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CONCERTS AT THE GALLERY2017– 2018 NATIONAL GALLERY OF ART
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THE SEVENTY-SIXTH SEASON OF CONCERTS AT THE NATIONAL GALLERY OF ART
Where words fail, music speaks. — Hans Christian Andersen
As Rod Stewart put it: “Every picture tells a story.” Wandering through the galleries here at the National Gallery, one sees many stories as told through the eyes of the great masters. This season of concerts, you will hear many more stories, as told through music. Experiences from around the world and through the ages will come to life on our stage, helping to foster not only knowledge but also compassion and understanding of what it would be like to walk in someone else’s shoes. From tales of Norway during World War II to personal reflections on choosing a certain path in India or Japan, and from Renaissance Holland and ancient Estonia to Gullah life in South Carolina, the stories are varied but at the same time communicate through a language everyone can understand. Music is the language everyone speaks.
cover Alma Thomas, Red Rose Cantata (detail), 1973, National Gallery of Art, Wash-ington, Gift of Vincent Melzac. top left Christophe Sturzenegger, Courtesy of Christophe Sturzenegger. top right Sandeep Das, Photo by Michael Lovett. middle left Lina Bahn, Photo by Isabella Gray. middle right Harlem Symphony Orchestra, Amadi Azikiwe, conductor, Photo courtesy of Harlem Symphony Orchestra. bottom Pomerium, Photo by Mary Anne Ballard
OCTOBER
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MUSIC + ART
Symposium and Composer’s Forum Featuring Gisle Kverndokk and Aksel-Otto Bull
SEPTEMBER 23, 2017 / 2:00
WEST BUILDING LECTURE HALL
Celebrating Edvard Munch: Color in Context
Composer and librettist, Gisle Kverndokk and Aksel-Otto Bull, will be joined by a panel of guests to discuss the creative process of bringing Ruth Maier’s story to the stage.
New York Opera Society Letters from Ruth, a staged concert
SEPTEMBER 24, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
Celebrating Edvard Munch: Color in Context
Music by Gisle Kverndokk, libretto by Aksel-Otto Bull and Gisle Kverndokk, read by Gisle Kverndokk, and based on Ruth Maier’s Diary — A Young Jewish Girl’s Life under Nazism, by Jan Erik Vold. Letters from Ruth was commissioned by Musikkteaterforum, Norway.
Born in 1920 in Vienna, Austria, Ruth Maier grew up to be an exceptionally talented writer and painter who kept a diary through-out her life. In 1939, she fled to Norway to escape Nazi persecution and lived with a family in Lillestrøm, just outside Oslo. She learned to speak Norwegian fluently, and in 1941, met the young poet Gunvor Hofmo, who became her intimate friend and lover. They had a stormy relationship that lasted until Ruth was deported with Norwegian Jews in November 1942 and killed in the gas chamber at Auschwitz upon her arrival. Gunvor went on to become one of Norway’s greatest poets and kept Ruth’s diaries. They were discovered after Gunvor’s death in 1995 and edited and published by the Norwegian poet, Jan Erik Vold in 2007. The New York Opera Society will premiere selections from the new opera in a staged concert, in advance of its world premiere.
top Gisle Kverndokk, Photo by Anne C. Eriksen right Alisa Jordheim, who will portray Ruth, Photo by Model Day Studio, Oslo
SEPTEMBER
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MUSIC + ART
Pomerium Flemish Musical Mastery in the Age of Bosch and Bloemaert
OCTOBER 29, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
Celebrating Bosch to Bloemaert: Early Netherlandish Drawings from the Museum Boijmans Van Beuningen, Rotterdam
This concert traces Netherlandish musical style from its first high point in the music of Guillaume Du Fay, an exact contemporary of Rogier van der Weyden, to its final flowering in the works of Orlande de Lassus and Giaches de Wert.
OCTOBER
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Dalí Quartet With Orlando Cotto, percussion
OCTOBER 15, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
The quartet presents Ricardo Lorenz’s Puente Trans-Arábico, Guido López-Gavilan’s Camerata en Guaguancó, and Jorge Mazón–Rico Melao’s Preludio, Danzón y Cha-cha-chá, arranged by Ricardo Lorenz.
Lina Bahn, violin Matt Haimovitz, cello With Artichoke Dance Company Voices of the Ocean
OCTOBER 22, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
In Voices of the Ocean, violinist Lina Bahn and cellist Matt Haimovitz join together in an exciting collaboration with choreo- grapher Lynn Neuman and Artichoke Dance Company and poet Melissa Tuckey to celebrate music that brings awareness to our oceans. At the core of this immersive program of amplified string and electronic sounds stands a reimagined version by Jordan Nelson of the iconic work by com- poser George Crumb, Voice of the Whale. Other works include Adam Borecki’s version of Vivaldi’s Il Proteo o sia il mondo al rovescio and world premieres by composers Daniel Wohl and Steve Antosca.
top Dalí Quartet, Photo by Vanessa Briceño-Scherzer. middle left Kaoru Watanabe of The Canales Project, Photo by Bryce Craig. middle right Artichoke Dance Company, Photo by Stephen Delas Heras. bottom Lara Downes of The Canales Project, Photo by Shervin Lainez
OCTOBER
Curtis on Tour The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music
OCTOBER 1, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
Curtis on Tour returns to the National Gallery of Art to perform string sextet works. Acclaimed violist and president of the Curtis Institute of Music, Roberto Díaz, performs alongside students from the school. The program includes Kevin Puts’s Arcana, Mozart’s Grande Sestetto Concertante (after Sinfonia Concertante in E-flat Major, K. 364), and Brahms’s Sextet no. 1 in B-flat Major, op. 18.
The Canales Project, in partnership with TEDxMidAtlantic Lara Downes, piano Kaoru Watanabe, shinobue bamboo flute Sandeep Das, tabla
OCTOBER 8, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
TEDxMidAtlantic celebrates the power of ideas to positively change the world and aims to build community by bringing together like-minded people who believe in this mission. At such an event, TED Talks and live speakers combine to spark deep conversation. The Canales Project produces concert programs in which issues of culture and identity are explored through music and interaction with excellent artists who also understand and have lived those issues. These concerts offer opportunities to hear music from many traditions while incorporating conversations between the artists and the audience in which key questions will be explored.
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NOVEMBER
Orpheus Chamber Orchestra
NOVEMBER 5, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
A standard-bearer of innovation and artistic excellence, Orpheus Chamber Orchestra is one of the world’s foremost chamber orches-tras. Orpheus rotates musical leadership roles for each work and strives to perform diverse repertoire through collaboration and open dialogue. This program includes octets by Jean Françaix and Franz Schubert.
The Crossing With members of ICE
NOVEMBER 12, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
“The Crossing: Changing the World One Concert at a Time.”— Philadelphia Inquirer
The Crossing is a professional chamber choir dedicated to new music and conducted by Donald Nally. This program includes Ted Hearne’s Consent and “What It Might Say” from The Jeff Quartets, Caroline Shaw’s “To the Hands” from Seven Responses, and David Lang’s The National Anthems.
above Orpheus Chamber Orchestra, Photo by Matt Dine. opposite page left Mantra Percussion, Photo by Ian Douglas. opposite page right Shannon DeVine of the New York Opera Society, Photo courtesy of Shannon DeVine
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MUSIC + ART
Mantra Percussion Michael Gordon, Timber
NOVEMBER 19, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
Celebrating Jackson Pollock’s “Mural”
Michael Gordon’s Timber is a tour de force. Scored for six graduated, amplified, wooden simantras (2 × 4s), the work brings the physicality, endurance, and technique of percussion performance to a new level.
LACE (Living Art Collective Ensemble) Salon concerts
NOVEMBER 24 & 25, 2017 / 2:00 & 4:00
WEST BUILDING, EAST GARDEN COURT
Celebrating Fragonard: The Fantasy Figures
One of Fragonard’s models for his famous portraits was Anne Louise Boyvin d’hardan-court Brillon de Jouy (otherwise known as Mme Brillon), a brilliant musical amateur who hosted a twice-weekly Parisian salon in the 1770s and 1780s. In addition to having numerous works dedicated to her or com- posed for her (most notably Boccherini’s Six Sonatas for Pianoforte and Violin, op. 5), she was a composer herself. In a series of performances, LACE replicates Mme Brillon’s salons with music by Boccherini, Mozart, Mme Brillon, and others from the era.
New York Opera Society The Three Lives of Rosina Almaviva
NOVEMBER 26, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
Celebrating Fragonard: The Fantasy Figures
This program presents a staged reading of the Figaro Trilogy by the New York Opera Society as told by Pierre-Augustin Caron de Beaumarchais, Gioachino Rossini, Wolfgang Amadeus Mozart, Raquel Barbieri Vidal, and Gisle Kverndokk.
The plays — and the operas they inspired — popularized fashionable interpretations of traditional Spanish clothing, prolonging the vogue for fantasy portraits à l’espagnole in France.
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DECEMBER
Inna Faliks and Daniel Schlosberg Gustav Mahler, Symphony no. 6, arranged for piano, four-hands, by Alexander von Zemlinsky
DECEMBER 3, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
“Adventurous and passionate” (New Yorker), Ukrainian-born pianist Inna Faliks has established herself as one of the most exciting, committed, communicative, and poetic artists of her generation. Daniel Schlosberg has been described as an “expert pianist” (Boston Globe), with his performances praised for their “intellect and passion” (Washington Post). In what is sure to be an unusual and memorable event, these musicians perform Gustav Mahler’s Sixth Symphony, arranged for piano, four-hands, by Zemlinsky.
Caroling in the Rotunda
DECEMBER 9, 10, 16 & 17, 2017 / 1:30 & 2:30
The Gallery has a long standing tradition of community caroling in the Rotunda when it is decorated with trees, poinsettias, and lights for the holidays. Four local ensembles perform and invite the audience to sing along with some favorite carols.
DECEMBER 9
National Presbyterian School Chorus
DECEMBER 10
United States Army Chorus
DECEMBER 16
Centennial High School Madrigals
DECEMBER 17
National United Methodist Church Singers and Ringers
top Daniel Schlosberg, Photo by Erin Clendenin. bottom Inna Faliks, Photo by Lisa Marie Mazzucco. opposite page Turtle Island Quartet, Photo by Jati Lindsay
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The Swiss-American Musical Society Igor Stravinsky, The Soldier’s Tale Christophe Sturzenegger, The Snow Queen Christophe Sturzenegger, conductor Robert Baker, narrator
DECEMBER 10, 2017 / 3:30
WEST BUILDING, WEST GARDEN COURT
Igor Stravinsky began composing The Soldier’s Tale in the fall of 1917, exactly one hundred years ago. He was living at the time in the French-speaking part of Switzerland and reworked a Russian text with the Swiss poet Charles-Ferdinand Ramuz. The Soldier’s Tale premiered at the Théâtre Municipal de Lausanne, Switzerland. Swiss composer Christophe Sturzenegger’s The Snow Queen, written in Geneva in 2009, has been per-formed over seventy-five times in Switzer-land. It is based on the Hans Christian Andersen story of the same name.
Turtle Island Quartet With special guest Liz Carroll Winter’s Eve
DECEMBER 17, 2017 / 4:00
WEST BUILDING, WEST GARDEN COURT
The two-time Grammy-winning Turtle Island Quartet joins forces with renowned Irish fiddler and composer Liz Carroll for a joyous concert of effervescent music making. The repertoire evokes visions of a frosty winter’s eve and year-end celebrations from around the globe. Ancient King Wren songs of the Celtic winter solstice and yuletide reels from Ireland reside with tunes of Hanukkah, a Hindu spiritual, and a Miles Davis holiday classic. Liz Carroll and Turtle Island delve into the timeless music that has been an integral part of wintertime festivities for centuries.
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MUSIC + ART
Piffaro, The Renaissance Band
JANUARY 21, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Celebrating Vermeer and the Masters of Genre Painting: Inspiration and Rivalry
Piffaro delights audiences with highly polished recreations of the rustic music of the peasantry and the elegant sounds of the official wind bands of the late medieval and Renaissance periods. On the final day of the exhibition Vermeer and the Masters of Genre Painting: Inspiration and Rivalry, Piffaro responds to the various scenes of music makers and images of musical instruments represented in the show, performing music Vermeer and his rivals were listening to as they painted.
Sybarite5 Outliers
JANUARY 28, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Celebrating Outliers and American Vanguard Art
Sybarite5 is always on the lookout for new tunes and composers that speak with a unique and relevant voice. Outliers is a celebration of works written by the band’s favorite composers mixed with music from the friends they made while performing around the world. In Outliers, Sybarite5 performs the music of its friends Andy Akiho, Shawn Conley, Jessica Meyer, Marc Mellits, Daniel Bernard Roumain, Eric Byers, Piotr Szewczyk, and Dan Visconti, paired with the group’s favorite works by Piazzolla, Elgar, and Radiohead, and also Armenian folk music.
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JANUARY
Eclipse Chamber Orchestra Traditional Viennese New Year Concert
JANUARY 5, 2018 / 3:00
EAST BUILDING AUDITORIUM
Eclipse Chamber Orchestra will ring in 2018 with its program “Celebrate the New Year with an Afternoon in Vienna.” Harken-ing the traditional Viennese concert of yesteryear, the program includes waltzes and overtures by Johann Strauss II and other composers.
Harlem Symphony Orchestra Amadi Azikiwe, conductor
JANUARY 7, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Created in 2004, the Harlem Symphony Orchestra is a fully professional ensemble. Its mission is to highlight the historic visibility and contributions of African American orchestral instrumentalists. The Harlem Symphony Orchestra recently performed by invitation for the third time at the Apollo Theater. This program includes music by Jessie Montgomery, James Lee III, and Mozart.
Juho Pohjonen, piano
JANUARY 14, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
This thoughtful program explores the legacy of Bach — how his masterly cornerstone of piano literature influenced composers from Viennese classicism through early and late romanticism. All of the works in this program finish off with a brilliant fugue. Also included is a rarely played, baroque- inspired curiosity by Mozart.
left Piffaro, The Renaissance Band, Photo by Church Street Studios. right Juho Pohjonen, Photo by J. Henry Fair. opposite page Sybarite5, Photo by Bob Hunter
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FEBRUARY
Daniel Bernard Roumain, violin Yayoi Ikawa, piano Redemption Songs and Sonatas
FEBRUARY 4, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Redemption Songs and Sonatas is rooted in a world view of civil rights for all. Conceived and performed by Daniel Bernard Roumain (DBR) on violin and Yayoi Ikawa on piano, this intimate program features some of DBR’s signature and most poignant works infused with the spirit of liberation and freedom. From Bob Marley’s Redemption Song to the Haitian and Israeli national anthems, Redemption Songs and Sonatas is a composer’s view of our desire to define ourselves, our world, and some- times, one another.
Curtis on Tour A Celebration of Leonard Bernstein
FEBRUARY 11, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
In 2018, Curtis on Tour celebrates the centenary of Curtis Institute of Music alumnus Leonard Bernstein with a pro- gram of American music, including works by Bernstein, Copland, and Gershwin. Acclaimed Curtis alumni David Shifrin (clarinet) and Dominic Armstrong (tenor) join Zorá String Quartet (quartet-in- residence) and student Jiacheng Xiong (piano) to perform a program as vibrant, bold, and diverse as America itself. Curtis on Tour is the Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music.
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Trio con Brio Copenhagen To Travel Is to Live
FEBRUARY 18, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
This program includes three lieder by Grieg set to his poems, Gade’s Trio in F Major, op. 42, Mendelssohn’s Trio, op. 66, and Tchaikovsky’s Trio in A Minor.
Narek Hakhnazaryan, cello Noreen Polera, piano
FEBRUARY 25, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Narek Hakhnazaryan joins acclaimed pianist Noreen Polera to perform a lush, virtuosic program of Albéniz, Brahms, Cassadó, Ligeti, Massenet, Schedrin, Schumann, and Tsintsadze. Since winning the Cello First Prize and Gold Medal at the International Tchaikovsky Competition in 2011, at the age of twenty-two, Hakhnazaryan has performed with major orchestras across the globe and has established himself internationally as one of the finest cellists of his generation. The Strad described him as “dazzlingly brilliant” and the Washington Post as “a seasoned phenomenon.”
above Trio con Brio Copenhagen, Photo by John Green. left Narek Hakhnazaryan, Photo by Marco Borggreve. opposite page left Daniel Bernard Roumain, Photo by Julia Cervantes. opposite page right David Shifrin, Photo by Yuki Tei
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MARCH
ETHEL Blue Dress for String Quartet
MARCH 4, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
ETHEL, the post-modern, indie-classical quartet, pays special homage to the brilliant, gorgeous, and masterful women who are making their musical mark on the twenty- first century. Sometimes fierce, sometimes seductive, always full of creativity, composers like Anna Clyne, Missy Mazzoli, and Pulitzer Prize–winner Julia Wolfe, are, through their own voices, warriors and champions of music today. Repertoire by these powerful and contemporary women — including Julia Wolfe’s bluegrass-inspired Blue Dress for String Quartet — is performed with music created by those named and by the com- posers’ personal sources of inspiration.
Janoska Ensemble
MARCH 11, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Recently signed to the prestigious Deutsche Grammophon label, this genre-bending, Vienna-based ensemble is comprised of four brothers, each of whom is a soloist in his own right, and two former members of the Vienna Philharmonic. Janoska infuses classical music with jazz, gypsy, tango, Latin, and a dash of pop and has appeared at many of the world’s leading festivals and presti-gious concert halls, including New York’s Carnegie Hall, Sydney’s Opera House, and Vienna’s Musikverein.
The Canales Project This I Choose . . . A celebration of the choices of extraordinary women
MARCH 18, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
This I Choose . . . is a new initiative by the Canales Project to celebrate and give voice to the stories of women who are helping other women worldwide and changing the world for the better. The project brings together artists in order to create songs, performances, and recordings that offer new, enduring, and powerful insights into the nature of women’s leadership and the challenges women face worldwide. In partnership with Vital Voices, this initiative is also intended to create opportunities for emerging artists.
above ETHEL, Photo by Erin Patrice O’Brien. top right Benedetto Lupo, Photo by Musacchio & Ianniello. bottom right Janoska Ensemble, Photo by Julia Wesely
MUSIC + ART
Benedetto Lupo, piano
MARCH 25, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Celebrating Cézanne Portraits
Benedetto Lupo has been described as an “exceptionally fine pianist . . . who has a remarkably fine touch and beau-tiful tone control” (Oregonian). Praised for his “keen musical intelligence and probing intellect” (Miami Herald) and for combining “meticulous technique with romantic sensitivity” (Birmingham News), Lupo has gained worldwide recognition. On the 100th anniversary of the death of French composer Claude Debussy, Lupo performs an entire concert of the composer’s most important solo piano works.
MUSIC + ART
Heinavanker Ensemble
APRIL 8, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Celebrating Michel Sittow: Estonian Painter at the Courts of Renaissance Europe
The vocal ensemble Heinavanker takes its name from Hieronymous Bosch’s Haywain Triptych. Ancient Estonian runic songs and folk hymns are an important part of the ensemble’s repertoire.
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APRIL
Richard Stoltzman, clarinet Mika Stoltzman, marimba Duo Cantando
APRIL 1, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Grammy Award-winning clarinetist Richard Stoltzman teams up with his wife, marimbist Mika Stoltzman, for their program Duo Cantando. Transcending the boundaries of classical and jazz, the renowned duo perform compositions by Bill Douglas, Chick Corea, Toru Takemitsu, John Zorn, and more.
Fretwork Johann Sebastian Bach, Art of Fugue
APRIL 15, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
“Fretwork is the finest viol consort on the planet.”— Stephen Pettitt, London Evening Standard
Inscape Chamber Orchestra
APRIL 22, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
The program includes Saint-Saëns’s Carnival of the Animals, with new verses by Mark Bamuthi Joseph, and Mahler’s Symphony no. 4, chamber version.
right The Westerlies, Photo by Sasha Arutyunova. top left Richard Stoltzman and Mika Stoltzman, Photo by Lisa Marie Mazzuco. middle left Fretwork, Photo by Chris Dawes. bottom left Heinavanker Ensemble, Courtesy of Heinavanker
The Westerlies The Songs We Sung: American Vocal Music of the 20th Century
APRIL 29, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
In celebration of International Jazz Day
The Westerlies are a New York-based brass quartet comprised of four childhood friends from Seattle, Washington: Riley Mulherkar and Zubin Hensler on trumpet, and Andy Clausen and Willem de Koch on trom- bone. From the songs of Charles Ives to the spirituals of the Golden Gate Jubilee Quartet, the Westerlies reimagine the stylistic intricacies, physical techniques, diction, and textures of the American voice through the expressive palette of their own musical language. In celebration of Interna-tional Jazz Day, the Westerlies premiere a quartet of pieces by Duke Ellington adapted for brass quartet by members of the ensem-ble, to be performed in Ellington’s home-town on his birthday.
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MAY
Julia Bullock, soprano John Arida, piano
MAY 6, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
Julia Bullock is recognized as an “impressive, fast-rising soprano . . . poised for a significant career” (New York Times). Equally at home with opera and concert repertoire, she has captivated and inspired audiences through her versatile artistry, probing intellect, and commanding stage presence. Opera News has extolled Bullock’s “radiant soprano [that] shines brightly and unfailingly. . . . Most compellingly, however, she communicates intense, authentic feeling, as if she were singing right from her soul.”
Christina and Michelle Naughton
MAY 20, 2018 / 3:30
WEST BUILDING, WEST GARDEN COURT
This concert is generously supported by The Gottesman Fund in memory of Milton M. Gottesman
The Naughtons will perform Mozart’s D Major Sonata, K. 381, for four hands; Schubert’s Rondo in A Major, D. 951, for four hands; Bolcom’s Recuerdos; Bach / Kurtag’s Aus tiefer Not Schrei ich zu dir and Gottes Zeit ist der allerbeste Zeit; Debussy’s En Blanc et Noir, for two pianos; Chopin’s Rondo in C Major, for two pianos; and Lutosławski’s Paganini Variations for Two Pianos.
above Christina and Michelle Naughton, Photo by Lisa Marie Mazzucco. top right Ranky Tanky, Photo by Reese Moore. bottom right Julia Bullock, Photo by Christian Steiner
MUSIC + ART
Ranky Tanky
MAY 13, 2018 / 3:30
TBD
Presented in connection with Outliers and American Vanguard Art
“Gullah” comes from a West African language and means “a people blessed by God.” “Ranky Tanky” translates loosely as “Work It,” or “Get Funky!” In this spirit, this Charleston, South Caroli-na-based quintet performs timeless music of Gullah culture born in the southeastern Sea Island region of the United States. From playful game songs to ecstatic shouts, from heartbreaking spirituals to delicate lullabies, the musical roots of Charleston, South Carolina, are “rank” and fertile ground from which these contemporary artists are grateful to have grown.
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CALENDAR
September
SYMPOSIUM AND
COMPOSER’S FORUM
WITH GISLE KVERNDOKK
AND AKSEL-OTTO BULL
9.23 / 2:00 / WLH
NEW YORK OPERA SOCIETY
9.24 / 3:30 / WGC
October
CURTIS ON TOUR
10.1 / 3:30 / WGC
THE CANALES PROJECT
10.8 / 3:30 / WGC
DALÍ QUARTET
WITH ORLANDO COTTO,
PERCUSSION
10.15 / 3:30 / WGC
LINA BAHN AND MATT HAIMOVITZ
WITH ARTICHOKE DANCE
COMPANY
10.22 / 3:30 / WGC
POMERIUM
10.29 / 3:30 / WGC
November
ORPHEUS CHAMBER ORCHESTRA
11.5 / 3:30 / WGC
THE CROSSING
WITH MEMBERS OF ICE
11.12 / 3:30 / WGC
MANTRA PERCUSSION
11.19 / 3:30 / WGC
LACE
11.24 / 2:00 / 4:00 / EGC
LACE
11.25 / 2:00 / 4:00 / EGC
NEW YORK OPERA SOCIETY
11.26 / 3:30 / WGC
December
INNA FALIKS AND
DANIEL SCHLOSBERG
12.3 / 3:30 / WGC
CAROLING IN THE ROTUNDA:
NATIONAL PRESBYTERIAN
SCHOOL CHORUS
12.9 / 1:30 / 2:30 / R
CAROLING IN THE ROTUNDA:
UNITED STATES ARMY CHORUS
12.10 / 1:30 / 2:30 / R
THE SWISS-AMERICAN
MUSICAL SOCIETY
12.10 / 3:30 / WGC
CAROLING IN THE ROTUNDA:
CENTENNIAL HIGH SCHOOL
MADRIGALS
12.16 / 1:30 / 2:30 / R
CAROLING IN THE ROTUNDA:
NATIONAL UNITED METHODIST
CHURCH SINGERS AND RINGERS
12.17 / 1:30 / 2:30 / R
TURTLE ISLAND QUARTET
WITH SPECIAL GUEST
LIZ CARROLL
12.17 / 4:00 / WGC
January
ECLIPSE CHAMBER ORCHESTRA
1.5 / 3:00 / EBA
HARLEM SYMPHONY ORCHESTRA
1.7 / 3:30 / WGC
JUHO POHJONEN, PIANO
1.14 / 3:30 / WGC
PIFFARO
1.21 / 3:30 / WGC
SYBARITE5
1.28 / 3:30 / WGC
February
DANIEL BERNARD ROUMAIN,
VIOLIN
YAYOI IKAWA, PIANO
2.4 / 3:30 / WGC
CURTIS ON TOUR: A CELEBRATION
OF LEONARD BERNSTEIN
2.11 / 3:30 / WGC
TRIO CON BRIO COPENHAGEN
2.18 / 3:30 / WGC
NAREK HAKHNAZARYAN, CELLO
NOREEN POLERA, PIANO
2.25 / 3:30 / WGC
March
ETHEL
3.4 / 3:30 / WGC
JANOSKA ENSEMBLE
3.11 / 3:30 / WGC
THE CANALES PROJECT
3.18 / 3:30 / WGC
BENEDETTO LUPO
3.25 / 3:30 / WGC
April
RICHARD STOLTZMAN, CLARINET
MIKA STOLTZMAN, MARIMBA
4.1 / 3:30 / WGC
HEINAVANKER ENSEMBLE
4.8 / 3:30 / WGC
FRETWORK
4.15 / 3:30 / WGC
INSCAPE CHAMBER ORCHESTRA
4.22 / 3:30 / WGC
THE WESTERLIES
4.29 / 3:30 / WGC
May
JULIA BULLOCK, SOPRANO
JOHN ARIDA, PIANO
5.6 / 3:30 / WGC
RANKY TANKY
5.13 / 3:30 / TBD
CHRISTINA AND
MICHELLE NAUGHTON
5.20 / 3:30 / WGC
eba east building auditorium wgc west building, west garden court wlh west building lecture hall egc west building, east garden court r west building, rotunda wb west building
General Information
Concerts at the Gallery are open to the public, free of charge. Admittance is on a first-come, first-admitted basis thirty minutes before the concert begins. For further information, call 202.842.6941 or visit the Gallery’s website at nga.gov/calendar/concerts.
The National Gallery of Art and its Sculpture Garden are located on the National Mall between 3rd and 9th Streets along Constitution Avenue NW, Washington, DC. Public parking is limited to the surrounding streets and commercial garages.