copy tv parte ii

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    COPY TV

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    Planeacin del comercial

    Los copywriters deben planear cunto

    tiempo durar el comercial, qu tomas

    aparecern en cada escena, cul ser el

    visual principal y dnde y cmo se rodar

    el comercial.

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    Se tiene que considerar al planear un

    comercial son la duracin, el nmero de

    escenas y la imagen clave. Las

    duraciones comunes para comerciales

    son 10, 15, 20, 30 y 60 segundos.

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    Los de 10, 15 y 20 segundos se utilizan

    para recordatorios o identificacin del

    producto o de la estacin

    Los de 60 segundos, que es comn en la

    radio, casi ha desaparecido en TV debido

    al aumento del costo del tiempo de

    transmisin.

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    Un anuncio se planea en escenas, es

    decir, segmentos de la accin que ocurrenen una sola locacin. Dentro de una

    escena puede haber varias tomas desde

    diversos ngulos. Por ser un medio visual, a menudo el

    mensaje se desarrolla a partir del visual

    clave que contiene el corazn del

    concepto.

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    Preguntas que debemos

    contestar

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    Cul es la gran idea que se necesita hacer

    entender?

    Cul es el beneficio de la Gran Idea y quin sebeneficia de ella?

    Cmo transformar ese beneficio en un

    elemento visual?

    Conseguir el inters del espectador

    Centrase en un visual clave

    Tener una sola idea

    Observar las reglas de una buena edicin

    Tratar de mostrar el producto

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    Guiones y Storyboards

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    Once a concept or script is written for a film or animation, the next step

    is to make a storyboard. A storyboard visually tells the story of an

    animation panel by panel, kind of like a comic book.

    Your storyboard will should convey some of the following

    information:

    What characters are in the frame, and how are they moving?

    What are the characters saying to each other, if anything?

    How much time has passed between the last frame of the

    storyboard and the current one?

    Where the "camera" is in the scene? Close or far away? Is the

    camera moving?

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    CLOSE-UP SHOT: A close range of distance between the

    camera and the subject.

    DISSOVLE: A transition between two shots, where one shot

    fades away and simultaneously another shot fades in.FADE - A transition from a shot to black where the image

    gradually becomes darker is a Fade Out; or from black where

    the image gradually becomes brighter is a Fade In.

    HIGH CAMERA ANGLE: A camera angle which looks down

    on its subject making it look small, weak or unimportant.

    JUMP CUT: A rapid, jerky transition from one frame to the

    next, either disrupting the flow of time or movement within a

    scene or making an abrupt transition from one scene to

    another.

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    LEVEL CAMERA ANGLE: A camera angle which is even with

    the subject; it may be used as a neutral shot.

    LONG SHOT: A long range of distance between the camera

    and the subject, often providing a broader range of thesetting.

    LOW CAMERA ANGLE: A camera angle which looks up at

    its subject; it makes the subject seem important and powerful.

    PAN: A steady, sweeping movement from one point in a

    scene to another.POV (point of view shot): A shot which is understood to be

    seen from the point of view of a character within the scene.

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    REACTION SHOT- 1.: A shot of someone looking off screen.

    2.: A reaction shot can also be a shot of someone in a

    conversation where they are not given a line of dialogue but

    are just listening to the other person speak.

    TILT: Using a camera on a tripod, the camera moves up ordown to follow the action.

    ZOOM: Use of the camera lens to move closely towards the

    subject.

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    http://www.youtube.com/watch?v=LgDwNxGIuC

    Q

    http://www.youtube.com/watch?v=B4ekzThzjj0&list=PL59794F20F748A3BF

    http://www.youtube.com/watch?v=RoJDcritcmQ

    http://www.youtube.com/watch?v=EotGBQ3WDec

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