conventions of psychological genre
TRANSCRIPT
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In my research of psychological films I have
noticed the codes and conventions regularly used in
this genre:
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Characters
! A main or subsidiary person suffers with some kind of delusions and is plagued with hallucinations of the antagonist
! The lines between what’s real and what’s not may be blurred for the audience, as the protagonist works to figure out what’s real
! e.g. Fight Club (1999); the narrator is living a second life but only realises when this character points it out to him. Up until then the audience witness a number of clues to hint at the narrative, but only start to realise when it becomes clear to the narrator
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Costume
! Colloquial, creates a sense of realism
! The protagonist wears normal clothes but his hallucinations may dress oddly, to show how they’re only real in the lead character’s mind
! e.g. Donnie Darko (2001); Donnie is presented as a normal teenage boy and the antagonist is Frank, an unknown figure in a disturbing rabbit suit – making it obvious that he is either a figment of Donnie’s imagination or a very strange person
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Horror
! There is less physical harm or bloody gore, as the horror of fear and discomfort is used
! Not all psychological films use horror aspects but when they do is is generally focused on suspense and tension
! e.g. Psycho (1960); the narrative focuses on the characters and their mental health, but an element of horror is used for the murder scene
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Reality
! Characters and audience alike often struggle to determine what is real and what is not
! It may be revealed to the audience before the protagonist
! e.g. The Shining (1980); Jack struggles to see what’s real, as the audience struggle to see the difference between the supernatural elements of the film and the fact that Jack suffers from schizophrenia
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Mind
! There is usually a first person narrative so we understand what the protagonist is feeling
! We may see the conflict they go through and/or the deterioration of their mental health
! The character’s psychological state is the driving force of the narrative so it helps for us to understand and see their psychological state of mind
! e.g. A Beautiful Mind (2001); We see what John Nash is going through and begin to understand what’s happening, even though he doesn’t know what’s going on
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Identity/perception ! The protagonist often has to discover who they really are
! However, their perception of it can be different to everyone else’s if they are suffering from delusions
! Often we are presented with a perception of reality that is either wrong, and also what the protagonist experiences, or a different one to them; the real world
! e.g. Shutter Island (2010); we are presented with 2 different aims of Teddy Daniels, and it is up to the audience (as well as him) to realise which is right
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Death
! There is often an element of death; the character is either fascinated or scared of it
! There is usually an aspect of dying; either in terms of the character, their past, or their mental health
! e.g. One Flew Over The Cuckoo’s Nest (1975); death is heavily featured in this film, and the ending shows us the lobotomy of the protagonist – leaving him in a vegetative state, as though he has been killed