean drama

SERPIERI Alessandro 1992


C966The Breakdown of Medieval Hierarchy in King Lear

SERPIERI Alessandro 1992


A281The Empress of Morocco

SETTLE Elkanah 1960


B945A Defence of Dramatick Poetry and A Farther Defence of Dramatick Poetry

SETTLE, Elkanah 1972

C379/1From the operatic adaptation of A Midsummer Night's Dream, may 1692

SETTLE Elkanah ? 1974


B020The Vision of Tragedy

SEWALL Richard B. 1967


SEWARD Thomas 1975


A266Character and Society in Shakespeare

SEWELL Arthur 1965

C115Character and Society in Shakespeare

SEWELL, Arthur 1970

B885Tragedy and the "Kingdom of Ends,"

SEWELL Arthur 1970


C379/2On Shakespeare's poems, 1725

SEWELL George 1974


C379/2On the mangling of Shakespeare's plays, 1719

SEWELLGeorge 1974


C480Shakespeare's Sonnets 1-42 : a psychological reading

SEYMOUR-SMITH Martin 1976


B603Diderot and Historical Painting

SEZNEC Jean 1965


A675Seventeenth-Century : English Prose

SHAABER M.A. 1957

C356Studies in the Renaissance volume XI

SHAABER M.A. 1964

C354Studies in the Renaissance volume XIII

SHAABER M.A. 1966

B764/3Studies in the Renaissance volumes V et VI

SHAABER, M.A. (editor) 1958

B764/4Studies in the Renaissance volumes VII et VIII

SHAABER, M.A. (editor) 1960-61

B764/5Studies in the Renaissance, volume IX and X

SHAABER, M.A. (editor) 1963

A216The Virtuoso

SHADWELL Thomas 1966

A803The History of Timon of Athens the Man-Hater


C379/1From his adaptation of Timon of Athens, january 1678



C379/1From the operatic version of The Tempest adaptation, april 1674

SHADWELL Thomas ? 1974


C211/3The Squire of Alsatia

SHADWELL, Thomas 1974


C552Thomas Heywood's masque at court

SHADY Raymond C. 1980


C616Amadeus

SHAFFER Peter 1981

C617Four plays : The Private Ear, The Public Eye, White Liars, Black Comedy

SHAFFER Peter 1981

C618Three plays : Five Fingers Exercise, Shrivings, Equus

SHAFFER Peter 1983

C985Shakespeare's Knowledge of Italian

SHAHEEN Naseeb 1994


C824Much Ado about Nothing

SHAKESPEARE 1992

C896Roméo et Juliette

SHAKESPEARE 1992

D107Othello

SHAKESPEARE, Wiliam 1997

A304King Richard II, ed. by Peter Ure

SHAKESPEARE William 1961

The Arden Edition of the Works of William ShakespeareIn

A299The Comedy of Errors, ed. by R.A. Foakes



A615The Passionate Sheepheards Song



In

A307Pericles, ed. by F.D. Hoeniger



A318King Henry V, ed. by J.H. Walter



B559Richard III

SHAKESPEARE, William 1964

A323 King John , ed. by E.A.J. Honigmann



A316The First Part of King Henry IV, ed. by A.R. Humphreys



A319The First Part of King Henry VI, ed. by Andrew S. Cairncross



A320The Second Part of King Henry VI, ed. by Andrew S. Cairncross



A321The Third Part of King Henry VI, ed. by Andrew S. Cairncross



A302Timon of Athens, ed. by H.J. Oliver



A312All's Well That Ends Well



A324 Cymbeline , ed. by J.M. Nosworthy



A300Julius Caesar, ed. by T.S. Dorsch



A322 King Henry VIII, ed. by R.A. Foakes



A314King Lear, ed. by Kenneth Muir



A315Love's Labour's Lost, ed. by Richard David



A303Measure for Measure, ed. by J.W. Lever



A310The Merchant of Venice, ed. John Russell Brown



A317The Second Part of King Henry IV, ed. by A.R. Humphreys



A301The Tempest, ed. by Frank Kermode



A305The Winter's Tale, ed. by J.H.P. Pafford



A313Anthony and Cleopatra, ed. by M.R. Ridley



A309Othello, ed. by M.R. Ridley



B247The Sonnets


B640A Midsummer-Night's Dream


B642All's Well That End's Well




A272As You Like It


B638 As You Like It


B632Julius Caesar


B628King Henry V


B614King Henry VI, Second Part


B612King Henry VI, Third Part


B624King Richard II


B630Macbeth




B556Richard III


B571Richard III




A496The Complete Works, edited by Alexander Peter


B644The First Part of King Henry VI


B626The First Part of the History of Henry IV


A311The Poems, ed. by F.T. Prince



B629The Second Part of the History of Henry IV




B621The Taming of the Shrew


B622The Winter's Tale




A306Titus Andronicus, ed. by J.C. Maxwell



B623Twelfth Night or What You Will


A832A Fairy Tale in Two Acts(1763)


A856Antony and Cleopatra(1758)


A801Catharine and Petruchio: A Comedy in Three Acts


B645Coriolanus


A827Coriolanus or the Roman Matron


A828Coriolanus or the Roman Matron


A860Cymbelyne(1762)


A819First Part of Henry IV


B641Hamlet


A815Hamlet Prince of Denmark






A839Julius Caesar(1680)


A820King Henry IV


B617King Henry the Eighth


A824King Henry VIII


B624King John


B633Love's Labour's Lost


A812Macbeth


A846Macbeth(1673)




A831Measure for Measure, a Comedy(1722)


A830Measure for Measure, or Beauty the Beft Advocate


A829Measure For Measure Or, Beauty The Best Advocate




A853Othello The Moor of Venice(1681)


A859Othello, the Moor of Venice(1755)






B900/1The Comedies


B636The Gentlemen of Verona


A829The Historical Tragedy of Macbeth


A876The History of King Lear(1768)






A843The Modern Receipt Or A Cure For Love(1739)


B643The Poems


A868The Sheep-Shearing(1762)


A826The Sheep-Shearing: A Dramatic Pastoral (taken from Shakespeare)


A854The Sheep-Shearing: or, Florizel and Perdita(1771)


B613The Sonnets


A875The Students(1762)


B637The Tempest


A864The Tempest, An Opera(1756)


A800The Tempest or the Enchanted Island


A852The Tempest or the Enchanted Island(1674)


A818The Tragedy of Hamlet


A825The Tragedy of Macbeth


A871The Two gentlemen of Verona(1763)


A850Timon of Athen(1768)


A866Timon ofAthens(1771)


B601A Lover's Complaint


The Complete Works.In




B601All's Well That Ends Well






B601As You Like It



B601Coriolanus



B601Cymbeline



B601Hamlet



B601Henry IV part one



B601Henry IV part two



B601Henry V



B601Henry VI part one



B601Henry VI part three



B601Henry VI part two



B601Henry VIII



B658I Henry VI


B601Julius Caesar



B601King John



B601King Lear



B601Love'sLabour's Lost



B601Macbeth









B601Othello



B601Pericles



B601Richard II



B601Richard III









B601The Complete Works








B601The Passionate Pilgrim



B601The Phoenix and Turtle



B601The Rape of Lucrece



B601The Sonnets






B601The Tempest









B601Timon of Athens









B601Twelfth Night



B601Venus and Adonis







B900/2Tragedies


D165Troilus and Cressida(edited by Kenneth MUIR)


D016A Midsummer Night's Dream (Foakes, ed.)


D027Othello (Sanders, ed.)


D028The Taming of the Shrew (Thompson, ed.)


B600A Lover's Complaint






B600All's Well That Ends Well



D023All's Well That Ends Well (Fraser,ed.)





B600As You Like It



B600Coriolanus



B600Cymbeline



B600Hamlet



D024Hamlet, Prince of Denmark (Edwards, ed.)


B600Henry IV part one



B600Henry IV part two



B600Henry V



B600Henry VI part one



B600Henry VI part three



B600Henry VI part two



B600Henry VIII



B600Julius Caesar



B600King John



B600King Lear



B600Love'sLabour's Lost



B600Macbeth









B600Othello



B600Pericles



B600Richard II



B600Richard III









B600The Complete Works








B600The Passionate Pilgrim



B600The Phoenix and Turtle



B600The Rape of Lucrece



B600The Sonnets






B600The Tempest









B600Timon of Athens









B600Twelfth Night



D029Twelfth Night (Donno, ed.)


B600Venus and Adonis



D026The Merchant of Venice (Mahood, ed.)


D157Troilus and Cressida


D217Comme il vous plaira / As You Like It


D022Julius Caesar (Spevack, ed.)


D021Much Ado About Nothing (Mares, ed.)


D020The Comedy of Errors ( Dorsch, ed.)


D025King Richard II (Gurr, ed.)


D215Le Songe d'une nuit d'été


D219Le roi Lear


D237Hamlet


D136The First Quarto of King Lear


D049Titus Andronicus ( ed. by Waith, E.M. )


D214/2Antoine et Cléopâtre


Oeuvres complètes, Tragédies IIIn

D032Antony and Cleopatra (Wilders, ed.)


D214/2Coriolan



D214/1Hamlet


Shakespeare William. Oeuvres Complètes: Tragédies IIn

D214/1Julius Caesar



D018King Henry V (Craik, ed.)


D214/2Le Roi Lear



D214/2Macbeth



D214/1Oeuvres complètes, Tragédies I


D214/2Oeuvres complètes, Tragédies II


D214/2Othello



D214/1Roméo et Juliette



D214/2Timon d'Athènes



Titus Andronicus


Oeuvres complètes, Tragédies IIn

D214/1Titus Andronicus


Shakespeare William. Oeuvres complètes, Tragédies IIn

D017Titus Andronicus (Bate, ed.)


D091A Midsummer's Night Dream (Griffiths, ed.)


D115Edward III (Sams, ed.)

Shakespeare, William 1996

D066Othello


D216Peines d'amour perdues


D243The First Quarto of King Lear ed. by Jay L. Halio


D233The Taming of the Shrew, Texts and Contexts


D072The Winter's Tale

Shakespeare, William 1996

D222Tout est bien qui finit bien


D218/1Henri IV, deuxième partie


Oeuvres complètes, Histoires IIn

D218/1Henri IV, première partie



D218/1Henri V



D218/2Henri VI, deuxième partie


Oeuvres complètes, Histoires IIIn

D218/2Henri VI, première partie



D218/2Henri VI, troisième partie



D218/2Henri VIII



D218/1Le Roi Jean



D218/1Oeuvres complètes, Histoires I


D218/2Oeuvres complètes, Histoires II


D218/1Richard II



D218/2Richard III



D218/2Sir Thomas More



D108The Two Noble Kinsmen


D236ThFirst Part of King Henry IV , Texts and Contexts


D196Cymbeline


D194Henry IV Part Two


D220Richard II


D239The First Quarto of Hamlet, ed. by Kathleen O. Irace


D234A Midsummer Night's Dream, Texts and Contexts


D221Henry V


D235Henry V, Act I, Scene 2



D235Macbeth



D235Macbeth: Texts and Contexts ed. William C. Carroll


D199King Edward III

SHAKESPEARE William, Ed. by Giorgio Melchiori 1998


SHAKESPEARE William (ed. by OLIVER H.J.) 1971


SHAKESPEARE William, edited by Alice Walker 1969

B618Othello

SHAKESPEARE William (edited by Alice Walker 1969

B627King Lear

SHAKESPEARE William (edited by George Ian 1969

B610Cymbeline

SHAKESPEARE William, edited by J.C. Maxwell 1968

B609Timon of Athens

SHAKESPEARE William, edited by J.C. Maxwell 1968

B619Pericles

SHAKESPEARE William (edited by J.C. Maxwell) 1969

A344Le Songe d'une Nuit d'Eté

SHAKESPEARE William, trad. CASTELAIN 1968

A267A Tragedia de Hamlet

SHAKESPEARE William, trad., intro., e notas de 1965

D013Directing Doctor Faustus

SHAND G.B. 1990


A463/1An Original Drawing of the Globe Theatre

SHAPIRO I.A. 1966


In

A463/7Shakespeare and Mundy

SHAPIRO I.A. 1966



SHAPIRO I.A. 1968


B049The Significance of a Date

SHAPIRO I.A. 1968


B346The BanksideTheaters: Early Engravings

SHAPIRO I.A. 1970


C533The date of a donne elegy, and its implications

SHAPIRO I. A. 1980


In

D038Rival Playwrights : Marlowe, Jonson, Shakespeare

SHAPIRO James 1991

D094"Shakespur and the Jewbill"

SHAPIRO, James 1995


D081Shakespeare and the Jews

SHAPIRO, James 1996

C482Children of the revels : the boy companies of Shakespeare's time and their plays

SHAPIRO Michael 1977

D014Gender in Play on the Shakespearean Stage : Boy Heroines anf Female Pages

SHAPIRO Michael 1994

D226The King's Writ: Royal Auhtors and Royal Authority in Early Modern England

SHARPE, Kevin 1994


D226Culture and Politics in Early Stuart England

SHARPE, Kevin and LAKE, Peter (editors) 1994

C382Irony in the drama : an essay on impersonation, shock, and catharsis

SHARPE Robert Boies 1975

B297John Bunyan

SHARROCK Roger 1968

A578Troilus and Criseyde : Poem of Contingency

SHARROCK Roger 1969


B320/68The Earlier Sevententh Century, Excluding Drama

SHARROCK Roger 1970


C975Representing Shakespeare : England, History and the RSC

SHAUGHNESSY Robert 1994

A929A Letter to John Barrymore

SHAW Bernard 1968


C285Forbes Robertson's Hamlet

SHAW, Bernard 1970


C594The conscious art of The Comedy of Errors

SHAW Catherine M. 1980


P5/15The Tempest and Hymenaei



C663The tragic sub structure of the Henry IV plays




SHAW Fiona 1989


C779From the 'Saturday Review', 1896

SHAW G.B. 1979


A917Shakespeare's Imperfect realism

SHAW George Bernard 1967


A463/12The Staging of Parody and Parallels in 'I Henry IV'

SHAW John 1967


C512Shakespeare's faults, 1785

SHAW William 1981


P1/1961/IVThe Chronology of Milton's Major Poems

SHAWCROSS John T. 1961


B453The Style and Genre in Paradise Lost

SHAWCROSS John T. 1969


P1/1957/IMachiavelli and Fielding's Jonathan Wild

SHEA Bernard 197?


B217Mannerism

SHEARMAN John 1967

Collection "Style and Civilization"In

C379/4Othello and King Lear inthe theatre, 1755

SHEBBEARE Joseph 1976


C933‘The Agent for His Master’: Political Dervice and Professional Liberty in Cymbeline

SHEEN Erica 1992


C044The Tragedy of Julius Caesar

SHEFFIELD, John, Duke of Buckingham 1970

C044The Tragedy of Marcus Brutus

SHEFFIELD, John, Duke of Buckingham 1970

D135The Actor as Artist : Harold Hobson's Shakespearian Theatre Criticism

SHELLARD, Dominic 1996


B558A Defence of Poetry

SHELLEY Percy Bysshe 1951


B323Early Middle English Literature

SHEPHERD G.T. 1970


C729Marlowe and the politics of Elizabethan theatre

SHEPHERD Simon 1986

C184/1The Mythological Tradition and Seventeenth Century Alchemy

SHEPPARD, H.J. 1972



SHER Anthony 1989


C812The Birth of Shakespeare Studies : Commentators from Rowe (1709) to Boswell-Malone (1821)

SHERBO Arthur 1986

A774/1 The Yale Edition of the Works of Samuel Johnson VII: Johnson on Shakespeare I.

SHERBO Arthur (editor), BRONSON Bertrand H. 1968

A774/2 The Yale Edition of the Works of Samuel Johnson VIII: Johnson on Shakespeare II

SHERBO Arthur (editor), BRONSON Bertrand H. 1968

A591Pope and "The Great Shew of Nature"

SHERBURN George 1969


In

A627A Literary History of England: The Restoration and Eighteenth Century

SHERBURN George & BOND Donald F. 1967

B359A History Of The Spanish Stage from medieval times until the end of the seventeenth century

SHERGOLD N.D. 1967

A515/1La Vida es sueno : ses acteurs, son théâtre et son public

SHERGOLD N.D. 1968


C583Calderon and "Theatrum Mundi"

SHERGOLD N.D. 1984


C415Fête et théâtre en Espagne au XVIe siècle

SHERGOLD Norman D. 1975


C379/4Thomson's Coriolanus conflated with Shakespeare's, 1754

SHERIDAN Thomas 1976


C512In praise of Shakespeare, 1786

SHERLOCK Martin 1981


B764/3Philalgia in Warwickshire: F.M. Van Helmont's Anatomy of Pain Applied to Lady Anne Conway

SHERRER, Grace B. 1958


C974Voices and Silences in Shakespeare's Plays: A view from a Different Cultural Tradition

SHIBATA Toshihiko 1994


B828Dictionary of World Literary Terms

SHIPLEY, Joseph T. 1970

A697La Fricassée en Ecosse et ses Rapports avec les Fêtes de la Renaissance

SHIRE Helena M. & ELLIOTT Kenneth 1956


B178Richard Hooker and Contemporary Political Ideas

SHIRLEY F.J. 1949

A174The Cardinal

SHIRLEY James 1933


A639The Cardinal

SHIRLEY James 1939


In

A639The Lady of Pleasure

SHIRLEY James 1939


In

B176Narcisus or The Self-Lover

SHIRLEY James 1963


B444The Traitor

SHIRLEY James 1965

A173Cupid and Death (1653)

SHIRLEY James 1967

A Book of MasquesIn

A173The Triomph of Peace (1634)

SHIRLEY James 1967

A Book of MasquesIn

A283The Lady of Pleasure and The Wedding

SHIRLEY James(1596-1666) 1962


C360Serious and tragic elements in the comedy of Thomas Dekker

SHIRLEY Peggy Faye 1975

C379/4Garrick's sins as actor and adapter, 1758

SHIRLEY William 1976


P5/46Fired or Just Too Tired? Grounds for Dismissal in Shakespeare's Sonnet 144

SHORE, David R. 1999


P5/46Fired or Just Too Tired? Grounds for Dismissal in Shakespeare's Sonnet 144

SHORE, David R. 1999


C074The Life and Humours of Falstaff

SHORT, Charles 1829

C672Representing Ophelia : Women, Madness, and the Responsabilities of Feminist Criticism

SHOWALTER Elaine 1985

Shakespeare and the Question of TheoryIn

C966Representing Ophelia: Women, Madness and the Responsabilities of Feminist Criticism



D011Representing Ophelia : Women, Madness, and the Responsabilities of Feminist Criticism


HamletIn

C927Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism



A623Shakespeare's sPerformances in London and Stratford-uponAvon 1984-5

SHRIMPTON Nicholas


C584Shakespeare performances in Stratford-upon-Avon and London, 1981-2

SHRIMPTON Nicholas 1983








C703Shakespeare performances in London, Manchester, Stratford-upon-Avon 1985-86



C399Directing The Tempest

SHRIMPTON Nick 1976


B742Types of Drama

SHROYER Frederick B. and GARDEMAL Louis G. 1970

P1/1951/IVFlowerets and Sounding Seas; a Study in the Affective Stucture of Lycidas

SHUMACKER, Wayne 1951


B568Flowerets and Sounding Seas: A Study in the Affective Structure of Lycidas

SHUMAKER Wayne 1961


C742La guerre et l'évitement de la loi dans Jules César et dans Macbeth

SIBONY Daniel 1990


C639Falstaff's broken voice

SIDER John W. 1984


B299The Defence of Poesie

SIDNEY Philip 1950

A615An Excelent Sonnet of a Nimph

SIDNEY Philip 1962


In

A615Another of Astrophell to his Stella

SIDNEY Philip 1962


In

A615Astrophell to Stella, his Third Song

SIDNEY Philip 1962


In

A615Dorus his comparisons

SIDNEY Philip 1962


In

A615Espilus and Therion, their Contention in Song for the May-Ladie

SIDNEY Philip 1962


In

A615In 'Wonted Walks'

SIDNEY Philip 1962


In

A615The Sheepheard Musidorus his Complaint

SIDNEY Philip 1962


In

A615The Sheepheards Braule, One Halfe Aunswering the Other

SIDNEY Philip 1962


In

A615Two Pastorals, upon Three Friends Meeting

SIDNEY Philip 1962


In

B179/4The Countess of Pembroke's Arcadia

SIDNEY Philip 1967

The Prose Works of Sir Philip SydneyIVIn

B179/3The Defence of Poesie Political Discourses Correspondence Translation

SIDNEY Philip 1968

The Prose Works of Sir Philip SydneyIIIIn

B179/2The Last Part of The Countesse of Pembrokes Arcadia; The Lady of May

SIDNEY Philip 1968

The Prose Works of Sir Philip SydneyIIIn

B179/1The Countesse of Pembrokes Arcadia

SIDNEY Philip 1969

The Prose Works of Sir Philip SydneyIIn

C189The Countess of Pembroke's Arcadia : the Old Arcadia

SIDNEY, Philip 1973

B104Le Japon

SIEFFERT René 1965


A694 Réalisme poétique du théâtre classique japonais

SIEFFERT René 1967


C925“ Hamlet, Revenge! ” The Uses and Abuses of Historical Criticism

SIEGEL P.N. 1993


P1/1953/VThe Damnation of Othello

SIEGEL, Paul N. 1953


A921Shakespearean Tragedy and the Elizabethan Compromise

SIEGEL Paul N. 1957

B367Shakespeare in his Time and Ours

SIEGEL Paul N. 1968

C594Malvolio : comic puritan automaton

SIEGEL Paul N. 1980


C814Shakespeare's English and Roman History Plays : A Marxist Approach

SIEGEL Paul N. 1986

C184/1Galen's Concept of Bloodletting in Relation to his Ideas on Pulmonary and Peripheral Blood Flowand Blood Formation

SIEGEL, Rudolph E. 1972


C399Noble virtue in Cymbeline

SIEMON James Edward 1976


C685Shakespearean iconoclasm

SIEMON James R. 1985

C963"Word Itself against the Word": Close Reading After Voloshinov

SIEMON James R. 1994


A011Lydgate’s Reson and Sensuallyte

SIEPER Ernst 1901

P1/1957/IVBernard Shaw's Shakespeare Criticism

SILVERMAN ALbert H. 1957


B478Medieval English Lyrics

SILVERSTEIN Theodore 1971

B476Shakespeare in Slovakia

SIMKO Jan 1968


B806Milton Studies III

SIMMONDS James D. (editor) 1971

C294A Source for Shakespeare's Malvolio : the Elizabethan Controversy with the Puritans

SIMMONS, J.L. 1973


C171Antony and Cleopatra and Coriolanus, Shakespeare's Heroic Tragedies : a Jacobean Adjustment

SIMMONS, J.L. 1973


C198Shakespeare's Pagan World : the Roman Tragedies

SIMMONS, J.L. 1973

B507North America and the West Indies

SIMMONS Richard 1973


A093The Lay Folks Catechism

SIMMONS Thomas Frederick and NOLLOTH Henry 1901

A010The Lay Folks Mass Book

SIMMONSThomas Frederick Simmons 1879

B354Wine in Shakespeare's Days and Shakespeare's Plays

SIMON André L. 1964

B689Neo-Classical Criticism, 1660-1800

SIMON, Irène 1971

B009Robert Burton(1557-1640) et l'Anatomie de la Mélancolie

SIMON Jean Robert 1964

T44Analogie

SIMON Jean-Paul 1980

Lectures du film. Collet Jean, Marie Michel, Percheron Daniel, Simon Jean- Paul, VernetMarc

In

T44Institution cinématographique

SIMON Jean-Paul 1980


T44Gag

SIMON Jean-Paul et PERCHERON Daniel 1980


B104Le Brésil

SIMON Michel 1965


D248The British Census and the rewriting of ethnic identity

Simon Peter Bugler 2000


A909The French Renaissance: Medieval Tradition and Italian Influence in Shaping the Renaisance inFrance

SIMONE Franco 1969

C424Shakespeare and Lucrece : a study of the poem and its relation to the plays

SIMONE R. Thomas 1974

A690The Wealth of the Gentry

SIMPSON Alan 1963

B258John Donne's Sermons on the Psalms and Gospels

SIMPSON Evelyn M. 1963

A463/3New Place: The Only Representation of Shakespeare's House, from an Unpublished Manuscript

SIMPSON Frank 1952


C640Malvolio in Twelfth Night

SINDEN Donald 1985


C515Hamlet's special providence

SINFIELD Alan 1980


C715Give an account of Shakespeare and Education, showing why you think they are effective and whatyou have appreciated about them. Support your comments with precise references

SINFIELD Alan 1985


C715Introduction : Reproductions, interventions

SINFIELD Alan 1985


C715Royal Shakespeare : theatre and the making of ideology

SINFIELD Alan 1985


D012Macbeth

SINFIELD Alan 1992

C924Macbeth : History, Ideologie and Intellectuals

SINFIELD Alan 1992


D012Macbeth : History, Ideology and Intellectuals

SINFIELD Alan 1992

MacbethIn

D033The Politics of Englit and Subcultures

SINFIELD Alan 1993


D206How to Read The Merchant of Venice Without Being Heterosexist

SINFIELD Alan 1996


D121How to Read The Merchant of Venice Without Being Heterosexist

SINFIELD Alan 1996


B045Anecdotes, Observations and Characters of Books and Men Collected from the Conversations ofMr. Pope and Other Eminent Persons of His Time by the Reverend Joseph Spence

SINGER Samuel Weller and DOBRÉE Bonamy 1964

B764/5The Elaboration of Vives's Treatises on the Arts

SINZ, William 1963


A963Shakespeare's Metrics

SIPE Dorothy L. 1968

A676Selected writings (edited by Geoffrey Keynes)

Sir BROWNE Thomas 1968

A958War and Society in the Seventeenth Century

Sir CLARK George 1958

D235From Speech at the Trial of Father Henry Garnet

Sir COKE Edward 1999


D235From A Treatise on the Union of the British Realm

Sir CRAIG Thomas 1999


A567/1The Dramatic Works of William D' Avenant(with prefatory memoir and notes)

Sir D' AVENANT William 1964

A567/2The Dramatic Works of William D' Avenant(with prefatory memoir and notes), Vol II


A567/3The Dramatic Works of William D' Avenant(with prefatory memoir and notes), Vol III


A567/4The Dramatic Works of William D' Avenant(with prefatory memoir and notes), Vol IV


A567/5The Dramatic Works of William D' Avenant(with prefatory memoir and notes), Vol V


D235From Macbeth, A Tragedy

Sir DAVENANT William 1999


D235From Patriarcha: Or the Natural Power of Kings

Sir FILMER Robert 1999


B558Paradise Regained and Samson Agonistes

Sir GRIERSON Herbert J.C. 1951


A256/2A Preface or rather a Briefe Apologie of Poetrie, Prefixed to the Translation of Orlando Furioso.1591

Sir HARINGTON John 1967


A466The Oxford Companion to English Literature

Sir HARVEY Paul 1967

D235From An Answer to the First Part of a Certain Conference

Sir HAYWARD John 1999


B049Producing the Comedies

Sir JACKSON Barry 1968


A718The Man Behind Macbeth and other studies

Sir James Ferguson of KILKERRAN 1969

A435/3A Journey to London

Sir john Vanbrugh 1967

The Complete works of Sir John Vanbrugh, volume III edited by Dobrée Bonamy andWebb Geoffrey

In

A435/1A Short vindication of The Relapse and The Provok'd Wife


The Complete works of Sir John Vanbrugh, volume I edited by Dobrée Bonamy andWebb Geoffrey

In

A435/3The Confederacy



In

A435/2The Country House


The Complete works of Sir John Vanbrugh, volume II edited by Dobrée Bonamy andWebb Geoffrey

In

A435/2The False Friend



In

A435/4The Letters


The Complete works of Sir John Vanbrugh, volume IV edited by Dobrée Bonamy andWebb Geoffrey

In

A435/3The Mistake



In

A435/2The Pilgrim



In

A435/3The Provok'd Husband



In

A435/1The Provok'd Wife



In

A435/1The Relapse



In

A454A Satire of The Three Estates

Sir LINDSAY David 1967

A182The Jacobite Movement

Sir PETRIE Charles 1959

A917The Making of A Midsummer Night's Dream

Sir QUILLER-COUCH Arthur 1967


A929The Capital Difficulty of Macbeth

Sir QUILLER-COUCH Arthur 1968


B558The Style of Milton

Sir RALEIGH Walter Alexander 1951



Sir SEDLEY Charles 1969

B159An Apology for Poetry or The Defence of Poesy

Sir SIDNEY Philip 1967

A279The Conscious Lovers

Sir STEELE Richard 1966


A256/1An Apology for Poetry. c.1583(printed 1595)

Sir SYDNEY Philip 1967


B715An Essay upon the Original and Nature of Government

Sir TEMPLE William 1986


B484 Religio Medici

Sir Thomas Browne

B733The Provoked Wife

Sir VANBRUGH John 1970

B732The Relapse

Sir VANBRUGH John 1970

D235From A Perfect Description of the People and Country of Scotland

Sir WELDON Anthony 1999


M57Appearance and Reality in Twelfth Night and the Two Gentlemen of Verona

SIROI, Christophe 1992

C433Freedom and loss in The Tempest

SISKIN Clifford 1977


A277/1New Readings in Shakespeare, volume I (The Comedies, The Poems)

SISSON C.J. 1961

A277/2New Readings in Shakespeare, volume II (The Histories, the Tragedies)

SISSON C.J. 1961

B450Tudor Intelligence Tests: Malvolio and Real Life

SISSON C.J. 1962


A405Hamlet

SISSON C.J. 1965

Shakespeare' s Tragic JusticeIn

A405King Lear

SISSON C.J. 1965


A405Macbeth

SISSON C.J. 1965


A405Othello

SISSON C.J. 1965


A405Shakespeare' s Tragic Justice

SISSON C.J. 1965

A393The Theatres and Companies

SISSON C.J. 1966


In

A601Justice in King Lear

SISSON C.J. 1969


A788Justice in King Lear

SISSON C.J. 1969


B455Shakespeare's Friends: Hathaways and Burmans at Shottery

SISSON C.J. 1969


In

B579Lost Plays of Shakespeare's Age

SISSON C.J. 1970

A463/2Studies in the Life and Environment of Shakespeare since 1900

SISSON Charles J. 1966


In

B046Stage Duelling in the Elizabethan Theater (1927)



In

B048The Red Bull Company and the Importunate Widow



B806Iterative Figures and Images in Paradise Lost, XI-XII

Sister DURKIN Mary Brian 1971


P1/1961/VDiscerning the Ghost In Hamlet

Sister JOSEPH Miriam 1961


A447Shakespeare's Use of the Arts of Language


A677Shakespeare's Use of the Arts of Language


A356A Midsummer-Night' s Dream

SITWELL Edith 1962

A Notebook on WILLIAM SHAKESPEAREIn

A356A Notebook on WILLIAM SHAKESPEARE

SITWELL Edith 1962


SITWELL Edith 1962



SITWELL Edith 1962


A356As You Like It

SITWELL Edith 1962


A356Cymbeline

SITWELL Edith 1962


A356Hamlet

SITWELL Edith 1962


A356Julius Caesar

SITWELL Edith 1962


A356King Lear

SITWELL Edith 1962


A356Macbeth

SITWELL Edith 1962



SITWELL Edith 1962


A356Othello

SITWELL Edith 1962


A356Pericles

SITWELL Edith 1962



SITWELL Edith 1962


A356The Henriad

SITWELL Edith 1962



SITWELL Edith 1962


A356The Tempest

SITWELL Edith 1962



SITWELL Edith 1962


A356Timon of Athens

SITWELL Edith 1962



SITWELL Edith 1962



SITWELL Edith 1962


A356Twelfth Night

SITWELL Edith 1962


A533Le théâtre polonais depuis 1945

SIVERT Tadeusz 1967


A463/14Thomas Bull and other 'English Instrumentalists' in Denmark in the 1580s

SJÖGREN Gunnar 1969

A074Joseph of Arimathie

SKEAT 1871

A054The Romans of Partenay

SKEAT W. 1866

A128/3Piers Plowman . Part III

SKEAT Walter W.

A150Lancelot of the Laik

SKEAT Walter W. 1865

A122Pierce the Ploughmans Crede


A128/1Piers Plowman . Part I


A128/2Piers Plowman . Part II


A137The Bruce

SKEAT Walter W. 1874-1877

A128/4IPiers Plowman . Part IV . Section I


A032Alexander and Dindimus


A110Aelfric's Lives of Saints . Parts I & II


A128/4IIPiers Plowman . Part IV . Section II


A017Parallel Extracts From 45 Manuscripts of Piers Plowman


A090The Romance of William of Palerne


A118Aelfrics Homilies


A035The Lay of Havelok The Dane


A033A Creatise on The Astrolabe


A620A Glossary ofTudor and Stuart Words


B051Cavalier Poets

SKELTON Robin 1969

C564The Baroque literature and culture in seventeenth-century Europe

SKRINE Peter N. 1978

B886Variations Within a Source: from Isaiah XXIX to 'The Tempest'

SLATER Ann Pasternak 1972


In

C879Racine’s Les Plaideurs - a tragedian’s farce

SLATER Maya 1988

FarceIn

B816Profitable Studies: Humanists and Government in Early Tudor England

SLAVIN Arthur J. 1970


A689Politics and Profit: A Study of Sir Ralph Sadler 1507-1547

SLAVIN Arthur Joseph 1966

C795The Politics of Conscience in All Is True (or Henry VIII )

SLIGHTS Camille Wells 1990


C639Nature's originals: value in Shakepearian pastoral

SLIGHTS William W.E. 1984


C632Rhetoric, 'logic' and poetry : the formal cause

SLOANE Thomas O. 1980

The age of MiltonIn

B818Gregory IX and the Two Faces of the Soul

SMALLEY B. 1969


B886The Design of 'All's Well That Ends Well'

SMALLWOOD R.L. 1972


In

P5/9 'Tis Pity She's a Whore and Romeo and Juliet

SMALLWOOD, R.L. 1981


C581The design of All's Well That Ends Well

SMALLWOOD R.L. 1982


C711Shakespeare's use of history

SMALLWOOD R. L. 1986


C992The shoemaker's holiday

SMALLWOOD R.L. AND WELLS Stanley 1979

D003"We will nothing pay for wearing our own noses". Cosmopolitanism and Insularity in Cymbeline

SMALLWOOD Robert 1994


D168/2"To seek my uncle in the forest of Arden": Plot Manipulation and the Happy Ending of As YouLike It



D240Shakespeare Performances in England, 1998



C379/4On Shakespeare's learning, january 1756

SMART Christopher 1976


B183Shakespeare: Truth and Tradition

SMART John S. 1966

C804Uncomformities in Shakespeare's Tragedies

SMIDT Kristian 1989

P5/30By Any Other Word?

SMIDT, Kristian 1991


P5/23Repetition, Revision , and Editorial Greed in Shakespeare's Play Texts

SMIDT, Kristian octobre 1988


B582Shakespeare: A Marxist Interpretation

SMIRNOV A.A. 1970


A701Etat des recherches sur Sénèque et les dramaturges hollandais

SMIT W.A.P. 1964


A693L'évolution des idées sur la tragédie dans le théâtre de Vondel

SMIT W.A.P. 1965


B012Vondel(1587-1679)

SMIT W.A.P. & BRACHIN P. 1964

B267John Donne: the Songs and Sonets

SMITH A.J. 1966

A943The Failure of Love: Love Lyrics after Donne

SMITH A.J. 1970


In

B855/1The Failure of Love: Love Lyrics after Donne

SMITH, A.J. 1970


B260The Poetry of John Donne

SMITH A.J. 1970


B995Donne's Reputation

SMITH A.J. 1972


B995The Dismissal of Love

SMITH A.J. 1972


D051The Matephysics of Love

SMITH, A.J. 1985

B995John Donne: Essays in Celebration

SMITH A.J. (editor) 1972

C453Sir Amorous Knight and the indecorous romans; or, Plautus and Terence play court in theRenaissance

SMITH Bruce R. 1973


D039Making a Difference : Male/Male 'Desire' in Tragedy, Comedy, and Tragi-Comedy

SMITH Bruce R. 1992


D206L(o)cating the Sexual Subject

SMITH Bruce R. 1996


D121L(o)cating the Sexual subject

SMITH Bruce R. 1996


B251Shakespeare's Proverb Love

SMITH Charles G. 1963

C664Shakespeare on French stages in the nineteenth century

SMITH Christopher 1986


A353Shakespeare in the Eighteenth Century

SMITH David Nichol 1968

A256/1Elizabethan Critical Essays

SMITH Gregory 1967

A256/2Elizabethan Critical Essays, volume II

SMITH Gregory 1967

A973Dipsychus Among the Shadows

SMITH H.A. 1968


C027The Use of Conventions in Spenser's Minor Poems

SMITH, Hallett 1967


B255Elizabethan Poetry: A Study in Conventions, Meaning, and Expression

SMITH Hallett 1970

C256Shakespeare's Romances : a Study of Some Ways of the Imagination

SMITH, Hallett 1972

P1/1938/IA Woman Killed With Kindness

SMITH, Hallett D. 1967


B922Imaginary Forces and the Ways of Comedy

SMITH, J. Percy 1972


A603Marlowe's Doctor Faustus

SMITH James 1969


C408Shakespearian and others essays

SMITH James 1974

A248The Jew of Malta in the Theatre

SMITH James L. 1968


A576The Jew of Malta in the Theatre

SMITH James L. 1968


B016'The Excellency and Nobleness of True Religion'

SMITH John 1969


A340Shadwell, the Ladies, and the Change in Comedy

SMITH John Harrington 1966


C353A notice of the Epigrammata of Francesco Patrizi, bishop of Gaeta

SMITH L.F. 1973


B764/4The 'Taste for Tudors' since 1940

SMITH, Lacey Baldwin 1960


B716Henry VIII: the Mask of Royalty

SMITH Lacey Baldwin 1971

B764/5Lodrisio Crivelli of Milan and Aeneas Sylvius, 1457-1464

SMITH, Leslie F. 1963


D013"Hell strives with grace": Reflections on the Theme of Providence in Marlowe

SMITH Mary Elizabeth 1990


D093Dreaming Drama and Dramatising Dreams : Towards a Reading of Sexuality in Cymbeline

SMITH, Peter J. 1995

Social ShakespeareIn

D093Re(-)fusing the Sign : Linguistic Ambiguity and the Subvertion of Patriarchy in Romeo and Julietand The Two Gentlemen of Verona



D093Sexual Geography of the Renaissance : On the Imagery of Antony and Cleopatra



D093Social Shakespeare


D093The Eternal Mushroom of Humanity : Racism and Jewishness in The Jew of Malta and TheMerchant of Venice



P5/35Meddlars and Meddlers: John Davies's The Scourge of Folly and Another Look at Rosaline'sopen et cetera

SMITH Peter S. 1994


B507Viet-Nam

SMITH Ralph 1971


In

B507Vietnam

SMITH Ralph 1973


C575A heart cleft in Twain : the dilemna of Shakespeare's Gertrude

SMITH Rebecca 1980

The woman's partIn

D011A Heart Cleft in Twain : the Dilemna of Shakespeare's Gertrude

SMITH Rebecca 1992

HamletIn

A899/6Chloris, or The Complaint of the passionate despised shepherd, 1596

SMITH William 1964


C379/3Shakespeare and the sublime, 1739

SMITH William 1975


B456Guide-lines for Interpreting the Uses of the Suffix '-ed' in Shakespeare's English

SMITHERS G.V. 1970


In

B938The Melodies of the Medieval ChurchDramas and their Significance

SMOLDON, William L. 1972


C379/4On Garrick's adaptation of The Winter's Tale, february 1762

SMOLLETT Tobias 1976


C379/4On Shakespeare's imperfections, 1756



C379/4Shakespeare's faulty style, 1762



C379/4On the current adaptations of Shakespeare, march 1756

SMOLLETT Tobias and DERRICK Samuel 1976


D226Court-Centred Politics and the Uses of Roman Historians, c. 1590-1630

SMUTS, Malcom 1994


A775The Comic Humours: A New Interpretation

SNUGGS Henry L. 1965


In

C458Othello and the conventions of romantic comedy

SNYDER Susan 1972


C509The comic matrix of Shakespeare's tragedies : Romeo and Juliet, Hamlet, Othello and King Lear

SNYDER Susan 1979

C515Patterns of motion in Antony and Cleopatra

SNYDER Susan 1980


C594Wise saws and modern instances : the relevance of Donatus

SNYDER Susan 1980


C584Auden, Shakespeare, and the defence of poetry

SNYDER Susan 1983


D135Ideology and the Feud in Romeo and Juliet

SNYDER, Susan 1996


C292Shakespeare's Patterns of Self-Knowledge

SOELLNER, Rolf 1972

M76From Shakespeare's Macbeth to Ionesco's Macbett: Visions of History

SOETENS, Astrid 1997

C985'How Chances it they travel?' : Provincial Touring, Playing Places, and the King's Men

SOMERSET Alan 1994


C433Falstaff, the Prince, and the pattern of 2 Henry IV

SOMERSET J.H.B. 1977


D200From Pericles to Marina: 'While Women are to be had for Money, Love, or Impunity'

Sonia MASSAI 1998


B537A Handbook to Sixteenth-Century Rhetoric

SONNINO, Lee A 1968

A528L'Architecte de Théâtre et la Cité

SONREL Pierre 1969


B916The Giant Race Before the Flood

SORELIUS, Gunnar 1966

C982Shakespeare's early comedies : myth, metamorphosis, mannerism

SORELIUS Gunnar 1993

C733The failure of orthodoxy in Coriolanus

SORGE Thomas 1987


B764/3Notes on Early Murals in Mexico

SORIA, Martin S. 1959


A629Botanique et histoire littéraire

SORRE Max 1956


M16Comedy at the Service of Tragedy: a Study of the Comic Element in King Lear

SOUILLARD, Alain 1973

T37Fonctions filmiques des costumes et des décors

SOURIAU Anne 1953


T37Succession et simultanéité dans le film

SOURIAU Anne 1953


T37Les grands caractères de l'Univers filmique

SOURIAU Etienne 1953


T37Rythme et unanimité

SOURIAU Etienne 1953


A629Les valeurs esthétiques et l'action

SOURIAU Étienne 1956


T37L'Univers filmique

SOURIAU Etienne (éditeur) 1953

A630Les sources sensibles de la musique sérielle

SOURIS André 1956


In

A698Problèmes d'analyse

SOURIS André 1960


Z8Poèmes de Donne Herbert et Crashaw mis en musique par leurs contemporains G. Coperario, A.Ferrabosco, J. Wilson, W. Corkine, J. Hilton

SOURIS André 1961

A759Troilus and Cressida and the Spirit of Capitalism

SOUTHALL Raymond 1964


B818St. Anselm and His English Pupils

SOUTHERN R.W. 1969


B273Western Society and the Church in the Middle Ages

SOUTHERN R.W. 1970

B450The Contribution of the Interludes to Elizabethan Staging

SOUTHERN Richard 1962


A678The Seven Ages of the Theatre


B455On Reconstructing a Practicable Elizabethan Public Playhouse



In

A528Scène Ouverte et Scène Fermée



B978The Staging of Plays before Shakespeare

SOUTHERN, Richard 1973

C651The technique of play presentation



A282Oroonoko

SOUTHERNE Thomas(1660-1746) 1966


A578 Chaucer' s Prosody : A Plea for a Reliable Text

SOUTHWORTH James G. 1969


A578 Chaucer' s Prosody : A Plea for a Reliable Text

SOUTHWORTH James G. 1969


B764/5The Two Lost Years of Erasmus

SOWARDS, J.K. 1963


A581The Fourth Stage

SOYINKA Wole 1969


C584Shakespeare and the living dramatist

SOYINKA Wole 1983


A717Music and Meaning in T.S. Eliot

SPEAIGHT Robert 1968


In

C174Shakespeare on the Stage

SPEAIGHT, Robert 1973

C520Shakespeare : the man and his achievement


C494Truth and relevance in Shakespeare production



B507India

SPEAR Percival 1971


In

P1/1927/ITamburlaine and Marlowe

SPENCE Leslie 1966


B168Five Restoration Adaptations of Shakespeare

SPENCER Christopher (editor) 1965

A615Colin Cloutes Mournfull Dittie for the Death of Astrophell

SPENCER Edm. 1962


In

A615Hobbinolls Dittie in Prayse of Eliza Queene of the Sheepheards

SPENCER Edm. 1962


In

A615Perigot and Cudies Roundelay

SPENCER Edm. 1962


In

A899/6Amoretti and Epithalamion, 1595

SPENCER Edmund 1964


P1/1925/IID'Avenant's Macbeth and Shakespeare's

SPENCER Hazelton 1966


P1/1926/IIImproving Shakespeare. Bibliographical Notes on Restoration Adaptations

SPENCER Hazelton 1966


D149Dramatic Strategies in the Plays of Edward BOND

SPENCER, Jennys 1992

B450'Greeks' and 'Merrygreeks': A Background to Timon of Athens and Troilus and Cressida

SPENCER T.J.B. 1962


C204The Great Rival : Shakespeare and the Classical Dramatists

SPENCER, T.J.B. 1964


A972A Reader's Guide to Hamlet

SPENCER T.J.B. 1965

HamletIn

A972The Decline of Hamlet

SPENCER T.J.B. 1965

HamletIn

A463/7Shakespeare v. The Rest : The Old Controversy

SPENCER T.J.B. 1966


A515/2Le masque à la cour d' Angleterre à la veille de la Guerre Civile

SPENCER T.J.B. 1968


B015Paradise Lost: The Anti-Epic

SPENCER T.J.B. 1968


A688Shakespeare: The Elizabethan Theatre-Poet

SPENCER T.J.B. 1969


B500Shakespeare: The Elizabethan Theatre-Poet

SPENCER T.J.B. 1969


C203Julius Caesar and Antony and Cleopatra



C169Shakespeare's Careless Art



C494When Homer nods : Shakespeare's artistic lapses

SPENCER T.J.B. 1978


A345Elizabethan Love Stories

SPENCER T.J.B. (editor) 1968

Penguin Shakespeare LibraryIn

A463/4Shakespeare Learns the value of Money : The Dramatist at Work on Timon of Athens

SPENCER Terence 1953


A977The Course of Shakespeare's Criticism



B050Shakespeare and the Elizabethan Romans



A775Reason and Passion in Marston's "The Dutch Courtezan"

SPENCER Theodore 1965


In

A655Shakespeare and the Nature of Man


B885Shakespeare and the Nature of Man: The Tempest



B102/1Le Déclin de l'Occident: esquisse d' une morphologie de l'histoire universelle(Partie I); Forme etRéalité

SPENGLER Oswald 1967

B102/2Le Déclin de l'Occident: esquisse d' une morphologie de l'histoire universelle(Partie II);Perspectives de l'histoire universelle

SPENGLER Oswald 1967

A903La Pendée Allemande de Luther à Nietzsche

SPENLÉ J.E. 1967

A966An Essay on Renaissance Poetry

SPENSER Edmund 1964

C214The Shepheardes Calender

SPENSER, Edmund 1967

A256/1Correspondence 1579-80

SPENSER Edmund & HARVEY Gabriel 1967


A697/2Le Palais des berghes à Bergen op Zoom

SPETH-HOLTERHOFF S. 1960


C391/2A complete and systematic concordance to the works of Shakespeare volume VIII : concordancesto "bad" quartos and The Taming of the Shrew and The Troublesome Reign of King John

SPEVACK Martin 1975

C391/1A complete and systematic concordance to the works of Shakespeare volume VII : concordancesto stage directions and speech-prefixes

SPEVACK Martin 1975

B370/1A Complete and Systematic Concordance to the Works of Shakespeare, volume I: Drama andCharacters Concordances to the Folio Comedies

SPEVACK Marvin 1968

B370/2A Complete and Systematic Concordance to the Works of Shakespeare, volume II: Drama andCharacters Concordances to the Folio Histories. Concordances to the Non-dramatic Works

SPEVACK Marvin 1968

B370/3A Complete and Systematic Concordance to the Works of Shakespeare, volume III: Drama andCharacters Concordances to the Folio Tragedies and Pericles, The Two Noble Kinsmen, Sir

SPEVACK Marvin 1968

B370/4A Complete and Systematic Concordance to the Works of Shakespeare, volume IV: AConcordance to the Complete Work

SPEVACK Marvin 1969

B370/5A Complete and Systematic Concordance to the Works of Shakespeare, volume V: AConcordance to the Complete Works Hildings- Severing

SPEVACK Marvin 1970

B370/6A Complete and Systematic Concordance to the Works of Shakespeare, volume VI: AConcordance to the Complete Works Severity - Zwagger'd and Appendices

SPEVACK Marvin 1970

A419/1Critical Essays of the Seventeenth Century(1605-1650)

SPINGARN J.E. 1968


SPINGARN J.E. 1968


SPINGARN J.E. 1968

A749Literary Criticism in the Renaissance

SPINGARN Joel E. 1963

A752Campion's Entertainment at Brougham Castle,1617

SPINK Ian 1968


M06The Island Symbolism in The Tempest

SPINNEWEBER, Dominique 1971

MD17Etude Comparative de Trois traductions françaises de Othello

SPINNEWEBER, Dominique 1994

M24Richard II a Study in Kingship

SPINNEWEBER, Remy

C816The Summons of Death on the Medieval and Renaissance English Stage

SPINRAD Phoebe S. 1987

A629Rythme et personnalité

SPIRE André 1956


B764/1The Philosophy of Conrad Celtis

SPITZ, Lewis W. 1954


B764/1The Problem of Latin Renaissance Poetry

SPITZER, Leo 1954


A590Linguistics and Literary History : Essays in Stylistics

SPITZER Leo 1967

A644Marvell' s "Nymph Complaining for the Death of Her Faun" : Sources versus Meaning

SPITZER Leo 1968


A775The Hybrid Image in Farce

SPIVACK Bernard 1965


In

A965Shakespeare and the allegory of Evil


D260Richard III and The Vice Tradition


Critical esays on Shakespeare's Richard IIIIn

P5/31Mariage and Masque in Middleton's Women Beware Women

SPIVACK, Charlotte 1992


D068Renaissance Dramatic Character: The Art of Self-Splitting

SPIVACK, Charlotte 1996


C922The New Historicism: Political Commitment and the Postmodern Critic

SPIVAK Gayatri Chakravorty 1989


C770Purses for the Globe

SPOTTISWOODE Patrick 1990


A787Shakespeare's Henry V : a play for the stage

SPRAGUE A.C. 1969


C500'True, gallant Raleigh' : some off-stage conversations in Shakespeare's plays

SPRAGUE A.C. 1980


A927Shakespeare and the Actors: The Stage Business in His Plays (1660-1905)

SPRAGUE Arthur Colby 1963

A463/12Shakespeare' s Unnecessary Characters

SPRAGUE Arthur COLBY 1967


B471Manner and Meaning in Shakespeare's Plays

SPRAGUE Arthur Colby 1969


B549Shakespearian Players and Performances

SPRAGUE, Arthur Colby 1969

B715The History of the Royal-Society of London

SPRAT Thomas 1986


C595Justice et violence dans les dénouements tragiques de Shakespeare

SPRIET P. 1981


In

C597Hamlet : fin de l'innocence du langage ou fin du spectacle?

SPRIET P. 1983


B 011Samuel Daniel(1563-1619): sa Vie-son Oeuvre

SPRIET Pierre 1968

P5/6Antisocial Behaviour and the Code of Love in Kyd's The Spanish Tragedy

SPRIET, Pierre 1979


C696Lectures du surnaturel dans Richard III et Macbeth

SPRIET Pierre 1987


C919/2The Winter’s Tale or The Staging of an Absence

SPRIET Pierre 1992


D055Hamlet : The End of the Innocence of Language or the End of the Show ?

SPRIET, Pierre 1995


P5/23The Merchant of Venice's Doom

SPRIET, Pierre octobre 1988


D030Commentary : "You've Got a Lot of Nerve"

SPRINKER Michael 1991


C606King Lear ou la vérité du fils

SPRIOT Pierre 1984

Caliban n° XXIIn

A790From Shakespeare's Imagery and What It Tells Us

SPURGEON Caroline 1968


A499Keats's Shakespeare: A Descriptive Study

SPURGEON Caroline F.E. 1968

A931Shakespeare's Imagery and what it tells us


B885The Imagery of Romeo and Juliet



B476Critical Studies Reviewed

SREWART J.I.M. 1968


A463/1Fifty Years of Shakespearian Production: 1898-1948

ST CLARE BYRNE M. 1966


In

A393The Social Background

ST CLARE BYRNE M. 1966


In

A463/10The Foundations of Elizabethan Language

St CLARE BYRNE Muriel 1965


A463/2A Stratford Production: Henri VIII

ST CLARE BYRNE Muriel 1966


In

P1 1962 IKing Hamlet's Ghost in Belleforest?

STABLER, A.P. 1962

P1/1966/IIIMelancholy, Ambition and Revenge in Belleforest's Hamlet

STABLER, A.P. 1966


P1/1962/IKing Hamlet's Ghost in Belleforest

STABLER Arthur P. 1962


C512Morgann and Falstaff refuted, 1788

STACK Richard 1981


P1/1958/IJames Examines Shakespeare: Notes on the Nature of Genius

STAFFORD William T. 1958


C876The World Turned Upside Down: Inversion, Gender and the State

STALLYBRASS Peter 1991

The Matter of Difference : Materialist Feminist Criticism of ShakespeareIn

D012Macbeth and Witchcraft


MacbethIn

D039Transvestism and the 'Body Beneath' : Speculating on the Boy Actor



D197/9Transvestism and the' body beneath': Speculating on the Boy Actor

STALLYBRASS PETER 1998


D280Well Grubbed, Old Mole: Marx, Hamlet and the (Un)fixing of Representation

STALLYBRASS, Peter. 2001


C924Smithfield and Authorship: Ben Jonson

STALLYBRASS Peter & WHITE Allon 1992


B007Joost van den Vondel(1587-1679): Cinq Tragédies

STALS Jean 1969

A463/9 Modern 'Theatrical' Translations of Shakespeare

STAMM Rudolf 1966


B455Elizabethan Stage-Practice and the Transmutation of Source Material by the Dramatists

STAMM Rudolf 1969


In

B555The Catharsis of King Lear

STAMPFER, J. 1960


A929The Catharsis of King Lear

STAMPFER J. 1968


B885The Catharsis of King Lear

STAMPFER J. 1970


C582The carthasis of King Lear

STAMPFER J. 1982


C783An Actor's Handbook

STANISLAVSKI Constantin 1990

D255Jonson's criticism

Stanley Stewart 2000



STANLEY Wells 1966


C184/1Botanical Nomenclature in Gersdorff's Feldtbüch der Wundartzney

STANNARD, Jerry 1972


C573Characterization of the four young lovers in A Midsummer Night's Dream

STANSBURY Joan 1982


D101Cambridge Guide to Theatre

STANTON & BANHAM (eds) 1996

A256/1From the Dedication and Preface to the Translation of the Aeneid 1582

STANYHURST Richard 1967


D193Venus as Praeceptor : The Ars Amatoria in Venus and Adonis

STAPLETON M.L. 1997


C456The middle of the yard, part II : the calculation of stage sizes for English Renaissance playhouses

STAR Leonie


C455The middle of the yard : a second inner stage?

STAR R.L.


D282The Displaced Body of Desire: Sexuality in Kenneth Branagh's Hamlet

STARKS, Lisa.S. 1999


C356The figure genius in the Renaissance

STARNES D.T. 1964


P1/1937/IIBilingual Dictionaries of Shakespeare's Day

STARNES, D.T. 1967


B708Irony and Drama

STATES, Bert O. 1971

C977Hamlet and the concept of character

STATES Bert O. 1992

B764/3The Influence of Thomas Watson on Elizabethan Ovidian Poetry

STATON, Walter F. jr 1959


B784Shakespeare's World of Images

STAUFFER, Donald A. 1949

A621A Deep and Sad Passion

STAUFFER Donald A. 1967





B582Roads to Freedom: Coriolanus



B187La Réforme(Que sais-je?)

STAUFFER Richard 1970

A188Jophn Ford and the Traditional Moral Order

STAVIG Mark 1968

B675Shakespeare, Measure for Measure

STEAD, C.K. 1971

B605Shakespeare Measure for Measure, A Casebook

STEAD C.K. (editor) 1971

B764/4Spencer's House of Care: a Reinterpretation

STEADMAN, John M. 1960


P1/1962/IIMilton's Haemony: Etymology and Allegory

STEADMAN John M. 1962


B260Paradise Lost

STEADMAN John M. 1970


C294The Huntington Library Quaterly : a Journal for the History and Interpretation of English andAmerican Civilization (vol. XXXVI, No 3, may 1973)

STEADMAN, John M. 1973

A490Marlowe A Critical Study

STEANE J.B. 1965

A603The Instability of Faustus

STEANE J.B. 1969


C793Renaissance Gardens and Parks

STEANE JOHN 1989


C455Enter a phonograph

STEDMAN Jane


C664Victorian imitations of and variations on A Midsummer Night's Dream and The Tempest

STEDMAN Jane W. 1986


C512Letters on Shakespeare, 1782

STEDMAN John 1981


A745Plays & Masques at Court During the Reigns of Elizabeth, James and Charles

STEELE Mary Susan 1968

A228The Tender Husband

STEELE Richard 1967

A991The Conscious Lovers

STEELE Richard 1968

C285Betterton's Benefit

STEELE, Richard 1970


C211/4The Conscious Lovers

STEELE, Richard 1974


A040Lydgares and Burgh’s Secrees of old Philisoffres

STEELE Robert 1894

A102Three prose versions of the Secreta Secretorum . Part I

STEELE Robert 1898

C379/2From the Tatler, 1709-10

STEELE Sir Richard 1974



STEELE Sir Richard 1974


C023Mr. Ireland's Vindication of his Conduct Respecting the Publication of the Supposed ShakespeareMSS

STEEVENS, George 1971

Chalmeriana and Mr. Ireland's Vindication of his ConductIn

C379/4On restoring Shakespeare's text, 1765

STEEVENS George 1976


C537Advice to Garrick on adaptating Hamlet, 1771



C537On Shakespearian scholarship, 1766



C537Proposals for a new edition of Shakespeare, 1766












C512On Richard III and Macbeth, 1787



C512On the alterations of Shakespeare, 1779-80




STEEVENS George and JOHNSON Samuel 1979


C415La fête parisienne à la Place Royale en avril 1612

STEGGMAN André 1975


A701La "Médée" de Corneille

STEGMANN André 1964


A693La Remise en cause des valeurs dans le "Lorenzaccio" de Musset



A773/1L'Héroïsme Cornélien, Génèse et Signification, tome I: Corneille et la vie littéraire de temps


A773/2L'Héroïsme Cornélien, Génèse et Signification, tome II: L'Europe intellectuelle et le théâtre1580-1650. Signification de l'héroïsme cornélien


A515/2Le rôle des Jésuites dans la dramaturgie française du début du XVIIe siècle



B266John Donne's lyrics: the Eloquence of Action

STEIN Arnold 1962

B081La Mort de la Tragédie

STEINER George 1965

P1/1956/IFaust's Pact with the Devil

STEINHAUER Harry 1956

D033Ted Hughes : Continuity and Transformations in the Act of Writing

STELLA Maria 1993


B043from Racine and Shakespeare: excerpt from Chapter I-On the Construction of InterestingTragedies; Excerpt from Chapter II-On Laughter

STENDHAL 1963


D255Jonson and the arts

Stephen Orgel 2000

The Cambrige Companion to Ben JonsonIn

C266Farce as Method

STEPHENSON, Robert C. 1965


C453The early spanish drama : from medieval ritual to Renaissance art

STERN Charlotte 1973


B261John Gielgud Directs Richard Burton in Hamlet

STERNE Richard L. 1968

B534Music in Shakespearean Tragedy

STERNFELD, F. W. 1963

A701La Musique dans les tragédies élizabéthaines inspirées de Sénèque

STERNFELD F.W. 1964


A463/10Music and Ballads

STERNFELD F.W. 1965


C415La technique du finale : des intermèdes à l'opéra

STERNFELD F.W. 1975


C583The lament in Poliziano's "Orfeo" and some musical settings of the early 16th century

STERNFELD F.W. 1984


A697Le Symbolisme Musical dans Quelques Pièces de Shakespeare présentées à la Cour d'Angleterre

STERNFELD Frederick W. 1956


B375Shakespeare's Use of Popular Song



A712Poetry and music-Joyce's Ulysses



A915Shakespeare's Use of Popular Song



C533Repetition and echo in Renaissance poetry and music



In

A700La chanson anglaise avant l'école madrigaliste

STEVENS Denis 1954


A697Pièces de Théâtre et" Pageants" à l' Epoque des Tudor

STEVENS Denis 1956


A698Les sources de l' "in nomine"

STEVENS Denis 1960



STEVENS George 1981


B376Music and Poetry in the Early Tudor Court

STEVENS John 1961

A964The granz biens of Marie de France

STEVENS John 1966


A717Music in Some Early Medieval Plays

STEVENS John 1968


In

B764/1The Contribution of French Jurists to the Huamnism of the Renaisance

STEVENS, Linton C. 1954


B764/5Denis Lambin, Humanist, Courtier, Philologist, and Lecteur Royal

STEVENS, Linton C. 1963


B605Design and Structure in Measure for Measure

STEVENSON David L. 1971


D068Medieval Rereading and Rewriting : The Context of Chaucer's 'ABC'

STEVENSON, Kay 1996


C951Praise and Paradox

STEVENSON Laura Caroline 1984

D193Strange Bedfellows-Venus, Adonis, and Me(1996)

STEWART Benjamin 1997


A621The Drama in a Frontier Theater

STEWART George R.Jr 1967


C308The supernatural in Shakespeare

STEWART Helen Hinton 1973

B789"Steep Tragic Contrast": Macbeth (1949)

STEWART, J.I.M. 1965


A600Character and Motive in Julius Caesar

STEWART J.I.M. 1969


B057Yhe Birth and Death of Falstaff

STEWART J.I.M. 1970


A292Shakespeare's Men and their Morals

STEWART J.I.M.(b.1906) 1963


C596Shylock, Shakespeare's alien

STEWART P. 1982


C640Shylock inThe Merchant of Venice

STEWART Patrick 1985


B123The Enclosed Garden: the Tradition and the Image in Seventeenth-Century Poetry

STEWART Stanley 1966

B737Marvell and the Ars Moriendi

STEWART Stanley 1971


In

A696La mise en scène d' "Athalie"

STEWART William 1957


A693Le Tragique et le sacré chez Racine

STEWART William 1965


B941Shakespeare's Mystery Play, a Study of the Tempest

STILL, Colin 1972

C575Shakespeare and the soil of rape

STIMPSON Catharine R. 1980

The woman's partIn

P1/1960/IVA Shakespeare Sonnet Group

STIRLING Brents 1960


B450More Shakespeare Sonnet Groups



C204Sonnets 127-154

STIRLING, Brents 1964


B344Unity in Shakespearian Tragedy: the Interplay of Theme and Characters


A600Ritual in Julius Caesar



B885"Or else were this a savage spectacle"



B582The Populace in Shakespeare



B980'Up, cousin,up; your heart is up, I know'

STIRLING, Brents 1973


B991'Up, cousin, up; your heart is up, I know'



A584Garrick' s Folly : The Shakespeare Jubille of 1769 at Stratford and Drury Lane

STOCHHOLM Johanne M. 1964

C346Moral perspective in Webster's major tragedies

STODDER Joseph Henry 1974

C261Satire in Jacobean Tragedy

STODDER, Joseph Henry `1974

A787Shakespeare's Presentation of a Contemporary Hero

STOLL E.E. 1969


A597Shylock

STOLL E.E. 1969


B558From the Superhuman to the Human in Paradise Lost

STOLL Elmer Edgar 1951


B789The Dramatic Texture in Shakespeare (1935)

STOLL, Elmer Edgar 1965


P1/1932/IIThe Tempest



A375Henry V


Poets and Playwrights: Shakespeare, Jonson, Spenser, MiltonIn

A375Poets and Playwrights: Shakespeare, Jonson, Spenser, Milton


B885Source and Motive in Macbeth and Othello



B806Milton's Samson and the Jewish Tradition

STOLLMAN Samuel S. 1971


P1/1934/IIGarrick's Long Lost Alteration of Hamlet

STONE, George Winchester 1966


A790Garrick's Handling of Macbeth

STONE George Winchester 1968



STONE George Winchester 1968


STONE George Winchester (editor) 1957















P1/1958/VbisPublications of the Modern Language Association of America n°73




P1/1958/VbisPublications of the Modern Language Association of America n°73
















P1/1960/1Publications of the Modern Language Association of America n°75









STONE George Winchester (editor) 197?









A686The Fruits of Office: The Case of Robert Cecil, First Earl of Salisbury, 1596-1612

STONE Lawrence 1961


A962The Crisis of the Aristocracy(1558-1641)

STONE Lawrence 1966

B909The Causes of The English Revolution, 1529-1642

STONE, Lawrence 1972

C506The family, sex and marriage in England 1500-1800

STONE Lawrence 1977

C629Early Days, Sisters, and Life Class

STOREY David 1980

C609In Celebration, The Contractor, The Restoration of Arnold Middleton, The Farm

STOREY David 1982

B507The Japanese Scene in the Sixteenth Century

STORRY Richard 1971


In

B260The Epyllion

STORY DONNO Elizabeth 1970


P5/43Faustus' Signature and the Signatures of Dr Faustus

STOTT Andrew 1998


In

P5/44Faustus' Signature and the Signatures of Dr Faustus

STOTT, Andrew 1998


A972Hamlet

Stratford-upon Haven Studies 1965

A441Jacobean Theatre

Stratford-Upon-Avon Studies I 1965

A971Later Shakespeare

Stratford-upon-Haven Studies 1966

A973Contemporary Theatre

Stratford-upon-Haven Studies 1968

A716Bibliography of English Printed Tragedy 1565-1900

STRATMAN Carl J. 1966

B514Matthew Arnold and the Continental Idea

STRAUMANN Heinrich 1964


B764/4The Liberey ofDuke Ernst of Bavaria (1500-1560)

STRAUSS, Felix F. 1961


B764/3Topographical-Historical Method in Sixteenth-Century German Scholarship

STRAUSS, Gerald 1958


B059The Political Philosophy of Hobbes: Its Basis and Its Genesis

STRAUSS Leo 1966

C841Un théâtre pour la vie : Réflexions, entretiens et notes de travail

STREHLER Giorgio 1974

D193 Ideal Conduct in Venus and Adonis (1975)

STREIBERGER W.R. 1997


A759Henry V and History

STRIBRNY Zdenek 1964


A787Henry V and History



C974Shakespeare as Liberator: Macbeth in Czechoslovakia



D068Representations of The Temptation of Christ in the Desert in Medieval Dutch and English Drama

STRIETMAN, Elsa 1996


B116Théâtre cruel et théâtre mystique

STRINDGERG August 1964

A917The Psychology of Twelfth NIght

STRONG L.A.G. 1967


B764/3Queen Elizabeth I as Oriana

STRONG, Roy C. 1959


D099Harold Pinter : Towards a Poetics of His Plays

STRUNK, Volker 1989

C379/3On Hamlet, 1736

STUBBES GEORGE 1975


C102The Anatomie of Abuse

STUBBES, Phillip 1973

C101The Second Part of the Anatomie of Abuses

STUBBES, Phillip 1973


STUBBS Imogen 1989


C705Jacobean private theatre

STURGESS Keith 1987

B430The Dramatic Experience

STYAN J.L. 1965

C266Types of Comedy

STYAN, J.L. 1965


B401The Elements of Drama

STYAN J.L. 1967

A973Television Drama

STYAN J.L. 1968


C447The dark comedy : the development of modern comic tragedy

STYAN J.L. 1968

B455The Actor at the Foot of Shakespeare's Platform

STYAN J.L. 1969


In

C403The Shakespeare revolution : criticism and performance in the twentieth century

STYAN J.L. 1977

C494Sight and space : the perception of Shakespeare on stage and screen

STYAN J.L. 1978


C682Restoration comedy in performance

STYAN J.L. 1986

C750Stage space and the Shakespeare experience

STYAN J.L. 1989


A463/10The Commonwealth

STYLES Philip 1965


C640Caliban in TheTempest

SUCHET David 1985


M58bisStatic and Dynamic in The Two Gentlemen of Verona and Twelfth Night.

SUEUR, Delphine 1992

C595Le Droit, l'Équité, la Charité : autour de quelques situations judiciaires dans l'oeuvre de Shakespeare

SUHAMY Henri 1981


In

C606Le psychologisme contre la psychologie. Quelques remarques sur la jalousie de Léontès et dequelques autres

SUHAMY Henri 1984

Caliban n° XXIIn

C602Les causes et les effets : quelques remarques sur le statut moral de Shylock

SUHAMY Henri 1985


C653De l' amour comme moyen de séduction ou propositions pour une lecture anthropologique d'All'sWell That Ends Well

SUHAMY Henri 1986


C696L'authenticité de la tirade d'Hécate : arguments et réponses

SUHAMY Henri 1987


C822A Midsummer Night's Dream , ou quelques épisodes de la guerre des sexes

SUHAMY Henri 1989


C718A Midsummer Night's Dream , ou quelques épisodes de la guerre des sexes

SUHAMY Henri 1989


C823Rhétorique et drame, ou la dialectique du chaud et du froid

SUHAMY Henri 1992


C923La morale de Prospero

SUHAMY Henri 1994


D055The Authenticity of the Hecate Scenes in Macbeth : Arguments and Counter- Arguments

SUHAMY, Henri 1995


D057La rhétorique de l'amour dans Twelfth Night

SUHAMY, Henri 1996

Twelfth Night : Le Language de la FêteIn

P5/13The Metaphorical Fallacy- Some Remarks on the Sickness Imagery in Hamlet

SUHAMY, Henry 1983


C770Suave mari magno ou l'art d'apprécier l'art

SUHAMY Henry 1990


D211La Voix et le son

SUHAMY Henry 1998


D232/1Le Héros inachevé: éthique et esthétique dans les tragédies de George Chapman

SUKIC, Christine 1997

D232/2Le Héros inachevé: éthique et esthétique dans les tragédies de George Chapman

SUKIC, Christine 1997

A697Les Réunons de Plein Air (résumé de Communication)

SULZBERGER Suzanne 1956


P1/1954/I-III"Grateful Vicissitude " in Paradise Lost

SUMMERS, Joseph H. 1954


P1/1955/VThe Voice of the Redeemer in Paradise Lost



C028The Lyric and Dramatic Milton : Selected Papers from the English Institute


C028The Movements of the Drama



B015The Embarrassments of Paradise Lost

SUMMERS Joseph H. 1968


A644The Poem as Hieroglyph



A635Marvell's 'Nature'



A943Andrew Marvell: Private Taste and Public Judgement



In

B855/1Andrew Marvell: Private Taste and Public Judgement



B333The Heirs of Donne and Jonson


B885The Masks of Twelth Night



B873The Masks of Twelfth Night



C533'Look there, look there!' the ending of King Lear



In

A385The Playhouse of Pepys

SUMMERS Montague 1935

A783The Restoration Theatre

SUMMERS Montague 1964

A529Architecture in Britain 1530 to 1830

SUMMERSON John 1969

D259The genres of Shakespeare's plays

Susan Snyder 2001


A977How the Characters Talk

SUTHERLAND James 1964


B400English Satire


A559English Literature of the Late Seventeenth Century


B891Restoration Prose



A977Shakespeare's World

SUTHERLAND James & HURSTFIELD Joel 1964

A244A London Merchant 1695-1774

SUTHERLAND Lucy S. 1962

C879Yvan Goll: profane and sacred farce

SWAN John 1988

FarceIn

C750Shakespeare and Beckett: what the words know

SWANDER Homer 1989


B891Challenges to Dryden's Editor

SWEDENBERG H.T. 1972


C276England in the Restoration and Early Eighteenth Century

SWEDENBERG, H.T. 1972

B696The Works of John Dryden, vol. 9

SWEDENBERG, H.T. JR 1966

B697The Works of John Dryden vol. 10

SWEDENBERG, H.T. JR 1970

B920The Works of John Dryden Vol. II

SWEDENBERG, H.T.Jr (general editor) 1972

C955Jonson and the Psychology of Public Theater

SWEENEY J.G. 1985

A045The Oldest English Texts

SWEET 1885

B264Shake-Speare: The Mystery

SWEET George Elliott 1963

A068Gregory’s Pastoral Care

SWEET H. 1871

A098King Alfred's Orosius

SWEET Henry 1883

C779From 'The Age of Shakespeare', 1908

SWINBURNE A.C. 1979


C779From the Prologue to 'Doctor Faustus ', 1896

SWINBURNE A.C. 1979


C779From 'The Works of George Chapman', 1875

SWINBURNE A.C. 1979


C170An Introduction to Shakespeare's Comedies

SWINDEN, Patrick 1973

C770Falstaff est-il un menteur?

SWITALSKI Jean-Luc 1990


D253Hamlet

Sydney Bolt 1990

A615Another of Astrophell

SYDNEY Philip 1962


In

A899/5Sonnets and Poetical Translations, 1598

SYDNEY Philip 1964

A614Sidelights on Elizebethan Drama : A Series of Studies Dealing with the Authorship of Sixteenthand Seventeenth Century Plays

SYKES H. Dugdale 1966

C411Images of the city in Thomas More's Utopia

SYLVESTER R.S. 1977


C779From 'Shakespeare's Predecessors in the English Drama', 1884

SYMONDS J.A. 1979


C327Shakespeare's predecessors in the English drama

SYMONDS John Addington 1969

C266The Meanings of Comedy

SYPHER, Wylie 1965


C770Comus ou la quête du commencement

SYS Jacques 1990


B555King Lear on the Stage: A Producer's Reflections

SZYFMAN, Ernest 1960


A615Coridons Hymne in Praise of Amarillis

T.B. 1962


In

C82225 ans de mises en scène du Songe en france

TAILLEBOT L. et BOQUET G. 1989


C71825 ans de mises en scène du Songe en france

TAILLEBOT L. et BOQUET G. 1989


C779From 'A History of English Literature', 1872

TAINE H.A. 1979


B043from A History of English Literature: excerpt from Book II, Chapter 4, Part 2; excerpt from Book II,Chapter 4, Part 4; excerpt from Book II, Chapter 4, Part 5; excerpt from Book II, Chapter 4, Part 8

TAINE Hippolyte 1963


D094Hamlet and the Anxiety of Modern Japan

TAKAHASHI, Yasunari 1995


A923The Problem of Order

TALBERT Ernest William 1962

C150Craft in Playwriting

TALBOT, A.J. 1939

A697Le Compte d' Aglié et le Ballet de Cour en Italie

TANI Gino 1956


A691English Constitutional Conflicts of the Seventeenth Century 1603-1689

TANNER J.R. 1966

C183English Constitutional Conflicts of the Seventeenth Century 1603-1689

TANNER, J.R. 1971

C595La justice dans The Faerie Queene de Spenser

TANNIER B. 1981


In

M12Ambiguity in Shakespeare's Julius Caesar

TARNAUD, Armelle 1972

A858Macbeth A Tragedy(1731)

TATE N. 1969

A808The History of King Lear

TATE N. 1969

A851The History of King Richard the Second(1681)

TATE N. 1969

A813The Ingratitude of A Common-Wealth

TATE N. 1969

C379/1From his adaptation of Coriolanus, january 1682

TATE Nahum 1974


C379/1From his adaptation of King Lear, march 1681

TATE Nahum 1974


C379/1From his adaptation of Richard II, december 1680

TATE Nahum 1974


C379/1On Shakespeare's learning, 1680

TATE Nahum 1974


D283The History of King Lear

TATE, Nahum. 2000


A570The Dramatic Works of John Tatham

TATHAM John 1967

A629La perspective et la géométrie dans l'oeuvre de Desargues

TATON René 1956


A901Jansénisme et Politique

TAVENEAUX René 1965

A635Marvell's Garden of the Mind

TAYLER E.W. 1969


C758Golding's Ovid, Shakespeare's 'Small Latin', and the real objectof Mockery in 'Pyramus and Thisbe'

TAYLOR Anthony Brian 1990


B275/1Shakespearean Criticism(Vol I)

TAYLOR COLERIDGE Samuel 1967

B275/2Shakespearean Criticism(Vol II)


D193Shakspeare'sVenus and Adonis(1817)



C512Shakespeare's faulty tragedies, 1774

TAYLOR Edward 1981


C515The war in King Lear

TAYLOR Gary 1980


C663The fortunes of Oldcastle

TAYLOR Gary 1985


C881Reinventing Shakespeare : A Cultural History from the Restoration to the Present

TAYLOR Gary 1989

C974Bardicide

TAYLOR Gary 1994


D282Afterword: The Incredible Shrinking Bard

TAYLOR, Gary. 1999


P1/1930/IIShakespeare's Attitude Towards Love and Honour in Troilus and Cressida

TAYLOR George C. 1966


A675The Rule and Exsercices of Holy Dying

TAYLOR Jeremy 1957


B938Critics, Mutations, and Historians of Medieval English Drama: an Introduction to the Essays ThatFollow

TAYLOR, Jerome 1972


B938The Dramatic Structure of the Middle English Corpus Christi, or Cycle , Plays.

TAYLOR, Jerome 1972


B938Medieval English Drama

TAYLOR, Jerome and NELSON, Alan H. 1972

C224Works (1st collection)

TAYLOR, John 1967

C230Works (2nd collection)

TAYLOR, John 1967

C235Works (3rd collection)

TAYLOR, John 1967

C239Works (4th & 5th collections)

TAYLOR, John 1967

C216Works (part I)

TAYLOR, John 1967

C217Works (part II)

TAYLOR, John 1967

C218Works (part III)

TAYLOR, John 1967

D235From The Penniless Pilgrimage, Or the Moneyless Perambulation

TAYLOR John 1999


B982The Moor of Venice

TAYLOR, John Edward 1855

B201The Penguin Dictionary of the Theatre

TAYLOR John RUSSELL 1967

C716Shakespeare in film, radio, and television (extract)

TAYLOR John Russell 1988


C476Beaumont and Fletcher, Heywood, and Dekker

TAYLOR Michael 1975


C584The pastoral reckoning in Cymbeline

TAYLOR Michael 1983


A623Two Types of Television Shakespeare

TAYLOR Neil


C958The films of Hamlet

TAYLOR Neil 1994


C958Two types of television Shakespeare

TAYLOR Neil 1994


C886Shakespeare's Early Tragedies : Richard III , Titus Andronicus and Romeo and Juliet

TAYLOR Neil and LOUGHREY Bryan 1990

P1/1940/IIJohn Shakespeare, Corviser, of Stratford-Upon-Avon and the Balsall Shakespeare

TAYLOR, Rupert 1967


P1/1936/IITentative Chronology of Marlowe's and Some Other Elizabethan Plays

TAYLOR, Rupert 1967


A692Primauté du jeu

TEIRLINCK Herman 1968


C822Platon, religion, science et folie dans The Duchess of Malfi à partir de la scène des fous, acte IV,scène 2

TEISSEDOU Jean-Pierre 1989


C718Platon, religion, science et folie dans The Duchess of Malfi à partir de la scène des fous, acte IV,scène 2

TEISSEDOU Jean-Pierre 1989


C184/1Fernel, Joubert, and Erastus on the Specificity of Cathartic Drugs

TEMKIN, Owsei 1972


B120Grotowski

TEMKINE Raymonde 1970

C995The rethoric of poison in John Webster's Italianate plays

TEMPERA Mariangela 1993


A675Upon the Gardens of Epicurus ; or of Gardening in the Year 1685

TEMPLE William 1957


A450The Comic Spirit in Restoration Drama: Studies in the Comedy of Etherege, Wycherley,Congreve, Vanbrugh, and Farquhar

TEN EYCK PERRY Henry 1962

C715Strategies of State and political plays : A Midsummer Night's Dream, Henry IV, Henry V, HenryVIII

TENNENHOUSE Leonard 1985


C660Power on display : the politics of Shakespeare's genres


C924Family Rites: City Comedy and the Strategies of Patriarchalism



D011Power in Hamlet


HamletIn

D009Rituals of State / Strategies of Power



D010The Theatre of Punishment


King LearIn

B558Milton

TENNYSON Alfred Lord 1951


C922Is there Class in this Class?

TERDIMAN Richard 1989


A697/2La Politique italienne de Charles Quint et le "triomphe" de de Bologne

TERLINDEN 1960


M13The Supernatural Element in Julius Caesar

TERSAT, Michèle 1972

C389Les pauvres dans le théâtre de Gil Vincente

TEYSSIER P. 1976


C411Lisbonne vue par un humaniste : l' Urbis Olisiponis Descriptio de Damiao de Gois (1554)

TEYSSIER P. 1977


P1/1927/IIShakespeare and the Unhappy Ending

THALER Alwin 1966


P1/1934/IIThe Lost Scenes of Macbeth

THALER, Alwin 1966


P1/1925/IIThe Shakespearian Element in Milton

THALER Alwin 1966


C278Shakespeare and Sir Philip Sidney : the Influence of The Defense of Poesy

THALER, Alwin 1967

P1/1938/IIShakespeare on Style, Imagination, and Poetry

THALER, Alwin 1967


A550Ben Jonson: Studies in the Plays

THAYER C.G. 1966

C285The Pretenders

The Daily Telegraph 1970


B715The Continuation of the Life of Edward Earl of Clarendon

The Earl of Clarendon 1986


A934The History of Henry the Fifth and the Tragedy of Mustapha

The Earl of ORRERY 1969


The Earl of Shaftesbury 1974


C285The Playboy of the Western World

The Irish Time 1970


B917The Boar's Head Theatre

The Late SISSON, C.J. 1972

B715The Character of a Trimmer

The Marquis Of Halifax 1986


B715The Lady's New-Years-Gift: or, Advice to a Daughter

The Marquis Of Halifax 1986


C285Granville Barker's Production of Twelfth Night

The Morning Post 1970


C355Studies in the Renaissance : index to volumes I-X

The Renaissance Society of America

C285Caste

The Times 1970


C285Murder in the Cathedral

The Times 1970



The Times 1970


C285Trilby

The Times 1970


B279/1Shakespeare's England: an Account of the Life & Manners of his Age(Vol I)

The University of Oxford 1966

B279/2Shakespeare's England: an Account of the Life & Manners of his Age(Vol II)

The University of Oxford 1966

A861The Tragedy of King Richard II(1720)

THEOBALD Lewis 1969

C057Double Falsehood

THEOBALD, Lewis 1970

C005Shakespeare Restored : or, a Specimen of the Many Errors, as Well Commited, as Unamended,by Mr. Pope in his Late Edition of this Poet

THEOBALD, Lewis 1971


THEOBALD Lewis 1974


C379/2From his adaptation of Richard II, 1719

THEOBALD Lewis 1974


C379/2From Shakespeare Restored, 1726

THEOBALD Lewis 1974


C379/2On editing Shakespeare, 1729-30

THEOBALD Lewis 1974


C379/2On King Lear, Othello and Julius Caesar, 1715-17

THEOBALD Lewis 1974


C379/2On the text of Shakespeare's Poems, 1732

THEOBALD Lewis 1974


A534La Commedia Dell'Arte vue à travers le Zilbadone de Pérouse

THERAULT Suzanne 1965

A700Musique et poésie en France au XVIè siècle avant les Amours de Ronsard

THIBAULT G. 1954


A698Le concert instrumental au XVème siècle

THIBAULT G. 1960


A699Le concert instrumental dans l' art flamand au XVè siècle et au début du XVIè.

THIBAULT G. 1961


D248Patrick Hamilton ou la réécriture d'un classique

Thierry Labica 2000


MD09Le Statut des personnages féminins dans la tragédie domestique élisabéthaine

THIRIET, Catherine 1992

A686Industries in the Countryside

THIRSK Joan 1961


D211Orson Wells et le remodelage du texte shakespearien

THOMAS François 1998


B340Ten Miracle Plays

THOMAS George 1966

C186Two Cultures? Court and Country under Charles I

THOMAS, P.W. 1973


B886The Queen Mab Speech in 'Romeo and Juliet'

THOMAS Sidney 1972


In

C707The moral universe of Shakespeare's problem plays

THOMAS Vivian 1987

P5/46Between the Lines: Exploring the Interstices of the RSC's 1998/9 Autumn/Winter Season

THOMAS, Vivian 1999


C472Philomel in Titus Andronicus and Cymbeline

THOMPSON Ann 1978


C773The Characters of Oblivion : Shakespeare De-constructs Troy

THOMPSON Ann 1990


C876Are There Any Women in King Lear ?

THOMPSON Ann 1991


C888Which Shakespeare : A User's Guide to Editions

THOMPSON Ann 1992

C984Shakespeare and Sexuality

THOMPSON Ann 1994


D142Asta Nielsen and the Mystery of Hamlet

THOMPSON, Ann 1997


In

C882Shakespeare, Meaning & Metaphore

THOMPSON Ann & John O. 1987

B816Dante and Bernard Silvestris

THOMPSON David 1970


A939Shakespeare and the Classics

THOMPSON J.A.K. 1966

B282The Founding of english Metre

THOMPSON John 1966

P1/1952/VIIShakespeare's Romantic Comedies

THOMPSON, Karl F. 1952


C750Perfor mance criticism: from Granville-Barker to Bernard Beckerman and beyond

THOMPSON Ruth & Marvin 1989


C750Shakespeare and the sense of performance : Essays in the tradition of performance criticism inhonor of Bernard Beckerman

THOMPSON Ruth & Marvin 1989

C740Antony and Cleopatra, act 4 scene16: 'A heavy sight'

THOMSON Leslie 1989


C925“Pray you, undo this button”: Implication of “Un-” in King Lear

THOMSON Leslie 1993


B320/64The Later Tudor Period, excluding Drama

THOMSON Patricia 1964








B320/68The Later Tudor Period, Excluding Drama



B260Wyatt and Surrey



B995Donne and the Poetry of Patronage



B699A Necessary Theatre: The Royal Shakespeare Season 1970 reviewed

THOMSON, Peter 1971


C171No Rome of Safety : the Royal Shakespeare Season 1972

THOMSON, Peter 1973


C409Shakespeae straight and crooked : a review of the 1973 season at Stratford

THOMSON Peter 1974


C398The smallest season : the Royal Shakespeare Company at Stratford in 1974

THOMSON Peter 1975


C476The study of drama

THOMSON Peter 1975


C399Towards a poor Shakespeare : The Royal Shakespeare Company at Stratford in 1975

THOMSON Peter 1976



THOMSON Peter 1982


C638Shakespeare's theatre

THOMSON Peter 1983

C711Playhouses and players in the time of Shakespeare

THOMSON Peter 1986


C664'Weirdness that lifts and colours all' : the secret self of Henry Irving

THOMSON Peter 1986


C914Shakespeare’s Theatre

THOMSON Peter 1992

D102Shakespeare's Professional Career

THOMSON, Peter 1994

C379/3On Shakespeare, february, march 1752

THORNTON Bonnel 1975


P1/1931/IIShakespeare and the Fine Arts

THORP Margaret Farrand 1966


A621Henry Nevil Payne, Dramatist and Jacobite Conspirator

THORP Willard 1967


A591Addison' s Contribution to Criticism

THORPE Clarence D. 1969


In

B558Milton Criticism

THORPE, James 1951

A009Chaucer

THYNNE F. 1865

A073Emblemes and Epigrames

THYNNE F. 1876

B043from Observations Concerning Characters in Hamlet

TIECK Ludwig 1963


C353Observations on the reception of the Aristotelian

TIGERSTEDT E.N. 1973


A292The First Tetralogy

TILLARD E.M.W.(1889-1962) 1963


B375Donne's Poetry in the Nineteenth Century

TILLOTSON Kathleen 1959


A915Donne's Poetry in the Nineteenth Century

TILLOTSON Kathleen 1969


B375A Mirror for Magistrates revisited

TILLYARD E.M. 1959


B558Conscious and Unconscious Meanings

TILLYARD E.M.W. 1951


B566Comus and Some Shorter Poems

TILLYARD, E.M.W. 1952

B568From Milton





Shakespeare' s Problem PlaysIn

A406Cymbeline


Shakespeare' s Last PlaysIn

A371Hamlet



A378Henry IV


Skakespeare' s History PlaysIn

A378Henry V



A378Henry VI



A378King John



A378Macbeth






A378Richard II



A378Richard III



A406Shakespeare' s Last Plays


A371Shakespeare' s Problem Plays


A378Skakespeare' s History Plays


B564Studies in Milton


C204The Fairy-Tale Element in The Taming of the Srew



A406The Tempest









A409Love' s Labour' s Lost


Shakespeare' s Early ComediesIn

B564Milton


A409Shakespeare' s Early Comedies





B184The English Epic and its Background





A409The Taming of The Shrew






A370The Elizabethan World Picture


A172The English Epic and its background

TILLYARD E.M.W 1968

A596The Tragic Pattern



A599The Tragic Pattern



A591A Note on Dryden' s Criticism



In

B885Richard II



B605Realism and Folk-lore



B980Richard II in the Second Tetralogy



B991Richard II in the Second Tetralogy



D260Richard III and the First Tretalogy

TILLYARD E.M.W 1999


A621Milton and Euripides

TIMBERLAKE P.W. 1967


C307John Bunyan mechanick preacher

TINDALL William York 1964

P5/10 Othello and the Apologia of Apuleius

TOBIN, J.J.M. 1982


C472Apuleius and the Bradleian tragedies

TOBIN John J.M. 1978


B086Théorie de la Littérature

TODOROV Tzvetan 1965

B508Grammaire du Décaméron


B865Poétique de la Prose

TODOROV, Tzvetan 1971

C946“Race,” Writing, and Culture



A702Théorie de la littérature (textes des formalistes russes réunis et traduits)

TODOROV Tzvetan (traducteur) 1965

C184/2The Controversy Between Descartes and Harvey Regarding the Nature of Cardiac Motions

TOELLNER, Richard 1972


A899/6Laura, the toys of a Traveller: or The Feast of fancy,1597

TOFTE Robert 1964


B558The Life of John Milton

TOLAND John 1951


A967Marvell' Ironic Vision

TOLIVER Harold E. 1965

B453The Splinter Coalition

TOLIVER Harold E. 1969


B043Shakespeare and the Drama

TOLSTOY Leo Nikolayevitch 1963


A702Sur le vers

TOMACHEVSKI B. 1965


In

B086Sur le vers

TOMACHEVSKI B. 1965


A702Thématique

TOMACHEVSKI B. 1965


In

B086Thématique

TOMACHEVSKI B. 1965


C933She That Plays The King : Henrietta Maria and The Threat of The Actress in Caroline Culture

TOMLINSON Sophie 1992


A498A Study of Elizabethan and Jacobean Tragedy

TOMLINSON T.B. 1964

C946“Indians”: Textalism, Morality, and the Problem of History

TOMPKINS Jane 1986


B364Stage Costumes and How to make them

TOMPKINS Julia 1969

A615An Excellent Pastorall Dittie

Tonie (Shepherd) 1962


In

A615Montana the Sheepheard, his Love to Aminta

Tonie (Shepherd) 1962


In

A615The Countesse of Pembrookes Pastorall

Tonie (shepherd) 1962


In

A615The Sheepheards Sunne



In

A615The Wood-Mans Walke



In

B829Spencer's Courteous Pastoral

TONKIN, Humphrey 1972

D250Shakespeare's cinematic offshoots

Tony Howard 2000


D235From The Divine Power or Gift of Healing

TOOKER William 1999


B487Shakespeare's Problem Plays

TOOLE William B. 1966

C409The motif of psychic division in Richard III

TOOLE William B. 1974


C964Mettre en scène le tragique contemporain

TORDJMAN Charles 1990


A694 Réalisme, poésie et réalité au théâtre

TOUCHARD P.A. 1967


B065Dionysos

TOUCHARD Pierre-Aimé 1952

B065L'Amateur de Théâtre


B104Le Théâtre français de 1918 à nos jours



C416Les Bonnes, de J. Genet : la préparation du spectacle français

TOURLET Christiane 1975


A233The Atheist's Tragedy, or, The Honest Man's Revenge

TOURNER Cyril 1964

A232The Revenger's Tragedy

TOURNER Cyril 1966

A497The Works, edited by Allardyce Nicoll

TOURNEUR Cyril 1963

B240The Atheist's Tragedy, or, The Honest Man's Revenge

TOURNEUR Cyril 1964

B416The Revenger's Tragedy

TOURNEUR Cyril 1967

C416Le Retour, de H. Pinter : la réalisation parisienne

TOUZOUL Melly 1975


C416Les Bonnes, de J. Genet : l'éclairage

TOUZOUL Melly 1975


P5/29The Tempest on Tour

TOYNE, Derek 1991


B758The Love Play of Antony and Cleopatra: A Critical Study of Shakespeare's Play

TRACI Philip J. 1970

B104Le Théâtre tchèque

TRÄGER Joseph 1965


B015The Iconography of the Fall of Man

TRAPP J.B. 1968


C036Medieval English Literature

TRAPP, J.B. 1973

C379/2Shakespeare and English drama, 1712

TRAPP Joseph 1974


C876Desire and the Difference it Makes

TRAUB Valerie 1991


C912Desire and Anxiety : Circulation of Sexuality in Shakespearean Drama

TRAUB Valerie 1992

D039The (In)Significance of 'Lesbian' Desire in Early Modern England

TRAUB Valerie 1992


B789Othello (1956)

TRAVERSI, D.A. 1965


A275/1An Approach to Shakespeare, volume I: Henry VI to Twelfth Night

TRAVERSI Dereck 1968

A275/2An Approach to Shakespeare, volume II: Troilus and Cressida to the Tempest

TRAVERSI Dereck 1969

B985Shakespeare: the Roman plays

TRAVERSI, Derek 1963

A449Shakespeare: The Last Phase

TRAVERSI Derek 1965

A377Henry IV

TRAVERSI Derek 1968

Shakespeare from Richard II to Henry VIn

A377Henry V

TRAVERSI Derek 1968


A377Richard II

TRAVERSI Derek 1968


A377Shakespeare from Richard II to Henry V

TRAVERSI Derek 1968

B582Coriolanus

TRAVERSI Derek 1970


C793Literature and Drama

TRAVERSI Derek 1989


A787The Conflict of Passion and Control in Henry V

TRAVERSI Derek A. 1969


B590Who's Who in History: volume IV; England, 1714-1789

TREASURE Geoffrey 1969

B058England under the Stuarts

TREVELYAN George Macaulay 1965

A689The Gentry 1540-1640 (in The Economic History Review Supplements)

TREVOR-ROPER H.R.

B214Archbishop Laud 1573-1645

TREVOR-ROPER H.R. 1965

A919Religion, the Reformation and Social Change

TREVOR-ROPER H.R. 1967

C184/2The Sieur de la Rivière, Paracelsian Physician of Henry IV

TREVOR-ROPER, Hugh 1972


B570Shakespeare on the English Stage, 1900-1964

TREWIN, J.C. 1964

B227Shakespeare on the English Stage 1900-1964: A Survey of Productions

TREWIN J.C. 1964

B260Samuel Butler and the Minor Restoration Poets

TRICKETT Rachel 1970


C409The aesthetics of mutilation in Titus Andronicus

TRICOMI Albert H. 1974


B957TRIMPI, Wesley

B957Ben Jonson's Poems

TRIMPI, Wesley 1962

B764/1Renaissance Problems in Calvin's Theology

TRINKAUS, Charles 1954


B764/4A Humanist's Image of Humanism: The Inaugural Orations of Bartolommeo della Fonte

TRINKAUS, Charles 1960


C356Humanist treatises on the status of the religious : Petrarch, Salutati, Valla

TRINKAUS Charles 1964


C354The unknown Quattrocento poetics of Bartolommeo della Fonte

TRINKAUS Charles 1966


B700Elizabethan Puritanism

TRINTERUD, Leonard J. 1971

P1/1963/IVThe Metamorphic Stop of Time in A Winter's Tale

TRITSCHLER, Donald 1962


MD20De La comédie des Erreurs à Beaucoup de bruit pour rien: La Guerre des Sexes dans six despremières comédies de Shakespeare.

TROALLIC, Catherine 1995

C594Semiotics and Shakespeare's comedies

TROUSDALE Marion 1980


C823The common measure of place

TROUSDALE Marion 1992


A533"Huis-Clos" et "L'Etat de Siège", signes avant-coureues de l'anti-théâtre

TRUCHET Jacques 1967


C596The alchemy of beauty : aesthetic principles in I Tamburlaine and their relationship to the hermeticideology

TRUCHET S. 1982


C741From Malta to Venice : The mediterranean in the 16th century in The Jew of Malta and TheMerchant of Venice

TRUCHET S. 1989

Lieu et tempsIn

P5/2Tamburlaine on the Modern Stage

TRUCHET Sibyl 1978


P5/2Tamburlaine on the Modern Stage

TRUCHET, Sibyl 1978


P5/4Campaspe: a Brave New World?

TRUCHET, Sibyl 1979


P5/13The Art of Antiquity in Works by Lyly and Shakespeare

TRUCHET, Sybil 1983


P5/17The Utopians

TRUCHET Sybil 1985


C694A sacramental reading of The Taming of the Shrew

TRUCHET Sybil 1987


D152Edward Bond

TRUSSLER Simon 1976

C399The letter of the law in The Merchant of Venice

TUCKER E.F.J. 1976


B727A Manual for Writers of Terms Papers, Theses, and Dissertations

TURABIAN Kate L. 1969

B043Hamlet and Don Quixote-The Two Eternal Human Types

TURGENEV Ivan Sergeyevich 1963


C592Les consomment les blondes : Gentlemen Prefer Blondes, Howard Hawks

TURIM Maureen 1980


P1/1946/IIA Caveats for Critics against Invoking Elizabethan Psychology

TURNER FOREST, Louise C. 1967


D042Pepys and the Private Parts of Monarchy

TURNER James Grantham 1995


B481The Maid's Tragedy

TURNER Robert K. 1970


C373The Tragedy of Thierry and Theodoret



C461The Tragedy of the Valentinian



A482Philaster

TURNER Robert K. (editor) 1966


C545The Mad Lover

TURNER Robert Kean 1982


P1/1960/VDramatic Conventions in All's Well That Ends Well

TURNER Robert Y. 1960


C368Shakespeare's apprenticeship

TURNER Robert Y. 1974

B363A Reading of George Herbert

TUVE Rosemond 1952

B764/4Sacred "Parody" of Love Poetry, and Herbert

TUVE, Rosemond. 1961


B568Theme, Pattern and Imagery in Lycidas

TUVE Rosemond 1961


B177Elizabethan & Metaphysical Imagery

TUVE Rosemond 1968

A340The Importance of Shaftesbury

TUVESON Ernest 1966


B788Locke and Sterne(1962)

TUVESON, Ernest 1971


C512Shakespeare and Greek tragedy, 1789

TWINING Thomas 1981


C986The theatricality of medieval English plays

TWYGROSS Meg 1994


C186Puritanism, Arminianism and Counter-Revolution

TYACKE, Nicholas 1973


C986An Introduction to medieval English theatre

TYDEMAN William 1994


D037State of the Art : Christopher Marlowe

TYDEMAN William and THOMAS Vivien 1989

C740The text of Cressida and every ticklish reader: Troilus and Cressida, the Greek camp scene

TYLEE Claire M. 1989


A915A Mirror for Magistrates Revisited

TYLLIARD E.M.W. 1969


B057Henry IV and the Tudor Epic

TYLLIARD E.M.W. 1970


A702De l'évolution littéraire

TYNIANOV J. 1965


In

B086De l'évolution littéraire

TYNIANOV J. 1965


A702La notion de construction

TYNIANOV J. 1965


In

B086La notion de construction

TYNIANOV J. 1965


A702Les problèmes des études littéraires et linguistiques

TYNIANOV J., JAKOBSON R. 1965


In

C537On editing Shakespeare, 1766

TYRWHITT Thomas 1979


C549Le Jeu des classiques, réécriture ou musée

UBERSFELD Anne 1978


A285Ralph Roister Doister

UDALL Nicholas 1966


In

B808"The Sobbing Deer": As You Like It, II.i.21-66, and the Historical Context

UHLIG Claus 1970


In

D033National Historiography and Cultural Identity : the Example of the English Renaissance

UHLIG Claus 1993


A515/1Les fêtes baroques d' Amsterdam de 1638 à 1660 : L' intelligibilité de leurs motifs allégoriques ethistoriques pour le public contemporain

UITMAM J.E. 1968


B409Language and Style

ULLMAN Stephen 1966

C177Pridge's Purge : Politics in the Puritan Revolution

UNDERDOWN, David 1971

A340The Comic Values-The Man of Mode

UNDERWOOD Dale 1966


B043Notes on Shakespeare's Art of Poetry

UNGARETTI Giuseppe 1963


A667Innocence et Mémoire

UNGARETTI Giuseppe 1969

A646Donne' s Poetry and Modern Criticism

UNGER Leonard 1962

A463/7An Unrecorded Elizabethan Performance of Titus Andronicus

UNGERER Gustav 1966


C498'My lady's a catayan, we are politicians, Maluolios a peg-a-ramsie' (Twelfth Nigth II, iii, 77-8)

UNGERER Gustav 1979


A528Le Théâtre Moderne a besoin d'espace et de technique

UNRUH Walter 1969


C379/2Shakespeare and the actors defended, 1729

Unsigned 1974


C379/2Shakespeare defended from Collier, 1698

Unsigned 1974


C379/3Essay against Cibber's King John, 1745

Unsigned 1975


C379/3Essay on Hamlet, 1752

Unsigned 1975


C379/3Essay on jealousy in Othello, august 1747

Unsigned 1975


C379/3Essay on jealousy in Othello, november 1751

Unsigned 1975


C379/3On Shakespeare's morality compared with Otway's, november, december 1748

Unsigned 1975


C379/3Shakespeare and the actors, december 1736; february, march 1737

Unsigned 1975


C379/3Shakespeare and therules, 1750

Unsigned 1975


C379/3Shakespeare the dramatist, 1747

Unsigned 1975


C379/3Shakespeare's ghost, june 1750

Unsigned 1975


C379/4An account of the novel and play of Romeo and Juliet, 1764

Unsigned 1976


C379/4An ode to Shakespeare, september 1760

Unsigned 1976


C379/4Garrick's Shakespeare, 1762

Unsigned 1976


C379/4On Garrick's Romeo, 1757

Unsigned 1976


C379/4On the merits of Shakespeare and Corneille, june 1760

Unsigned 1976


C379/4Shakespeare weighed and measured, january 1758

Unsigned 1976


C537On the defeciencies of English drama, 1769

Unsigned 1979


C512A rhapsody on Shakespeare, 1791

Unsigned 1981


C512Hamlet defends himself, 1782

Unsigned 1981


C512In defence of Polonius, 1779

Unsigned 1981



Unsigned 1981


C512On Boydell's Shakespeare Gallery, 1789

Unsigned 1981


C512On Julius Caesar , 1789

Unsigned 1981


C512On the cowardice of Falstaff, 1774

Unsigned 1981


C512Shakespeare and modern tragedy, 1785

Unsigned 1981


C537In honour of Shakespeare, 1769

Unsigned oration 1979


C646Beyond tragedy : structure and experience in Shakespeare's romance

UPHAUS Robert W. 1981

P1 1929 IIAllusions to James I and His Court in Marston's Fawn and Beaumont's Women Hater

UPTON, A.W.. 1929

P1/1929/IIAllusions to James I and His Court in Marston's Fawn and Beaumont's Woman Hater

UPTON Albert W. 1966



UPTON John 1975


A441Chapman's Tragedies

URE Peter 1965


A972Character and Role from Richard III to Hamlet

URE Peter 1965

HamletIn

A600 Shakespeare : Julius Caesar

URE Peter 1969

C956Good News about "Bad" Quartos

URKOWITZ Steven 1988


A675Or, the Discovery of a Most Exquisite Jewel

URQUHART THOMAS 1957


A578 Chaucer and Patristic Exegesis

UTLEY Francis Lee 1969


C549La musique dans l'Histoire du Soldat

VACCARO Jean-Michel 1978


C583Poésie et musique : le contrepoint des formes à la fin du XVIème siècle

VACCARO Jean-Michel 1984


P5/19"The Numbers of Poetry and Vocal Music" in King Arthur: The Internal Evidence

VACHÉ Jean 1985


A621Byron' s "Werner" Re-Estimated : a Neglected Chapter in Nineteenth Century Stage History

VAIL MOTTER T.H. 1967


C813Le décor peint des salles de spectacles

VAISSE Pierre 1978


D139Machiavel et la fragilité du politique

VALADIER , Paul 1996

A515/2Sur quelques prologues de drames jésuites allemands aux XVIe et XVIIe siècles

VALENTIN Jean-Marie 1968


D248La réécriture bondienne de King Lear dans Lear : une exarcerbation des passions.

Valérie Francoite-Chabin 2000


D248La réécriture stoppardienne d'Hamlet dans Rosencrantz and Guilderstein are dead : un hommagesubversif.

Valérie Francoite-Chabin 2000


D259Gender and sexuality in Shakespeare

Valerie Traub 2001


B731Drama and Theatre in Education

VALLINS Gordon 1971


In

C080The Roses

VALPY, Richard 1795


VALPY, Richard 1802

C048Henry IV Part 2

VALPY, Richard 1970

C045King John

VALPY, Richard 1970

B104Spectacle et religion dans l'Egypte ancienne

VAN DE WALLE Baudouin 1965


A699Musicologie et géographie

VAN DEN BORREN Charles 1961


A692Les oeuvres récentes d'Armand Salacrou

VAN DEN ESCH José 1968


A699Comment désigner la nationalité des artistes des provinces du Nord à l' époque de laRenaissance

VAN DER LINDEN Albert 1961


C455The Stanfield brothers

VAN DER MERWE Pieter


C848Some Aspects of Text Grammars

VAN DIJK Teun A. 1972

T25Text and Context: Explorations in the semantics and pragmatics of discourse

Van DIJK Teun A. 1977

A787The Fragmentation of the Heroic Idea in Henry V

VAN DOREN Mark 1969


A597The Merchant of Venice : An Interpretation

VAN DOREN Mark 1969


B885Macbeth

VAN DOREN Mark 1970


C433Making a scene : language and gesture in Coriolanus

VAN DYKE Joyce 1977


A697/2Les Chambres de Rhétorique et les fêtes du règne de Charles Quint

VAN ELSLANDER Antonin 1960


B104Le Viet-Nam

VAN KHÊ Trân 1965


B042The Idiom of Drama

VAN LAAN Thomas F. 1970

C371Acting as action in King Lear



C538Role-playing in Shakespeare


M34The Christian Lesson Dramatised in Everyman, Doctor Faustus and Measure for Measure

VAN MOE, Brigitte 1980

A697/2Les Joyeuses entrées et la peintue flamande

VAN PUYVELDE Leo 1960


B976A Short Vindication of the Relapse and the Provok'd Wife

VANBRUGH, John 1972

C211/3The Provoked Wife

VANBRUGH, John 1974


C211/3The Relapse

VANBRUGH, John 1974


B699 The Hamlet in Henry Adams

VANDERSEE, Charles 1971


P5/38Sacrifice, Violence and the Virgin Queen in Lyly's Gallathea

VANHOUTTE, Jacqueline A. 1996


A697Le Carroussel de 1612 sur la Place Royale et ses Devises

VANUXEM Jacques 1956


A699Aspects de la sculpture dans le Nord de la France entre 1480 et 1540

VANUXEM Jacques 1961


A515/1L' auditoire du Salon Dorado de l' Alcazar de Madrid au XVIIe siècle

VAREY J.E. 1968


A515/1La campagne dans le théâtre espagnol au XVIIe siècle

VAREY J.E. 1968


C415Les spectacles pyrotechniques en Espagne (XVIe-XVIIe siècles)

VAREY J.E. 1975


C531Kings and judges : Lope de Vega's El mejor alcade, el rey

VAREY J. E. 1979

Drama and societyIn

C583A further note on the actor / audience relationship in Spanish Court plays of the seventeenth century

VAREY J.E. 1984


C537Garrick's Hamlet reviewed, 1772-3

Various writers 1979


C334Imagery and thought in the metaphysical poets . With special reference to Andrew Marvell

VARMA R.S. 1972

B216/2The Lives of the Painters, Sculptors and Architects, vol. II

VASARI Giorgio (trans. by A.B. Hinds, ed. by 1965

B216/1The Lives of the Painters, Sculptors and Architects, vol. I


B216/3The Lives of the Painters, Sculptors and Architects, vol. III


B216/4The Lives of the Painters, Sculptors and Architects, vol. IV


M63Shakespeare Performed: Three Filmed Versions of Hamlet

VASSEUR, Olivier 1994

C945Shakespeare’s Caliban : A Cultural History

VAUGAN Alden T. & VAUGAN Virginia Mason 1993

A256/2From The Golden Grove. 1600

VAUGHAN William 1967


C779From 'the Golden-Grove', 1600

VAUGHAN William 1979


C854/2Les formes spécifiques du discours direct dans Hills like White Elephant

VAUTHERIN Béatrice 1987


C922The New Historicism

VEESER, H. Aram (ed.) 1989

C605La question du sens au cinéma

VEILLON OLivier-René 1980


A629Créateurs sans créatures

VEINSTEIN André 1956


A696Documentation et création



B104LeThéâtre radiodiffusé et télévisé



A694 Nouvelles perspectives de recherches à partir duréalisme



C858bisBibliothèques et Musées des Arts du Spectacle dans le Monde

VEINSTEIN André et GOLDING Alfred S. 1984

C858Bibliothèques et Musées des Arts du Spectacle dans le Monde

VEINSTEIN André et GOLDING Alfred S. 1984

M75Power in Macbeth and Coriolanus

VEJOZ, Hélène 1997

P5/2The York Cycle of Mystery Plays

VELZ John 1978


P5/2The York Cycle of Mystery Plays

VELZ, John 1978


B053Shakespeare and the Classical Tradition: A Critical Guide to Commentary, 1660-1960

VELZ John W. 1968

A463/14Clemency, Will, and Just Cause in 'Julius Caesar'

VELZ John W. 1969

C472The ancient world in Shakespeare : authenticity or anachronism? A retrospect

VELZ John W. 1978


P5/7Cosmic Irony in Medieval Tragicomedy and Renaissance Tragedy

VELZ, John W. 1980


B886Man's Need and God's Plan in 'Measure for Measure' and Mark iv

VELZ Sarah C. 1972


In

C592Filmer le roman familial de l'histoire : Les Chevaliers de la Table Ronde, Richard Thorpe

VENAULT Philippe 1980


C963Reading, Stage by Stage: Shakespeare's Sonnets

VENDLER Helen 1994


D170The Art of Shakespeare's Sonnets

VENDLER, Helen 1997

C595Justice et structure tragique : Webster

VENET G. 1981


In

C596Temps et idéologie : Marlowe, Shakespeare

VENET G. 1982


C741Temps et espace baroques dans la tragédie de Chapman The conspirancie and the tragedie ofCharles Duke of Byron

VENET G. 1989

Lieu et tempsIn

C608Temps et vision tragique : Shakespeare et ses contemporains

VENET Gisèle 1985

C173"Motiveless malignity", motif tragique d' Othello

VENET, Gisèle 1987

Autour d' OthelloIn

C898Grotesques et grotesque de Falstaff aux opéras de Purcell

VENET Gisèle 1992


C918L’argent et la caution de l’ être

VENET Gisèle 1993


C999Le monde vert ou la pastorale noire ?

VENET Gisèle 1995


D195Le Mal et ses masques

VENET Gisèle 1997

D055Baroque Space and time in Chapman's Tragedy : The conspiracy and Tragedy of Byron

VENET, Giselle 1995


C296Pageantry on the Shakespearean Stage

VENEZKI, Alice S. 1972

A700Poésie et air de Cour en France jusqu'en 1620

VERCHALY André 1954


A606Crises économiques et sociales en Belgique à l'époque de Charles-Quint

VERLINDEN Charles 1959


C830Mythe et Tragédie en Grèce Ancienne

VERNANT J-P. et VIDAL-NACQUET P. 1972

C605Clignotements du noir-et-blanc

VERNET Marc 1980


T44Codes non-spécifiques

VERNET Marc 1980


T44Espace (Structure de l')

VERNET Marc 1980


T44Flash-Back

VERNET Marc 1980


T44Genre

VERNET Marc 1980


C592La transaction filmique : Le Faucon Maltais, Assurance sur la Mort, Le Grand Sommeil, La Damede Shangaï, Pendez Moi Haut et Court, La Femme à Abattre

VERNET Marc 1980


T44Personnage

VERNET Marc 1980


T44Policier

VERNET Marc 1980


T44Spectateur

VERNET Marc 1980


D068Images of Kings and Kingship: Chaucer, Malory,and the Representation of Royal Entries

VIAL, Claire 1996


A020The Anatomie of The Bodie of Man

VICARY T. 1888

A606Imperio y administracion en tiempo de Carlos V

VICENS VIVES Jaime 1959


B518Francis Bacon and Renaissance Prose

VICKERS Brian 1968

B355The Artistry of Shakespeare's Prose

VICKERS Brian 1968

B995The 'Songs and Sonnets' and the Rhetoric of Hyperbole

VICKERS Brian 1972


C379/1Shakespeare : the critical heritage volume I 1623-1692

VICKERS Brian 1974

C379/2Shakespeare : the critical heritage volume II 1693-1733

VICKERS Brian 1974

C379/3Shakespeare : the critical heritage volume III 1733-1752

VICKERS Brian 1975

C379/4Shakespeare : the critical heritage volume IV 1753-1765

VICKERS Brian 1976

C537Shakespeare : the critical heritage . Volume 5, 1765-1774

VICKERS Brian 1979

C512Shakespeare : the critical heritage . Volume 6, 1774-1801

VICKERS Brian 1981

C539The emergence of character criticism, 1774-1800

VICKERS Brian 1981


C683English Science, Bacon to Newton

VICKERS Brian 1987

D154'Suppose you see' : The Chorus in Henry IV and The Mirror for Magistrates

VICKERS Brian 1997


D076Francis Bacon

VICKERS, Brian (ed.) 1996

C672"The blazon of sweet beauty's best" : Shakespeare's Lucrece

VICKERS Nancy 1985


C379/4From his adaptation of The Two Gentlemen of Verona, 1762

VICTOR Benjamin 1976


C379/4Shakespeare acted and adapted, 1761

VICTOR Benjamin 1976


MD15L'Autobiographie de Benjamin Franklin: Mythes américains et écriture de soi

VICTOR, Jean-Marc 1993

D191L'Injure et ses Contextes dans le Théâtre de Shakespeare Tome 1

VIENNE-GUERRIN Nathalie 1998

D192L'Injure et ses Contextes dans le Théâtre de Shakespeare Tome 2


D225Des "mauvaises langues" dans Richard III



In

A696Utilité de la conservation des mises en scènes écrites

VIERGE Gabriel Daniel 1957


A692L'art dramatique et l'évolution économique et sociale depuis 1914

VIERGE Gabriel-Daniel 1968


D153L'Invention de la Responsabilité : La Deuxième Tétralogie de Shakespeare

VIGNAUX Michèle 1995

D209L'Utopie de Thomas More : une oeuvre carrefour

VIGNAUX Michèle 1999


A528Un Lieu Théâtral: Avignon

VILAR Jean 1969


T48L'oeil à la caméra

VILLAIN Dominique 1984

A463/12Shakespeare' s Romeo and Juliet' : Its Spanish Source

VILLAJERO Oscar M. 1967


C964Le temps d'une représentation

VILLEMAINE Pierre-Antoine 1990


C896La musique de scène

VILLENEUVE C. 1992


B113Théâtre et Collectivité

VILLIERS André 1953

A693Une Recherche du tragique chez Steinbeck: A propos de "Comme une flamme"



A694 Le Réalisme scénique



A692Perspectives ouvertes et fermées de l'avant-garde



A528Rapports de l'Acteur et du Spectateur comme Conditions d'une Architecture



C595Parodies de la justice dans le théâtre de John Day

VILLQUIN Jean-Pierre 1981


In

C602Trois portraits de Juifs de théâtre : Barabas, Shylock et Zariph



C696Regrets, remords et repentir dans Macbeth



C741Topographie du théâtre de John Day : dialectique du quotidien et de l'utopique


Lieu et tempsIn

C822Tragédie baroque



C718Tragédie baroque



C770Henry IV, dramatis personna : un homme, un roi



C919/2John day and Jacobean Drama. A Mirror Held up to the Stage



C898Le Burlesque dans L’Île aux Dupes de John Day



C825Les jeux de l'ironie dans Edward II de Marlowe


Edward IIIn

C896Roméo et Juliette , texte et traduction



C896Splendeurs et misères de Roméo et Juliette au théâtre



C896Traduire Roméo et Juliette . Dates et textes



C897Représentation(s) de la passion



D003Les ambiguïtés du Colonialisme dans The Tempest



C923Les masques de la tragédie dans La Tempête



D055Topography in John Day's Plays : The dialectic of Topicality and Utopia

VILLQUIN, Jean-Pierre 1995


B086Des tâches de la stylistique

VINAGROV V.V. 1965


A702Des tâches de la stylistique

VINOGRADOV V.V. 1965


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D200Race Mattered: Othello in Late Eighteenth-Century England

Virginia MASON VAUGHAN 1998


A629Une ville d'Orient: Édesse

VIROLLEAUD Charles 1956


C919/1The ‘Play’ in Hamlet : The Primacy of Theatre

VISCONTI Laura 1992


D285Shakespeare and Hanekom, King Lear and Land: A South African Perspective

VISSER, Nicholas. 1998


B104Le Théâtre en U.R.S.S. et dans les démocraties populaires

VITEZ Antoine 1965


A902Histoire des Idées en Grande-Bretagne

VITOUX Pierre 1969

D283Desdemona: A Play About a Handkerchieh

VOGEL, Paula. 2000


A528Expérience d'un Théâtre Populaire au Maroc

VOISIN André 1969


B043Preface to Brutus: Discourse on Tragedy

VOLTAIRE 1963


A907La Comédie

VOLTZ Pierre 1964

B043Shakespeare ad Infinitum

VON GOETHE Johann Wolfgang 1963


B043Shakespeare's Kings and Noblemen

VON HOFMANNSTHAL Hugo 1963


C985Dis-Covering the Female Body : Erotic Exploration in Elizabethean Poetry

VON KOPPENFELS Werner 1994


B043from History of England: excerpt from volume IV, Chapter 6

VON RANKE Leopold 1963


C639Plotting the early comedies: The Comedy of Errors, Love's Labour's Lost,The Two Gentlemen ofVerona

VON ROSADOR K. Tetzeli 1984


C795The Power of Magic: From Endimion to The Tempest

VON ROSADOR Kurt Tetzeli 1990


B043from On Simple and Sentimental Poetry

VON SCHILLER Johann Friedrich 1963


B043from The Stage as a Moral Institution

VON SCHILLER Johann Friedrich 1963


C548Carl Sternheim. Scènes de la vie héroïque bourgeoise

VORMUS Helga 1971


B891L.C.P. and the Clark

VOSPER Robert 1972


B191Shakespeare and the Rose of Love

VYVYAN John 1968

A940The Shakespearean Ethic

VYVYAN John 1968

B144Shakespeare and Platonic Beauty

VYVYAN John 1970

A615Wodenfrides song in Praise of Amargana

W.H. 1962


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A615Corins Dreame of his Faire Chloris

W.S. 1962


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C537On three Shakespearian tragedies, 1767

W.T. 1979


Z13/2A Bibliography of the English Printed Drama to the Restoration (vol. II)

W.W. Greg 1970

Z13/3A Bibliography of the English Printed Drama to the Restoration (vol. III)

W.W. Greg 1970

Z13/4A Bibliography of the English Printed Drama to the Restoration (vol. IV)

W.W. Greg 1970

C294Burke's Short Account and its Answer

WAAGE, Frederick O. 1973


P1/1966/IChapman 's Andromeda Liberata: Mythology and Meaning

WADDINGTON, Raymond B. 1966


C632Milton among the Carolines

WADDINGTON Raymond B. 1980

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D003"What?" Speaking the Language Out Aloud. With Reference to the Prologue in Romeo and Juliet

WADE Andrew 1994


B415The Longer Thou Livest and Enough Is as Good as a Feast

WAGER W. 1968

P1/1938/INew Poems of Sir Philip Sydney

WAGNER, Bernard M. 1967


D225Un Jardin en Avignon (1743-1746): Lady Mary Wortley Montagu et la création d'un domaine à soi

WAGNER Ève-Marie 1999


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B567Strength and Isolation: Pessimistic Notes of a Miltonolater

WAIN, John 1960

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A505The Living World of Shakespeare : A Playgoer' s Guide

WAIN John 1964

B511Shakespeare: Othello , a Casebook

WAIN, John 1971

A790Shakespeare Macbeth: A Casebook.

WAIN John (editor) 1968

B911The Background of Shakespeare's Sonnets

WAIT, R.J.C. 1972

A504The Herculean Hero in Marlowe, Chapman, Shakespeare and Dryden

WAITH Eugene M. 1962

B953The Herculean Hero in Marlowe, Chapman, Shakespeare and Dryden

WAITH, Eugene M. 1962

B050The Metamorphosis of Violence in Titus Andronicus



B582The Herculean Hero



C095Ideas of Greatness : Heroic Drama in England


C280Macbeth : Interpretation Versus Adaptation



C703Henry V as working-house of ideology

WALCH Günter 1990


D074'What's past is prologue' : Metatheatrical Memory and Transculturation in The Tempest

WALCH, Günter 1996


C359Musical terms as rhetoric : the complexity of Shakespeare's dramatic style

WALDO Tommy Ruth 1974

A929Hamlet : A Study in Critical Method

WALDOCK A.J.A. 1968


B335Sir Gawain and the Green Knight

WALDRON R.A. 1970

A463/3The 1622 Quarto and the First Folio Texts of Othello

WALKER Alice 1952


A700Le chant orphique de Marsile Ficin

WALKER D.P. 1954


A697La Musique des Intermèdes Florentins de 1589 et l' Humanisme

WALKER D.P. 1956


C184/2Francis Bacon and Spiritus

WALKER, D.P. 1972


C583Medical spirits in Philosophy and Theology from Ficino to Newton

WALKER D.P. 1984



WALKER Keith 1968



WALKER Keith 1969



WALKER Keith 1970



WALKER Keith 1971


A644Ben Jonson ' s Lyric Poetry

WALKER Ralph S. 1968


B182The Time is out of Joint: a study of Hamlet

WALKER Roy 1948

B049The Celestial Plane in Shakespeare

WALKER Roy 1968


B324The Time is Free: a Study of Macbeth

WALKER Roy 1969

B455The Whirling of Time, A Review of Recent Productions

WALKER Roy 1969


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C285The Voysey Inheritance

WALKLEY, A.B. 1970


D042Politics and the Restoration Masque : the Case of Dido and Aeneas

WALKLING Andrew R. 1995


C980Shakespeare : His Later Plays

WALL Stephen 1987


A765The Evolution of the English Drama up to Shakespeare, with a History of the First Blackfriars Theatre

WALLACE Charles William 1912

B519Destiny his Choice: The Loyalism of Andrew Marvell

WALLACE John M. 1968

B764/5The Later Version of Nicolas Poussin's Achilles in Scyros

WALLACE, Richard W. 1963


B477/3The Works of Francis Beaumont and John Fletcher (VOL III)

WALLER A.R. 1906

B477/4The Works of Francis Beaumont and John Fletcher (VOL IV)

WALLER A.R. 1906

B477/5The Works of Francis Beaumont and John Fletcher (VOL V)

WALLER A.R. 1907

C716Decentering the Bard : The BBC-TV Shakespeare and some implications for criticism and teaching

WALLER Garry F. 1988


C692Deconstruction and Renaissance literature

WALLER Gary F. 1983


A644On the Death of Mrs. Killigrew : The Perfecting of a Genre

WALLERSTEIN Ruth 1968


A617Richard Crashaw : A Study in Style and Poetic Development

WALLERSTEIN Ruth C. 1962

A621Shakespeare ' s Portrayal of Shylock

WALLEY Harold B. 1967


P1/1961/VThe Rape of Lucrece and Shakespearean Tragedy

WALLEY Harold R. 1961


P1/1933/IShakespeare's Conception of Hamlet

WALLEY, Harold R. 1966


A629La création chez l'enfant: jeux et jouets

WALLON Henri 1956


C379/4On Shakespeare and French rules, 1765

WALPOLE Horace 1976


C512Shakespeare's natural genius, 1779-80

WALPOLE Horace 1981


C285A Creator (Charles Laughton)

WALPOLE, Hugh 1970


B050Shakespeare in Schools

WALTER J.H. 1969


A787Shakespeare's Christian Epic Hero

WALTER J.H. 1969


A644The Tone of Ben Jonson ' s Poetry

WALTON Geoffrey 1968


A287DONNE John

WALTON Izaak 1966

LivesIn

A287HERBERT George

WALTON Izaak 1966

LivesIn

A287HOOKER Richard

WALTON Izaak 1966

LivesIn

A287Lives

WALTON Izaak 1966

A287SANDERSON Robert

WALTON Izaak 1966

LivesIn

A287Sir WOTTON Henry

WALTON Izaak 1966

LivesIn

A675The Life of Dr. John Donne & The compleat Angler or the Contemplative Man' s Recreation

WALTON Izzack 1957


B555Lear's Last Speech

WALTON, J.K. 1960


A759Macbeth

WALTON J.K. 1964


A972The Structure of Hamlet

WALTON J.K. 1965

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WALTON J.K. 1966



WALTON J.K. 1967



WALTON J.K. 1968


B647The Quarto Copy for the First Folio of Shakespeare

WALTON, J.K. 1971

C582Lear's last speech

WALTON J.K. 1982



WALTON WILLIAMS George 1970


P5/39Five-act Structure and the Choruses in Henry V

WALTON WILLIAMS, George 1996


B382The Revolution of the Saints: A Study in the Origins of Radical Politics

WALTZER Michael 1966

C512Shakespearian comedy, 1782

WALWYL B. 1981


C379/2Notes on Shakespeare, 1733

WARBURTON William 1974



WARBURTON William 1975


C285Specimens of English Dramatic Criticism 17th - 20th Centuries

WARD, A.C. 1970

C779From 'A History of English Dramatic Literature', 1875

WARD A.W. 1979


A703/1A History of English Dramatic Literature, volume I

WARD Adolphus William 1966

A703/2A History of English Dramatic Literature, volume II


A703/3A History of English Dramatic Literature, volume III


B891Challenges to Dryden's Biographer

WARD Charles E. 1972


A698Les sources de la musique pour le clavier en Angleterre

WARD John 1960


C894As You Like It

WARD John Powell 1992

A600Old and New Ideas about Tragedy

WARDE FOWLER W. 1969


B533Jest upon Jest

WARDROPER, John 1970

C276Hogarth's Narrative Method in Practice and Theory

WARK, Robert R. 1972


A717Studies in the Arts: Proceedings of the St. Peter's College Literary Society

WARNER Francis (editor) 1968

C537Shakespeare's language, 1768

WARNER Richard 1979


A943Metaphysical Poetry and the European Context

WARNKE Frank J. 1970


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B855/1Metaphysical Poetry and the European Context

WARNKE, Frank J. 1970


B764/1Marino and English Metaphysicals

WARNKE, Roland J. 1954


C494Quarto and folio King Lear and the interpretation of Albany and Edgar

WARREN Michael J. 1978


A623Shakespeare at Stratford, Ontario : The John HirschYears

WARREN Roger


A463/14Why Does it End Well? Helena, Bertram, and The Sonnets

WARREN Roger 1969

C399Theatrical virtuosity and poetic complexity in Cymbeline

WARREN Roger 1976


C433Theory and practice : Stratford 1976

WARREN Roger 1977


C472Comedies and histories at two Stratfords, 1977

WARREN Roger 1978


C498A year of comedies : Stratford 1978

WARREN Roger 1979


C498'Smiling at grief' : some techniques of comedy in Twelth Night and Così Fan Tutte

WARREN Roger 1979


C515Shakespeare at Stratford and the national theatre, 1979

WARREN Roger 1980


C539Shakespeare in performance, 1980

WARREN Roger 1981


C573Interpretations of Shakespearian comedy, 1981

WARREN Roger 1982



WARREN Roger 1982



WARREN Roger 1982


C581Why does it end well? Helena, Bertram, and the Sonnets

WARREN Roger 1982



WARREN Roger 1983

C639'Contrarieties agree': an aspect of dramatic technique in Henry VI

WARREN Roger 1984


C711Shakespeare on the twentieth-century stage

WARREN Roger 1986


C724Ford in performance

WARREN Roger 1988


C703Shakespeare'slate plays at Stratford, Ontario

WARREN Roger 1990


A599'Amazing wildnes of fancy' : Remarks on the Creation of Character

WARTON Joseph 1968


C379/3Shakespeare : nature's child, 1744

WARTON Joseph 1975



WARTON Joseph 1976


C379/4On The Tempest and King Lear, 1753-4

WARTON Joseph 1976


B558Preface to Milton's Poems on Several Occasions

WARTON Thomas 1951


C779From 'The History of English Poetry', 1781

WARTON Thomas 1979


C512Shakespeare and the golden age of English poetry, 1781

WARTON Thomas 1981


B603Aspects of the Eighteenth Century

WASSERMAN Earl R. (editor) 1965

B764/2The Authorship of the Vita Anonyma of Leon Battista Alberti

WATKINS, Renée 1957


C265On Producing Shakespeare

WATKINS, Ronald 1964

B158Shakespeare and Spenser

WATKINS W.B.C. 1966

C379/4On Shakespeare, 1764-5

WATKINSON Edward 1976


C772Richard III et la fiction contemporaine

WATSON Alexandra 1990


A942Shakespeare and the Renaissance Concept of Honor

WATSON Curtis Brown 1960

C854/2Bon esprit, bon sens ou bons mots ? (Ionesco, Obaldia, Navarre)

WATSON Donald 1987


B926Spencer

WATSON, Elizabeth A.F. 1967

B514Joseph Butler

WATSON George 1964


D262Epicoene

WATSON Robert 2000


A215Shakespeare and the Hazardz of Ambition

WATSON Robert N. 1984

C853Ben Jonson's Parodic Strategy


C780Tragedy



P1/1938/ISidney at Bartholomew Fair

WATSON, Sarah Ruth 1967


C878Shakespeare’s problem comedies: an Hegelian approach to genre

WATSON Shawn 1990


A615Amintas for his Phillis

WATSON Tho. 1962


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A615The Nymphes meeting their May Queene, Entertaine Her with this Dittie

WATSON Tho. 1962


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A615The Sheepheards Allusion of his Owne Amorous Infelicitie, to the Offence of Actaeon

WATSON Tho. 1962


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A615The Sheepheards Resolution in Love

WATSON Tho. 1962


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A615The Sheepheards Solace

WATSON Thomas 1962


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A899/5The Tears of Fancie, or, Loue Disdained, 1593

WATSON THomas 1964

Sonnets and Poetical Translations, 1598In

C221Passionate Centurie of Love

WATSON, Thomas 1967


C039Passionate Centurie of Love

WATSON, Thomas 1967


B514Joseph Conrad: Alienation and Commitment

WATT Ian 1964


B788Realism and the Novel

WATT, Ian 1971


B891The Ironic Tradition in Augustan Prose from Swift to Johnson

WATT Ian 1972


C980Recent Developments in Shakespearean Studies

WATTS Cedric 1987


C870Hamlet

WATTS Cedric 1988

C725Hamlet

WATTS Cedric 1988


WATTS Cedric 1991

C266The Sense of Regain : a Theory of Comedy

WATTS, Harold H. 1965


C733Power, politics, and the Shakespearean text: recent criticism in England and the United States

WAYNE Don E. 1987


C876Historical Differences: Misogyny and Othello

WAYNE Valerie 1991


C876The matter of Difference : Materialist Feminist Criticism of Shakespeare

WAYNE Valerie 1991

D142Shakespeare Wallah and Colonial Specularity

WAYNE, Valerie 1997


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B025Brecht and the Drama of Ideas

WEALES Gerald 1965


B001The Complete Plays of William Wycherley

WEALES Gerald 1967

B818Ioannis Saresberiensis Metalogicon: Addenda et Corrigenda

WEBB C.C.J. 1969


B818Notes on Books Bequeathed by John of Salisbury to the Cathedral Library of Chartres

WEBB C.C.J. 1969


B818Some Notes on the Problem of Siger

WEBB C.C.J. 1969


C379/4Shakespeare's poetry, 1762

WEBB Daniel 1976


A256/1A Discours of English Poetry. 1586

WEBBE William 1967


C458On the ancestry of the Gracioso

WEBBER Edwin J. 1972


A580The Eloquent "I" : Style and Self in Seventeenth-Century Prose

WEBBER Joan 1968

A174The Duchess of Malfi

WEBSTER John 1933



WEBSTER John 1939


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A396The White Devil

WEBSTER John 1966


WEBSTER John 1969


B419The White Devil

WEBSTER John 1970

D082The Duchess of Malfi and Other plays ed. by Weis

WEBSTER, John 1996


WEBSTER John (Ed.& Intr. by J.R. Brown) 1969

A265The White Devil

WEBSTER John, ed., intro., and notes by John 1965

P1/1928/IIShakespeare's Purpose in Timon of Athens

WECTOR Dixon 1966


A656Poetry and Politics under the Stuarts

WEDGWOOD C.V. 1961

B674Thomas Wentworth, First Earl of Strafford, 1593-1641

WEDGWOOD, C.V. 1961

A294Seventeenth-Century English Literature

WEDGWOOD C.V. 1963

A977The Close of an Epoch

WEDGWOOD C.V. 1964


B749Oliver Cromwell and the Elizabethan Inheritance

WEDGWOOD C.V. 1970

B176Faunus and Meliflora

WEEVER John 1963


B803Dreams in Seventeenth-Century English Literature

WEIDHORN Manfred 1970

B499Hamlet's Consistent Inconsistency

WEIGAND Hermann J. 1964


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B499Shakespeare in German Criticism

WEIGAND Hermann J. 1964


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B886The Options of the Audience: Theory and Practice in Peter Brook's 'Measure for Measure'

WEIL Herbert S. 1972


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C539On expectation and surprise : Shakespeare's construction of character

WEIL Herbert S. 1981


A463/14 Comic Structure and Total Manipulation in Shakespeare and Some Modern Plays

WEIL,JR. Herbert S. 1969

C439Christopher Marlowe : Merlin's Prophet

WEIL Judith 1977

C288Shakespeare Psychognostic : Character Evolution and Transformation

WEILGART, Wolfgang J. 1952

A759The Soul of he Age : Towards a Historical Approach to Shakespeare

WEIMANN Robert 1964


A463/12 Shakespeare on the Modern Stage : Past Significance and Present Meaning

WEIMANN Robert 1967


A515/2Le déclin de la scène "indivisible" élizabéthaine : Beaumont, Fletcher et Heywood

WEIMANN Robert 1968


A463/14Laughing with the Audience : 'The Two Gentlemen of Verona' and the Popular Tradition of Comedy

WEIMANN Robert 1969

C452Shakespeare and the popular tradition in the theater : studies in the social dimension of dramaticform and function . Revised English translation of Shakespeare und die Tradition des

WEIMANN Robert 1978

C539Society and the individual in Shakespeare's conception of character

WEIMANN Robert 1981


C672Mimesis in Hamlet

WEIMANN Robert 1985


C733Towards a literary theory of ideology: mimesis, representation, authority

WEIMANN Robert 1987


C966Shakespeare's Theater: Tradition and Experiment

WEIMANN Robert 1992


D163Authority and Representation in Early Modern Discourses

WEIMANN, Robert 1996

P5/11Essays in Definition: Shakespeare's Sonnets 21,23, and 25

WEISER, David K. 1982


B764/1The Attack on the Renaissance in Theology Today

WEISINGER, Herbert 1954


C028The "dry" and "rugged" Verse

WEISMILLER, Edward 1965


B597The Breath of Clowns and Kings: Shakespeare's Early Comedies and Histories

WEISS Theodore 1971

B602Hamlet and the Philosophy of Literary Criticism

WEITZ Morris 1964

C398Literature without philosophy : Antony and Cleopatra

WEITZ Morris 1975


C445Meaning in comedy : studies in Elizabethan romantic comedy

WELD John 1975

P5/12Elizabethan Epideictic Drama: Praise and Blame in The Plays of Peele and Lyly

WELL, R. Headlam 1983


B320/68American Literature to 1900

WELLAND D.S.R. 1970


B320/69American Literature to 1900

WELLAND D.S.R. 1971


B603The Term and Concept of "Classicism" in Literary History

WELLEK René 1965


P5/14Poetic Decorum in Spenser's Amoretti

WELLS, R. Headlam 1984


C807Shakespeare, Politics and the State

WELLS Robin Headlam 1986

C974Locating Texts in History

WELLS Robin Headlam 1994


B371Comments on Metrics (1960)

WELLS Rulon 1967


A623Shakespeare Survey No 39

WELLS Stanley

D154The Integration of Violent Action in

WELLS Stanley


A971Shakespeare and Romance

WELLS Stanley 1966

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A463/9Shakespeare in Planché' s Extravaganzas

WELLS Stanley 1966



WELLS Stanley 1967


B528Literature and Drama with special reference to Shakespeare and his contemporaries

WELLS Stanley 1970

B883Shakespeare Without Sources

WELLS Stanley 1972


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C203Shakespeare : Select Bibliographical Guides

WELLS, Stanley 1973

C203The Study of Shakespeare

WELLS, Stanley 1973


C476English drama (excluding Shakespeare) : select bibliographical guide

WELLS Stanley 1975

C399Shakespeare in Max Beerbohm's theatre criticism

WELLS Stanley 1976


C462Royal Shakespeare : four major productions at Stratford-upon-Avon

WELLS Stanley 1977

C500Juliet's nurse : the uses of inconsequentiality

WELLS Stanley 1980


C515The Taming the Shrew and King Lear : a structural comparaison

WELLS Stanley 1980



WELLS Stanley 1981

C573Shakespeare in Hazlitt's theatre criticism

WELLS Stanley 1982



WELLS Stanley 1982


WELLS Stanley 1983

C606Experiencing Shakespeare

WELLS Stanley 1984

Caliban n° XXIIn

C639Shakespeare Survey : an annual survey of Shakespeare study and production 37

WELLS Stanley 1984


WELLS Stanley 1985

C711The Cambridge companion to Shakespeare studies

WELLS Stanley 1986

C716Television Shakespeare (extract)

WELLS Stanley 1988


C716Television Shakespeare : Jonathan Miller and "Director's theatre"

WELLS Stanley 1988


C740Shakespeare performances in London and Stratford-upon-Avon 1986-87

WELLS Stanley 1989


C740Shakespeare Survey : an annual survey of Shakespeare studies and production 41

WELLS Stanley 1989

C758Shakespeare Performances in England, 1987-8

WELLS Stanley 1990


C795Shakespeare Production in England in1989

WELLS Stanley 1990



WELLS Stanley 1990


WELLS Stanley 1990


WELLS Stanley 1990

C919/1Shakespeare’s Onstage Audiences

WELLS Stanley 1992


C918Money in Shakespeare’s Comedies

WELLS Stanley 1993



WELLS Stanley 1993

C960Tales from Shakespeare

WELLS Stanley 1993



WELLS Stanley 1994


WELLS Stanley 1994

D135Shakespeare Survey 49

WELLS, Stanley 1996

P5/39Shakespeare's Biography and the Media

WELLS, Stanley 1996


D135 The Challenges of Romeo and Juliet

WELLS, Stanley 1996


D154The Integration of Violent Action in Titus Andronicus

WELLS Stanley 1997


D240Shakespeare Survey n°52: Shakespeare and the Globe

WELLS Stanley 1999

D006William Shakespeare : a Textual Companion

WELLS Stanley and TAYLOR Gary 1987

D094Shakespeare Survey 48

WELLS, Stanley (ed.) 1995

D175Shakespeare in the Theatre

WELLS, Stanley (Ed.) 1997

D109Modern Drama and the Death of God

WELLWARTH, George E. 1986

A917The Masque Transmuted

WELSFORD Enid 1967


A601The Fool in King Lear

WELSFORD Enid 1969


A788The Fool in King Lear

WELSFORD Enid 1969


A257The Fool: His Social and Literary History

WELSFORD Enid 1978

D273Hamlet in His Modern Guises

WELSH, Alexander. 2001

C379/2Longinus illustrated from Shakespeare, 1712

WELSTED Leonard 1974


C498The mariage contracts in Measure for Measure : a reconsideration

WENTERSDORF Karl P. 1979


B764/4Petrarch's Accidia

WENZEL, Siegfried 1961


D278Shakespeare and Feminist Performance

WERNER, Sarah. 2001

D277Women's Work and the performance of Shakespeare at the Royal Shakespare Company

WERNER, Sarah. 2001


A594The New Cambridge Modern History( Vol III) : The Counter-Reformation and Price Revolution :1559-1610

WERNHAM R.B. 1968

C819Romance and Finance: The Comedy of William Congreve

WERTHEIM Albert 1986


C613Chips With Everything, The Friends, The Old Ones, Love Letters on Blue Paper

WESKER Arnold 1980

C614The Journalists, The Merchant, The Wedding Feast

WESKER Arnold 1980

C612The Kitchen, The Four Seasons, Their Very Own and Golden City

WESKER Arnold 1981

C611The Wesker Trilogy : Chiken Soup With Barley, Roots, I'm Talking about Jerusalem

WESKER Arnold 1981

A759Some Current Uses of "Shakespearian"

WEST Alick 1964


C357The devil and John Webster

WEST Muriel 1974

B765The Court and The Castle

WEST, Rebecca 1971

P1/1955/VKing Hamlet's Ambiguous Ghost

WEST, Robert H. 1955


C204Ariel and the Outer Mystery



C269Shakespeare and the Outer Mystery


C184/2Newton and the Hermetic Tradition

WESTFALL, Richard S. 1972


A700L'influence de la musique italienne sur le madrigal anglais

WESTRUP J.A. 1954


P1/1932/IAnimal Simile in Paradise Lost

WHALER James 1966


D154Voices of the Past : A Note on Termagant and Herod

WHALEY Diana 1997


C379/3On Shakespeare's learning, 1748

WHALLEY Peter 1975


C379/2In praise of Hill's Henry V, december 1723

WHARTON The Duke of 1974


C512Richard III and Macbeth compared, 1785

WHATELY 1981


C017Remarks on some of the Characters of Shakespere

WHATELY, Thomas 1970

D260Macbeth and Richard III

WHATELY Thomas 1999


A148/2Merlin II

WHEATLEY H.B. 1869

A134Orthographie and Congruitie of the Britan Tongue

WHEATLEY Henry B. 1865

D260History, Character and Conscience in Richard III

WHEELER Richard.P 1999


B371On the Semantics of Poetry (1940)

WHEELWRIGHT Philip 1967


A256/1The Dedication to Promos and Cassandra.1578

WHETSTONE George 1967


B016'The Manifestation of Christ and the Deification of Man'

WHICHCOTE Benjamin 1969


B016'The Unity of the Church maintained by sincere Christians'



B016'The Use of Reason in matters of Religion'



C897Bibliographie analytique sélective

WHIITWORTH Charles 1993


B372Sculpture in Britain 1530 to 1830

WHINNEY Margaret 1964


WHINNEY Margaret & MILLAR Oliver 1957

A933Shakespeare's Use of Learning: An Inquiry into the Growth of his Mind & Art

WHITAKER Virgil 1969

A928The Mirror up to Nature: The Technique of Shakespeare's Tragedies

WHITAKER Virgil K. 1965

A600Brutus and the Tragedy of Moral Choice



A591Philosophy and Romance in Shakespeare' s "Problem" Comedies



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B654The English Separatist Tradition

WHITE, B.R. 1971

B320/63The Year's Work n English Studies(1963)

WHITE Beatrice & DORSCH T.S. 1965

C820Early English Drama, Everyman to 1580 : A reference guide

WHITE D. Jerry 1986

C922 New Historicism: A Comment

WHITE Hayden 1989


B022Social Criticism in Popular Religious Literature of the Sixteenth Century

WHITE Helen C. 1965

A618The Metaphysical Poets : A Study in Religious Experience

WHITE Helen C. 1966

A591John Donne and the Psychology of Spiritual effort

WHITE Helen C. 1969


In

B816Viator: Medieval and Renaissance Studies, volume I

WHITE Lynn (editor) 1970

C556Innocent victims : poetic injustice in Shakespearean tragedy

WHITE R.S. 1982

C639Criticism of the comedies up to The Merchant of Venice : 1953-82

WHITE R.S. 1984


P5/19The Rise and Fall of an Elizabethan Fashion: Love letters in Romance and ShakespeareanComedy

WHITE R.S. 1985


C925Marx and Shakespeare

WHITE R.S. 1993


D154Troilus and Cressida as Brechtian Theatre

WHITE R.S. 1997


D184Twelfth Night (Casebook)

WHITE, R.S. (Ed.) 1996

A712From linguistics to poetry

WHITEHALL Harold 1963


A762A Specimen of a Commentary on Shakespeare

WHITER Walter 1967

A790From Specimen of a Commentary on Shakespeare

WHITER Walter 1968


C512Shakespeare's mental associations, 1794

WHITER Walter 1981


A436Proverbs, Sentences, and Proverbial Phrases From English Writings Mainly Before 1500

WHITING Bartlett Jere (WHITING Helen Wescott, 1968

P1/1931/IVolpone, Herr von Fuchs, and Les Heritiers Rabourdin

WHITING George W. 1966


C040Beyond Melancholy : John Webster and the Tragedy of Darkness

WHITMAN, Robert Freeman 1973

D279Ante-Aesthetics: Towards a Theory of Early Modern Audience Response

WHITNEY, Charles. 2001


B471Second Century Shakespeare

WHITTAKER Herbert 1969


B922The Langham Regime

WHITTAKER, Herbert 1972


C266Shaw's Abstract Clarity

WHITTEMORE, Reed 1965


C919/1Love’s labour’s Lost : Aborted Plays Within, Unconsommated Play Without

WHITWORTH Charles 1992


D210Conventional Shakespeare, 1593: Venus and Adonis and the Elizabethan Epyllion

WHITWORTH Charles 1999


A520La femme de Campagne

WICHERLEY M.

A697Contribution de Ben Jonson et de Decker aux Fêtes du Couronnement de Jacques Ier

WICKHAM Glynne 1956


B548Drama in the World of Science

WICKHAM, Glynne 1962

A434/2aEarly English Stages (1300 to 1660)

WICKHAM Glynne 1963

A971Coriolanus: Shakespeare's Tragedy in Rehearsal and Performance

WICKHAM Glynne 1966

Later ShakespeareIn

A434/1Early English Stages (1300 to 1660)

WICKHAM Glynne 1966

A463/11Hell-Castle and its Door-Keeper

WICKHAM Glynne 1966


A753Shakespeare's Dramatic Heritage : Collected Studies in Medieval, Tudor and ShakespeareanDrama

WICKHAM Glynne 1969

A754Shakespeare's Dramatic Heritage : Collected Studies in Medieval, Tudor and ShakespeareanDrama

WICKHAM Glynne 1969

A688The Privy Council Order of 1597 for the Destruction of All London's Theatres

WICKHAM Glynne 1969


B500The Privy Council Order of 1597 for the Destruction of All London's Theatres

WICKHAM Glynne 1969


A434/2bEarly English Stages (1300 to 1660)

WICKHAM Glynne 1972

C171From Tragedy to Tragi-Comedy : King Lear as Prologue

WICKHAM Glynne 1973


C121Romance and Emblem : a Study in the Dramatic Structure of The Winter's Tale

WICKHAM, Glynne 1973


C384The medieval theatre

WICKHAM Glynne 1974

C826English Moral Interludes

WICKHAM Glynne 1976

C533Riddle and emblem : a study in the dramatic structure of Cymbeline

WICKHAM Glynne 1980


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C552The Two Noble Kinsmen or A Midsummer Night's Dream, part II

WICKHAM Glynne 1980


C569Early English stages 1300 to 1660 volume three : plays and their makers to 1576

WICKHAM Glynne 1981

C980The beginnings of English drama: stage and drama till 1660

WICKHAM Glynne 1987


C980The Restoration Theatre

WICKHAM Glynne 1987


C750Reflections arising from recent productions of Love's Labour's Lost and As You Like It

WICKHAM Glynne 1989


C960The Dramatic Struture of Shakespeare's King Henry the Eighth : An Essay in Rehabilitation

WICKHAM Glynne 1993


B244George Chapman- The Effect of Stoicism upon his Tragedies

WIELER John William 1969

B808"Actors" and "Play-Acting" in the Morality Tradition

WIERUM Ann 1970


In

C795The Duke My Father's Wrack': The Innocence of the Restoration Tempest

WIKANDER Matthew H. 1990


C573The art of the comic duologue in three plays by Shakespeare

WILCHER Robert 1982


P5/40Double Endings and Autonomous Acts: A Feature of Shakespearian Design

WILCHER, Robert 1997


P5/23Timon of Athens: A Shakespearian Experiment

WILCHER, Robert octobre 1988


A597Shakespeare : The Merchant of Venice

WILDERS John 1969

C203The Problem Comedies : Troilus and Cressida, All's Well that Ends Well, and Measure forMeasure

WILDERS, John 1973


T10The BBC TV Shakespeare: As You Like It

WILDERS John 1978

T13The BBC TV Shakespeare: Romeo and Juliet

WILDERS John 1978

C501The lost garden : a view of Shakespeare's English and Roman history plays

WILDERS John 1978

T14The BBC TV Shakespeare: Henry IV Part I

WILDERS John 1979

T14The BBC TV Shakespeare: Henry IV Part II

WILDERS John 1979

T32The BBC TV Shakespeare: Henry V

WILDERS John 1979

T15The BBC TV Shakespeare: Henry VIII

WILDERS John 1979

T12The BBC TV Shakespeare: Julius Caesar

WILDERS John 1979

T16The BBC TV Shakespeare: Measure for Measure

WILDERS John 1979

T9The BBC TV Shakespeare: Hamlet

WILDERS John 1980

T29The BBC TV Shakespeare: The Merchant of Venice

WILDERS John 1980

T11The BBC TV Shakespeare: The Taming of the Shrew

WILDERS John 1980

T33The BBC TV Shakespeare: The Tempest

WILDERS John 1980

T8The BBC TV Shakespeare: Twelfth Night

WILDERS John 1980

T1The BBC TV Shakespeare: A Midsummer Night's Dream

WILDERS John 1981

T6The BBC TV Shakespeare: All's Well That Ends Well

WILDERS John 1981

T7The BBC TV Shakespeare: Antony and Cleopatra

WILDERS John 1981

T2The BBC TV Shakespeare: Othello

WILDERS John 1981

T5The BBC TV Shakespeare: The Winter's Tale

WILDERS John 1981

T3The BBC TV Shakespeare: Timon of Athens

WILDERS John 1981

T4The BBC TV Shakespeare: Troilus and Cressida

WILDERS John 1981

T42The BBC TV Shakespeare: Cymbeline

WILDERS John 1983

T34The BBC TV Shakespeare: Henry VI part I

WILDERS John 1983

T35The BBC TV Shakespeare: Henry VI part II

WILDERS John 1983

T36The BBC TV Shakespeare: Henry VI part III

WILDERS John 1983

T43The BBC TV Shakespeare: King Lear

WILDERS John 1983

T30The BBC TV Shakespeare: Macbeth

WILDERS John 1983

T28The BBC TV Shakespeare: Richard III

WILDERS John 1983

T31The BBC TV Shakespeare: The Merry Wives of Windsor

WILDERS John 1983

T38The BBC TV Shakespeare: Coriolanus

WILDERS John 1984

T41The BBC TV Shakespeare: Pericles

WILDERS John 1984

T39The BBC TV Shakespeare: The Comedy of Errors

WILDERS John 1984

T40The BBC TV Shakespeare: The Two Gentleman of Verona

WILDERS John 1984

T52The BBC TV Shakespeare: King John

WILDERS John 1986

T53The BBC TV Shakespeare: Love's Labour's Lost

WILDERS John 1986

T54The BBC TV Shakespeare: Much Ado About Nothing

WILDERS John 1986

T51The BBC TV Shakespeare: Titus Andronicus

WILDERS John 1986

C980Shakespeare : His Comedies

WILDERS John 1987


B852The Last of the Epics: The Rejection of the Heroic in Paradise Lost and Hudibras

WILDING, Michael 1972


A635Marvell (Modern Judgements)

WILDING Michael (editor) 1969

C712Shakespeare's clown : actor and text in the Elizbethan playhouse

WILES David 1987

C879Taking farce seriously: recent critical approaches to Plautus

WILES David 1988

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P5/27'That Day are You Free': The Shoemakers Holiday

WILES David 1990


C919/1Shakespeare and the Medieval Idea of the Play

WILES David 1992


D195Place et espace du mal dans Macbeth

WILES David 1997


B039The Subtle Knot: Creative Scepticism in Seventeenth-Century England

WILEY Margaret L. 1968

C533'Full of doubt I stand' : the final implications of Paradise Lost

WILKES G. A. 1980


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C379/4Shakespeare on the stage, 1759

WILKES Thomas 1976


B764/1Recent Petrarch Publications

WILKINS, Ernest H. 1954


C356The earliest editions of the first Decennale of Machiavelli

WILKINS Ernest H., JACKSON William A. and 1964


A363The Comedy of Habit: an Essay on the Use of Courtesy Literature in a study of Restoration ComicDrama

WILKINSON D.R.M. 1964

C294Three Sets of Religious Poems

WILKINSON, Jean 1973


C184/1"Hermes Christianius": John Winthrop,Jr and Chemical Medicine in Seventeenth Century NewEngland

WILKINSON, Ronald Sterne 1972


C537Adaptation of Hamlet, 1773

WILKINSON Tate 1979


C963Pushing the Envelope: Supersonic Criticism

WILLBERN David 1994


A393Shakespeare and Elizabethan English

WILLCOCK G.D. 1966


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B048Shakespeare and Elizabethan English

WILLCOCK Gladys D. 1968


A976the Fool and His Sceptre: a Study in Clowns and Jesters and Their Audience

WILLEFORD William 1969

B104Le Théâtre aux Pays-Bas

WILLEKENS Emiel 1965


C490La genèse du mythe Shakespearien, 1660-1780

WILLEMS Michèle 1979

D002Double et déguisement dans Twelfth Night



C597Du texte Shakespearien à la scène de la Restauration et du XVIIIe siècle : les métamorphoses deMacbeth



C771Documentaire historique ou vision de l'Histoire ? Les deux tétralogies à la télévision



C771Shakespeare à la télévision


C771Shakespeare à la télévision



C822Jeu théâtral et catharsis



C718Jeu théâtral et catharsis



C742Le culte de Mars de 1 Henry IV à Corolian



C770Le temps dans 1 Henry IV



C898Hamlet ou la vision grotesque de la mort



C919/1“They do but jest’ or do they?Reflexions on the Ambiguities of the Space Within a Space”



C958Verbal-visual, verbal-pictural or textual-televisual? Reflections on the BBC Shakespeare series



D055"Women and horses and power and war": Worship of Mars from 1 Henry IV to Coriolanus

WILLEMS, Michèle 1995


D057Le double dans Twelfth Night

WILLEMS, Michèle 1996


D195Le discours de la tentation dans Macbeth



D211Ni cinéma, ni télévision: la radio et les paradoxes de la représentation



P5/26Misconstruction in 1 Henry IV

WILLEMS, Michèle Avril 1990


A623Verbal-Visual, Verbal-Pictoral or Textual-Televisional ? Reflections on the BBC shakespeare' sSeries

WILLEMS Michelle


D002Ambiguité et identité dans Julius Caesar

WILLEMS Raymond 1981


C771L'Othello de Jonathan Miller

WILLEMS Raymond 1987


A256/1From Poematum Liber.1573

WILLES Richard 1967


C548Expressionnisme et politique : le cas Brecht

WILLET John 1971


A439The Eighteenth Century Background: Studies on the Idea of Nature in the Thought of the Period

WILLEY Basil 1965

A438The Seventeenth Century Background: Study in the Thought of the Age in Relation to Poetry andReligion

WILLEY Basil 1967

A591The Touch of Cold Philosophy

WILLEY Basil 1969


In

Z14Brittania

William Camden 1951

A972Hamlet in the Theatre

WILLIAM David 1965

HamletIn

A441The Tempest on the Stage

WILLIAM David 1965


D200Destined Livery? Character and Person in Shakespeare

William DODD 1998


A842Cymbelyne(1759)

WILLIAM Hawkins 1969

B517Conversations at Little Gidding 'On the Retirement of Charles V', 'On the Austere Life': Dialoguesof Members of the Ferrar Family

WILLIAMS A.M. (editor) 1970

C591Répétition, variation : matrices narratives dans Seuls les Anges ont des Ailes (Only Angels haveWings ), Howard Hawks

WILLIAMS Alan 1980


B558An Introduction to Milton's Poem

WILLIAMS Charles 1951


B607James I


B875A Short Life of Shakespeare with The Sources


A929Romeo and Juliet in the Cycle of Shakespeare



A787The Honour of King Henry V



B323Alliterative Poetry in the Fourteenth and Fifteenth Centuries

WILLIAMS D.J. 1970


C373Love's Cure

WILLIAMS George Walton 1976


C461The Chances



C545The Island Princess



C985Time for Such a Word' : Verbal Echoing in Macbeth



A482The Woman Hater

WILLIAMS George Walton (editor) 1966


B543Spencer's Faerie Queen, The World of Glass

WILLIAMS, Kathleen 1966

B762Jonathan Swift

WILLIAMS Kathleen 1971


In

B698Henry VIII and His Court

WILLIAMS, Neville 1971

B889The Life and Times of Elizabeth I

WILLIAMS Neville 1972

C176Life in Tudor England

WILLIAMS, Penry 1969

P1/1961/IIIMistakes in Twelfth Night and Their Resolution: A Study in Some Relationships of Plot and Theme

WILLIAMS Porter 1961


B873Mistakes in Twelfth Night and Their Resolution

WILLIAMS Porter 1972


B514David Hume: Reasoning and Experience

WILLIAMS Raymond 1964


C190Drama in Performance

WILLIAMS, Raymond 1972

C432Social environment and theatrical environment : the case of English naturalism

WILLIAMS Raymond 1977


A697/2Les Ommegangs d' Anvers et les cortèges du Lord-Maire de Londres

WILLIAMS Sheila 1960


A697/2Ommegangs anversois du temps de Bruegel et de Van Heemskerck

WILLIAMS Sheila & JACQUOT Jean 1960


C573Shakespeare at the Burgtheater : from Heinrich Anschütz to Josef Kainz

WILLIAMS Simon 1982


C664The 'Shakespeare-stage' in nineteenth-century Germany

WILLIAMS Simon 1986


A446The Donne Tradition: A study in English Poetry from Donne to the Death of Cowley

WILLIAMSON George 1958

A670Seventeenth Century Contexts


A643Milton & Others


B040The Senecan Amble: A Study in Prose from Bacon to Collier


A740A Reader' s Guide to The Metaphysical Poets


A644The Convention of The Extasie



D030Violence and Gender Ideology in Coriolanus and Macbeth

WILLIAMSON Marilyn L. 1991


D045The Monarch and the Sacred : Shakespeare and the Ceremony for the Healing of the King's Evil

WILLIS Deborah 1992


C716The British Shakespeare series : A prolegomenon

WILLIS Suzan 1988


C248His Avisa

WILLOBY 1967

B017Willobie His Avisa, The first triall of Avisa(1594)

WILLOBY Henry 1967


D043Witches and Jesuits : Shakespeare's Macbeth

WILLS Garry 1995

B313De Re Poetica

WILLS Richard 1958

P5/17Hamlet: Man of the Theatre

WILLSON Robert F. 1985


P5/4Fearful Punning: The Name Game in Macbeth

WILLSON, Robert F. JR. 1979



WILLY Margaret 1964



WILLY Margaret 1965



WILLY Margaret 1968



WILLY Margaret 1969



WILLY Margaret 1970


B818Le Florilège mixte de Thomas Bekynton

WILMART A. 1969


C921Cambridge Guide to AMERICAN THEATRE

WILMETH Don B. & MILLER Tice L. 1993

D033Laikin, with Glossalalia : Tony Harrisson

WILSON Anita 1993


B881A Tudor Tapestry: Men, Women and Society in Reformation England

WILSON Derek 1972

B476Malone and the Upstart Crow

WILSON Dover 1968


B346Titus Andronicus on the Stage in 1595

WILSON Dover 1970


A757The Fortunes of Falstaff

WILSON Dover J. 1964

C470Morose Ben Jonson

WILSON Edmund 1963


B456Shakespeare and Christian Doctrine: Some Qualifications

WILSON Edward M. 1970


In

B913Shaw on Shakespeare

WILSON, Edwin 1969

A968England's Eliza

WILSON Elkin Calhoun 1966

C116Shakespeare, Santayana, and the Comic

WILSON, Elkin Calhoun 1973

B555Illustrations of Social Life III: Street Cries

WILSON, F.P. 1960


B310Seventeenth Century Prose

WILSON F.P. 1960

A402Elizabethan and Jacobean

WILSON F.P. 1965

A463/2Shakespeare's Reading

WILSON F.P. 1966


In

B046Ralph Crane, Scrivener to the King's Players (1926)

WILSON F.P. 1968


In

A247Edward II: Ironies of Kingship

WILSON F.P. 1969


B455Illustrations of Social Life II: A Butcher and some Social Pests

WILSON F.P. 1969


In

A728Shakespearian and Other Studies

WILSON F.P. 1969

B404Shakespearian and Other Studies

WILSON F.P. 1969

B387The English Drama

WILSON F.P. 1969

B536Shakespeare and the new Bibliography

WILSON, F. P. 1970

A292Shakespeare and the Diction of Common Life

WILSON F.P.(b.1889) 1963


A915Elizabethan and Jacobean Studies

WILSON Franck Percy 1969

A775"Philaster" and "Cymbeline"

WILSON Harold S. 1965


In



On The Design of Shakespearian TragedyIn

A427Coriolanus



A427Hamlet



A427King Lear



A427On The Design of Shakespearian Tragedy


A427Othello






A427Timon of Athens






B375Memories of Harley Granville-Barker and Two of His Friends

WILSON J.Dover 1959


A463/1Ben Jonson and Julius Caesar

WILSON J.Dover 1966


In

A401The Essential Shakespeare: A Biographical Adventure

WILSON J. Dover 1967

A366What Happens in Hamlet


B048The New Way with Shakespeare's Texts: An Introduction for Lay Readers. I. The Foundations

WILSON J.Dover 1968


B049The New Way with Shakespeare's Texts: II. Recent Work on the Text of Romeo and Juliet

WILSON J. DOVER 1968


A600Ben Jonson and Julius Caesar



A915Memories of Harley Granville-Barker and Two of his Friends



B050Shakespeare's 'small latin'-how much?

WILSON J.Dover 1969


A292Riot and the Prodigal Prince

WILSON J. Dover(b.1881) 1963


A571The Dramatic Works of John Wilson

WILSON John 1967

B013Life in Shakespeare's England: a Book of Elizabethan Prose

WILSON John DOVER 1968

A914Shakespeare's happy Comedies

WILSON John Dover 1969

B057The Riot and the Prodigal Prince

WILSON John DOVER 1970


A781The Court Wits of the Restoration, an introduction

WILSON John Harold 1967

A183A Preface to Restoration Drama


A451The Influence of Beaumont and Fletcher on Restoration Drama


B289The Mutual Flame: on Shakespeare's Sonnets and The Phoenix and the Turtle

WILSON KHIGHT G. 1962

B290Shakesperian Production (with especial reference to the Tragedies)

WILSON KNIGHT G. 1964

B288The Starlit Dome: Studies in the Poetry of Vision

WILSON KNIGHT G. 1968

B320/64English Language

WILSON R.M. 1964


B320/64Old English Literature

WILSON R.M. 1964



WILSON R.M. 1965



WILSON R.M. 1965



WILSON R.M. 1968



WILSON R.M. 1968



WILSON R.M. 1969



WILSON R.M 1969



WILSON R.M. 1970



WILSON R.M. 1970


B589The Lost Literature of Medieval England

WILSON R.M. 1970


WILSON R.M. 1971



WILSON R.M. 1971


C924Shakespeare’s Roman Carnival

WILSON Richard 1992


P5/39A Brute Part: Julius Caesar and the Rites of Violence

WILSON, Richard 1996


D210A 'Bloody Question': The Politics ofVenus and Adonis

WILSON Richard 1999


D280The Management of Mirth: Shakespeare via Bourdieu

WILSON, Richard. 2001


C924New Historicism and Renaissance Drama

WILSON Richard & DUTTON Richard 1992

D281Reading Shakespeare with Intensity: a Commentary on some lines from Nietzsche's Ecce Homo

WILSON, Scott. 2000


A623The 'Aeneid' ' in 'The Tempest'

WILTENBURG Robert


B371Style as Meaning (1939)

WIMSATT W.K. 1967


A929The Morality of Antony and Cleopatra

WIMSATT W.K. 1968


B454Battering the Object: The Ontological Approach

WIMSATT W.K. 1970


B855/2Battering the Object: the Ontological Approach

WIMSATT, W.K. 1970


B371The Concept of Meter: An Exercise in Abstraction (1959)

WIMSATT W.K. and BEARDSLEY Monroe 1967


B951The Verbal Icon

WIMSATT, W.K. Jr. 1954

B452/1Classical Criticism: A Short History

WIMSATT William K. and BROOKS Cleanth 1970

B452/4Modern Criticism: A Short History


B452/2Neo Classical Criticism: A Short History


B452/3Romantic Criticism: A Short History


P1/1950/II-IVDavid Garrick's Significance in the history of Shakespearean Criticism

WINCHESTER STONE, George Jr. 1950


C129The Tragedy of Master Arden of Faversham

WINE, M.L. 1973


WINE, M.L. 1973


WINE, M.L. 1973

A616The Descent of Euphues : three Elizabethan Stories(Euphues, Pandosto, Piers Plainness)

WINNY James 1957

A391The Master-Mistress: A Study of Shakespeare's Sonnets

WINNY James 1968

A325The Player King: A Theme of Shakespeare's Histories

WINNY James 1968

C112Low Comedy as a Structural Element in English Drama from the Beginnings to 1642

WINSLOW, Ola Elizabeth 1926

C779From 'The Lives of the most Dramatic Poets', 1687

WINSTANLEY William 1979


B104Le Spectacle forain

WINTER Marian Hannah 1965


A995Shakespeare on Stage

WINTER William 1912

A697Instruments de Musique Etranges chez Filippino Lippi, Piero di Cosimo et Lorenzo Costa

WINTERNITZ Emanuel 1956


B544The Function of criticism

WINTERS, Yvor 1962

D142The Family Tree Motel : Subliming Shakespeare inMy Own Private Idaho

WISEMAN, Susan 1997


In

A488Marlowe and the Early Shakespeare

WISON F.P. 1967

A247Marlowe's Limitations

WISON KNIGHT G. 1969


C244Respublica Anglicana or Historie of the Parliament

WITHER, George

Fig for Fortune and Respublica AnglicanaIn

C245A Preparation to the Psalter

WITHER, George 1967

C241Britain's Remembrancer (parts I & II)

WITHER, George 1967

C240Halelviah (parts I, II & III)

WITHER, George 1967

C229Miscellaneous Works (2nd collection)

WITHER, George 1967

C232Miscellaneous Works (3rd collection)

WITHER, George 1967

C234Miscellaneous Works (4th collection)

WITHER, George 1967


WITHER, George 1967

C243Paralellogrammaton and Exercises upon the First Psalme

WITHER, George 1967

C225Poems : Juvenilia (part I)

WITHER, George 1967

C226Poems : Juvenilia (part II)

WITHER, George 1967

C242The Hymnes and Songs of the Church and The Psalms of David (parts I & II)

WITHER, George 1967

C227Poems : Juvenilia (part III)

WITHER, George 1970

P1/1939/IIHamlet and The Mouse-Trap

WITHERLE LAWRENCE, William 1967


P1/1934/II'Vice and 'Parasite'. A Note on the Evolution of the Elizabethan Villain

WITHINGTON, Robert 1966


C228Miscellaneous Works (1st collection)

WITNER, George 1967

P5/46Bottom's Tangled Web: Texts and Textiles in A Midsummer Night's Dream

WITTE, Anne 1999


P5/46Bottom's Tangled Web: Texts and Textiles in A Midsummer Night's Dream

WITTE, Anne 1999


C846Philosophical Investigations

WITTGENSTEIN Ludwig 1953, 1958

B603Imitation, Eclectism, and Genius

WITTKOWER R. 1965


A430Architectural Principles in the Age of Humanism

WITTKOWER Rudolph 1967

C963"To You I Give Myself, For I Am Yours" : Erotic Performance and Theatrical Performatives in AsYou Like It

WOFFORD Susanne L. 1994


A463/3Shakespeare's Influence on Pushkin's Dramatic Work

WOLF Tatiana A. 1952


B531Milton and the Puritan Revolution

WOLFE, Don M. 1963

B764/4A Florentine Prison: Le Carceri delle Stinche

WOLFGANG, Marvin E. 1960


B816The Shaping of the Early Medieval Kingdom

WOLFRAM Herwig 1970


C779From 'Athenae Oxonienses', 1691

WOOD Anthony 1979


P5/2Gerusalemme Liberata- Englished by Richard Carew

WOOD D.N.C. 1978


P5/2Gerusalemme Liberata - Englished by Richard Carew

WOOD, D.N.C. 1978


A507Comedy and Conscience After the Restoration

WOOD KRUTCH Joseph 1949

C716Cooling the comedy : Television as a medium for Shakespeare's "Comedy of Errors"

WOOD Robert E. 1988


D045Palisading the Body Politic

WOODBRIDGE Linda 1992


D030Afterword : Poetics from the Barrel of a Gun?

WOODBRIDGELinda 1991


C498Deep plots and indiscretions in 'The Murder of Gonzago'

WOODHEAD R. 1979


P1/1951/VIThe Historical Criticism of Milton

WOODHOUSE, A.S.P. 1951


B801/1A Variorum Commentary on the Poems of John Milton (part one)

WOODHOUSE A.S.P. and BUSH Douglas 1972

B801/3A Variorum Commentary on the Poems of John Milton (part three)


B801/2A Variorum Commentary on the Poems of John Milton (part two)


B731Design and Equipment

WOODRUFF Graham 1971


In

B816Sagena piscatoris : Peter Damiani and the Papal Election Decree of 1059

WOODY Kennerly M. 1970


B323Later Poetry: The Popular Tradition

WOOLF Rosemary 1970


C493The English mystery plays

WOOLF Rosemary 1972

B903The English Mystery Plays

WOOLF, Rosemary 1972

C453The influence of the mystery plays upon the popular tragedies of the 1560's

WOOLF Rosemary 1973


C285Twelfth Night at the Old Vic

WOOLF, Virginia 1970


C787The Music of the Swan

WOOLFENDEN Guy 1989


C632Political theory and political practice

WOOLRYCH Austin 1980

The age of MiltonIn

A615Damaetas Madrigall in Praise of his Daphnis

WOOTON J. 1962


In

A615Damaetas Jigge in Praise of his Faire Love

WOOTON John 1962


In

B967The Art of satire

WORCESTER, David 1960

D226Ben Jonson among the Historians

WORDEN, Blair 1994


D042Milton, Samson Agonistes , and the Restoration

WORDEN Blair 1995


C934Wordsworthian comedy

WORDSWORTH Jonathan 1994

English ComedyIn

B558London

WORDWORTH William 1951


C352Hamlet's mouse trap : a psychoanalytical study of the drama

WORMHOUDT Arthur 1956

A252Abstraction and Empathy: A Contribution to the Psychology of Style

WORRINGER Wilhelm 1963

A870A Cure For A Scold(1735)

WORSDALE James 1969

B872The Fox

WORSLEY T.C. 1972


D240Reconstructing the Globe: Constructing ourselves

WORTHEN W.B. 1999


D277Shakespearean Performativity

WORTHEN, W.B. 2001

Shakespeare and modern TheatreIn

D193Venus and Adonis : An Early Account of Sexual Harrasment(1994)

WORTIS Joseph,M.D. 1997


A894The Elements of Architecture

WOTTON Henry 1969

C379/1On Othello and Hamlet, 1655

WRIGHT Abraham 1974


C963Troubles of a Professional Meter Reader

WRIGHT George T. 1994


C756Shakespeare's metrical art

WRIGHT George Thaddeus 1988

B274Boccaccio in England: from Chaucer to Tennyson

WRIGHT Herbert G. 1957

C338Historia histrionica : an historical account of the English stage

WRIGHT James 1974

Historia Anglicanus and Roscius AnglicanusIn

A654Middle Class Culture in Elizabethan England

WRIGHT Louis B. 1965

A953The Elizabethan's America: A Collection of Early Reports by Englishmen on the New World


A463/9An Obligation to Shakespeare and the Public

WRIGHT LOUIS B. 1966


B046Stage Duelling in the Elizabethan Theater (1927)



In

C639Prospero's lime tree and the pursuit of Vanitas

WRIGHT Rosemary 1984


A089The Book of the Knight of La Tour-Landry

WRIGHT Thomas 1868

A030Generydes

WRIGHT W. Aldis 1878

C052Richard lI

WROUGHTON, Richard 1970

A693La philosophie dans le théâtre de Sénèque

WUILLEUMIER Pierre 1965


A060The Laud Troy Book

WÜLFING 1903


WUTHER, George 1967

A167Love in aWood;or, St. James's Park/ The Gentleman Dancing Master/ The Country Wife/ ThePlain Dealer

WYCHERLEY William 1888

The Best Plays of the Old Dramatists, Mermaid Series; Ed. by W.C. WardIn

A223The Country Wife

WYCHERLEY William 1965

C211/1The Country Wife

WYCHERLEY, William 1974


C211/2The Plain Dealer

WYCHERLEY, William 1974


D193The Poems of Shakespeare

WYNDAM George 1997


C876‘The Swallowing Womb’: Consumed and Consuming Women in Titus Andronicus

WYNNE-DAVIES Marion 1991


D197/10'the swallowing womb': Consumed and consuming Women in Titus Andronicus

WYNNE-DAVIES MARION 1998


B043Shylock

Y GASSET Ortega 1963


D193Shakespear's Poems(1823)

Y.J. 1997


D277To Kill a King: the Modern Politics of Bardicide

YACHNIN, Paul. 2001


D248La réécriture du mythe du self-made man chez Franck Capra et les frères Coen

Yann Roblou 2000


B507The Middle East

YAPP Malcolm 1973


B320/64The Nineteenth Century

YARKER P.M. 1964



YARKER P.M. 1965



YARKER P.M. 1968



YARKER P.M. 1969



YARKER P.M. 1970



YARKER P.M. 1971


A700Poésie et musique dans les "Magnificences" au mariage du duc de Joyeuse, Paris, 1581

YATES Frances A. 1954


A697Poètes et Artistes dans les Entrées de Charles IX et de sa Reine à Paris en1571



A697/2Charles Quint et l' idée d' empire



A679John Florio: The Life of an Italian in Shakespeare's England


A626Theatre of the World


C395Astraea : the imperial theme in the sixteenth century


C396Shakespeare's last plays : a new approach


C760The Cardinal

YEARLING E.M. 1986

C573Language, theme, and character in Twelfth Night

YEARLING Elizabeth M. 1982


C351Animal analogy in Shakespeare's character portrayal as shown in His reflection of the aesopiantradition and The animal aspect of physiognomy

YODER Audrey Elizabeth 1947

B886'Sons and Daughters of the Game': an Essay on Shakespeare's 'Troilus and Cressida'

YODER R.A. 1972


In

C581'Sons and daughters of the game' : An essay on Shakespeare's Troilus and Cressida

YODER R.A. 1982


A615The Sheepheard Carillo his Song

YONG 1962


In

A615A Dialogue Song Betweene Sylvanus and Arsilius

YONG Bar. 1962


In

A615A Song Betweene Syrenus and Sylvanus

YONG Bar. 1962


In

A615A Song Betweene Taurisius and Diana, Aunswering Verse for Verse

YONG Bar. 1962


In

A615Alanius the Sheepheard, his Dolefull Song, Complayning of Ismeniaes Crueltie

Yong Bar. 1962


In

A615Arsileus his Caroll, for Joy of the New Mariage, Betweene Syrenus and Diana

YONG Bar. 1962


In

A615Cardenia the Nimph, her False Sheepheard Faustus

YONG Bar. 1962


In

A615Cinthia the Nymph, her Song to Faire Polydora

YONG Bar. 1962


In

A615Faustus and Firmius Sing to their Nimph by Turnes

YONG Bar. 1962


In

A615Her Present Aunswere to Him

YONG Bar. 1962


In

A615His Last Replie

YONG Bar. 1962


In

A615In Aunswere to the Nimphs Song

YONG Bar. 1962


In

A615Melisea her Song, in Scorn of her False Sheepheard Narcissus

YONG Bar. 1962


In

A615Selvagia ans sylvanus, their Song to Diana

YONG Bar. 1962


In

A615Syrenus his Song to Dianaes Flocks

YONG Bar. 1962


In

A615Syrenus Song to Eugerius

YONG Bar. 1962


In

A615The Nimph Dianaes Song

YONG Bar. 1962


In

A615The Nymph Selvagia her Song

YONG Bar. 1962


In

A615The Sheepheard Arsileus Replie to Syrenus Song

YONG Bar. 1962


In

A615The Sheepheard Arsilius, his Song his Rebeck

YONG Bar. 1962


In

A615The Sheepheard Faustus his Song

YONG Bar. 1962


In

A615The Sheepheard Furmius his Song

YONG Bar. 1962


In

A615The Sheepheard Sylvanus his Song

YONG Bar. 1962


In

A615The Sheepheard Delicius his Dittie

YONG Bra. 1962


In

D013"In gallant course before ten thousand eyes": The Tournament in the 1580s

YOUNG Alan R. 1990


D045Ritual as an Instrument of Grace : Parental Blessings in Richard III, All's Well That Ends Well , andThe Winter's Tale

YOUNG Bruce W. 1992


P1/1938/IChaucer's Troilus and Criseyde as Romance

YOUNG, Carl 1967


B915The Heart's Forest

YOUNG, David 1972

C484Where the bee sucks : a triazngular study of Doctor Faustus, The Alchemist, and The Tempest

YOUNG David 1978


C880The Action to the Word : Structure and Style in Shakespearean Tragedy

YOUNG David 1990

C927Shakespeare’s Middle Tragedies

YOUNG David 1993

C379/4Shakespeare's genius, 1759

YOUNG Edward 1976


C285Others- and Mrs Siddons

YOUNG, Julian Charles 1970


B147English Petrarke: A Study of Sidney's Astrophel and Stella

YOUNG Richard B. 1969


B147Three Studies in the Renaissance: Sidney, Jonson, Milton

YOUNG Richard B., FURNISS W. Todd, MADSEN 1969

C335The frame structure in Tudor and Stuart drama

YOUNG Steven C. 1974

A799The Court and the Country: The Beginning of the English Revolution

ZAGORIN Perez 1969

B507The Trading Empires and Island Kingdoms of South East Asia

ZAINU'DDIN Ailsa 1971


In

M88Hamlet on Screen: The Case of Branagh's Hamlet

ZAKRZEWSKI, Anne-Gaëlle. 2001

D208La Problématique politique de James Harrington

ZARKA Y.C. 1998


P1/1940/IIA Tudor Defense of Richard III

ZEEVELD, Gordon 1967


B029Foundations of Tudor Policy

ZEEVELD Gordon 1969

D193 Picturing Venus and Adonis: Shakespeare and the Artists

ZIEGLER Georgianna 1997


D282Accommodating the Virago: Nineteenth-Century Representations of Lady MacBeth

ZIEGLER, Georgianna. 1999


C819Understanding Shakespeare in the Seventeenth and Eighteenth Centuries

ZIMBARDO Rose 1986


A364Wincherley' s Drama: A Link in the Development of english satire

ZIMBARDO Rose A. 1965

A787The Formalism of Henry V

ZIMBARDO Rose A. 1969


D039Disruptive Desire : Artifice and Indeterminacy in Jacobean Comedy

ZIMMERMAN Susan 1992


D039Erotic Politics : Desire on the Renaissance Stage

ZIMMERMAN Susan 1992

D197Shakespeare's Tragedies

ZIMMERMAN Susan (ed.) 1998

C371King Lear and its language

ZITNER Sheldon P. 1974


C716Wooden O's in plastic boxes : Shakespeare and television



C871All’s Well That Ends Well


D013The Spanish Tragedy and the Language of Performance



C108Stage and Image in the Plays of Christopher Marlowe

ZUCKER, David Hard 1972

C952Identity in British America: Unease in Eden

ZUCKERMAN Michael 1987


A085The Romance of Guy of Warwick Version I.

ZUPITZA Julius 1875-76

A088Beowulf

ZUPITZA Julius 1882

A086The Romance of Guy of Warwick . Part I, II & III

ZUPITZA Julius 1883

D042Milton, Dryden, and the Politics of Literary Controversy

ZWICKER Steven N. 1995
