can you hear me now? - recording location audio -

32
Q G WGBH Public Television Quality Workshop 1 Can You Hear Me Now? Can You Hear Me Now? - Recording Location - Recording Location Audio - Audio - G. John Garrett, CAS

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Can You Hear Me Now? - Recording Location Audio -. G. John Garrett, CAS. Short version. Short version. Hire an experienced mixer Trust him or her. Pre-production. Pre-production. What does post expect?. Pre-production. What does post expect? - PowerPoint PPT Presentation

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Page 1: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 1

Can You Hear Me Now?Can You Hear Me Now?- Recording Location - Recording Location

Audio -Audio -G. John Garrett, CAS

Page 2: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 2

Short versionShort version

Page 3: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 3

Short versionShort version Hire an experienced mixer Trust him or her

Page 4: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 4

Pre-productionPre-production

Page 5: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 5

Pre-productionPre-production What does post expect?

Page 6: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 6

Pre-productionPre-production What does post expect? How important is sound in particular shots

and scenes?

Page 7: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 7

Pre-productionPre-production What does post expect? How important is sound in particular shots

and scenes? What can (and what can’t) be fixed in post?

Page 8: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 8

Pre-productionPre-production What does post expect? How important is sound in particular shots

and scenes? What can (and what can’t) be fixed in post? Take your mixer to the scout!

Page 9: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 9

ProductionProduction

Page 10: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 10

ProductionProduction Goal: Minimize noise, Maximize signal

Page 11: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 11

Minimize noiseMinimize noise (i.e., sound you don’t want) Location

Page 12: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 12

Minimize noiseMinimize noise (i.e., sound you don’t want) Location Clothing

Page 13: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 13

Minimize noiseMinimize noise (i.e., sound you don’t want) Location Clothing Interference

Page 14: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 14

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound

Page 15: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 15

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound

Hierarchy of microphone sound quality○Boom mic○Lav mic

○On-camera mic

Page 16: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 16

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound

When to use a boom mic When to use a lav

Page 17: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 17

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound

Lav placement○Lav visibility vs. clothing noise

Page 18: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 18

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound Recording sound

Page 19: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 19

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound Recording sound

Audio recorded on camera

Page 20: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 20

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound Recording sound

Audio recorded on camera○Tethered by a Cable○Wireless hop

Page 21: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 21

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound Recording sound

Audio recorded on camera○Tethered by a Cable○Wireless hop

Double system

Page 22: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 22

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound Recording sound Maintaining sync

Page 23: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 23

Maximize SignalMaximize Signal (i.e., sound you do want) Capturing sound Recording sound Maintaining sync

Slate (dumb or timecode)Jam syncSoftware sync in post (e.g., PluralEyes)

Page 24: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 24

Keeping post happyKeeping post happy

Page 25: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 25

Keeping post happyKeeping post happy Sound reports Consistent track assignments Consistent levels Room tone BWF

Page 26: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 26

Getting the best sound Getting the best sound withwith Consumer camcorders and digital SLRs

Page 27: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 27

Getting the best sound Getting the best sound withwith Consumer camcorders and digital SLRs RED digital cameras

Page 28: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 28

Getting the best sound Getting the best sound withwith Consumer camcorders and digital SLRs RED digital cameras Multi-camera shoots

Page 29: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 29

Getting the best sound Getting the best sound withwith Consumer camcorders and digital SLRs RED digital cameras Multi-camera shoots One-person band

Page 30: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 30

TakeawaysTakeaways Sound can be more important than picture Hire a good mixer Pre-production takes audio into account Good Audio = Minimize Noise + Maximize Signal

Page 31: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 31

DiscussionDiscussion

Page 32: Can You Hear Me Now? - Recording Location Audio -

QG WGBH Public Television Quality Workshop 32

G. John Garrett, CAS

[email protected]

http://soundcart.com