cristina manzoni architecture portfolio

3About Me, Cristina ManzoniI obtained a MArch degree at the faculty of Architecture and society in Politecnico di Milano. The topic of my with thesis is a new understanding of the museum typology: The museum of living coexistence in Circular Quay, Syd-ney. The dissertation represents the unavoidable in-dep-th analysis of the previous project developed during a six months exchange program at the University of Techno-logy in Sydney. This unique opportunity was one of the most stimulating and rewarding experience I have had to date and it allowed me to focus on different aspects and strategies to design in a multicultural environment.

Previously I achieved a bachelor degree at the faculty of Architectures Science in Politecnico di Milano. During the three years program I spent a academic year at the Czech Technical university in Prague where I assimilated a different method to design.

In 2010 I gained my first professional experience working at DNPR Associates. Beside the intense design activity, I enjoyed the opportunity to visit construction sites of com-plex buildings, as well as, interacted with clients. During my gap year I moved to London where I first worked as a sale assistant for Geox and then I worked as an intern architect for Rabih Hage enhancing my professional skills and cultural baggage as a designer thanks to a stimulating and challenging environment.

Thanks to the daily teamwork commitments with collea-gues, as well as, many years of voluntary work for Agesci association I have a clear understanding of team-working value as a fundamental part of the organisational deve-lopment. I am able to create supportive and productive relationships with colleagues. Having considerably travel-led, lived and worked in different countries, I have gained the ability to deal with people from a wide spectrum of background, adapting my behaviour and my words to the interlocutors.

Thanks to the work experiences and my university stu-dies I gained the ability to work under pressure, often in challenging conditions and with short-term deadlines, re-specting my duties and offering excellent products, which have always been appreciated and praised from the custo-mers and colleagues.

I am able to work flexibly, learning the tasks quickly and prioritising the most important duties. I have learnt how to deal with the stress and provide the results on time, finding alternative solutions to what originally planned, solving problems in an analytical way.

My ultimate ambition is to learn new skills and improve my architecture knowledge working in a creative environ-ment. I believe I could be a valuable addition to a design team, eager to learn, improve myself and giving ideas.

5TABLE OF CONTENTSAustralian museum of living coexistence, MCA Sydney Identity crisis, MCA, Sydney

The Theatre of Creativity, Borronis Factory, Milan

Housing Bicocca, Bicocca district, Milan

A new space for art, Porta Volta, Milan

A sustainable campus Citt Studi, Milan

Workshop UnExpected MateReality

Phisical Models

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7Graduation Project

The experience as an exchange student into the design studio Identity crisis at the University of Technology in Sydney drive me to rethink about the problematics into the area and reopen the project as my graduation thesis in Politecnico di Milano.

Graduation project, Prof. Ingrid Paoletti

9ARCHITECTURAL DESIGN STUDIOAcademic year 2012-2013University of Technology SydneyProfessor William Feuerman

Museum of contemporary animals, Sydney

The starting point of the project was our proposal for the new Museum of Contemporary Art and Petting Zoo, de-signed in 2012. The aim of the previous project was the building to respond to its site in a way that the current museum does not. The value of the exhisting building has been argued more than once and accused to be autopoietic. Self-generating and selfmultiplying, autopoiesis is a cancerous condition manifesting itself architecturally in outbreaks of mindless, space-filling, selfreferential geometries. Situated in Circu-lar Quay and surrounded by the most identifiable buildin-gs in the country, such as the Opera House, the Harbour bridge, Sydneys ferry terminal, this building seeks to ce-lebrate rather than disregard its surrounding context. The building absorbs and emphasizes the fixed as well as chan-ging image of Sydney. The site surrounding our precedent OMAs Casa da Musica is distorted by the geometry of

the building, here our projects uses this process in re-verse; the building is shaped by the context carved out along main visual axis to the Sydneys iconic landmarks, projecting them back inside the building.Through snap-shots of context separated from program, a sequence of events is constructed which builds to a finale on the roof terrace, where the two are unified allowing visitor to reflect on the identity of Sydneys icons and by extention to the surrounding area, through the lenses of contradi-cting programmatic requirements.

Architectural design studio, Prof. William Feuerman

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Combination Matrix

Identity CrisisCriteria

Sanaa, 21st Century Museum of Contemporary Art

Circulation Circulation Circulation

Form

Landscape

ContextSecond floor plan +6.50m

Private/Public

Landscape

Visual connection

Programme

Structure

Facade

OMA, Casa da Musica

FOA, Yokohama International Port Terminal

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1 Tasmanian devil2 Dingo3 Wombat4 Dugong5 Video room

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Architectural design studio UTS, Prof. William Feuerman

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5 20

Discovering Australia Emotional and discovery process

Longitudinal section

See belowSee behind glass Face off terrace See behind window

OPEN THE CAGES

4 m

9 m

12,5 m

16 m

19,5 m

23 m

6 m

0 1 2 5 10

Architectural design studio UTS, Prof. William Feuerman

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The aim of this project is to design a unique building both in its shape and program in order to create an uncommon, exclusive well adapted to the context(s) new building. The existing building on the area, the MCA does not respond to the site and it was defined as a superimposition of dif-ferent shape boxes. It does not solve areas problems relat-ed to the use during the night and to the lack of connec-tion in between the historical quarter the Rocks and the promenade leading to the famous Opera House. On the bases of those premises our approach to the design start-ed with a strong, deep and critical analysis of the context. From such analysis it emerges the importance of the area both for the citizen and for tourists visiting Australia, it is a proper gateway of people. Such considerations encour-age us to develop a program related to sport, Australian wild nature and a museum. The heterogeneity of the pro-gram and the will of melt the function together drive us to investigate on the possibilities of hybrid architecture de-sign. We reaches a form organized in main cores hosting

the peculiar Australian habitats around which the col-lection of the museum it is unrolled; on the promenade level the sport center is developed next to a leisure side made of a restaurant and a cafeteria. All those functions are addressed to different typology of users; tourist, vis-itors, workers, citizen and animals living in the habitats. The external public space is studied to take advantage of the site stunning location with spectacular views over Sydney Harbour to the Opera House, as well as creating a new attractor point in the quay. In conclusion, the re-sulting building is well adapted to the location. Indeed it is a unique construction within the country where our ambition was to provide an alternative way to live and ex-perience common programs tied to Australian tradition.

GRADUATION PROJECT Academic year 2013-2014Professor Ingrid PaolettiGroup project

Australian MUSEUM of living Coexistence, Sydney


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KANGAROOS

NEXT10 km

CLIMBERS

NEXT5 km

CBD USERS

NEXT10 km

TRAVELLERS

NEXT5 km

A distinctive natureNature is a precious topic for Australia. Althought, the iden-tity of all Australians is shaped by a relationship with the natural environment, the most of theme are not consciouss of the wide set of habitats.

Migrations and new nomadsCircular Quay is a neuralgic crossover for both tourists, travellers, workers and inhabitans. The context with the Opera House, Harbour Bridge, CBD and ferry terminals attracts disparate users .

National sport identitySports and activities are part of everyday life for australian inhabitants, sporting successes have assisted the emerging nation of Australia to establish its character.

A museum of coexistenceIn order to fulfill the needs of the users the essence of a new museum is the coexistence of animals living their habitat, visitors the museum and customers of the sport center and recreational center.

ree dierent programs operate togheter and

indipendently

Osmosis through programs

Relation between system and context

Dierentiation into subprograms Relation between subpro-

grams thorough Klein bottle intersection

Study of superimposition of dierent programs circula-

tions

Study of superimposi-tion of dierent

programs circulations

Morphological study

Diagramatic section of conical elements and podium

From cilindrical to conical volumes

Relation between cilindrical elements and

the context

Relation between a central volume and other spaces

through circulationAddition of two dierent programs to a third one

Volumetrical addition of a third program

Connections between dierent parts of the

programs and the public space

Massing

Plan shape of the cones

Overlap three programs

Connections between with the system and intersection with

landscape Massing study and connections between doerent

portions of the system and intersection with landscape

Ramp connection and external skin modeling

Australian Museum of livingcoexistence

Interior modeling through surfaces systems

Form finding diagrams


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Conical volums, nucleus of the building

?!PARK ?!

PARK

?!PARK ?!

PARK

?!PARK ?!

PARK

Process

Improve the image of the site Share differences through architecture

Sports and leisure part of everyday life

A new tipology against an arts container Adaption to the context


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ProgramLandscapeThird floorMain exhibition 2100mq

Second floorMain exhbition 1500mqTemporary 1100mq

First floor, George StreetCafeteria 45mqSeatin area 115mqService room 20mqShop 60mqEntrance 85mqHall 550mqMain exhibition 1000mqAdministration 530mqConference room 150mq

Ground floor, PromenadeDaintree habitat 680mqDesert habitat 420mqGumtree habitat 390mqRock habitat 520mqGym 350mqChanging room 110mqTechnical rooms 220mqSpa and massage 265mqSwimming pool 550mqBulder 100mqKitchen/services 130mqRestaurant/caf 850 mqInfo point 200mq

Underground floorMain exhibition 2000mqDeep water tank 560mqCoral reef tank 350mqTechnical room 210mq

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Third floorMain exhibition 2100mq

Second floorMain exhbition 1500mqTemporary 1100mq

First floor, George StreetCafeteria 45mqSeatin area 115mqService room 20mqShop 60mqEntrance 85mqHall 550mqMain exhibition 1000mqAdministration 530mqConference room 150mq

Ground floor, PromenadeDaintree habitat 680mqDesert habitat 420mqGumtree habitat 390mqRock habitat 520mqGym 350mqChanging room 110mqTechnical rooms 220mqSpa and massage 265mqSwimming pool 550mqBulder 100mqKitchen/services 130mqRestaurant/caf 850 mqInfo point 200mq

Underground floorMain exhibition 2000mqDeep water tank 560mqCoral reef tank 350mqTechnical room 210mq

Main entrance Upper square

Lower square Promenade

George street Under highway

1 2

3 4

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Landscape views


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Section

AUSTRALIANMUSEUM OFLIVING COEXISTENCE

5SectionAustralian Museum of Living CoexistenceSupervisor: Ingrid Paoletti Cosupervisor: Roberto Stefano NaboniEdoardo Binda, Mattia Bravin, Cristina Manzoni

SectionGraduation project, Prof. Ingrid Paoletti

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Section

AUSTRALIANMUSEUM OFLIVING COEXISTENCE

5SectionAustralian Museum of Living CoexistenceSupervisor: Ingrid Paoletti Cosupervisor: Roberto Stefano NaboniEdoardo Binda, Mattia Bravin, Cristina Manzoni


1 Main hall2 Cafeteria3 Cloackroom4 Reception5 Services6 Shop7 Sculpture8 Small object9 Statues10 Conference room11 Kitchen

12 Chill out area13 Administration14 Director

Legend

Museum

5m 40m

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Climbing the rock habitat

Yoga in the gumtree forest

Entrance hall

First floor

Underground floor Swimming over the Great Barrier Reef

Museum views and leisure contacts


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Exhibition pathFirst floor: The wild Australia Second floor: The British period Third floor: Australia Today Underground floor: The biodiversity

Circular Quay The Rock Gumtree habitat

Systems analysis Habitat units and exhibition layout

main staircasesmall statueshabitat space gallery big statues / performance space exterior

internal voidexhibition spacehabitat space exhibition space exterior

exhibition space habitat space habitat space

habitat spaceobjects exterior habitat spacegallery

gallery

staircaseexterior

habitat space statues projection exteriorexteriorexterior





gallery

staircaseexterior






gallery

staircaseexterior






gallery

staircaseexterior

habitat space statues projection exteriorexteriorexterior Podium Double short wallWall and short wallExternal light

Double height artificial light





gallery

staircaseexterior


No podiumPodium and short wall

Double height and podium

Double wallHabitat light


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Leisure layout Dry system

Water system

Spa and thermal center

Contact between gym and rainforest habitat

Swimming pool

Scuba diving

Contact between climbin wall and rock habitat

Free space contact between rock habitat and gumtree habitat

Heater

Filter

Skimmer

Filter

Heater

Sydneys bay water

Fertilizer

Water tankWater tank

Water filtering systemEnvironmental control system

Heating/Cooling system

The heating and cooling system needs to be set-ted up on various temperature depending on the specific habitat and its temperature leap between day and night.

Light diffusion

The different materials cladding of the inner membrane allows the light to refract inside the habitat. An artificial lighting system is added both on the surfaces of the cone and the floor.

Natural ventilation

The openings on the roof are designed to as-sure a natural ventilation through the conical volume.


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Finishing panels

Acustic insulation panels

Alluminium support frame

Device space

Steam barrier

EPS insulation layer

Steel frame

Reinforced concrete

Habitat device Solid soil for tall trees Exhibition

Final skin

Opening mapping

Paneling (1x2.5m)

Building shape

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Technology and skin

Urban section

Design steps


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INTERIOR DESIGN STUDIOBachelor degree, Politecnico di MilanoAcademic year 2007-2008Professor Letizia CaruzzoGroup project

The THEATRE of Creativity, Borronis factory, Milan

The Borronis factory is a nineteenth-century industrial building hosting art exhibition nowadays. The main idea of the project is to recover and convert some of the factory premises in a theatre exhibition, not just with the intent of reusing a derelict building but with the aim of creating a centre of considerable cultural expansion. The commis-sioner asks us to create an eclectic space, versatile and suit-able for different needs. It involves respecting the existing proportions and details whilst introducing new materials to create a fresh new-old dialogue.The result is an Experimental theatre, where the role of the audience in the performance is fundamental and the whole project is based on this function. The theatre is a multipurpose space with a spacious terrace and small bal-conies suspended. The outdoor area can be connected to the indoor space thanks to a wide slit on the main wall.

The design take form from several references such as the Tate Modern art gallery, the project of Prometeo by Renzo Piano, Le Corbusier, boite miracle and for the steel inte-rior the Jean Nouvelles Fondazione Cartier.An accurate choice of materials has been made and the steel is predominant next to a large amount of oak wood. The detail of both the glass covering panels and the tie roads on the suspended balconies where studied carefully through physical models, sketches and modeling.

Interior design studio, Prof. Letizia Caruzzo

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Theatre into the surrounding area

Preliminar sketch

Plan level +2.00m

Experimental theatre

Longitudinal section foyer and boite


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5 30Cross section foyer

Interiors views

View of the opening from interior to exterior

Perspective view foyer

Perspective view foyers balcony

Perspective view foyers balcony


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ARCHITECTURAL DESIGN STUDIO 3Bachelor degree, Politecnico di MilanoAcademic year 2007-2008Professor Letizia CaruzzoGroup project

The first stage of planning is based on a abstract grid of 60x60m which was later superimposed onto a map of Milan. The main idea developed by the project is the use of different shapes and the composition through the row house typology which overlooks a square. The pub-lic ground floor is extremely permeable in contrast to the main elevation characterized by small squared windows.This choice highlights the relation between public and private spaces, as well as the collective spaces.The composition systems are: the unit and the proportion which means the relation between every single part and the entire building. The unit used and repeated with some variation is of 5,40x5,40metres. The building up to the fifth floor has a square hole which gives the impression of two different buildings reconnected on the last two floors in a uniformed body. The interior space is divided into housing simplex, duplex and triplex with two different

heights on the terrace and accessible thanks to a long bal-cony leading on the west side. The east elevation is like a skin placed on the body of the building defined by a series of small modular windows. A cubic opening and the stairs space out the composition of the windows. The result is a multipurpose building design using the mod-ular system.

HOUSING Bicocca, Bicocca district, Milan

Architectural composition studio, Prof. Francesco Menegatti

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Compositive exercises Grid 60mx60m

Eastern view of the building

Western view of the building Grid addition to Bicocca quarter

Third exerciseFirst exercise

Second exercise

Western section


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Plans Design schemes

Column grid

Ground floor plan

Typical floor planNorth-west view

Houses typology

Shared areas

Mono 324 mqGround floor

Typical floor

Roof floor

Duplex 4966 mqTriplex 1004 mqDistributive area

Eastern section


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Frontal view of the window

Detail of the vertical connection Detail of the duplexs staircase Second floor

First floor

Technological section Typical duplex designViews

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Perspective section


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ARCHITECTURAL DESIGN STUDIOMSc Architecture, Politecnico di MilanoAcademic year 2011-2012Professor Cino ZucchiIndividual project

The strong historical analysis of the site drove the evo-lution of the design proposal. The urban organization of Porta Volta traces back the 15th century when the Mura Spagnole city walls defined the citys growing boundaries. After the opening of the bastion in the late 19th centu-ry, Via Alessandro Volta laid the basis for the citys ex-tension outside the ancient walls, connecting as a new, prominent urban axis the historical center with Cimitero Monumentale. The idea of recreating a physical wall along Viale Francesco Crispi both with stones and keeping the existing trees come from the history of the site and the necessity of isolating the area from the track street. The analyses of the main access point, as well as, the axes of the site drive the decision where to place the main en-trance of the building and the cut of it along Via Frances-co Bonnet the main street connecting the city center to the site.

The museum is designed as a contemporary gallery with a main hall around which unroll side activities such as the cafeteria and the book shop. Both the temporary and the permanent exhibition are designed into two distinctive branches with double high versatile spaces. The materials choices are, once again, related to the tradition of the city with Ceppo di Gr slabs covering the entire building and plane timber for the interiors.

A New ART GALLERY in Milan, Porta Volta

Design sudio I, Prof. Cino Zucchi

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MasterplanThe wall

Aerial view of the site

Eastern elevation

ArtificialNatural

DepositVertical connectionServicesDistribution spaceTemporary exhibitionMain hallCafeteriaBookshopAuditoriumPermanent exhibition

Design studio II, Prof. Cino Zucchi

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1 Timber boars 2 Porfido slabs 3 Granito stone

4 Concrete

C PlaneB Yok-elmA Magnolia

5 Ceppo di gre

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Materials and trees

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Second floor plan +6.00m

Permanent exhibition proposal

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Rotante primo sezionale n, 1991

Disco solare, 1989-1990

Orizzonte, 1958

Sfera n, 1993-1994

Foundation Arnaldo Pomodoro, 1926-Today

Frammento, LArte delluomo primordiale,Emilio Villa 2004-2008

Plan

Cross section A-A


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Roofed formed by a pre-cast reinforced concrete slab, waterproofing membrane insulator waterproofing membraneSkylightSkylight curb formed by sheet allumium flashing insulation, interlayer plywood panelSolar shading systemSlanted false ceiling formed by gypsum board aluminium c profiles

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Study of the light

Main entrance view

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B

Longitudinal section B-B

Design studio II, Prof. Cino Zucchi

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Main hall


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ARCHITECTURAL DESIGN STUDIO IIMSc architecture, Politecnico di MilanoAcademic year 2012-2013Professor Remo DorigatiIndividual project

A SUSTAINABLE CAMPUS, Citt Studi, Milan

Politecnico sustainable campus is a project with a view to transforming the citys university district into a campus with regard to quality of life. The aim of the project is be-coming sites of genuine exchange and interaction between the university and the surrounding community because, although the campus is architecturally integrated into the city, it is unrelated on the social aspect. An accurate analysis reveal Citt Studis district composed by different blocks of buildings. The Old block which is introvert, composed by eight buildings in a classical language, the modern area with buildings like objects into a platform creating spatial relationships only between each other. The two systems are effectively disconnected among each other, as well as, poor of designed spaces encouraging the encounter between student and citizen. The project is a pure volume that plays the role of integrator in order to combine characters of existing buildings. It is aligned to

the main people flow creating a continuous public space through the pedestrianization of via Bonardi. The area aims to be a social condenser and metropolitan urban re-source. The design of new public spaces and removal of the existing fences improve the permeability and accessibili-ty to the site, as well as the contemporary portico on the ground floor making the building almost floating instead of being a new barrier. The new multifunctional structure recreates a faade to the Politecnico filling the voids on the existing one. An underground exhibition tunnel is the physical connector among the old and modern block enhancing the importance of social common spaces ad-dressed to everyone. The spaces designed are flexible and with a variety of function such as, from the offices, small library and media library, reading room, model room, ex-hibition space and a student dormitory.

Design studio II, Prof. Remo Dorigati

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Social Infrastructure

CITY

CAMPUS

Social fragmentation Uni as close antityes Unrecognizability spaces Barrier with the city

? ??

Physical fragmentation

Need of permeability

The situation of urban campus led to search new space not always near. This situation has led to a fragmentated situation. The project wants to overlap new design elements inside the existing paths to constitute a virtual network of relations.

The size of the campus and the lack of shared spaces between the faculty has led to a fragmentated society. The strategy of the project includes the conversion and creation of spaces for studying, concentration and free time.

Currently, the campus works as a closed entity inside the city, even during the day while being open compeltamente not contain functions that can be used from outside. The creation of a social infrastructure connecting the city to the campus through the new features available for all city users.

The campus currently is using the space available in a traditional way, there are many unused spaces (roofs, gardens, the back of buildings) with a few changes its possible to offer new areas and functions. The project intends to identify those areas and allow modification and propose reuse.

Social aggregation Uni as open antityes Innovative use of spacerecognizable

Physical aggregation

Unrecognizable spacesSocial fragmentation

Data restitution General strategy Masterplan

Social aggregation

Uni as a open entity

Innovative use of the spaces

Social Infrastructure

CITY

CAMPUS

Social fragmentation Uni as close antityes Unrecognizability spaces Barrier with the city

? ??

Physical fragmentation


The situation of urban campus led to search new space not always near. This situation has led to a fragmentated situation. The project wants to overlap new design elements inside the existing paths to constitute a virtual network of relations.

The size of the campus and the lack of shared spaces between the faculty has led to a fragmentated society. The strategy of the project includes the conversion and creation of spaces for studying, concentration and free time.

Currently, the campus works as a closed entity inside the city, even during the day while being open compeltamente not contain functions that can be used from outside. The creation of a social infrastructure connecting the city to the campus through the new features available for all city users.

The campus currently is using the space available in a traditional way, there are many unused spaces (roofs, gardens, the back of buildings) with a few changes its possible to offer new areas and functions. The project intends to identify those areas and allow modification and propose reuse.

Social aggregation Uni as open antityes Innovative use of spacerecognizable

Physical aggregationUni as a close entity

Barrier with the city


Denition of a continuous public space in between the blocks of the campus a social condenser and metropolitan urban resource

Connection between the historical block and the new one

Improve the permeability and accessibility remov-ing the exhisting barriers

Open the area as it were a city block and create a new centrality

Redine the facade on the street

General strategy

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General strategy

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General strategy

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General strategy

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Redefine the facade

Addition Permeability Identity

A new centrality opening the area

Removing the existing barrier

Connection between blocks

Drawing relief

North elevation


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Masterplan PlanCross section B-B

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+ 0.00

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C C

Longitudinal Section C-C


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Joints

ID tags & perforations

Group makingUnrolling & nesting

Final shape

Face extractionRibs extrusion

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UnExpected MateReality.Form finding to fabrication WORKSHOP 02

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Initial mesh

Mesh iterations

Material analysis

Relaxed mesh

Analysis

Subdivision oset

Quad mesh

Triangular mesh subdivision

Interpolate curveFinal shapeForm finding workflow

Pattern workflow

Assembly workflow Final build pavillon

Final topology and final topology with pattern

Topological variation

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030405

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0708 09

01Dene the global positionsMark the position of the

foundations and add double-sided tape

Assign each component to the right group, using color coding

First connect the components in arches, then connect the arches in a vault

Rotate the vaults 180o, then glue the piers to the ground using the double sided tape

Attach the next vault and then connect the rib Voil!

Fold and glueHere is the component!

Workshop, Prof. Ingrid Paoletti

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Model making

Handmade modelsMaterials: cardboard, acetate, PVC, twine, methyl methacrylate, foam,

Josep Maria Jujol, Patronat Obrer Theatre, Tarragona, 1908

Louis Kahn, Phillips Exeter library, Exeter, 1967-1972Urban regeneration, Porta Genova, Milan, Town planning studio

Sydney Circular Quay and the bay, Sydney, Graduation project Australian museum of living coexistence, Sydney, Graduation project

Extention of science and technology museum, Milan, Design studio I

Experimental theatre in Borronis factory, Milan, Interior design studio

Cristina [email protected] (Skype)+39 3460127842

cristina manzoni architecture portfolio

Documents

design team

mca sydney identity

new skills

new understanding

university of technology

university stu

sydney dri

design studio identity