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E ach year, the GRAMMY Foundation ® gathers the stories of the past 12 months in our Community Services Report. For this report, we are combining the activities into a two-year report covering 2009 and 2010. What you’ll discover in these stories are highlights that mark some of our accomplishments and recount the inspiring moments that affirm our mission and invigorate our programs throughout the years. Since 2007, we’ve chosen to tell our stories of the past fiscal year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation and welcome your feedback. MISSION The GRAMMY Foundation was established by The Recording Academy ® to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. Taylor Swift and Miley Cyrus and their signed guitar that was sold at a GRAMMY ® Charity Online Auctions. Community Services Report 2009-2010

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Page 1: Community Services Report 2009-2010 - GRAMMY.com Bareilles Dave Barnes Blind Boys of Alabama Blue Note Anniversary Tour Chris Botti Marc Broussard Chick Corea ... I will be attending

Each year, the GRAMMY Foundation® gathers the stories of the past 12 months in our Community Services Report. For this report, we are combining the activities

into a two-year report covering 2009 and 2010. What you’ll discover in these stories are highlights that mark some of our accomplishments and recount the inspiring moments that affirm our mission and invigorate our programs throughout the years. Since 2007, we’ve chosen to tell our stories of the past fiscal year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation and welcome your feedback.

M I S S I O NThe GRAMMY Foundation was established by The Recording Academy® to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals.

Taylor Swift and Miley Cyrus and

their signed guitar that was sold at a

GRAMMY® Charity Online Auctions.

Community Services Report 2009-2010

Page 2: Community Services Report 2009-2010 - GRAMMY.com Bareilles Dave Barnes Blind Boys of Alabama Blue Note Anniversary Tour Chris Botti Marc Broussard Chick Corea ... I will be attending

g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g

O U R E D U C AT I O N P R O G R A M SUnder the banner of GRAMMY in the Schools®, the GRAMMY Foundation produces and supports music education programs for high school students across the country throughout the year. The GRAMMY Foundation’s GRAMMY in the Schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content.

G R A M M Y ® C A R E E R D AYGRAMMY Career Day is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals.

2009 and 2010 represent the 21st and 22nd seasons of GRAMMY Career Day. The continuing support of the Ford Motor Company Fund allowed us to offer the GRAMMY Career Day experience in six additional cities over the two-year period. Since 1988, more than 208,540 students have benefitted from GRAMMY Career Day.

A student gets to perform

during a Turntablism Workshop

at GRAMMY Career Day

at University of the Arts —

Gershman Hall in Philadelphia.

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2010 GRAMMY Career DayAtlanta | DeKalb School of the ArtsLos Angeles | USC Thornton School of MusicMemphis | Overton High School Miami | University of Miami Nashville | Muscle Shoals High School New York | Pace University San Francisco | San Francisco State University Seattle (PNW) | Roosevelt High School Texas | Brackenridge High School

2009 GRAMMY Career Day Atlanta | North Atlanta High School Center for the Arts Chicago | Columbia College Detroit | Detroit School of the Arts Houston | University of Houston Los Angeles | USC Thornton School of Music Memphis | Overton High School Miami | University of Miami Frost School of MusicNashville | Nashville School of the Arts New York | Pace UniversityPhiladelphia | University of the Arts Phoenix | Maryvale High School Auditorium & Central High San Francisco | San Francisco State University Seattle | Seattle Center Washington, D.C. | University of the District of Columbia

The 2009 GRAMMY Career Day season represents the program’s 21st year. With the support of the Ford Motor Company Fund, we were able to offer the GRAMMY Career Day experience to more than 400 additional students. More than 208,540 students impacted by GRAMMY Career Day since 1988.

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All-American RejectsBig Head Todd And The MonstersBreathe CarolinaColbie CaillatBrandi CarlileCarolina LiarChickenfootDrive By TruckersEvery AvenueMelanie FionaLuis FonsiHawk NelsonHonor SocietyJewelJonas BrothersJourneyKe$haMatt KearneyAmos LeeLinkin ParkJohn MayerEdwin McCain

Tim McGrawIngrid MichaelsonMoody BluesMumford & SonsMute MathNew Found GloryOK GoParachutePhoenixPlaying For ChangeCorrine Bailey RaeRock of AgesShinedownCorey SmithJordin SparksSparks the RescueStar Wars: In ConcertSugarlandTaylor SwiftVampire WeekendWynonnaZac Brown Band

G R A M M Y S O U N D C H E C K S ®

GRAMMY SoundChecks allow students to attend the professional sound checks of a broad range of emerging and established touring artists, along with technical and industry professionals, to give young people perspectives on music careers through conversations about the specifics of their jobs and the necessary tools and education required for success.

2010 GRAMMY SoundChecks

In 2010, 71 events were conducted— the largest number to date — with a total of 44 artists.

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Brandi Carlile answers questions at a GRAMMY SoundChecks event with high school students

Jason Mozersky, Jordan Richardson, Jesse Ingalls, Ben Harper,

and Recording Academy San Francisco Chapter staff member

Kaitlin McGaw at a GRAMMY SoundChecks in San Francisco

Just as the GRAMMY Award recognizes excellence in recording, the GRAMMY Signature

Schools program, presented by the Gibson Foundation with support from the Ford Motor

Company Fund, honors top public high school music programs with cash grants. Understanding

that many schools struggle to maintain a quality program — particularly in rural and urban areas

— the Foundation established the GRAMMY Signature Schools Enterprise Award for needs-

based applicants in under-served communities. Since the program's inception, 662 public high

Brandi Carlile answers questions

at a GRAMMY SoundChecks event

with high school students.

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2009 GRAMMY SoundChecksIn 2009, the Foundation held 72 GRAMMY SoundChecks in more than 20 cities.

311 3 Doors Down ACL Behind The scenes Adele All Time Low Anarbor Sara Bareilles Dave BarnesBlind Boys of Alabama Blue Note Anniversary TourChris Botti Marc Broussard Chick CoreaKevin Costner Sheryl CrowThe DecemberistsGavin DeGraw Duffy EstelleFlight Of The ConchordsBen Folds Gnarls BarkleyGym Class HeroesAnthony Hamilton Ben HarperMatt Hires

Jack’s Mannequin Jonas Brothers Kindred The Family SoulLady AntebellumJohn Legend Leona Lewis LudoJohn Mayer Jesse McCartneyJason MrazMusiq SoulchildMy Morning JacketPaolo Nutini OneRepublic Karina Pasian Katy Perry RadioheadAndre Rieu Raphael Saadiq ShinedownJordin SparksJasmine SullivanBernie WilliamsRachel YamagataYanni

Jason Mozersky, Jordan Richardson, Jesse Ingalls,

Ben Harper, and Recording Academy San Francisco

Chapter staff member Kaitlin McGaw at a GRAMMY

SoundChecks in San Francisco.

Brandi Carlile answers questions at a GRAMMY SoundChecks event with high school students

Jason Mozersky, Jordan Richardson, Jesse Ingalls, Ben Harper,

and Recording Academy San Francisco Chapter staff member

Kaitlin McGaw at a GRAMMY SoundChecks in San Francisco

Just as the GRAMMY Award recognizes excellence in recording, the GRAMMY Signature

Schools program, presented by the Gibson Foundation with support from the Ford Motor

Company Fund, honors top public high school music programs with cash grants. Understanding

that many schools struggle to maintain a quality program — particularly in rural and urban areas

— the Foundation established the GRAMMY Signature Schools Enterprise Award for needs-

based applicants in under-served communities. Since the program's inception, 662 public high

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Katie Ashman, Vincent Camuglia, Alexandra Luttrell-

Freeman, Patrick Bowen, Andre Long, Paige Meriweather,

Jorge Machain, and Laura Herlovich pose for photos

during a GRAMMY Signature Schools presentation at Las

Vegas Academy in Las Vegas.

2 0 1 0 G R A M M Y ® S I G N AT U R E S C H O O L S Just as the GRAMMY Award recognizes excellence in recording, the GRAMMY Signature Schools program, presented by the Gibson Foundation with support from the Ford Motor Company Fund, honors top public high school music programs with cash grants. Understanding that many schools struggle to maintain a quality program — particularly in rural and urban areas — the Foundation established the GRAMMY Signature Schools Enterprise Award for needs-based applicants in under-served communities. Since the program’s inception, 662 public high schools were selected as GRAMMY Signature Schools and awarded $852,000 in grants. GRAMMY Signature Schools is approved by the National Association of Secondary School Principals and MENC: The National Association for Music Education. In 2010, 12 public high schools representing 11 cities and 9 states were selected as GRAMMY Signature Schools. In 2009, we doubled the number of Enterprise Award winners to six and gave them grants of $5,000 each. In an effort to expand the program’s effectiveness and increase the overall quality of applications, the GRAMMY Foundation, with help of the Ford Motor Company Fund, developed and launched a grant writing workshop in three markets. In 2009, 14 public high schools representing 13 cities and 10 states were selected as GRAMMY Signature Schools.

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2009 GRAMMY Signature Schools

2009 National GRAMMY Signature School ($10,000)Martin High School | Arlington, Texas

2009 GRAMMY Signature Schools Gold ($5,000 each)Las Vegas International Academy of Performing & Visual Arts | Las VegasNeuqua Valley High School | Naperville, Ill.

2009 GRAMMY Signature Schools Enterprise Award ($5,000 each)Detroit School of the Arts | DetroitMesa Ridge High School | Colorado Springs, Colo.Miami Coral Park Senior High School | MiamiNorth High School | PhoenixPacific High School | Pacific, Mo.Rochester City School of the Arts | Rochester, N.Y.

2009 GRAMMY Signature Schools ($1,000 each) Charles A. Sprague High School | Salem, Ore.Cinco Ranch High School | Katy, TexasDiamond Bar High School | Diamond Bar, Calif.Evanston Township High School | Evanston, Ill.Linn-Mar High School | Marion, Iowa

2010 GRAMMY Signature Schools

2010 National GRAMMY Signature School ($5,000)Douglas Anderson School of the Arts | Jacksonville, Fla.

2010 GRAMMY Signature Schools Enterprise Award ($5,000 each)Centennial High School | Roswell, Ga.Manual Arts High School | Los AngelesNewark High School | Newark, Del.Roosevelt High School | SeattleTaft High School | Woodland Hills, Calif.Thomas Jefferson High School Fine Arts Academy | San Antonio, Texas

2010 GRAMMY Signature Schools Gold ($5,000 each)Las Vegas International Academy of Performing & Visual Arts | Las VegasPioneer High School | Ann Arbor, Mich.

2010 GRAMMY Signature Schools ($1,000 each)Cinco Ranch High School | Katy, TexasFlower Mound High School | Flower Mound, TexasNorth Allegheny Senior High School | Wexford, Pa. 6

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Members of the GRAMMY Jazz Ensembles perform during the GRAMMY

Foundation’s National GRAMMY Career Day held at USC on in Los Angeles.

G R A M M Y J A Z Z E N S E M B L E S

The GRAMMY Jazz Ensembles program selects top high school instrumentalists and singers and brings them to the host city of the GRAMMY Awards for a once-in-a-lifetime experience where they rehearse, perform, and record together — often with GRAMMY Award-winning guest artists — at a series of high profile GRAMMY Week events. In 2010, highlights included an appearance on the 52nd Annual GRAMMY Awards telecast with Dave Matthews. The program, in its 18th year, selected 28 high school singers and instrumentalists representing 26 cities and 12 states. In addition, nearly $2 million in scholarships is offered to many ensemble members by Berklee College of Music, Manhattan School of Music, New School for Jazz and Contemporary Music, and USC Thornton School of Music.

The 2009 program, in its 17th year, selected 30 high school singers and instrumentalists representing 23 cities and 13 states. In addition, nearly $2 million in scholarships is offered to many Ensembles members by Berklee College of Music, Manhattan School of Music, New School for Jazz and Contemporary Music, and USC Thornton School of Music. We partnered with the Beyond the Bell branch of the Los Angeles Unified School District to pilot a vocal audition workshop. Singers in Los Angeles and Compton, Calif. signed up to attend the workshop, where they received basic instruction in healthy vocal technique, learned about the connection of jazz to other popular genres, and were coached on general audition techniques. Lastly, they were taught the two songs that are required for the GRAMMY Jazz Ensembles audition. After practicing for a week, 22 of the youngsters came back the following Saturday, and we video recorded their audition for the GRAMMY Jazz Ensembles.

“Thanks so much for everything during GRAMMY week. It was one of the best musical experiences I’ve ever had. Not to mention it had an overwhelmingly positive effect on my college choices. I will be attending Manhattan School of Music next year with a full tuition scholarship for the four years I attend.” — 2009 GRAMMY Jazz Ensembles Participant

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2010 GRAMMY Jazz Ensembles Selectees

GRAMMY Jazz ChoirJessica Best | Pound Ridge, N.Y.Taylor Daniel | Germantown, Tenn.Hope Flores | Los AngelesTaylor Harvey | Los AngelesBen Lusher | Dobbs Ferry, N.Y.Michael Mayo | Van Nuys, Calif.Arianna Neikrug | Los AngelesDaniel Stanfill | Manhattan Beach, Calif.

GRAMMY Jazz ComboLuke Celenza | Bedford, N.Y.Robin Baytas | Montclair, N.J.Dominic Sbrega | Portland, Me.

GRAMMY Jazz BandPatrick Bartley | Coral Springs, Fla.Matt Chalk | Overland Park, Ks.Dahi Divine | Philadelphia, Pa.Joshua Gawel | Douglassville, Pa.Jon Hatamiya | Davis, Calif.Nick Hetko | Cambridge, N.Y.Noah Hocker | Portland, Ore.Caroline Juster | Omaha, Neb.Jacob Kraft | Rancho Cucamonga, Calif.Kyle Molitor | Tigard, Ore.Matthew Muirhead | Lombard, Ill.Adam O’Farrill | Brooklyn, N.Y.Gabe Schnider | Accord, N.Y.Evan Sherman | Short Hills, N.J.Elijah Shiffer | Mt. Vernon, N.Y.Kevin Sun | Belle Mead, N.J.Bill Vonderhaar | Houston, Texas

2009 GRAMMY Jazz Ensembles Selectees

GRAMMY Jazz ChoirAndre Brown | PittsburghTaylor Daniel | Germantown, Tenn.Olivia Harris | DallasJazzmeia Horn | DallasAmanda Kunz | Renton, Wash.Ben Lusher | Dobbs Ferry, N.Y.Michael Mayo | Van Nuys, Calif.McKenna Whisler | Pittsburgh

GRAMMY Jazz ComboKate Davis | West Linn, Ore.Armand Hirsch | New YorkNoah Kellman | Fayetteville, N.Y.Alex Nash | San Francisco

GRAMMY Jazz BandWilliam Aukstik | Lombard, Ill.Benny Benack | PittsburghLuke Celenza | Bedford, N.Y.Braxton Cook | Silver Spring, Md.Natalie Cressman | San FranciscoSam Crowe | DenverNick Frenay | Syracuse, N.Y.Joshua Gawel | Douglassville, Pa.Tyler Ginsberg | Metairie, La.Alden Harris-McCoy | Portland, Ore.Josh Holcomb | Woodhaven, N.Y.Aaron Johnson | Portland, Ore.Matt Knoegel | Southington, Conn.Ethan Kogan | Wilmette, Ill.Jacob Kraft | Rancho Cucamonga, Calif.Raviv Markowitz | Lexington, Mass.Leonardo Pellegrino | PittsburghIvan Rosenberg | New York

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“What came off that plane from L.A. returning to us was a more focused and mature young musician, clearer about what he wants to do and how he wants to go about it. He now knows what the pursuit of excellence means — and that he wants to continue to work hard so that he can be part of it. What you gave these kids, more than anything, was pure inspiration.” — 2009 GRAMMY

Jazz Ensembles Parent

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G R A M M Y C A M P ®

GRAMMY Camp is an interactive residential summer program for students that focuses on all aspects of the commercial music industry. The curriculum is led by core faculty, guest artists, and music professionals, across a range of career tracks. GRAMMY Camp covers all aspects of creating, performing, and recording, and it culminates in media projects, CD recordings, and/or showcase performances. In the summer of 2010, Converse came onboard and allowed GRAMMY Campers to participate in their “Connectivity Campaign.”

An additional element that was incorporated into the curriculum included the Social Networking and New Media Activity, during which guest professionals worked with teams of campers to create and identify strategies to promote camper-created viral videos. GRAMMY in the Schools program alumni were enlisted to help with new media and social networking for these outreach efforts.

The program is hosted by the University of Southern California Thornton School of Music and supported in part by ASCAP, Best Buy, BET, Coca-Cola, CenterStaging, Converse, the Ella Fitzgerald Charitable Foundation, Epiphone, the Ford Motor Company Fund, Guitar Center Hollywood, the Hot Topic Foundation, JBL by Harman, the Les Paul Foundation, Line 6, Mackie, Remo, Shure, and USC Thornton School of Music.

“Thank you so much for your amazing week with our son. It takes special people to be able to listen to the needs of young talent. Our son had never experienced anything like this before. The fact that you cared about his success, and took the time to ensure he had a phenomenal experience means so much to us.”— 2009 GRAMMY Camp

Parent

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India Pascucci

performs during a

GRAMMY Camp drum

workshop.

GRAMMY Camper Jonathan

Huggins in rehearsal.

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Quinn Anex-Ries | SeattleNick Arnold | Del Mar, Calif.Michael Arrom | Warren, N. J.Casey Barth | Lexington, Mass.John Bassel | Oakland, Calif.Eric Boone | Davis, Calif.Jarod Booth | Burbank, Calif.Chris Borst | San DiegoJake Botts | Corte Madera, Calif.Johnny Bugarin | Fort Collins, Colo.Colin Callahan | Monroe, Wis.Kamari Carter | Los AngelesKristen Castro | Simi Valley, Calif.Brandon Combs | Burbank, Calif.David Delaney | Fremont, Calif.Adeyemi Demetrius | San FranciscoRyan Dents | New OrleansSusan Ewing | Southfield, Mich.Stacey Ferreira | Scottsdale, Ariz.Giavanna Foster | Inglewood, Calif.Julia Friedman | Norwalk, Conn.Alec Gaston | Perrysburg, OhioKatie Gavin | Winnetka, Ill.Ben Gershbein | Tiburon, Calif.Spencer Gibbs | Hidden Hills, Calif.Carly Gibson | Dahlonega, Ga.Benjamin Glasser | Irvine, Calif.Shawn Handy | PhiladelphiaWilliam Harrison | DetroitTaylor Harvey | Los AngelesPriscilla Hernandez | Long Beach, Calif.Jonathan Huggins | San AntonioChristine Jamra | Madison, Conn.Ryan Jarvis | Darien, Ill.

Corbin Jones | Greenwood Village, Colo.Justin Jones | Clearwater, Fla.Jarvis Kinney | Sugar Land, TexasMitchell Knabe | Moreland, Ga.Sterling Laws | Anacortes, Wash.Naomi Lee | Colorado Springs, Colo.Erin Levins | New OrleansSarah Lindstedt | Palos Verdes, Calif.Lyndsey Lombard | Montclair, N.J.Alma Macbride | West Hartford, Conn.Wezley Masangkay | Beverly Hills, Calif.Richard Mattox | Tallahassee, Fla.Dallas McKinney | San DiegoSavannah Mears | Santa Barbara, Calif.Brenna Miles | La Cañada Flintridge, Calif.Brooks Monk | Jacksonville, Fla.Ajani NaNaBuluku | Douglasville, Ga.Cassandra Negron | La Grange, Ill.Max Nikol | Los AngelesDaniel Oldham | Encinitas, Calif.India Pascucci | Burbank, Calif.Ellie Perleberg | East Bethel, Minn.Chase Phillips | Alpharetta, Ga.Evan Philpot | North Hollywood, Calif.Will Pinson | Charlotte, N.C.Malcolm Rand | Los AngelesJulian Ring | Piedmont, Calif.Gunnar Rolfs | Vancouver, Wash.Kyleel Roole | Parlin, N.J.Jenay Ross | Rodeo, Calif.Travis Ross | Raleigh, N.C.Paul Schoen | New OrleansKevin Schwarzwald | South Palisades, Calif.Cyrus Shaki-Khan | Studio City, Calif.

Shane Silver | Studio City, Calif.Taina Spicer | Piscataway, N.J.Lena Stein | Carlisle, Mass.Katherine Stuber | SeattleZaccheus Taylor | Nederland, TexasCody Tripp | Griffith, Ind.Jim Trotter | Jasper, Ala.Rudy Weimer | Boulder, Colo.Travis Werling | Renfrew, Pa.Tom Wilson | Tiburon, Calif.Dertrick Winn Jr. | Austin, TexasDanny Wirick | Sonoma, Calif.Brandon Woodward | Westlake Village, Calif.Brandon Zanders | Richmond, Texas

Electronic Music Production students work on

a project during GRAMMY Camp 2009 at the

University of Southern California in Los Angeles.

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2010 GRAMMY Camp Selectees

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Amirrashid Ali | Conyers, Ga. Nick Arnold | Del Mar, Calif. Alexandria Arrieta | Whittier, Calif. Grahm Bailey | Michigan City, Ind. Casey Barth | Lexington, Mass. Jarod Becker | Houston Chris Behringer | Lake Mary, Fla. Anik Bhattacharya | Sugarland, Texas Robby Bisel | Moraga, Calif. Richard Booker-Tandy | Pompano Beach, Fla. David Broad | Belvedere, Calif. Tiyuna Brown | Atlanta Vincent Camerano | Bolingbrook, Ill. Alex Canepa | Woodland Hills, Calif. Jordan Carillo | West Covina, Calif. Khaya Carter | Washington, D.C. Halle Charlton | Los Angeles Aaron Childs | South Pasadena, Calif. Brandon Combs | Burbank, Calif. Noah Corwick | Cave Creek, Ariz. Edward Culton | Atlanta Aaron Davis | Westfield, N.J. Doron Dina | Beverly Hills, Calif. Annie Dingwall | Plano, Texas Devon Eisenbarger | Temecula, Calif. Stacey Ferreira | Scottsdale, Ariz. Rees Finley | Columbus, Ohio Shane Fogerty | Beverly Hills, Calif. Jeffery Fralinger | Ocean City, N.J. Julia Friedman | Wilton, Conn. Katie Gavin | Winnetka, Ill. Carly Gibson | Dahlonega, Ga. Kyle Robert Glavanovitsvv | Bolingbrook, Ill.

Lea Marie Golde | West Hollywood, Calif. Rebecca Green | Cherry Hill, N.J. Jillian Grutta | Coeur d’Alene, Idaho Faith Hahn | New Hope, Pa. Barry Harris | Glenolden, Pa. Taylor Harvey | Los Angeles Travis Henry | Divide, Colo. Tycho Horan | Santa Monica, Calif. Craig Horn | Walnut, Calif. Justin Hubler | Naperville, Ill. Lindsey Iverson | Windermere, Fla. Christine Jamra | Madison, Conn. Ryan Jarvis | Darien, Ill. Robby Johnson | Grand Rapids, Mich. Daniel Karp | Norfolk, Va. Jonathan Kinsey | Sugarland, Texas Justin Klunk | Torrance, Calif. Ian Lancaster | Fort Collins, Colo. Sterling Laws | Anacortes, Wash. Ben LoPiccolo | Foster, R.I. Ariel Medina | Coconut Creek, Fla. Ajani NaNaBuluku | Lithia Springs, Ga. Alaina Overdiep | Humble, Texas Endea Owens | Detroit Dana Payne | Antioch, Calif. Ellie Perleberg | East Bethel, Minn. Keith Phelps | Orlando, Fla. Will Pinson | Charlotte, N.C. Danielle Powers | Oviedo, Fla. Alexandra Rose Rieger | Mission Hills, Calif. Gunnar Rolfs | Vancouver, Wash. Fela Ross | San Diego, Calif. Jenay Ross | Rodeo, Calif.

Zane Schorp | George West, Texas Alexander Sill | West Hills, Calif. Bryce Silver | Bordentown, N.J. Shane Silver | Studio City William Smith | Atlanta Dan Song | Beverly Hills, Calif. Jahaan Sweet | Jacksonville, Fla. Grant Taylor | Norfolk, Va. Sarah Tither Kaplan | Los Angeles Innocent Tswamuno | Greenwich, Conn. Jessica Turner | Oak Grove, Minn. Keith Turner | Decatur, Ga. Rudy Weimer | Boulder, Colo. Travis Werling | Renfrew, Pa. John Wilmot | Jeffersonville, Ind. Nathanael Wilson | Chino, Calif. Dertrick Winn Jr. | Austin, Texas Brandon Woodward | Westlake Village, Calif.

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2009 GRAMMY Camp Selectees

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The GRAMMY Foundation’s preservation and advancement initiatives foster dialogue about the compelling issues facing the music industry, support projects that increase the understanding of music and its role in society, and raise public awareness of the urgent need to preserve our nation’s recorded sound legacy.

G R A N T P R O G R A MThe Grant Program, with funding generously provided by The Recording Academy, awards grants annually to organizations and individuals in two categories: scientific research studies that advance our knowledge of the impact of music on the human condition, and archive projects that implement or plan the preservation of the music and recorded sound heritage of the Americas for future generations. The Grant Program is seeing more and better qualified applicants each year, and this results in our funding outstanding, meaningful, and diverse projects. In 2010 — the grant program’s 23rd year — grants were awarded to nine recipients in the United States, Canada and the Dominican Republic. Funds supported a range of research, archiving, and preservation projects on subjects including: investigating links between pre-school children’s rhythm ability and their pre-reading skills; completing the preservation and digitization of the world’s most complete collection of commercially recorded Mexican-American vernacular music; and creating a preservation plan for the collection of recordings of Roy Harris, a renowned 20th century American classical music composer. Fiscal year 2009 saw a 75 percent decrease in available funds; however, 11 exceptional projects were funded.

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Director of Research at the Center

for Black Music Research and Project

Director Kenneth Bilby interviewing

Alva Lewis at Tuff Gong Studios in

Kingston, Jamaica, in 2005. Lewis

is a session guitarist who made

an important contribution to the

development of reggae music and

played on some of Bob Marley’s

most revered recordings.

O U R P R E S E R VAT I O N & A D VA N C E M E N T I N I T I AT I V E S

Phot

o C

ourt

esy

of K

enne

th B

ilby

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2 0 1 0 G R A N T R E C I P I E N T S

Preservation Implementation Arhoolie Foundation — El Cerrito, Calif. | Awarded: $10,000 The Frontera Collection is the world’s most complete gathering of commercially recorded Mexican American vernacular music. Recognizing the historical value of this one-of-a-kind collection, the Arhoolie Foundation, in partnership with the UCLA Digital Library, has successfully preserved, digitized, and created public access to over 50,000 individual performances captured on 78 rpm and 45 rpm records. Twelve thousand 45s are still in urgent need of preservation. Center for Black Music Research, Columbia College — Chicago | Awarded: $15,000This project will digitize, archive, preserve, and make available to the public 142 audio cassettes (194 hours) containing in-depth interviews with 100 important Jamaican studio musicians, arrangers, and vocalists. The interviews feature the musicians who created the genres of ska, rocksteady, and reggae during the 60s and 70s, and reveal in great detail how these new forms actually emerged, and what their creators thought about the creative process.

New England Folk Music Archives — Cambridge, Mass. | Awarded: $15,000The Archive’s goal is long-term preservation, cataloguing, storing, and dissemination of Club 47’s most fragile reel-to-reels of live performances and field recordings (1958–1963) and related oral histories on audiocassettes (1990–2007). This unique collection contextualizes the New England music scene and its influence on the mid-20th century folk revival.

Preservation PlanningCalifornia State University, Los Angeles Foundation — Los Angeles | Awarded: $5,000This project will create a preservation plan for recordings in the Roy Harris Collection housed in the John F. Kennedy Memorial Library at California State University, Los Angeles. Roy Harris is one of the 20th century’s two or three most prominent American classical music composers.

Centro Cultural Eduardo León Jimenes — Santiago, Dominican Republic | Awarded: $5,000This collection holds all recordings folklorist Fradique Lizardo (1930-1997) made during four decades of fieldwork. The breadth of his work is unmatched; the collection is likely the largest of its type held in the Dominican Republic. The project’s aim is to determine the collection’s conservation status, contents, and copyright status.

Reel to reel tape from the Bob Moog collection before preservation.

Phot

o co

urte

sy o

f The

Bob

Moo

g Fo

unda

tion

13

“The preservation grant from the GRAMMY Foundation has allowed us to preserve seminal works in the field of analog synthesis, including an 84-minute tape of Bob Moog at age 29 introducing the prototype of the Moog synthesizer, parameter by parameter, to a receptive musician.” —The Bob Moog Foundation

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Lower East Side Tenement Museum — New York | Awarded: $5,000The Lower East Side Tenement Museum seeks to analyze the audio holdings in its archive to determine their content and current state of preservation, and create a sustainable plan for the long-term maintenance and playback of the collection. The Museum will fully catalogue its audio materials by collecting information about each recording, and work with an audio preservation consultant to ensure its audio holdings are properly converted and stored.

University of the Pacific — Stockton, Calif. | Awarded: $5,000The project will conduct a preservation assessment and develop a preservation plan to guide the conservation and digitization of endangered audio and video tapes of legendary jazz musician Dave Brubeck, as part of the Dave Brubeck Collection.

ResearchMcGill University — Montreal, Quebec | Awarded: $20,000This project will use music and brain imaging tools to study auditory perception and brain differences in young adults ages 18 – 30 with autism. As a non-verbal tool, music is a unique means to study autistic individuals, who often have language impairments. This research may lead to the development of novel auditory-musical-based intervention programs to improve social functioning in people with autism. Tufts Center for Reading & Language Research — Medford, Mass. | Awarded: $20,000The study will investigate links between pre-school children’s rhythm ability and their pre-reading skills, with a goal of determining the relationships between rhythm skills and predictors of later reading achievement. The study’s long-term goals are to use pre-school rhythm ability measures to predict future reading disability and to use music training to bolster reading acquisition and as an early intervention for reading disability.

The Grant Program is seeing more and better qualified applicants each year and this results in funding outstanding, meaningful, and diverse projects. In 2009, a year that saw a 75 percent decrease in available funds, 11 exceptional projects were funded.

14Grant recipient Elliot Leib

(center right) and Herbie Miller

(center left).

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2 0 0 9 G R A N T R E C I P I E N T S

Preservation Implementation Bob Moog Memorial Foundation for Electronic Music — Asheville, N.C. | Awarded: $15,000Musical and historical content relative to the unique legacy of synthesizer pioneer Dr. Robert Moog will be cleaned, restored, rehoused and transferred to digital format for accessibility and long-term storage. The recordings will be shared by the Library of Congress, the Bob Moog Foundation website and eventual museum and traveling exhibits. www.moogfoundation.org

Chicago Symphony Orchestra — Chicago, Ill. | Awarded: $20,000The George Stone Collection’s Conversation Series, the Oral History Project and the WFMT Fine Arts Network Live Concert Series will be converted from reels and cassettes to digital format, resulting in more extensive catalogue records, and improved accessibility for researchers. www.cso.org

UCLA Ethnomusicology Archive — Los Angeles | Awarded: $20,000 Recordings focusing on the Western United States will be digitized, preserving, and creating access to a valuable collection that documents much of American traditional music in the period 1950-1990. Secure online access will be provided by UCLA’s Digital Library. www.ethnomusic.ucla.edu/archive

UC Santa Barbara — Santa Barbara, Calif. | Awarded: $20,000 Edison cylinder recordings will be digitized and preserved with access to them made through the library’s internationally acclaimed “Cylinder Preservation and Digitization Project” Funding will enhance public access to these important historical recordings which will be part of the websites collection of nearly 8,000 digitized recordings, the largest such archive currently available. www.cylinders.library.ucsb.edu

University of Washington — Seattle | Awarded: $15,000 Improve access to a body of culturally and historically significant Native and Latin American sound recordings including digitization of analog tape reels, creation of accompanying metadata, file management, production of user copies, and safe storage of original tapes. www.washington.edu/research/osp

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Preservation Planning

Bob Wills Heritage Foundation, Inc. — Fort Worth, Texas | Awarded: $5,000 To complete an assessment survey of recently discovered audio materials potentially representing as many as 1,200 unique recordings of musical compositions by Bob Wills and His Texas Playboys and to assess artifacts displayed in the Bob Wills Museum in Turkey, Texas. This project will help develop a preservation plan with goals to offer the audio archives free to the public and to restore and sustain the ability to display the artifacts in an appropriate environment. www.bobwillsheritage.com

Leib, Elliott — San Diego | Awarded: $5,000 Develop a plan to digitally preserve material from the Trade Roots Reggae Collection including identification, assessment, and cataloging of items to be archived with priority given to materials requiring stabilization. Collection contents include field recordings, video, photographs, and materials produced/collected while conducting ethnographic research in Jamaica (1977-84). Mento, ska, rock steady, reggae, and dancehall recording and related documentary materials (1961–2005) collected over 20 years at Trade Roots Reggae, San Diego, Calif. Passim Folk Music & Cultural Center — Cambridge, Mass. | Awarded: $5,000 This project will develop a master plan to reformat the most fragile live performance and field recordings from Club 47’s early years (1958-1963) as well as complementary oral histories (1990-present). Once preserved, access copies of the recordings will be made available at the Loeb Music Library and the Passim Archives. www.passimcenter.org

William James Association — Santa Cruz, Calif. | Awarded $5,000 To identify, assess, and prepare recordings related to the Prison Arts Project across thirty-three California prisons for archiving. By the end of the period, recordings dispersed across California prisons, arts facilitators individual collections and the William James Association will be ready to hand over to the UCLA Ethnomusicology Archive. www.williamjamesassociation.org

ResearchInstitute for Music & Brain Science — Boston | Awarded: $20,000 To test whether music decreases behavioral, neurophysiologic, and endocrinological pain and stress caused by medically-necessary procedures such as the heel-stick blood draw in critically-ill premature infants. In addition they will test the hypothesis that humans innately prefer consonant over dissonant music. www.brainmusic.org

Northwestern University — Evanston, Ill. | Awarded: $20,000 To investigate influences of childhood music education on neural responses, revealing interactions between musical training, auditory attention, and neural activity. Exploration will help delineate reciprocal connections between the brainstem and cortex; their joint (or separate) roles in shaping cognitive capabilities; and how musical experience promotes these connections and capabilities. http://www.northwestern.edu

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G R A M M Y L I V I N G H I S T O R I E SThe GRAMMY Living Histories program preserves on visual media the life stories of key recording industry professionals and visionaries who helped create the history of recorded sound. Footage is used by the GRAMMY Foundation and partner organizations to develop educational programs that tell the unique stories of our musical history. Twenty-two GRAMMY Living Histories interviews were conducted this year. To date, 206 living histories interviews have been conducted.

M U S I C P R E S E R VAT I O N P R O J E C TThe Music Preservation Project showcases the important work of the Foundation and other institutions in preserving musical history.

Each year during GRAMMY Week, the GRAMMY Foundation produces an event designed to heighten public awareness of our work. In 2010, Cue The Music explored the invaluable contributions of music to television and its influence on the American cultural landscape. Presented in partnership with the Paley Center for Media, the evening featured footage of historical significance including clips from music in variety shows, television themes, and sitcoms while also taking a look at how television has become a 21st century medium for breaking new artists.

The program included live performances from the late GRAMMY-winning legend Solomon Burke, GRAMMY-winning artist Colbie Caillat, Melanie Fiona, the Fray, Latin GRAMMY winner Jorge Moreno, GRAMMY-winning singer/songwriter Jason Mraz, and GRAMMY-winning songwriter Pat Monahan.

In 2009, Music in Focus celebrated the parallels in creative expression between music and photography and featured the work of renowned photographers Danny Clinch, Robert Knight and the late legendary jazz photographer Herman Leonard. The evening was hosted by music journalist Kurt Loder and included live performances from GRAMMY winning artists Daniel Lanois and Lucinda Williams, as well as guitarists Tyler Bryant and Kenny Wayne Shepherd, and GRAMMY nominee Sara Bareilles. The performers played to a sold out house of approximately 1,200 enthusiastic guests at the historical Wilshire Ebell Theatre.

The GRAMMY Foundation was also instrumental in writing and successfully passing the National Recording Preservation Act. This legislation created a National Recording Preservation Board that works with the Librarian of Congress and the public to select entries for the National Recording Registry, ensuring the preservation of these designated historic recordings.

Since passage of the act in 2000 and its reauthorization in 2008, 300 recordings have been added to the registry.

2009 GRAMMY Living Histories Participants

Bobby Blue Bland

Harold Bradley

James Burton

Bootsy Collins

Jay Cooper

Hal David

Lamont Dozier

John Fry

Joel Katz

Herman Leonard

Kurt Loder

Walter Miller

Bob Moore

Dorothy Moore

Phil Paul

Charley Pride

Johnny Rotella

Jean Shepherd

Allen Touissant

Kitty Wells

Otis Williams

Williams Brothers

Sara Bareilles

performs at the

11th annual Music

Preservation

Project.

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E N T E RTA I N M E N T L AW I N I T I AT I V E ®

The Entertainment Law Initiative is comprised of three components: a legal seminar series, a national scholarship essay competition for law students and a high-profile luncheon during GRAMMY Week that is attended by students, music attorneys, executives, and members of The Recording Academy. Since its inception in 1999, the Entertainment Law Initiative has granted $132,000 in scholarships to aspiring law students.

The Entertainment Law Initiative’s Annual Scholarship Luncheon continued over the course of 2009 and 2010. Attendance increased to more than 400 and revenue topped the $200,000 mark. ELI also increased its writing competition workshops at law schools around the country. The workshops are designed to demystify the process of entering the competition, increase submissions and awareness, and provide interaction with top entertainment attorneys. In total, more than 30 workshops were presented over the past two years.

ELI’s Legal Seminar Series conducted panel presentations at the CMJ Music Marathon in 2009, the Benjamin Cardozo School of Law in 2009 and 2010, as well as DePaul University and the South by Southwest Music Conference.

“It was one of the most beneficial things I did during law school. The ELI program is extremely well-run and the events, networking, and hospitality were second to none. Being published in a major legal journal has also paid incredible dividends. This is not just a writing contest...ELI is a career changer in every sense.” — Tim Kappell 2009 ELI Runner Up, Loyola University, New Orleans

(L-R) Nokia’s executive vice president

responsible for entertainment service and

keynote speaker Tero Ojanpera, 2009 Service

Award recipient Jay Cooper, and President and

CEO of The Recording Academy, the GRAMMY

Foundation and MusiCares Neil Portnow

attend the GRAMMY Foundation’s 11th Annual

Entertainment Law Initiative Luncheon at the

Hyatt Regency Century Plaza on Feb. 6, 2009,

in Los Angeles, Calif.

18

(Standing) Entertainment attorney and chair of global

entertainment, media & sports practice for Greenberg Traurig

Joel A. Katz; Senator Barbara Boxer (D-Calif); President/

CEO of The Recording Academy, the GRAMMY Foundation

and MusiCares Neil Portnow; (Seated) ELI Runner-Up

Michael Smith; ELI Runner-Up Elissa Felman; ELI Winner Matt

Hofmeister; ELI Runner-Up Lindsay Neinast; and ELI Runner-

Up Robert Dawes attend the GRAMMY Foundation’s 12th

Annual Entertainment Law Initiative Luncheon & Scholarship

Presentation held at the Beverly Hills Hotel on Jan. 29, 2010,

in Beverly Hills, Calif.

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F U N D R A I S I N G I N I T I AT I V E SThroughout the year, the GRAMMY Foundation benefits from our GRAMMY Charity Online Auctions, which feature exclusive VIP experiences and memorabilia presented in partnership with Kompolt at www.ebay.com/grammy.

Some 2010 highlights included the launch of the first annual “Black Friday” auction, which launched the day after Thanksgiving and targeting the massive amounts of shoppers looking for deals on the biggest shopping day of the year! The GRAMMY Foundation also brought one-of-a-kind VIP experiences to the public such as tickets to a private house concert featuring Josh Groban, tickets to the Idol Gives Back taping of “American Idol” and a VIP concert and meet- and-greet with Rihanna! Our auctions also featured exclusive music memorabilia singed by Green Day, P!nk, Ringo Starr, and many many more.

Some 2009 GRAMMY Charity Online Auction highlights included the opportunity to be a character built to your specifications in the “Madden10” Electronic Arts game, and a VIP meet-and-greet experience with Kathy Griffin, a concert VIP experience with Katy Perry, a hot Daisy Rock guitar signed by teen sensations Miley Cyrus and Taylor Swift, and much more.

During GRAMMY Week 2010, the GRAMMY Foundation launched a new fundraising event — GRAMMY In The Schools Live! – A Celebration of Music & Education sponsored by the Ford Motor Company Fund with support from 94.7 the WAVE. This special evening, which was open to the public, showcased the GRAMMY Jazz Ensembles, along with student alumni from GRAMMY Camp and GRAMMY Signature Schools, with special guest artists Mindi Abair, Brian Culbertson, and Boney James.

On July 23, 2010, Keith Urban, three-time GRAMMY winner and one of country music’s most successful and influential artists, headlined the GRAMMY Foundation’s signature benefit Starry Night concert at the Los Angeles Tennis Center at the University of California, Los Angeles. Urban was also GRAMMY Camp’s honorary dean and he offered an impassioned message during the sold-out, two-hour concert.

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Pink signing GRAMMY Charity

Online Auctions items.

Ringo Starr signing GRAMMY

Charity Online Auctions

merchandise backstage.

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As part of the event, six GRAMMY Camp participants were called up to the stage to perform Urban’s No. 1 hit “Days Go By.” The crowd reacted with thunderous applause. Rising folk/rock stars the Avett Brothers opened the benefit. Starry Night was sponsored in part by Coca-Cola and TastingRoom.com. This event was presented in association with the Farmers Classic tennis tournament presented by Mercedes-Benz, and was held three nights prior to the tournament’s opening. Starry Night benefitted the GRAMMY Foundation’s GRAMMY in the Schools music education programs and the Southern California Tennis Association’s foundation.

Following a successful fundraising program launched for MusiCares in 2009, the GRAMMY Foundation initiated a series of House Concerts in 2010. These intimate evenings, which were hosted by Board members, offered superb hors d’oeuvres and beverages and featured acclaimed performances by Josh Groban, Corinne Bailey Rae and LeAnn Rimes to benefit the GRAMMY Foundation.

The GRAMMY Foundation’s GRAMMY in the Schools initiatives would not be possible without the remarkable support received from a number of corporate partners:

Campbell’s Labels for EducationIn 2009, The GRAMMY Foundation was named the first philanthropic partner of the newly refreshed Labels for Education (LFE) program. The GRAMMY Foundation secured a number of high profile “Artist Ambassadors” to join the LFE effort. These Ambassadors made appearances at selected schools to emphasize the importance of music education. In addition the GRAMMY Foundation created an exclusive curriculum entitled “Discovery Through Music.” The curriculum focuses on using music as a tool for learning across many different disciplines. It is offered free to any school that signs up for LFE.The GRAMMY Foundation continued its partnership with LFE in 2010. In-store promotions featuring the GRAMMY Foundation were run in regional supermarket chains.

By the end of fiscal year 2010 the Discovery Through Music curriculum had been downloaded by over 12,000 schools nationwide.

Best BuyAt the National GRAMMY Career Day in 2010, Best Buy pledged to partner with the GRAMMY Foundation to raise $1 million in funding to support music education programs in schools around the country. Funding will be raised from a variety of cause marketing activities over the course of the year.

Sound MattersSound Matters is a cause marketing partnership between the GRAMMY Foundation, the Starkey Hearing Foundation and Best Buy. Launched in 2008 the campaign continued through both 2009 and 2010 focusing on the sale of in-ear headphones at over 900 Best Buy stores around the country. The campaign also reinforces the importance of hearing conservation among young music fans.

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Ford Motor Company FundThe Ford Motor Company Fund provided support for GRAMMY Career Day programs and GRAMMY Signature School Awards in six selected markets in 2009 and 2010. Additionally, a full scholarship to GRAMMY Camp was offered to a high school music student from each participating market.

ConverseConverse came aboard as a first time GRAMMY Camp sponsor in 2010. In addition to financial support, Converse incorporated GRAMMY Camp students in their Connectivity Campaign.

Gibson FoundationThe Gibson Foundation continued its funding support for GRAMMY Signature Schools and GRAMMY Career Day nationally.

All of the GRAMMY Foundation’s GRAMMY in the Schools initiatives benefit from the funds raised through these partnerships. We offer our deepest thanks and appreciation to these partners for their vision and creativity in finding new and unique ways to develop the funding necessary to continue our music education programs.

Y O U R S U P P O RTAs our industry responds to current technological and economic shifts, the need to broaden and sustain our mission increases. Your help is more important now than ever. When considering a charity for your personal contribution or corporate affiliation, please remember that you can make a real difference in the lives of the people we serve through support of the GRAMMY Foundation.

The GRAMMY Foundation3030 Olympic Blvd. Santa Monica, CA 90404 Tel: 310.392.3777 Fax: 310.392.2188 www.grammyfoundation.org www.grammyintheschools.com

The GRAMMY Foundation Community Services Report is published by: The GRAMMY Foundation ©2009 and 2010 GRAMMY Foundation

Contents may not be reprinted without express written permission. The GRAMMY Foundation®, MusiCares®, GRAMMY®, and The Recording Academy® and their respective logos are registered trademarks and service marks. Unless otherwise noted, photos courtesy of The Recording Academy, photographed by WireImage.

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2009 GRAMMYFoundationRevenue

35% Contribution/Sponsorship

44% The Recording Academy

0% Grants

10% Project Income

-11% Investment Income

2010 GRAMMYFoundationRevenue

36% Contribution/Sponsorship

38% The Recording Academy

2% Grants

15% Project Income

9% Investment Income

2009 GRAMMYFoundationFunctional Expenses

56% Program Services

18% Management and General

26% Fundraising

2010 GRAMMYFoundationFunctional Expenses

55% Program Services

19% Management and General

26% Fundraising

ASSETS 2 0 1 0 2 0 0 9CURRENT ASSETS:

Cash and Cash Equivalents $945,502 $520,383 Accounts Receivable 333,118 309,471 Prepaids and Deposits 24,021 15,968 Product Inventory 21,600 21,600 ____________ ____________TOTAL CURRENT ASSETS 1,324,241 867,422 ____________ ____________

NON CURRENT ASSETS:Property and Equipment, Net 30,385 51,058 Board-Designated Investments 3,456,601 3,091,672 Deferred Compensation Assets 22,079 13,829 ____________ ____________TOTAL NONCURRENT ASSETS 3,509,065 3,156,559 ____________ ____________

TOTAL ASSETS $4,833,306 $4,023,981 ____________ ____________ ____________ ____________

LIABILITIES AND NET ASSETS

CURRENT LIABILITIES:Accounts Payables and Accrued Liabilities $203,017 $299,231 Deferred Revenue 258,625 60,964 Payable to Affiliate 477,478 469,582 401K Discretionary Liability 32,607 ____________ ____________TOTAL CURRENT LIABILITIES 939,120 862,384 ____________ ____________

DEFERRED COMPENSATION LIABILITY 22,079 13,829 ____________ ____________TOTAL LIABILITIES 961,199 876,213 ____________ ____________

NET ASSETS:

Board Designated 3,456,601 3,091,672 Other Unrestricted Net Assets 213,069 (11,254) Temporarily Restricted 202,437 67,350 ____________ ____________

TOTAL NET ASSETS 3,872,107 3,147,768 ____________ ____________TOTAL LIABILITIES AND NET ASSETS $4,833,306 $4,023,981 ____________ ____________ ____________ ____________

R E V E N U E S 2 0 1 0

R E V E N U E S 2 0 0 9

THE GRAMMY FOUNDATION STATEMENT OF FINANCIAL POSITION 2009 & 2010

Financials

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2009 GRAMMYFoundationRevenue

35% Contribution/Sponsorship

44% The Recording Academy

0% Grants

10% Project Income

-11% Investment Income

2010 GRAMMYFoundationRevenue

36% Contribution/Sponsorship

38% The Recording Academy

2% Grants

15% Project Income

9% Investment Income

2009 GRAMMYFoundationFunctional Expenses

56% Program Services

18% Management and General

26% Fundraising

2010 GRAMMYFoundationFunctional Expenses

55% Program Services

19% Management and General

26% Fundraising

REVENUES 2 0 1 0 2 0 0 9

Contributions/Sponsorships 1,469,035 1,319,674 Support from The Recording Academy 1,561,062 1,641,489 Grants 65,000 10,000 Project Income 621,620 382,817 Investment Income 385,418 (394,748) In-Kind Donations 18,639 6,950 ____________ ____________

TOTAL REVENUES $4,120,774 $2,966,182 ____________ ____________ ____________ ____________

EXPENSES

Program Services $1,790,102 $2,053,423 Management and General 545,778 655,721 Fundraising and Special Events 1,041,916 1,269,009 In Kind Expenses 18,639 6,950 ____________ ____________

TOTAL EXPENSES 3,396,435 3,985,103 ____________ ____________NET INCOME (LOSS) $724,339 $(1,018,921) ____________ ____________ ____________ ____________

Financial information is excerpted from The GRAMMY Foundation audited reports. Functional Expenses information is as reported on the IRS 990 filings.

F U N C T I O N A L E X P E N S E S 2 0 1 0

F U N C T I O N A L E X P E N S E S 2 0 0 9

THE GRAMMY FOUNDATION STATEMENT OF ACTIVITIES 2009 & 2010

Financials

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$50,000 AND ABOVE

Best Buy

Campbell Sales Company

Converse

Ford Motor Company Fund

Gibson Foundation

The Hot Topic Foundation

LA Tennis Center / UCLA

The Recording Academy

SanDisk Manufacturing

Sony Music Entertainment

Starkey Hearing Foundation

$49,999 TO $10,000

Bill Edwards Presents, Inc.

Black Entertainment Television, Inc.

Tim Bucher

California Community Foundation

Charity Works -Manilow Fund For Health & Hope

The Coca-Cola Company

Decemberists Touring, Inc.

Ella Fitzgerald Charitable Foundation

Greenlight Media & Marketing

Mission Fish

Mitchell Silberberg & Knupp LLP

Moet Hennessy USA

Morgan Keegan & Company

Stewart Rahr

Studio One Media, Inc.

TastingRoom, Inc.

Tickets for Charity, LLC.

Universal Music Group

Warner Music Group Services

Yoshiki Foundation America

$9,999 TO $5,000

Abraham J. and Phyllis Katz Foundation

ASCAP Foundation

BMI

Borman Entertainment, Inc.

The Cain Foundation

Capitol Records

Charlottesville Area Community Foundation

Citibank Delaware

Cossette Productions

George L. Jones

Guy P. Kroesche

Legacy Venture III, LLC

Loeb & Loeb

Lucasfilm Foundation

Dave Matthews

May 11, 1991, Inc.

Musictoday, L.L.C.

Les Paul Foundation

Pearson Lakes Art Center

Albert Pimentel

Neil R. Portnow

Proskauer Rose, LLP

S. Rahr

The Recording Academy Nashville Chapter

The Recording Academy New York Chapter

Young Presidents’ Organization

Ziffren Brittenham LLP

$4,999 TO $1,000

The American Outdoorsman Inc.

ASCAP

Martin Babler

Michael Baer

Paxton Baker

Michael Barnes

Dror Bar-Ziv

Raymond Benton

Leslie E. Bider

Blank Rome LLP

Joanne S. Botka

Nanci Chambers

Arthur Collins

Matt Cook

Geoff Cottrill

Creative Artists Agency

Douglas S. Davis

Robert Aubry Davis

Greg Dollarhyde

David R. Duncan

Expression College

David Falk

FedEx

Fox Broadcasting Co.

Mark Friedman

Kenneth Friedu

Thomas Friel

Gabriel (Gabe) Garza

Mitch Glazier

GRAMMY Museum

Eric Greenspan

Grubman Indursky & Shire, PC

Haber Corporation

Richard & Shirley Hahn

Hatch Inc. Consulting

Hertz Investment Company

Hilton Hhonors

Seth Hurwitz

Joseph Kaminkow

James Keach

Michael Kennedy

Jerry Kohl

Laurie Konheim

David S. Koz

Dave Krusen

Don Kurz

Weldon Latham

Debra L. Lee

Lawrence R. Levy

Stephen Luczo

Herbert Mader

Kristen Madsen

Rakesh (Rocky) Malhotra

Manatt, Phelps & Phillips

Amanda Marks

Michael Marshall

Marc Martin

Timothy Matz

David E. Mauldin

Paul M. Mc Cabe

Terry Mccallister

Scott Mills

Scott Mindemann

Morris Family Foundation

The Mortimer Levitt Foundation

Dane Mrazek

Munger, Tolles & Olson

Richard Nanula

National Philanthropic Trust — The Dozoretz Family Foundation

Nederlander

New Rounder LLC

Kathrin Nicholson

Notes LLC

James (Jim) Palmer

John Payton

Richard W. Perna

Beverly Perry

Peter & Marie-Helene Gotcher Foundation

Lori Pimental

William (Bill) S. Price

Joanna Rees

Dennis J. Reno

Jordan Richman

Andrea Roane Skehan

Manuel (Myles) Romero

Doyle L. Rose

Ronald Rosenberg

Russell Rueff

Sidley Austin Brown & Wood LLP

Courtney Snowden

Laurie Soriano

SoundExchange

Mario Spinelli

Patrick M. Stanton

W. C. Swanson

Ticketmaster

Time Warner

Reggie Van Lee

Venable LLP

George Vradenburg

Ann Walker Marchant

Anthony B. Wallis

West Hollywood Entertainment

James Winston

Yale University

Lily Yip

Michael Yosowitz

UP TO $999

Sal Abbatiello

Michael Abdul

Seth Abramson

Orly Adelson

Stephanie Adwar

James Aguilar

The All Access Group

Donovan Allen

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Funders and Partners

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Carl Alvarez

Shawn E. Amos

Giorgio Aquilani

Christian Arizmendi

Marcus Armstead

Frank Armstrong

Edward Arrendell

Marina Arsenijevic

Drama Arthur

Kenneth Lee Ascher

M. Richard Asher

Sharon Ashford

Stephanie Asous

Grace Baca

Richard Bangham

Mark Barkan

Desiree Barnaman

Blaise Barton

Ed Baten

Richard Bates

Debbie Batteiger

Eliot Battle

Jalissa Bauman Horne

Lillian Beard

John Bendheim

Tamera Bennett

Azizi Benson

Jason Berger

James L. Berk II

Guy Berryman

Munish Bhatnagar

Deborah Bianchi

John Blackwell

Diane Blagman

Lawrence Blatt

William Bloomfield

Sherri Blount

Candice Boggerty

Gianni Bolanos

Boltz Electric

Jeannie Borin

Cedar Boschan

Todd Boston

Irene Bowdry

Quinton Bowman

Gail Boyd

Mark Bozzini

Todd Brabec

Lauren Bradley

Bridget T. Bradshaw

Joseph Bramley

Joyce Brayboy

John Brent

Winslow Bright

Charles M. Brotman

Kevin Brown

Rick Brulte

Brumberger Foundation Inc.

Jamaal Buchanan

Jon Buckland

Matt Buguy

John Burk

Beverly Burke

Christina Marie Burke

James Burke Iii

Paul Burr

Antoinette Bush

Rhian Butah

Gail Butler

Igor Butman

Vonleshia Byrd

Braddon Calloway

Donnell Cameron

Maxfield Camp

Yolanda Caraway

Alexander Carloss

Nat Carpenter

Steven Carrillo

Jason Carson

Elliott Carter

Brian Catlin

Daniel Catullo

Will Champion

Angelin Chang

John Howard Chase

Danilo E Chaves

Tim Chetelat

Loren Chodosh

Kevin T. Christian

Chrysalis Music Group

James Cisneros

Jeanette Clark

Michael Clink

Ricardo Cobo

Phil Cody

Edward Cohen

Dylan Collins

Luciana Cometti

Comma Inc.

Melissa Considine

John Contreras

Donna Cooper

Lacy Cowden

Shirley Crabbe

Octavio Cruz

Janine Culver

Cathi Cunningham

Adam Czeisler

Tom Dahl

Jonathan Daniel

Baker Daniels

Sarah Dash

David Rose Publishing

Howlie Davis

Carl Davis

Cedric Davis Sr.

Laverne Day

Minister Alfred L. Dearing Sr.

Deckers Outdoor

Rod Degeorge

Deirdre O’Hara Management

Mario DeJesus

Francis Delaney

Joseph Delerme

Delicato Family Vineyard

Leah Kate DeNio

William Derella

Joy Derov

David Desroches

Andrea Devenow Laderman

Diane Matthews/ Music Law Group

Madeline Dick

J. W. Dockrey

Paul E. Dolan

Shawnnatta Dollson

Adrian Dotson

Cathy Downey

Robert Dreher

Patricia N. Drews

Elisebeth Driscoll

Mark Drury

Stephen Duffy

Bryan Dugan

Melissa A. Dupee

Barry J. Eastmond

Maurice Ecung

Lee Edwards

David M. Ehrlich

Francis Eldridge Anderson

Robert L. Emmer

Tia Eshou

Bren Eskenazi

David L. Evans

Joel Evans

Nik Everett

EVI Enterprises

Prince Charles Eweka

Yvonne Faison

Jessica Farion

Donna Fein

Stephen Feinberg

Trena Feliciana

Kristen Ferguson

Chrisse Feros

Robert Ferragamo

Jenna Ferris

Thomas Feurer

Martin J. Feveyear

Fidelity Charitable Gift Fund

Jose Fiel

Corey Field

Michele Filorimo

Sam Fisher

Carl Fleischhauer

James Fleres

Andreas Fliflet

Jerry Flores

Ali Foomani

Rachel Fox

Carter Fox

Stewart Francke

Terrie Frankel

David Frazier

Kenneth Freundlich

Daryl Friedman

Ron Frierson

David Frost

Andrew Fuhrmann

William Gallagher

Jonathan Gandelsman

Gang, Tyre, Ramer & Brown, Inc.

Ray Garcia

Gargiulo Vineyard, LLC

Grace Garland

Juanita Gaskin

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Brent Gates

Dara Gelbtuch

Justin Geller

Bruce D. Gertz

Leo Giacometto

William A. Gibson

Steven Gilliland

Karen Glenn

Gilles Godard

Amy Goldson

Michael Goldstein

Henry Golis,

Lingerfelt Grant

Wayne Gratz

Lawrence Green

Jerry Greenberg

Jaqueline W Gridley

Lynn Grossman

Alp Gagri Gunal

Rachel Jeanne Gutek

Shawn Hagood

Jason Hale

Imani Halley

Derek Hamilton

Michael Hampton

Sef Harding

Susan Harmon

Houcine Harrabi

Monte Harris

Jack Hartmann

Susan Hassen

J. Walter Hawkes

Melissa Haycraft

Marcus Hayes

Yakub Hazzard

Monique Headley

Edward R Hearn

David A. Helfant

Rachel Helman

Bill Henderson

Carolyn Herman

Howard Hertz

Tamara Hey

Richard Hill

Stephen Hill

Charles Hines

Gary Hines, Jr.

Andra Faye Hinkle

David Hirshland

Christopher Holiman

Hollywood Sound Systems

Richard Holz

Lisa M. Hornick

David Hornik

Courtney Horton

LeeAnn Houck

Israel Houghton

Bradley Hoyt

Kimberly Hughes

Husch Blackwell Sanders LLP

Brian Hylton

Jason Donald Ienner

Yoshinosuke Inoue

Charles M. Inouye

David Jackson

Marchell Jackson

Rocket Jackson Jr

Barry Jamieson

Kevin Janeway

Peter Janson

Gregg Jarlson

Kamaron Jarmon

Michael A Jaworek

Kelly Johnson

Germaine Johnson

Sharon Johnston

Stefon Jones

Terence Jones

Erica Jones Miller

Larry Kanusher

Tim Kappel

Thomas Katilius

Donald Kaulia

Wiliam Kelleher

Mike Kerns

Jon Kertzer

Janeway, Kevin

Marshall Kipp

Joseph L. Kish

Donald Klang

Timothy J. Klein

Shana Kleinman

Kobalt Music America

Nancy Koide

Marcy Kraft

Anna-Rachel Krakowsky

Andy Kravitz

Stacy Kray

Jill Krutick

John Kutay

Mario Romano Lacava Apolloni

John Lancon

Barbara Lang

Robert M. Lantrip

LaPolt Law, P.C

Robert F. Law

Grant Larkin

Brian Laush

Corey Ledet

Dana Legg

Andrew John Leist

Jonathan Leonard

Leo’s Professional Audio, Inc. & Spitzer Music Div.

Kyle Lerner

David Lessoff

Jeff Levy

Bob Levy

Barbara Lewis

Todd S. Lewis

Ann Licater

Life Law Office

Marcus Ligon

Jeff Lisenby

Jenny Lockwald

Los Angeles Recorder Orchestra

Joseph S. Lovano

Miren Loveland

Heidi Lowy

Li Lu

Lydia Lui

Earnest Lupinacci

Lurssen Mastering Inc.

Dominick Maita

James Mallinson

Thomas Mandelbaum

Karen Mann

Kitty Margolis

Lisa Margolis

Juanito R. Marquez

Chris Martin

Michael Mason

Ross Master

Ainslie J Mayberry

Lisa Mazzotte

Michael McConnell

Donald McDaniel

Tomy McDonald

Beth McDonald

Kevin J. McDonald

Gabe McDonough

William McDougal

Keith McIntosh

James McKinney

Michele McLaughlin

William McNeely, Jr.

Edwin F McPherson

Kyle McSlarrow

Karen McTier

Jose Medina

Alyson Meikle

Memphis Music Foundation

Jeffrey Mettling

Jeanne Meyer

Jill Meyers

Ingrid Michaelson

Matthew Middleton

Marsha Milam

Donald Miller

Josh Mills

Mobile Giving Foundation

Sherman Modeste

Brooke Monroe

Bethanne Moore

Elizabeth A. Moore

David Mooring

Courtney Morrison

Jorge Mosquera

Thomas Motley

Shannon Murphy

William D Murray

Susan Murrmann

Arjun Murty

Kurosh Nasseri

Sara Nemerov

Brian Nestor

Hank Neuberger

David Nichtern

Shawn Nolan

Cornell O’Bryant Ward

Milton Olin

Alison M Oilverio

Ward S. Olmsted

Michael S. O’Connell

Vinni O’Neal

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Howell O’Rear

Keri Oskar

Nancy Ozard

Joey P.

Sarah Pacheco

Kimberly Palmisano

Caroline Paramitha

Jimmie Paschall

Cheryl Pawelski

Neal Pawley

Mark Payne

William Pearson

Amanda Peluse

Carrie A Pendolino

Rodrick Perkins

Nova Perry

Rupert Perry

Brianna Peterson-Magly

Jeanne L. Phelps

Michael Pickrum

Shawn Pierce

Jennifer Pike

Charlie Pilzer

David Ponak

Michael Poppo

James Porte

Steven Price

Klaus Price

Saverio Principini

Roland Pritzker

Gabriel E. Pulido

Queen Victoria of Sheba

Neeta Ragoowansi

Eduardo Ramos

Serretha Ransom

Julian W. Rawl

Partha Ray

Elizabeth Rebozo

angela reed

Bill Reiter

Joy Remley

Jason Ricks

Adam Ritholz

Daniela Rivera

Jaimison Roberts

Michele Roberts

Hilary Roberts

Mark Robertson

Miles Robertson

Erika J. Robinson

Ronquel Robinson

Rod and Leslie Aycox Family Foundation

Emma Rogers

Rose L. Rogers

Berta Rojas

Marci Rolnik

Daniel Romanelli

Debbie Rose

Nicholas Rosenberg

Bettie Ross

Matt Ross Spang

Kelly Rudisill

Nancy Rumbel

Laura Ruotsalainen

Russ Berger Design Group, Inc.

Vincent W. Rutland

Kira Safan

Jon Samson

Genesis Sanchez

Jessica Santoyo

Adina Satecar

Florian Schmidt

Diana Scotti

Seghesio Wineries Inc.

Serling, Rooks & Ferrara, LLP

Saunders Sermons

Jonn Serrie

Maria Sessions

Seventh House LTD

Nicholas Sevilla

Austin Sharp

Tommy Shaw

Cynthia Ann Shea

Shefsky & Froelich Ltd

Peter Shukat

Jessica Sierra

Jamal Simmons

Jeffrey Simoneaux

Sara Simonoff

John Simson

Hardee Siong

Alan Skiena

Paul Slayton

Lauren Smerbeck

Frank H. Smith

Timothy Smith

Sarajane E. Smith

James Spano

GARY SPARKS

John Sparrow

Dee Spencer

Michael Spindler

Joseph Stallone

Jon Stein

Michael Stephens

Candice Stephenson

Latrice Stoot

Malik Strowhorn

Structured Asset Sales, LLC

Bryan Sugar

Robert L. Sullivan

Alicia Sutton

Sweet Home New Orleans & Renew Our Music Fund, Inc.

Lou Takacs Jr. Wsq

Veronica Talton

Delia Tamasan

Tanglewood Productions

Andy Tavel

Octavia Taylor

Jebron Thomas

Antoine Thompson

Cheryl Tiano

Anthony Tilotta

Tobias Marketing Consulting

Jimmie K Tolliver

Vincent Tomas

Christopher Torem

Garton Tractor

William R Traut

Anne Trenning

Triangle Communications Group, Inc.

Scott Turchin

Stacie Turner

Paul Ungar

USA For Africa

John Van Tongeren

Kathleen Vance

Valerie Vanderwest

E. Mike Vasilomanolakis

William Vaughan IV

Drew Verbis

W Hotels

Frankie Waddy

Darrell Walker

Matt Wallace

James Wann

Tanja Ward

Ryan Waterman

Kos Weaver

Brian Webb

Brian Wharton

Tyria Whitaker

B. R. White

Ron Wilcox

Jim Wilke

Caryl D. Williams

Ethelbert Williams

Reginald Williams

Matthew Williams

Lauren Wilson

Chris Wiltsee

Michael Winger

Anushka Wirasinha

Yvonne Wishnatzki

Dennis Wolfe

Donald Woodard

Robert C. Wooten

Daniel Workman

Jeanine Wright

Tracey Wright

Bryan Wyckoff

Nicole Wyskoarko

Kevin Yeanoplos

Andrew P. Young

Maria Younghans

Howard Zeprun

Kristen Zierhut

Evelyn Zneimer

Funders and Partners