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  • 8/18/2019 CAM Post Seattle

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    SEATTLE

    CAM

    DESIGN CHARETTE

     

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    AUDIENCEOur building was designed to be a home and creative space for writers, specifically composersof music. We have incorporated private studio space for solo compositions as well flexible,semi-private areas for group collaboration and jam sessions.

    "You don’t want your environment to be too controlled, or it

    " -Bryce Korg Dunden

    takes away the live and raw aspect of the music.

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    SITEWe chose the Kreielsheimer North Meadow because it is the sitewithin the Olympic Sculpture Park that is furthest removed from anynoise caused by traffic. Our building will be a home and work spacefor music composers so reducing exterior noise is essential to thecreative endeavours of our occupants.

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    PRECEDENCE

    & INSPIRATION

    In an attempt to incorporate our building into the site in amore organic way, our building is dug into the ground insome parts with exposed roofing for visitors to walk on.

    House in Chihuahua, Mexico

    MAXXI by Zaha Hadid

    Based on our parti, the form of our building evolvedfrom different portions of our building connecting and

    synthesizing into one form.

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    DESIGNPROCESS

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    The synthesis of existing elements." " 

    PARTI

    Our parti is based on the idea of two or more elements comingtogether to create something new. The form of our building iscreated by four individual elements coming together to createa single unified form. This form emulates the shape of a doublehelix, the structure upon which DNA is built and synthesised,allowing for the creation of new life.

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    PROGRAM

    PUBLIC SEMI PRIVATE   PRIVATE

    A comfortable environment that synthesises flexible workspacewith social areas in order to integrate and inspires music lovers andcomposers into one interactive form.

    The studios are situated in the only completelyunderground part of the building.

    The dining facility and the dialogue area provide the composers witha more private area to converse and eat in the building. These spacesare away from the public and allow the composers to relax.

    A crucial element of composition wouldbe to have soundproofed environment

    -Sebastian Laskowski

    The dorm rooms are also private, but are adjacent to the multi purposearea of the dinning area and public dialogue space.

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    PROGRAM

    The public main spaces within our building consist of thecafe/terrace, the building entrance and the public display area.

      D  O  R  M  S

     D I N I N G

      & 

     D I A L O G U

     E  A R E

     A

     C A  F  E

     S  T U D I O

      P  U  B  L

      I C   D  I S

      P  L A  Y

      & 

      I  N  T  E  R

      F A C  E

      A  R  E A

    Inspiration is generally derived from

    things I observe and how I perceivethose observations.

    -Francesca Belcourt

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    TOP VIEW

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    FRONT VIEW

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    SIDE VIEW

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    BACK VIEW

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    MATERIALS

    WOOD

    CONCRETE

    GLASS

    Wood was chosen as a reference to the sculpture on our site,the Bunyan’s Chess

    Concrete was chosen for its sound dampening qualities andbecause it matches the Seattle Arts Museum.

    Glass is incorporated in the form of windows to provide

    natural lighting and views of the surroundings.

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    SPACE

    “ We move through negative spaces

    and dwell in positive spaces ”

    Matthew Frederick

    Our positive spaces include the walk-on cantilever, the public displayarea, the private dining and dialogue space and the terrace next tothe cafe.

    The negative spaces are primarily the hallways and the private individualstudio spaces which do not afford areas for seating or socializing.

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    Upon entering the park side of the building, theseemingly single-storied building expands frombelow to reveal larger and more complex form.The full effects of this can be seen in its entirelyfrom the indoor cantilever, this gives the building

    its key architectural moment

    KEY MOMENTS

    Cafe Area

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    SOFT EDGES The L shaped counter of the cafe allows for an

    exterior space so that visitors have access from

    outside and inside the building.

    Adjustable seating is provided on the terrace to

    afford spaces for seating and socializing while

    enjoying the view.

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    CONCLUSION

    Overall our building’s parti, “the synthesis of existing elements” isincorporated not only into the overall form and function of thestructure but also into the program itself. Private, semi-private, andpublic spaces connect and diverge throughout the building as theprogram reflects our box of values of comfort, flexibility, andinspiration in order to best address the needs of the composersand the public.

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    REFERENCES

    http://www.architizer.com/en_us/projects/pictures/house-in-chihuahua/34392/296754/

    http://www.worldarchitecturenews.com/index.php?fuseaction=wanappln.projectview&upload_id=10075

    www.architizer.com/en_us/projects/view/oshikamo/32091/

    http://www.archivenue.com/be-twin-a-stunning-passive-house-concept-by-atelier-ramdam/#more-2998