creating narrative with digital objects

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Constructing Narrative Using Digital Objects Putting Omeka to Work Shawn Day Newcastle University 31October 2014

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Page 1: Creating Narrative with Digital Objects

Constructing NarrativeUsing Digital Objects

Putting Omeka to Work

Shawn Day

Newcastle University

31October 2014

Page 2: Creating Narrative with Digital Objects

Agenda

Page 3: Creating Narrative with Digital Objects

Objectives

‣ A brief introduction to Metadata, it’s value and how it can be

leveraged in Omeka as a digital narrative tool;

‣ To evaluate what digital narrative tools - such as Omeka or

others - may be of use in sharing your research – and telling

your story.

‣ Why How

Page 4: Creating Narrative with Digital Objects

But First … A Little Context

Who is Getrude Bell?

Page 5: Creating Narrative with Digital Objects

Telling a Story Online

Examples

Page 6: Creating Narrative with Digital Objects

Omeka in Action

‣ Example 2

Page 9: Creating Narrative with Digital Objects

Metadata and the Story

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Who works with Metadata today?

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"If a resource does not have any associated metadata

information, then it is essentially lost."

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"If a resource has erroneous, inconsistent, or not enough

metadata information, then it is essentially non-existent."

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Why and How? - Basic Metadata

‣ What is this resource?

‣ Who created the resource?

‣ When was this resource created or published?

‣ Why was this resource created?

‣ Who owns or how do you purchase the resource?

‣ Can you re-use and/or share this resource? (Licensing)

Page 14: Creating Narrative with Digital Objects

Types of Metadata

‣ Descriptive metadata —> Identification;

‣ Structural metadata —> Referential;

‣ Administrative metadata —> Manage;

‣ Technical metadata —> Production Process;

‣ Preservation metadata —> Preservation Processes;

‣ Rights metadata —> Access and Use.

‣ Some or all

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A Universe of Standards

http://www.dlib.indiana.edu/~jenlrile/metadatamap/seeingstandards.pdf

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A Few Common Standards

‣ Dublin Core (ISO15836)

‣ Resource discovery across domains

‣ General and Abstracted

‣ GIS Metadata (ISO19115) —> OGC GML

‣ VRA Core - Visual Materials

‣ MODS (METS) —> MARC

‣ MPEG21 - Multimedia Resources

Page 17: Creating Narrative with Digital Objects

Why Metadata?

1. Facilitate Discovery of Content;

2. Help Organise Content;

3. Facilitate Harvesting of Content;

4. Support Archiving and Preservation.

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A Rather Quick Introductionto Dublin Core

Just Enough to be Dangerous

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TITLE

‣ Title‣ <dc:title></dc:title>

‣ What the formal name of this resource - how would a user know it?

‣ Examples: title of a painting, photo, document; the name of a

person when using the "person" item type; the name of a lesson

plan.

‣ <dc:title>Arab Gentleman</dc:title>

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SUBJECT

‣ Subject‣ <dc:subject></dc:subject>

‣ What is the domain area/topic (non-spatial or temporal) that the

object is part of?

‣ Controlled vocabularies such as the Getty can help here.

‣ Typically keywords, key phrases, or classification codes.

‣ Examples: Library of Congress subject headings; subject-specific

nomenclature.

‣ <dc:subject>Bell, Gertrude Lowthian 1868-1926 — Journeys —

Pictorial works.</dc:subject>

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DESCRIPTION

‣ Description‣ <dc:description></dc:description>

‣ What sort of short narrative will help a user to know whether this

resource is relevant to their needs?

‣ This is often an abstract, a table of contents or even a graphical

representation of the object

‣ Examples: a photo caption; descriptive information of an

artifact/museum object; summary of a lesson plan; abstract or

summary of a long document.

‣ <dc:description>[Arab gentleman - possibly Am’a Abdullah

Pasha]</dc:description>

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CREATOR

‣ Creator‣ <dc:creator></dc:creator>

‣ Who is responsible for making this digital resource - digtiser, digital

author?

‣ The original author or the digitising institution?

‣ Examples: Author/authors; artists; photographers; institutional

authors or producers, such as university or federal agency.

‣ <dc:creator>Gertrude Bell</dc:creator>

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SOURCE

‣ Source

‣ <dc:source></dc:source>

‣ From what resource did the derived digital resource come from?

‣ This can be a type, a descriptor but best practice recommends a

string conforming to a formal identifier system

‣ Examples: Accession number; Collection of objects; Division of an

archive or library.

‣ <dc:source>Gertrude Bell Papers, Special Collections, Newcastle

University</dc:source>

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PUBLISHER

‣ Publisher‣ <dc:publisher></dc:publisher>

‣ Who (what institution is making this resource available?

‣ If there is a license or copyright involved helps to determine this one

‣ Examples: actual publisher, if there is one; entity or consortium

publishing digital materials.

‣ <dc:publisher>University Library, Newcastle

University</dc:publisher>

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DATE

‣ Date

‣ <dc:date></dc:date>

‣ A point or period in the lifecycle of the digital object

‣ When was this scanned? When was it published?

‣ Consistency - decided by project management - documented

‣ Consider in relation to the coverage of the object ‣ Date is one of the trickiest fields to fill. You will want to decide how best to use

it for your project for consistency. There is an open text field for date so that

you can reflect the type of date information you have whether it is a very

specific date MM/DD/YYYY or if it is "circa 1940".

‣ <dc:date>1905-03</dc:date>

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CONTRIBUTOR

‣ Contributor‣ <dc:contributor></dc:contributor>

‣ Who (individual, institution, organisation - entity) is making this

object available/responsible for its digitisation?

‣ Examples: person who contributed a story or file for an Omeka

collecting project; owner or donor of collected objects.

‣ <dc:contributor>Special Collections, Newcastle

University</dc:contributor>

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RIGHTS

‣ Rights‣ <dc:rights></dc:rights>

‣ What restrictions are held in and over this resource?

‣ This is typically a statement relation to the intellectual and usage

rights relating to this digital object

‣ Examples: spell out conditions of use for specific items here;

Creative Commons type; Public Domain.

‣ <dc:rights>Reproduction of these materials in any format for any purpose other than

personal research and study may constitute a violation of CDPA 1988 and

infringement of rights associated with the materials. Please contact us for

permissions information at [email protected]</dc:rights>

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RELATION

‣ Relation‣ <dc:relation></dc:relation>

‣ What resources are related to this digitised object?

‣ Best practice is to refer to a <dc:identifier>

‣ Examples: a still image of a person entered as a "person" type.

‣ <dc:relation>Gertrude Bell Collection</dc:relation>

Page 30: Creating Narrative with Digital Objects

FORMAT

‣ Format‣ <dc:format></dc:format>

‣ What is the file format of this digital resource?

‣ Examples include size and duration. Recommended best practice is

to use a controlled vocabulary such as the Internet Media Types

(MIME).

‣ <dc:format>JPG</dc:format>

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LANGUAGE

‣ Language‣ <dc:language></dc:language>

‣ What is the language(s) of the digital resource?

‣ Again best practice is to use a controlled vocabulary such as

RFC4646

‣ Examples: English; Russian; Spanish, et al.

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TYPE

‣ Type

‣ <dc:type></dc:type>

‣ What defined type best represents the object you are referencing?

‣ Best practice to use the DCMI Type controlled vocabulary

‣ http://dublincore.org/documents/2010/10/11/dcmi-type-vocabulary/

‣ Examples: For consistency, use item type controlled vocabulary provided

by Omeka: Document, Moving Image, Oral History, Sound, Still Image,

Website, Event, Email, Lesson Plan, Hyperlink, Person, or Interactive

Resource.

‣ <

‣ dc:type>Still Image</dc:type>

Page 33: Creating Narrative with Digital Objects

IDENTIFIER

‣ Identifier‣ <dc:identifier></dc:identifier>

‣ Where will a user find this resource via the web?

‣ A direct and unambiguous identification of the resource - unique

and persistent - handle?

‣ <dc:identifier>658/2</dc:identifier>

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COVERAGE

‣ Coverage‣ <dc:coverage></dc:coverage>

‣ To what defining place or time is this item relevant (spatial or

temporal)?

‣ Typically relies on a controlled vocabulary relevant to the domain,

ie. The Getty Museum / Research Institute

‣ Where appropriate, named places or time periods can be used in

preference to numeric identifiers such as sets of coordinates or date

ranges.

‣ <dc:coverage>Damascus - Syria</dc:coverage>

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An Arab Gentleman – and a Digital Object

‣ <?xml version="1.0"?><!DOCTYPE rdf:RDF PUBLIC "-//DUBLIN CORE//DCMES DTD 2002/07/31//EN"

‣ "http://dublincore.org/documents/2002/07/31/dcmes-xml/dcmes-xml-dtd.dtd">

‣ <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"

‣ xmlns:dc="http://purl.org/dc/elements/1.1/">

‣ <rdf:Description rdf:about="http://nclomeka1.omeka.net/admin/items/show/18">

‣ <dc:title>Arab gentleman</dc:title>

‣ <dc:subject>Bell, Gertrude Lowthian 1868-1926 — Journeys — Pictorial works.</dc:subject>

‣ <dc:description>[Arab gentleman - possibly Am&#039;a Abdullah Pasha]</dc:description>

‣ <dc:creator>Gertrude Bell</dc:creator>

‣ <dc:source>Gertrude Bell Papers, Special Collections, Newcastle University</dc:source>

‣ <dc:publisher>University Library, Newcastle University</dc:publisher>

‣ <dc:date>1905-03</dc:date>

‣ <dc:contributor>Special Collections, Newcastle University</dc:contributor>

‣ <dc:rights>Reproduction of these materials in any format for any purpose other than

personal research and study may constitute a violation of CDPA 1988 and infringement of

rights associated with the materials. Please contact us for permissions information at

[email protected]</dc:rights>

‣ <dc:relation>Gertrude Bell Collection</dc:relation>

‣ <dc:format>JPG</dc:format>

‣ <dc:language>EN</dc:language>

‣ <dc:type>Still Image</dc:type>

‣ <dc:identifier>658/2</dc:identifier>

‣ <dc:coverage>Damascus - Syria</dc:coverage>

‣ </rdf:Description></rdf:RDF>

Page 36: Creating Narrative with Digital Objects

Keepinging the User in Mind

‣ How will people find what they are looking for?

‣ How will they differentiate from one 'thing' over another?

‣ How will your information architecture refer to the digital

objects?

‣ Useful for Straight Dublin Core: Dublin Core Generator

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Lessons

‣ The world is fluid and formats and standards change

‣ How can I choose the right one?

‣ Be consistent and you can transform and evolve - Crosswalks

‣ How can I make the right decisions?

‣ I am a big fan of the Digital Curation Centre (DCC)

‣ They have some very useful tools: http://dcc.ac.uk

Page 38: Creating Narrative with Digital Objects

Exercise One

Getting Intimate with Digital Objects

Page 39: Creating Narrative with Digital Objects

Seeing Metadata in Action

‣ You’ve been given an image and record ID

1. Browse to http://cdm15979.contentdm.oclc.org

2. Login:3. Locate the ‘Newcastle MA training event 201410’

4. Find your record using the filename of the image file

5. Explore the context of the image within the collection -

browse

6. Copy the Dublin Core information – digitally preferred

7. (NotePad)

Page 40: Creating Narrative with Digital Objects

Reporting Back

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Introducing Omeka

Collecting and Managing Digital Objects

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Who’s Behind Omeka?: CNMH

‣ Roy Rosenzweig Centre for New Media and History

‣ Founded 1994

‣ George Mason University in Washington

‣ Collaborative Space Supporting 50+ Scholars

‣ To preserve and present history online

‣ Transform scholarship across the humanities

‣ Supported by grants from AHA, NEH, NHC, Library of

Congress, Mellon, Sloan, Rockefeller and Kellog Foundations

amongst others

Page 43: Creating Narrative with Digital Objects

Products

Zotero

Zotero [zoh-TAIR-oh] is

a free, easy-to-use

Firefox extension to

help you collect,

manage, and cite your

research sources.

Omeka

Designed for cultural

institutions, enthusiasts,

and educators, Omeka is a

platform for publishing

online collections and

exhibitions.

Omeka.net

Let Omeka.net host your

collections, research,

exhibits, and digital

projects.

THATCamp

Short for “The Humanities

and Technology Camp,"

THATCamp is a

BarCamp-style, user-

generated

“unconference” on

digital humanities.

Scripto

Scripto is a free, open

source tool that enables

community transcriptions

of document and

multimedia files.

PressForward

PressForward is

pioneering new

methods to capture

and highlight

orphaned or

underappreciated

scholarship and

share it with digital

humanists across the

web.

ScholarPress

Manage your class,

publish research, or

collaborate on a

conference

presentation with this

hub for scholarly &

educational plugins.

Anthologize

Anthologize is a free, open-

source, plugin that

transforms WordPress into

a platform for publishing

electronic texts.

Survey Builder

Build online surveys that

are especially

applicable to oral

histories.

Timeline Builder

CHNM Labs: Easily create

and manage a timeline

of historical events for

your website.

Serendip-o-matic

Serendip-o-matic connects

your sources to digital

materials located in

libraries, museums, and

archives around the world.

Web Scrapbook

Store all kinds of media

items — URLs,

images, text, and

movies — &

collaborate thru the

CHNM online

scrapbook.

Page 44: Creating Narrative with Digital Objects

What is Omeka?

‣ Omeka was developed at Center for History and New Media

(CHNM) at George Mason University as a "next generation

web publishing platform for museums, historical societies,

scholars, enthusiasts, and educators." The feature-rich offering

provides for the presentation, searching and browsing of digital

collections along with a robust metadata management facility.

Page 45: Creating Narrative with Digital Objects
Page 46: Creating Narrative with Digital Objects

Situating Omeka

Page 47: Creating Narrative with Digital Objects

OMEKA Core Features

‣ Based on Open Source

Technology: Linux, Apache,

MySQL, PHP;

‣ Free to Use, Free to

Change;

‣ Easy to Use;

‣ Change Design using

Themes;

‣ Add Functionality with Plug-

Ins;

‣ Unqualified Dublin Core

Metadata;

‣ Strong Support Community;

‣ Extensible, Scalable,

Flexible;

‣ Interoperable

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What is 'an Omeka'‣ An Omeka 'instance' contains:

‣ Items (digital Objects of various types)

‣ Collections (of objects)

‣ Sites (set of collections)

‣ Exhibits (curated subsets of site

collections)

Page 49: Creating Narrative with Digital Objects

Exercise Two:

Adding Digital Objects to a Collection

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Workshop Logistics

1. Your have chosen your own username and password

2. Please access your User Account on

http://nclomeka1.omeka.net/admin

‣ You are all SuperAdmins – really super!

‣ Our first objective is to Add an Item to the Collection

‣ Follow Along in Your Own Browser

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Logging In

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The Dashboard

‣ The Dashboard is where it all happens

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Item List

‣ All of the digital objects

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Add an Item

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Specify Item Type

‣ You can select from the default ypes supported by Omeka.

‣ These can correspond to the dc:type but not tied directly

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Supported Item Types

‣ Document

‣ Still Image

‣ Moving Image

‣ Sound

‣ Oral History

‣ Email

‣ Lesson Plan

‣ Website

‣ HyperLink

‣ Event (Time-Based

Occurrence)

‣ Person (Biographic)

‣ Interactive Resource

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Add an Item

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Add an Item

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Add a File to the Item

‣ You can have one or multiple files;

‣ Depends on type of item.

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Add an Item – Optional but Fun

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Add Tags to the Item

‣ Why Tags with all the DC metadata?

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The Completed Item

Page 63: Creating Narrative with Digital Objects

Adding an Item and its MetaData

‣ Return to the Item List

‣ Choose Add Item

‣ Take your Metadata record and populate the item record

‣ Dublin Core more info: http://dublincore.org‣ 15 Metadata Elements of a generic and wide-ranging number of

digital resources;

‣ Each Dublin Core element is optional and may be repeated

Page 64: Creating Narrative with Digital Objects

Where We are At : Item Added

‣ Enter data to the best of your ability for the Dublin Core info -

bearing in mind not all fields are mandatory;

‣ Title, Description and Subject important.

‣ Title:

‣ Description:

‣ Subject:

Page 65: Creating Narrative with Digital Objects

Spend time thinking about your metadata in advance

‣ It’s really about best practice

which means although you can

touch and feel an object, you

must define it properly first

Page 66: Creating Narrative with Digital Objects

Let’s Take a Look at What We Have

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The Steps in Adding an Item

1. Go to the DashBoard

2. View Existing Items

3. Choose Add Item

4. Take the Metadata You Have along with the Image File and

create an Item and locate it geospatially.

5. Choose a Collection to which it belongs

6. Save and you are Done.

7. There is an alternative.

Page 68: Creating Narrative with Digital Objects

Batch Uploading

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Remember this stuff?

Page 70: Creating Narrative with Digital Objects

Dublin Core in Excel

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Batch Uploading

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Lunch

(Phew!)

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Managing Omeka

Page 74: Creating Narrative with Digital Objects

The Dashboard

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Appearance - Themes

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Plug-ins

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Users

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Settings

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Building a Narrative Exhibit

Leveraging Exhibit to Tell A Good Story

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Create an Exhibit

‣ What is an Exhibit?

A carefully composed and curated digital showcase that

organizes the images, texts, video, audio, and other uploaded

items on your Omeka site into a coherent narrative for people

to browse.

- Harriet Green, Librarian, University of Illinois Scholarly Commons

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Create an Exhibit

‣ Exhibits consist of Sections and Pages and Groups of

Collections and Items

‣ The first step is to take the time to plan your exhibit to consider

basic user interaction.

Page 82: Creating Narrative with Digital Objects

Create an Exhibit

‣ Time spent at this stage is

essential - define the display

architecture

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Consider Your Assets

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A Collaborative Narrative Platform

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Considerations

‣ Browse versus Search

‣ Guided versus Serendipitous

‣ Navigation

‣ Story Arc

‣ The Glue

‣ Varying Levels of Engagement

Page 87: Creating Narrative with Digital Objects

A Simple Metaphor

‣ Museum

‣ Wings

‣ Rooms

‣ Tours

‣ Objects

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A Simple Metaphor

‣ Omeka

‣ Collections

‣ Exhibits

‣ Pages

‣ Items

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A Simple Metaphor

‣ Omeka

‣ Collections

‣ Exhibits

‣ Pages

‣ Items

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Planning an Omeka Site

1 What is the Primary Goal for the Site?

2 Who is the Primary Audience for the Site?

1 Who Else Might Use the site? - Secondary audiences?

3 What sections will this Site or Exhibit Include?

1 Items: (renamed however you would like Archive/Sources/Objects) links to a

browseable list of items, sortable by type of item and tags.

2 Collections (renamed however you would like): groups of items, public can dig

through collection to find items.

3 Exhibits: (renamed however you would like) Exhibits contain interpretative text and

rely on items/sources/objects as their building blocks.

4 About-- a simple page good for publishing project descriptions, credits, rights, et al

4 Keyword Search box – option to link to advanced search page

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Create an Exhibit

‣ Make sure that the Exhibit Plug-In in installed and Enabled

Page 93: Creating Narrative with Digital Objects

Create an Exhibit

‣ Add an Exhibit

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Create an Exhibit

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Add a Page

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Populate Page Sections

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So, Where are we Now?

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You can Add Static Page

‣ Use the Simple Page Plug-In to Add A Static Page

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Group Exercise : Build An Exhibit

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Possible Sources

‣ http://www.gerty.ncl.ac.uk

‣ http://en.wikipedia.org/wiki/Gertrude_Bell

‣ https://www.kickstarter.com/projects/lettersfrombaghdad/letters

-from-baghdad-a-film-about-gertrude-bell

‣ http://lettersfrombaghdadthemovie.com

‣ http://cdm15979.contentdm.oclc.org/cdm/search/collection/p15

979coll24

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Extending Collections

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Thinking About Items in Your Site1. The item is the building block of your site.

1. Add the objects and materials you want to display in your site.

2. Add descriptions using some or all of the standard Dublin Core fields.

3. Once you have items in the Omeka archive, then you can build an exhibit with them or

display categories of items organized by collections or tags.

2. Determine the types of items/sources/objects you plan to use in this site:

(ie, Document, Still Image, Moving Image, Audio, et al),

3. Do you want to modify any of the item type fields or types?

See Item_Types for additional types and explanations.

4. Do you need additional core fields? —> Install the Dublin Core Extended plugin.

5. It is wise to determine before you start building the item archive what type of consistencies

you desire in your metadata--this may be especially true for fields such as date, publisher,

creator, et al.

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What About All those Lovely Plugins?

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To Control Data Entry

‣ Establish your own

Controlled Vocabulary for

specific metadata fields?

‣ Make it easier for your team

to enter consistent data?

‣ Install SimpleVocab

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Use Library of Congress Subjects

• Do you want to easily use

Library of Congress subject

headings?

• Do you want to make it

easier for entry and ensure

consistency?

• > Library of Congress

Suggest

Page 106: Creating Narrative with Digital Objects

Do You Want to Establish Your Own Taxonomy?

• Do you want to establish a controlled tagging schema?

• You may add tags to individual items and exhibits;

• Before building your archive you may want to devise this

schema to help control vocab and spelling;

• Tags can help you pull together different items for the purpose

of arranging them on a map or creating navigational links to

browse items with a specific tag;

• This is a standard feature for Omeka Items.

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Do You Have Objects in other Repositories?

• You may be able to batch add

them into your Omeka site.

Can items be exported in a

Comma Separated Value

format?

Is there an OAI-PMH

harvestable set?

• Do you have hundreds of files,

or large media files?

• Are you using Fedora?

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Do Your Objects Have Locations?

• Activate the Geolocation Plugin.

• You must geolocate each item

individually.

• A Great way to browse a

collection.

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Do You Want to Crowdsource Your Content?

• Collaborate with MyOmeka• Create Custom Tags and

Annotations

• Collect these to Author Posters

• Contribution Plugin

• a way to collect stories,

images, or other files from the

public and manage those

contributions in your Omeka

archive as items.

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Do You Want to Make Your Site Social?

• Add social bookmarking icons to

the bottom of items;

• Allow users to share links to that

item w/their social networks.

• Allow the public to ‘comment’

using the Omeka Comment

Plug-In

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Do You Want to Extend a Physical Exhibit?

• The Reports And Codes Plugin

exports a list of items

selected/browsed/matching

criteria and generates PDFs of

QR Codes.

• Use Mobile Devices to Browse

Omeka Collectionss for more

information

Page 112: Creating Narrative with Digital Objects

Do You Want to Have Users Read Supporting Documents Online?

• Use the DocsViewer Plugin

• Embeds a Google document

viewer into item show pages.

PDF documents, PowerPoint

presentations, TIFF files, and

some Microsoft Word

documents are supported.

Page 113: Creating Narrative with Digital Objects

Do You Want to Transcribe Items?

• Crowdsource the transcription of

Omeka Items.

• Uses MediaWiki, and Scripto

allowing items with files to be

transcribed.

Transcriptions are then captured

into Omeka.

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Extending Omeka Even Further

‣ Do you want to allow users to be notified of changes to your

items, collections, or exhibits? ‣ —> Atom Output (Atom Syndication Format)

‣ Do you want users to be able to harvest objects to their own

bibliographic managers (such as Zotero)?‣ —> COinS metadata

‣ Do you want to track user demographics?‣ —> Google Analytics

‣ Do you want to generate derivative images?‣ —> Derivatives plug-in

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Do You need Help?

http://info.omeka.net

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Omeka in a Nutshell

Pros

‣ Simple

‣ Lightweight

‣ Standards-Based

‣ Extensible

‣ Embeddable in other

systems

Cons

‣ Scalability

‣ Restrictions on Look and

Feel

‣ Extensive customisation

means getting into code

‣ A few lingering mobile

usage issues

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Comparing omeka.net and omeka.orgFeatures omeka.org omeka.net

Server LAMP server required no server required

FTP client Required for file uploads and modifying Omeka not required

Web-based administrative interface Yes Yes

Storage Space Determined by your server adminDetermined by your plan: 500 mb; 1 gb; 5 gb; 10 gb; or

25gb

File size limitationsDetermined by your server admin, with ability to use

Dropbox plugin for files that exceed that limit.32 mb maximum

Sites per Installation One website for one Omeka installationDepending on plan, multiple sites available managed by

one user.

Custom Domain RedirectsYou may point any Omeka installation to any domain

name.

No redirects available. All sites are subdomains of

Omeka.net (yoursite.omeka.net)

Plugins and ThemesAny and all available in Add-ons directory (see more on

other pages)

Not all Omeka plugins are available for use on .Net. And

availability of those plugins depends on the plan chosen

(see more on other pages).

PricingFree: all versions of Omeka, and all of its plugins and

themes are free and will be always.

Free basic plan will always be available, with other options

available for small fee: http://www.omeka.net/signup

Support User Forums: http://omeka.org/forumsHelp section with detailed instructions:

http://info.omeka.net

Developers' Google Group:

https://groups.google.com/group/omeka-dev/Troubleshooting help form: http://info.omeka.net/contact

Advanced development: GitHub: http://github.org/omeka

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Digital Narrative Alternatives

Page 119: Creating Narrative with Digital Objects

Alternatives

‣ WordPress

‣ Drupal

‣ Exhibit?

‣ ContentDM

‣ Duraspace (DSpace and Fedora)

‣ MapStory ESRI

‣ StoryMapJS

‣ NeatLine ....

‣ Noting that Omeka and these all can co-exist

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Wordpress

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Exhibit

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Thank You

Shawn Day - [email protected] - @iridium

The Library/Institute for Collaborative Research in the Humanities

18 University Square - Ground Floor

http://qubdh.co.uk