節目 Programme 日期 Date 時間 Time 場地 Venue

開幕節目 OPening PrOgramme《貝隆夫人》The Song of Eva Perón布宜諾斯艾利斯探戈舞團（阿根廷）

Tango Buenos Aires (Argentina)

16-18/10 7:30pm HKCC/GT

格魯吉亞國家舞蹈團

Georgian National Dance Company Sukhishvili22/10

23/10

24/10

8pm

8pm

8pm

STTH/A

TWTH/A

TMTH/A

《禾．日．水．巷》Hong Kong Episodes張駿豪和林丰與尚米榭．皮爾

Teriver Cheung & Fung Lam with Jean-Michel Pilc

23-24/10 8pm HKCC/ST

《彭德雷茨基與蕭斯達高維契》

Penderecki & Shostakovich 香港小交響樂團 Hong Kong Sinfonietta

24/10 8pm HKCH/CH

安潔莉克．淇祖（貝寧） Angélique Kidjo (Benin)

29/10 8pm HKCC/CH

《打男 2015》Dadan 2015鼓童（日本）Kodo (Japan)

30-31/10 8pm STTH/A

《鼓王群英會XX》Majestic Drums XX香港中樂團 Hong Kong Chinese Orchestra

30/10 8pm HKCC/CH

特浩特吉卜賽樂團（印度）

Dhoad Gypsies from Rajasthan (India)

31/10 8pm HKCH/T

《街舞烈火》Ablaze!Jinjo Crew（韓國 Korea）

6-7/11 8pm KSTNW/A

德州狂迷樂隊（美國）

Los Texmaniacs (USA)

7/11 8pm KTT/A

閉幕節目 ClOsing PrOgramme上海越劇院 Shanghai Yue Opera House

11-14/11

15/11

7:30pm

3pm

HKCC/GT

酋長樂隊（愛爾蘭）

The Chieftains (Ireland)

13/11 8pm HKCH/CH

《管樂悠遊》Bands Around the World香港專業管樂團 Hong Kong Professional Winds

14/11 8pm TWTH/A

《緣移戲劇班》Circle Mirror Transformation香港話劇團 Hong Kong Repertory Theatre

14-22/11( 不包括 except 16/11)

15, 21-22/11

7:45pm

2:45pm

HKCH/T

HKCC/CH 香港文化中心音樂廳 Hong Kong Cultural Centre Concert HallHKCC/gT 香港文化中心大劇院 Hong Kong Cultural Centre Grand TheatreHKCC/sT 香港文化中心劇場 Hong Kong Cultural Centre Studio Theatre HKCH/CH 香港大會堂音樂廳 Hong Kong City Hall Concert HallHKCH/T 香港大會堂劇院 Hong Kong City Hall TheatreKsTnW/a 高山劇場新翼演藝廳 Ko Shan Theatre New Wing AuditoriumKTT/a 葵青劇院演藝廳 Kwai Tsing Theatre AuditoriumsTTH/a 沙田大會堂演奏廳 Sha Tin Town Hall AuditoriumTmTH/a 屯門大會堂演奏廳 Tuen Mun Town Hall AuditoriumTWTH/a 荃灣大會堂演奏廳 Tsuen Wan Town Hall Auditorium

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開幕節目 Opening prOgramme

布宜諾斯艾利斯探戈舞團

TANGO BUENOS AIRES阿根廷 | argentina

世 界 文 化 藝 術 節 2 0 1 5 ─ 瑰 藝 十 載W o r l d C u lt u r e s F e s t i va l 2 0 1 5 ─ a d e C a d e o F e x q u i s i t e a r t s

演藝節目 S t a g e P e r f o r m a n c e

場地規則 H o u S e r u l e S

各位觀眾：

為了令大家對今次演出留下美好印象，在節目開始前，請關掉手提電

話、其他響鬧及發光的裝置。同時請勿在場內飲食或擅自攝影、錄音

或錄影。多謝合作。

Dear Patrons,

in order to make this performance a pleasant experience for the artists and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. We also forbid eating and drinking, as well as unauthorised photography, audio and video recordings in the auditorium. Thank you for your co-operation.

歡迎你對所觀看的節目或「世界文化藝術節 2015 ─ 瑰藝十載」發表意見，讓我們在未來安排節目

時，能精益求精！請登入網址 www.worldfestival.gov.hk，在「提供意見」一欄留言。我們非常重

視你的寶貴意見。多謝！

You are welcome to send us your comments on the programme(s) attended or the ‘World Cultures

Festival 2015 – A Decade of Exquisite Arts’ in general to enhance our future programming. Share

your views with us by filling in our ‘Feedback’ form online at www.worldfestival.gov.hk. Your opinion

is much appreciated. Thank you.

場刊回收 r e c y c l i n g o f H o u S e P r o g r a m m e S

閣下若不欲保留本節目場刊，請交到場地入口處，以作循環再用。你亦可到藝術節網頁 www.worldfestival.gov.hk下載電子版場刊。多謝合作。

If you do not wish to keep this house programme, please return it to the admission point after the performance for recycling. You may also download a copy from the festival website at www.worldfestival.gov.hk. Thank you.

如遇特殊情況，主辦機構保留更換演出者及節目的權利。本節目內容並不反映康樂及文化事務署的意見。

The presenter reserves the right to substitute artists and change the programme should unavoidable circumstances make it necessary. The content of this programme does not represent the views of the Leisure and Cultural Services Department.

16-18.10.2015 ( 五 Fri - 日 Sun) 7:30pm

香港文化中心大劇院

Hong Kong Cultural Centre Grand Theatre

節目全長約 1小時 40分鐘，包括 15分鐘中場休息。

Programme duration is approximately 1 hour 40 minutes with an intermission of 15 minutes.

10月 17日設演後藝人談，歡迎觀眾留步參與。

There will be a meet-the-artist session after the performance on 17 October.

All are welcome to participate.

開幕節目 Opening prOgramme

藝術總監 Artistic Director

羅莎里奧．包薩 rosario Bauzá

音樂總監 Music Director

費南多．馬贊 Fernando marzán

編舞 Choreographer

赫克托．法爾肯 Hector Falcón

監製及編劇 Régisseur & Scriptwriter

露克莉西亞．羅路 lucrecia laurel

布宜諾斯艾利斯探戈舞團

TANGO BUENOS AIRES阿根廷 | argentina

兩年一度的「世界文化藝術節」轉眼已踏入第十年。

我們特意搜羅世界各地的演藝瑰寶，帶領觀眾跨越疆

界，細味各國深邃的文化與動人的風情。

阿根廷探戈為藝術節揭開序幕；布宜諾斯艾利斯探戈

舞團演出《貝隆夫人》，以濃艷激情的舞姿，演繹阿

根廷國母一生傳奇。壓軸登場的中國越劇表現婉約之

美；上海越劇院除演出經典劇目，還呈獻全新創作的

《甄嬛》和《雙飛翼》。探戈與越劇風格迥異，但同

樣華麗優美，令人嘆為觀止。

今屆精彩節目源源不絕。格魯吉亞國家舞蹈團的演出集靈巧與力量於一身，賞心

悅目；街舞勁旅 Jinjo Crew把韓國文化元素注入西方街舞，創意非凡。六屆格林

美獎得主酋長樂隊演奏傳統愛爾蘭樂曲，帶來雋永率性的即興演出；西非歌后安

潔莉克．淇祖首度來港，以渾厚明亮的歌聲擁抱世界，頌揚大愛精神。香港的藝

團亦會演出音樂和戲劇節目，讓世界文化藝術節添增本地色彩。

除了舞台表演外，藝術節還會舉辦多項延伸活動，透過展覽、導賞、分享會、工

作坊、沙龍講座、徵文活動、戶外演出、街頭舞鬥盛會等不同形式，讓觀眾體會

世界文化的瑰麗丰姿。

「瑰藝十載」精彩可期，就讓我們盡情投入，一同踏上這次藝術之旅。

In celebration of the 10th anniversary of the biennial World Cultures Festival, we have gathered artistic gems across the globe, leading our audience to a world of charming cultures that knows no boundaries.

Tango Buenos Aires kicks off the Festival with The Song of Eva Perón, a spectacular tango performance which portrays the legendary life of the First Lady of Argentina through flamboyant and passionate dancing. Shanghai Yue Opera House will conclude the Festival with its graceful rendition of classical plays and two new productions, Empresses in the Palace and A Poet’s Lament. Tango and Yue opera might seem disparate in style, yet they both exude elegance and gorgeousness which never fail to mesmerise.

The Festival features a strong line-up of exciting programmes. The folk dances of the Georgian National Dance Company Sukhishvili display a perfect mix of agility and strength. Street dance group Jinjo Crew injects cultural elements of Korea to their ingenious dances. Winner of six Grammy Awards, The Chieftains performs classical Irish folk music and impresses the audience with its brilliant improvisation. In her début concert in Hong Kong, African diva Angélique Kidjo celebrates our shared humanity and embraces the world with her powerful and lustrous voice. Concerts and drama featuring Hong Kong arts groups put local flavour into this cross-cultural event.

Apart from stage performances, the Festival also offers an array of extension activities including exhibitions, pre-performance talks, sharing sessions, workshops, salon series talks, writing award scheme, outdoor performances and street dance battle to facilitate the appreciation of world cultures.

I sincerely invite you to be part of the extravaganza and embark on a journey to the world of exquisite arts!

康樂及文化事務署署長

Ms Michelle LIDirector of Leisure and Cultural Services

M e s s a g e獻辭

藝術總監的話

Artistic Director’s Note

關於《貝隆夫人》和探戈

About The Song of Eva Perón and Tango

布宜諾斯艾利斯探戈舞團很榮幸能夠參與「世界文化藝術節 2015─ 瑰藝十載」。

我們為大家帶來《貝隆夫人》的亞洲首演，希望觀眾能更了解探戈，並盡情享受這

個節目。在此我們衷心感謝香港特別行政區政府和康樂及文化事務署的邀請。

我們舞團很榮幸能夠為各位呈現阿根廷的文化，祝觀演愉快。

羅莎里奧．包薩

Tango Buenos Aires is proud and honoured to participate in the ‘World Cultures Festival

2015 – A Decade of Exquisite Arts’. By bringing here the Asia première of The Song of Eva

Perón, we hope that the audience can know more about tango and enjoy the performances.

We would like to thank the Hong Kong Special Administrative Region Government and the

Leisure and Cultural Services Department for the kind invitation.

It is an honour for our entire cast to show you the culture of Argentina. We hope that you

will enjoy the show.

Rosario Bauzá

「伊娃是一位有遠見、懷崇高抱負和善良的人。她在我們心中是一位英雄、聖人……

她為我們發聲。」

「劇名代表了伊娃的聲音、言論的力量，以及她為世界帶來自由和勇氣的訊息。」

「這個演出跟隨她的人生足跡，從她年少時抵達布宜諾斯艾利斯，到成為阿根廷歷來

最具代表性的國母。多位女舞者演繹不同時期的伊娃。」

「探戈表達出深植於我們基因中的情感，（例如）作為移民那種無根飄泊的失落感，

或我們在日常生活中經歷的喜與悲。」

「探戈是關於融合。它需要兩位舞者相擁而舞。跳舞的時候，我們的心連在一起，合

二為一。」

「探戈一直在演變中。在過去三、四十年，探戈在阿根廷以至整個世界都十分活躍和

流行，今天，讓我們為觀眾帶來更多姿多采的探戈舞蹈和音樂。」

露克莉西亞．羅路

監製及編劇

“Eva was a visionary, a good person with high objectives. She became a hero, a saint to us… She became our voice.“

“The title refers to the voice of Eva, the power of her speech, and the message she has left to the world of freedom and courage.“

“The show follows her life, from her arrival to Buenos Aires as a teenager to her becoming the most representative First Lady in our history. Each of our female dancers characterises Eva in a different period of her life.“

“Tango talks about emotions rooted in our genes, (such as) the sense of loss from being an immigrant, the happiness and sorrow we live every day.“

“Tango talks about union. The dance is done (with two people) embracing all the time. We put our hearts together when we dance. We become one single being when dancing tango.“

“Today we can show how tango has evolved. We can show the audiences more colours of our dance and music, because tango in the last 30 to 40 years has been very active and popular in Argentina and in the whole world.“

Lucrecia Laurel Régisseur & Scriptwriter

撮錄自 www.pressconnects.com記者 Bill Nutt與露克莉西亞．羅路的訪問Extracted from an interview with Lucrecia Laurel by Bill Nutt of www.pressconnects.com

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哥倫比亞藝術管理公司製作

來自阿根廷布宜諾斯艾利斯

布宜諾斯艾利斯探戈舞團

透過舞蹈與音樂演繹貝隆夫人的璀璨人生

《貝隆夫人》

第一幕

明星初現

1. 我將一生守護你作曲：費南多．馬贊

「聖人伊娃」伊娃．貝隆為我們而歌。

主唱：露西亞．阿隆索

2. 留念作曲：費南多．馬贊

「我的同胞」伊娃的朋友和家人齊起舞。

四對雙人舞

3. 再見小鎮作曲：費南多．馬贊

「給伊娃的森巴舞」伊娃的家人與朋友以阿根廷北部地區的 傳統民間舞蹈「森巴舞」，向伊娃道別。

全體舞者

4. 下一站，我的夢想作曲：費南多．馬贊

「鐵路夢」火車上，伊娃夢想當上明星。

全體舞者

5. 化妝嘉年華作曲：馬托斯．羅德里格斯

「布宜諾斯艾利斯」城市即景。一對男女在跳探戈。

雙人舞

6. 魅力和市郊作曲：費南多．馬贊

「城市漫遊」伊娃在城中遊歷，與朋友會面。

兩對雙人舞

7. 周末狂舞作曲：胡安．費利克斯．馬利奧

「金碧輝煌的一夜」晚上，貴族名流起舞。

雙人舞

8. 純真之美作曲：佩德羅．洛倫茲

「在廣播電台」伊娃渴望成為一名電台演員。

四對雙人舞

9. 費利西亞作曲：恩力克．薩波里多

「世事在變」伊娃摯友費利西亞的探戈舞。

雙人舞

10. 往昔 / 哭泣 / 四十年代的米隆加舞 / 我愛米隆加舞作曲：路易斯．魯賓斯坦 / 胡安．費利克斯．馬利奧 /

阿爾曼多．彭鐵爾 / 佩德羅．洛倫茲

「為伊娃慶祝－美好時光」伊娃獲電台取錄，與朋友慶祝，一起跳米隆加舞。

全體舞者

11. 黑色眼睛作曲：維森特．格列柯

樂隊獨奏

12. 馬蘭博

「套索舞」「套索」是阿根廷農村一種捕牛的傳統工具。

－中場休息十五分鐘－

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第二幕

愛情萌芽

1. 初遇守護者

作曲：阿尼巴爾．特洛伊羅

貝隆獨舞

2. 綽號「玉米芯」作曲：安赫爾．維羅多

「遊行」所有男人與貝隆一起遊行。

男舞者

3. 平民百姓作曲：阿古斯丁．巴爾迪

「男孩與女孩」軍人與女孩們齊起舞。

全體舞者

4. 塔奎托軍隊作曲：馬里亞諾．摩爾斯

樂隊獨奏

5. 獻給奧蘭多．戈尼作曲：阿爾弗雷德．J．戈比

「力量」

雙人舞

6. 善良的心作曲：弗朗西斯科．卡納羅

「凝視遊戲」伊娃與貝隆相遇，雙方無法停止凝視對方。

全體舞者

7. 我願意奉獻一切作曲：費南多．馬贊

「愛情萌芽」伊娃向貝隆傾訴衷情。

全體舞者

主唱：露西亞．阿隆索

8. 妒忌作曲：雅科比．蓋德

「我們」人們為伊娃與貝隆的結合而感動。

全體舞者

9. 探戈舞人作曲：馬里亞諾．摩爾斯

雙人舞

10. 勝利作曲：阿斯托爾．皮亞佐拉

樂隊獨奏

11. 再見諾尼諾作曲：阿斯托爾．皮亞佐拉

「紅地毯」伊娃成為第一夫人。

全體舞者

12. 遺忘作曲：阿斯托爾．皮亞佐拉

「遺忘」

雙人舞

13. 激情探戈作曲：阿斯托爾．皮亞佐拉

「結局」

全體舞者

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A Columbia Artists ProductionDirect from Buenos Aires, Argentina

Tango Buenos airesPerforming a journey through dance and music of the life of Eva Perón

The song of eva Perón

Act I

The rise of a star

1. I Will Take Care of You Until the EndComposer: Fernando Marzán

“Santa Eva“Eva Perón sings to us.

Singer: Lucia Alonso

2. SouvenirComposer: Fernando Marzán

“My People“Group dance of Eva's friends and family.

4 couples dance

3. Nos Vemos Pronto, PuebloComposer: Fernando Marzán

“A Zamba for Eva“Eva's family and friends say goodbye to Eva by dancing a “zamba“,

a typical folk dance from the north region of Argentina.

Full company

4. Próxima Estación, Mis SueñosComposer: Fernando Marzán

“Railroad Dreams“In the train, Eva dreams of being a star.

Full company

5. La CumparsitaComposer: Matos Rodriguez

“Buenos Aires“Presentation of the city. A couple dance a tango.

Solo of a couple

6. Glamour y Suburbio Composer: Fernando Marzán

“Promenade“Eva walks around the city and meets some friends.

2 couples dance

7. Sabado InglésComposer: Juan Félix Maglio

“Golden Night“At night, aristocrats also dance.

Solo of a couple

8. De Puro GuapoComposer: Pedro Laurenz

“At the Radio Station“Eva is looking for a job as an actress at the radio.

4 couples dance

9. FeliciaComposer: Enrique Saborido

“Things are changing“Felicia, Eva's dear friend dances a tango.

Solo of a couple

10. De Antaño / El Llorón / Milongueando En El 40 / Milonga de Mis Amores

Composers: Luis Rubistein / Juan Maglio / Armando Pontier / Pedro Laurenz

“Celebrating Eva – Good Times“Eva gets her paper at the radio. Celebration with friends.

Everybody dances “milonga“.

Full company

11. Ojos NegrosComposer: Vicente Greco

Orchestra solo

12. Malambo

“Las Boleadoras“Las boleadoras is a typical Argentinian tool used to catch the cattle in the countryside.

－ Intermission of 15 minutes －

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Act II

The rise of Love

1. A la Guardia NuevaComposer: Anibal Troilo

Solo of Perón tapping

2. El ChocloComposer: ángel Villoldo

“Marching All Together“All men march with Perón.

Male dancers

3. OrilleraComposer: Agustín Bardi

“The Boys and the Girls“The military and girls dance together.

Full company

4. Taquito MilitarComposer: Mariano Mores

Orchestra Solo

5. A Orlando GoñiComposer: Alfredo J. Gobbi

“Strength“

Solo of a couple

6. Corazón de OroComposer: Francisco Canaro

“Game of Gazes“Eva and Perón meet, they cannot stop gazing at each other.

Full company

7. My Wish to Give it AllComposer: Fernando Marzán

“The Rise of Love“Eva declares her love to Perón.

Full company

Singer: Lucia Alonso

8. CelosComposer: Jacob Gade

“Us“People is touched by the union of Eva and Perón.

Full company

9. TangueraComposer: Mariano Mores

Solo of a couple

10. TriunfalComposer: Astor Piazzolla

Orchestra solo

11. Adios NoninoComposer: Astor Piazzolla

“Red Carpet“Eva becomes the First Lady.

Full company

12. OblivionComposer: Astor Piazzolla

“Oblivion“

Solo of a couple

13. ViolentangoComposer: Astor Piazzolla

“Final“

Full company

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Tango Buenos Aires布宜諾斯艾利斯探戈舞團

布宜諾斯艾利斯探戈舞團是阿根廷最出色的文化代表之一，以真正的、最具代表性

的探戈享譽美洲、歐洲及遠東地區。

1985年，著名作曲家及探戈導演奧斯瓦爾多．雷克納創立布宜諾斯艾利斯探戈舞團，旨在參與布宜諾斯艾利斯著名舞廳「米開朗基羅」舉辦的「茉莉花藝術節」。舞團

的演出取得極大的成功，隨即被邀在聖馬丁劇院的年度劇季中演出。

1986年八月，舞團代表阿根廷前往美國參與拉丁美洲藝術節，在紐約中央公園戴拉寇特劇院演出。隨後在美國各地巡演，並出訪墨西哥、波多黎各和薩爾瓦多，最後

再重返美國的邁阿密和舊金山。同年十二月，他們出席東京 NHK電視台的節目，並於日本完成六十二場演出及錄製了專輯《手風琴的嘆息》。自此，舞團展開頻繁的

世界巡演。1987年，舞團在阿根廷主要城市作長期巡演，並多次於電視節目中亮相，包括由阿根廷文化部贊助的系列節目。1989年舞團於西班牙及德國的國際探戈藝術節表演，隨後展開拉丁美洲巡演。

在九十年代，舞團的巡演擴展到世界各地，包括參與阿德萊德藝術節和紐西蘭藝術

節；在新加坡、吉隆坡和曼谷等東南亞城市，以及日本及中國等亞洲國家演出；曾

三度參與格拉納達國際藝術節；踏足北歐的丹麥及芬蘭，包括出席著名的庫奧皮奧

舞蹈節；並在南美、葡萄牙和希臘等地巡迴演出；在 1998-99季度，舞團於美國舉行了首次全國性巡演，大獲好評。

1999年六月，著名鋼琴家克里斯蒂安．薩拉特接任雷克納成為舞團的音樂總監，而世界知名阿根廷手風琴家巴勃羅．麥內帝亦加入樂隊。2005年，阿根廷最具創作力的作曲家兼著名樂手朱利安．瓦特出任舞團音樂總監一職。

舞團於 2003年冬季返回美國作為期兩個半月的巡演，2007及 2011年分別舉行了兩個月的全美巡演；今年初亦在美國及加拿大完成了為期兩個半月的北美巡演。

Tango Buenos Aires has become one of Argentina’s great cultural exports, known throughout the America, Europe and the Far East as the most authentic and uncompromising representative of the tango.

Tango Buenos Aires was created for the “Jazmines“ festival at the famous Buenos Aires cabaret “Michelangelo“ by renowned composer and tango director Osvaldo Requena in 1985. The company met with tremendous success and was immediately added to the season of the General San Martin Municipal Theatre.

In 1986, the company traveled to the USA to represent Argentina at the Latin-American Festival, which took place at the Delacorte Theatre in New York City's Central Park during the month of August. This event was followed by an extensive tour throughout the USA, along with trips to Mexico, Puerto Rico and El Salvador, followed by a return to the USA via Miami and San Francisco. In December 1986, the group appeared on NHK television in Tokyo, and it completed 62 performances throughout Japan, as well as a CD recording entitled Quejas de Bandoneón. Since then, the company has toured around the world extensively, including a lengthy tour of the principal cities of Argentina in 1987, in addition to various appearances on television channels, including a series sponsored by the Argentinian Ministry of Culture, as well as performing for the international tango festivals in Spain and Germany, and followed by a Latin American tour in 1989.

In the 1990s, Tango Buenos Aires extended its tour to other parts of the world, including participating in the Adelaide Festival and the New Zealand Festival; giving performances in Southeast Asian cities like Singapore, Kuala Lumpur and Bangkok, as well as other Asian countries such as Japan and China; performing for the third time at the International Festival in Granada; performing in Northern European countries at the Kuopio Festival in Finland and Denmark; as well as touring throughout South America, Portugal and Greece. It toured the USA for its first coast-to-coast tour during the 1998-99 season to great critical and popular acclaim.

In June 1999, the renowned pianist Cristian Zárate succeeded Mr Requena as Music Director, and Pablo Mainetti, one of the world’s greatest bandoneon player, joined the orchestra. In 2005, Julian Vat, Argentina’s most prolific composer and leading musician assumed the title of Music Director.

The company returned to North America in the Winter of 2003 for a two-and-a-half month tour of the USA, followed by a two-month coast-to-coast tour of the USA in 2007 and 2011, as well as a two-and-a-half month coast-to-coast tour of the USA and Canada early this year.

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羅莎里奧．包薩 Rosario Bauzá藝術總監 Artistic Director

羅莎里奧．包薩出生於阿根廷，是國際知名的DANIEL藝人兼音樂會製作公司的第三代經理人。該公司於1908年創立，製作的巡演活動範圍廣泛，由古典樂、世界音樂、爵

士樂、舞蹈、劇場表演，到藝術媒體製作等。

包薩製作過很多劇場和舞台表演，曾與著名作曲家兼指揮

家雅諾斯．古爾卡、嘉伯．歐特沃斯、德麗莎．布根薩和

科隆大劇院芭蕾舞團等合作。她亦曾在布宜諾斯艾利斯的科隆大劇院、競技場劇

院和月神公園中，為男高音何塞．卡里拉斯、鋼琴二重奏拉貝克姊妹、蒙特賽拉

特．卡芭葉、芭芭拉．韓迪絲和寶拉．米格妮絲等，舉辦多場音樂會。此外，包

薩亦參與製作普拉西多．杜明高、安娜．瑪利亞．岡薩雷斯、名指揮家恩里克．利

茲及布宜諾斯艾利斯管弦樂團等，在聖伊西德羅競技場舉行的露天音樂會。

1988年，包薩獲得阿根廷文化部部長邀請，出任探戈文化大使，推動布宜諾斯艾利斯探戈舞團、探戈09、火熱探戈和多個探戈樂團的發展，並得到文化部長的認可，出任布宜諾斯艾利斯探戈舞團的監製和藝術總監，帶領舞團到世界各地巡迴

演出。

2004年，包薩在蒙特雷競技場為著名作曲家雅尼製作了一場演出，備受推崇。她亦曾為巴里洛切室樂團及多位特邀獨唱家舉辦多場表演。

Born in Argentina, Rosario Bauzá is the third generation manager of DANIEL Artists & Concertos, which was established in 1908 as an international leader in managing the touring activities of a wide range of areas from classical to world and jazz music, as well as dance and theatrical attractions, and fine arts media productions.

Bauzá has worked extensively on productions for theatre and stage with Maestro János Kulka, Maestro Gábor ötvös, Teresa Berganza, including tours with Ballet of the Colon Theatre. She has presented many concerts at the Colon Theatre, the Coliseum Theatre and Luna Park in Buenos Aires for performing artists such as tenor José Carrerras, piano duo The Labeques, Montserrat Caballe, Barbara Hendrix, and Paula Mijenes. In addition, Bauzá co-produced the open-air concert with Plácido Domingo, Ana Maria Gonzalez, and Maestro Enrique Ricci & Philharmonic Orchestra of Buenos Aires at the Hippodrome of San Isidro.

In 1988, the Minister of Culture for Argentina honoured Bauzá by requesting her being a cultural ambassador for the tango with the creation of different groups, like Tango Buenos Aires, Tango 09, Hot Tango, and different tango orchestras. With the blessing of the Minister of Culture, she has served as the Producer and Artistic Director of Tango Buenos Aires, touring around the world.

In 2004, Bauzá produced a performance in the Arena of Monterrey with the famous composer Yanni with great success. She has also produced performances with the Camerata Bariloche with different invited soloists.

費南多．馬贊 Fernando Marzán音樂總監 / 作曲 / 鋼琴演奏 Music Director / Composer / Pianist

費南多．馬贊來自阿根廷布宜諾斯艾利斯受人尊敬的音樂

家族。他六歲開始修讀音樂，十四歲擔任合唱團總監，十

七歲成為國家音樂學院的音樂教授。

作為一位炙手可熱的探戈鋼琴演奏家，他自1994年起參與百老匯及倫敦上演的熱門舞劇《永恆的探戈》的巡演，曾

到美國、加拿大、日本等世界各地巡迴達七年之久。同時

亦在眾多著名探戈舞廳演奏，包括米開朗基羅、卡薩布蘭卡、本塔納和我的探戈

等。

馬贊曾為無數出色的探戈表演擔任音樂總監，包括《探戈誘惑》(2002)、《探戈布宜諾斯艾利斯》(2003)、《探戈情感》(2004)、《探戈夢》(2005)、《獨特的探戈》（2008)、《老倉庫》(2009)、《浪漫探戈》(2010)，以及由西迪．拉比．徹卡奧維監製及沙德勒之井劇院製作、廣受好評的探戈舞劇《米隆加》（2013）。

他亦參與錄製大量專輯，如由麥當娜主演的《貝隆夫人》和由奧立佛．普雷特及史丹

利．圖奇主演的《超級冒牌貨》的電影配樂。他也曾先後為很多不同範疇的知名藝人

編曲及錄製音樂，如魯本．岡薩雷斯、葉加瀨太郎和瑪麗亞．何塞．門塔納。他以獨

奏家身份製作了五張專輯包括：《祝福布宜諾斯艾利斯》、《回憶》、《五反田探戈

站》、《探戈舞人》及《四十年代的探戈》，當中包括他自己作曲的作品。

Fernando Marzán continues the legacy of the Marzán family as a line of reputable musicians in Buenos Aires, Argentina. He started his musical studies at the age of six and attained the titles of Choir Director at 14 and Professor of Music from the National Conservatory of Music at 17.

As a highly sought-after tango pianist, he toured with the Broadway and London hit production of Forever Tango since 1994 for almost seven years throughout the USA, Canada, Japan, and many other countries around the world for years. He also played for the most prestigious tango houses, like Michelangelo, Casablanca, La Ventana, and Tango Mio.

Marzán was the Music Director for numerous successful tango shows, including Tango Seduction (2002), Tango Buenos Aires (2003), Tango Emotion (2004), Tango Dreams (2005), Tango Premium (2008), El Viejo Almacén (2009), Tango Romance (2010), and Milonga, a critically acclaimed tango show directed by Sidi Larbi Cherkaoui and produced by Sadler’s Wells in 2013.

He has also participated in the recording of numerous CDs, like the soundtracks of Evita, starring Madonna and The Impostors, starring Oliver Platt and Stanley Tucci. He also arranged and recorded with many renowned artists in various areas, including Ruben Gonzalez, Taro Hakase and Maria José Mentana. As a soloist, he produced five albums, including Bendita Buenos Aires, Recuerdo, Gotanda Tango Station, Tanguera and Tangueando en los ´40, in which he included some of his compositions.

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赫克托．法爾肯 Hector Falcón 編舞 / 舞者 Choreographer / Dancer

集編舞、舞者和探戈及阿根廷民俗舞老師身份於一身的赫克

托．法爾肯，五歲開始學習舞蹈，十五歲成為阿根廷民俗舞教

授。其後，他加入數個民俗舞團擔任舞者，包括阿瑪利亞．加

西亞芭蕾舞團、馬查高芭蕾舞團、薩爾塔芭蕾舞團、金鼓舞

團、納基斯舞團、魔鬼牛仔舞團和阿根廷今天舞蹈團等。曾在

布宜諾斯艾利斯主要探戈舞廳擔任主角，並以雙人舞舞者身份作世界巡迴演出，

參與過眾多成功演出，包括《探戈情感》、《探戈布宜諾斯艾利斯》、《探戈激

情》、《都市探戈》、《魅力探戈》和《探戈誘惑》等。

法爾肯在1990年代開始編舞，並被譽為當今最佳探戈編舞家之一。2003年，他擔任布宜諾斯艾利斯探戈舞團的編舞和主角。他以編舞、藝術總監和主演的身份製

作的近期作品包括《探戈晚會》、《本塔納》和《對抗探戈》。他曾在布宜諾斯

艾利斯大學、布宜諾斯艾利斯探戈教育中心和聖馬丁文化中心任教，並曾在超過

三十個國家主持探戈工作坊。

Choreographer, dancer and teacher of tango and Argentinian folk dances, Hector Falcón began his dance education at the age of five and was turned into a Professor of Argentinian folk dance at the age of 15. Since then, he has worked with several folk dance companies, including the Ballet de Amalia Garcia, Ballet de Machaco, Ballet de Salta, Bombos de Oro, Los Ñaquis, Los Diablos Gauchos and Ballet Argentina Hoy. He has been a main figure in major tango houses in Buenos Aires and has toured the world as solo couple in numerous successful shows, including Tango Emotion, Tango Buenos Aires, Tango Passion, Tango Metropolis, Fascination Tango, and Tango Seduction.

Falcón has been involved in choreography since the 1990s and gained status as one of the best tango choreographers today. In 2003, he was in charge of choreographing and being a main figure for Tango Buenos Aires. His latest works as a choreographer, artistic director and star include Tango Gala, La Ventana, and Contra Tango. He has taught at the University of Buenos Aires, the Centro Educativo del Tango, and the Centro Cultural San Martin, and conducted tango workshops in more than 30 countries.

露克莉西亞．羅路 Lucrecia Laurel 監製 / 編劇 / 攝影 Régisseur / Scriptwriter / Photographer

露克莉西亞．羅路出生於阿根廷布宜諾斯艾利斯。十八歲到洛杉磯修讀戲劇和攝影。她從小接觸探戈，經常跟隨母親兼布宜諾斯艾利斯探戈舞團藝術總監羅莎里奧．包薩作巡迴演出，耳濡目染之下，深受探戈啟發。羅路於2008年返回布宜諾斯艾利斯之後，一直積極參與舞團的製作、編劇和藝術發展。

Lucrecia Laurel was born in Buenos Aires, Argentina. At the age of 18, she moved to Los Angeles to study theatre and photography. She has always been inspired by tango from an early age, by watching, listening, and touring with her mother Rosario Bauzá, Artistic Director of Tango Buenos Aires. Laurel has been actively involved in the making of, story and artistic development of the shows since returning to Buenos Aires in 2008.

探戈

阿根廷探戈源自非洲和西班牙文化的交融，同時深受高楚人─阿根廷牛仔的米隆加

音樂影響。早期的探戈流行於舞池和歌舞廳，因需男女相擁而舞，所以在當時地位

不高。探戈的編舞創作空間廣闊，節奏講求斷奏，舞者之間必須完美協調。

鋼琴是探戈最常用的樂器，伴以小提琴、結他和長笛。現今，最典型的伴奏樂器是

近似六角手風琴的阿根廷手風琴。

探戈可以表達幾乎所有情感，更代表舞蹈本身以及它所描述的城巿的精神及道德演

化。雖然一次又一次遭受唾棄，它最終成為布宜諾斯艾利斯的城市象徵。我們不應

忘記，探戈與布宜諾斯艾利斯這城市及它的文學相連並生。很多文章談及探戈的起

源，同時引發連串問題：探戈的詞源是什麼？它在哪裡開始？如何演化成形？受到

什麼影響？

隨著時間的流逝，這些問題的答案都已失傳，但很多人相信「探戈」一詞源自「Tambor」（指鼓）的錯誤讀音。

那魅惑，那暴風般的，探戈

藐視勞累的歲月；

塵土和時間塑造的眾生

短暫猶遜輕柔的樂音

那就是時間

─博爾赫斯《探戈》

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The Argentinian tango has a mixture of African and Spanish antecedents, and also a strong influence from the Argentinian milonga which is sung by Gauchos, the Argentinian “cowboys“. In its beginnings, the tango was an ill-famed dance, being very fashionable in dance halls and cabarets, and also the choreography called for the couple to hold each other very close. Tango choreography allows for a lot of creativity, requiring breaks in the rhythm and perfect coordination between the dancers.

The tango's constant companion is piano, although it has been accompanied by violin, guitar and flute. Nowadays, the most typical instrument is the bandoneon, which is an accordion similar to the concertina.

The tango represented many infinite feelings and an expanded mental and moral evolution of itself and of the city that is depicted in it. It deserved and suffered many rejections despite the fact that it knew how to rise to the occasion to become the very symbol of the city of Buenos Aires. We should not forget that the tango has grown with that city and its literature. A lot has been written about the origins of the tango. There are so many questions! What is the etymology of the word “tango“? Where was it born? How did it take shape? Which influences did it receive?

Esa ràfaga, el tango, esa diabluralos atareados años desafiahecho de polvo y tiempo el hombre duramenos que la liviana melodiaque solo es tiempo

– El Tango, by Jorge Luis Borges

That devilry, the Tango, that wind gustsurely defies the overtoiled years; made out of dust and time any man lastsless than the nimble melody which is time only.

– The Tango, by Jorge Luis Borges

對於探戈的誕生，一直都流傳著不同的說法，但文獻極少，所以我們應對有關它的

起源的各種說法有所保留。有一種講法是，在 1850年代，西班牙傳統民間舞逐漸衍生出古巴哈巴涅拉舞。而穿梭於包括古巴在內的安的列斯群島和拉普拉塔河之間的

商業航線水手將哈巴涅拉舞，帶到布宜諾斯艾利斯的河畔地區，且迅速地在布宜諾

斯艾利斯發展起來，其後逐漸演變為米隆加舞。

1880年代初，米隆加舞在流行文化中佔據了重要的位置，城中的苦力、移民等低下階層開始跳米隆加舞，而人們聚在一起跳這舞蹈的地點也被稱為「米隆加」。現在

跳探戈舞的地方仍沿用這個名字。

就在這個時候，一切都開始改變：城市的建築、語言、日常習慣、飲食、衣著、街

頭景象和交通工具等。第一條有軌電車興建後，通訊變得更快，經濟富裕的人棄南

北上定居。出租公寓和貧民徙置區倍增，同時，探戈開始受到重視。

在急促的城巿發展中，河畔集居地、出租公寓、妓院和跳舞酒吧等大量出現，探戈

亦從哈巴涅拉舞演變到米隆加舞，最後定型下來了。

其後，西班牙和意大利移民及其第一代移民的後裔，以及非洲人，一個包含不同種

族和信仰的混雜社群，一群在布宜諾斯艾利斯邊沿低聲抱怨的民眾，在他們經常聚

集的地方，引入了這種新節奏。早期的探戈是即興的，音樂旋律誘人，在獨有的樂

器演奏下，在愛好者之間流傳。當時探戈仍在探索中，由起初只有男舞者，到後來

女舞者加入並突顯女性的高傲嬌媚，就從那時開始，真正的探戈─一種完整的、具

生命力的舞蹈形式，終於誕生了。

（英文原文出處：Playbill）

The Tango

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我將一生守護你

當生命終結時，你將永遠伴隨我

寵我疼我，滿足我的一切

如同我為你付出一樣

別怕，此刻我必須離去

爭取你所有的權利

你應得的一切，終將來臨

我將一生守護你

如同你力爭公平

若然你被推倒，或被傷害

想想我，我一直都在你身旁

我將一生守護你

請讓我知道，你活得很好

揮動自由的旗幟，不要讓它們落下

我為你感到驕傲，請全力以赴

若公義仍未走近，請你堅守信念

假如你期望夢想實現

所有的付出都是值得的

聽著，我已了無牽掛

你已自由，不再受威脅

所以我決定離開

I Will Take Care of You Until the End

At the end, you’ll always stay with meSpoiling all my needsAs I tried to do, indeed

Don’t be afraid, I have to go for nowStand for all your rightsAnd what you deserve, may come

I’ll take care of you, until the endAs you fight, for what is fairIf you’re being pushed down or hurt whomeverThink of me, I’m always there

I’ll take care of you, until the endJust let me know, you’re doing wellRaise your freedom flags and show them everYou make me feel so proud, please do your best

Keep the strength, if justice seems too farThe price is never highIf you expect a dream to come

Listen well, I’m feeling quite relievedYou’re free you’re not at riskThat’s why I decide to leave

Let us consider that many answers are lost in time, but many believe that the word “tango“ derives from mispronunciations of the word “tambor“, meaning “drum“.

With respect to its birth, there are so many versions with so little documentation, that we ought to be cautious with its presumed origins. During the decade of 1850, the Cuban habanera established in Buenos Aires was believed by many to be the successor of the old Spanish counterdance. The habanera spread throughout the “Ribera“, the river shores of Buenos Aires, thanks to the sailors taking the commercial route between the Río de la Plata (Buenos Aires) and the Antillas. It quickly became established in Buenos Aires and was gradually transformed into the milonga.

At the beginning of the 1880s, the milonga occupied a relevant position in popular tastes. The milonga began to be danced by the compadritos of the city. The meeting places for the dancing were also referred to as “milongas“, and this word is still used today to name the tango dancing places.

At this time, everything started to change: the architecture of the city, its language, habits, foods, dresses, image of the streets, carriages, etc. The first line of the “tranguay“ (tramway) was established, communications became faster, and the well-to-do abandoned the south to settle in the north. Hallway (tenement) houses and indigents (“conventillos“) multiply, and the tango began to command attention.

Thus the tango evolved through the riverside settlements, hallway houses, brothels, and dancing pubs, in a rapid metamorphosis, from the habanera to milonga, and finally the tango.

Later, with the contribution of Spanish and Italian migrants as well as the criollos (first descendants of the migrants) and Africans, this social mixture of races and beliefs, this murmuring mass of the “orillas“ (shores) of Buenos Aires, introduced the new rhythm in the popular meeting places. The primitive tangos were improvised, and its melody was attractive; it was transmitted among the interpreters through the exclusive use of their instruments. The accompanying dance was in a state of creation. First, there were only male dancers. Later, a couple of female dancers finally appealed to the feline grace of the woman. That day and not before, the true tango was born, that is, the complete and functional tango.

(Source: Playbill)

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我願意奉獻一切

我所擁有的，不全然屬於我

全歸於大家，縱然不多

我們團結一致，不分你我

如孩子學習，每天一小步

這是唯一的路，沒有悲傷的理由

盡力追求美好生活，我們曾經如此

我願意奉獻一切，沒人能改變

我甘願獻出靈魂，沒人能阻止

我願意奉獻我的一切，沒人能遏制

我堅定不止的渴求，就是奉獻一切

極目所見，盡是愛與樂的匱乏

我如何能繼續冷眼旁觀

不可這樣，我被教導要樂於助人

嘗試拋開私念

縱然一丁點，我願意將它掏空

我們團結一致，不分你我

My Wish to Give it All

Everything I have, it’s not completely mineIt belongs to all, I know it’s not too muchWe’re just only one: the people and I Learning as a child, a little was enoughIt was the only way, no reasons to be sad Get the best of life, we were used to that No one ever change my wish to give it allNothing will stop me if I surrender my soul No one will restrain my wish to give it all, to give it all My straight and endless wish to give it all Lack of love or joy, I’ve seen it everywhereHow can I go on, being witness and just stareThat’s not what I am. I was taught to help Trying to put at first, my selfishness asideThough it was a bit, I’d rather hand it out We’re just only one, the people and I

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創作及製作人員 Creative and Production Team

藝術總監 Artistic Director Rosario Bauzá

音樂總監 / 作曲Music Director / Composer Fernando Marzán

編舞 Choreographer Hector Falcón

監製 / 編劇 / 攝影 Régisseur / Scriptwriter / Photographer Lucrecia Laurel

舞台監督 / 燈光設計 Production Stage Manager / Lighting Designer Fred Allen

樂手Musicians

鋼琴 Piano Fernando Marzán

阿根廷手風琴 Bandoneon Marco Antonio Fernandez

Emiliano Guerrero

小提琴 Violin Mayumi Urgino

低音大提琴 Double Bass Roberto Santocono

舞者 Dancers

Paula Arias Cristian Petitto

Matias Vidoni Aldana Artemisa Pajaro

Hector Falcón Karina Piazza

Lucia Alonso Nestor Gude

Eliana De Bartolis Hector Eduardo Fernandez

歌手 SingerLucia Alonso

鳴謝 Acknowledgement

Columbia Artists Management

Andrew S. Grossman

DANIEL ARTISTS Management USA

布宜諾斯艾利斯探戈舞團之香港演出由承藝文化傳播有限公司安排。

Tango Buenos Aires’ Hong Kong performances are arranged by Artransfer Culture Promotions Co Ltd.

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