citylab2050 presentation_dilys_williams
DESCRIPTION
Fashion Flows is a transition project from Stadslab2050 (citylab2050) The project explores the idea of a circular fashion chain with the city of Antwerp as a focal point. Partners in the project are Flanders Fashion Institute, Plan-C, City of Antwerp Antwerp-ITCCO is a learning partnerTRANSCRIPT
Dilys Williams
Professor of Fashion Design for Sustainability
Director, Centre for Sustainable Fashion, University of the Arts London
Citylab 2050
Fashion Design Context
“Its (fashion’s) logic encroaches on the areas of art, politics and science, it is clear that we are talking about a phenomenon that lies near the centre of the modern world.
Fashion affects the attitude of most people towards both themselves and others.”
Svendsen (2006)
Fashion Industry Context
Fashion’s business employs 25 million people globally. It contributes to individual and community prosperity and can offer independence, identity and social connection. It marks significant contributions to our creative industries in often delightful ways.
Yet it is also a significant contributor to the degradation of natural systems, social injustice and societal dis-ease. It exemplifies the machine of consumerism, which has come to be one of its defining features.
Fashion Thinking Context
“The shape of the global future rests with the reflexivity of human consciousness – the capacity to think critically about why we think what we do – and then to think and act differently.”
Raskin (2008)
Our current state:
A geological classification defined as the (first) period during which human activity has been the dominant influence on climate and the environment.
The Anthropocene
Commitment to Purpose
“We will strive for the ideals and sacred things of the city, both alone and with many, we will transmit this city not less but greater, better and more beautiful than it was transmitted to us.”
Oath for Athenians 500 BC
Credit: Stephen Walter
The new wildernesses on our planet, waiting to be explored, are information, knowledge, history and time.
These are altering our relationship with the physical world and the old traditional landmarks.
Credit: Betsy Issacson
Personal Community Member
Cultural Member Academy Member
Economic Power Public Participation
Earth MemberPolitical Voice
Multi Layered Citizenship
Circular Design: cherish and be cherished
Engage Citizen Participation: Local loops and shared value
Engage Citizen Participation
Engage Citizen Participation: Local loops and multiplier effect
Extended value and re-shored manufacture
Mulberry
London Cloth Company Tender William Kroll
Geographic and extended value
Engage Citizen Participation: Global loops of extended value
M&S Shwopping
Engage Citizen Participation: Fashion services
Rentez-Vous
Engage Citizen Participation: Fashion services
Nudie Jeans Repair Shop
Mud Jeans ‘Lease a Jeans’
APC Butler Worn-Out Denim Series
Engage Citizen Participation: Design services
Antithesis
“Our multi-functional pieces aim at contributing to a new consumerism philosophy advocating quality over quantity.”
Engage Citizen Participation: Design services
Tom of Holland Visible Mending Programme
Material Resourcefulness
Michelle Lowe-Holder
Christopher Raeburn From Somewhere
Material Resourcefulness
Design for the Circular Economy at Scale: decoupling success from the degradation of nature
Nike ‘Mobilize Makers’ project
nikemakingCSF
Specialist Informers: Humanising Data
Specialist Informers: Technical Innovation
V&A Fashion Climate Hackathon Michelle Lowe-Holder, FIREUp participant: 3D printing project
Hackney Fashion Hub
Are we tending to the leaves whilst continuing to sever the stem?
Metabolism or Mechanism?
Source: The Gaia Atlas of Cities
Katharine Hamnett
The Voice of the Designer: what is your design ethic?
Dr. Noki
Design Activism: I speak for nature and people
Sewing Bee / Shoreditch Sisters
The voices of maker and wearer: participatory design
Craftivist Collective
Meet ups
“It is our choices...that show who we truly are, far more than our abilities.”
J.K. Rowling
A Networked Society
“Once we know and are aware,we are responsible for our actionand our inaction.
We can do something about it or ignore it. Either way, we are still responsible.”
Jean Paul Sartre
Environmental Profit and Loss
The reform of our education and training systems will have to be large scale and dramatic. Every job in Britain will change to some extent and many will change substantially.
Aldersgate Group
Circular mindsets
Content
Product Innovation
Business Innovation
Process Innovation (New Methods and Curriculum)
Innovation systems: making them work
Design in an EthicA point of View
Design DisruptionChange perceptions
Design in ResourcefulnessUse Nothing New
Design 9 LivesThe Gift, the service
Design Magic Rapid one use, replenish earth
Design inspired by meansShaping technological application
Circular Design Frameworks (as different speeds and scales)
“We are leaving a world designed for efficiency in repetition and entering one where value comes from contributing to change... Because change is the opposite of repetition, this requires mastering a set of human social skills as a prerequisite to being able to contribute — including empathy, teamwork, change making...”
Ashoka CEO Bill Drayton
Mapping vs. Measuring
Source: Chris Kenny
Synthesizing and creating are also intellectual / cognitive capacities... more important in the 21st century than ever before. But educators have less experience in training these ‘habits of mind’ and unless teachers themselves have these latter skills, they will not be able to inculcate them effectively in students.
Howard Gardner, Professor of Cognition and Education at the Harvard Graduate School of Education
A crisis of perception: a crisis of imagination
Long live imagination!