GARTH

I showed him a rough outline of myplan, and I said ‘what do youthink?’

SONYA

Sam sat there…

GARTH

He looked at it, and he looked atit…

GARTH (CONT’D)

Then he locked at me. And he said:

TRAVIS(Emphatically)

One-hundred percent insanity; ablood bath waiting to happen.

TRAVIS (CONT’D)

That was Axanar.

TACTICAL MAP OF AXANAR

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JOHN GILL (V.O.)

Axanar: its capture would put theKlingons within striking distanceof Andoria, Tellar Prime, Vulcan,and Terra. It is the heart ofFederation space.

EXT. STARFLEET CONSTRUCTION YARDS

JOHN GILL (V.O.)

Further, Kharn’s spies discoverthat Starfleet’s next generationheavy cruiser is being built inorbit over Axanar. This is hischance to destroy Starfleet’s onlymatch for the D7. Garth of Izarknows Axanar is a target that Kharncannot refuse.

INT. STARBASE 1

RAMIREZ

When Garth first presented his plantobattle the Klingons atAxanar...my first thought was(PAUSE) how far he’d come.

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RAMIREZ (CONT’D)

I mean, he was always anextraordinary explorer before thewar, but I knew, in his heart,

RAMIREZ (CONT’D)

...he was first a soldier.

GARTH

We didn’t sign up to be warriors.That’s not what Starfleet’s about.

GARTH (CONT’D)

We proved that we could do what weneed to do to defend theFederation.

GARTH (CONT’D)

I’m proud of everyone who I servedwith...

GARTH (CONT’D)(Regretfully)

Especially those that didn’t makeit back.

RAMIREZ

So I signed-off on the plan. Theend conflict with one, finalbattle. To end it (PAUSE) atAxanar.

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I/E. KRONOS AND IMPERIAL FLEET YARDS

KHARN

The D7 was the ultimate expressionof the Klingon warship, technologicallysuperior to anything in the quadrant.We would launch her and devastate theFederation fleet.

EXT. 3 KLINGON D-7’S

JOHN GILL (V.O.)

Stardate 2245.1. The D-7 enters thewar.

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CO-PRODUCERSJHENNIFER WEBBERLEY

CARTER SMITHNEAL FISCHER

VFX SUPERVISORTOBIAS RICHTER

DIRECTOR OF PHOTOGRAPHYMILTON SANTIAGO

EXECUTIVE PRODUCERALEC PETERS

WRITERSALEC PETERS

CHRISTIAN GOSSETT

DIRECTORCHRISTIAN GOSSETT

Special thanks to everyone who donated their time and talent, without whom this production would not have been possible. - Alec and Christian

COMMANDER KHARNRICHARD HATCH

ADMIRAL RAMIREZTONY TODD

CAPTAIN ALEXANDERKATE VERNON

ADMIRAL TRAVISJ.G. HERTZLER

AMBASSADOR SOVALGARY GRAHAM

CAPTAIN GARTHALEC PETERS

STAND-IN FOR ADMIRAL RAMIREZISAAC SINGLETON

KLINGON WARRIORSDARNELL DAVIS

ERIC HUSKRYAN T. HUSK

TERRY McINTOSH

LINE PRODUCERFRANK J. ZANCA

ASSOCIATE PRODUCERSRYAN T. HUSK

TERRY McINTOSH

UNIT PRODUCTION MANAGERSCOTT TRIMBLE

PRODUCTION COORDINATORRYAN T. HUSK

ASSISTANT PRODUCTIONCOORDINATOR

EMMA LEE

FIRST ASSISTANT DIRECTORT.K.SHOM

SECOND ASSISTANT DIRECTORLUCAS CANTOR

SCRIPT SUPERVISORBARBARA ABELAR

SET PRODUCTION ASSISTANTSSHAWNA KELLEYSARAH SOLANO

MATT MEIERCHRISTIAN MORTERAJONATHAN CROSKREY

ASSISTANT TO THE DIRECTORESTEBAN MELENDEZ

ASSISTANT TO THE PRODUCERDIANA KINGSBURY

PRODUCTION SOUND MIXERRAMSEY MELLETTE

BOOM OPERATORJESSE AKINS

CAMERA OPERATORTRISTAN BARNARDRICKY LEWIS, JR.

FIRST ASSISTANT CAMERAMENDARIN MILLERTOMMY IZUMI

JARED JORDAN

SECOND ASSISTANT CAMERAMENCHRIS OEURN

CHRIS FRIEBUS

GAFFERSHAWN ANDERSON

BEST BOY ELECTRICIANJOHN ELKIN

DIGITAL IMAGINGTECHNICIAN/COLORIST

BING BAILEY

ELECTRICIANSALEXANDER JELLVIGLENN McDOUGALD

MIKE WESTBY

KEY GRIPGINHY NAUMANN

DOLLY GRIPCARLOS CEJA

GRIPSJOSHUA CARRASCO

ALONZO PARKER

LOCATION MANAGERTOMMY WOODARD

KEY ASSISTANT LOCATION MANAGERSHASTA KINNEY

SPECIAL THANKSNICK COOPER

DAVID GERROLDSVEN KAMM

BRANDON HILEJACK MORRISSEY

JOHN SIMSMARK SMITH

DAMARIS DEGEN

CATERERJON laFLEUR

CATERING ASSISTANTSFRANK AREND

JEANNE LIBERTY

MAKEUP DESIGNED AND SUPERVISED BY

KEVIN HANEYBRAD LOOK

HAIR AND WIGS DESIGNEDAND SUPERVISED BY

GARY J PERTICONE

MAKEUP ARTISTLISA HANSELL

MAKEUP & EFFECTSLABORATORIES INC

PROSTHETICS PROVIDED BY MEL INCALLAN APONEPAUL ELLIOTT

THIRATI KULYINGWATTANAVITCHRISTOPHER BERGSCHNEIDER

BRITTANY DIETRICHKATIE THOMPSON

CHRIS GANTNICHOLAS FERNANDEZ

MOLLY PORTER

VISUAL EFFECTSON SET SUPERVISORS

TRENT SMITHADAM HOWARD

PRODUCTION DESIGNERSCOTT COBB

ART DIRECTORNATHAN LAY

SET DRESSERBRANDY RHEA

ART DEPARTMENT ASSISTANTALEXANDRA MAZIEKIEN

SET COSTUMERSKURT COX

CLAIRE MAX

COSTUME FABRICATIONUSA SEWING FACTORY

COSTUME CONSULTANTJAMES CAWLEY

ARCHER ARENA EXTRAS/SET PRODUCTION ASSISTANTS

MICHAEL AGUILARNAHJ BOGAN

ANGEL GUZMANMICHELLE SANCHEZ

SPENCER SMITH

EDITORROBERT MEYER BURNETT

COMPOSERALEXANDER BORNSTEIN

SENIOR SOUND DESIGNER/EDITORFRANK SERAFINE

SOUND DESIGNER/ RE-RECORDING MIXER

MARK EDWARD LEWIS

SOUND DESIGNERJESSE AKINS

VISUAL EFFECTS: THE LIGHT WORKSDIGITAL ARTISTS

STEFAN BELLERSHEIMJENNIFER MARXENRICO WEINERT

VISUAL EFFECTS: SCOPE VFXDIGITAL ARTISTS

THOMAS LOEDEROLIVER NIKELOWSKIARNOLD SAKOWSKI

ADDITIONAL DIGITAL ARTISTSKOJI KURAMURACHRIS MARTIN

GREG STITZDAN UYENO

ALI RIES

VISUAL EFFECTS COMPOSITORTOMMY KRAFT

CONCEPT ARTISTSTHOMAS MARRONE

SEAN P. TOURANGEAU

GRAPHIC ARTISTCHRISTOPHER BUNYE

GRAPHICSNEW WAVE MEDIA

MAPS DIGITAL ARTISTTHOR BENITEZ

DIRECTOR OF MARKETINGTERRY McINTOSH

PUBLIC RELATIONS DIRECTORKAYLA IACOVINO

BEHIND THE SCENES ARCHIVISTSBILL WATTERS

MARY ANNE BUTLERSEAN PATRICK KENNEDY

MARKETING CONSULTANTKYLE WHISNER

MARKETING ASSOCIATECURTIS WEBSTER

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QUIET ON SETSELECT SHOOTING SCRIPT PAGES

INCLUDING DIRECTOR’S NOTES

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THE STEED OF HEROESMEET THE U.S.S. ARES

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IT TAKES A VILLAGECANDID MOMENTS FROM THE SET

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WORDS GIVEN FORMTHE CONCEPT ART OF PRELUDE

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“I DO NOT FEAR THE KLINGON EMPIRE!”

Admiral Marcus RamirezFirst Address to the Federation CouncilStardate 2243.2

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